#but it's happy to see him for real and how gabriel likely thinks of himself

[muzzleroars]

I'm sure you've seen that post about Gabriel finding out how V1 sees him, this post in case you haven't, it's pretty funny.

I was thinking though, what about the opposite of that? What if when V1 and Gabriel were in a safe space together V1 chooses to crank up it's graphics and look around. Partially since it gets a chance to actually look at how things are without having to worry about someone getting the drop on it in such an inefficient state but also so it can look at Gabriel in his entirety. A kind of love language exclusive to machines.

It's most likely that V1 probably wouldn't be able to articulate what it's doing to Gabe or that it's a form of trust/compassion, but what would Gabe think of it anyway?

GOOD POST....and yes i absolutely love this little thought...v1, as a war machine, likely doesn't even consider its capacity to have improved "eyesight" and would never otherwise utilize its higher resolutions. it's set at what it considers to be optimal, not only as it conserves its power properly but also because simplifying its field of vision is actually highly beneficial to the chaotic combat of hell. but being with gabriel makes it consider a whole world of things it never could before, its mind growing rapidly in unexpected trajectories and producing thoughts and feelings of a complexity far beyond what it was ever meant to be. and something like this, though it seems small or simple, is relinquishing its capacity to fight in that moment which should be against every protocol v1 has. yet gabriel takes its priority, overriding such concerns to be deemed more important...to be deemed safe from combat-readiness. it sees him in full clarity with a rush of its vents, hot air blasting through fans as gabriel as he truly is renders in its vision - the radiant gold of heaven, the pearlescent armor highlighted in luminous rainbows, gabriel himself gently lit from the inside in a form so solid yet gently shimmering as though on the edge of being a mirage. his wings and halo are unlike anything it's seen, light made manifest, air and glass melded together into brilliant blue hues that contain an entire spectrum within them when they shift - he is full of light and color, and all it wants is to process every pixel of him when it sees what's it's missed all this time.

gabriel is a bit worried at first, v1 going so still and so hot never being a good sign, but soon it's looking all around him in different angles, taking him in enthusiastically enough it's no longer too concerning just. unsettling lol it's hard for v1 to explain this to him when he demands to know what's gotten into it, but once it's able to offer a basic idea of how its visuals operate...gabriel is quietly stunned. v1 is so different from himself, from anything god had made, and he had never considered how it sees the world. how special it is to see it now, taking up so much of its capacity just to look at him, to know that it cares to see nothing else in its true reality but him. he even asks it if there's anything else they might look at, but v1 just flippantly shakes its head, that nothing else is worth the effort. what does it care about the world? and for gabriel, that's striking...to be the one thing in the world that v1 wants to remember in true detail, that he will stand out in its mind against a backdrop of polygons and textures clearly divorced from their realities. so he lets it take all the pictures it wants, and his wings show how they can change their color with a very true, very unique sense of love.

#v1 also shows him on the terminal how it normally sees things #and he's like ???????????? REALLY. THIS WHOLE TIME. lol #v1 says it likes him that way too. still very beautiful! #but it's happy to see him for real and how gabriel likely thinks of himself #i do like the idea that as v1 branches out much more and becomes more curious #it does begin to utilize higher resolutions for exploring/looking around as long as gabe is there to cover it #but initially it's just for gabe #cake answers #gabriel #v1 #gabv1el

[krakensdottir]

Also something really important I want to point out about Aziraphale's religious trauma.

It's often framed as him being directly abused by Heaven, generally emotionally. And while I don't doubt he's been belittled at points - probably not by Gabriel, the iconic exemplar of the Toxic Positivity boss, but we know how Michael and Uriel etc. can be - it also seems like he's received quite a lot of praise and has generally managed to pull off the appearance of being A Good Angel, or at least a satisfactory one. I don't think, and this is controversial, but I don't think Heaven was usually overtly hard on him.

Because that's not how this kind of cult mentality usually operates. Instead, it teaches you to abuse yourself. Your overseers don't have to directly hurt or insult you if you're so ingrained with fear of failure by the culture you were brought up in that you constantly question yourself as not good enough.

It's not as... satisfying, I guess? As an external abuser being the main issue. But it's a lot more real. At least to me, because I suffered so much anxiety over being 'good' when I was a kid, and it wasn't from direct abuse. It was absorbed from the culture I was surrounded by. I picked it up by osmosis from society at large, and it tormented me. I worried, I doubted, there was a time I literally feared going to Hell. And I wasn't raised strongly religious. My mother certainly treated me as a Good Kid, and never gave even the suggestion that I wasn't. But I felt that way anyway. And it tore me apart. Because internalizing that shit makes it so much harder to fight.

And to be clear at this point, I am not saying Heaven isn't abusive. I just think the nature of its abuse is more subtle and insidious than it's often given credit for. And - this is even harder to accept, but it's true, and it's important - it's not just abusive to Az. All the angels are victims of it. Yes, even Gabriel. The moment he, one of the most powerful forces in Heaven, steps out of line, we see that no one is exempt. Never even mind Muriel, who is literally on the lowest rung of the Heavenly ladder and has probably never been told they're worth anything beyond being, you know, an angel, so at least you're better than humans and demons.

It's a contrast with Crowley, who has long since accepted most (not all, there are definitely some deep issues remaining, but they're nothing like Aziraphale's) of his internal doubts and struggles. His fears are almost entirely external. He doesn't beat himself up if he fucks up. He doesn't have to. There are people happy to beat him up for him. So when things go really bad for him, his instinct is to run. To get out of the way of harm as much as possible.

The fact that Aziraphale is harder on himself than anyone else could be is a vital part of his character. He self-punishes. He self-criticizes. He feels awful every time he breaks the rules in the slightest, even though he isn't usually caught at it. Crowley can find some safety in solitude if he keeps his wits sharp and his head down. Aziraphale can't, because he carries Heaven's conditioning with him at all times. He doesn't need oversight, it doesn't take external threats to keep him in line. You don't need direct threats when literally everyone in your celestial workplace has seen firsthand the consequences of rebellion.

I don't know if I'm making sense here. Again, this is informed by personal experience and I can't claim to be unbiased. But I see so much internalization with Aziraphale. He literally can't even accept praise without being nervous as hell, and I don't think it's fear of punishment or ridicule that's his primary motivation. He simply cannot ever be good enough for himself.

That's how they get you.

Anyway, I think it's why his reaction to disaster is the opposite to Crowley's, why he feels he has to turn and face it and somehow avert the horror (or, alternatively, find some way to reconcile it in his head and accept it - because let's be real, that's often what happens) rather than get himself away. He's less afraid of failing his superiors than he is of failing himself. And God, who is, objectively, the biggest abuser in the entire story.

#go s2 spoilers #good omens meta #aziraphale #this internalized stuff hurts so much #and it's SO much harder to shake than other forms of trauma #breaking free from heaven isn't just not easy - it's impossible until he finally accepts that HE isn't a failure for not fixing everything #and that's the part of him that crowley can't wrap his head around #tl;dr heaven's culture is abusive to all its angels and they manifest it in different ways #and aziraphale takes it harder than any other we've seen

[the-knight-of-the-stars]

Little details I really liked in the Miraculous Awakening Movie and that I feel added to the characters:

—Marinette wistfully looking at the dresses on the stores and imagining how she could dress the people around her, showing what she could CREATE if she was more confident on herself.

—Gabriel going to work and see him actually being a designer.

—Adrien and his headphones. It made the isolation he has put himself in and his depression feel so real.

—Nino and Alya having a simple enough and cute dynamic of Nino having a crush on her but not being able to express it and the promise that they could become something else.

—Natalie showing from the start that she may be distant but really cares about Adrien. And is worried about how all this is affecting him.

—Sabrina letting Marinette go.

—The little dynamic Marinette had with her dad.

— All the ladynoir interactions being more intense and the way their playing slowly becomes more flirty.

—The whole "You are my sidekick" to "I'm her sidekick" pipeline. Adorable.

—Adrien being the most dramatic teenager ever hearing the most cliché music on his mind when the falls for Ladybug and then lisening to that same song and crying when he gets rejected.

—The underlying anger on Adrien's depression. I could feel him at every scene hidding how angry he was to his father.

—Being Hawkmoth physically taking a hold on Gabriel. Show him distancing himself from the rest of his life because of his obssesion, how much paranoid and miserable it makes him to not let go.

—Ladybug and Chat Noir being literally stronger when they are together.

—Chat Noir having a secret hideout inside the old theather where his mom used to preform, and him being surrounded by stray cats 😭

—Adrien saying "You have to let it go" to his father and it signifying he has begun to do that as well.

—Coming back to the begining, Marinette literally unlocking the power of creating things because now she belives on herself.

—The way Ladybug and Chat Noir looked so much happier and relaxed when they are together, showing how thay have found an scape with each other. All tied to why they feel so hopeless when they think they may not have those personas anymore.

—How in the end they both come to terms with not needing the mask to be happy, literally tosing it away.

All signified by their clothes that resemble their superhero suits, but wearing them on civilian form. Because the freedom they found being Ladybug and Chat Noir is fully a part of them now

And them ending so content with the thought of not being superheroes anymore because what matters is that they found each other 😭

#miraculous awakening #miraculous ladybug spoilers #miraculous ladybug #miraculous awakening movie #miraculous awakening spoilers #mlb #ml spoilers #ml #ladynoir #marinette dupain cheng #adrien agreste #adrienette

[morerawerbreath]

Fictional Men Ranked Least to Most Likely to Eat Pussy

When I’m bored my powers turn to evil. Happy to announce that @earlymodernlesbian is not only is an enabler but wrote a gay companion piece which you can and should read here!!!! 

10. Mr. Rochester — Jane Eyre

No chance of oral here. Sorry, I don’t think he puts Jane first once in this book. She’s too busy being a ministering angel to ever consider anything above and beyond her wifely duty and I don’t think Rochester ever really stops being a narcissist long enough to consider her desires or even, you know, her life. I bet his french mistress asked him to do it once and he was like “ew, no”

9. Rhett Butler — Gone With the Wind

Rhett says shit like “you ought to be kissed and by someone who knows how,” and then I bet would go down on you one time just to show you what you were missing out on, and then he’d tease you about how much you liked it for months afterwards and refuse to do it again. Imagine how much more normal Scarlett might have been if she was getting regular oral.

8. Konstantin Levin — Anna Karenina

Definitely knows about eating pussy and can’t stop thinking about it. I think he might even shamefully obsess about it in conjunction with his dirty peasant laborer fantasies. However, he also has the ascetic monk thing going on so I bet he hardcore represses his desires to actually do it. That being said, I think if he ever got over himself he’d be way into it.

7. Mr Darcy — Pride and Prejudice

I’m not convinced Mr. Darcy even knows going down on girls is a thing, but once Bingley had filled him in I bet he would try it. Elizabeth I’m sure would not object but I can’t see this happening more than once or twice.

6. Oliver Mellors — Lady Chatterley’s Lover

Mellors has the distinct advantage and disadvantage of being the only character from a book that actually describes sex acts. If it was based solely on what he said (being turned on by getting women off, not shutting up about Connie’s ass, talking about how much he wants a “real” woman with a “real” body), I’d say absolutely he wants to get down there and would use the cringiest words possible to describe it. However, they textually do almost everything else so I feel like if he ate her out DH Lawrence would have told us 😔

EDIT: he goes down on her in the most recent movie!!! vindicated

5. Jonathan Harker — Dracula

Jonathan is obsessed with Mina (rightfully) and loves her to the end of the earth, so of course he’d do anything for her, including eat her out. However, there’s so much putting women on goddess pedestals in Dracula that he might just like, repeatedly kiss her between her legs and and be like, “am I doing this right?” and Mina would be like “I love you so much Jonathan” but she wouldn’t actually get off, you know? 

4. Heathcliff — Wuthering Heights

Someone who is willing to dig up your grave would definitely be down to lick your pussy. Cathy and Heathcliff are so rabid about each other I bet oral is like, one of the least weird things they would have done to each others bodies if they had the chance

3. Gabriel Oak — Far from the Madding Crowd

Not intimidated by Bathsheba’s independence and position of power. Could take care of her and spoil her if she ever let him and they both know it. Plus, not afraid to get down and dirty and do farm work for her. If a man cures your sheep and saves your hay before a storm, what else will he do for you? 👀

2. Mr. Knightley — Emma

Mr. Knightly is the definition of a service top. 100% confident in his masculinity and completely comfortable putting Emma’s needs and wants first, but not gonna let her get away with being high and mighty. Excellent combination of obsessed with her but still in charge. ;) She would get neurotic about it and he would tell her to chill out and he’d be right.

1. George Emerson — A Room with a View

George chugs his respect women juice and is so turned on by the idea of women as individuals with unique desires he can’t stand to see Lucy betray herself by marrying a robot. “I want you to have your own thoughts even when I hold you in my arms” ?!? “The desire to govern a woman lies very deep, and men and women must fight it together before they shall enter the Garden” !! What’s not to love about a pro-Eve humanist who enjoys swimming naked and is constantly telling everyone to be less embarrassed about desire and the body? No question George is going to be eating Lucy out every day of their lives and getting off on it himself.

Bonus: 

Marius Pontmercy — Les Misérables

Shy, but also French. Not sure which one wins out here. 

#pride and prejudice #emma #wuthering heights #a room with a view #far from the madding crowd #gone with the wind #anna karenina #lady chatterley's lover #dracula #jonathan harker #mr darcy #heathcliff #rhett butler #jane eyre #mr rochester #marius #les mis

[badaziraphaletakes]

The autistic community in this fandom has repeatedly said that Aziraphale is extremely autistic coded. Maybe we should start listening. Let's go. *SIGHS*

There's so much I could talk about the critiques I see over this mostly pretty harmless scene, but I'll try to focus on the ableism here:

Aziraphale's playfulness is called "roleplaying" and "dismissive of Crowley's feelings" here. And I must say, as an autistic person, I find it offensive bc this is an extremely autistic coded moment where Aziraphale was unmasking in front of the only person he allows himself to do so and that usually implies he was inviting Crowley to do the same, he was most likely aware of Crowley's anxiety there and making himself vulnerable to him by unmasking, inviting him into his space and vice-versa. (I think calling his special interest, magic, "horrible" is also anti-autistic bias btw)

We never see Aziraphale acting like this with any other character besides Crowley, with whom he does this repeatedly. It's not a new situation. Crowley knows this, and he is used to this kind of behaviour from Aziraphale. And he loves to complain about it btw, and Aziraphale indulges him on that. This is love. This is intimacy.

I know it isn't perfect, I know it lacks verbal communication, but this isn't abusive behaviour in the slightest. Better communication is something they both need to work on after 6k years of having to hide their feelings bc they were being persecuted and abused, the story is telling us this. We have a whole other season for that, the story isn't over.

Now, regarding the second paragraph, the plot made it painfully obvious that the clue was real, so Aziraphale was not going to Edinburgh for fun. He had to go, and Crowley knew it (he never even argued against it), bc of the mystery of Gabriel's situation thay could backfire on them in the future. Who knows what Heaven was doing to their angels (and what they could do to aziracrow!! That's why Crowley had an informant. Didn't Metatron prove this in the end, that the threat was real?). Sure, Aziraphale had fun, bc he was bonding with Crowley through the Bentley and he loves him, so that makes him happy, but that's it. We're allowed to make the most out of a bad situation, guys. It's also a way to deal with stress. Aziraphale and Crowley have different ways of dealing with stress, and both are valid, they're different people, it's normal that they react differently to a crisis.

This scene was a very married moment tbh, filled with comfort with you partner (enough to unmask), an old known and comfortable dance for the both of them, and even an invite to take a step forward in their relationship.

Food for thought: I've been wondering why the fandom likes to say Azi and Crowley are like a "married couple" but some ppl at the same time hate when they in fact act like one?

And finally, again, this is such an autistic coded moment that I, an autistic person, had the exact same interpretation as Aziraphale. I had never noticed, until I read this take, that Crowley could've meant anything other than "you don't know how to drive" lol. Aziraphale was being himself here. His true confident unmasked self. Bc Crowley allows him that. Bc Crowley makes him feel like he can. He wasn't pretending or intentionally misinterpreting or manipulating anyone. Assuming the absolute worst of him bc he interpreted something in a literal way is anti-autistic bias. Assuming the worst of him bc he doesn't use the same code as you to communicate is ableism. Assuming his decision-making logic is invalid bc of the way he acts when unmasking is both.

#mod M😇 #badaziraphaletakes #cw: ableism #cw: anti autistic bias

[actual-changeling]

There is no gun to his head.

I don't know where that notion came from or why so many people are suddenly convinced it is true, but I rewatched the last episode and especially the final fifteen over and over again and it's not real.

So. Let's have a look at the facts, and I mean facts, as in what we see on screen and what we can generally all agree on happens—no metas, no headcanons, just pure canon.

Aziraphale and Crowley just witnessed Gabriel and Beez go off together. They are free, there are no consequences for them, they left and have no interest in returning.

This tells them two things: Any threats from hell or heaven regarding their relationship are void under the current conditions. Hell is understaffed and dealing with its own problems, and heaven is a mess in a different but equally disabling way. The second thing, or rather the consequences of the first, is that they can do the same.

Let that sink in because so many people seem to completely forget about what that scene signifies outside of being a "relationship mirror". There are no consequences when a demon and an angel go off together. In the end, they weren't stopped, everyone kinda sighed and went well, we have our own problems, so they might as well leave.

Now, when the Metatron talks to Aziraphale, that scene is fresh in his mind, it literally just happened. The threat is gone, he does not want to return to heaven in that moment because he is processing what it means for the two of them.

Then, the Metatron offers him the jackpot: Aziraphale gets to fix heaven—make a difference, as he likes to put it—and have Crowley back as an angel. Aziraphale still thinks heaven is fundamentally good and thus the best place to be; angels, the two of them, how great! All of his moral problems have been solved, and, let me stress this over and over, there is no threat.

The Metatron LITERALLY just proved to him that he won't punish angel/demon relationships—he stopped Michael from punishing them. In Aziraphale's eyes, he is the knight in shining armour, threats wouldn't even be necessary.

Additionally, and I have repeated this so many times it has become tedious, Aziraphale does not know about the second coming. He doesn't. The Metatron tells him in front of the elevator, not a second earlier.

To summarize

he has tangible proof that angel/demon relations won't be punished

the Metatron has proven himself to be an ally and trustworthy

there is no dawning apocalypse

Crowley can come back to heaven with him

In conclusion, every single one of Aziraphale's problems disappears. Threats—threats over WHAT?

Do you really think the Metatron would immediately contradict himself and destroy any tentative trust Aziraphale has? Do you think he would jeopardize the blind fearlessness he develops as soon as he mentions the Crowley part of the deal?

Everyone always calls him an evil mastermind, just to turn around and paint him as the dumbest figure imaginable. He knows what he is doing.

When Aziraphale tells Crowley about the decision he has made for them, his voice is genuinely soft. It's real joy, no hidden messages, no nothing. Have you recently re-listened to it? Because I have.

"He said I could appoint you to be an angel."

That happiness and excitement is real, it just is. I rewatched it over and over and I tried to see any hidden meanings, I really did, but he's simply happy. That's all.

Everyone is completely free to have their own theories, you can disagree with my meta thoughts all you want, that's what fandom is for!

But I am so bloody tired of getting "well, actually there was a gun to his head" on every. single. post. that I make about the final fifteen. There was no gun.

You can put one into the Metatron's hands all you like, but it is not canon. It just isn't.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen #good omens meta #just waiting to be thrown to the wolves for this #but like genuinely stop adding that to my posts i am so tired of having to repeat myself over and over and over again

[spiderpussinc]

are the 2099 comics THAT bad in terms of racism plus other weird writing choices??? i'm starved for miguel content and would like to read the original comic run but i keep seeing the debate of the original comics being problematic and/or downright just BAD bad (not to mention miguel is supposed to have mexican heritage but he's straight up a white redhead lol)

Some people may disagree but speaking as a latinx writer; it's bad because it is racist, yes! On multiple fronts!! And beyond that, it's also bad as a complete failure of comics structure and compelling narrative.

Longpost, on readmore;

I say this as a long-time capeshit reader, as politely as possible: Miguel's comics are a *paycheck* book. As in; a series a writer does monthly to be paid for it, but with middling aspirations and downright negative characterization depending on where their mood is.

The first few issues of his 1992 run are relatively complete and well-balanced, may even trick you into thinking this story is going somewhere; but that's only because they're the /character pitch./ Ill skip to the end and tell you upfront. That 1992 series ends with the implosion of the whole "2099" line of comics (an universe that included other books, like ghost rider, doom, etc, by other writers) due to dwindling public interest and mass cancellations. The end of that run is basically meaningless, since the whole thing got retconned - and even before that a guest writer had came in and made mistaken character reveals pdavid wasnt happy with and wanted to erase before the finale. The event book that wrapped up that universe was unironically, literally called -- "2099: Manifest Destiny."

Now, I don't like Peter David's writing. I think he's obsessed with the idea of building harems out of his female characters (when he's not fridging them, or making them act ~crazy~ to further alienate them from the protagonist) and it is the kind of grueling, joyless reading experience I can only describe as making you feel Oily Inside. This goes as far as multiple stalking plotlines, the inclusion of a guest appearance from AU s/x slaver Hulk in later years, Miguel's mother being strongly implied to have been forced into conceiving him by his real dad who's the evil CEO of alchemax, general torture painporn. His broader supporting cast is so interchangeable and disposable that they were literally disposed of.

In terms of the racism; I have mentioned how he uses cultures as tokens and does 0 research whatsoever. The way it feels and the way it is deployed is through a lens of Exoticism - tourism. Miguels suit is allegedly "a dia de los muertos costume" b/c pdavid seems to think that holiday is mexican halloween. In the orig book, you'll see plenty of broken japanese and stereotypical orientalist caricatures - after killing his first love interest, pdavid introduces a japanese girl who is unironically, literally named "Xina" (that pretends to be chinese on occasion) to fill in the vacant role. Miguel himself falls right into all the usual latino stereotypes — short tempered, drug addict, sex magnet "latin lover" (this last one also applied to his brother Gabriel, who for the longest time is characterized by just Going Through A Lot Of Girlfriends). And it's kind of insane bc he's still being drawn as a deeply deeply white man, but not even that takes off the burden of the racial microagressions!!! They're the only times pdavid seems to remember that heritage! Then there's the commemorative hanging page. Since you mention the redheadedness; thats another insane thing to me. He has 0% of irish in him. His dad is Blond. Who is this man?

Most of the info in the 2099 run is either revealed to be a lie midway thru (miguel is not mr o'hara's son, nor addicted to rapture) or completely retconned away to be rewritten in new runs. Different writers have tried to come in and do miguel in other team/event books but frankly nothing stands out and most of them get marked as alternate-miguels. Unfortunately, every time marvel decided to give another shot at spider-man 2099 they also brought pdavid back. The newer books were never a success, and theyre just as filled w/ the garbage i mentioned earlier (wow! Steampunk spider-woman is given to pdavid for *ONE* issue and instantly tonguekisses gabriel before leaving, so novel. More fridging ensues. Stalking. Etc.) 2099 as an *universe* has been retconned so many times Nothing is consistent and Nothing is set on stone and frankly i think they should make it an AU separate from main canon and build a whole new world already.

The art in the 2015 + runs consists mostly of tracing, and more of that oily weird feeling applied to fem chars. Perhaps you have noticed in this entire hate review have never once spoken about Miguel's heroic plots and memorable villains --- he has none. At least nothing I can remember or distinguish. (Interchangeable, disposable, etc) There is a vague inkling of "this is an anti-stabilishment spiderman, he fights against The Public Eye, the Corporation Cops!" at the start but much like his cultural illiteracy pdavid has no real insightful politics commentary, so that dissolves into the background in time. Its all buzzwords. All of his plotlines are solved in circuitous or soap operaish extradrama ways; and while some of this is present in other superhero comics, what stands out to me MOST is how utterly fucking joyless Miguel's comics are. It's like going through a slog on obligation. They genuinely gave me a headache every time.

ATSV does a great job of reinventing Miguel and rebuilding the parts of him that showed real promise. Being a different tone-swapped spiderman, futuristic, being more on the tech-science side of crime fighting. Him being a single dad with a daughter is also new. (And he is single! There is no singular mention of marriage or a wife anywhere, he's a geneticist, multiple spider-men we see in this movie were literal clones made in tubes - i am fond of the idea he's a transmasc dad but even if you think he's cis he could have made that baby himself. Adoption is also always there.) I think its very clear ATSV didn't want to bring any of pdavids major weird shit w fem chars to the big screen on the hopes that miguel gets rebooted eventually. I think he's gay. Nobody can prove me wrong.

On that note, Steve Orlando (queer writer, also wrote for DC's midnighter/apollo) did some of the latest 2022/2023 Miguel miniseries. Another reboot! Those were "2099: Exodus" and "Spider-man 2099: Dark Genesis" - i think its campier/trying to tackle superhero plots more head on and trying to do something wide wacky cast focused at Marvel's personal request, but Miguel's future is very up in the air rn. I do really hope they reboot him into something closer to ATSV with latines at the center soon.

What I always reccomend for people curious abt miguel: read his first 3ish 1992 issues, get a general feel and close the book as soon as you feel annoyed. It won't get better. Remember none of it is canon nor has been relevant in over two decades. If you want to know the wider context of his messy chronology, check out some of the 2099 "all comics" type of youtube videos, theres some pretty easy to digest summarizations if u dont wanna waste ur time reading stuff that just got retconned again lol. Most writers now are operating on vibes and that is a freedom you should also allow yourself in your own fanwork.

Putting his panels out of context can be very funny though. (For further curiosity or tangents, there's always my meta tag)

#meta tag #asks #miguel o'hara #miguel ohara #spiderman 2099 #spiderverse #spider man: across the spider verse #atsv #my spider stuff #atsv miguel #miguel atsv #marvel comics #spiderman #itsv #2099

[redclercs]

DELICATE✰ CHARLES LECLERC.

INTRO: who's y/n anyway? ew.

— the one where everyone tells you who are.

warnings: ignore the timestamps please, online harassment.

masterlist ✢ next

Soft jazz is playing in the living room of y/n y/ln's apartment in SoHo, with all the curtains pulled back the golden hour feels like a golden infinity. We're already in our second cup of coffee, a specialty brought from Veracruz, Mexico by y/n herself.

This is not our first meeting, y/n and I go back a few years, when the box-office hit 'Supercut' sent her straight into stardom and earned her a place in the public's heart. Since then, there has been no other way but up for the young star.

From humble beginnings and a list of failed castings, roles as an extra and endless photoshoots with stock images, y/n knows what it's like to work hard to achieve what you want.

"Sometimes, when I look back at my struggles I wonder what made the universe align in my favor. Hard work only gets you so far, I am incredibly lucky too." She says, eyeing the framed picture of the wrap-up day of her very first movie 'Loneliness', where she played the daughter of a struggling waitress.

"I was in about six scenes, but I couldn't have been more thrilled. It was the first time I felt like a real actress."

Of course, there are other aspects of her life where y/n is extremely fortunate. It has been two years since she started dating Asian-American hearthrob Aidan Kim. Looks like 'Supercut' really was her luckiest strike.

"We do like to keep some things to ourselves," y/n laughs after I ask her for an update on her relationship, I want to know the details behind the lovestagrams we get on a regular basis. "We love and respect each other deeply."

Night has fallen in SoHo and while y/n shuts the curtains, I take my surroundings in once again. A loveseat with a stain on the cushion, a coffee table that Aidan brought from a trip to Nepal where he filmed his newest project, framed pictures of the couple and their families crowd the room. This is the home they have built for themselves.

Some may argue that y/n's specialty are romantic comedies where she gets to play the doe-eyed love interest to the dark and handsome male protagonist, but y/n has her sights set on bigger things. An Oscar nomination, maybe?

"I have fun with the movies I make, but I do want to expand my horizons. I have so many ideas I want to try, I just need a shot to prove myself." She beams with hope, in an ideal world, type-casting wouldn't be a thing.

Speaking of tall, dark and handsome, just as we're about to wrap things up, the door to the apartment opens and Aidan Kim himself comes through bearing a bouquet of roses and bag of take out. A sheepish grin bursts through his face as he realizes the interruption, and does his best attempt to disappear, not before giving a proud thumbs up to his girlfriend. This peek into their private life is enough to see how much they love each other.

"Thank you so much for coming," y/n has been an excellent host this evening, and I am happy to leave her to attend to her love nest. "It was a pleasure."

TWITTER SEARCH: y/n

Y/N’s SOCIALS

Liked by aidankim1, vicpresley, calumhood and others.

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ynstars pretty! hope you had fun babes

effmeaidan you’re only famous thanks to aid

cestbren please tell me you’re really going to be on euphoria

dropbeastsss she’s so fake idk why people like her

dropbeastsss I’m not even aidan’s fan btw

Liked by aidankim1, jessiegrey, vicpresley and others.

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softforyn mY PARENTS

aid4nshoe you followed him to Paris? God let him breathe

loladell my friend saw her today and she refused to take a pic lmao💀

ynflowers can’t wait for you two to get married🥺

↺ FROM ❛FLIXFANS ❜PODCAST MARCH 2022

Chelsea Gonzalez: I just- I feel like y/n is so lazy at this point. Girl you have been doing romcoms for years read a different script.

Gabriel Irwin: [laughs] I don’t think she even reads them anymore. It’s the same role every time that���s just the way she acts on a normal basis now.

Brianna Martin: that’s so mean! Honestly I just feel like she needs to switch agents, there were rumors about that marvel movie and then nothing happened?

↺ FROM YOUTUBE INTERVIEW WITH Y/N IN ❛ONLYFLIX❜ CHANNEL SEPTEMBER 2022

Y/n: I just love being on set, I have so much fun getting to be somebody else and it really feels like I’m in another world.

Ryan Campbell: But your movies aren’t too distanced from your real life situation are they? You have your own movie-like love story with none other than Aidan Kim!

y/n: Oh, uh… yeah I mean, one is fiction and another one isn’t? [laughs] real life relationships are definitely not like the movies.

Ryan Campbell: But how does it feel knowing everyone wishes they were you? I know I do!

y/n: [laughs] I really think we should go back to the movie talk!

↺ FROM ❛IT TALK❜ PODCAST NOVEMBER 2022

Riley Green: [cont.] I mean I loved her look on the red carpet, her stylist LOVES her.

Martha Vincent: y/n is a gorgeous woman, I think that’s why she’s so loved by the public.

Greg Zane: She’s certainly a rising It girl, I just wish we saw her more rather than her fiancé? Boyfriend?

Riley Green: Oh take that back Greg, I’m not about to get cancelled for your shade towards Aidan Kim.

─── team principal radio: ❝ this is my first fic for a f1 driver! exciting! i hope you enjoy this series as much as i'm enjoying creating it. i would love to know your thoughts through comments/reblogs!♡❞

#charles leclerc fanfic #charles leclerc imagine #charles leclerc x female reader #charles leclerc x reader #f1 fanfic #f1 imagine #f1 imagines #f1 x reader #formula 1 fanfic #formula 1 imagines #formula 1 x reader #charles leclerc x you #f1 x y/n #f1 fluff #f1 angst

[doublel27]

Alright, @paperstorm and @liminalmemories21 , based on this post, and your very sweet anon who asked what Carlos thought about TK getting snuggly with his dad:

Carlos is a man who wouldn’t imagine an adult relationship with his father with that much physical contact or intimacy and seeing this very attractive man who has an amazing relationship with his father probably was really, really appealing to Carlos.

We know, now, after four seasons, that Carlos desperately wanted a better relationship with his father than the one he had. When Carlos meets the Strands in 1.01, he finds a father and son team who work together who came down from New York, together, to join the 126. And the idea for Carlos that you could have an active working relationship with your father where the two of you were on the same team and there was as much respect as TK clearly had for his father when Carlos deeply believes his father never wanted him to be in law enforcement because he’s too soft. Carlos Reyes cannot imagine a world in which he is allowed to work with his father and be so unabashedly proud of him.

And then, LATER, at the bar, when Carlos is looking at this man who is actually too attractive to be real, he watches as TK snuggles in and leans on his father, and I agree with @paperstorm that part of this is about touch and that TK is snuggly and this is a good sign. BUT ALSO, that a grown man would cuddle his father in public and his father would ALLOW it. WILD. INCONCEIVABLE. And so very attractive to a man who I think WANTS that.

Which leads me to the part of my essay in which we get to how this leads to 2.04. It’s no secret, I adore 2.04. The lead up from 2.02 when TK is like “you spend so much time around my crazy family, when do I get to meet yours” and Carlos being like “refill?” and then the issue got forced at the farmers market. In the fight that ensues after the farmer’s market, the thing that Carlos says when he explodes is about how not everybody grows up with parents that threw the closet door off the hinges. Because Carlos is deeply envious of TK whose parents didn’t go silent when he came out and then pretended it didn’t happen. He’s envious of a TK who if he had tried to marry a woman a year later would have been like “Ummm….what the actual fuck, TK?” and made him sit and talk about it. (Do I still hate this storyline, yes? But it fits the narrative in this way) and like…not only did you, TK, come out and be accepted and encouraged, but it didn’t put a chasm between you and your parents of what they thought a man should be and what you were.

Like Owen Strand accepts and encourages the man that TK is. He accepts that TK is a gay man who is incredibly physically affectionate with anyone he loves and that’s okay. They still have a physical relationship and it’s not a problem and it’s actually something that is encouraged, meanwhile Carlos hasn’t said an honest thing to his father about who he really is and what he wants outside of showing his father he’s a good cop and a good man. And like, they’re not-not physically affectionate, Gabriel is a hugger, but the hug in 2.08 where Carlos is clearly craving more because his father whispers in his ear about the right kind of instincts still hurts every time, and the way he’s so pleasantly surprised with the hug from his dad in 4.08 after he asks Gabriel to be his best man and they hug for even a little longer and it’s just so happy that it’s relieved almost and that required a lot of work on Carlos and Gabriel’s parts to get there.

And so yeah, I think if we think about who Carlos says he was, and who we knew him to be in season 1, this man who was very clearly locked up in his own sense of who he should be versus who he is at his core, and what he craves. The narrative throughout season 4, that Carlos brings up, is that TK was the key that unlocked a lot of the parts of himself he didn’t accept and wanted to fix. And I think he saw this grown man who is gay and his age having the kind of relationship he wanted with his father and that man’s father not only accepted it but openly encouraged it and wasn’t embarrassed…I think it meant the world to Carlos.

I think he saw TK and not only wanted him but wanted to believe that the life TK had was possible for himself, and he wanted to get there. And damn it he did.

Which I think made it even harder for Carlos, in seasons 1 and 2, who was working to get rid of the idea that the queer parts of him and the parts of him that didn’t live up to the machismo of his community were broken and in need of fixing, to introduce this very unabashedly unashamed person to his parents. In 2.04, Carlos talks a lot about not wanting to shove his gayness in his parents’ faces, because in some ways the concept that being gay is something in him that needed fixing comes from his family and their lack of conversations in the years before TK.

To introduce TK to his family is the chance to have them confirm that they do feel that way, to reject Carlos and TK, to a man who strives for perfection and doing the right thing…terrifying. Not only for Carlos, but for someone to come and wound TK like that. So he avoided it, until he ran right into it…and then was mad because TK gets from Gwyn and Owen something Carlos wants desperately, and TK has always had it. And then to think of Carlos afraid of his parent’s reaction to TK when Gwyn and Owen just like love Carlos unconditionally…yeah…yeah, I think he was into it and envious from the start.

Which makes me want to go rewatch scenes between Carlos and Gabriel for their physicality for more research. Damn it, haven’t wanted to do that in awhile. Also, if the show would kindly retcon the murder of Gabriel Reyes and I can have a redo of the finale with Gabriel as Carlos’s best man (even though I hate that trope and want Carlos to have friends) as the start of season 5 I may start to forgive them.

(Please go watch With, Love to be filled with joy and rage about what we could have had as Benito is at his other gay son’s wedding…)

#911 lone star #tarlos #carlos reyes #carlos reyes meta #tk strand #owen strand #gabriel reyes #tarlos meta

[theerurishipper]

What's ur opinion on the whole "Blame the writing not the character" thing for writing, cause I think miraculous and its Fandom is a weird case.

Normally I prefer approaching everything from the "Blame the character" angle because at the end of the day all a character is IS their writing (this also applies to good things oc, not just bad). Especially regarding their emotions I don't see much purpose in distancing everything one doesn like about a character from them by saying "Oh, it's just the writing. Disregard it, tahts not who the character truly is" cause at some point that just reads as.. kinda refusing to acknowledge who the character on screen actually is bc one doesn like it.

Miraculous is just a weird case. You can smell the meta decisions 10 miles against the wind - like Marinette and Alya for some reason being able to beat Adrien in battle and Cat Noir pre-s5 being "incompetent". You know exactly that this is not character based writing, Cat has to be weaker than Ladybug and Scarabella because they're girls and they have to look good. It's hard saying Adrien is a weaker fighter in all those cases, or when the temp heros need to be brought in, because you at some level know exactly that there is a meta reason behind it. And that makes it hard to discredit him for that just as much as it's harder to actually give the girls credit for their abilities. They shouldn't be able to beat him so easily, but they do because of their gender and this shows "rules". Just like there is no actual reason in-universe for why he's suddenly on Ladybug's level in season 5. It just is.

(kinda weird how the show also never gave Kagami credit for being a trained fighter either. I guess they thought they can't acknowledge her training either or else they couldn't get away with making Adrien weaker as Cat Noir. So they probably dead ass denied Kagami her special spotlight too for shallow reasons (but at least their consistent)

But on the other hand, I personally don't think Marinette and Adrien leaving in Kwamis choice without saying goodbye to each other is out of character the way most people say it and then just disregard it by saying "it's the writing, not the characters". Rewatching that two parter, it set up alot from the finale, and I don't think them leaving each other like that is out of character just a harsh reality check where we are at after s4.

They never came out of that season actually "better" partnership wise just because Adrien decided to stay by her side these two times and remained kind and supportive. That was decided to be the Cat's definitive job towards the Ladybug so that's what he's continuing to do but that doesn't really concern anything beyond that. In my opinion it is very much questionable how much Ladybug and Cat Noir are actually REAL FRIENDS and not just kind collegues the way Marinette wanted in s4 (with potential for real friendship under better circumstances).

That's also why Adrien gave himself up in the finale, no? If they were real friends he would have been able to ask for her help as she was the only one who could have kept him save because of her yo-yo. But they're just kind collegues, so he didn't.

And just because he stayed her teammate doesn't it mean he's still in love with Ladybug or that he still WANTS to be in love with her after all that pain it caused him. So he made a harsh decision thanks to Plagg and prioritized finally being happy and getting some stability, especially because Gabriel was being fake loving.

And Marinette's romantic feelings for Cat Noir and her acknowledgment of him all together have always been of shakey and chaotic nature. Her feelings for him really started whne she was at her lowest an thinking herself all alone while also being afraid of her feelings for Adrien.

This was from the get go an already dark orange sign for how genuine her feelings are (desperation is always an iffy foundation) and as others already said, she's never seeing more in him than the mask. How can you say you really love a person when you only acknowledge half of their personhood? Marinette only started taking interest in who Cat is when she started getting frustrated by him not reacting the way she wanted him to. If he had I don't think Marinette would have thought about wanting to know who he really is, it really came across like a frustration thing which explained why she was so reckless about it in Elation, and why she then left afterwards.

I don't wanna say she saw no purpose in him anymore after being rejected by him (that's too strong) but we already saw in season 4 that Marinette's treatment or acknowledge of Cat Noir very much reflects what use and purpose she sees in him, hence why he was basically reduced to an irrelevant footnote by the end of season 4. Yes, she wanted him there as teammate but thats it. It's still questionable in my opinion if she even noticed him not showing up anymore at the beginning of Kuro Neko since she reacts surprised when the reporter points out his absence and then claims towards Plagg Cat should be happy that he gets to have time off, as if she just convinced herself that she generously allowed him a week off instead of her having been so deep in team leader mode that she didn't even notice him not showing up anymore.

Marinette not noticing him having stopped showing up is a harsh characterization, but I wouldn't call it out of character in the broader sense.

So her leaving when he rejects her, because she doesn't want to be his friend and teammate but his girlfriend and he said no? Can't say thats out of character either because the show is also really consistent in her characterization that she doesn't see much value in being friends with Adrien either because she loves him, so being friends is the worst thing possible for her.

À décision being harsh and not what one likes doesn mean it's out of character and one should distance the event from the character in one's head.

I think Kwamis choice makes alot of sense, as does the focus on Adrinette instead of Ladynoir, and how the finale played out.

Which goes back to my original question. It's very obvious that there are 20. 000 meta reason controlling the narrative, but in my opinion only in a specific way. Everything still makes sense in my opinion, it just feels so CONTROLLED.

Marinette is a mouthpiece for the writers messages but even if I think the messages are fucked up and hypocritical, I can't say any of it was ever out of character for her?

You get what I mean?

Yeah, I get that. I myself approach it from the "blame the writers" way, but like you said, it's a blurry line. What tips me over ultimately is the fact that Marinette should have grown but clearly didn't. What she does isn't out of character for her for sure, but as far as the writers are concerned, she has grown and she is better, and all the stuff she's doing isn't really a bad thing. So, I can't in good conscience blame the character for being bad when the people who are bringing her to life are the ones who really believe all the stuff that's being said through her. She's supposed to have developed as per the writers' vision, but clearly, she hasn't. It's bad writing, and that really isn't the character's fault. That's how I see it.

Thank you for your ask!

#ML Salt #ML Writing Salt #ML Writers Salt #Marinette Salt #Asks

[im-abanana]

Good omens 2 SPOILERS BELOW!

Let's start off by saying that I never, EVER expected that we would get canon Ineffable Bureaucracy, but here we are, and I'm so happy about it. 🥹

Most importantly, I'd never expected Gabriel and Beelzebub to be a mirror of Aziraphale and Crowley's relationship.

In season 1, Gabriel was the absolute fucking worst.

Self-centered, lacking emphaty, superb, following Heaven's rules to the letter, without a single question, and putting his job as an Archangel (or well, the Supreme Archangel, as we've learned this season) above all else, not really thinking much about Earth, humanity or the opposition's point of view/emotions.

Not only that, but he stubbornly refused to enjoy the life Earth- or anything/anyplace else but Heaven, really- could offer him, in the material (food, music, material objects, ecc...) and emotional sense of the term too, depriving himself of real friendship and love.

Then, he meets Beelzebub in the pub and, for the first time, he feels understood. After 6000 years of bearing the sense of loneliness authority and responsibility imply, and being stuck in his own, bigoted head, he finally finds someone who gets him.

On the other hand, Aziraphale has always been a... peculiar angel, to say the least. He has learned to perfectly blend in with the humans, enjoy their creations and Earth's delicacies, such as food, good music, books, magic tricks, etc... not only that, he "associated" with Crowley, a demon/sworn enemy, since the very beginning!

In season 1, Aziraphale defied God's plan, prevented the Armageddon and disobeyed the Archangels' orders just to keep living on Earth and keep seeing Crowley. Albeit he refuses to acknowledge it, he is a rebel, way more than Gabriel's ever been in 6000 years.

And yet, which one of the two decided not to take Heaven's crap anymore?

Who said "You're casting me down to Hell? Fine, I accept my fate" peacefully, almost happily, knowing they'd finally be with their loved one?

Who ran off to Alpha Centauri?

Who gave up everything they've worked for, everything they've ever known, everything they've believed in?

Gabriel.

And Beelzebub, of course.

To say I did NOT see this coming at all is an understatement.

Gabriel, the one filled with so much prejudice, ignorance and selfishness- his royal smugness, Crowley's words- chose Beelzebub and their happiness over everything, over God, only truly knowing them for like... what, 4-5 years (which is the timeskip between season 1 and 2)?

Aziraphale, as heartwrenching as it was to see, chose Heaven over Crowley (FOR NOW). After a 6000 years-old friendship/relationship!

Perhaps, having been so "distant" from Heaven itself, Aziraphale still sees it as something that can be "fixed" if led by the right person/angel (while Gabriel, being so involved in Heaven's management for millennia, probably knows better in that regard, and basically said "fuck it"- I mean, we've seen Metatron and God's behaviour, eesh), plus he's plagued by the guilt and fear of being a bad angel, and risk to Fall.

I believe Aziraphale still sees being a demon as a bad thing, he has this internalized idea he has yet to let go of. And I hope season 3 (hopefully, we'll get it!) will cover that.

Long story short, I loved this season, and I loved how they incorporated Gabriel and Beelzebub in the story.

Some might say their romance was "too quick", and while I would've loved to see more flashbacks, I think it fits.

The Ineffable Husbands are a slow, slow slowburn, and Aziraphale truly needs a wake-up call, to see Heaven for what it truly is: toxic and rotten, as Crowley said.

On the other hand, I liked that Ineffable Bureaucracy happened so "fast"- it's a nice parallel. Gabriel and Beelzebub- people who could be so fierce, cold, nasty and closed-minded in the past- immediately saw the love they had for each other, accepted it and let it change them completely.

Let them both become so affectionate with each other, too. Like, "my sweet", "wherever Beelzebub is, is my Heaven", "where Gabriel is, is forever my Hell", "I was coming to you", "silly angel", are NOT something I thought I'd hear 'em say 😂

Nor I thought "Everyday" would be their song.

#good omens #good omens season 2 #good omens spoilers #good omens season 2 spoilers #spoilers #ineffable husbands #ineffable bureaucracy #aziraphale #crowley #beelzebub #archangel gabriel #go spoilers

[starguardianniom]

The Paris Special irony

I'm gonna be real here people, the Paris Special was flooded with irony.

We basically got to see tons of stuff we wanted to see forever in it alone, many of which are also quite ironic themselves.

Akumatized Ladybug? Check. Well kamikotized or something similar. The purple Hatsune Miku look slayed.

Akumatized Chat Noir that actually sticks and isn't erased from a timeline? Check. Funny how he's still all white like Chat Blanc but also has white angel wings despite wielding the power of destruction, makes me think of Lucifer.

Evil Ladybug and Chat Noir? Check. Shadybug and Claw Noir are the new cool kids. And dang I want to have an entire series/spinoff of just them, heck I want an origin story of their first outting as villains and how they got their miraculouses cause I need answers on how that happened thank you very much.

Good Hawk Moth? Check. Still lousy parent I guess, unless Emodrien actually makes it difficult for him, like he lashes out and refuse to spend anytime with his dad and Gabriel just tries to respect his privacy and boundaries and thinks he might just need some time to grieve maybe, we only have Emodrien's side of the story, but it's probably more complicated than that, I mean if Emodrien is angry that his father seems to have moved on from his mother he might takes it as a personal betrayal and acts out in some misplaced retribution, but I have a feeling he doesn't bother explaining himself to his father like he does with Adrien, though there might still be hope for them now.

Ladybug using the Butterfly Miraculous? Check. Lady Fly is a stupid name cause it sounds she has the Fly miraculous instead of the Butterfly, but at least her outfit is ok.

Seeing the Butterfly miraculous being used to create heroes instead of villains? Check. Ubiquity my beloved.

Goth/emo/punk Marinette and Adrien? Check. And I love them for it.

Reverse love square? Mostly check with Emodrien having a crush on Emonette who has no idea that he knows she exists until the special.

Alternate Universes? Check. I wanna see more of that Mister Bug and Lady Noire universe and that Scarabella and Kitty Noire Universe, I lowkey wished to see an Aspik and Multimouse universe but oh well, at least this probably means that all the heroes and villains probably gets to wield all the different miraculouses across universes.

Emodrien was slowly dying and Good!Gabriel wasn't even aware of it, probably Emodrien didn't bother telling him and just covered it up with his makeup. Check.

Emonette actually knows Emodrien by name and sight unlike Marinette in Origins despite him never going to her school. I really found that funny.

Emonette and Emodrien having better fashion sense than the main heroes, check. Until they switched to become good guys. Still pulled a bit more effort.

Everyone else in the other universe have different designs, check. And thank god for it, they all look better than the ones we've seen in the show.

Nooroo actually being happy and treated well? Check, judging by the Gabriel opening.

PV universe actually existing and not just being a movie, check.

Identity reveal that actually sticks, check. For Shadybug and Claw Noir sure but at least it will be a lot less frustrating for them than their counterparts, thank god they'll have a break on that.

Seriously the special delivered so many nice ideas and concepts and also there was tons of stuff we wanted to see forever and we got our wishes and it's also ironic in some ways but like hell I'm gonna complain when we were all so well served.

Not gonna lie but it almost gives me hope for season 6. Almost.

Now I'm just gonna watch the show in the hopes of ever seeing the heroes Shadybug and Claw Noir again (yes I know they changed their names and I don't care it's less confusing to keep calling them their original names rather than their new names, like Shadybug, we all know you wanted to be more like Ladybug, but you didn't need to take her name when you almost copied her looks, which was also a downgrade for you sweetie).

#adrien agreste #marinette dupain cheng #miraculous ladybug #ml season 5 spoilers #ml s5 spoilers #ml s5 leaks #mlb #ml leaks #meta #gabriel agreste #good gabriel agreste #emodrien #emonette #emo adrien #emo marinette #ml spoilers #ml special paris #ml special paris spoilers #ml special #ml paris spoilers #ml paris special #ml paris special spoilers

[aragarna]

This is not a divorce, it's a promise.

(Good Omens S2 spoilers ahoy under the cut!)

And neither of them is necessarily right or wrong. Good or bad. And it certainly has nothing to do with The Metatron.

Aziraphale and Crowley both just acted according to who they are.

Of course Crowley doesn't want to go back to Heaven. Nor Hell. He doesn't fit in either of them. He's been terribly wronged by Heaven. He just want a peaceful little eternity with *his only friend*. Crowley has nothing in the world, except Aziraphale. So, of course he goes feral whenever someone threatens Aziraphale. And of course, he feels betrayed when Aziraphale seems to be choosing something (here, Heaven) over him. The tragedy is that Aziraphale only accepted the offer to go back to Heaven *on the condition* that Crowley would be allowed to come with him, no matter how irregular and unprecedented that would be.

But Crowley and Aziraphale aren't the same, nor are they the exact opposite. Crowley was unfairly (as far as we can tell) cast out of Heaven, for simply asking innocent questions. And he turned into a demon. But he's a terrible demon. He's more rebellious than evil. Even with the written authorization from *both sides*, he can't make himself kill goats. He is way too nice to be a demon.

Aziraphale, on the other hand, in the epitome of an Angel. He's what every angel should be. If all angels were like Aziraphale, Heaven would be, well... a paradise. Aziraphale does Good, forgives, cares. Always ready to help (yeah, even that ass of Gabriel). Aziraphale is Love. He loves everything and everyone. Even after he's been fired by Heaven (he didn't fall, exactly, but they refer to him as a "former angel"), he still continues his good deeds whenever he can (See Maggie). He *is* Angel.

Now, it's also worth noting that Aziraphale is very uncomfortable with Hell and everything Evil. He's terrified of falling. He can't stand Evil. He hates the bad guys. He doesn't like seeing Crowley doing demonic stuff. Or even talking about doing demonic stuff. But he *also*, and that's super important, doesn't like when said evil actions come from his side. Even God. The Job bet seems really wrong to him. Casting away Adam and Eve without even a weapon is wrong. And he's ready to lie to fix that.

It's undeniable they both love each other above all else. Crowley considers Aziraphale his best and only friend. He keeps rescuing him. Aziraphale is quite literally his whole world, his home (the bookshop) being his safe place. He *hates* Gabriel for wanting to destroy his Angel. The minute Beelzebub implied Aziraphale was in danger for helping Gabriel, Crowley turned around and ran back to help him out. Despite Gabriel and no matter the mess he was jumping into.

And Aziraphale loves Crowley just as much. He considers the bookshop and the Bentley to be theirs. Cause, he, too, think of them as a "us". He who loves books so much, forgets all about the books when Crowley shows up to rescue him from Nazi spies. He trusts Crowley. He trusts his judgement (both when it comes to experiment human things and on a more spiritual level). He probably fell in love with Crowley the day they met. So, of course, when he was given the opportunity to restore Crowley's angelic status, he seized it! Not because he wanted to change Crowley - Aziraphale has always seen Crowley for who he is, and that's what he loves in him - but because he sees it as a societal status, a matter of "teams", and more importantly that would make Crowley safe (safer than him being a demon at least).

So, anyway. It's not a divorce. It's not even really a break-up. It's a (badly timed) disagreement. They just realized that they had a different idea of their happy ending - because, yes, they don't talk. So Crowley dreamed of running to Alpha-Centauri together. Aziraphale didn't voice any specific dream, but we know he loves Earth and making Good. And right now, he's given the opportunity to do Good. Real good. Fix precisely what is wrong with his side (and it's a talk for a different post, but if you think he's delusional, you must have forgotten that he DID stop the Armaggedon four years ago and he's been repeatedly lying to God for 6000 years. If he wants to make a difference, he will!)

Anyway, the point it, Crowley and Aziraphale have very different views of the world, and different aspiration for their future. Mostly because they've had very different life experience. And THAT is the thing they don't talk about. They love each other, they both know it, and if anything, they've admitted it four years ago. That's not what they need to talk about. What they need to talk about is who they are. Aziraphale needs to hear that Crowley has been too hurt by Heaven to even wanting to go back. And Crowley needs to hear from Aziraphale that he doesn't want to run away and stop being an Angel.

And I'm sure that among the much probable chaos of S3, they will talk. Because the *do* love each other, more than anything else in the world. To me, that desperate kiss was a promise. A promise that no matter what, even if they're separated for now, they will always love each other. They will figure it out. They're different, but they're still an "us".

They'll make a world that fits them, if they need to.

This is what love is about.

#good omens #meta #good omens season 2 #go2 spoilers #crowley #aziraphale

[hollowistheworld]

Flies

Day 2 of IBWeek 2023, hosted by @the-bureaucracts-are-everything

Also on AO3

They’re admiring Gabriel’s statue again, and that’s how Beelzebub knows they’re absolutely fucked. It shouldn’t have been endearing, watching Gabriel stare lovingly at a statue of himself. But unfortunately for Beelzebub, Gabriel was no longer capable of doing anything that wasn’t endearing. Everything was their song miracled onto the jukebox, Gabriel buying them human consumables so they wouldn’t draw too much attention, Gabriel letting his gifted fly out of its matchbox just to smile at it and listen to the buzz of its wings. 

Beelzebub had decided they didn’t care about the fraternizing, didn’t even care about pretending to come up for a reason for it, but this… They looked up at Gabriel’s statue, at the massive cross, the memories of the days of robes and ceremonies.

“How were we both more and less formal back then?” Beelzebub asks.  

"Hmm? Oh. I…” 

And Beelzebub misses the next bit of Gabriel’s blustering, because they’d looked over just in time to see Gabriel look up at the statue - meaning he hadn’t been looking at it all along. It had looked, instead, for just a moment, like he’d been looking at Beelzebub. 

And Beelzebub isn’t quite ready to think about all the implications of that, so they tune back in just in time to catch Gabriel saying, “I don’t miss the robes though. Suits suit me far better.” He chuckles and repeats, “Suits suit me better. That’s good. Didn’t even mean to.” 

Beelzebub, with barely any attempt at restraint, smiles. He is funny. Not that obnoxious excuse for funny that one usually gets with angels, where they pretend they don’t realize they’re rubbing the Fall in their demonic audience’s faces. Actually funny. And genuine. 

And… sweet. Gabriel is sweet, which would have been an unimaginable description of him a few years ago. But back then Gabriel had been more of an idea than another living being. Just Beelzebub’s counterpart Upstairs, the one they’d butted heads against a few times over the millennia, the one they'd be squaring off against once the War finally got rolling.

Now Beelzebub would rather take a massive demotion and spend the rest of their eternal existence in the worst of Hell’s pits than play that particular story out. 

Because they’re fucked. Because they’re standing here in a graveyard, looking at a statue of the Supreme Archangel Gabriel while standing next to the actual Supreme Archangel Gabriel, because there’s nowhere else they’d rather be than wherever Gabriel feels like being. Fuck that, there’s nowhere else they even like being anymore. 

“Are there any statues of you out there?” Gabriel asks. 

Beelzebub shrugs, and makes an effort to not preen too obviously at being asked. “None that bear such a good likeness. Mortals like to emphasize the horns and scales and things when they make representations of demons. They are meant to be afraid of us after all.” 

Gabriel looks down at them with a sort of frown. He has an odd way of frowning, Beelzebub has noticed, as though he’s trying to convince you he’s smiling at the same time. Probably wasn’t really allowed to frown in Heaven, same as you could never look too happy in Hell. “Right,” he says. “Demonic attributes. You have more than just the flies?” 

…Right. They’ve only ever met up on Earth, where boils on the skin or rotting teeth might cause a panic. “Plenty more. I’m the Grand Duke of Hell. I can’t look mortal. We aren’t like you lot, where we can brag about being made in God’s image.” They sneer a little, but with far less bite than there’d been the first few times they’d had conversations like this. It all feels so natural now. They're not so different, at the end of it all. Not in ways that matter. 

Gabriel turns his back on his statue. “May I see?” 

Beelzebub stares at him. “…Why?” 

“That’s what you really look like, isn’t it? I’d like to see your real face.” 

They’re doing it again. Taking a step they aren’t supposed to, heading toward another place they won’t be able to come back from. The first had been when they’d simply agreed they’d meet again soon, no pretext provided, and the steps have been coming faster and faster ever since. This is the most dangerous thing Beelzebub has done since the original rebellion, all those thousands of years ago. But unlike then, when Beelzebub had looked up at God’s place above them and braced themself for the brutal consequences they knew were coming, there’s no real fear. Just the awareness that they’re about to do something just as reckless and dangerous as the Fall had been. 

Beelzebub is pretty sure this fall is going to be worth it. 

They’re still caught off guard every time they move closer to it though. This isn’t what demons do. This isn’t what angels do. But when Crowley and his angel had canceled Armageddon, they’d messed up a lot more than just the Great Plan. 

It occurs to Beelzebub they may have to come up with some reason to cut Crowley loose and take him off hell’s shit list. They have enough decency to at least recognize when they owe someone, and it would seem they owe Crowley a lot. 

“Alright,” Beelzebub agrees, and Gabriel smiles. 

It’s been a long time since they’ve been on Earth without disguises. Humans aren’t so easy to terrorize or impress as they used to be, and even Hell’s Grand Duke has to deal with an obnoxious amount of paperwork to get a new body if the old one gets burned at the stake or stoned to death. Beelzebub takes off their hat and twists their neck, stretches their shoulders, feels the pop in the back of their ribs. Their flies begin to buzz. They can see when the noise reaches the world - Gabriel tips his head and smiles wider.

The night grows a little darker, the air thicker. Beelzebub feels their skin shift and snap, the left side of their mouth pulling up, their teeth sharpening and elongating and filling up their mouth. Flies crawl over their tongue and out of their mouth, burst out of freshly formed pustules on their skin. 

And then they’re fully demonic; surrounded by flies, their skin rotting off in patches, boils sprawling across their face. They’ve even exposed their wings - a rare thing to bother with, but if they’re showing off, they’re going to do it all the way. 

Beelzebub’s wings have changed over the years, no longer the soft feathers God had once given them all. Now they’re stretched thin, transparent, like feathers made of fly wings. Beelzebub unfurls them, lets them catch the light Gabriel summoned and throw twisted shadows on the surrounding tombstones. 

This is one of those things a demon shouldn’t be doing. It’s been a good few centuries since you could just wander around with all the evidence of your crimes against God on your face for anyone to see. They put regulations in for this. To intentionally not pass yourself off as a human was to declare yourself to have bad intentions, and that meant any nearby angels had free reign to slam down with all the holy power they could muster. 

And here’s Lord Beelzebub themself, in front of Supreme Archangel Gabriel, making sure there’s no question about exactly what they are. And not only is there no fear, Beelzebub doesn’t even feel the need to be challenging about it. They feel no need to brace themself, to meet Gabriel’s eyes and dare him to turn away in disgust. 

And Gabriel doesn’t. His eyes are glowing violet and his own wings blur into existence, and the two of them are spotlighted, their wings catching and throwing the light at each other. The rest of Earth seems to have disappeared and it’s just them now, in all of existence. 

Gabriel reaches out one hand and flies swirl around his wrist as he cups his palm against Beelzebub’s cheek, his thumb running gently along a patch of rot. “You’re stunning,” he says softly. 

And it isn’t… Beelzebub has never been insecure about their appearance. They’re intimidating and horrifying and know how to put on a disguise (which is more than can be said for at least half of their people) and that’s what being a demon is all about. They’re proud, if anything. And they certainly aren’t wondering about humans or angels finding them attractive. 

But once, a long, long time ago, Beelzebub was an angel. They had once crowded at God’s feet and shouted with delight as the universe formed around them. That had been stunning. Beings who had been present at the birth of everything didn’t use words like stunning and awe-inspiring lightly. 

They lean into Gabriel’s touch, feeling a smile on their mouth they hadn’t thought about making. It’s like a small miracle in its own right, how often that happens around Gabriel. As though a smile is the expression that belongs on their face, not a snarl or the slack-jaw of boredom. 

“You’re rather nice on the eyes yourself,” Beelzebub returns. “I like purple.” 

Gabriel’s smile gets a little smugger and Beelzebub laughs. Gabriel’s free hand falls to their shoulder and his fingers slip into the tangle of their hair. “Your laugh is the most beautiful sound in the universe,” he says. 

Beelzebub remembers the singing of the morning stars, remembers how lovely God’s voice had sounded, back in the beginning, before everything had gone - quite literally - to Hell. Remembers sounds so beautiful you could cry at the way they filled you up. 

And not one of those sounds compares to Gabriel’s voice right now. “I could stay like this for eternity,” Beelzebub says, voice quiet, carried up by the buzzing of their flies. 

“Me too,” Gabriel replies, and he bends forward, touching their foreheads together. 

It isn’t eternity, in the end, because they don’t have that luxury. It isn’t even hours, because these meetings are crowded into their already busy schedules, around complaints and demands and paperwork and battles that just don’t feel worth fighting any longer. They drop their disguises back into place and the night feels grayer for it. They squeeze each other’s hands and hold on longer than is necessary, even as they pull away. 

“See you soon,” Gabriel says, stepping away like it pains him. 

“As soon as possible,” Beelzebub returns. 

It won’t be soon enough. It never is anymore. 

#IBweek2023 #ineffable bureaucracy #gabriel x beelzebub #beelzebub #good omens #good omens gabriel #my writing

[jelly-o630]

Idea for a good omens fanfic I’ll never write but if someone is inspired by it feel free to use this as a prompt I guess

At least once every few I weeks I cry over the burning of the maya codex and get further upset over the fact that only one of them is even in the Americas so this is about that (this is honestly less of a prompt and more of a rough outline but eh)

After reading about the works of Bartomule De las Casas (Dominican friar who advocated for the end of all kinds of slavery in the Americas and argued that natives ARE people actually) and even writing to and encouraging Las Casas himself, Aziraphale convinces Crowley to head to the new world with him to take him out of his depressive slump after learning about the Spanish Inquisition. Aziraphale (a bit overly optimistic with how effective Las Casas works are) thinks if Crowley sees how much better humans are doing at NOT doing slavery it’ll cheer him up (and they’ll get to go on date nights in this “new” land they’ve never explored). Also I wanted to add that at this point the crown did have conversion protocols that tried to steer away from violence too after realizing that forcing people to convert doesn’t make them and their families very devote Christian’s and they’ll go back to native practices pretty quickly. These were unfortunately largely ignored. Moving on

He further manages to convince Crowley by being all like “you know keeping these native people from converting would be soooooo sinful and hell would definitely approve of you helped preserve native religions and stuff *wink* *wink*”. Azirphale plans to travel with a missionary Diego De Landa under the guise of an another missionary helping him I guess. It starts off fine at first, with aziraphale being really happy that De Landa is embracing native language and learning various customs to aid in conversion and being so dedicated to job (and for more shipy stuff Crowley finds a cave where the locals worship/ occasionally bury the dead and shows it to Zira as a sort of hang out spot for the two of them (a real place actually)) but their trip starts to sour when De Landa more violent tendencies start to show up. (Maybe there can be a scene where either aziraphale or Crowley overhear Gabriel and the other angels convince De Landa to be more aggressive with his conversion tactics idk)

While Aziraphale tries to calm De Landa down from all his “all Mayan written works are of the devil” bs by showing him some of the local people’s works and that they’re mostly family records (while ignoring the fact that a lot of them practiced ancestor worship) it only angers De Landa further and he threatens to burn all the idols and records people have. Threats that become promises when the cave that Crowley and Zira have been meeting up in is discovered and De Landa begins a campaign of torturing the locals to find out more about this place of worship.

Meanwhile hell discovers that our favorite demon has left his post in Spain but is once again commending cause he’s doing such a great job at tempting all these friars to sin- they give one last announcement that at that night when the friars burn all the codices and wooden figures they’re going to turn into hellfire so not even that pesky angel that followed him there will be able to save them, meanwhile Aziraphale is likewise commended for encouraging the friars to go all out with their faiths and they’re so excited to watch the burning tonight (at the same time part 3 the letters Zira receives from de las Casas are all about how much he hates what’s happening in Mexico and how he wishes he could stop it and eventually how deeply regrets the burning)

Crowley and Aziraphale separately (cause we all know they don’t talk to each other) try (and fail) to save various texts while accusing the other allowing everything to happen before realizing they’re both trying to do the same thing (on the same side 👀) but it’s too late and they’re only able get save a handful of codices and relics before De Landa and his men start burning everything- this doesn’t stop aziraphale from trying to run into the fire as a last ditch effort to save the texts only to held back by a Crowley yelling to him that it’s hell fire and will permanently discorporate him

The next morning, they secretly meet up with a few of the native people and tell them of what little they managed to save the night before- those people distraught and fearful of what happened last night tell them to take what they have and hide away from the Spanish so they won’t burn what little text they have left, Azriacrow agree with their idea but insist on leaving the shortest of the codex they saved and so with a couple of other treasures (a mask, knife handle, rope, and child’s sandal were what was found with the Grolier codex) they hide the codex in the very cave they’re been meeting in and where the people have been worshiping and leave for Britain again soon after (the actual cave the grolier codex was found was in a completely different state of mexico but that doesn’t match the narrative as well)

They do end up hiding the codices across Europe- one is given to De Las Casas which ends up being the Madrid codex, another is hidden in a library in Paris (the Paris codex), and the last is sold to an Italian collector whose fascination with the text assures the group that he won’t let it out of his collection for a long time (Dresden codex)- the selling of the Dresden codex is to date the only time Aziraphale has ever sold a book (well up until season 2 at least)

While that’s the end I do wanna add another through line one of a kid that either Crowley or Aziraphale (probably Crowley tbh) befriend and sort of learn everything from that dies either during De Landa’s torturing of the natives or commutes suicide after the burnings (which many people did- a lot of the figures were representative of family members mind you) and that’s where the child’s sand comes from- just as an extra layer of angst to this whole outline I’ve written (928 words that’s a lot more than I thought)

Anyways I hope whoever reads this enjoys it and feel free to make an actual fanfic or whatever from it you like- I don’t mind and uhh tell what you think

Edit: if someone does decide to write something based on this outline please tell me!!! I’d love to read what you write ❤️

#good omens s2 #good omens #fanfiction #fanfiction prompt #writing prompt #ineffable husbands #aziracrow #Can’t believe I wrote all this wrote after saying I’d start recovering from GO after the Percy Jackson trailer dropped #ah well #Crowley #Aziraphale #history #Mayan codices #if you want to know #the books were burned July 12 1562 #as well as the ancestral figures #Kinda nervous to post this but eh #Michael Sheen #David Tennant #neil gaiman

[xx-blueboy-xx]

To celebrate trickster Tuesday! I am going to ramble about Mystery Spot, the episode ever. Don't take any of this super seriously I am by no means a "meta analysis" this is just me foaming at the mouth. + the spiral of thoughts it sent me on.

Anyways. If you wanna read it! It's below the cut! Because it got (long).

First off, Mystery Spot represents the literal cycle Sam (and also the entire Winchester family) find themselves caught in, over and over and over again: due to their inherent savior & martyr complexes. Which are not a great blend. Imagine having to save everyone you care about, but, always being willing to simply - die for them. More than willing. Happy to. Feel like you have to, in order to be worth anything to anyone or them. In order to atone.

Now, we saw in S1-S2 how much Dean is willing to give up for family, for Sam. It's the entire reason S3 is happening - he sold his own soul to a demon, something he hated John for, to save Sam. To bring him back to life. Something we learn that his own mother did all those years ago: just not at the price of her soul, but, essentially - her first born child (so Rumplstilskin of Azazel for real). The Winchester need to save each other, that toxic codependency on family, that "family is all you got at the end of the day" mentality is what started it all.

We have only seen in S1-S2 breif glimpses that Sam also shows these signs. The same codependency as Dean, and that savior complex. However - it never becomes truly and completely apparent until S3. Where he is willing to steal human livers, find anyway - anything to save Dean from his deal. It isn't until Jessica, John and everyone else he has known is gone, that Sam begins to fall completely into the codependency that Dean unfortunately, feeds into. (With all of his "You ran away from the family" talk and such)

In Mystery Spot: we see the first true depths of how far Sam is willing to go to keep Dean alive. How far he has fallen from that rebelliousness he had before John died. Starting to agree with Dean that he "tried his best". And things like that. In Mystery Spot we see that Sam rather relive the same day over and over and over again, than let Dean die. We never see him accept it. Not once. Sure, it's a time-loop, but we know Gabriel was trying to teach Sam to let go.

Teach him to break the fucking cycle. But he doesn't. He contuines to give into it, over and over. Until Gabriel reveals himself, thinking maybe he can still change it. Change Sam. Get through to him. That'd when we get those 6 months of pure obessesion.

And at the end of it? We see the Sam that suggested to Dean they use the evil-immortal doctors alchemy to keep him alive, perfectly willing to steal human livers and such for it: come out full force. He is completely willing to sacrifice a stranger to save Dean. Rather than being hellhent on killing the Trickster, on revenge, he wants him back. At any cost. Even an innocent human life.

This is the Sam we see, after years and years of Dean encouraging this behavior - seasons later, bring an entire apyclopse down on the world to get rid of the Mark of Cain. Force a man to sell his soul. Have Rowena kill the inky person she had ever allowed herself to love - someone she considered her son. To utterly get rid of another person's autonomy (keeping her locked up ect.) to get it.

Note: it is NOT Dean's fault, that Sam broke Amara out, I simply am stating that his "we die for family sammy" and "we do everything for family sammy" throughout the years helped Sam make the decision. But at the end of the day, Sam choose to get rid of the Mark. All of the death that happened because of her is pretty directly on his hands, and he knows this.

I also believe that, while Sam feels massive amounts of sympathy, I believe he struggles a (lot) with empathy (autism + protecting himself/trauma response). He can easily replicate empathy, and act as if he cares but we see his hypocritical behavior consistently come into play and make us think: huh. I don't think he actually understands how Dean, Castiel ect. feels. That is why he comes off as spoiled and ungrateful to Dean in early seasons, and in later seasons does things that are completely amoral and deranged. Simply for those he loves.

Because he struggles to wrap his head around *why* Dean can save him, kill people for him, force an angel on him - but when he releases an apyclopse, him saying "I would do it all again." Is somehow wrong. He doesn't see his own hypocrisy at times and struggles especially to see others.

Anyways.

I support Sammy war crimes.

#trickster tuesday #gabriel spn #sam meta #sam winchester #dean winchester #character study #? #spn meta #spn #supernatrual #sam morality #morality #savior complex