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#currently on season 1 episode 3 :)
alitherandom · 27 days
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I have nothing better to do and I'm trying to distract myself from the extreme anxiety season three is giving me so I'm just thinking about how kind and accepting Omega is towards Echo even when she didn't see him get created in Nala Se's lab like she did the original four batchers. I actually wonder how she knew who he was at first, whether or not the batch went back to Kamino before season 1, or if Nala Se told her he'd joined them. Either way, Omega’s a good kid and I really like how she loves each of her brothers for their differences.
On that note I wonder how much she knows about Echo’s experiences, and how similar they might be to hers (I feel like ‘lab assistant’ is basically just a red flag for experimentation and trauma, but anyway.) I like the parallel in season one of her checking up on him in the medbay in the first episode and then him doing the same for her when they were heading to the lab on Kamino in the last episode.
I like their dynamic especially with regards to how open he is with her, in contrast to how he seems to usually internalise things in front of the batch. The two of them definitely have older sibling vibes and we haven't seen enough of them. We haven't seen enough of Echo in season three full stop, but that's another post for another time (I'll probably post a really long rant if he's not back by the next episode)
But yeah Echo is a good brother and he deserves better where is he
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freakova · 1 year
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Honestly fucked up that it’s 2023 and there still isn’t an official dvd release of tmnt 2003
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we-crazy · 3 months
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I want to finish watching Hannibal but I do not know if I am strong enough.
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thelassoway · 4 months
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Tagged by @thesumdancekid , thank you 🍻
Comfort Shows:
1. Parks and Recreation
2. Futurama
3. Ted Lasso (season 1 only) + Carol of the Bells
4. Bob's Burgers
5. The Good Place
6. What We Do in the Shadows
7. The Last of Us
8. Schitt's Creek
9. 30 Rock
10. The West Wing
Tagging anyone who wants to do this!
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bugsinthebayou · 1 year
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donnie i see you trigun posting like all the time and that guy seems interesting. should i check it out
- 🦎🦎 <- i havent sent an ask in so long i hope thars my signoff JFASJG
YES. YES YOU ABSOLUTELY SHOULD
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ulforcev-dramon · 2 years
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Now we just have to wait for the Primal video game to fix this bullshit like we did with Samurai Jack.
i actually had no idea they retconned the samjack ending with the game, so I just watched it and have pretty mixed feelings about it
don’t get me wrong, it’s nice the samjack end was fixed regarding Ashi! absolutely better than what we got at the end of s5
buuuuut wrt Primal specifically, I think I’d rather he just leave it alone, personally. he had the chance for a satisfying ending and he blew it. i don’t think a retcon can undo the special form of bizarre disappointment S2 Ep10 gave, there’s no element of surprise or shock left even for the story elements that could have been done well. i’ll be going into it with bitterness, basically, so a retcon will only have everything going against it from the getgo.
#idk might be an unpopular response but the game looks. Bad. so having the better end walled off behind it just feels like#somehow even worse/more bitter on some level#u know?#like primal’s ending was bungled bad enough—unless the game looks and plays monumentally better than samjack’s then i think i’d rather#he just Not#neologisms#(THAT SAID if the game looked felt and played well? hell yea! but if we are talking samjack game quality for a fixed ending I’m Out)#(i do feel like he’d have to also completely change the ending… make it something New (if even possible by now) in order to surprise again)#primal#primal spoilers#who knows tho maybe in 6 months or a year i’ll feel different#what i really wish had happened was ep 5 was nixed and all the current eps were brought forward by 1#break the final ep into 2 parts: first part spear’s flashback and his integration into Mira’s home#part 2 great big episode-long fight that’s more climactic than the Mad Sauropod ep#i won’t say one way or another what spear’s fate should or shouldn’t be because i feel that alone wasn’t the damning part of ep10#just… (gestures vaguely to the whole episode) everything else#actually what i had totally expected was at least 3 seasons ill be totally real with you#the fact i didnt expect a series finale also threw me off and compounded all the bizarre pacing issues and story choices#im just baffled that every single other fight in the series felt higher-stakes and more cinematic than the Series’ Final Fight.
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mtsodie · 2 years
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didd you think of point and click gnnj because of sam and max /pos
yeah ive been playing through the games....... also point n click games r like. a big thing in my family
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eaeulfl · 5 months
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By the time I finished season 2 my character tiers were:
1. Jean and Sasha were tied for first
2. I still liked armin but the gap between first place and second place was quite big
3. Connie/Levi/Erwin
4. Eren
5. Hange/Pyxis were ahead of the rest by only a little
6. The rest
I think it’s possible Sasha might’ve been in first place on her own if she had been given more scenes both in season 1 and in season 2. I also feel like Jean barely appeared in season 2 compared to several others but at least he had a decent amount of screen time in season 1. I wish Connie appeared more too
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denimbex1986 · 4 months
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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”
...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.
“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”
“Good Omens” is back by popular demand for another season. How does it feel?
It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.
Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.
That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.
In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.
It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?
It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.
Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?
Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.
Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?
They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.
Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?
It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]
Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?
I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.
There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?
There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.
Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?
Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.
To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.
Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.
Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.
I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?
I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.
Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?
Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.
[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]
I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…
I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”
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tiptoze · 1 year
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VIZ Media just put a bunch of official, complete anime on YouTube for free
Exactly what it says on the tin. Here's the link to the official article from Viz. There are ads* ofc but to be able to watch these for free in HD is a pretty big deal.
Note that they are all Japanese dub, English sub. (The subtitles are not YouTube captions but part of the video itself, for whomever it may concern)
Here's the current list w/ links to the official playlists:
Death Note (All 37 episodes)
Hunter x Hunter (Seasons 1-3, 148 episodes)
Inuyasha (COMPLETE SERIES W/ ALL THE MOVIES)
Mr. Osomatsu (Seasons 1 & 2, 50 episodes)
Naruto (Seasons 1-8, 220 episodes)
Sailor Moon (COMPLETE SERIES)
Handful of other movies, 4 of them are Inuyasha that's already been stated above but includes TIGER & BUNNY, K Missing Kings, Accel World, etc.
I hope this helps someone who's been wanting to watch one these shows! I know most people don't get news from Viz so I didn't want this to just go quietly under the radar because this is actually p nice to have in a world where you either have to pay for or pirate everything. I really hope they add more titles in the future!
*Also, they say ads but I use Firefox w/ uBlock and all the other anti-capitalist goodies and I've watched the first SM episode and gotten no ads so this may actually be an avoidable thing for a lot of us so like,,, go watch some free anime luv lmao
EDIT: I have been informed that this is not available in counties outside of America. Which isn't surprising but is disappointing. If someone w/ a VPN wants to let me know if they can work around this lmk and I'll update here.
EDIT 2: Quote from an Anon:
"Windscribe VPN on my phone worked for watching Viz media's anime uploads! I'm sure there's better and less limited free options but that's the one I found with a quick search to try it out. Haven't tried it on a laptop though so can't comment on it's viability there."
Tysm for letting me know Anon!!
EDIT 3: Via @eunbinppap
#one of protonvpn's free options is the us
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fangirl-dot-com · 30 days
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Drive To Survive
key:
indented italics - flashbacks, display other than interview, screen changes
February 14, 2025 
The screen is dark as the newest episode of Drive To Survive plays. 
The title read “The Rookie.” It was finally time for the episode that everyone had been waiting for since the 2024 season ended. 
The opening scene starts with multiple flashes of cameras. If people watched the 2023 season, they would know exactly what circuit it was. The Elvis impersonators would give it away as well. 
Standing in a circle was the current world champion, two Ferrari drivers, and the Papaya duo. They smiled forced smirks for the cameras. Yet, they dropped them once they realized the cameras were not pointing to them. The Netflix camera filmed them all turning to face the front. Most of the drivers had confused looks. 
“I didn’t know Checo was a Cars fan,” the microphone picked up the words from the red clad Spaniard. 
Max smirked, the camera zooming in on the Dutchman. 
“He’s not.” 
The camera angle changes to the back of a young woman, blond hair bouncing with every step. A red scarf flowed behind her, white body suit sparkling under the flashes of all the cameras. 
The screen flashed the title before a producer chair was put in a spotlight. The camera angle switched to a back view as a driver walked around and sat in the chair. Their face is completely nonvisible from the camera angle, but people know who it is. 
The lights dim before brightening, and the camera angle is back on the chair with the driver. Blond hair reflects the lighting, as well as a nice smile. The episode clapper is in her hands.  
“Please state your name and team for the camera.” 
The woman in the chair took a breath. 
“My name is Y/n L/n and I drive for the Italian team, Scuderia Ferrari.” 
She clapped the black and white box. A loud beep sounded in the studio as the camera crew started to laugh. The girl in the chair started giggling as well, before acting serious again. 
“Yeah, that was a lie. I drive for the best, the Honda RBPT Oracle Red Bull Racing Formula 1 team. Red doesn’t look the best on me. I prefer navy.” 
She smiles, trying not to laugh once more. 
The camera quickly cuts to black and then fades into a clip, that looks similar to a home video. A young girl is smiling for the camera, tiniest helmet in her hand.  
“How old were you when you started karting?” a voice sounded over the video. 
The blond cocked her head in thought. She smiled at the nostalgia that was running through her mind. 
“I was five.” 
The same little girl was now in a kart, doing donuts on a driveway. 
“My parents had gotten me a kart as a present. They had been talking about starting me as soon as possible. I mean, I had toy cars before for practice. My first one was a bright pink Barbie car and I got that when I was 3.” 
The clip changes to a different scene. This time, it was of a karting circuit. Multiple kids were aiming for the first place spot, but a singular pink kart was going around the outside, taking it from them.  
“I remember my first time winning. It was 2008, a few months after I got my kart. All the boys there looked at me weird when I showed up with my hot pink helmet.” 
“Where you scared?” the interviewer leaned in, awaiting the answer. 
“Of the boys? Not one bit. They should have been more scared of me.” 
It was now a black screen, but multiple voices shouted over it. 
“Y/n L/n wins her first feature karting race. 
“That is another win for the female karter! 
“Y/n L/n wins the European Division for karting in 2010! 
“L/n takes the 2012 Italian Karting Division Championship!” 
“Karting will always be a part of me.” 
“Who kept you going?” 
The girl gave a sad smile to the camera as she looked down at her hands. She knew she had given them permission to talk about the subject. She just didn’t know that they’d go right off the bat. 
“My godfather, Lorenzo.” 
The screen changed to a clip of the small girl running to a taller man. The man was knelt down in the grass, arms open wide to catch the running girl. A gentle smile was on his face as he looked at the trophy in the child’s arms: almost too big for her to carry on her own. 
“I believe that without him, I wouldn’t be in this chair. I owe it all to him.” 
The scene changes once again, to multiple clips of an F4 and F3 car crossing the finish line. 
“Y/n L/n wins her first F4 race of the season! 
“Is she going to take home the championship today? Yes she does! Y/n L/n is the 2018 Formula 4 Champion!
“It is a new year and we are seeing a lot of new rookies in Formula 3. Hold on, is that Y/n L/n? Ah it is! So glad to see the girl here today especially after last year! 
One of the regulars on the show, Will Buxton, was now in the seat. 
“What are your thoughts on L/n’s rise in Formula 3?” 
Will leaned in, getting focused. 
“You have to have such a good foundation in your family and close friends, to be supported, to be good like that. Because without good support, a driver cannot be a good driver.” 
“L/n is across the line to take home her first F3 race win. We were seeing her looking a bit down earlier, so I hope this brings her spirits up because she is making history today.” 
“So, I was disowned right before that race that I won in F3.” The blond shrugged. “I really never had any good support other than like three people. At the time, two of them were just staff too.” 
She giggled at the revelation, knowing what Buxton had said beforehand. 
“Another win for L/n, making her the 2019 Formula 3 champion. Ladies and gentlemen, you do not want to miss watching this racer ever again.” 
Somber music now plays in the background. 
“How nervous were you when you made the jump from the Formula 3 division to Formula 2.” 
The girl gave a nervous scoff. “I was terrified.”
Clips of pictures filled the screen. 
“I had just lost the only person in the world who I know still cared for me.” 
“Heir to the Alessandrino Fortune Has Died” 
“Former Italian Karting Champion Lorenzo Alessandrino Has Passed Away” 
“Lorenzo Alessandrino, 2001 Formula 2 Champion, Is Dead” 
“Y/n L/n Makes Motor Sport History as the First Woman To Start in Formula 2” 
“L/n Takes the Formula 2 Feature Race” 
“Y/n L/n, History Maker: First Female To Win a Formula 2 Race” 
The headlines fade into a video of the podium. A 25-year-old Max Verstappen is visible, holding the 1st place trophy. He is seen watching the 17-year-old Y/n L/n shed some tears during her national anthem, while pointing to the sky when it finished. He gingerly stepped out and handed it to her when cued. She graciously took it from his hands and offered him a wide smile. Max stepped back, watching the young girl openly cry in front of thousands. On the inside, he wished he had that strength. 
“I could tell something was off that day.” 
A new driver was in the chair. Male, blond, and in the same team uniform as the female was. Anybody who’s anybody knew exactly who that was. 
He sucked in a breath. “Obviously, I didn’t know her or what she had been through at the time. Now knowing, I wish I had given her a hug.” 
Max let out a chuckle as he reminisced on that day. 
The screen flashed and the woman was back in the chair.
“I knew who he was. Everyone knew who he was.” Her hands waved around. “Max Verstappen, probably one of the greatest drivers to grace the grid. No one just skips most of F3 and all of F2. You have to be great. And that was Max.” 
“Was he your favorite driver on the grid at that time?” 
She let out a snort. “Oh gosh no.” 
Everyone in the studio laughed. 
The scene changed to you sitting next to Charles at one of the debriefs in Las Vegas. You had no clue why they put you there, because last you knew, you weren’t driving. However, they had said something about wanting the pole sitter and you (who had done the fastest lap in FP1) to talk for a bit. 
Your cheeks were a bit heated as you were truly sitting next to your hero. Charles could only smirk at your very shy nature next to him. He watched you rattle off about some part of the car and the balance. 
The Monegasque cut in. 
“See, this is why she is perfect to be Max’s teammate. They could talk all day.” 
Everyone around them laughed, along with you who gave some quiet giggles. You rolled your eyes. 
“Let’s not talk about the fact that you have your own ‘Leclerifying’ hmmm?” 
The girl smirked at the camera. “There was a certain McLaren driver that always tried to get the attention of a select Spaniard. If Lando was obsessed with Carlos. I was obsessed with the other Ferrari driver. I tried to get his attention on Twitter, er, well now X a couple of times. It was still Twitter when I was using it.” 
“Of course I noticed her tweets.” 
A new driver was now in the seat once again. This time, he wore the iconic Rosso Corsa team polo.  
Charles smiled as he looked down at the multiple rings on his finger. His hand came up to his neck to fidget with a certain necklace. His smile grew as he thought on the memories. 
“I thought it was sweet. A young driver was trying to keep up with the big leagues. I’m pretty sure I responded a couple of times. And Sebastian had put in a good word for her.”
“Sebastian?”
Charles’s eyes widened as he smirked. 
“Vettel. He’s known her for longer than anyone here has.”  
The scene changed again. 
The girl was back as she clapped her hands.
“Charles made my day whenever he responded. To me it was probably like if Harry Styles responded to a fangirl’s tweet or Instagram. I always hoped that I’d make it to Formula 1 and could maybe drive beside him.”
“We were told that you know retired driver Sebastian Vettel.” 
The blond smirked, not nervous but confident. 
“Yeah, I know him. He was really good friends with my godfather.” 
She leans forwards and fixes her shorts. 
“It’s kind of how Max was close to the Schumacher family. Lorenzo worked with Seb multiple times in the very early 2000’s when Seb was still in karting. I want to say probably even before I was born as well. He was a little bit older than Seb, more like a mentor. I was able to catch up with Sebastian around 2020 and I got to meet a few more people.”
“People such as?” they prodded. 
“Kimi, Nico, Mark. I’m pretty sure I met Lewis like once though when I was pretty young. Like probably around 2015. I got to watch a couple of Formula 1 races with them in 2020.”  
The camera cuts to a man wearing the Mercedes logo on his polo. His braids are kept nicely as he smiles at the camera. They hand him a picture of you and him in 2015. His eyes are wide as he keeps looking at the photo and then to the camera. 
“This was her?” Lewis questioned, letting out a small laugh. His eyes squint as he tries to get a closer look in the dark room. 
The scene changes once again, the female driver back in the seat.
“Were you nervous that you might not have made it? To Formula 1 after what happened in 2020?” 
The blond looked down at her hands. 
“There were a few years where I was convinced that I wouldn’t.”  
The screen fades to more headlines. 
“Y/n L/n enters a second year of Formula 2 with PREMA” 
“The Future for F2’s Only Female Driver is Uncertain” 
“L/n Is Out of the Last F2 Race of the Season” 
“PREMA Drops L/n for Her F2 Final Season?” 
A clip of a meeting of some sorts flashed on the screen. You were looking quite down as you picked at the end of a table as someone read off a paper. You didn’t even want to pay attention as they were nailing the final nail into the coffin.
“Prema Racing has decided to let go of driver number 89, Y/n L/n. After the 2022 season, she will no longer race for or have any affiliations with Prema and will be replaced by Ollie Bearman.” 
You spoke up. “But I have a contract until the end of 2023.” 
The representative glared at you, before looking back at the page and kept reading. “Since driver 89 has underperformed in the past 2 years, Prema has decided to break contract. Compensation will be sent at a later time.” 
Vito had silently grasped your shoulder to offer you some comfort, but the hurt had already been done. You were going into a season for the first time since F4, you didn’t have a secured future in the sport. 
Ollie was sitting on the other side, watching you sadly as they basically read your death sentence. The camera zoomed in on you playing with a pen. If one were to look closely, they could see tears streaming down your cheeks. 
Will was back in the seat. 
“A driver without a contract or team cannot drive.” 
The scene changes back to the driver. 
“I mean. I had other options. On the side I was talking to Sebastian and even Nico. I was trying to keep my eyes open for something, anything. Except, it turned out that I didn’t need to.” 
More headlines flashed.  
“DAMS To Sign Both Leclerc and L/n for 2023” 
“Y/n L/n Wins First Two Races of the 2023 Formula 2 Season” 
“L/n Wins Her Third Race with Teammate Arthur Leclerc Behind Her” 
“Y/n L/n Makes History Once Again: First Female To Win Formula 2 Championship” 
“Y/n L/n: Youngest Driver To Win F2 Championship” 
The girl is back in the chair, the spotlight on her. 
“I didn’t know that I’d get the championship my final year. I was skeptical. I really thought that I wouldn’t be able to, since it was my final year, I had been dropped, and I had a new teammate. But I had a really good teammate and a better team. They really put everything into me being the best driver.” 
“What did you think would happen after everything was over? You had won the championship with 1 race to spare.” 
The girl swallowed before speaking. “Obviously, I thought I didn’t have many options. At the time, it seemed as though every door was closed. I kept talking to my manager about it, and every time he said he would come back empty handed. I even talked to him that morning, and he just had a sad smile on his face.” She paused. “I knew that even though I could be the champion, I had nowhere to go after that.” 
The person in the chair changed. 
“So, that was all a lie,” Vito spoke to the camera, a smile on his face. 
The scene had changed. Vito Accardi, Y/n L/n’s manager, was seated in a chair. It looked like he was stressing over his laptop. Stella, L/n’s  race engineer at the time of 2023, was seated across from him. He was silently tapping a pen on the table as he looked over the words on the screen.  
“Too many junk emails?” she teased, settling into her chair. 
The male shook his head. 
The screen showed multiple contracts up at once, lines upon lines were highlighted. The headers at the top of each contract showed very recognizable logos. 
He smirked as he looked directly at the camera. “I couldn’t tell her anything until I knew that there was something for certain.” 
“How many teams wanted her?” 
“All of them.” 
The scene changed to a past driver’s get-together: one that no one had seen before. The group consisted of Max Verstappen, Charles Leclerc, Lando Norris, Lewis Hamilton, Fernando Alonso, Daniel Ricciardo. An odd group, but they were just waiting around (or hiding on a Wednesday). 
Charles was looking down at his phone, while Max was watching him closely. The Monegasque’s fingers were typing at a lightning speed. 
Lando was the one to point it out. 
“What’s got you in a tizzy?” the Briton asked, pulling Charles out of whatever fog he was in. He quickly turned his phone off. 
“Ferrari is wanting to sign someone else, but wouldn’t be able to do so until 2025. Except her manager insists on a seat for 2024.” 
Lewis had his interest piqued. “It is Y/n L/n?” 
“Yeah. My brother has put in great words for her, along with Sebastian. Pierre also says that Alpine is thinking of options too.  She’s,” he huffed, “very good. Almost a little too good.”  
The other Mercedes driver took a sip of his drink. “Toto was just talking to me about that, but he said the same thing. There aren’t any seats available until 2025. But he wants her.” 
Lando rolled his eyes. “So we’ve all gotten the talk about how all the team principals want to sign her. Even McLaren is speaking about how to get her a seat somewhere. Testing driver or something like that.” 
The older Spaniard spoke up. “It would be foolish not to. She has generational talent. Stroll is looking at her as well.” 
“So are we. Except there aren’t any seats,” an Aussie added. 
Max was quietly reading almost every article he could get his hands on about her. In the back of his mind, he knew that Checo was going to retire after this year (especially after what happened at Mexico). He quickly sent one to Christian, only getting a thumbs up. 
Daniel bumped Max. “You’ve been quiet over there. What are your thoughts on the potential rookie?” 
The Dutchman looked up. “What rookie?”
The scene changed back to the Italian man. 
“I’ve been her manager for years. I knew exactly what she needed at that moment. Sure, I could have told her, but I knew she wanted to race in 2024 and not wait. I’m not her manager for nothing.” 
“How did you get in touch with Red Bull’s Christian Horner.” 
The man adjusted in the chair. “Well, even though she wasn’t on their junior team, the actual brand Red Bull was one of her sponsors in karting.” 
The scene changes once again, this time the Team Principal of the currently reining team was now in the seat. 
“Vito had gotten in contact with me when she first started F2,” the older Briton said. “But we wanted to see what would happen. We took a chance at Max, way back then. But this was a bit different.” 
The interviewer asked, “Because she was a girl?” 
Christian shook his head. 
“Because she was 16 at the start: younger than Max was by two years. Sure, she turned 17 at the end of the season due to a later birthday in October. But, we took a step back to see what she could do, especially now that they changed the age rules after Max. She was dropped by PREMA, and we almost took the chance then to maybe bring her in as a development driver. But, Vito was adamant about her wanting a championship. She wanted records broken, and she did.” 
“How did everything go down? Before she knew.” 
He smiled.
“I called him right after I got the article from Max. Youngest to win an F2 Championship and a female on top of that.” 
“Was everything pretty smooth sailing?” 
He shook his head. “I was advised not to sign her, but I was told ‘no’ for Max and you see where that got me. I wasn’t going to let her go to a team that wouldn’t let her shine.” 
The scene changes to the RB19 being driven out at the mock track for training. The girl’s white helmet was a stark contrast against the deep navy of the car. The camera panned to the mock pit wall. Multiple people pressed buttons as they watched you take lap after lap. 
A much older man just looked on with pinched eyebrows, not really interested in seeing what the girl had to offer.
After the final testing times had been clocked, he stood up and slammed his papers on a table, before he left the pits. Christian smirked as he watched him stalk off. He knew he made the right call for the second time. 
“How did it feel being in the seat for the first time?” 
The girl, back in the seat, responded, “It felt surreal.” 
She kept talking as the screen faded into clips of the car. 
The aerial view watched as the car look several laps: getting close ups and shots of the car going around the corners.  
“I went from having the door slammed into my face to the door being blown to bits.” 
“Did Vito ever tell you that he was talking to multiple people at once?” 
She looked at the camera. “He did. But he knew what I needed. That’s why he’s been my manager since 2018.” 
The scene changes to multiple flashing cameras as the girl walked into the paddock for the first time in Vegas. The cameras followed as she straight up walked to the group of older guys, introduced herself, and followed Max as he walked away. The rest of the guys watched her animatedly talk to the man who hated every second of the Las Vegas Grand Prix. 
“The beginning of your season was filled with a lot of highs,” 
The screen flashes to multiple clips of you raising trophies, especially highlighting your podium in Bahrain. 
“And lows.” 
The female’s eyebrows raised. “No kidding.” 
The scene changes to your car flipping in Suzuka before panning to people’s reactions. Many people immediately stood up. Others put their hands over their mouths. Many stayed sitting, frozen in shock over what they just saw. 
The screen fades to black, but radio messages can be heard. 
“Kid, you have to answer me.” 
“Tell me you’re ok. You need to respond.” 
“I can’t lose you too.” 
Charles was back in the chair. Tears could be seen in his lash line as he exhaled a shaky breath. He closed his eyes, trying to get over his emotions. 
“A crash like that doesn’t happen every day. It was awful, just waiting to hear back from her. Really took me back to 2014. Reminded me of Jules. On the same track. Rain. I don’t think I would have finished the season if she hadn’t made it.” 
The scene changes to multiple marshals standing around the car, trying to get to you. Except, you were trapped. They didn’t want to start cutting, just in case there was a fuel leak. They did not need for the car to catch fire.  
“I remember watching Lewis just turn around,” George said, now that he was in the seat. “He kept shaking his head and muttering. I couldn’t stop crying.” 
“Y/n is a driver who was shy at the beginning, but then got more comfortable with you as time passed. She became precious to everyone on the grid.” Oscar offered a smile, but it fell short as he remembered Suzuka. 
“There hadn’t-” Lewis began, but cut short. He swallowed before he kept going. “There hadn’t been a crash like that since 2014. And the last time it happened, he didn’t make it. I was honestly preparing myself for the worst.” 
Max shrugged his shoulders, trying to be nonchalant. Yet, anyone could see that his hands were shaking just a bit, his fingers picking at his skin. 
“She just wouldn’t answer. And then they got Arthur Leclerc on the radio, thinking that he could get to her. Even then, she didn’t respond for what felt like hours. We were all waiting, on the pit lane, just hoping that she’d start talking soon.” 
“What did it feel like for you in the car?” 
The female was back in the seat. 
“All I really remember was seeing the sky and the grass as I rolled, and then nothing. I had totally blacked out. When I was coming to, I just remember hearing so much through the radio, I didn’t know what to make of it. I think I laughed as I answered. I was just happy to be alive.” 
“We know that was your first DNF. Thankfully the second wasn’t as bad.” 
“No kidding,” she laughed. “My car just doesn’t have very good balance.” 
“You’ve had lots of podiums. Which one was the most fulfilling?” 
The girl looked up in thought. Her eyes narrowed, truly going over her options. She didn’t want to have to talk about certain matters, but she didn’t want it to be brought up later. 
She answered, “Imola.” 
“What was so special or daunting because of it?” 
The blond harshly inhaled, before smirking a bit. “Well, lot of people knew how it ended.” 
The scene changes to multiple police cars around the paddock. The camera barely caught a glimpse of two people being let away in handcuff before panning over to the group of drivers. The lens zoomed in on your face, a big bruise forming by your eye. Max was standing protectively near you as Christian was still yelling at the people in the car. The other drivers can be seen hovering around the scene. 
Max gulped before he sighed. 
“I knew it was bad, but not this bad. I’m just glad that I had gotten to her in time.” 
The female stretched. “Except I got a trophy out of it, so, I wasn’t too sad.” 
The scene changes to the next race, where most of the drivers were waiting for the parade. They could tell that someone was missing. Except, right when Lando was about to bring it up, you walked in. Sunglasses were on your eyes, trying to hide the ugly yellow and purple blotch on your face. Except, it didn’t do too much to actually hide it. 
“Afternoon,” you said, sipping on a drink that you brought. Your fingers took off your glasses, multiple drivers wincing. “It’s not that bad.” 
Lando rolled his eyes before muttering, “They shouldn’t have been allowed back in.” 
Max handed you an icepack, which you grabbed immediately. Logan brought you into a side hug and let you rest against him.  
The Dutchman let everyone know that you had finally gotten your restraining order approved. Smiles adorned the rest of the drivers’ faces at the news. 
An older Aussie was now in the seat. 
“I wasn’t there when she met everyone. But I watched Max let her follow him, in Vegas. It was cute, ‘cause I’ve never seen Max act like that before. But she’ s been a good teammate to him. Not trying to be rude, but I’m also putting myself down when I say this: she has been the best teammate that Max has ever had.” 
The scene changes to you and Max in a car on the way to a race. The two of you are seated next to each other and phones are in your hands. A sudden gasp from you has you reaching over to Max, your hand smacking his chest. 
The Dutchman winces. “What?” 
“Taylor Swift broke up with Travis Kelce. Fernando has his chance.” 
Viewers would have thought that Max would seem uninterested, but his eyes widened and he was suddenly leaning over, trying to get a good look at your phone. 
“You’re lying.” 
“No I’m not. See?” You just handed your phone over and Max was instantly enthralled with the device, fingers scrolling quickly. 
“It’s definitely like they have a competitive sibling relationship.” 
Max watched as you were talking to Oscar, the afternoon after you hit his car. Max smirked as he walked past and bumped you on purpose. Your head whipped around, trying to find who did that. Once you saw Max’s shoulders shake as he walked away, it was over. You quickly said goodbye to Oscar before running up to Max. 
What he did not expect was for you to jump on his back, almost sending him face first into cement. He stumbled but his arms were quick to grab your legs. Your giggles were loud next to his ear, but Max guessed that he’d let you stay. 
“I know for a fact that it’s been good to see Max a bit more carefree. Y/n really brings out the good in him. She really does that to everyone though.” 
Rain was pouring down in Brazil, due to a hurricane in the area. The race had been canceled and Max was just chilling in the garage. His eyes caught your figure walking out into the downpour. He watched as you just stood there, getting drenched. That was until you started dancing to no music at all. 
Max got up from his seat and walked over to a manager. 
“May I?” he asked, the manager nodding his head. 
He plugged his phone into a jack and clicked on a specific playlist that the two of you had made together. Normally, it would be playing while the two of you warmed up to get ready in the car. But now it was playing as you continued to dance. 
Max quickly joined you and bumped you with his hip. The cameras caught you looking up at your older teammate, whose body was quickly getting drenched. Before long, the two of you were dancing in the rain. 
And very possibly, the other drivers joined in too. 
“She really cares for him. It was like they met and clicked right away.” 
Clips of you and Max filled the screen. Walking together in the paddock, signing things for fans, doing stupid things for media day, congratulating each other after races. 
It showed you checking on him after a DNF, wanting a legitimate answer if he was okay or not. Once Max gave the thumbs up and Mitch told you that he was, the cameras in your car showed how your body visibly relaxed after know that he was ok. 
“Sure, they’ve had their troubles.” 
The scene changes to Max passing you in Monaco. 
Your voice was heard over the scene. “What an asshole.”
The scene changed to you not letting Max pass and him hitting the back of your RB20 in Belgium. 
“That was a rookie mistake.” 
The viewers knew that they had deliberately cut a certain action out of the scene, but it was something that they were actually thankful that Netflix cut. 
“But they always apologize and get back to it. I think that’s how she got her first win. She needed to know that they could truly work as a team.” 
The scene showed you and Max giving each other a big hug in The Netherlands after Max won the Dutch Grand Prix. 
The scene changes once more. 
“How was it? Winning in the city of red.” 
“Words cannot express.” 
The screen showed you walking in on that fateful morning, bright orange car in the background. You waved to the crowds, who seemed to get louder with your attention. Your smile brightly shone as you kept walking, only stopping momentarily for a few autographs and pictures. 
“Y/n L/n On Pole in Monza – Youngest Pole Sitter in F1 History”
“There she goes! Y/n L/n has won the 2024 Italian Grand Prix. She was starving, but now she’s been satiated. The youngest pole sitter and turned that into a win.”  
“Y/n L/n – First Female To Ever Win a Formula 1 Grand Prix” 
"Y/n L/n Hailed as 'The Long Awaited' by Italian Fans"
The camera pans to the girl standing on the nose of her car, hands stretched up reaching for the sky. Max, who had DNF earlier, came over. She grasped him tightly, legs around his waist. Christian was behind them, joining in the celebrations. Soon, the entirety of the crew got over the barrier and flooded the area. The two Ferrari drivers, in a respectable P2 and P3, watched as the female driver was almost covered by people. If it wasn’t them, then they were glad it was her. 
The blond returned back to the seat. 
“Let me tell you, the after party was probably my favorite part of the weekend. Well, besides the winning part.” 
“After Monza, how did the rest of the season go.” 
“Well, I did go on to win 3 more races.” The girl smirked. 
Clips of the number 89 car crossing the finish line cover the screen. 
“Y/n L/n takes her second win of the season after Monza in Mexico! 
It showed you waving to the crowds of Mexico, flag draped over your shoulders with a sombrero on your head.. 
“A homecoming of sorts, Y/n L/n wins a third race under the lights of Las Vegas! 
Your fists were clenched as you shook them while your knees were bent. The while Elvis suit kind of glowed against the night sky. 
“L/n wins her fourth race of the season in Abu Dhabi. Ending a perfect rookie year on a high!” 
The crowds watch you get on your hands and knees before your car. Your hands outstretched in almost a mock bow to the machine. 
The scenes show the you hoisting up three more trophies, all while pointing to the sky after each one.  
The interviewer looked down at their questions, before glancing back up at the girl. 
“What was your worst race? One that you didn’t DNF.” 
The girl didn’t even hesitate. “Qatar.” 
“Why is that?” 
She shrugged. “I thought it would be cooler.” 
The screen goes black, but then changes to a very busy scene. People could see medical personelle holding onto a driver by their arms. Their legs all but dragged along the concrete. Lights flashed around as they brought her to a makeshift cot. Her helmet was ripped off along with the cloth under it. You gasped as you tried to catch your breath. Your cheeks were red and your hair matted with sweat. 
“I need an IV and cooling towels now!” 
“Her blood pressure is dropping, she’s going to pass out again.” 
“Hey, you need to stay awake. Do not close your eyes.” 
“Her breath is more shallow, she needs to cool down. Get buckets of ice and water.” 
It changes to a podium, but only two drivers are present. It was supposed to be a Papaya sandwich after Oscar had gotten his first actual race win. They looked worried and barely stayed for the celebrations. 
The cameras followed as the orange drivers as they ran to the Red Bull garage once the podium was finished. They expected to see you still unconscious, since that was the last they heard before the podium. Yet, they were surprised to see you upright and smiley. An IV was connected to your arm, but you were awake. 
Oscar ran, before wrapping his arms around you. 
“Do not do that again. I can’t believe that you kept racing.” 
You smiled up at him and Lando. 
“What can I say? I’m indestructible.” 
“She’s impressive.” A German voices his opinion now that he’s in the seats. “I don’t wish to say it, but I’m glad she’s at the different team. I don’t know if we would have been able to give her the car that she needed.” 
The interviewer looks a Toto for a moment, before continuing. “You think she’ll leave Red Bull at some point in her career?” 
The Mercedes Team Principal shakes his head. “No. She’s going to stay until she retires. I’m sure of it. But who am I to talk about staying with a team forever.” 
The scene changes to you and Max, both casually hanging out. You sighed as you looked down at your phone. Max quirked an eyebrow, but stayed silent, giving you the go ahead to spill. 
“They’re asking again if I’m going to be staying past 2026.” Your arms waved around before you huffed and they fell at your sides. 
The Dutchman rolled his eyes. “Are you wanting to stay past that?” 
You grinned at the older driver. “Can’t go anywhere when I have the best here.” 
The scene changes to the blond female Red Bull racer, back in the chair once again.
“Do you think you’ll ever move teams?” 
She shook her head. “No, I don’t think I will. It seems that every racer’s dream is to drive for the team in red, but not mine. I’ve always wanted to just race for the team that will get me places, and I think that Red Bull can stay on top for many years to come.” 
The interviewer continued. “What do you think you’ll do after Formula 1.” 
She smirked. 
“After, I want to collect. I’m thinking the triple crown. Probably go to endurance racing and then 1 year of Indy. I know I’ll be able to do it.” 
“If you could have your dream team for Le Mans, who would it be?” 
“Either Leclerc in addition to Max. I don’t think I could be anyone else’s teammate ever.” 
Clips of Charles, Arthur, Y/n, and Max showed on the screen. They might look like an odd bunch, but they worked somehow. Arthur had been promoted at the end of 2024 to actually drive for Porsche in the 2025 Qatar endurance race. Late in the editing, they were able to sneak in a clip of the four of you celebrating after he podiumed.  
“So, we heard that you and Max were able to sign new contracts at the end of 2024. How long are the both of you going to stay.” 
The girl thought for a moment, trying to think of how to word it correctly. 
“Well, we both have kind of open ended contracts like Charles signed in early 2024. Christian said that he’ll do his best to keep us there, but we aren’t bound. I plan to stay for a while and so does Max if they keep giving us good cars that can still dominate.” 
“Do you plan to break any more records? You sure had a lot in the past season as well as early years.” 
“How many do I have?” she asked. 
The interviewer counted. “Five.” 
She smirked for the final time for the episode. “Five? That’s hardly enough. Let’s make it interesting and get 6.”  
Everyone in the room laughed at her joke. 
The screen cut to black and the episode ended. Yet when the female racer retired, they went back and added one more thing. 
“Y/n L/n went on to be the most decorated racer of all time. She ended up breaking 22 records in the duration of her entire motorsport career, that no one has been able to touch since.” 
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thenightling · 6 months
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For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.
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_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.
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________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.
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__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.
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______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.
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_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.
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drvscarlett · 30 days
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Let Him Cook Pt 3
Charles Leclerc x MasterChef contestant!reader
Series Part: 1, 2, 3
Taglist: @bookstore-of-dreams @barcelonaloverf1life @ririyulife @minkyungseokie @mehrmonga @sltwins @charlesgirl16 @six-call @spideybv28 @casperlikej
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"I honestly can't believe that this is actually happening"you told Charles as you sit down on your couch with your laptop.
The past few days have been a lot of preparation for the three most important dish of your life. You have been replicating and timing yourself to make sure that you are a perfectly well-oiled machine during the competition proper.
Charles is currently in Abu Dhabi for the final race which is a complete bummer. He wanted to be there but work is work. So that's why he spends most of his available time doing a facetime with you. It was pretty helpful since his conversations with you helps soothe your nerve and helps avoid overthinking the whole process.
"You got this mon amour. You know I always believed in you since day 1" Charles grinned.
"I really hope that everything goes well tomorrow"
"It will and I will be watching all the way from Yas Marina to hear that my girlfriend is a MasterChef winner"Charles proudly states "I'm really getting so excited, is this how you feel when you watch me race?"
You laughed "Oh mon ami, you are much more stressful to watch with your high speed corners and those wet race misshaps"
"But doesn't this technically make me your WAG if you win? Don't they have WAG gossip accounts that I could be part in?"
It was moments like this that Charles made everything lighter by focusing on trivial things. It helps a lot with the building pressure that everyone has been placing on your shoulder.
Y/NCooks posted a photo.
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Y/NCooks the boyfriend is so supportive. I'm pretty excited for today!
Gordongram goodluck Y/N! Boyfriend reveal when you win?
User1 Gordon is so real for that Y/NCooks thanks Chef! Lets see???
User2 win or lose, you already made it Y/N!
User3 its just so wholesome to see how Y/N keeps the relationship private but never secret. I ship them so much
User4 i don't know if i want to be Y/N or I want to be her boyfriend
User5 goodluck Y/N! Get that trophy!
Final episode.
Former contestants lined up at the balcony with some of your friends and close relatives. It was a very surreal moment because you used to watch this sitting in the comforts of your own home and now you are actually the one being watched.
The moment that the clock starts ticking, you started to work. There was no room for any delays today as you were creating dishes after dishes. You have to use your time wisely so that you can finish the dishes you have in mind.
"Charles, were going out to drink, are you coming?"
"You guys go ahead, I'm going to watch something" The minute that the cars were back in the garage and the ceremony was over, Charles couldn't wait to go back to his hotel room. He was to turn on his TV to watch the live broadcast of the MasterChef Australia.
He was just on time with the last five minutes of the appetizer round, technically he haven't miss much. You were focused in tasting everything and ensuring that all the flavors are there. You plated really well and it shows how much you have grown. Charles is extremely proud of you.
"Aren't you a little worried to be working on the octopus so early on?" the judges wondered. The judges were currently tasting the soup that you have given them.
"I know that its a lot of risk but I have to push for it to show my talent"
The judges find the soup beautifully seasoned but their only slight flaw with the dish is that the octopus is a little bit tough due to the water not boiling hot enough. Its that flaw that sets a 2 point difference with your fellow contestant.
Charles could feel his eyes getting heavier from all the events earlier that day but he really wants to stay awake. He believes that Y/N could do it. The main course was a stronger dish for Y/N which is how she tied the score with her fellow contestant.
The dessert is the make and break for Y/N. Charles knew that its also her greatest opponent as you prefer savory over sweet. However, seeing the way that you are cooking right now that you have massively improved your skills in the sweets department.
It was tense as you run back and forth to the freezer to make sure that the pana cotta is chilled enough while you went back to your work station to mix the pot. Charles almost had a headache after seeing you trip over in the last 20 minutes of the session.
But all in all you pulled it off. The dessert was stunning and exquisite as the judges noticed. It was an elevated traditional pana cotta
"I believe we have made a decision and the scores are very very close with each other" one of the judges concluded.
The guests from the balcony went down to join the homecooks and Charles wishes that he could have been there for you. Instead, he records the moment through his phone. The announcement will be here in any seconds now.
"And the MasterChef Australia winner is....."
MasterChefAU just posted a photo.
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Liked by Gordongram, Charles_Leclerc, and 670,000 others
MasterChefAU congratulations to Y/NCooks you are the MasterChef Australia winner!
User1 That was worth the wait, Y/NCooks is now a masterchef winner!
User2 she was so brilliant! what a performance!!!
User3 tell me why is Charles Leclerc is in the likes, isn't it like 4am there in Abu Dhabi?? Didn't you just race sir???
User4 Seems like Charles is a fan of MC Australia User5 Answer the crowd Charles_Leclerc User6 Didn't Arthur and Lorenzo guest in MC Australia, they say they are good friends of Y/N User7 That is some interesting information User6
Y/NCooks posted a photo.
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liked by MasterChefAU, Charles_Leclerc, and 308,000 others
Y/NCooks I have a new plate!!!!
It was such a wonderful experience to be a part of this kitchen and to win this prestigious award. Thank you so much for all your support and love. This is such a dream come true!!
User1 im so proud of her
User2 Can't wait what's next for you!
Gordongram Well-deserve! You did amazing!
Y/NCooks this means a lot Chef! Thank you for watching
MasterChefAU Our winner!!!!
Charles_Leclerc 🏆❤️
User3 what even is that? you are putting sebastian vettel to shame with your rizz User4 Charles, she has a boyfriend!!!!!!! User5 Bro really thinks he can bag Y/N when he can't even cook Y/NCooks Thank you :')) Charles_Leclerc liked this comment. User6 SHUT UP, CHARLES IS COOKING SOMETHING User7 Silence for Y/N's bf, Charles is coming after your seat!
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autumnmobile12 · 10 months
Text
7 Ways to Introduce the Villain.
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1. The Shadow
A lot of series go with the classic 'ominous shadowy figure in the background.' Here's Silco in Arcane. Sinister voice, sinister dude, sinister intent. Boom, you have your villain.
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2. The Slow Reveal
Other variations of the 'shadowy figure' in which the series draws out the reveal of the villain. Avatar: The Last Airbender doesn't reveal the Firelord until the final season, but his presence is felt throughout the series. He's always this looming threat whose will is carried out by his underlings. (General Zhao, Azula, etc.)
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3. The Fabulous Entrance!
Okay, so we do hear Ragyo on the phone a couple times before they actually show her face, but goddamn, this entrance. It is impressive and terrifying and, it perfectly suits the utter psycho that she is.
There is no normal expression this woman makes when she's 'happy.' She's always smug or angry or annoyed, but this face with her staring, manic eyes and smile still haunts me. Send help.
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4. The Sudden Entrance
Shigaraki kinda comes out of nowhere in My Hero Academia. For the first few episodes, its all lighthearted and fun and dealing with Bakugo's BS and then the class heads off on a field trip and suddenly,
"Oh, shit! Plot is happening!"
This series started off with kids learning to be heroes, and now its tragedy and social upheaval and people's lives are in danger.
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5. The Incognito Entrance
This is when some random nonthreatening dude/lady just kinda sidles into the plot the be the butt of a joke and later turns out to have been one of the villains.
This scene was so weird. Tyki is just minding his own business, scamming people at cards. Then Allen and Lavi show up looking for their friend (the guy currently being scammed), and even though he recognizes them as exorcists and his enemies, Tyki has to sit there and play it off like he doesn't know jack cause if he does anything, he's gonna blow his cover in front of his human buddies. And then he suffers the indignation of being stripped in a poker game in broad daylight because the main protagonist is absolutely evil with a card deck. And then he just walks away from this like it's a totally normal thing, not even really taking vengeance for it. (He went after Allen, sure, but that was more of a job than any personal vendetta.) He's not the main villain, but I couldn't resist pointing out how bizarre this is.
For those who haven't seen D. Gray Man, the guy in the center is one of the main antagonists, and though this is technically the second time you see him, the first encounter was so short it was practically a cameo and he was a Victorian-era, Dorian Gray dandy gentleman, not this hobo riding a train.
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6. The Traitor
Since the Undertaker was more of a neutral party in Black Butler, I don't think he really counts as a traitor. Still, I don't think too many of us were suspecting the morbid jokester Grim Reaper was going to turn out to be a major antagonist later on.
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7. The Protagonist
And sometimes the protagonist is the villain!
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ineffable-suffering · 7 months
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Why Aziraphale is an unreliable narrator
Part 1: The Story of Job
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I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.
I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!
Alright, let's get into it under the cut of doom.
Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."
This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.
And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?
What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.
"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"
We've all been there. Bobby made it out alive. Don't buy gas station pizza.
Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.
Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.
So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.
So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.
So, time to look at where the furniture isn't.
Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:
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... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:
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... back to this at the crucifixion of Jesus Christ in 33 AD:
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I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.
And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).
So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!
And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.
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They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.
Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:
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The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.
You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.
More specifically: Aziraphale's impression, emotions and exaggerations.
Like "remembering" Crowley with sunglasses because he's been wearing them for so long.
Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.
Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.
Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.
Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.
Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.
There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!
It's subjective. It's unrealiable.
It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.
The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):
God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.
God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.
Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."
Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)
Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.
Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).
Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.
Update: Part 2 and Part 3 have officially been written, you can find it them right here:
Part 2: The Story of wee Morag
Part 3: The Story of the Magic Show in 1941
Hugs and kisses, (God)!
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noneorother · 6 months
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All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*
The Bonkers Meta Series part 2: Electric Boogaloo.
I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.
And when I tell you what I found hidden in there, you’re going to need Eccles cakes...
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1) The Song is the Clue
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So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:
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You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 
Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?
2) Symmetry in all things 
Before I straight up tell you, we have to go back and look at season 1.
Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2
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Oh that’s a bummer, I thought to myself. 
They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):
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After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 
First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.
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But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.
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There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.
My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.
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If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.
So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.
Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.
How are we going to get to 62?
3) The real missing track. 
So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.
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I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 
You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.
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So my fellow beings, if the song is the Clue, then It’s what God Wants.
And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.
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And there's more where that came from! Part 2 coming shortly.
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