#clearly he wanted kids and he adored her but also the introduction of a literal child | Explore Tumblr Posts and Blogs

skamamoroma · 3 years

Text

I Promised You The Moon - Episode 1 Thoughts - aka did John Hughes direct this and not tell us?

Oh I had to wait so long today to see episode 1 as I was working but I am so very happy I waited till I was in bed and with a cup of tea... which I then cried into four times. So that’s where I’m at. This is going to be long, I’m not even sorry in the slightest!

For ITSAY, I made so many posts about this show and how moving and beautiful it was, how the symbolism and writing was exceptional, how the music was absolutely incredible and how much I adored BK and PP’s chemistry. P’Boss’ work is special and the feel of Part 1 was a delicious kind of awkward, indie movie full of metaphors, fraught pain and emotion and pretty breathtaking storytelling of love and growth. I fell absolutely in love with Teh and Oh and their story, obsessed with Teh as a character (as I see a lot of myself in him and I love when he spirals) and I just felt utterly moved by the whole show. So I never needed Part 2. Part 1, for me, is perfect. And I certainly didn’t expect to love Part 2 as much or feel as much emotion because I just thought it wouldn’t be possible especially with a change of director and city and storyline... but I genuinely think that was a good idea after seeing Episode 1.

I just finished it and I’m kinda tear stained and the first thing I couldn’t get out of my head was just how much it reminds me of the late dear John Hughes movies from the 80s. Those of you who are a little old like me born right at the beginning of the 90s, will have been brought up on those movies filled with 80s synth music, stories of growing up, artsy camera work and filled with colour and emotion. Those movies are some of my all time favourites and I absolutely felt their influence on Episode 1 and maybe the rest of the season, I don’t know! I really wonder if P’Meen used them or was aware, hahaha. Anyway...!

But first off, I cannot, and I mean CANNOT handle the music. Part 1 really did floor me with the use of the score and how it was such a huge part of the reason it was so beautiful. Phuket Dreams has me in tears about 3 notes in... so cue me crying at the remixes of the old score with 80s synth sounds and almost Dream Pop echoy sounds. That right there is my jam, my absolute favourite music and the way IPYTM is so clearly going to be full of it makes my heart very happy. Especially those last scenes with Oh, that sweeping 80s style music taking him from heartbroken pain to dancing to forget had John Hughes all over it and just felt so impactful. So I will bang on every week about the music I’m sure.

As for the beginning and the casual buying of condoms (yesssss god damn Nadao, thank you for safe sex lessons for LGBT+ youth and a nod to actual sexual expression, I’m mega proud) leading into the way Hoon and Suri were involved (they didn’t give me Tuty 😭) in transferring Teh, it felt like such a gorgeous transfer from ITSAY vibes to IPYTM... watching Teh’s mamma so proud, Hoon watching over him as always and then gently leading into the first moment that made me cry...

How dare they put a remix of the old score over Teh being told by his mamma that she accepts him as he is so casually and softly, in a way that not only lets Teh know he’s loved but welcomes Oh as someone she cares about deeply and is happy being someone her son loves. It was beautifully done and I couldn’t help but think of Teh’s teary face on the Cape at the end of Episode 5 and thinking how proud I am of him. The way Hoon stroked his hair - help.

Teh. Now I made no secret of the fact that I loved every moment of watching Teh go through it in Part 1, how his very physicality and struggle played out especially him writhing all over his rug! But we had to see him grow. He isn’t the same boy he was but he still feels like Teh, just a little more comfortable, a little more mature in some ways and just READY for life. He feels tentative but also prepared to grow more and I just adore him. Oh, on the other hand, the one who was much more secure in himself in terms of his self and sexuality in Part 1 is now absolutely thrown into the unknown and isn’t handling it well.

Oh was established so beautifully as a Phuket boy. His name is rooted in his home, he lives in shorts and by the sea, he’s shaped by that place and what it means to him... his signature scent is coconut! He literally embodies Phuket... so it doesn’t in any way surprise me that we are watching him flounder and feel lost. It feels so human and so many moments felt so moving. When he told Teh that the best part of his day was seeing him, when he imagined the waves on his mind, when he listened to his mamma talk about the coastal weather... it’s hardly surprising that he cried as he was asked to explain his name. That was the second moment that got me. I was a wreck. Watching him break down and fall to pieces infront of total strangers just because he was recounting the meaning of his name, the foundation of who he is, the thing he misses to very much... he doesn’t fit, he doesn’t feel at home and he didn’t feel himself. It was beautifully done, for me. I caught my breath the second he started crying because it was so utterly human and raw. I have felt the way he does and recognised every second on his face. PP has come so so far with his acting.

Then we get the mention of Yongjian. NOW SOMEONE TELL ME IS THAT TEH AS YONGJIAN IN THE TITLES? If so, how dare they spoil it?! I am going to weep uncontrollably if Teh gets his dream. But the way Teh spoke of their future, the way he tried to recreate their past with Yongjian’s speech. Their entire history as friends and boyfriends is rooted in that story, that character, the idea of being Male protagonists... and Teh is so sure of their future. Also, you cannot also avoid the meta of it all with BK and PP. That moment and their words felt so personal to them too and their own real lives!

Do not even start with how their first kiss in Phuket was underwater and arguably their first kiss in Bangkok is the same albeit in public. DO NOT LET ME THINK ABOUT THIS TOO MUCH.

The issue is that, Part 1 set out for us how they ended up where they are. Oh fell into acting, it was never his dream from the start. Then it all became a fight, a thing to win from his rival and in the end a thing to prove. We haven’t really ever see Oh show a passion for the stage and acting, not really. He worked so hard to get his place in Uni but there’s so much irony at play. Their entire story of rivalry has actually caused this current situation. Oh “won” the coveted Uni spot (helped in part by Teh) and Teh “lost” and was making do. But we see how that’s not how life goes. Oh never really felt he knew what he wanted and so he just ploughed on. He’s now in a situation where he has to start deciding, has to be his own person and he’s just... lost. I can’t wait to see him find it whatever it may be! The difference with Teh is that he may not have got his number 1 desire but his passion is ENOUGH. He loves what he’s doing and that moment where Khim (is that her name, I forget now, it’s so late, but Goy’s character) was explaining the lights was gorgeous. Teh’s passion was ignited, you could see that “oh wow” moment... and you can see the difference in how they’re going to progress, Teh didn’t need the top Uni because his passion can carry him and will help him succeed whereas Oh doesn’t know what his passion is and perhaps he’s where he is for the wrong reasons after all. The story telling is lovely to me, if completely heartbreaking.

The tears came again at “but I’ve already given so much of our time to other people”. Oh the tears. The boat scene from ITSAY is my favourite scene of the show and that line is one of the most beautiful bits of writing I’ve encountered for a long while... and to see Teh use it and remember it and effectively set out the issue they’re facing was heartbreaking. They made that promise on the boat and they’re breaking it. Oh-aew is trying to be what he thinks Teh needs and Teh is wide eyed and filled with this new world and getting to indulge his passions. They’re both so human and both trying the best way they know but they’re so young and so unsure and have so little life experience that they don’t know how to be adults or how to manage all of this stuff. They know they care and love and are each other’s person but they have such a lot to learn.

So the introduction of Q and the boys... and let me say they’re glorious... feels both beautiful and tragic because they look like they will be accepting and also potentially LGBT+ themselves or maybe Q (I see your gorgeous painted nails, sweetheart and the way you didn’t question Oh saying “partner” for a second)... but also they’re what Oh is using to fill the time he promised to Teh. It’s not Oh’s fault. He deserves friendship and a world of his own too but he was relying so much on the familiarity of Teh and Teh’s presence to keep him grounded and comfortable but he can’t do that all the time. He is trying so hard to be good and thoughtful and kind that he’s not telling Teh the truth. He’s doing what he said he wouldn’t do on the boat, but we can’t blame him in the slightest, he’s the sweetest boy.

I have so much to say but I guess that’ll do for now. I really loved the episode. Yes, it’s different but I think I realise now why it needed to be. In a way I’m kinda of happy about it because ITSAY stays sacred!!!! It stays as that beautifully fraught and emotional indie movie of my heart filled with metaphorical depth. It can’t be touched as far as I’m concerned but with IPYTM it feels just as moving, just as emotional, just as impactful but in a different way that reflects maturity. I don’t think it would have worked if it still felt fraught and characterised by ITSAY vibes. They’re not kids, they’re not insecure about who they are anymore in terms of their sexuality and they are moving into adulthood.

I know it’s going to break me. Episode 1 had me genuinely crying into my tea but I also know that it had the potential for its own special brand of symbolism and meaning. We can already see some special moments which seemed to be saying way more than the words themselves like the speech on light and how we see things and the way Oh even used it himself to see a different perspective at the end. That felt really very meaningful. They’re going to need to be able to see different view points as they navigate what will probably be a shit ton of pain! They will need to adjust to the light, to their circumstances to be able to survive and for their bond to be what is important without allowing other stuff to pass into their line of sight. Oh saw nothing. Empty stage, no Teh, not even himself... he opened his eyes too soon. He needs to learn to adjust and learn how to see the world and his place in it so that when he opens his eyes he sees what he desires and has worked for and made for himself rather than emptiness.

The last thing for me is the chemistry. What more can you say other than they’re perfect? They have the most natural, enigmatic, intense and sweet chemistry. They work so beautifully together. They sell even the smallest of moments and they absolutely destroy with emotion. I just feel every second of Teh and Oh’s emotion and that is such a damn skill. Their talent, man.

So I loved it. I am going to be dreaming tearstained in 80s synth music tonight! I can’t wait for the rest to emotionally destroy me a little more.

#ipytm #i promised you the moon #ipytm thoughts #itsay

67 notes · View notes

katnissmellarkkk · 3 years

Text

Andddd here’s my chappy three thoughts 🥳🥳🥳

Hmmm Katniss saying that her mother has a dress made of velvet is actually really interesting because it shows that Mrs. Everdeen Lily-Rose really was well-er off before she married Katniss’ father Hunter.

Or did she get the velvet dress from Maysilee? Oh well, who knows.

Aww, Katniss’ nervous habit of touching soft things repeatedly to soothe herself 🤧🤧.

“Crying is not an option. There will be more cameras at the train station.” — someone tell that to Peeta 🤣🤣🤣.

Okay I gotta stop picking on Primmers, I know but like. How small is she that she sits on Katniss’ lap like a toddler but then in the following year is the same height as her? Doesn’t matter I know but still I wonder.

Okay so Mrs. E is the doctor for the people of the Seam? Idk I never thought about this but who does people like Peeta or Madge or Delly go to if they’re sick or hurt? Is there a still running apothecary shop that Katniss never mentions? Are her grandparents still running the family biz?

Also okay, I gotta stop having so many thoughts on all the lil details I know but like. Katniss says here she’s familiar with the herbs her mother doesn’t grow on her own so like a). Katniss is more of a healer than she leads on because no average person knows what kind of plant is medicinal and b). Her mother is just growing herbs and Katniss never mentions it again in the whole series? Or I just missed it.

Okay imma move on from this one singular paragraph but Gale and her made a pact a year ago that they’ll supply each other’s family with game if they were to be reaped... I’m feeling like their close friendship is probably only one year old then? Idk. Just my interpretation.

Honestly I love Katniss getting mad at her mom here.

She’s sixteen, for God’s sake, of course she’s angry at what her mother’s illness put her through.

Also I lowkey like that her mother got mad back because that lady in the movies had zero personality.

“Boys who are two to three times my size.” She sounds so little, omg 🥺🥺🥺.

“I don’t care if we’re rich, I just really want you to come home” 🤧🤧🤧😩😩😩😩 okay Primmers, you got me here.

“the Peacekeeper is at the door, signaling our time is up, and we're all hugging one another so hard it hurts and all I'm saying is ‘I love you. I love you both.’ And they're saying it back...” this is so sad leave me be 😫😫😫😫

Katniss is burying her face in a pillow to block out her emotions this is too much for me 🥵🥵🥵

Omg I forgot Peeta’s father visits Katniss 😅

Why does he visit Katniss?

She describes Peeta’s father as a “big, broad-shouldered man.” And then describes Peeta as stocky. Idk the comparison of the two descriptions has always led me to think Peeta is gonna be a big dude when he grows up like his father. This made no sense and had zero correlation but I thought, so I said it, no regrets

Oh he brought her cookies 🤧

WAIT WAIT WAIT. I just had a new thought, y’all. What if instead of the baker bringing cookies being a thing he does for all tributes, what if he’s bringing the cookies because Peeta asked him to, because he made them and wants to give them to Katniss and knows she’ll never accept / trust them coming from her competition? What if that’s the real reason the baker visited her in the first place? Because Peeta asked him to? This was such a shipper comment but idc, no regrets, remember?

Omg Peeta’s father is just mute 🤣🤣🤣

Between an abusive, angry mother and a mute for a father, the Mellark brothers must have had a fairytale of a childhood 😅😅😅😅.

But seriously #PoorPeetaMyBaby

Aww Peeta’s father is gonna help keep Prim alive 😭

Omg I just remembered he’s her mother’s ex boyfriend. Haidon Mellark, as I named him in my fics.

That one fic where he was thought to be Prim’s real father is just playing now in my head, rent free.

But does Katniss not realize that he may be offering to help Prim as a favor to her? Like she claims Prim is just so wonderful people adore her but there’s like zero evidence in the text that make her endearing? Okay I need to turn this bus around, I need to find a love for Primmy Deen.

Madge is not one for preamble apparently. No “hi, how are you? I’m sorry you’re gonna die? What will your last meal be?” Just right to “here, wear this family heirloom of mine, k thanks.”

I like that Madge had to kiss her cheek for Katniss to realize they were friends 😅😅😅.

I remember always loving her and Gale’s hug here. I’ve always felt like it was platonic, but especially when I first read the books and had zero preference one way or another for Gale or Peeta, I really liked how she said even with nothing romantic between them, “when he opens his arms, I don’t hesitate to go to him” or something I’m paraphrasing ok I’m lazy

Also though, this is the first time they’ve ever hugged? Idk why that surprises me? It shouldn’t because where is a hug gonna fit into a hunting trip 😅🤣😂 “I just caught a deer!” “let’s celebrate with a hug!”

I like that Katniss remembers how her father even failed to make a good bow sometimes. Random, I know.

I like that the Capitol weren’t entertained by the people freezing to deaths because it wasn’t bloody enough 🤭🙃

“How different can it be [to kill a human vs an animal]?” She’s about to find out, Gale 🥺. And when she comes back you won’t understand 🙄😔

What did Gale want to say before the Peacekeepers dragged him away?

I used to think it was a confession of love but I’m actually sure it wasn’t now? Just the wording “remember I-“ doesn’t sound like it, considering he never confessed anything prior to her coming home.

I’m assuming now he was just gonna give her some more advice to stay alive 🤷🏼‍♀️. Clearly if it were relevant it would have made its way to the others books.

Aww, she’s never been inside a car before 😭😭. I didn’t even know they had cars in this universe but okay.

I notice though how she says “In the Seam, we travel on foot.” So is Peeta just riding his trolly down the street every day with the other merchants then? 🤣

Peeta just openly crying on camera 😅😢.

I like how Katniss is like “ooo is this an act to get sponsors?” when in reality Peeta’s like “no, I’m just a soft and genuine boy ™️”

Omg I just realized this totally goes along with Peeta’s thing later on “I want to die as myself”

He’s refusing to hold back his emotions because he thinks he’s doomed to die and he’s already refusing to pretend to be or feel something ingenious.

But a Johanna mention in book 1 chapter 3 woohoo 🥳🥳🥳 also Katniss comparing Jo and Peeta is kind of like foreshadowing of their shared torture in book 3.

Omg she just called Peeta broad-shouldered and strong. 🥰🥰🥰 my headcanon for his post-canon body is confirmed

Also why does Katniss keep allotting his strength to carrying bread trays around? Are they heavy? Why have I never once heard of people who carry bread trays being strong? I always thought Peeta was really strong because he learned to fight in order to defend himself against his mother but that’s probably wrong.

But if a mother is abusive, it can lead to one of the kids being physically violent as well and we know Peeta isn’t but he has two older brothers I’m gonna cut myself off now but I think we all smelled what I just stepped in.

Also I just find it so fascinating now how she regards herself vs Peeta here.

When talking about herself, she says, “The competition will be far beyond my abilities. [...] Oh, there'll be people like me, too. People to weed out before the real fun begins.” But when she talks about Peeta, she immediately says, “It would take an awful lot of weeping to convince anyone to overlook him.”

It’s just funny how she discounted herself right from the start but thought he was a real contender and then come to find out, Peeta believes it’s the exact opposite 😂🙃. They’re both so stupid I can’t even take it.

Wait did they actually give the location of the Capitol and the location of District Twelve in today’s world? And I just overlooked it? Brb I’m gonna go to google maps right quick.

Okay so basically what I gathered is the Capitol is probably in New Mexico and District Twelve is somewhere between Kentucky and Alabama. Irrelevant I know. But just a reminder now to everyone that Katniss and Peeta are literally speaking, crying and screaming in thick, backwoods southern accents.

It’s literally so sad how everything for Katniss is about food. Like every motive she has, every action she does is about preventing starvation ever again. 🤧🤧🤧

First mockingjay mention 🤭🤭.

“My father was particularly fond of mockingjays” 😭😭😭 I bet he was 😭😭😭😭

We always go on and on about how Katniss is a mockingjay or her children are mockingjays but Katniss herself here says mockingjays represent her father imma cry, y’all 😫😫😫😫

“It’s like having a piece of my father with me, protecting me” shut up shut up shut up shut up

Awww, Katniss has never had food like this before 😔😔😔

Neither has Peeta 🤧🤧

Katniss disliking the way Effie put the two kids from the year before down and so began to eat like a pig just to prove her point, is so her. And the beginning of her fighting for the underdog.

Omg the Rue introduction 🥺🥺🥺

Bahahahaha the commenters calling District Twelve backwards but charming 😅😅😅 they really are the hillbilly district

Peeta’s unexpected laugh 🥺🥺🥺 I love you, baby

“He was drunk. He’s drunk every year.” “Every day.” Katniss and Peeta are already finishing each other’s sentiments and teaming up to get on Effie’s nerves I love them so much 😍

Oh my God, Effie, you selfish jerk. They’re kids having fun for like one second, no need to throw in their faces they’re gonna die if the drunk won’t help them. I’d forgotten why I don’t really like the book version of her. I actually prefer her as comedic relief in the movies.

I actually just realized I really dislike Effie Trinket, I hope they never speak to her again Post-Mockingjay. Idc how you’re raised you don’t need to treat teenagers who are sentenced to a probable death badly just because they laughed at you 🙄🙄🙄😡😡😡😡. They didn’t even really laugh at her, she’s just annoying and awful, we don’t stan Effie in this household.

Okay, that’s all for my thoughts on chapter three! Until next time, y’all ! If anyone actually read this long mess of a post.

#thgagain #this is so long I’m sorry #also yes I’m gonna use a Jennifer gif again

40 notes · View notes

dontbesoweirdkira · 4 years

Text

Being Present Mic’s favorite student would include

A/n: why don’t yall show my mans any love? Like damnn smh he just out here breaking people's eardrums and tingz and y'all cant even give him some acknowledgement or what not smh. Present Mic stans, you may now rise

-I imagine you’d be like that American exchange student and you laughed at a bad pun he did in english and he felt super special because no one ever understands the puns he does, so now he’s just constantly bothering you

-like you’re just walking down the hall, trying to get to class and you just hear

-”HEEEEEEEEEEYYYYYYYYYYY Y/NNNNN MRS.AMERICAAAAAAAAAAAA.”

-*invoked with fear*

-Like seriously he won’t leave you alone…..at all

-”Y/NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN what’s upppPPp?”

-He love speaking in english to you because it’s keeps him refreshed and plus it’s fun seeing Aizawa all flustered because he only understands 60 percent of what you guys are saying

-You get used to him I promise, he’s actually like the sweetest little thing that wants the best for you uwu. Like if you’re a shy student he’ll break you out of your shell most definitely!!

-He asks you to do his introductions because aizawa refused for the 1000th time but it actually was super fun so you don’t mind

-”GIIIVE IT UP FOR PRRREEEEEESEEEENNNTTTTTTT MICCCCCCCCC THE ONLYYYY ONEEE THATTT CAAAAN BREAAAAK YOUURR EARDRUUUMSSS AND WILL TO LIVVEEEE IN UNDER A MINUTE.”

-He did a super long hyped up into for you at the sports festival like and he kept cheering you on soo much he was like a soccer dad watching his little princess play her first game

-I swear he was wearing a shirt that said ‘Go Y/N!!’

-Everyone knows you’re his favorite like if you thought All might and Deku thing was a bit much well like he is on a whoooleeee new level

-Speaking of All might and little broccoli, there is an unspoken rivalry between All might and Present. They are always like

-”Haha did you see young Midoriya’s moves today? He is working so hard, he’ll be a great hero soon!”

-”Yeah of course, BuT did yOU sEE mY Y/N todaY????

-SocCeR DAdS

-You and deku kinda does friendly competitions just to watch the two teachers go at it

-”DEKU CLEARLY WON MIC.”

-”LISTEN YOU BLIND FOSSIL IT WAS Y/N!!”

-It was a tie tbh

-Always asking you about American slang and terms like brooo

-”y/n what’s a yeet? Someone told me I need to yeet off a building and I kinda wanna do it for my next youtube video on youtube.”

-You helped him set up the youtube channel btw

-”so i say period after something truthful is said?”

-”YOUUUUUU ARE THE BESSSSTTTTTT STUUUUUDENTTT Y/NNNNN PERIOODDDD.”

-”like that?”

-You keep him updated on all the trends and make sure his outfits are looking good

-He lets you design a new logo for his brand

-Did I mentioned he’s like super sweet. Like one day you opened your locker to find a note he wrote for you.

-”Heeeeyyyyy Y/NNNNNNN,

Whats upp best student evvvvvaaaaa???? I just wanted to say i’m proud of you and I heard from a little sleepy birdie (sensei Aizawa) that you aced your test in hissss claaaaaassss wooooooo!!!!! Because of that i mayyyyyyy haveee brought you ice cream that may or may not be in the fridge in the teachers lounge that you may or may not can get during lunch perioddd…… anyways MIC OUT!”

-He helps you control and project your powers when you are struggling with them

-Helps you with the weird Homework assignments All might and Aizawa gives you

-”wtf is this shit? This is your homework?? Hold on, I’m calling shouto .”

-Lets you sleep in his class

-He is like your personal translator if your japanese is a bit iffy or you don’t know how to say something

-Oh and Aizawa adores you also but like he keeps it on the down down low. Like people actually thinks he kinda doesn’t like you but that is not the case at all. Like he supports Mic’s constant spoiling of you and might throw in a gift or two with him.

-Aizawa looks at you guys as his two kids that he will literally protect at all costs.

-If anyone is messing with you or you need something just yell out ”MR.HIZASHIIIIIII.” or “MR.AIZAWA” and he’ll be there in under a minute.

-Bakugou threatened you once, and Aizawa and Hizashi heard….lets just say he never messed with you again.

-Same goes for you, if anyone is teasing or talking wrongly about Present Mic, you’ll square up any day.

-”yeah he’s like so weird and does he realize that no one thinks he’s cool like stop trying so hard.”

-FigHt mOde ActIvaTeD

-You got in trouble but it was totally worth it and Mic was super flattered but as a teacher he still had to discipline you. He high five you tho and said he wasn’t mad and he only got you in trouble because the other teachers would have bashed him for favoritism

-Once you get more comfortable with him, You guys have like daily talks about anything and everything, he’s a really good listener and will listen to your weekly rants.

- Despite being a literal crackhead, he is super wise and has a lot of knowledge so if you need advice, just ask.

-Knows when you aren’t feeling your best and tries his all to make you smile, it usually ends up working and you’re just laughing at his bad jokes and he’s like

-”YYyyyYYYYy/NNNNNNnnnnnnNNNNNNnNnnn IS FEELiNG BEtTTeRRR YAYayYAAY!”

-He’ll let you hide out with him and Aizawa when there’s a bunch of kids are crowding you and asking questions about your home country or when school is just overwhelming

-”MR.HIZASHIII THEY ARE AFTER ME AGAAAAIIIIN.”

-He’d 10/10 adopt you if he could

-He invited you on his radio show like twice, it actual helped gained a lot of listeners from a younger audience and even some international people listened in as well. It was actually pretty fun, of course you were a bit nervous you weren’t sure to expect but it was reallly cool. It was almost like an interview, he asked you a few questions about yourself and your school life even opinions on different heros or what not.

-DO NOT AND I REPEAT DO NOT LET THIS FOOL KNOW YOUR BIRTHDAY, HE WILL EMBARRASS YOU INFRONT OF THE WHOOOOLEEE SCHOOL I SWEAR NO ONE CAN STOP HIM

-”But Mr.MIcCCcCc plEAsE Dontttt iTs NOt A BIg DeaL.”

-”i must y/N….LETSSS A BIGGGGGGG HAPPY HAAAAAPPPPYYYYY BIRTHDAAAAYYYYY TOOOO Y/NNN L/NNNN-”

-you died

-He got a little cake made for you, it had little candies and sparklers on it. It was mega adorbs.your name was also on it but it was spelled wrong.

-”Here ya go Y/N! Sorry your name is spelled wrong...i tried to fix it but it got all smudged so i just left it.”

-For his Birthday, you made a picture frame that had a selfie with the two of yall and gave him a little card that said, “Happy Birthday The best teacher evaa! You’re super great and I hope one day we can fight side by side and be the best duo in history! Enjoy your day old man. -The best student evaaa”

-You teamed up with eraser head to throw a little surprise party for him at a cute little restaurant and he ended up crying sksksksksksdnjksk it was so soft.

-At the dance you didn’t have a date or anything so ya boi Mic danced with you and it was uwu like super soft. He even walked around with you a bit and let you wrap your arm around his, like he’s the best teacher seriously

-At the end of the year when it was time for you to go back to America, he was devastated like seriously he’d miss you and y’alls antics. He practically begged you not to go back. Yeah he held your leg and cried on the floor….Aizawa had to pull him off of you so you could leave

-”Don’t cry Mr.Hizashi!! I I’ll see you again one day! Thank You so much for being an awesome teacher this year, I’ll miss you.”

-you actually got approved to come back the following year but you kept it a secret so you could surprise him when you walk in his class again.

-he was big boi shocked

-”YYYYYYYYYYyyYYyyYyYYy/NNnnNnnNNNnnn SKDJNKHDKSK YOU’RE BACKKKKK WHERES AIZAWA I GOTTA tELL HIM SILDKSISJSSKKSNJSK DID YOU CUT YOUR HAIR OMHDNKJD ITS SO CUTEEE AHHHAHSHJSHSJHS AZIAWAAA LOOK AT OUR LITTLE GIRL SSKLKSMLS.”

2K notes · View notes

noobsomeexagerjunk · 4 years

Text

thoughts on starry after multiple listens

(dated July 8, 2020 because i might make another one)

Edit: I SHOULD FACT CHECK MORE

the Starry soundtrack is as impressionist as the painters it invokes by energy alone, which is impressive given the style of music used (of which i’m fine with, but not partial to)

the Prologue does this right off the bat

the people of Monmartre are very critical of the rest of France and I adore it

i can feel theo’s overwhelment in Impress Me

Impress Me does a wonderful job at introducing the setting of the show

that song is a ball of pulsating yearning—no wait that’s the whole show

Theo got so stressed he walked blindly into Madame Segatori’s cafe

learning that the Le Tambourin was named as such due to its tambourine aesthetic via Vincent’s portrait of Segatori is just incredible to me; the table is shaped like a tambourine

“If Paris is the world, Monmartre is Bethlehem; and art is our Amen” sounds so powerful

A New Horizon is so warm

i expect Theo and Vincent to be very cuddly with each other everytime they interact

“dream with me, dear brother” is the energy of this song

french wheat fields will forever haunt me because of this damn musical

*insert Do You Like the Color of the Sky? post here*

like, so much emphasis to the sky

Vincent’s dreaming leaking into Theo’s trading practice surely must be a sight to see

chain imagery hits hard after hearing Wheat Fields/Finale Ultimo

in this yellow house, we dream of freedom

“should I really take this giant risk?” “brother, I took a giant risk coming here—fuck yeah do it!”

United in Distaste reeks of Vincent’s intimidation—it has new kid in school energy and I am living for it

Vincent coming to Monmartre (and when he arrives in Arles) like “Hey, I’m new in town, and it gets worse,”

Bernard has apparently spent enough time with Theo to be able to identify Vincent by frowning alone

Rude of Gauguin to yoink Vincent’s painting like that; Segatori immediately hangs it tho—

Gauguin sounds like he’s going to corrupt anyone who approaches him—dude announces his horny nature during his introduction

Gauguin IS a savage and a whore and the best thing about that is that he knows it; even better knowing the vision of his costume

Segatori’s displeasure throughout the song implies that the artists that frequent her cafe also argue amongst themselves frequently

“keep in mind that we’re academic rejects, Vincent”

with the way Degas, Pissarro, and Morisot tease at Gauguin (noting that Gauguin, Bernard, and Toulouse-Lautrec are together in a later song), it sounds like they’re are hurling insults from a separate tambourine table

Toulouse-Lautrec sounds dramatic; Bernard sounds like he’s not sure where he is artistically—both are a mood

Of the post-impressionist table, the only one retaliating with genuine insults is Toulouse-Lautrec; Bernard and Gauguin only end up defending themselves while Toulouse was ready to tear down Degas and Morisot

Pissarro IS old (at this period in time in the musical) damn

Morisot is unyielding with her insults, “speaking of size—“ holy shit oh no

i reiterate—why is Toulouse-Lautrec the only one actually speaking in a French accent; almost everyone there is French

since I’m aggressively referring to him, I think Henri de Toulouse-Lautrec merits a musical of his own, and that’s based on what first learned about him when I first listened to Starry

by extension, also Berthe Morisot

Monmartre’s artists be like “We’re very critical of ourselves and each other, and while that’s worth being intimidated by, don’t be intimidated by us! What do you have to bring to the table, foreign painter?”

Something poetic about how what Vincent wants being what all the artists want hereby making him a member of their squad is so warm to me—galleries are gravity INDEED

“We will embrace the madness we design, or lose our mind,” IS THIS FORSHADOWING BECAUSE IT FUCKING SOUNDS LIKE IT

“i am loving this! YES, GET ANGRY!” if only i can identify who said this

Something After All is directed towards Vincent, right? It better be, I lack context

Theo’s yearning is so relatable and I fear not being able to fulfill it

bless Kelly and Matt for giving Jo so much depth in Enlightenment

apparently she deadass learned English for the purpose of translating the letters she had compiled??? yo i love that

poetic how Jo invokes making a legacy since she’s the one who actually preserves her brother-in-law’s legacy (and by extension, herself and her husband’s legacies)

at first listen, i immediately drew a comparison to Hamilton’s Eliza; Jo is better both musically and literally, given that Vincent van Gogh is far more relevant than Alexander Hamilton will ever be, even with LMM’s musical

not trying to start beef, just an observation

Jo’s yearning is also such a mood

fire, light, and road imagery being invoked huh

it is by this point i’ve to the realization that the reasons one goes to Monmartre that was cited in Impress Me tie in very well to the individual characters’ desires in this show

Where Are We Going? goes so hard ugh yes

“I need a stronger strategy to seize my immortality!” Gauguin’s incredible ambition is the root of his dissatisfaction; doesn’t help that he’s impulsive both in the musical and IRL

Toulouse prioritizes integrity and Bernard prioritizes progression—I wonder what this means for their characters in the show

Toulouse and Bernard calling Gauguin out on his known shitty behaviors feels like they’ll be problems Vincent will have to deal with in Act 2, when they live together

this is where Gauguin leaves for Martinique, right???

which one is the act 1 closer, really??? The Sower or The Road??? help me please

everyone in town is really concerned for Vincent

it wams me how much Segatori believes in him

Bernard’s right, Vincent van Gogh’s artstyle IS a melting pot

learning that Toulouse-Lautrec capitalized on his art during the peak of his career really adds weight to his concerns on Vincent’s inability to sell

i like to imagine the everyone’s in the gallery during The Sower

Theo and Jo’s relationship progressing as Vincent’s works don’t sell hits upon realization

Theo falling hard when he learns that he and Jo yearn for the same thing tho

recontextualizing the imagery that Vincent found beauty in into imagery that demonstrates his person is just mighty good of Kelly and Matt

then again, so much of his person is in the artwork to begin with

“and everyone knows your reap what you sow.” w o a h!!!

The Road starts like a dramatization of one of Vincent’s breakdowns and how he copes with them, or perhaps this starts after one??? The opening verses suggest a lot

also ties his road to his dream of freedom with what i believe is his travel to Arles

“North, South, East, West—navigate from inside you,” = “With conscience as my compass,”

“i am guided towards the night” this Vincent knows the answer but is so clearly far from its reach and is desperately trying to figure out how to

soul of fire, crystal heart and blizzard-like brain; the man is passionate and everyone knows it

“Fascinating, but maybe just a little too soon,” sounds like that at this point, Toulouse-Lautrec and Bernard genuinely recognize and admire Vincent’s talents, but also understand that the world is still against him and that they have the experience to prove it

the “sunlight and storms” imagery always concern Theo, Jo, and Vincent’s relationship with each other

Gauguin popping up in this song with the compass imagery implies the show’s going to make him a pretty interesting foil to Vincent; this sounds like him traveling back to Paris, or at least him attempting to vibe in Martinique

this hurts when you remember what happens to Vincent

“curse of the gifted” is a phrase i am too afraid to understand

DYLAN SAUNDERS CAN SLAY ME WITH HIS VOICE

The Yellow House sounds yellow somehow

who clears their throat before writing a letter???

Gauguin’s frustration’s against Vincent’s admiration of him is amusing

sounds like Gauguin hasn’t found his “freedom” yet

Theo is one generous fellow

this arrangement lasts for only 2 months; given the apparent span of this musical, The Yellow House is a very “calm before the storm” song

wait a minute—

apparently, Vincent REALLY admired Gauguin and was so excited for his arrival at the yellow house

i fear the dramatization of their disagreements

“Don’t tell Theo I said that,” it amuses me how the van Gogh brothers’ relationship is so well-known to these painters

based on the gifs lurking, the ear incident WILL be dramatized and I am terrified for my heart on how it will be depicted

Sunlight and Storms quotes the original letter from Jo to Vincent surprisingly well (i attempted to read some—there’s so many! this was one of the first ones i came across)

this song hurts when it hits how little time Jo and Theo had together as a married couple

I am convinced a lot happened between Sunlight and Storms and On the Threshold of Eternity

this definitely was after a breakdown

i skip this song just so i don’t think about the obvious implications, i must confess

the meaning of “sunlight and storms” hits the hardest here

“we will not let your illness keep you from finding your freedom”

The Red Vinyard is so full of a brother’s love

this hits me, and i speak as an only child

“You’ve carried me more than you’ll ever know,” AH—

when Theo finally sees the new horizon, Vincent is seeing it too

and what Vincent saw he put on a fucking canvas

“i can see it—a new horizon” = “the sight of the starry night”

they say that at the time, not much was thought of the iconic painting

i could only wonder what might’ve happened between The Starry Night and Wheat Fields

all the piano motifs coming together in Wheat Fields/Finale Ultimo, just like that

“I’m ready for harvest time” is melodically similar to “The road is bright”, particularly when it’s just Vincent singing the line alone

despite the obvious, I don’t think I’ll grasp the meaning of the final song; i also skip this one so i don’t think about it

45 notes · View notes

deadmomjokes · 4 years

Text

For me, part of being asexual means that I get really, REALLY grouchy about a lot of romance in media. Rather, the obsession with romance, sex, and sexuality in media. I am that person that will roll my eyes and turn off a movie if it looks like it’s turning into some steamy nonsense, and I will never willingly sit through a romcom even if you paid me. Sex scenes? I’m out. Passionate kissing? Peace, I’m going to the kitchen, want anything? Call me back when the actual story gets back on. Ridiculous ‘ooh they have such SEXUAL TENSION and chemistry, let’s see how close we can get to making them kiss and just have them breathe heavily in each others faces to get our audience all bothered’? I will end you all. I HATE when books or movies or shows throw in a romantic or sexy subplot just for the lols, at least what I perceive as the lols. Basically, a romance has to be really super duper well-crafted for me to get behind it and not be just utterly enraged or completely turned off from the story.

(Also please note that when I use the term romance in this context, I’m using it as a catch all for ship-based storylines that, due to our culture’s obsession with sex, usually include or hinge on sex or kissy scenes.)

That being said. When a romance is done well, and I mean really well, I absolutely 100% lose my mind. I feel that mess in my soul.

So with that introduction, allow me to lay out a few of my favorite (and, in some instances, most maddeningly painful) romances/canon ships in media.

(read more because I went off. like I said, I feel this way too deeply when it’s done well.)

Winry Rockbell and Edward Elric in FMA:B. Slow burn, mutual pining, mutual cluelessness, what’s not to love? So soft and tender and funny all at the same time, and the mad respect Ed has for Winry is absolutely delightful. She does her own thing, and he’s totally supportive, just as she is of him. And a happily ever after??? UGH, I can’t, it’s perfect. The most straightforward and least convoluted of my whole list, and it’s comparatively easy to breeze through. FMA:B is great anyhow, so do yourself a favor and go watch it.

Audrey Parker/ Nathan Wuornos in Haven (with major caveats). Caveats first: they went overboard with the sexy stuff in my opinion. It got too smutty for me, but my tolerance for that stuff is super low, and it did still air on TV, so evidently it wasn’t as bad for the target audience as it was for my sex-in-media-repulsed self. I also find the final seasons to get a bit stale and repetitive in terms of them trying to advance the love story narrative (all the plot points for it got addressed in earlier episodes/seasons, so why are we going over it again??). They also have a bit of an issue in some episodes with dragging out conflicts because the characters just won’t talk to each other like adults. But overall, taken as a whole, it hits hard. Again, we have a slow burn, mutual pining dynamic that starts as a genuine platonic friendship, and transforms into a dimension and time defying chosen soulmates love story for the ages. The things they would do to save each other, even if it means they can never be together, just so they have the joy of knowing that their beloved is okay. The tiny ways they take care of each other- Audrey testing Nathan’s coffee to see if it’s too hot, Nathan slowing down so he doesn’t out-pace her, it’s just adorable.

Faramir and Eowyn in The Lord of the Rings BOOKS. This is an interesting one because it happens really quickly and between two minor characters. But Tolkien did this really interesting thing where he established these two characters separately, and then brought them together and played off what we knew about each of them in context of everything else that had happened with the main story, and suddenly it has, as one of my professors would say, “the illusion of depth.” Faramir absolutely falls head over heels for Eowyn but won’t act until she can deal with her own crap and be emotionally available. Eowyn realizes that she was hung up on ideals, illusions, and false dichotomies. Faramir has been through a lot and is looking for peace. Eowyn is looking for who she really is when she realizes she has more than two choices in life. They find healing together, and in the process, find what they were looking for in each other. And all that happens in the space of, like, 4 pages. I LOVE IT.

Sam Carter and Jack O’Neill in Stargate SG1. This one will hurt you to no end. You will hate life. But gosh dang if they aren’t perfect. This is the slowest burn and most mutual pining of all slow burn mutual pining ships to ever grace media. I’m talking 8 seasons of these two sharing feelings but being unable to express it for one reason or another. What are those reasons, you ask? Jack is her superior and respects her too much to put her in that position. No fraternization on the team. Sam has career aspirations, he won’t ruin her life. He’s got his own issues to work through and knows he isn’t emotionally available. Sam is clueless for a while, then when she realizes she has feelings for him but it couldn’t be because of their work dynamic and because he’s still dealing with his own crap, she tries to move on but keeps coming back to the unspoken fact that she still loves him. To the point that she breaks off her own engagement to a great guy because she realizes she was only trying to move on-- and wasn’t successful. They are clearly in deep for each other, and yet they keep making excuses why they can’t say it.

In the whole series, they never officially get together, and I HATE THAT. There are multiple alternate realities and timelines where they are together, and happy, but in the main timeline, they can’t get over themselves, and it hurts so bad because they’re so perfect. Jack knows she’s the smartest person in the room, and he supports her and defends her and listens to and defers to her. He respects her first as an expert, then as a colleague, and then as a woman whom he deeply loves even though he can’t find it in him to love himself. She appreciates his experience and leadership, and trusts him implicitly. She knows she’s got more book smarts, but relies on his judgement and ability to remain calm under pressure. She also knows she can be real with him, and he knows that when she calls him on his BS he better listen. She is his conscience, and he is her backbone. And in between episodes where they’re clearly pining for each other, and even during, they’re really great friends and a great team. I could seriously write an essay on why this ship is both perfect and intensely frustrating, but then again, you could just watch a great and classic series and see what I mean for yourself. (Then you’d also get to meet the perfection that is Teal’c, and watch Daniel Jackson’s transition from Milo Thatch in Space to sassy beefcake demigod who still loves archaeology.)

Beren and Luthien, Tolkien part 2, electric boogaloo. A love so powerful it transcends death, fate, hell and heaven all at once. It’s kind of wild and not what you’d expect if you’ve only read LotR (or only seen the movies), because it’s more a classic fairy tale than anything, but hot dang if it isn’t still one of the most powerful, moving, deeply impactful love stories in all of writing. It’s even a “love at first sight” narrative and I STILL fall hard for it. This story legit moves me to tears every dang time I read it, or even think about it too hard.

It starts as a simple “forbidden love” story, but these two loved each other so much that they defied one of the most powerful kings in all the world at that time (who was also Luthien’s dad, oopsies), defied Satan himself and marched into Hell just for the chance to be together, and then changed the very way the world works forever just so they could stay together and not be parted. Luthien is a total BEAST, while never giving up her gentle, loving, and tender nature. For the love of this man, she defies her father’s wishes and breaks herself out of her own dang tower to go rescue her prince instead of the other way round, she sends Sauron (yeah, he’s here too!) scurrying with his tail between his legs, wrecks his house, and frees all his slaves and prisoners just to try and get to Beren, drags his butt out of heck part 1, then willingly walks into literal, actual Hell with him and proceeds to enchant Satan and all the demons within. Then she gets her bf outta there after he loses his hand, and goes back to face her father unafraid. Basically, Beren undertakes a literally impossible task just for the chance to be with Luthien, but Luthien is the one that makes it happen because she loves him too much to sit around knowing he’s going to die. She’s willing to die with him rather than live without him, but more willing to dare death to come at her and get some because ain’t no way she’s losing him.

Then, at the last, when all should have been their happily ever after, everything goes wrong and she loses her beloved, and instead of mourning forever, she yeets off her mortal coil out of pure “Oh no you didn’t, not after all we went through” just to go stand before the God of Fate and the Dead and plead with him to change the rules of the universe itself just so that she can be with Beren. And he does it, because their love is so strong. Just for them, all of existence is rewritten so that they might never be parted.

And if you don’t think that’s the most beautiful thing you’ve ever heard, consider also: these two crazy kids were so wonderful that the Goodest Boy in all the world, a functionally immortal and super-intelligent dog sent from heaven itself by a literal god, willingly turned on all his masters and spontaneously learned intelligent speech just so he could help them out and be their Good Boy til the bitter end, thus (in Tolkien’s mythos) starting the whole “man’s best friend” thing with dogs. So yeah. And, uh, Tolkien based it on him and his wife, to the point of ripping their first meeting frame-for-frame from real life. It’s too much y’all.

Anyhow, this post is way, way too long, but I was just feeling the need to get that out there. Maybe I’ll have more in the future, but for now, this is what was on my mind. Particularly the last two.

#long post #romance #asexual #stargate sg1 #haven #fmab #tolkien #lotr

46 notes · View notes

glacecakes · 4 years

Text

In which Hugo Nearly Fights a Toddler

Hugo's main rival for Varian's love isn't a suitor. It's a child. A slightly bratty royal child.

I meant to repost this as like, fully available on tumblr, but im a moron and just reposted the link from last night. rip. I am also now taking Varigo fic requests! See my other oneshots here

Hugo didn’t hate all children, it’s just… he hated the one that he knew.

Varian insisted he was being ridiculous, but what did he know? He was her uncle, it was his job to like the little brat. And she certainly didn’t help, with her clinging and yelling and crying, and how Andrea stole the last crepe at breakfast the other day when he clearly called dibs!

The hatred was mutual, too. Anytime Hugo and Varian were together, Andrea would grab onto Varian and drag him away from Hugo. And everytime, without fail, she’d turn and stick her tongue out at him! He always stuck his out in return, of course, because what the hell else can he do? Fight a literal toddler for his boyfriend’s hand?

With Andrea’s 5th birthday came a slew of the festivities Corona was famous for. Dancing, singing, music, the whole shebang. Hugo would’ve been glad to spend it like all the rest: holed up the Library, only coming out to steal Varian from his royal duties and drag him back to their room and not leave until late the next morning, when he would smugly announce Varian wasn’t feeling well and wouldn’t be attending the day’s ceremonies. And he usually scheduled that day to be the final festival day, when the closing ball happens.

Unfortunately, since this was Andrea’s birthday, he was stuck fulfilling the whims of the brat princess, and all she wanted for her birthday was for her Best Uncle Varian to attend a ball for once and dance with her.

Which meant no sneaking away from the festivities, no stealing his boyfriend, no fooling around and weaseling their way out of royal duties.

The worst part was that Varian was willing to do it! It’d be one thing if they got to share in their hatred of nobility and all the stifling activities it entailed, but Varian was more than happy to agree for Andrea’s sake. He was weak to her puppy eyes.

“Seriously?” Hugo had complained to her. “We could make you like almost anything.”

“No!” Andrea had stomped her little mary-jane clad foot, the perfect image of a spoiled princess. “You always hog him!” She’d whined.

“He’s my boyfriend, that’s my job.”

“Well you’re fired!”

Varian had laughed himself to tears when Hugo told him that.

Here’s hoping any kids they had wouldn’t be as spoiled…

Hugo had mentioned that off-handedly once, and once they all got over the shock of Oh my God Hugo wants to marry Varian and have kids, Varian had been quick to argue otherwise.

“Babe, you will literally drop whatever you’re holding to hug me. Like, let it crash onto the floor,” He’d laughed. “There is no way you won’t spoil our kid silly. You’re just jealous of Andy.”

“I am NOT!”

And it’s true! He was definitely not jealous of a child. Not jealous of how Varian was willing to ditch Hugo for her, or how he let Andrea help him with their lab experiments even if she often ruined them, or how he’d gladly make toys for her but when Hugo asks for something it’s always “Hugo, we’re not building a death ray security system, that’s a terrible idea.” or “No, I’m not getting you a bow and arrow from the market, you’re just gonna try and hunt Eugene down.” Not that Varian doesn’t get him stuff, quite the opposite. It’s just not the stuff that he needs.

(He doesn’t actually need it, he just likes being dramatic for dramatic’s sake. That and it makes Varian laugh.)

Anyway. The point is Hugo is being forced to go to a birthday party ball and he hates it.

Well, that’s not entirely true. Varian looks breathtaking with his hair slicked back and teal work outfit swapped for a more formal beige suit. Hugo was pretty satisfied with his own attire too, choosing just a simple white dress shirt and black pants. He wasn’t the center of attention tonight, and he’d like to keep it that way. If he had to play nice with a bunch of stuffy nobles and diplomats he might actually explode.

Thankfully, he was allowed to play the part of Varian’s arm accessory, a part he adored and took very seriously. Could you blame him? Varian was a hell of a catch, with his enchanting baby blue eyes and adorable freckled face, and his hands were so soft and sleek despite his day job. He wasn’t the only one who noticed Varian’s good looks, clearly.

One noble, whose name Hugo didn’t care nor want to learn, had been eyeing Varian whenever he passed by, and he passed by often. The guy didn’t even try to hide his glances, looking Varian up and down hungrily. Every time he walked by, Hugo couldn’t help but squeeze his arm around Varian a little tighter, and Varian would simply hum and rest his head on Hugo’s shoulder for a moment.

“I gotta go find Andy,” He muttered, letting go of Hugo, but not without a chaste kiss on the cheek. With that, Varian slid into the crowd, awkwardly trying to avoid small talk with the other nobles in attendance as he went. Varian hates these events just as much as Hugo, he just does a better job at hiding it.

Speaking of shitty nobles, here comes that guy again. He’s wearing the red of Ingvarr, black hair slick with gel save for one stray hair on his forehead. His face is etched with a smirk, not unlike a cat about to snap the neck of its prey. He skulks up to Hugo with that smarmy look and Hugo represses the urge to sock him in the face.

The noble looks Hugo up and down like he’s debating whether or not to eat him. “Ah, I see your little bird has flown away for the evening?”

“He went to go find the princess,” Hugo bites out, his eyes turning to scan the ballroom for either Varian or Andrea.

“Sure he did.” Clearly, the man didn’t believe him. “I don’t believe I know who you are, though I doubt that’s a problem.” Oh bitch he did not just do that. “Lord Ricket. And you are Lord Varian’s servant, I presume? Obviously that rose of Corona wouldn’t choose to be near you otherwise.”

His laugh was high pitched, as if the laugh escaped him on accident. God, this guy was everything Hugo hated about court. Varian, a rose? Please, the guy may seem small and delicate but was a walking disaster, anyone who spent more than 5 minutes with him knew it This is exactly why he didn’t want to come-

His steaming anger was cut off by a small hand slipping into his, warm and soft.

“Hugo,” Andrea whined, the u sounding more like an oo sound. Hugo would die before he admitted it was cute. “Uncle Varian needs you.” She tugged on his arm, trying to get him to move with all her little baby strength. It didn’t work. She simply stood at an angle, hair falling to the floor.

Hugo blinked. He’d never seen Andrea act like this to anyone but her parents, grandparents, and of course Varian. Her face was scrunched up with the effort of trying to move someone a good five times her size.

Lord Ricket blinked in shock at the little intruder. Recognizing the princess, his dark grin turned into a neutral frown and slunk back into the crowd of bodies. Andrea let go of Hugo’s hand and fell onto the floor with a soft thunk. Her dress spread out around her like a blanket, undoubtedly getting dirty.

“I hate balls,” She grumbled.

That got his attention. “You do?” He honestly expected Andrea to love this. She thrived on being the center of attention, and this would be no exception. The first of the new generation, all of the older royals loved to crowd her and shower her in praises, and she seemed to eat it up.

“Yea!” She yelled, raising her arms over her head, but making no movement to get up from the floor. “Everyone’s super boring, it’s all ‘nice to meet you’ and ‘I like your dress’! I don’t even like dresses, they’re itchy!”

Her complaints… they sounded so much like his own. The stuffy atmosphere, snooty rich people, awkward clothes, these were the things both he and Varian hated about balls, and it’s why they avoided them at all costs. The only thing that made these things worth his time…

...was Varian.

Hugo remembers his first ball in Corona. He’d been miserable. It was judgemental noble after judgemental noble, looking down at him because of his heritage, his past, his unorthodox relationship. If Varian hadn’t been there, Hugo would not have lasted 20 minutes without throwing an alchemy bomb.

Having Varian by his side to help him adjust his collar, gag at the nobles who tried to flirt, mock the petty arguments, those were what made formal events passable. Is that why Andrea wanted Varian here? Not to steal him for herself, but so she could have a like mind help her power through this? It was her first formal birthday ball, after all. This was technically Andrea’s introduction to court beyond hiding behind her mother’s skirts, hence the big fuss.

No wonder she wanted Varian here.

Hugo sighed. He felt like a total jerk. Well, he knew he’d been a jerk to dislike a toddler, but it felt justified. Now, not so much. Andrea’s arms were still stretched over her head, and Hugo leaned down to grab them in his own. With one quick motion, he pulled the little princess upright.

“Come on, let’s go find our favorite alchemist,” He said, and Andrea’s face lit up. Still holding his hands, she pulled him through the crowds, letting Hugo look over everyone’s heads to find him. It took a few minutes (how many people did Rapunzel invite?), but they finally spotted Varian chatting with Ricket, who seemed much more at ease. Varian, on the other hand, seemed very annoyed, his eyes flashing with rage. In any other situation, they guy would’ve gotten decked by the shorter alchemist.

Hugo and Andrea shared a knowing look. For all her bratiness, the girl was incredibly perceptive and smart. After all, her taste in people was impeccable.

“Uncle Varian!” She called, speeding up and making Hugo trip slightly as he tried to keep up. Said uncle’s face lit up considerably at the interruption, brightening even more when he saw who she was dragging around.

“Hey you two,” He grinned, and Andrea let go of one of Hugo’s hands to grab onto Varian’s. Reaching over the princess, he gave Hugo a peck on the cheek. “I was just talking to… Rickey?”

The lord’s face turned an ugly purple. “Ricket.” He gritted out. “I do believe I’ve been introduced to your…”

“Boyfriend. Not a servant.” Hugo supplied, grin stretching across his face.

“Yes, it was lovely to meet you… and you as well, princess, I’m honored to meet you.”

Andrea grinned a toothy smile. “I’m not.” Varian’s shoulders shook with hidden laughter.

The noble looked like he was struggling to swallow a grape. He at least had the manners to bow to Andrea before making his leave once more, hopefully for good. Varian hummed, leaning his head on Hugo’s shoulder and glancing down at Andrea.

“I see you two are getting along now?”

“For now, yup.” Hugo popped the p. “And I do believe you owe this young lady a dance? For shame, Varian.”

“Alright, Alright!” Varian lifted his head off of Hugo, and the taller mourned the loss. “I’m gonna need you to let go of her hand, though.”

“No!”

This shocked them both. “No?” Hugo asked.

“You gotta dance too!”

“Oh, now we can share him?” Varian smacked his boyfriend, but otherwise didn’t dispute the claim.

“Just for tonight.” The princess said, puffing up her chest as if she was making a royal decree, clearly copying her mother. She pulled the two of them back onto the dance floor, boyfriends grabbing hands as they went. The three were now forming a small circle, moving in time to the upbeat song now playing.

“Hey Andrea,” Hugo murmured. “You were kidding about the just tonight thing, right?”

“You can have him on weekends.”

“Wha- if anything I need him on weekdays!” The two bickered over custody the rest of the night, the sound of music and Varian’s laughter filling both of their ears.

So maybe Hugo didn’t hate her. But she was still a brat.

Good thing she had Hugo to guide her.

...He was so gonna recruit her to prank Eugene.

#varian #tangled #tangled the series #varigo #varian and the seven kingdoms #varian and the seven kingdoms au #tts #tts varian #hugo the human

54 notes · View notes

ultraclops · 4 years

Text

Semi-Live Blogging: Finale Time!

With reaction images this time!

Adoradad

TRAINING EXERCIIISE

Adorabat's practicing her screaming! Bet that's gonna come in handy later.

"Fneh!" Wow what an introduction Eugene

His design is like? Really cool?? He looks practically nothing like Adorabat tho. And why does he have a spade on his stomach instead of a heart??

Badgerclops drew him with a giant ass mustache lol.

Adorabat takes banjo lessons? More importantly, Eugene thought she was at a banjo lesson FOR 8 MONTHS?!

"She scares me" lol

Adorabat ran away from home? Why?

"I thought you were a ward of the state!" Remember when everyone thought Adorabat was an orphan? Yea.

"I thought you were my conscience!" Badgerclops...you've lived with Adorabat for a year...went to her school...AND YOU THOUGHT SHE WAS A PIECE OF YOUR SUBCONSCIOUS?!

...why did Badgerclops use Adorabat as monster bait...

I expected to hate Eugene but he's actually really cute and interesting?? Aside from the fact he thinks Mao Mao & Badgerclops are criminals. Love to see him again sometime!

Wow her dad has a whole badass mansion!! Why doesn't she just stay there...

Oh...her mom died...that's why he's so protective of her and was so upset when she left. Also her mom looks amazing & I wanna see a flashback episode with her. For some reason I can imagine her sounding like a deeper version of Scoops?

Aww Adorabat's room is super cool! Also Eugene cracking the door for her asfgjkl

"Do you think that monsters attacking the city are gonna - wait, does that have peanut butter in it? " (Cuts to MM & BC eating ice cream while crying) That's a perfectly rational reaction to losing your adoptive daughter

"I can keep it together!" (Cut to Mao Mao trying and failing to shovel ice cream in his mouth with his helmet on) NSADGEDHAMADH

Wait a second. Mao's eating mint chocolate chip ice cream. ISN'T CHOCOLATE TOXIC TO CATS?!

"But you said I was part of the team!!" "Then you're...off the team."

Adorabat crying while showing Eugene the picture OUCH MY HEART...

"I used to go exploring in those caves with Mom all the time..." I'm guessing those are the caves from the promo?

"She wasn't afraid of anything!" " Well Adorabat definitely takes after her mother...

"And then one day, Sonara didn't come back with you." Ooh her name's Sonara!! Pretty!! I can't tell if they chose it cuz it sounds like Sonar or because it means "pleasant sounding"

Glad to see Adorabat's still a die-hard metal fan, even with Eugene

Oof Mao isn't taking this well at ALL if he's pretending Adorabat's molt is her...

OOH SHIT ADORABAT RAN OFF TO THE CAVES - wait a minute no she didn't. OH NO EUGENE WENT TO THE CAVES

Ooh there's Sonara's looking glass, bet that's gonna be important

Yay Adorabat saved her dad!

Damn Adorabat must be super traumatized after basically watching her mother die. No wonder she tried to murder Boba-Chan!

Oh the only way to stop the monster is by screaming!

(Mao Mao hears Adorabat scream) "ADORABAT?!" ADOPTIVE DAD POWERS ACTIVATE

Ooh her mother's figure appears over her when she says she's not afraid of anyone...maybe her spirit's inside of her or something?

REVENGE TIME BAYBEY

HOLY SHIT ADORABAT FUCKING MURDERED THAT THING

Eugene & Adorabat both apologized to each other I...

"You can't just leave without the most fearless member of the group!" YAAY ADORABAT'S BACK (Also how are we gonna explain to Eugene Adorabat's scared of the dark?)

"I'll mess 'em up real good! So good, their mommies and daddies won't be able to recognize them when I'm done..." Daaammmnnn...

"She scares me :)"

I wonder...is Sonara really dead? Or are they gonna pull a Kipo & have her still be alive but in a different form?

Badge-A-Fire explosion

Uhh...where is Badgerclops? And why is Mao Mao on the top bunk?!

Of course Badgerclops is petty enough to install a fake monster alarm on his laptop to wake Mao Mao and Adorabat up.

"This is a super-serious work meeting, as you can see by the fact that I haven't provided any snacks!" No snacks?! This must be a serious issue!! /s

"As you know, I am a creative genius. Sometimes there's so much natural creative genius that my brain overloads, and I enter a heightened state that I call 'Ultra Focus'..." Oh so basically like hyperfixation?

"...where I break into a creative sprint, inventing super-advanced technology at supernatural speeds, unparalleled by anyone in the entire field of science." Okay maybe only a LITTLE bit like hyperfixation...wait a second, IS THAT WHY BADGERCLOPS IS SO TIRED ALL THE TIME?!

Uhh did he get his arm stuck in the front door? HE TOOK THE AEROCYCLE?!

"...I forget everything the next morning." Remember my headcanon that Badgerclops represses his memories? Yea...

"Which is why it's not my fault and I don't think I should be criticized :D" TBH I screamed with laughter at this scene solely because of the expression he made

...HE GAVE THE SKY PIRATES THE GEM CELL?! I mean he clearly wasn't thinking right when he did it BUT STILL?!

"Oh hey, I told you I'd use that weird elevator thing!" Dude you LITERALLY used it in Ultraclops. What are you talking about.

"If the Sky Pirates had the Gem Cell, they would've used it already!" That is a fair point ngl.

Umm...did Badgerclops give Adorabat a BOMB?!

Tbh if my friend woke me up in the middle of the night with weird-looking eyes and handed me a timer while saying something about an explosion I would DEFINITELY not go back to sleep afterwards...

I'm sorry, IS THE WHOLE VALLEY GONNA BLOW UP?! WHAT THE HELL DID HE MAKE?!

Mao wiping Badgerclops' tears I'm

A paper towel dispenser? Well that's not that bad - IS THAT A GIANT PAIR OF PANTS?!

Ooh it's not a shock collar it's a translator!! That makes a bit more sense... "I HAVE NO REMORSE OR CONCEPT OF EMPATHY!" ...if the monster doesn't have remorse or empathy how does it know what those words mean...

Badgerclops keeps telling Mao Mao & Adorabat not to criticize him...hmm...I wonder who criticized his inventions that made him that way...*cough* HIS MOM *cough*

"Are all your inventions this weird?!" "YOU'RE WEIRD!!"

IM SORRY DID BADGERCLOPS BUILD A DANCING MACHINE INTO MAO MAO'S BONES?! HIS BONES?! AND HE MADE ADORABAT A SECOND MEGAPEG?!

What in the absolute hell is going on dgaadhdagdadga

Okay but when Badgerclops clutched his head and started shaking when Mao Mao asked why he made those things...I FELT THAT IN MY HEART I FELT THAT IN MY SOUL

Ngl this scene really hit home for me cuz that's how I act when I have a breakdown...

The timer went off but nothing blew up - WAIT, IS THAT A REPLICA OF MECHA HOSSORAFFASNAKEARANG?!

"Initializing Totally Humane Knockout Procedure." (Proceeds to slam the Sheriff's Dept. into the ground) ajdajdgdad

Ooh...ohh they're on some sort of water park...ride...thing??

"And if I didn't want us to get out, then I made sure we couldn't...with super-strong shoe things." But there isn't any on Adorabat, can't she just squeeze herself out?

Ooh I'm getting Pirates of the Caribbean vibes

There's the Gem Cell, it must be powering the ride! Also the robotic arm slaps Mao's hand the same way Mao slaps Badgerclops' hand in Flyaway skkkk

"My amazing creativity is finally gonna destroy us all..." "Hey, at least we'll be destroyed together!" Fair point, fair point

The shoosh returneth

"I always loved inventing." So he was an inventor ever since he was little? Daww.

YOUNG BC IS SO ADORABLE!! He has a lil medical patch instead of an eyepatch which is def more accurate to real life...but what's the vest for? Protection in case he falls? A pressure stim?

That figure's def his mom since they rejected his ideas & he mentions she was mean to him. Also the theory that his mom's a villain seems a bit stronger since they straight-up hand him a tool kid + a set of blueprints with no regard to his safety...

"Also there was a bunch of other kids at school and some other people throughout my life who mocked me relentlessly." THEN WHY'D YOU TELL ADORABAT YOU COULDN'T RELATE TO HER WHEN SHE SAID NO ONE WANTED TO BE HER FRIEND?! (Also I noticed literally all the kids are other badgers, so I'm assuming Badgerclops grew up sheltered like Mao Mao did.)

So the Ultra Focus is basically a really weird coping mechanism to deal with all the abuse and bullying he went through? Holy fuckkk

"They only made fun of you because they were jealous. Happened to me my whole life!" Umm...

"Even the dance chip I surgically implanted in your brain?" Excuse me the dance chip that you WHAT

"I love you-" HE SAID IT 💗💓💗💓

"I'm finally around people who love and understand me..."

Wait did the cannon misfire? DID IT BLOW A HOLE IN THE GROUND?!

OH HE ACTUALLY DID CREATE AN ANIMATRONIC BAND?! I THOUGHT IT WAS A JOKE!!

"Take it away, Boss Hosstritch!" (Distorted garbling)

Oof Mao caught all the water

"We hope you all enjoyed being Badgerclops' friend." 💞💕💞💕

Not that anyone cares but I noticed there's a picture of some of the Sweetypies on the monitors, meaning 1. Badgerclops tested it out using them first, or 2. Badgerclops just likes those Sweetypies for whatever reason. Tho that makes me wonder why he'd choose Pinky of all people...

THE SKY PIRATES WERE INSIDE THE ANIMATRONICS THE WHOLE TIME?! THE MAN BEHIND THE SLAUGHTE

Zing Your Heart Out

Why are they giving out rotten sushi??

"HOW DARE YOU LAUGH AT ME EATING SOMETHING GROSSLY?!"

Ooh god Chester's gonna be super freaking annoying in this episode, I can feel it.

"What's blue and smells like red paint? Blue paint!" BAYBEY

Jesus what a prick. GET HIM MAO MAO

Ngl that background's really pretty...

Oooh no the Ruby Pure Heart's being weird again. Ooh no.

FUCK YEA ROAST HIM BABY - Did Adorabat's eyes turn purple because the Ruby Pure Heart gave her powers?

Oh so the siren in Badgerclops' robo-arm is a backup monster alarm?

More Sky Pirates - and the Pure Heart's being weird again...

"I'd tell you but despite your height it'd go right over your HEAD!" Asdfgghjjk

"For someone with two brains, you're not very BRIGHT!" EVEN BETTER

Kevin said he was raising money for a school trip, then for a trip to the hospital...which one is he raising money for?!

"SILENCE PANCAKE, LEST YE BE BUTTERED"

OOH NO SHE ATTACKED MAO AND BC

"IT FEELS LIKE THE WEIGHT OF ONE THOUSAND PLANETS!!"

"One second, I'm getting mad, and the next thing you know-" Is she freaking possessed??

Wait, is the Pure Heart TALKING to Adorabat?! How?!

Cluckins you don't ask people what's wrong with their eyeballs...even if there is something wrong with their eyeballs

"I CAN'T FEEL MY SELF-RESPECT!!"

The pure 'oh shit' on Marion's face when Adorabat turns to her

Half of the people she insulted showed up to her party! Didn't that mean she loved them?!

Oh god not this bitch again - nvm, thanks Adorabat

"Taking over the castle and ruling Pure Heart Valley forever does sound nice..." This is starting to remind me of that one AU where Adorabat turns evil, becomes the ruler of the Sky Pirates, then convinces them to kill Snugglemagne and becomes the queen of Pure Heart...she isn't gonna kill Snugglemagne, is she?

What did Adorabat tell Snugglemagne?! I WANNA KNO

Why is Pinky stealing teeth...reminds me of this

NO BC DON'T EAT THE TEETH

"I...hate myself! Therefore, I'm invincible!" So the trick to not getting your ego destroyed...is to not have an ego. Sounds reasonable.

"Your bug platter, my king?" Genderfluid Adorabat rights

"Mao Mao, your head looks like a CROW!" (Mao Mao caws) IT WAS A LIE HE ISN'T A CAT HE WAS A CROW THIS WHOLE TIME-

"It looks like a half-melted ice cream cone!!" That is...a strange way to describe your own neck...

"Well, I'm...bad (◡‿◡)" Kinda weird that the canonically depressed character can't even cleverly insult himself

...why does Adorabat's skin smell like old cantaloupe

OH SHE IS POSSESSED!!

HOLY SHIT MAO WAS GONNA FUCKING MURDER ADORABAT TO SAVE THE KINGDOM?! THANK GOD HE SAW HER JOKE BOOK, HOLY SHIT

Positivity outweighs negativity!

"WHERE DOES A 800 POUND GORILLA SIT?!" "Where ever it wants!◝(⁰▿⁰)◜" Curse you for making me laugh...

OOH NO THE JOKEBOOK! - Wait nvm Mao remembers Adorabat's jokes!

I think the reason they used that joke is because it represents Mao Mao and Adorabat - Adorabat is blue, and she wants to be like Mao Mao, who wears red. What is BLUE, and smells like (is similar to) RED paint?

YAAAY HE BROKE HER FREE FROM MIND CONTROL!! And did BC get Thanos snapped in the background?

"Thank goodness you're alright! We almost..." Fucking murdered you? Yea

"Might we have our crown and kingdom back, yes?"

"Sorry for being such a monster today." "You're a monster everyday." Is that a joke because she was today's villain, a reference to Sleeper Sofa or foreshadowing?

I hope Mao Mao and Badgerclops decide to investigate what's up with the Heart in Season Two, cause I highly doubt they'll let Adorabat getting fucking possessed go under the radar.

The visual gag of Mao trying to stomp out his ice cream cone like a cigarette is perfect. This is peak comedy everyone else go home

WHOOP CHESTER'S ASS GUYS

Strange Bedfellows

"So, your name is Boss Hosstrich, but you're not actually the boss?" How long did it take him to realize that

JFC Mao & Orangusnake are REALLY hellbent on killing each other huh...at least the deputies and the other Sky Pirates have common sense.

Hahaha nice Dragon Ball Z reference - and they both got crushed by the monster! Lovely.

...did Mao seriously think he died and went to heaven?

So does Orangusnake breathe through Tanner or do they both breathe independently & Coby can feel when Tanner can't?

Dang those skeletons remind me of the Steven Universe Future episode Growing Pains. And why is Lucky inside of Orangusnake? "THAT WAS MY LUNCH, JERK!" Ooh that's why.

"They're full of these tiny, little cracks or, as they're known in the medical field, 'whoopsie-boo-boos'." AGSADGASGADGDASG

Damn their skeletons are just gonna freaking evaporate huh...

"The doctor said I was very brave :D"

Ooh shit the Deputies and the other Sky Pirates met at the same elevator, are they gonna fight - nevermind, they're still calling time.

JESUS CHRIST ARE MAO & ORANGUSNAKE EVER GONNA STOP?!

"You don't have the guts!" "I have a million guts." That is...mildly concerning

"Yeah, I wanted to be a baker, before I realized I liked hurting people so much." Then why doesn't she just like, help Muffins or something?

Tbh I thought Ratarang was holding a gun and I'm glad it was just a weirdly wrapped banana

CONE OF SHAME. CONE OF SHAME. CONE OF SHAME.

"Aww, y'all shouldn't have - this is empty." "Just like my heart when you injure yourself!!" He loves him sm...💓💓

"Why didn't you bring me weapons?!" "Because this is a hospital, and I'm a good boy (◡‿◡ )"

"I really feel like this could be a turning point in their relationship." (Mao and Orangusnake proceed to try and kill each other again) *sigh*

Ngl Mao & Orangusnake constantly repeating themselves is getting super annoying.

That hospital bed beeping is giving me flashbacks to all the times I went to the hospital for seizures...

"You know y'all could live like this, like, all the time if you didn't go around hurting people, right?" "Pssh! Tsk-tsk, boy. You know I gots to hurt people." Uhh you guys should really listen to Badgerclops he knows what tf he's talking about

UUhh, whose egg is that? "MAMA" ASGagddahDh

Of course they had to land in freaking CEMENT to realize that maybe they shouldn't kill each other

Did Mao just deflate like a ballo- oh nvm there he go.

Boneless Mao. Boneless Mao.

And Mao saved Orangusnake!! By...breaking every bone in his body somehow.

"I'm the kind of hero who wants to save you so I can fight you later...at the right time and place." Just gonna file this along with the credit score scene from Perfect Couple in the 'Orangumao' folder.

Is Badgerclops duct taping Mao to the stretcher? I mean, at least he won't move & hurt himself again but geez

Tbh Zing would’ve made a better finale than this ep. At least it had a sequel hook

#semi live blogging #semi-live blogging #//long post #// long post

5 notes · View notes

itsclydebitches · 4 years

Text

RWBY Recaps: “A New Approach”

A friend of mine has a van that she calls the Fun Bus. Oh that’s cute, I thought. I should chuck that into a recap sometime. “All aboard the RWBY Fun Bus!” Except my fun levels are ehhh right now, so how about we just don’t.

In fact, let’s be totally up front about things and get the major positives out of the way:

The animation this volume is absolutely stunning holy shit

I would once again die for James Ironwood. All hail the Hug King

Excellent introduction for Tyrian and Watts. I love feeling like the villains are actually dangerous again

The rest? I’ve got some things to say.

We open on Ruby looking appropriately downtrodden over their circumstances. Getting carted off in an Atlas police craft and all that. We get a pan across each side of the airship with the group looking angry (Yang) or defeated (everyone else)... with the exception of Nora, who is trying to eat through her bonds. I’m well aware that I’m nit-picking at this point, but for once I’d like the serious moments to remain serious in this show. Given her reaction to Salem, Kuroyuri, etc. we’re all well aware by now that Nora is more than just the comic relief. Undermining the others’ reactions with her making dog noises was an early cue that the writers weren’t going to treat the group’s arrest earnestly. To say nothing of the disservice it does to her character.

Actually, there were a lot of coincidental dog references in this scene. Nora’s growling. Referring to the Ace-Ops as Ironwood’s “personal attack dogs.” Deducing that he must have a “bone to pick” with them. Obviously this all means precisely nothing. What I want it to mean is that Zwei will arrive in another package courtesy of Tai, wondering how his kids are doing after one ran off and the other went to find her.

(Seriously though, does everyone remember Volume Five’s ending with Raven? Heaven only knows when that will become relevant again.)

While Nora continues to try and eat metal like a rabid animal, Jaune expresses disbelief that the Ace-Ops “took us out like it was nothing.” Honestly, it never ceases to amaze me how often the group is surprised by other people being stronger than them. Like they’re not the youngest and least trained in a world of professional huntsmen. Rather than acknowledging their need for improvement though---callback to Ruby’s “But we already know how to fight” anyone?---Weiss frames it as an exceptionalism intrinsic to her city. “Welcome to Atlas.” You know, the same city she quickly agreed to steal from and then draw the attention of the guards by giving a racist civilian what-for. The speed with which the show flip-flops between ‘We should fear this city’ and ‘But we shouldn’t take any actual precautions’ is pretty impressive.

All of which is made weirder by Weiss’ next line to the other prisoner locked up with them: “They’re not that big of a deal.” So... which is it, Weiss? Are the Ace-Ops Ironwood’s elites who can obviously take out a group of nine in seconds flat? Or are they worth scoffing and rolling your eyes at? Because you had a rather different opinion literally seconds ago. She does the same thing when the prisoner uses the term “tyranny” to describe the situation in Mantle. She claims now that the label is a “bit much” when before the whole group decided not to approach Ironwood precisely because of how tyrannical he appeared. I swear, good chunks of the dialogue just functions as openings for the plot---let the random prisoner explain all the horrors of this city!---rather than something the character in question would actually say.

But I’m harping. We learn a bit more about Hill and her “Happy Huntresses,” clearly a parallel to Robin Hood and his band of Merry Men. I was actually surprised to learn that she’s a full-on freedom fighter, just based on her posters last episode. The number of them and their professional look felt more like Atlas’ brand of propaganda. Big brother sister is watching you and all that. Then again, we also learn that Hill is gunning for a seat on the council, so it sounds like she’s not an ally of Ironwood’s plotting betrayal, and not a radical entirely removed from him either. We’ll have to wait and see precisely where she falls in this divide between Atlas and Mantle.

That fight is treated rather cheaply by the writing though. In this episode at least. Despite providing numerous looks at how horrible things are for the citizens here, this prisoner, currently representing that fight against the elite, is depicted as an absolute buffoon. He’s not engaging in an important, glorious battle for human rights. He just chucked a brick at an airship. He’s over the top, overly passionate, crazed enough that the group is looking away as he desperately tries to convince the guards up front that these things are important. The thing is? He’s right. But the writing doesn’t encourage us to treat his cause with respect, not when he’s bouncing off the walls and yelling like a conspiracy theorist. Actually, that’s the best comparison I can think of here. It’s like if someone laying out 100% real issues with climate change were written like a crack-pot loner who believes in aliens. That’s this guy.

We’re shown again that literally everyone recognizes Weiss Schnee---does no one else in all of Remnant have white hair?---before Jaune and a few others get distracted by how pretty the view is outside. Qrow commented earlier that they were no doubt going to jail.

Spoiler! It’s not jail.

It’s Atlas Academy, animated in a truly stunning design that reminds me of Weiss’ trip to the CTV tower to contact her dad. Looking back, that skyscraper-esque building probably made her anxious for reasons outside of just the call.

“I guess we will be seeing the General,” Ruby says because yeah, why would we have the group experiencing one iota of punishment before being handed the solution to their current predicament?

Look, anyone who follows these recaps is well aware of my feelings towards the airship debacle. I said last week that I wanted the writing to treat the group’s horrific mistakes and criminal activities seriously, but I wasn’t overly hopeful. I was right not to be. From now until the conversation about Salem, the ‘protagonists can do no wrong’ mindset that drove Volume Six is pulled out again in full force.

First, Winter sees the group in handcuffs and responds with, “You have ten seconds to take those off before I start hurting you.” Which is completely out of character to me. Does Winter adore Weiss? Without a doubt. But Winter is also a stickler for protocol and rules. This is the women who threatened to remove Qrow’s tongue over a few vague, anti-Atlas statements. She is all about devotion to her Kingdom. So how should she react when she sees a group of kids being formally brought in for charges? I don’t know, maybe find out what’s going on before demanding an immediate release? Here, Winter prioritizes the emotional assumption that Weiss and her friends are perfectly innocent as opposed to trusting that they’re in handcuffs for a reason. Which they are. Combine that with the humor of the guards scrambling to obey her with more silly sound effects and it’s once again clear that the group’s arrest was never going to be taken seriously.

Things get so much worse though. Ironwood starts apologizing to them, also working under the assumption that this was all some sort of silly mistake. Of course you shouldn’t be in handcuffs. You’re the good guys! Yang and a few others have the gall to be haughty here (yeah, how dare you arrest us after we committed multiple crimes) and for a moment I think all of this will actually amount to something when Ironwood laughs and says, “We assumed [the ship] was stolen!”

Uh yeah, goes Ruby. It... was?

Which results in a brief moment of shock and about three seconds of anger from Winter... and then that’s it. That’s all we get. Weiss interrupts her with, “I’m sorry I worried you, but we did what we had to do” which, no?? Okay first off, worrying Winter is not the issue here. She’s been worried for literally those three seconds and nothing more. Second, as I’ve established numerous times in the past, they did not “do what they had to do.” Absolutely nothing in Argus forced their hand to the point where stealing military property, fighting Cordovin, drawing that grimm, and then deliberately hiding out from Atlas authorities was justified. Why doesn’t Winter or Ironwood challenge them on this? Why the hell would two military personnel accept at face value that committing all of these crimes was necessary? Imagine your younger sister steals a car (which is in no way comparable to an Atlas airship, but let’s run with it). She and her friends then get caught by the neighbor they stole it from, started a fight instead of giving it back, endangered a bunch of other people on the road, got the police involved, and hid out until they were finally arrested. Then at the police station big sister gets angry at the officers for daring to book you and is pacified with a hug. Don’t worry, dear. I know there’s no possible way you could be in the wrong here. No reason to acknowledge, let alone address, why you thought those were acceptable actions in the first place.

Qrow is briefly called out for letting this happen, but like Maria’s comment last episode about the group being incapable of keeping a low profile, he shrugs it off with a joke. “You try stopping these kids when they have their mind set on something.” You know what these ‘jokes’ remind me of? Privilege. Stuff like “Boys will be boys ¯\_(ツ)_/¯” where people accept that change is impossible, so why would we bother calling anyone out on their mistakes? Boys are just hardwired to hurt girls and call it love. Teens are just hardwired to steal airships and call it necessary. You know what they’re like. Putting your foot down is useless because that’s just how they naturally function... and we’re all going to ignore the fact that no one else could get away with this shit. They’re the special ones exempt from repercussions. There’s a reason why both both Oscar and Ruby smile here. They know they’re not in trouble.

What all of this boils down to is that the group is above both the law and basic decency. That’s what Cordovin, Ironwood, Winter, and the writing all tell us. It doesn’t matter how many people you endanger. What you steal. What you break in order to accomplish that. Or how long you might try to hide what you’ve done. You’re you, a nebulous acceptance that you’re somehow above everyone and everything. These kids are never going to learn anything because each time they make a mistake---even massive mistakes that put a whole city in danger---they’re rewarded with smiles and a blanket acceptance that they did what they had to do. That is beyond frustrating to me. For the love of god, let them face an actual consequence for once.

It’s not going to happen though. Even the Ace-Ops apologize for doing their job (and treat Ruby like some sort of celebrity in the process). RWBYJNRQO is painted as victims for suffering the indignity of arrest... when they did numerous things they should have been arrested for. I particularly love Weiss’, “You could have asked us some questions first.” Yes, because everyone should be in the habit of taking a criminal’s word at face value and then letting them go when they say, “I’m innocent.” Rather than acknowledging any of this, the writing has the Ace-Ops go out of their way to emphasize how special the group is. You’re kids, but only technically. You’re students, but who cares. You’re as good as us, regardless of training or qualifications. That fact remains that the group did in fact do everything they were accused of and more, something that should generate reflection on whether they’re up for being paired with professionals, rather than an insistence that they’re automatically on par with these adults who complete their missions in a legal, safe manner. If that Argus fight gets them hugs and cool new weaponry, I shudder to think what else the group can not only get away with, but be rewarded for.

Once everyone blindly bypasses one of the biggest conflicts of Volume Six, we hit on the other divisive choice this episode: Ruby lying to Ironwood about Ozpin and the relic.

Okay. I’m going to be as clear as I can here: Ruby is being a massive hypocrite. That’s it. That’s the situation. I shouldn’t have been surprised by the fandom’s reaction, and yet I somehow still was. In just a few hours I’ve seen at least twenty posts detailing how Ruby is not a hypocrite because her situation is totally different from Ozpin’s. HE can’t keep secrets. SHE can. Which is the definition of hypocrisy: the group holding someone to a moral standard that they themselves will not strive for. Are there differences between telling the group about Salem and telling Ironwood about Salem? Yes, but the decision of whether or not to tell them derives from the exact same concerns:

Ozpin: I don’t know if I should tell these kids about Salem. I don’t know if I can fully trust them. I worry that admitting the relic still has questions will result in them using one irresponsibly.

Ruby: I don’t know if I should tell Ironwood about Salem. I don’t know if we can fully trust him. I worry that admitting the relic still has a question left will result in him using it irresponsibly.

And everyone is in on it. During the elevator ride up they all want to know what Ruby will say, meaning that they’re ready and willing to lie the moment she decides that’s best. “We’ll follow your lead,” Blake says. No one pipes up with, “Hey. Why are we considering lying to Ironwood when we decided that there’s no moral justification for keeping secrets like that? Especially from an ally involved in this fight?” Except, the group obviously never decided that. Jaune was happy to keep his secret back at Beacon. Blake too. Yang is still withholding info about the Spring Maiden. They’re all perfectly happy to lie provided they’re the ones doing the lying. Someone else doing that to them though? Omg, how dare you.

That’s hypocrisy.

(As a side note: good lord this group is so astoundingly bad at fighting a strategic war. They announce that they should be careful about what they say to Ironwood while two of Ironwood’s guards are in the elevator with them. This is a needless conversation! No one has to establish that they’ll follow Ruby’s lead! But yes, let’s talk about our plans to withhold information from the General while two of his men are very obviously listening in. We even get a shot of one guard looking over at that little tid-bit. I wouldn’t be surprised if this came back to bite them in the form of:

Guard, who I am naming Brad: “Sir, I thought you should be aware... the prisoners that just left? I overheard them discussing whether or not they would tell you something.”

Ironwood: “What? But I thought we trusted one another... did they say what this something was?”

Brad: “No, sir. They just agreed to be careful about what they said in front of you. They clearly intended to hide something though.”

Ironwood. “Huh. Now that I think about it, Ruby did interrupt Oscar when he was about to say something. And she was awfully nervous about it.”

Brad: “Sounds suspicious, sir. I’d look into it.”

Ironwood: “Right you are, Brad. Thank you for bringing this to my attention. I’ll be sure you get a hefty bonus at the holiday party.”

Brad: “Thank you, sir! My husband and I appreciate it.”

Gay guards aside, this is why Ozpin was right to be cautious. This group is too hot-headed, too immature, and often too plain dense to keep world-shattering secrets safe. This moment gets put up alongside Yang’s demand that Ozpin spill all his top-secret info while the random old woman they picked up 30 seconds ago watches. They just don’t think.)

In short, they are in the same exact situation as Ozpin. Weighing truth against potential repercussions. The fact that said repercussions vary in severity---a group of teens betraying him and/or caving under the pressure vs. a potential dictator betraying them and/or caving under pressure---doesn’t matter. They’re both really bad potential outcomes and both parties are right to be cautious. So yes, I agree with Ruby’s hesitance. It’s the smart thing to do. What I don’t agree with is the characters’ and the fandom’s insistence that Ozpin is not likewise smart for doing the exact same thing. Now that Ruby has made this choice she’d better damn well acknowledge her own hypocrisy. If the writing doesn’t give us a serious moment in which the group reconsiders their actions against Ozpin in light of their recent choices, then the ‘protagonists can do no wrong’ mindset has irrevocably damaged this show. Because you can’t have Ruby making the exact same choices her mentor made and not change her perspective now that she’s had the chance to walk in his shoes. “Oh wow. Sometimes you do want to play information close to your chest. Maybe we were wrong to respond so viciously to Ozpin’s secrecy when I literally just did the exact same thing to someone else. I get it now.”

All that being said, I’d actually argue that Ironwood is in a more justified position to have that information. He’s a chosen member of Ozpin’s inner circle. Ozpin never got the chance to vet this group. He’s a fully fledged huntsmen in charge of an entire Kingdom. They’re a bunch of half-trained kids. Checking in on/taking the relic to Atlas does not require knowing about Salem’s immortality. Enacting a plan to tell the whole world about her really, really does.

Because what else is Ironwood’s end game here? The only way this plan makes any sense is if he believes that Salem is mortal. Ozpin may have failed to kill her, but if we get an entire world to attack her at once we’re bound to win! This plan straight up falls apart when you realize that defeating Salem is not a matter of more manpower. Salem’s immortality is the Achilles’ heel of this scheme, whereas fighting the good fight is something the group signed up for right from the start. Not that Ironwood’s plan is a great one, even if it were viable. I’m sorry, but plunging a whole world into despair---something that draws literal monsters out of the woodwork---is a pretty terrible idea. Ironwood’s army can’t be everywhere at once and an announcement of that proportion would cause an untold amount of death and destruction. I can sort of get Ironwood’s sacrificial perspective. Deal with the fallout because the end result (finally defeating Salem) will be worth it. “Trying to hide the truth from the world will eventually kill us all,” he says, except hiding the truth hasn’t limited humanity in the way he assumes it has. It has allowed humanity to live in peace while a select few try to figure out how to kill an immortal woman.

...speaking of, how has Ironwood not realized Salem immortality? This remains a basic if/then construction of the story that blows my mind whenever people fail to pass it. “If Ozpin has fought Salem for over a thousand years, then Salem is either immortal or reincarnating like he does.” Because nothing else is possible! I mean, maybe Ironwood does know about her immortality and he intends his plan to work for reasons I can’t fathom right now, but it’s looking really unlikely after this episode. It just astounds me that we haven’t had a single character go, “Of course she’s immortal. Why is that surprising to everyone?”

Anyway, I’ve gotten horrendously off topic plot-wise. We learn that Penny and Winter now know about the relics and Maidens---something that worries me a bit because, as a piece of technology, Penny is potentially hackable. Especially with Watts on the loose. The Ace-Ops know as well. We also learn that they’ve already found the Winter Maiden who, according to Qrow, is “not exactly a spring chicken.” Huh. Another important piece of information that wasn’t blithely announced because people naturally work on a need-to-know basis... Sorry. Not diving back into the salt. That comment does actually intrigue me though. We know the powers can only pass to young women, so it’s a cool setup to present us with someone who has actually survived with that power for most of her life. I’m also eager to know whether Winter is set up to be the next Maiden. “Young” is a subjective marker and one of the criticisms fans have leveled at Ozpin is the fact that he put that pressure on Pyrrha instead of asking an older, fully trained huntress to be the Fall Maiden. Making Winter the next Maiden will lend support to that criticism. Ozpin could have chosen someone older, an actual adult, and actively chose to give it to a teen. As opposed to the assumption I’ve always worked under: those like Glynda and Winter are now too old. We’ll have to see.

Outside of the Salem part of the plan, I think making Amity Arena into a satellite is an excellent idea. Provided grimm like the Nevermore really can’t reach it. It’s actually cool to see how our real life, kind of boring tech makes its way into a sci-fi/fantasy series.

And while all this stuff is getting revealed we see how utterly thrilled Ironwood is to have them all back. To be blunt: I adore this characterization. I want this to be real. Not only because it’s a breath of fresh air to have someone acting so loving and optimistic towards everyone---He acknowledges Ozpin’s existence! Look at that smile! Kneeling down!---but also because it would be an excellent subversion of the premier’s setup. Dictator-y military figures buckling under paranoia is out. Tired but loving military figures making mistakes they’re willing to fix is in. That hug with Qrow? It added ten years to my life. Tender moments between two stoic guys will carry me through these cold winter months.

But (there’s always a “but”...) I’m not willing to buy into this characterization just yet. Not only because Ruby herself obviously isn’t ready to trust it. Not only because this is a story and we expect conflicts in the form of twists and surprises. Not even because there are moments where our trio feels vaguely threatening, stationed perfectly behind that desk, separated from the rest of the group.

No, I’m hesitating because this whole encounters feels... staged. Let’s review the series of events from Ironwood’s perspective:

You learn that one of your airships has been stolen

Instead of sending some everyday guards like the situation calls for, you send out your most elite group to take care of this issue

They immediately confiscate the relic, demonstrating a) that they know it’s important (they recognize it as a relic) while likewise b) not showing any surprise that one of the four, magical objects in the world just happened to turn up among these random teens

They bring the relic to you

Someone orders the pilots to bring RWBYJNRQO to Atlas Academy, not jail

You then act surprised when the group suddenly arrives

Which, under the circumstances, makes no sense to me. Even if Ironwood had no idea who stole the airship (I’d have expected Cordovin to have contacted him about the distinctive group heading his way...), he would have figured it out the moment the Ace-Ops walked in with a relic in their possession. Someone obviously gave the order for them to bypass jail and come straight to him. Basically, Ironwood is expecting them. Ironwood set up the arrest and everything attached to it. The surprise at their arrival, the fawning over their treatment, really over the top emphasis on trusting each other... This whole thing feels fishy to me considering that he had to have known it was all happening in the first place. It feels like a man crafting a situation where he can look approachable and kindly, arriving like a savior and endearing the group to him. Remember who got you out of those bonds? Huh? Huh? Even the choice to give Ruby the relic back. Do I need to point out how incredibly stupid that is? Ironwood isn’t stupid. He wouldn’t give an invaluable, magical object back to a 17yo unless he had another, good reason for doing so; unless the need to make Ruby and her followers blindly trust him outweighs the risk the relic is in while she carries it.

I mean... seriously. The entire point of coming to Atlas was to put the relic in a safe place. And then Ironwood decides that carrying it around on the streets is somehow better than locking it up in the vault? When Ruby and everyone else just got beat by the Ace-Ops in about five seconds flat? Someone could take the relic off them in a heartbeat! It doesn’t even need to be a main villain. Some stronger-than-average goons could manage it under the right circumstances and a bit of luck. Look at this bright, shiny thing we can sell for quick lien. No, I have to believe Ironwood has an ulterior motive here. As much as I want him to genuinely be what he presents himself as---the embodiment of our opening, “When we trust in love and open up our eyes”---a lot of this just doesn’t fit.

(Then again... it’s RWBY. And the writers are clearly still working with protagonist vision goggles. Maybe Ironwood really does think Ruby keeping the relic is the best option here. In which case he’s just a fool.)

All of which, notably, still keeps our group from tackling the core, ethical issue: why they want to fight Salem when they think it’s impossible. They’re ignoring that question by keeping the truth from Ironwood. The plot avoided them completing their mission by having them get the relic back. We’re just existing in perpetual limbo here.

Which finally brings me to Penny. The end of this episode has her leading the group on an exhausting tour of Atlas Academy, the exact sort of bubbly, silly, casual interaction we got with her in the early volumes. Last week when I pointed out how inappropriate everyone’s reactions were to finding out a friend is back from the dead, a lot of people commented that we’d get to the emotional stuff later. Or going so far as to claim that the group, Ruby in particular, is suffering from a delayed reaction. Except we didn’t see that. There’s a difference between a setup and a non-evidence based assumption that what we want to watch will eventually end up on screen. There was no setup for a delayed reaction. No Ruby holding back tears. Or a closeup on someone grappling with an emotion. Or someone else trying to say something before they were cut off by the sirens. All of those imply that an emotion exists but, since we don’t have the time or the inclination to deal with it now, we’ll come back to it later. That wasn’t the case last week. Every emotion was clear and complete, no variation in regards to the overall chill acceptance of Penny’s resurrection. Now, we’ve seen that trend continue. Ruby doesn’t stop in shock when Penny appears in the Academy hall. We’re given no indication that anyone is distracted by her while discussing business, in the way one might be when a friend and ally is unexpectedly back in your life. When she’s left alone with them, there’s nothing except the montage of exhausted tourism and Ruby’s demands to know where they’re sleeping. Basically, I think this is it. Sure, maybe later down the line---maybe even next week---Ruby will have a heart-to-heart with Penny, but by that point it’ll be too late to feel emotionally fulfilling. We’ve already seen their first meeting, a surprise encounter, doing business, and hanging out together, none of which acknowledges her status as a miracle. Hell, in this episode at least, no one even cares that she knows about relics and Maidens now. Penny has never been closer to the group, but she’s still being treated primarily as the comic relief.

As @valasania-the-pale pointed out to me, we also have the question of when Penny was rebuilt. Doesn’t anyone, at the very least Ruby, care that their friend was brought back and no one thought to tell them about it? Would Ironwood, Pietro, and Penny herself have just let them live with her death indefinitely? It’s a pretty messed up situation when you think about it. A fantastic setup in my opinion, but one that Rooster Teeth isn’t equipped to handle well. Like with so much of RWBY, there’s great potential and very little follow-through.

At least Watts and Tyrian were introduced appropriately. We got confirmation that Watts helped build the Atlas code and now controls it at his whim, causing crashes and powering down security cameras. It’s the perfect threat for a city almost entirely reliant on its technology. Even down to, as said, an ally like Penny who knows all these secrets. Hell, Winter’s comment about the group having access to Atlas’ best weaponry while they’re here is worrisome. What if their upgrades end up hackable as well?

Tyrian, meanwhile, is still Tyrian. That blood pool was a great shot in my opinion. Wonderful creep factor as he sets off into the city. “I suppose we all have our talents” indeed.

Obviously then, there’s a lot going on. A lot to cover and, on my end, continually dwindling hopes that RWBY will cover it well. I can’t be too excited about the group lying when we 100% bypassed their choices last volume. If the show isn’t willing to call them out on those mistakes, I doubt they’ll be willing to call them out on this one either. I’m preparing myself to watch precisely what we’re getting in the fandom right now: an insistence that Ruby is wonderful for keeping her secrets while further demonizing Ozpin for keeping his. Because that’s where we’ve been for the past fifteen episodes: perpetually insisting that everything the group does is, by default, heroic. Logic and hypocrisy aside.

But we’ll have to see.

Until next week 💜

Minor Things of Note

1. Please pay attention to precisely how many long, wide, and aerial shots we get throughout the episode. This is what happens when your main cast is made up of twelve people all working in the same place. Plus six more including Maria and the Ace-Ops. That’s far, far too many characters.

2. I really love how the Ace-Ops’ tail gives away how excited he is. That was adorable.

3. Despite my enjoyment at Ironwood’s obvious joy over seeing Ozpin... morally this is so fucked up for Oscar. He’s introduced by Qrow as, “the next Ozpin,” essentially undermining his identity as his own person (note how massively uncomfortable his body language is in this moment). Ironwood then immediately starts speaking to him as Ozpin, not at all interested in the kid he’s housed in. If he even understands that Oscar is a separate person. We should all keep in mind that just a few days ago Qrow told Oscar to stop thinking of himself as an individual. Ruby agreed with him via her silence. The whole group was happy-go-lucky when Oscar announced that he’s resigned himself to just disappearing someday. As happy as I am that someone actually acknowledged Ozpin’s existence and (gasp!) was happy to see him, Oscar is still getting the short straw in all this. The group really treats him like he’s some form of transportation and nothing more. Penny, our resident robot, has more agency than he does.

4. Maria is still just hanging out with Pietro, I guess? Does she care that the group got arrested? Is she trying to do anything about it? I’m half expecting a comedic moment where she barges in, prepared to break them out and take on all their captors... only to realize they never needed her help in the first place.

5. I like this shot of the relic, the first thing to be bathed in light when Ironwood’s presentation ends. Not convinced it means anything, but a cool perspective nonetheless.

6. Intrigued by this guy.

7. Love, love, love, love, love Watts’ purple outfit. I mean, I’m just a sucker for purple in general. So... yeah. There’s that.

#rwby #rwby volume 7 #rwby volume 7 spoilers #mymetas #rwby recaps

70 notes · View notes

vernonfielding · 4 years

Text

I got hella homies

Story No. 29 of my Season 7 Countdown Project.

Summary: “Boyle says you brought Jocelyn to Shaw's last week.”

Jocelyn meets (most of) the Nine-Nine. Takes place before The Therapist. (Read on AO3.)

She notices Amy Santiago first, because Amy is standing at the bar wearing a full police uniform, and also, she has incredibly shiny hair, and Jocelyn’s always had a thing for brunettes.

Jocelyn pauses at the threshold of Shaw’s, eyes scanning from Amy to the booths that line the walls, until she finds the one loud group sprawled around a table toward the back. She squints, trying to identify Rosa, and that’s when someone slides up behind her and says, “Don’t move.”

Jocelyn bites her lip to keep from grinning. Rosa smells like fresh lemons and leather and just now, bourbon.

“Or what?”

A hand slips onto her hip and squeezes, and Rosa says, “Or you won’t get the first shower tomorrow morning.”

She gives Jocelyn a quick peck on the cheek, and Jocelyn lifts an eyebrow. “You should probably be careful about sneaking up behind people in a cop bar,” she says.

Rosa shrugs. “I just wanted a second alone before you meet everyone.”

“That’s sweet,” Jocelyn says. She knows Rosa will hate that, and sure enough, Rosa frowns and grimaces.

“C’mon,” she says, and tugs at Jocelyn’s hand.

Jocelyn had picked the right table, and she’s able to identify everyone else even before Rosa makes the introductions. Charles has an open, friendly face and kind eyes, and he’s wearing a tan button-down shirt and the dullest brown tie Jocelyn’s ever seen. Terry is massive and very handsome, but it’s the suspenders that give him away. Amy has re-joined the table and is sitting beside her husband. Jake is the last one she places, because she’s having trouble reconciling this man with the goofy grin and laughing eyes with the obsessed, sleep-deprived, manic detective Rosa described working with on a recent murder investigation.

“Everyone, this is Jocelyn,” Rosa says. “Don’t be weird to her.”

“Hurtful,” Jake says, but he’s smiling, He has an arm slung around Amy’s shoulders, and he leans over the table and reaches toward Jocelyn to shake hands. “You have neat hair.”

“That was weird,” Rosa says.

+++

Jocelyn’s politics swing way left and she’s definitely never dated a cop before. But Rosa is confident and assertive and Jocelyn finds that extremely attractive, and to be honest, the fact that she carries a gun is weirdly hot. She is eagerly anticipating the day she finally gets to see Rosa in uniform.

She knows the past year hasn’t been easy, since Rosa came out to her parents. Jocelyn’s glad she did it -- to be honest, she doesn’t date people who aren’t out anymore. She gets why people stay closeted, she really does. But Jocelyn has been out since middle school and even at age 14 she knew that if someone couldn’t handle who she was, that person wasn’t worth the trouble. Now she’s 38, and she won’t be anyone’s secret.

So yeah, this feels good, squeezed into a booth at the back of a dingy cop bar with Rosa and her friends. Jake and Charles are shout-singing to Taylor Swift and Amy is pretending to be embarrassed but obviously loving it. Terry tells the table in general that he’s texting his wife that he’ll be home in time to put the twins to bed. And Rosa is definitely sitting closer to Jocelyn than she needs to, one hand on Jocelyn’s knee under the table.

+++

The invitation to join Rosa at Shaw’s came out of nowhere, which has been pretty standard. They’ve been dating a little over three months, and for most of that time Rosa’s been on the murder case with Jake, which means a lot of their dates have been spontaneous and pretty casual. (Rosa also has canceled a lot, which ordinarily would be a deal-breaker for Jocelyn, but Rosa did warn her that a detective’s life can be chaotic.)

Jocelyn got the text as she was leaving her frosting and highlighting class, the last of the day, and wondering if she should see if Rosa was free for dinner. She answered yes immediately and did a literal 180 to catch a train to Prospect Heights. Jocelyn has been dying to meet Rosa’s coworkers, who are clearly the most important people in her life given how much she talks about them. Which, honestly, isn’t a lot, but still about five times more than anyone else.

Still, she was a little afraid that the night would be all cop talk. But the Nine-Nine takes her by surprise. Ten minutes after she’s met them Charles has taken out a stack of actual printed photos of his son Nikolaj and is asking Jocelyn if she’s ever had Latvian beetroot soup, and then Terry has to show her photos (on his phone, like a normal person) of his daughters. After that Jocelyn can’t resist sharing a photo of her niece, who’s just eight months old and sadly lives on the other side of the country.

Then Amy asks her about cosmetology school and says that Jake is right, that her hair is neat.

“I’ve always wanted to try short hair but I’m afraid I don’t have the face for it,” Amy says.

“You should come by the school some time for a consultation,” Jocelyn says, tilting her head to imagine a look for Amy. “I could totally cut it for you.”

“No way!” Jake says firmly, mouth gone suddenly all pouty.

Jocelyn feels a punch of knee-jerk rage, that this guy would dare tell his wife what she can and can’t do with her hair. She opens her mouth, ready to lay into him.

And then Jake says, “You said I could cut your hair if you ever decided to go short!”

Amy rolls her eyes. “No, you are not allowed to cut my hair with the paper cutter at work. We’ve talked about this.”

“My wife is the worst,” Jake says in a whine. But he’s smiling and his eyes have gone all crinkly in the corners, and Amy tips her face up to his and kisses the corner of his mouth.

“Sorry, babe,” she says.

So Jocelyn decides that Jake and Amy are adorable and she wishes she could have been at their wedding, which Rosa said was the most romantic shit she’s ever seen, and that was after the bomb scare.

After a second round, Jocelyn asks if the captain ever joins them for drinks and Amy says, “I wish” in a dreamy sort of voice, and then she and Charles launch into a story about Holt single-handedly saving Shaw’s by drinking himself sick on Charbonnay.

“Cabernet?” Jocelyn says.

“No,” Rosa says, looking like the very thought of that particular alcohol is going to give her a hangover. Jocelyn drops the subject.

“When do I get to meet him?” she says instead.

“Holt?” Rosa shrugs. “He’s not very social.”

“Are you kidding?” Charles calls out from Rosa’s other side. He leans over the table to address Jocelyn. “Captain Holt and Kevin love Rosa. I bet they’d have you over for Kevin’s famous white rice. I’m dying to try it but I’m not allowed in their home after last year’s tofu incident.”

Jocelyn has so many questions. “What’s the tofu-”

“Don’t ask,” Rosa says. “We should go.”

Everyone ends up leaving at once. Outside the bar, Charles gives Jocelyn a too-long hug, and Terry tells her he’s so glad they met and then seems to tear up a little and walks away in a hurry. Amy’s goodbye handshake is bone-crushing but her smile is genuine.

Jake pulls Jocelyn aside while Amy and Rosa are discussing a murder case and, improbably, blood-sniffing flies. He tells her in a hushed voice that he’s never seen Rosa happier in a relationship, and then he makes her swear to never tell Rosa he said that. (Jake also calls her Jackie, but he’s so friendly about it that she instantly forgives him.)

Rosa walks her home, and they hold hands and Jocelyn gushes about how great her coworkers are. “I wasn’t expecting to like a bunch of NYPD cops so much,” she says.

It’s dark out and Rosa is pretty inscrutable at all times anyway. But as they pass under a streetlamp, Jocelyn’s pretty sure she sees the smallest quirk of a smile.

“Yeah,” Rosa says, “they’re not bad, I guess.”

Jocelyn laughs. She recognizes high praise from her girlfriend when she hears it.

“Speaking of not bad,” Jocelyn says, and pauses, tugging at Rosa’s hand to make her stop too. She slips her arms around Rosa’s waist, and Rosa gives her another of those half-smiles and lifts a hand up to Jocelyn’s face. When they kiss, Rosa’s lips are full and soft and warm, and the slide of her tongue is electric. Jocelyn closes her eyes and hums a little, and Rosa strokes a thumb along her jawline, to the pulse point behind her ear. Her other hand curls around Jocelyn’s neck to pull her closer.

They’re both a little breathless when they break apart. Rosa’s eyes are so dark they’re almost black, but there’s a spark of something fond and joyful in them. She reaches up to brush aside the bangs that have slipped over Jocelyn’s forehead.

“They’re right,” she says, “your hair is neat.”

Jocelyn laughs out loud, and Rosa’s laughing too when they kiss again.

End Notes:

Title is from Feed the Beast (Bash Brothers).

Another massive thank you to @exploding-snapple, who put together a most amazing timeline of Season 6 without which I would have been totally lost trying to figure out the timing of this story. According to her timeline, Rosa and Jocelyn would have started dating around late December/early January of 2018-19. So by the time Jocelyn met everyone (in early April) they would have been dating about three months. (If that’s wrong for some reason, blame my math, not explodingsnapple’s timeline.)

Interestingly, much of their early dating would have taken place during The Crime Scene, which must have been intense, and perhaps influenced Jocelyn’s eventual frustration that Rosa consistently prioritizes her job over her girlfriend. (Canon is fun!)

I purposefully had Rosa sharing quite a bit of personal info about her coworkers with Jocelyn, which I realize runs counter to the Rosa we know. But my thinking is that Rosa really, really likes Jocelyn, and is maybe making an effort to be open with her. Plus, I think Rosa really loves her Nine-Nine family and would maybe want to talk about them, at this point in her life. Anyway, obviously that’s all open to interpretation.

#b99 fic #b99 season 7 countdown project #missing scene #the therapist #rosa/jocelyn #rosa diaz #jocelyn pryce #amy santiago #jake peralta #charles boyle #terry jeffords

27 notes · View notes

ranma-rewatch · 4 years

Text

Episode 2-School is No Place for Horsing Around

Alright, we’re going into episode two this time, “School is No Place for Horsing Around”. No mess this time with alternate titles this time around, even if the one we have sounds a little unwieldy. Once again, this feels like an episode I know ahead of time fairly well, so I’ll join you in a second after I’m done rewatching it.

This episode starts out a little slow. It’s the next day, and we’re reintrodcued to the Tendo and Saotome families as they go about what is, for them, normal. Namely, Akane is getting back from a jog to see Ranma and his dad sparring in the yard while the rest of the Tendo’s eat breakfast.

Soon they’re on the way to school, though Ranma is walking there on top of a fence, probably because he thinks it makes himself look cooler. They talk, including about how neither wants the school to know they’re engaged, Ranma acts like a jerk, but just as Akane is ready to give him violent retribution, Genma shows up to chastise Ranma far treating his fiance badly. Ranma immediately just knocks his dad into a nearby waterway, turning him into a panda, then expertly dodges his dad’s attempts at retaliation...only to walk right into the path of some old lady throwing out water, activating his curse.

Akane realizes that Ranma probably shouldn’t show up to his first day of school in his cursed form, so takes him to the house of Dr. Tofu, the family physician for the Tendo’s. He seems like a nice guy with a weird sense of humor, but after Ranma turns back and they leave, he realized that the guy must be a martial artist, since he was able to sneak up on Ranma without him noticing

It also becomes clear that Akane really likes Dr. Tofu, which he finds funny because she keeps protesting about how much she hates boys. But that’s right about when they get to the school gates, and Ranma is stunned to see a bunch of guys from the school, most of them athletes, are running up to Akane to attack her while also proclaiming their love for her. She effortlessly beats them all up while an instrumental version of the theme song plays in the background. (Something I’ve never seen done in a second episode, I don’t think.)

But once they’re all down, the sky darkens and someone throws a rose at Akane, which she catches. From out of the shadows appears a man quoting classical literature/poetry (the source depends on the translation), holding a kendo sword, here to fight Akane. He boasts of his skill, but when Ranma draws his attention, the man gets irate that this whelp dares to show familiarity with Akane.

Ranma reveals he’s staying at her house, and immediately that sends this guy, Tatewaki Kuno, the Blue Thunder of Furinkan High, into fighting mode, but aiming his attacks at Ranma instead of Akane. Ranma seems a little flustered at first, before giving a real introduction of his own and letting the fight start. It quickly becomes clear how powerful Kuno is, able to smash a stone wall or cleave a tree in two with his wooden practice sword, but Ranma is once again great at evading attacks. Just as each is about to hit the other, the dark clouds above begin their rain, and Genma shows up to push Kuno aside and whisk Ranma away just as his curse activates again.

Once inside, Akane gives Ranma the low-down. Apparently, at the beginning of the school year, Kuno announced to everyone that if anyone wanted to date Akane, they had to beat her in a fight first. Ever since, she’s had to fight all those boys every day just to get to class. Oh, and when Ranma laughs off Kuno as a loser, Akane points out a large bruise on his neck. Kuno never hit Ranma, that was just from the attack missing, and she says if he had landed that blow, Ranma would have had a gash there instead. It also turns out that Ranma took longer with his fight than Akane usually does, so they’re late to class and have to stand outside holding water in a bucket, which is/was a normal punishment in Japan.

Meanwhile, in the classroom for the older students, it’s revealed what Kuno got from Ranma in their trade-off: in that split-second, Ranma had quickly scratched some characters onto Kuno’s forehead. His initial annoyance is from the fact that Ranma didn’t write his name correctly, but Nabiki, who is Kuno’s classmate, makes it clear that Ranma had actually just written “Incompetent.” Then, in the middle of class, she tells Kuno that Akane and Ranma are engaged, and he flips out.

This leads to him also being sent out into the hall, but he quickly runs over to the protagonists loudly asking what the meaning of their engagement is. Now the whole school knows, and another fight quickly starts between Ranma and Kuno. As Ranma runs away, he decides to jump out the window, with Kuno following. The fact they’re on the third floor doesn’t faze Ranma...but the fact they’re directly above the swimming pool is definitely a problem. That’s where the episode ends! Cliffhanger!

So, what is there to say about this episode? Well, quite a bit, I’d wager. To start with, I really adored that fight between Akane and all the guys. It’s not the smoothest animation in the world, but it really shows off how badass she is compared to these regular high-schoolers, and the instrumental theme in the background sells it really well.

This is also the introduction of Tatewaki Kuno, one of my favorite characters in the entire series. I honestly cannot think of any way his introductory scene can be improved. None at all. He is pompous, cultured, arrogant, and just a bunch of fun. The fact that it cuts to Nabiki and her friends after he calls himself the “Blue Thunder of Furinkan High”, and they start wondering where that came from, only to reveal that recently he’d instead been calling himself “Shooting Star” just adds to his character. This guy sees himself, unquestioningly, as the hero, when he is in fact an annoyance at best and a misogynist at worst.

The fight between him and Ranma is also great, especially in how it, for the first time in the series, sells the idea that, at least for the really powerful martial artists, we are definitely talking about superhuman people. They’re not quite Dragon Ball Z, but they wouldn’t stand out in the original Dragon Ball. The way the fight ends is a little disappointing, partially because I just don’t care for the track used in the background, but on the whole, aside from a bit of a dull start, I don’t have much to complain about this time around.

You have to understand that, just because I love him so much, I was very tempted to make this second character spotlight all about Tatewaki Kuno. But I will have to save him for a later date, because instead I think it would be sacrilegious to use the second spotlight on anyone who isn’t the character who, in my opinion, is the other protagonist of the series: Akane Tendo.

Unlike Ranma, the question of who voices Akane is a lot simpler. In English, she’s voiced by a Canadian actress named Myriam Sirois. She has done...almost nothing else, Akane seems to definitely be her most well-known role. Honestly, I’m a little sad to see that, because I think she does an excellent job. She plays Akane with a good mix of sweetness and spice for her Tsundere-ish personality. This early in the series she’s still kind of getting into the character, but that’s also true for a lot of the actors.

In the original Japanese, she’s played by Noriko Hidaka. She actually has a long history as a voice actress, with some of her other well known roles including Kikyo from other famous anime based on a Rumiko Takahashi Manga, Inuyasha, and Near from Death Note. Like I said last week, I have some issues really getting a handle on the Japanese voice actors right now, partially because it’s my first time hearing their performances and partially because they’re acting in a language I don’t speak. Because of that...I don’t really know what to say about her performance so far. It is neither amazing nor terrible. Somewhere in-between.

With this episode, we’ve started getting a bit of a fuller look at Akane’s character. She’s a martial artist, and a strong one, though it’s fairly clear that Ranma has a bit of a lead on her in that department. She fights mostly with an emphasis on strength, which comes in handy against the regular athletes but leaves her a little less fortunate against the speedier Ranma.

She clearly cared about how she’s seen at school, being tired of the morning fights and not wanting people to know about her engagement to the new kid at school. Tied up with that is her issue with men. It’s clear that, no matter what she says, she doesn’t hate all boys. Aside from her crush on Dr. Tofu, she doesn’t seem to have much of a problem with her loving father.

The whole ‘badass girl who hates guys’ is a bit of an older trope these days. It kind of feels like Strawman Feminist at this point, but at the very least Akane’s frustration with men is kind of understandable. We don’t actually know when it started, so it’s possible that it literally developed because she’s spend all school year fighting off all the guys in her high school, who are all trying to beat her in a fight so she’ll have to date them, like she’s a prize to be won in a contest.

Aside from all that, the only other thing I can think of to bring up is...her violence. Against Ranma. As someone who has been in the Ranma fandom since shortly after becoming net-savvy, I am well aware that Akane has a small, yet vocal, hatedom, and part of it comes from the way she treats Ranma, namely in hitting him whenever she gets angry. The fact that Ranma won’t strike back, out of fairly outdated chauvinism, doesn’t exactly make it look good either.

This is something I’ve talked about on my other blog, Wright Wednesday, and it’s a rough subject to talk about. First of all, yes, in real life anyone, regardless of gender, who hits other people for things they say is committing assault, and it’s not okay. The romantic-ish relationship between them makes it even worse, as domestic violence is rarely treated seriously if it’s a woman harming a man.

Second, this anime is not depicting the real world. It is a weird harem shounen battle comedy anime, so the rules of what flies in the real world vs what flies in real life aren’t the same. What makes me upset about Akane being able to hit Ranma so often is how it’s framed. It’s okay for her to do that, you see, because she’s just a girl. No matter how strong she is, no matter how good a martial artist she is, it’s okay for her to hit Ranma because her gender makes it comedy. If it was trying to treat it for drama, it would be a hard slap to the face, which would equally enforce traditional gender roles. It’s very sexist, and I don’t really like it.

I will say, right now, that regardless of those issues, I really like Akane. I think she and Ranma are cute together when they’re not being dysfunctional, she’s adorable, and I’d say that by the end of the series she’s a very well-developed character.

At last it’s time to rank the episodes, and now that I have rewatched two episodes, it’s a real ranking! While some might want to give the first episode points for being, well, the first episode, I am going to say right off that I think the episode I covered today is superior. The fight scenes, Kuno’s introduction, and some great comedy made it very fun to sit through two more times. That means the current rankings are, from best to worst:

Episode 2: School is No Place for Horsing Around

Episode 1: Here’s Ranma

Next time we’ll see what happened to Kuno and Ranma after they fell into the pool in Episode 3: A Sudden Storm of Love. See you then!

#episode 2 #school is no place for horsing around #ranma 1/2 #ranma saotome #akane tendo #tatewaki kuno #anime analysis #anime rewatch

2 notes · View notes

justjimedits · 4 years

Text

princeescaluswords

The sheer privilege of that reply to your post @camelotpark is staggering in its entitlement.

A person came into a show about a Latino character, which the production said was about a Latino character, which the actors said was about a Latino character, which the narrative said was about a Latino character, and said “I wasn’t a fan of Scott’s actions sure, but I didn’t dislike him or hate him.”

People like this came into a show where the first season was focused on the Latino character being attacked and hunted, where the second season was focused on the Latino character trying to navigate a war, where the the third season was focused on him rising to a leadership position, and the only thing they could draw from this is that he ‘wasn’t innocent.’

But it’s absolutely wrong to suspect that these people are influenced by racism.

Anyone has the right to respond to me until I don’t want to put up with their ad hominem bullshit. But when they used an argument that has been clearly influenced by racism, I have the right to call them out on it. If you look at how Teen Wolf was presented, at how the characters spoke, at what conclusions it drew, Derek Hale was never supposed to be the hero in the first two seasons. He wasn’t. They literally had other characters tell him this to his face!

By the way this phrase – “ how Scott was not the innocent puppy with a certain naivety I actually had envisioned” – is an example of racist influence in action. There was no evidence that Scott was an innocent puppy, except to people who wanted to focus on the white characters as the more important more relatable ones. “Innocent puppy” is a character that doesn’t have to be paid attention to, doesn’t have to be listened to, and might be amusing in it’s oh-so-adorable way. But that character is never the focus of tragedy, of horror, or even of growth. The ‘innocent puppy’ is the character who gets sent to the little kid’s table while the adults talk.

That isn’t Teen Wolf. That was never Teen Wolf.

The production and Scott fans never indicated he was innocent, and they certainly never said he was a puppy. What happened, to my eyes, was that you came in with the – yes! it’s racist – idea that Derek was the really important character, the true motive force behind the narrative, and Scott existed to “learn the lessons” Derek had to teach him, instead, as the narrative kept insisting to fandom’s disbelieving eyes, of the other way around. ___ Actually, I didn’t come into the show with any expectations at all since I started watching two years ago, when the show was done. I never saw articles or TV commercials (I don’t watch TV, I watch online streaming on my computer so no commercials) and I certainly didn’t hear about any hypes here in the Netherlands but that’s probably because I’m in my thirties and thus don’t attend school to get any talks about it. I was browsing shows to watch, came across season 6 of TW and was like, hmm, werewolves, maybe that’s interesting? I never liked werewolves much until Hemlock Grove. So I started on season one. And honestly, the first episode didn’t have me hooked... I didn’t like the young faces of the actors, didn’t think any of the characters spoke to me much except Melissa McCall (Loved her in Chicago Fire and Walking Dead). But I soldiered through a few more episodes. It was pretty clear to me Derek wasn’t the really important character, I mean, most of the first episodes he was lurking in the background not saying much. He was brought into the show as seemingly the bad guy who had bitten Scott and I certainly wasn’t a fan of his lack of talking and explaining.Unfortunately, I always seem to like the brooding bad boy types and as the show went on and Derek was constantly put into bad situations when he tried to do the right thing (Also due to his lack of communicating) and more of his past came to light. I wasn’t a fan of Stiles, his ADHD was badly overplayed with the abuse of his meds and the gangling hyper ape Stiles appeared to be in season 1. I never thought Derek was the force behind the lessons Scott had to learn, I mean, Scott made it pretty obvious he wasn’t interested in learning anything from Derek and Derek was not a very helpful nor patient teacher. I think over the seasons they did learn from one another but they were both dealing with the situations at hand, one they both had been forced in, as well as all other characters from TW. Derek learned to not see killing as the only solution thanks to Scott and as Derek evolved into his own character more and more, I liked him more. After season 4 I was sold, I wanted to write as Derek Hale (I’m a roleplayer and sometimes muses just feel right. Derek Hale felt right) and I rewatched the show many times since the first time to be able to get writing as Derek right. Also, putting Scott as innocent puppy isn’t said to be him to the sidelines. Why can’t a leading hero not be that? Why do you have the instant notion that it makes Scott less of a leading man because of my wording? You’re putting words in my mouth, and you have a habit of doing that, it’s why you blocked me in the first place, because I went against you. To me, and that’s how I viewed Scott before I was forced to look closer to his actions, he did come off as naive and innocent. He was a teen, and that’s how he acted, and he was all about saving people and not killing them (Unfortunately Scott’s ways got more killed but that wasn’t something he realized), he had those moments where he appeared innocent with big eyes and big smile, a pup since he was a teen and wolves are lupine but I guess I should have said cub? A youngster not prepared for what he was thrown into. Like when he pointed out to Allison and Kira how they mom-ed him, and the I’m the hot girl scene or the juice scene. Those kind of scenes were cute to me. I haven’t watched season 5 and 6, I sped through it once so I can’t speak on those seasons. First 4 seasons, that’s how Scott appeared to me, and there’s nothing dismissive about it. So what entitlement did I show? That I disliked being called out (Like other Sterek fans) that we’re the problem in this Fandom Peace post? That I pointed out that my first introduction to Scott Stans was aggressive towards me and insulting and me wonder if I wanted to stick around? You interpreted my words to your own liking, made assumptions about me which weren’t correct and that’s how you spoke to me. You were wrong.

#teen wolf discussion

2 notes · View notes

troybarnesbucky · 4 years

Text

I woke up and decided to analyze each 9-1-1 pairing with regards to timing and also buddie

I just woke up and all im gonna say right now is this: this is long-winded but basically it takes a look at all the relationships on 9-1-1 and compare the timing and level of intimacy to that of buck and eddie’s relationship.

at the end of season 1 of 911 I remember watching and realizing they were gonna push the whole bobby and athena relationship, and I was surprised, because I didnt think there was any preamble or much hinting to it. but I guess it made sense to me - they were both single, both in the same social circle, they got along. sure, made sense. and then season 2 comes along and they’re smack dab in the middle of their relationship and we have zero time to adjust to it as an audience, but once again, we quickly did (mind you, I did not watch it live as intently as a fan would, but I do recall a lot of episodes because my mom watches the show and I remembered a lot when I was catching up myself). at this point bobby and athena are happily married and I really do love them together, genuinely.

then, maddie comes along and there’s a bit more to the story. she has a lot going on, a lot she’s been through and we spend much of her first season getting to know her and watching her confront her past and create her own present. chimney had a bit of a rough start with relationships (.... tatiana, sorry love, but you could’ve had it all sis). her and chimney start out as friends but it’s very clear from their blossoming friendship that the writers intend for us to want a relationship for them, and we DO. because theyre adorable together and genuinely have so much chemistry and they’re good for one another. it’s a bit of a slowburn but we get there eventually, so much so that in the season 3 finale, we find out maddie is pregnant! which yes, did make me cry shut up.

hen and karen had a rough start. even if they did look happy, they went through a ton of shit in the first and second season, especially the first season. which is fair; hen cheated on karen, and a large part of her storyline revolved around her ex and having to fight for denny. but there’s so much love between them, and a heavy history that is palpable through the screen. by the time season 2 comes around, they are a bit more grounded, and more so by the time season 3, too. it was interesting to think about their relationship is comparison to the others, which we watched blossom in real time. especially in season 3, because we see their love and support of one another during their attempt to have another child, and yes I also did cry when they met nia for the first time and no I will not elaborate. hen also went through a lot of shit this season; karen, despite what she went through, was and continues to be super wonderful and supportive, if a bit wary (but its okay because drunk karen and chim was a gift and we were well fed) for a second. their relationship is everything and also karen carries the whole show’s sense of humor on her back, I said what I said.

then we have three more main relationships: michael and athena’s, which is over in episode 1; buck and abby (im not counting ali because genuinely she was in three episodes, im only looking at the main relationships for each character), which starts and ends in season 1; and eddie and shannon, which technically starts before season 1 and kinda ends in season 2 but then she dies.

personally I dont think there’s much to add about michael and athena’s relationship. firstly, michael is a doll and if they hurt him in season 4 I will riot. but more so, the show gave us a LOT to work with in terms of their past relationship. also, it was interesting as a viewer, to learn about them from the bottom up. we see the tail-end of their romantic relationship and watch it get replaced with a genuine love and care for each other and their family. it’s a stark contrast to what a lot of shows on television would go for; it has a bit of rough, bumpy start, but by midway through season 2, they’re both on steady ground in terms of personal family life, and it’s actually a breath of fresh air. their dynamic is heavily surrounded by love for family, and we love love love that.

I think with abby and buck we all liked it a little, at the start. buck was sweet to her and we see a change in attitude and an effort from buck that is clear to have never been made before. abby is also a pretty admirable character; she takes care of her mother, is incredible at her job as a dispatcher, and she struggles with maintaining personal relationships but still gives it a go with buck. and buck, from the start to end of the season, grows a lot, both independently from and surrounding their relationship. as a viewer I watched the show way later on, so I knew abby was leaving and honestly, I really did like her and their chemistry. as we go into season 2, we have buck, who is still living in abby’s place, and then the introduction of eddie.

so here’s the thing; this is where I was trying to get to. the show (the writers) made and continue to make interesting character and relationship choices. with eddie and shannon, there is a very clear closeness and chemistry between them that yes, does get revamped for a little. there is also history, which is very important and can’t be disregarded. but more than anything, we are looking at timing in this meta. eddie comes along in season 2 and there are a lot of things happening: hen and karen are getting back to normal, athena and bobby are suddenly dating, buck and abby are - despite what buck thinks - very over, and chim is single and ready to pringle, plus maddie is new and freshly separated from d*ug. as we go through season 2, we see development with athena and bobby, very clearly on their way to a stable relationship and marriage. hen and karen are working through things, we don't really doubt their relationship either. both maddie and chimney are single, and they become friends, and we very quickly, as viewers, realize where the writers are taking us and what they want us to think.

so now im gonna get on my clown shit when I talk about buck and eddie. specifically, regarding the writers and their timing and why I think they’re either really stupid or actually very smart.

listen, everyone loves slowburn. hell, I'm writing a buddie au that will probably end up being like, upwards of 80k words and it’s gonna be a slowburn. buck, at the beginning of season 2, is in denial. im not gonna go through details but I will say that like..... okay, he’s heartbroken and thats fair. eddie, through means of “what a man,” is introduced and within one fell swoop, buck is immediately jealous and then like, twenty four hours later, they’re besties. tea. totally fair. in terms of timing, especially regarding relationships, there really aren’t many things to note: buck goes through that weird thing with taylor kelly, eddie goes through his drama with shannon, and when shannon wants a divorce, it kinda all goes to shit. by the end of season 2, we have buck trying to move on (and also nearly dying by means of a firetruck but thats not my point but also writers wtf) and dating ali (guys how do you spell her name lol) while eddie deals with the aftermath of his (ex, technically but I don't know if its mean to say that) wife. there are more than a few moments between buck and eddie that hint to a potential romance and feelings, like the santa scene and multiple others. then, season 3 is very very interesting.

buck and ally(? seriously I don't know) are broken up, eddie is focused on christopher and actually, also buck, and then the tsunami happens. there is also not much going on in terms of other relationships on the show; maddie and chim get their shit together while also having a crazy season starting and ending with talking about having kids with a brief intermission of “I cant say I love you” and nearly dying on both parts and albert appears lol (and then disappears, too?? wtf). athena and bobby are pretty cool, hen and karen are trying for kids and hen wants to be a doctor. we have some others, like josh, who go through too much shit for my liking and deserve better, and michael, who...... deserves the world.

okay. cleared that up. but timing-wise, if we look at the writers and their regard for timing, then we see this: any time two characters are single and there’s an ounce of friendship even hinted, they end up together. fine, that’s fair to say because we’ve seen it, right? after the tsunami, which is a WHOLE OTHER thing im not getting into, we have the lawsuit, eddie fighting, lena bosko (yall can be mad but she was hella cool), hen killing that cello (I think) player, michael getting sick, wow this season was fucking insane holy shit.

but in terms of character relationships and timing, a lot goes on with buck and eddie. in this one season alone, we go from eddie being the first one to hug buck at his surprise party and christopher giving buck a card with “bff” on it, then buck almost dies (again) and eddie is, quite frankly, the only one who takes no crap from him after he quits and then the tsunami and buck literally tearing himself apart to find his best friend’s son and collapsing at the sight of them reunited and then “there’s no one I trust more with my son than you” (is that the quote, I don't know it by heart) and THEN heart eyes, and then the lawsuit and supermarket and “you’re exhausting” and “christopher misses you” and “I couldn't even call you to bail me outta jail” and then the “I’m hearing a lotta ‘I’s, buck” and “I forgive you” and then the Infamous Kitchen Scene and me endlessly screaming WHY WAS BUCK’S HAND ON HIS BELT LIKE THAT? but also very pointedly I will say eddie fighting specifically when he can’t talk to buck and then it stops around the time he can hmmmmm. and also “this is eddie’s house im not really a guest here” then the fuckaifajfgkjfglgakjdgag tunnel collapsing and buck literally, once again tearing himself and everything apart for a diaz, digging with his bare hands and the defeated look on his face and refusing to think about eddie dying and eddie very nearly dying but then recalling christopher, his family, buck, then christopher and buck, then christopher and buck again, then a rare shannon appears, and then it’s just-

okay. OKay. O K AY. ok. here’s what I think. either the writers are incredibly smart or just viciously stupid, or the third, lesser liked option, they know what they’re doing and don’t give two shits. they are sitting on, and quite frankly they have created, a fucking goldmine. but in terms of timing, and relationship choices, we have eddie and anna(?) as a brief thing that will either reappear in season 4 or never be touched again, then abby’s lame-ass apology that was just her attempting to justify her actions by claiming she simply just should’ve told buck sooner. but a lot of this season explores buck’s loneliness, and in a way, too, eddie’s.

yes, eddie has christopher, and the others? they have families and significant others. buck has no one (except maddie but you get my point) to go home to. I think, in terms of timing and thematic elements, this season took the time to explore the loneliness of two men, but also by doing so, only high-lighted their need for one another, their love for one another. in the past, that has lead to two couples getting together: athena and bobby, and chimney and maddie.

so, my point is, season 4 is the make it or break it point. we got (weak-ass) closure with abby, eddie’s anger and regret with shannon (and yes, christopher), an exploration of both of their loneliness, and a very, very clear rocket launch of their closeness and dependence on one another, in season 3. it started with a lot and ended with closure on all extraneous factors that could have possibly deterred the two of them from a potential relationship. more so, abby is getting married and buck has no choice but to move on; he may not have loved her anymore but he needed the closure (and no I do not think it was good enough and I think buck deserved more but that’s not my point).

this can’t be read that much into. it’s not subtle, it’s not subtext. it’s very clearly there on our screens, with every small or big line. they mean a lot to each other. anyone with eyes can say that, has to say that. the problem is, what’s the intention? like, are the writers actually doing what I've just said, setting up for a slowburn, taking it season by season. you can look at it that way, and it actually doesnt take a lot to get to that point of a thought process. there is a HUGE, fundamental shift in buck and eddie’s relationship in season 3. there is a perceived difference in their friendship versus both their relationship with others and the friendship between others. denny doesn’t call chimney his best friend, “his chimney.” athena has never once told hen she trusts her children with her more than anyone in the world.

there are a lot of interesting choices that have been made over the course of three season, particularly this past season. there are also a lot of possibilities for the upcoming season. we may see a return of that teacher, we might see buck fall into other women, we may see eddie not fully over shannon, or (hopefully not) an abby return. it’s just a matter of waiting, but there’s no denying the way things were left off; buck and eddie were both single throughout the entirety of season 3, considerably closer and not guests at each other’s place, both very lonely in spite of the people around them, closer to each other than the rest of the 118, both have a family member (or more than one for eddie) to keep them anchored. buck is, yes, more lonely, but they are both left off in the same place. my question, more than anything, is whether it’s intentional after all that’s said and done. and if it’s not, then why, pray tell, are the writers following their OWN very clear and self-fulfilled pattern of timing and relationships to an even stronger extent than they ever have?

#buddie #911 meta #9-1-1 #911 on fox #911 fox #evan buckley #eddie diaz #buck x eddie #chimney han #maddie buckley #bobby nash #athena grant #henrietta wilson #karen wilson #michael grant #long post #but yeah #this is my thought process

5 notes · View notes