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#guys this took me so long but it was worth it
Note
When will you post the y/n Meeks Martin x Ethan Landry post 😭
Right fucking now lmao.
This is my first post in a while, take it easy on me 💕
Secrets - Ethan Landry x Fem!Meeks-Martin!Reader
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This contains SMUT - Minors DNI
Summary: Growing up with overprotective siblings has made it difficult for you to find someone to be with, until you meet your brother's nerdy best friend.
Contains: Fluff, Angst, Some violence-ish, Oral - f receiving, riding, p in v, teasing. (If I missed something, let me know:)
A/N: If any of yall are familiar with Spongebob, I have the fucking suds and I'll be writing a lot the next few days lmao
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Your brother and sister were so protective of you. After some of the things they’d been through, you couldn’t really blame them, and you were thankful that they were always looking out for you. The only downside? They seemed to hate every person that asked you out or showed interest in you. You were sure that you would be single forever if it was up to them, because they didn’t think anyone was good enough for you.
Once they went away to New York for school, you missed them, but with there only being a one-year age difference, you knew you wouldn’t have to wait long before you’d be heading to Blackmore. You took the opportunity to finally put yourself out there and go on dates without the twins interfering, and you were starting to realize how right they were when they told you that the guys in Woodsboro weren’t really worth your time.
When you FaceTimed Chad to let him know that you got accepted into the same university as him and Mindy, he was beaming at the news. He was going on and on about all the things he loved about New York, and wouldn’t shut up about the pizza, but you tuned out everything he was saying once you noticed his roommate in the background. His hot roommate.
“Dude, my sister got in!” Chad yelled, as you rolled your eyes. He seemed more excited than you were about the whole situation. “Ethan, come say hi.”
“Fine,” he huffed, as Chad passed him his phone. He paused for a second once he saw you, but quickly pulled it together. It was awkward enough to meet someone for the first time on a phone screen, and he didn’t want to make it any weirder. “Hey, I’m Ethan.”
“Ah, the dorky roommate,” you said, as Ethan looked away from you to glare at Chad.
“Is that how you tell people about me? You say that I’m dorky?”
“If the shoe fits…” Chad trailed off before he tried to take his phone back from Ethan.
“Well, it was nice to meet you,” he said, passing the phone back to your brother.
“Have you told Mindy yet?” Chad questioned, a smirk on his face as he waited for your answer.
“No…”
“I knew I was your favorite!”
Once Chad and Mindy came home for summer break, they wouldn’t stop talking about how excited they were to take you back to New York with them. They were heading back early to help Chad move into his own apartment with Ethan, and Mindy was moving into the spare bedroom at Tara’s with Anika. They decided that you needed to come with them, even though you wouldn’t be able to move into your dorm for a couple weeks.
“I’m not thrilled about couch surfing,” you said, as Chad rolled his eyes.
“I’d sleep on the couch. You could sleep in my bed.”
“So, she’s staying with you for two weeks? I thought she’d stay at Tara’s,” Mindy said, “What happens when you want to stay over with Tara and she’s left alone with Ethan?”
“Oh, please. Ethan won’t try anything,” Chad said, as Mindy scoffed. “What?”
“What makes you think Ethan wouldn’t try something?”
“Because he’s my boy. He knows she’s off limits…I already told him,” Chad said, as you sighed in frustration.
“You know what? I’m not doing this whole ‘You can’t date so and so’ shit that I’ve dealt with for years,” you said, as Mindy cocked her eyebrow at you.
“You’re staying at Tara’s,” she said, “You’ve gotten a little feisty lately. It wouldn’t surprise me if you tried to get with Ethan just because we said you can’t.”
“No, I’m staying with Chad. It’ll be fine. Ethan doesn’t seem like the type to try anything,” you said, as she had a confused look on her face.
“When have you talked to Ethan?”
“Oh, that was when she called me first to let me know she got into Blackmore,” Chad smirked, as Mindy snapped her head in his direction.
“No, she called me first.”
They turned to look at you, “Who did you call first?” they both asked at the same time, as you shrugged.
“I’ll never tell.”
When you made it to New York, you were exhausted. You couldn’t sleep on the five-hour flight, and the jet lag was really starting to get to you as you went to the baggage claim area to get your stuff.
“When’s your furniture getting delivered?” Mindy asked, as Chad checked his phone.
“Soon. Ethan’s here somewhere,” Chad said, glancing around for his friend that was taking you back to your new home for the next two weeks.
“I think that’s him,” you said, pointing to the guy with the huge sign that said ‘Meeks-Martin’. “Is he always that lame?”
“Yeah, poor dude can’t get a girlfriend to save his life because he’s that cheesy,” Chad said, as he walked over and took the sign from him. “We’re just going to put this in the trash.”
“Hey, it took me two minutes to make that,” Ethan said, as he glanced over to you. He noticed you struggling with your luggage and carryon. “Can I help you with that?”
“I got it,” Mindy said, grabbing the large suitcase from you. She stared Ethan down for a second before she walked past him.
“How do you deal with them?” Ethan asked, as you sleepily smiled at him.
“They’re not that bad.”
As Ethan drove, Mindy was in the backseat arguing with Chad as he sat in the passenger seat about how you staying at Tara’s would be best. You sighed as they bickered, before you noticed that Ethan kept glancing back at you in the rear-view mirror. You thought he was even more attractive in person and thought about how hard the next couple weeks could potentially be with him living in the same apartment as you.
“Seriously, how are you going to feel when those losers leave the toilet seat up all the time?” Mindy questioned, as Chad scoffed.
“I think we’re housebroken,” Ethan spoke up for the first time in the drive as he glanced back at Mindy. He quickly looked away once he noticed her glaring at him.
“Listen, Landry. I know I won’t be able to convince her, so I want to make it perfectly clear that if you touch my sister, I will kill you.”
“What makes you guys think that I’m like that?” Ethan asked, the annoyance in his tone obvious.
“They think anyone’s like that when it comes to me,” you said, smiling at him as his eyes met yours in the mirror again.
You made it to Chad and Ethan’s apartment seconds after the furniture delivery truck pulled in. Once they opened the back of the truck, Mindy’s jaw dropped.
“I can’t believe mom paid for all this stuff,” she said, as Chad sighed.
“She didn’t. Ethan and I took out loans.”
“Maybe you should’ve asked mom. She paid for all my bedroom stuff,” Mindy shrugged, as Chad sighed.
“Why didn’t I think of that?”
After the stuff for the apartment was scattered in various areas of the house, Mindy got the text that Anika was at Tara’s, and was wondering when she’d be over.
“You staying here, or coming with me?” Mindy asked but cut you off before you could even respond. “You’re coming with me.”
“No, she can hang out here if she wants to. We’re all going out for pizza later tonight, anyway,” Chad said, as Mindy rolled her eyes.
“Are you two going to argue like this until I move into my dorm?” you questioned, as the twins exchanged their glances.
“Probably.”
“I’ll hang out here,” you said, as Mindy nodded.
“I’ll see you soon.”
Later that evening after you’d helped the two boys set up their new apartment, you were starting to get hungry. Chad wanted to keep working, and you eventually flopped onto the couch, sighing in defeat.
“I’m starving,” you whined, as Ethan walked into the living room and sat down on the free cushion beside where your feet were resting.
“Me too,” Ethan said, matching your whining as Chad glared at the two of you. “What? It’s been a long day. We skipped lunch.”
“We’ll leave soon,” Chad said, as you got an idea in your head.
“Orrr you could meet us there,” you suggested. “You know how I get if I don’t eat.”
“True,” Chad sighed, “Ethan, make sure nothing happens to her.”
“I won’t let her out of my sight.”
As you walked beside Ethan, he started to make small talk. By the time you made it to the restaurant, you were in a full-blown conversation about all the interests you both had, and he was proud of himself that he didn’t get nervous when he talked to you. You scanned the restaurant for your sister and Tara, but once you noticed they weren’t there yet, you and Ethan sat at one of the tables.
“Do you want to eat now, or wait?” he asked, looking at you from across the table.
“We can eat now, I’m so hungry.”
“I was hoping you’d say that.”
While you and Ethan ate the pizza that Chad hyped up so much, you were surprised at how good it was. You kept talking to Ethan, but you soon realized how much time had passed, and no one else had showed up to the restaurant.
“Where do you think they are?” you asked, as Ethan sighed.
“Okay, don’t hate me,” he said, as you curiously stared at him. “I kind of wanted to get to know you without your brother and sister making it seem like I was trying to get into your pants.”
“That’s really sweet,” you said, taking a sip of your drink. “But if they aren’t here, where are they?”
“They probably went to the one on campus.”
“Did you trick me into going to dinner with you?” you joked, as he started to blush.
“I’ll be honest, I thought they would’ve come to hunt you down by now.”
As soon as those words left his mouth, Chad, Mindy, Tara, and who you assumed to be Anika walked in. Chad sighed in relief once he saw you, but Mindy just looked pissed.
“You know how many pizzerias we stopped at to look for you?” she questioned before she looked at Ethan. “Why did you bring her to this one?”
“Simple mistake,” he shrugged, as Mindy stared him down.
“Simple mistake, my ass. I told you Ethan would try something with her.”
“It’s just pizza!” you snapped, “Last time I checked, we weren’t fucking.”
Everyone’s jaws dropped at your words as the waitress brought the check to the table. Ethan took it from her, his mouth still hanging open as he looked at you.
“You want to split it?” you asked, as he shook his head.
“I got it.”
“We’re going back to Tara’s,” Chad said, as you stood up from the table to hug her.
“Hey,” you said, before you turned to Anika. “It’s nice to meet you. Mindy wouldn’t shut up about you all summer.”
“Aww, babe,” she said, pulling Mindy into a side hug.
“Look, as much as I’d love to hang out with you guys, I’m exhausted,” you said, yawning as Chad sighed.
“I really wanted to hang out with Tara.”
“I’ll walk her home,” Ethan suggested, as Mindy, once again, glared at him. “I can drop her off and go to Tara’s after.”
“No, I don’t want her left alone in an area that she doesn’t know,” Chad said, as you rolled your eyes.
“I can stay there with her, then. Seriously, I won’t try anything,” Ethan said, putting his hands up in defeat as Chad nodded.
“I know you won’t, dude. Thanks.”
As you and Ethan made your way out of the restaurant, you heard Mindy scold Chad for being so trusting. But Chad felt like he had no reason to think Ethan would do anything to betray his trust.
Once you got back to the apartment, you were tired, but not tired enough to fall asleep. Ethan was about to head to his room before you stopped him.
“Do you want to watch a movie or something?”
“I thought you were exhausted?” he asked, as he turned around and made his way towards you.
“I just didn’t feel like going with them and being there all night,” you sighed, as he sat on the opposite end of the couch. “Why are you sitting over there?”
“Because if Chad comes home and sees me sitting beside you, I’m sure I’ll be moving out of here into an unmarked grave,” he said, half-joking as you rolled your eyes.
“Please. If it was Mindy, yeah. But Chad, I don’t think so.”
“Whatever you say,” he said, scooting closer to you as he turned on the tv. “You cool with something scary?”
“Mindy’s my sister, what do you think?”
“Scary it is.”
Ethan thought that after sitting through some of the goriest movies ever with the Twins, there was no way that you’d be freaking out over some jump scares. But once you were practically in his lap, your face hiding behind your hands as the scene played out on the screen, he started to laugh to himself.
“What?” you asked, looking up at him. That’s when you realized that you were practically on top of him and went to move, but his arm wrapped around you to hold you in place.
“Your brother and sister don’t get phased by this shit,” he said, smiling down at you. He started to glance between your eyes and your lips, and he was so close to making a move, when a loud shriek on the screen pulled your attention away from him.
“This is one of the few I haven’t seen,” you shrugged, “I wouldn’t be so jumpy if you picked something I had seen before.”
“I don’t think I believe you,” Ethan chuckled, as you turned your head to look at him again.
“If you want to kiss me, you should probably do it soon. The movie’s almost over,” you said, as he smiled and leaned down.
When his lips touched yours, you felt something different than what you’d usually feel when you’d kiss someone. You immediately felt the chemistry, and with the way his lips were quickly moving with yours, you were sure that he felt it, too.
Once he pulled away to catch his breath, he had a sweet smile on his lips. He definitely didn’t expect to kiss his best friend’s sister, but he was happy that you were bold enough to tell him it was okay. Another thing he didn’t expect was for you to adjust yourself so you were straddling him, as his eyes looked into yours. His hands moved to rest on your thighs as you leaned down to kiss him again. This time, it was way more intense. Your hands were in his hair as his hands rested on the curve of your ass to keep you as close as he could.
The second the kiss got deeper, you heard the sound of a key going into the front door.
“Shit,” you said, pulling away and jumping off the couch.
“Wait,” Ethan said, as he followed you. He pulled you in for one more quick kiss before you rushed into Chad’s room and shut the door.
When Ethan walked back out, Chad had just made it to the living room.
“Where were you?” Chad questioned, as Ethan glared at him.
“My room is beside yours. I wasn’t trying anything with your sleeping sister,” Ethan scoffed, as Chad nodded.
“Sorry, dude. I had to listen to Mindy talk about how much she hated the idea of the two of you being here alone.”
“It’s cool, just don’t accuse me of shit you know I wouldn’t do.”
Ethan felt a little guilty for lying to Chad, but you were the first girl that he’d actually felt something for in a long time. After days of stealing quick kisses and steamy make-out sessions whenever Chad was in the shower, the sexual frustration was starting to build. Ethan knew that he wasn’t going to initiate it, because the last thing he wanted was for you to think that was the reason he was spending time with you. Plus, you hadn’t been left alone long enough since the first night.
“So, I think Tara and I are going to a movie tonight. You guys want to come?” Chad asked, as Ethan looked over to you as you sat on the opposite end of the couch.
“I’m not really in the mood to watch a movie,” you said, as Chad cocked his eyebrow at you.
“You don’t want to watch a movie?” he questioned, as you shook your head. “What about you, Ethan?”
“Dude, spend time with your girlfriend. I’m sure she doesn’t want a third wheel tagging along.”
“Mindy and Anika are going, too. You wouldn’t be a third wheel,” Chad said, as Ethan chuckled.
“Your right, I’d be a fifth wheel. You guys have fun. I’ll probably just play video games all night anyway.”
“Okay, I should be back around eleven,” Chad said, as he made his way towards the apartment door.
As soon as he left, Ethan was on you, literally. You moved so you were laying back as he hovered over you, his mouth moving with yours as your legs wrapped around him.
“Hey, do you want to go to your room?” you asked once he pulled away to breathe.
“You sure?”
“Mhm.”
Within seconds, his feet met the floor, and his hands reached for yours to pull you up. He led you down the hallway to his room, before his lips connected with yours again. He backed you towards the bed, a small squeal slipping past your lips against his as your back hit the comforter. Your legs wrapped around him again, holding him as close to you as you could. One of his hands was running up your side over your shirt, until the material started to ride up. He gave you goosebumps as his fingers moved over the newly exposed flesh, before he pulled away to look at you.
“What do you want to do?” he asked, “Because if you just want to make out, that’s fine. There’s no pressure, and I don’t want you to think that I just want sex.”
”I know you don’t,” you said, smiling at him. “But if the sexual tension get’s any stronger between us and we don’t do something about it, I might actually explode.”
“So, you want sex,” he said, trying his best to not freak out.
“Yeah,” you said, as he leaned back down.
It didn’t take long for his hips to start moving, the hard cock in his sweatpants brushing against you. You gasped into the kiss every time your clit got the smallest amount of friction, before his hand moved in between your bodies so he could rub you over the shorts you were wearing.
“Fuck,” you mumbled against his lips. “You can take those off me, if you want.”
He quickly slid them down your hips before his hand went back in between your legs, rubbing across your soaked panties.
“You’re so wet,” he groaned, “Does kissing me do this to you?”
“Yes,” you said, as his lips moved to your neck.
Your bottom lip was in between your teeth as he slid your panties to the side, his finger rubbing slow circles over your clit.
“We’re here alone, baby. Don’t hold those pretty sounds in.”
Soft whimpers were slipping past your lips as his finger moved faster against your sensitive bundle of nerves. Your pussy was already drenched, and you felt yourself getting more wet by the second. You whined in protest once he pulled away, but he quickly shut you up, a low moan falling out of your mouth when he easily slid two of his fingers inside you as he moved down the bed.
Your hands tangled in his hair the second his tongue touched your clit, his fingers hitting that special spot inside you. Your hips were involuntarily arching off the bed at the feeling as he struggled to keep you pinned down.
“So good,” you moaned, as he sucked your clit into his mouth. “Fuck.”
Once he started to hum with your clit in his mouth, you felt the coil in your stomach getting tighter and tighter. Your moans kept getting higher and louder, and he made the mental note that he really couldn’t sneak around with you like this if Chad happened to be home, because you were just so loud. He loved it, though. All the noised you were making went straight to his throbbing cock as he brought you closer to the edge. Once your pussy started to squeeze his fingers, he sucked harder on your clit, the feeling throwing you into an intense orgasm. He groaned as your shaky hands tugged on his hair, his fingers slowing as he got you through it.
Once you started to relax, he sat up to look at you as he slowly slid his fingers out. Your cheeks were rosy, your chest was heaving, and you were still a little shaky. He loved that he had that effect on you and couldn’t wait to actually be inside of you.
“Let me help you with your shirt,” he said, as you sat up and looked at him, your eyes still hazy.
“That felt so good,” you finally said, as he chuckled.
“I hope so with how hard you were pulling my hair.”
“I’m sorry,” you said softly as he shook his head.
“Don’t be sorry, I loved it.”
Once he got you out of your shirt and bra, and he slid his sweatpants down his hips, he walked over to the bedside table to grab a condom.
“You still want to do this, right?” he asked, as you smiled at him.
“Yeah.”
He slid his boxers down his thighs before he rolled the condom on and lined up with your soaked pussy. He took his time as he inched his way inside of you, a loud moan falling past your lips once he was all the way in.
“So fucking tight,” he rushed out, before he started with slow thrusts. “That feel good?”
“Yes,” you moaned, your hands reaching up to squeeze your breasts as he started to go faster.
You knew you were wet, but you could hear how wet you actually were as his cock slid in and out of your pussy. His eyes stayed on you. He didn’t want to miss any of the faces you were making.
“Can I be on top?” you asked, as he smirked at you.
“Yeah, babe,” he said, as he pulled out and laid down.
You got up and moved to straddle him, the whimpers flooding out of your mouth as you sank down onto him.
Ethan felt like he was in heaven as his hands held onto your hips. He had the perfect view of your face, your tits, and he could even see his cock sliding in and out of you. Your hands moved to rest against his chest so you could stabilize yourself as you rolled your hips, the tip of his cock giving your g-spot the attention it needed.
“Come here,” he said, as you leaned down, your bare chest pressing against his. You felt his hands snake around you to hold you close before his hips started to move, his cock thrusting in and out of you so quick that you couldn’t think straight. He was letting out soft grunts that could barely be heard over your moans. You were both getting sweaty as you clung to him, his pace not letting up as you felt yourself start to get close.
“Fuck, Ethan,” you whined, as you felt that white-hot feeling spreading across your body, your hands gripping him as he just kept fucking up into you.
“I’m almost there, baby.”
You didn’t think it was possible, but he went even faster. You were a moaning mess as he kept slamming his cock into you, before his thrusts got erratic.
“Cumming,” he groaned, as you slowly moved back to meet his thrusts as he got himself through it. “Fuck, that was…fuck.”
“Yeah,” you mumbled against his chest.
He slid out of you but held you close for a few minutes, his hands rubbing over your back as you both caught your breath.
That’s when you heard other voices inside the apartment. You shot up, your eyes looking down to meet Ethan’s panicked ones.
“Where are they?” Mindy asked, the annoyance in her tone obvious as you and Ethan jumped up to grab your clothes off the floor.
Ethan quickly took the condom off and slid his boxers on as you tried to put your clothes back on. It was too late, though, once his bedroom door eased open.
“Hey, dude,” Chad said, before closing the door once he noticed Ethan was just in his boxers. “Shit, sorry.”
Chad was embarrassed as he turned to look at Mindy before he realized something. Your shorts were on Ethan’s bedroom floor.
“What the fuck is going on in here?” Chad’s voice boomed once he opened the door. This time he was able to see you, but you’d just slid your shorts back up over your hips. “What the fuck is wrong with you?”
He walked over to Ethan and grabbed him by the shirt he was able to put on in those few seconds, and you could see the fear in Ethan’s eyes as he looked over to you.
“Don’t fucking look at her!” Chad yelled, as Mindy finally walked into the room.
“Told you her staying here was a mistake,” she said, as Chad got angrier by the second.
“I didn’t think that my best friend couldn’t keep his dick in his pants.”
“Stop, seriously. You guys are making this more than it needs to be,” you said, as Chad looked over to you. “Calm down, Chad. He’s your best friend.”
“Last time I checked, friends don’t sleep with their friend’s sister!” he yelled, before he looked back at Ethan. “I can’t fucking believe you did this.”
“Why are you acting like I had no part in this?” you asked, as Mindy scoffed.
“Yeah, right. I’m sure Ethan charmed you out of your panties just to get what he wanted.”
“That’s not true!” Ethan snapped, his fear of Chad kicking his ass turning to anger as his friend finally let go of his shirt. “I really like her. This has nothing to do with me just wanting to sleep with her.”
“She’s my baby sister, Ethan!”
“Stop calling me that,” you sighed in frustration. “I’m a year younger than you. I’m a legal adult. Nothing Ethan and I did is wrong aside from you two saying that he needed to keep his distance from me.”
“He obviously doesn’t listen,” Mindy said, as you felt yourself start to get mad.
“You know what really fucking sucks? You two are my best friends, but you won’t let me live. You won’t let me experience things. You know Ethan’s not a bad person…you know how bad I’ve wanted to hang out with him and get to know him better, but you guys won’t let that happen.” you ranted, “I like him, too. And if I want to be with him, you aren’t going to tell me that I can’t! You better not threaten him anymore, either. I’m sick of this childish shit.”
Your sibling stared at you as Chad nodded in understanding. He had no problem intimidating any of the boys that’d shown interest in you, but out of the two of them, he was the one that seemed to be the one that got you.
“I do really like her. I don’t want us to have to sneak around, but I’ll keep doing it, if I have to,” Ethan said, smiling at you. “She’s amazing. It’d be stupid of me to not want a chance with her.”
“Do we have to sneak around? Or can you guys be cool about it?” you asked, as Chad sighed.
“I’m cool with it. Just…no hooking up when I’m here.”
“You’re okay with this?” Mindy scoffed, as Chad rolled his eyes.
“Ethan’s not a bad person. If he really likes her, what’s the big deal?”
“And that’s why he’s my favorite,” you said, brushing past them to head to the bathroom.
“Told you,” Chad said, teasingly pointing at Mindy before she smacked his hand away. “Ow!”
“Ethan, you better not hurt her,” Mindy scolded, as he nodded.
“I won’t…but can you guys get out while I put my pants back on?”
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lalachat · 3 days
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"And there you were..."
Author's note: Hey girl hey... I'm back! Im sorry for the prolonged time between these late chapters:( Fixations are weird and frangible things. You have one for a month and then get tired of it, but come back to the same one every now and then. That's basically what writing is for me... I know it may not be fair to you readers but I am trying my best because i truly love you guys... This is not the best thing that I have written for this story, but we are finally at the end! It has been a rollercoaster for us all. Thank you for those who have stuck with me since day one and thank you for those who randomly stumble upon this shit show of a story and send me sweet messages<3 I hope this is good enough xoxo
Summary: Crossing over the rainbow bridge is not what you expected it to be, especially when you're told you cannot stay long, but everything was worth it in the end.
This is for all my Lucien girlies❤️
Warnings: profanity, potential grammatical errors, and a happily ever after!
Word Count: ≈ 2,237
Chapter 11: You're my mate
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“Who are you and where am I?” you blinked rapidly at the blinding light invading your gaze.
“Welcome my child, you know where you are and you know who I am-” the voice sent a warmth through your body at the raw power it held, yet it was still tenderhearted.
You blinked a couple more times to readjust your sight at the most ethereal woman you have ever seen standing before you. This cannot be real…
“I’m dead, aren’t I?” you asked.
“Not quite, I fear I have taken you too soon,” she gave you a soft smile as the realization hit you. Only one person could take your life too soon.
“Oh my gods, you’re the mother!” You bowed to her immediately, unsure of what the proper greeting was for a celestial being. She giggled.
“No need for such formalities, stand up my child. I have something I wish to discuss.” She offered you her hand which you gladly accepted. You felt a zing rush through you at the touch. The power she held was beyond anything you felt from Rhysand and the other high lords.
“Of course,” you smiled, “What exactly would that be? Have I sinned too much to remain here?!”
She laughed yet again, “You are quite the humorous one, and no, I am not here to discuss your sins. I want to discuss the mistake I made with your mate.”
You stood there in pure shock, “Azriel?”
“Yes, I wholeheartedly apologize for fating you two together. That shadowsinger never got over his self-loathing I’m afraid.” You looked at her puzzled. “You see, when I fated the two of you, I had hoped his self-destructiveness would disappear once he met you,” she smiled at you again as you listened, “that was until Elain Acheron had stepped in and took that place before you ever could.”
“Believe me mother, I am well aware…” you sighed. “I tried so hard,” tears began to form in your eyes.
“Oh my love, I know you did, and this is all my fault. I am sorry for causing you so much suffering. It is clear to me now that I should have fated you to someone else,” she gave you her hand again, “Come walk with me.”
She led you hand in hand over to a cauldron. She waved her hand over it to reveal your friends still circled around your body, only this time a certain auburn-haired male began to awake.
“LUCIEN!” You wept at the sight of his chest rising and falling again, “He’s alive!”
The mother nodded, “I brought him here and sent him back, just like I am about to do with you.”
“I don't understand, why bring us both here in the first place if we are only going to be sent back?” You watched as your friends noticed Lucien’s movements as you still lay there cold.
“Because my child, I have been watching you for quite some time and realized that your love without a bond for another male grew stronger than any completed bond I have ever seen.”
“That’s not possible- nothing is stronger than a completed bond,” you looked at her and shook your head in disbelief.
“I never thought something like this would happen but you two have proven me wrong. You both have just done the impossible,” she smiled at you, and she took hold of both of your hands, “That male loves you more than anything.” Her thumbs caressed the small marking along your wrists, your eyes followed the movement as you chuckled.
“So, what’s going to happen to now?” you looked up at the creator of everything you knew.
“I am going to send you back,” she kissed the top of your forehead and you felt something inside you shift, “I am sorry for taking you both too soon, but it had to be done. I have now made things the way they should be,” she smiled as she gestured to the cauldron.
“What?” you looked at her in disbelief.
“Step into the cauldron, it will take you back to your loved ones.”
You looked in to see Lucien now trying to wake you as the others watched in awe of his liveliness, “Lucien did the same thing?”
“Yes,” she nodded as you began to slowly step your way into the cauldron. You were waist in before you stopped abruptly as anxiety ate at you to ask a certain question.
“I won’t have any special powers like Feyre, Nesta, and Elain right?”
“No, this is different than their rebirth. You will have no power; you will remain as you were before.”
“Good, that’s good. Powers would have been cool though,” you smiled as you submerged the rest of yourself into the sacred artifact. Just before your ears went under you could hear the mother say something to you before you left.
“Everything is alright now, I love you my child. You have made me proud.”
You smiled as the liquid surrounded you and sparkled against your skin. It almost looked like Starfall which made you smile reminding you of home. You were heading back home! You felt your body tense like it was being winnowed back to your reality. It was a weird sensation, but you could slowly feel the memory of the mother and everything she had done for you fade as you passed through a barrier.
“Y/n!” you could hear someone crying out your name. You were trying to regain your senses as firm hands caressed the hair out of your face. One of their tears fell onto your cheek. It almost felt hot. Your eyes squinted at the feeling.
“Lucien look!” Someone cried out, as Lucien’s eyes scanned over your face slightly scrunching up at the foreign feeling of a tear that was not your own on your face. He let out a small, relieved gasp.
“Y/n?” He wiped off his tear that had fallen as he saw your chest take a deep inhale, “Oh my gods!” He wept, “You’re alive… you’re alive!”
His hands caressed your own, trying to give your cold skin more warmth. Azriel letting some of his own tears fall at the sight of you breathing again, Elain was rubbing small circles on his back in comfort. Mor and Feyre’s hands covered their mouths in shock at the events unfolding before them as tears of joy left their eyes. Nesta had let out a much-needed breath she didn’t know she was holding as she smiled at the two of you breathing again. Cassian thanked the mother repeatedly as Rhysand grabbed Feyre’s hand with tear filled eyes.
You began to wiggle your toes and fingers, getting used to the feeling of yourself again as you opened your eyes to see Lucien with the biggest smile you have ever seen from him.
“Lucien?” you questioned. Your mind was foggy, unable to really remember anything except the fact the last time you saw him he was dead.
He pressed your hands to his lips, “I’m here…”
You began to cry, “You’re alive!”
He nodded his head as he pulled you into his chest, “And so are you!”
You wrapped your arms around him in an instant, “Don’t ever leave me like that again!”
“Like hell I would live in a world without you,” he smiled as he cupped your face and kissed you tenderly. It’s right then you felt something trying to ignite inside your chest, no restraints or walls were holding it back as it set your soul aflame. You pulled away from Lucien and looked at him in amazement as you sent that flame to where it was trying to pull itself to. Lucien’s eyes widened as he slowly felt his empty chest cavity burst into life filled with everything you were sending his way. Love. Passion. Trust. Protectiveness. He couldn’t but help but smile as he got to say these words again knowing he would be complete, “You’re my mate!”
You let out a laugh of relief at the words, “Mates,” as you kissed him so hard you both fell back into the earth beneath you.
“That’s impossible,” Azriel said in disbelief. Elain’s face was ghost white.
“Well brother, the mother can work in mysterious ways,” Rhysand smiled at you finally getting your happy ending.
Lucien pulled away from you breathless, “I love you.”
You gave him a toothy grin and kissed him once more, “I love you!”
The wind kissed your skin as you both got up off the ground hand in Lucien’s. The presence of the wind almost felt familiar to you. You looked up at your mate and saw he had the same expression. Both of you looked at each other before you both whispered a soft thank you into the wind to let it be carried away to wherever it was headed as your friends began to crowd you both. Feyre ran into Lucien’s outstretched arms as Mor crashed into yours.
“Oh gods I am so happy you’re alive!” Mor cried.
“I think that was enough bonding for a lifetime,” you laughed as you cried with your best friend.
“I am just glad you are okay!” she smiled as she let Feyre hug you next. She looked over to Lucien and gave you a warm smile, “I am so happy for you both, take good care of him.”
Rhysand and Cassian pulled you into a big group hug.
“What even happened? I saw you both die!” Cassian kissed your cheek fondly.
“I don't even know… I wish I could tell you both, but I'm just happy I get to keep my favorite bat boys around,” you laughed as Rhysand kissed your other cheek.
“Like I said to Az, the mother works in wonderous ways.” As they pulled you back into another huge hug.
“Stop you’re going to pop me!” you laughed as a pair of footsteps approached you. You looked up to see Azriel. He looked at you guiltily and you felt nothing towards the male. No hate, no resentment, no longing, no nothing. You took a deep breath as you said, “Bring it in Azriel, it’s alright…”
Azriel carefully joined the group hug, “I am so sorry…” you and the others just hugged each other tighter as a response. You heard a cough from outside the circle as Elain stood before you. Rhysand and Cassian gave you one last hug before they walked over to Lucien and the others. Leaving you with Azriel and Elain.
“Y/n if I had only known…” Elain’s voice trailed off. Their presence was a little much for you after knowing what they both caused, but without them you wouldn’t have your mate.
“Look, everything that happened between us is a lot to digest and it's overwhelming me right now, but I am willing to look forward and have a fresh start, just give me time.” You gave them both an awkward smile as you walked off to the others who were all showering Lucien in hugs like they had done with you earlier. The sight of it made you smile.
“Be careful with him! I just got him back,” you teased as everyone looked towards you.
“We just got you both back,” Feyre said with a soft smile, “Tonight we celebrate you both and your new bond!”
“Just don't feed him anything until we're gone,” Cassian quipped as he clapped Lucien on the shoulder. Lucien rolled his eyes at the comment as Mor whispered into your ear, “and when you do, you still owe us girls a story after all.” She winked as your face grew hot at the talk of the act of completing the bond together.
“Calm yourself darling, we have plenty of time for that later,” Lucien pulled you into his side, “Let’s celebrate with our friends yeah?”
“Fine, I guess we can let loose a little to celebrate beating death and finding our bond.” You smiled.
“Well, what are we waiting for?! Let’s go party! I’m ready to let loose after everything that just transpired,” Mor said as everyone left to go back inside. Lucien pulled you aside before you both walked in and pushed you against a wall as he kissed you with fiery passion.
“As soon as that little party is over, I am going to fuck you into the bed, wall, desk,” he began to kiss your neck as the fresh bond between you hummed in your chest, “Any surface that I can take you on till we’re both burning this court into ashes with our love.”
You moaned at his words, “You promise?”
“If that is what my mate wants,” as he stared into your eyes as you traced your fingers down his back.
“Only if mine is willing to live up to his words,” you smirked up at him.
“Oh y/n, you are going to regret doubting me,” he said before he gave you one last kiss on the lips before offering you his hand to lead you into the house where all your friends awaited to celebrate your miracle.
You giggled as you grabbed his hand and said, “I love you so much Lu.”
“I will never get sick of those words. I love you too,” he smiled down as your intertwined hands, “You really should get those tattooed.”
“Give me a few more like them and I will,” you teased pulling Lucien inside as he let out a small groan at the thought. Both of you eager to celebrate with your friends, and to finally be able to love each other fiercely for the rest of your lives.
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On Kurapika's Self-Imposed Isolation
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While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.
I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.
Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."
So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.
The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.
Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.
Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:
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[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]
It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...
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[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]
...and this...
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[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]
...and this.
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[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]
This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.
(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)
But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.
Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.
But Kurapika... doesn't come across as a naturally angry person to me at all.
He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness
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[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]
...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.
And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.
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[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]
Look at him! He's so bright! So happy!
...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?
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[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]
Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.
I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.
And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.
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[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]
Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.
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[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]
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titanebaby · 5 months
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can u believe some exec at the bbc has hours of video footage from this podcast on a flash drive somewhere and isn't letting me watch it
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onegroovyrose · 4 months
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Akira if you don’t hold on you’re going to fall off!! 😋
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myriadsystem · 1 year
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My son Worm who has every disease
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hazeee-x3 · 2 months
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Hey hey! I finally, after roughly 42 hours of work that I do not remember in the slightest, here's my finished (as of now) lineup of designs from @drawbauchery 's bus au(^∇^)
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And my favorite that I did!
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lees-chaotic-brain · 3 months
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Angel (Ages 5-13)
Points in time through your friendship with Bakugou, from its beginning, to its transformation into love, to its demise. Inspired by Angel Pt. 2 by Fast and Furious (feat. Jimin)
Word Count: 2,655
CW: mentions of injury, some violence less than canon-typical though, reader uses female pronouns, hurt/no comfort, angst angst angst, mental health struggles, mentions of self-hatred
Part Two | BHNA Masterlist | Blog Navigation
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When you were five years old you and Bakugou lay sprawled on soft green grass. You closed your eyes, the fading sunlight painted the inside of your eyelids a pinkish orange. Inhaling deeply, you enjoyed the peace and tranquility of the moment.
Just minutes ago, Bakugou had declared the trek up the hill a race and shot in front of you, determinedly pumping his legs in an effort to win. Screeching that it wasn’t fair, that he got a head start, you raced after him, catching him just in time to tie. The buzz of cicadas filled the heavy summer air swirling languidly through your neighborhood; the quiet soundtrack of summer.
Fluffy clouds painted pink and orange in the light of the sunset drifted high above you in the sky. At your young age this was the happiest you had ever been. After a long day filled with squeals of laughter, and getting into mischief with your best friend you were exhausted, but content. Suddenly feeling sentimental, you rolled over and poked your friend’s shoulder. Said his name once to make sure you got his attention.
And on the evening of that perfect summer day you extended your pinky and interlocked it with Bakugou’s, forever sealing the promise the two of you made.
“Hey, we’ll always be this happy, right? We’ll always be best friends.” 
“Tch. What, are you stupid? Of course we will. From now to forever.”
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When you were seven years old the two of you had already made plans to become heroes and open your own agency together. And to Bakugou being a hero meant beating up any and all bad guys. Always winning the fight. Some boys stole your lunch money? Well then they were villains, and he had no choice but to take them on. So what if they were a few grades older than you? They were thieves and had to be punished. If he didn’t put them in their place, how could he call himself a hero? 
Walking across the uneven gray concrete behind the school, he approached the group of older boys and gave them his signature look. A promise of violence gleamed in his ruby red eyes as a cocky smirk pulled at the baby fat still adorning his cheeks. Calling out to the extras he got their attention before charging at them, sparks flashing in his palms.
When you found him later his clothes were disheveled but a look of smug satisfaction was painted across his face. Rushing over, you check him for injuries, brushing the dust and dirt off him and straightening his clothes. Other than a small red scrape on his cheek from skidding across the concrete and little burns on his wrists where the sparks from his quirk had burned him he appeared mostly unharmed. Suspecting the answer to your question but still needing to confirm your suspicions you demand that he tell you what happened. With an air of arrogance, he regales you with his tale of victory over the evil extras, hamming it up to impress you, carefully watching your reaction as he recounts his story.
After he finishes the tale, you sigh and tell him you wish he would be more careful. But he saw the admiring sparkle in your eyes as he told his tale. He knows that deep down you were impressed. And that’s enough for him. 
“You really need to think more often before you charge in.”
“As if, I’m gonna be the strongest, remember? No extra is ever gonna take me down.”
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When you were nine years old it had become a running joke in the Bakugou family that you were ‘Katsuki’s angel.’ And although he always protested and fake gagged when his parents called you that, inside he secretly liked the idea that you and him were meant to be together. The first time Mitsuki called you Katsuki’s angel, it was Katsuki’s birthday, and Mitsuki was trying to wrangle him into a custom made suit jacket she had designed especially for him. Chasing him around the house screaming obscenities and calling him an ungrateful brat she tried to force him into his gift. Katsuki had been screaming back at his mother, hurdling over comfortable yet tasteful couches and using his quirk to evade her every movement. Then you walked in, and the second he noticed you Katsuki skidded to a halt, clamping his mouth shut at your disapproving look. 
Walking over to him, you cuffed him on the ear and firmly told him that he shouldn’t call his mother an old hag, and that he should be grateful she went out of her way to make such a nice present for him. Opening his mouth to retort, all it took was one disappointed glance from you and he was turning to face his mother. Grumpily he muttered out a half-assed apology and allowed himself to be tucked into the perfectly tailored jacket. It was a smooth, rich, smoky gray with orange embroidered accents. Honestly it was so nice it seemed a little obscene to give as a gift to an unappreciative nine year old. But you were entranced by it.
Stepping closer to Katsuki, you couldn’t help but run your hands over the front of his jacket, marveling at the texture and the intricate work of the embroidery. Not noticing the pink flush that tinted Katsuki’s cheeks, you ran your hands along his chest admiring the jacket. “It’s so pretty.” You muttered it quietly under your breath, but Mitsuki heard it. Perking up, she announced that she was so glad that you liked it, because she had a matching dress made for you! Surprise!
Quickly waving your hands and telling her that she didn’t need to do that, protesting that you couldn’t accept a gift that nice (your parents had raised you to be a polite young woman, and while they failed in most regards you had still managed to retain some manners) and that she should give it to someone else. Insisting that the only person the dress was meant for was you, Mitsuki dragged you upstairs and gently helped you into it. It was a lighter shade of gray than Katsuki’s suit, and the accents were a paler shade of orange, closer to the color of the sunset than a violent shade of neon orange, but it was undeniably a match to Katsuki’s jacket. 
Self-conscious because it was your first time wearing something that luxurious, you anxiously asked Mitsuki if she was sure she was okay with you having it. Reassuring you that she had made it for you and that you looked beautiful she led you downstairs and called for her son, asking him what he thought of it. 
Stomping angrily out of the other room and demanding to know what was so important he stopped when he saw you, his eyes softening as he gaped. Looking down, you nervously played with the hem of your new dress. When he didn’t say anything, you apologized, saying that it wasn’t right for you to match with him because it was birthday and you didn’t want to take any attention away from him. Turning, you began walking up the stairs but paused when you heard him speak. Quieter than you had ever heard him speak before, he told you that he didn’t care about stupid things like matching, and that it suited you. The last part was spoken in a near whisper, then he scoffed and stormed away, loudly griping about how annoying all the females in his life are.
Later that night when Mitsuki was talking to Masaru, she mentioned Katsuki’s behavior towards you. Recounting the events, she wondered about his change of attitude when it came to you, pondering aloud if perhaps you were some sort of angel sent to make their son behave. Unbeknownst to her, Katsuki had been coming downstairs for a glass of water and heard everything, quietly sitting on the stairs eavesdropping as he wondered what the strange feeling inside his chest was.
“I’m telling you,He was gentle! I’ve never seen our son so sweet and well-behaved. It’s like she’s his own personal angel, sent to make him behave!”
Hm. His own personal angel…well, you were a little too aggressive and sarcastic to be considered an angel, but for some reason the idea of you being his angel pleased him.
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When you were eleven years old you asked Bakugou to stop fighting your fights for you. When you were younger, you held your own against anyone who came your way, but as the two of you grew up he became more and more protective until it got to the point he was fighting all your fights for you, not allowing you to intervene. What he didn’t realize was that having an explosive guard dog at you back 24/7 only made things worse for you. For one thing, it made you feel bad about yourself. All your life you had prided yourself on being strong, a bit of a wild child, and a lot more rough and tumble than the other girls your age. While the other girls your age had pretend tea parties and played with dolls you wrestled with the boys in the grass, often beating them. But when Bakugou fought for you he made you feel weak, like he didn’t believe you could hold your own when you knew you could.
In your opinion, every pair of pants with the knees ripped, every callous, every scrape and cut, every grass stain and bloody nose was a mark of pride. It was a mark of your strength, a sign that even the boys couldn’t beat you. Screw the patriarchy! But your female classmates disagreed. They would gossip about you in loud stages whispers as you walked by, wondering if you were even a girl, and that it was no wonder you were friends with all the boys with that haircut. You looked exactly like one of them. 
When Bakugou caught wind of it, he wasted no time giving each of them the verbal beatdown of their lives, unaware that one of them was the younger sister of an eighth grader. After the humiliating experience she had gone to her older brother, and now some older boys were constantly harassing you, shoving you around and mocking you. Your pride didn’t permit you to tell Bakugou, and honestly you saw this as a perfect opportunity to prove your own strength not just to everyone else, but to yourself as well. But before you could confront the group of boys, Bakugou caught wind of the bullying and was demanding to know why you didn’t tell him.
Bluntly, you told him it was because you wanted to take care of it yourself without him. A little stung, he asked why you wouldn’t let him help you. Was it because you thought he wasn’t strong enough? Exasperated, you explained that no, it wasn’t because you thought he was weak, but because he was treating you like you were weak. 
While he understood what you were saying, and felt guilty for making you feel that way, he still demanded to at least be present when you took on the boys. You were okay with it, as long as he promised to not get involved. With a little smirk, he agreed, saying his only intention was to watch his best friend kick some ass. 
And true to his word, he sat on the sidelines, not getting involved. Although, he was the loudest one cheering you on as you wiped the floor with those assholes.
“What? You didn’t think a girl could beat you up? Huh? Speak up.”
“Hell yeah! That’s my best friend. Get ‘em! Punch his teeth in!”
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When you were thirteen, you were truly disappointed and angry with Katsuki for the first time in your ten years of friendship. For years, there had been tension between you and him about the way he treated Izuku, someone the two of you had been friends with since you were small. While Katsuki went out of his way to be cruel and derogatory towards Izuku because he was quirkless, you remained good friends with Izuku, often sticking up for him.
That cruel behavior had been the cause of many arguments between the two of you as you tried to understand why he treated Izuku the way he did. You knew that Katsuki was a good person, and while he was your best friend and you wanted to always support him, you couldn’t condone his behavior. This created a weird limbo where you helped Izuku out as much as possible while at the same time giving Katsuki space in regards to the matter, hoping he would eventually work out whatever was obviously going on inside of his head. But no more.
You had been waiting for Katsuki at your usual spot, ready to walk home together but ten minutes had passed and you were impatient so you went to find him. Walking through the clean well-lit halls of your school you headed to his homeroom, stopping when you heard his voice. Assuming that he was just having a conversation with his friends, you marched into the classroom fully prepared to drag him out because you wanted to go home-but nothing could have prepared you for hearing Katsuki tell Izuku to take a swan dive off a building and pray he had a quirk in his next life.
Frozen, you couldn’t believe what you just heard. Because there was no way that Katsuki -your Katsuki- had said something that vile. But he had, and seconds after the ugly, vicious words had spilled from his lips your hand came into contact with the side of his face with a harsh resounding smack. Hand flying up to cup his smarting cheek, he looked at you in shock. Not expecting you to continue, he wasn’t fast enough to block the unforgiving knee you crashed into his ribcage, nor the fist you sent flying at his face. He staggered back, coughing as blood dripped from his nose. Snapping his head up prepared to scream at you, he stopped short at the look on your face. You were looking at him like you didn’t recognize him, disgust and anger painted clear across your pretty features. 
Not even bothering to speak to him, you turned and walked over to Izuku, quietly asking him if he was okay. You helped him gather up his stuff, packing his backpack and retrieving his notebook from where Katsuki had sent it flying. Slinging an arm around Izuku’s shoulders, you walked with him out of the classroom, straight past the shell-shocked Katsuki, not even sparing him a glance. 
Later that night when Katsuki stormed over to your house to “apologize,” you were cold, and laid down an ultimatum: decide between being an insecure asshole, and being your friend. As long as he treated Izuku that way you wouldn’t and couldn’t support him. For the first time since the promise you made when you were five, Katsuki was worried about the state of your friendship. So, he managed to somewhat pull it together, ignoring Izuku for the rest of eighth grade instead of tormenting him. But he would never forget the feeling of your anger and fists being turned on him, or the look of pain and disgust you had leveled at him. No. That look was forever ingrained in his memories, reminding himself why he had to be better. He had to be a person worthy of your friendship and affection.
“‘M sorry I guess. Don’t know why you would pick that quirkless loser over me though.”
“This. This is my problem. Get out of my house. Get out of my house and stay out until you can figure out how to be a decent human being. Until then, stay the hell away from me.”
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Alright! That's part one! Let me know if you want to be tagged in part two!
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whatwooshkai · 4 months
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Second Chance Blues Chapter Twenty: Pillow Talk
Silly saps in love.
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moeblob · 11 months
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Today.............. has genuinely. Been. A Day.
Have some OC doodles I started yesterday before tragedy struck and are like the bare minimum effort for today to finish. Since the two princes were originally not /in canon/ for another plot but rather made for a mafia AU as cousins to one of the main characters for the base plot. I was like. Huh let's give them a happier life. So here they're just princes and instead of the police department/detectives that most of the main cast is in base plot, those are the royal guards around the twins' castle.
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akechi-stole-my-heart · 2 months
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the only thing better than an akechi palace is forcing akechi to experience the horrors of his palace :) With Friends
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it doesn't have to be that way.
okay
I need you to know that I've been thinking about this ask non-stop for the last 3 days. This song came for us all and took us under its wing. I live here. It's a gem of a song. (This reply will get very long.)
My first time hearing it was live, as it was for a bunch of us as the album release was at the beginning of the tour. To set the scene, I was obviously really excited for any new songs I'd be hearing that night, and then Russell introduced the song like this:
"This is another brand new song for any of you who feel like maybe you're not on the right course. [He pauses briefly.] It's a song that's called 'It Doesn't Have To Be That Way'."
I was already nearly in tears, and then it started:
They always said that you cannot change your mind, Do it once and you're defined, do it twice and you're divine
...
It doesn't have to be that way, okay?
Every line of the entire song hit me like a brick while also being the most comforting thing I've ever heard. It was beautiful. And coming from the guys who for over a decade have been my personal champions of "things not having to be that way", the guys who are my people, who have by their very existence been telling us all this exact message for all these years. And here it was, in words, aimed at all of us.
They always said that you need to have a plan, Doesn't matter, any plan, any plan they'll understand, It doesn't have to be that way, okay?
... They've not been known to go for songs that bring people to tears, and I'm not known to be the kind of person to listen to songs and cry. And yet here we were.
While I can write an essay on every verse, a part that's especially meaningful to me, as a queer person, as an aspec person, is this:
They always said that it must reflect your life, And incorporate your strife, maybe mentioning your wife, It doesn't have to be that way, okay?
These *are* lines that seem to reflect their life (the entire song seems to, just as it does ours), and they're all things I've always loved so much about them, things that have paved the way for all of us. But I'm going to especially highlight the "maybe mentioning your wife" line. Here we have two (likely) heterosexual men, but they don't bring their love lives to the public eye - very consciously, and by choice. What they do with their lives is all about their music. Their lives are highly meaningful, to them and to so many people, and you don't need amatonormativity or the nuclear family to have a beautifully meaningful life. They show that every day, in all they do. Their work has always attracted many queer people of all sorts for obvious reasons, and it's been so easy to find aspec people among the fans which is a real treat. While they likely both have partners, the beauty is that we don't really know. We don't know that part of their lives and we don't need to know to know them, if they're not telling us it doesn't concern us. There's a lot of people who don't understand this though, people who feel like they don't know who Sparks are as people because these people feel like in order to know who a person is, they need to know their relationship status and whether they have a family. (In reality these people are looking at the wrong things, they're trying to classify and understand life in the only way they know, and therefore they seem to be unable to see what's there.) The added beauty of all this is that it doesn't just gives Sparks some privacy, but also it creates a safe space for all of us who aren't looking to live that way, who aren't looking to build our lives around a romantic partner, for whom the ideal life isn't one where you build a family, or for whom that do wish to live that way but where it isn't the thing that defines you. You don't have to mention a partner or make your life about that. It doesn't have to be that way, okay?
And then there's those parts of the song that go,
I may be wrong, I'll pay for it, I'll pay for it,
No chart-bound song, I'll pay for it, I'll pay for it,
No sing along, I'll pay for it, I'll pay for it
I'll pay for it
Which can be read and felt in a number of ways which all mean so much to me ... There's their own lives in it, where they've always done things their way, where people may tell them to not do things that way, and where it might not work out - I'll pay for it, I'll pay for it. Theres our lives, where we equally all make our decisions, try to just live our own ways to the best of our abilities and where we make mistakes - I'll pay for it, I'll pay for it.
And then, thirdly, to me, there's the feeling to it where they've got our backs. No chart-bound song, no sing along, that can be about an album not becoming the success it was hoped to be, but if you just look at No sing along, I'll pay for it, I'll pay for it, to me there's also an aspect of not wishing it upon another - instead carrying it for you, don't sing along. (This feeling feels further supported by the ending of the song, how 'bout a drink, I'll pay for it, it's been too long, I'll pay for it, which to me reads as paying for that drink for your friend so no one has to go through it alone nor without support.)
I'll look uncool, I'll pay for it, I'll pay for it
I'll look the fool, I'll pay for it, I'll pay for it
I'll look too schooled, I'll pay for it, I'll pay for it
I'll pay for it
The price of authenticity, the price of following your heart and your beliefs. And we all felt that.
As you can tell, this is one really really special song. It had so many of us in tears. We all spoke about it for weeks, I'm still talking about it. It's kind of like Sparks' life concepts we all already understood, that drew us here in the first place, got beautifully distilled into a song. (So much of this recent album has that quality, and it was felt all throughout the entire tour too.)
Every night Russell gave the song a slightly different introduction that hit people right in their heart. There's a quality to it performed live that makes it hit even harder than on the album. I recorded it at every show I've seen. Here's two of them:
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... it especially hits hard when you're near the front, looking at these guys with your big eyes, locking eyes for a second and you know they know. (I also did a quick shot of Ron's Jordans here, seeing him wear them was always a dream of mine and here I was, stood right in front of him seeing him wear Jordans.)
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Chapter 10 of A Serpent's Heart, A Lion's Pride is up now <3
read on AO3
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ghostdrinkssoup · 2 years
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okay so I watched ouef (s1 ep4) last night and I only vaguely remembered it as the episode with the lost boys and the creepy family dinner, but now that I’ve rewatched it I’m losing my mind over how much it actually sets up/foreshadows mizumono, especially thematically. considering this, it’s surprising how little this episode is talked about so I’ve decided I’m gonna unpack it myself because I honestly see it as mizumono’s necessary counterpart. it’s first half, if you will
so let’s talk about oeuf
I think part of the reason why a lot of early s1 isn’t discussed as widely as the rest of the show (especially late s2 and s3 in general) is because of the prescriptive use of genre conventions that underpin the “monster of the week” format that, upon first glance, makes s1a seem a little less interesting. it strongly follows the rules and expectations of the standard crime procedural that we’ve come to expect from a show like this: first there’s a murder, then our cast of characters go to investigate, slowly unravelling the mystery while learning some lesson along the way, until finally they catch the bad guys and the episode ends with justice prevailing, resolving the initial injustice of the crime. overall we’re left feeling satisfied, but it’s nothing to write home about
nonetheless, it is very important that nbc hannibal follows this formula in s1 because it allows it to meet audience expectations while also setting up the building blocks for its later acts, which, as we know, (mostly) abandons this scaffolding entirely. you can’t break the rules unless you know the rules, and s1 proves this by luring us in through its promise of convention. you could argue that, in its own way, s1 is the show’s own person suit
that’s not to say the “monster of the week” formula completely hides the show’s gothic side. beyond the show’s visual aesthetics (dark colours, artistic murders, etc) and the almost supernatural quality of will’s empathy, each episode/murder so far has had an underlying “fairytale-like” quality to it that’s achieved through the use of specific allusions/familiar images. first it’s will describing abigail as willy wonka’s golden ticket, then it’s the mushroom garden, then sleeping beauty wakes from her coma, and now we have peter pan and the lost boys. considering how the rest of the show plays out, especially s3 where hannibal literally describes the italy trip and his perception of life as a fairytale, this seems intentional to me. I mean, he and will literally adhere to the beauty and the beast archetype, with both fitting either role depending on what aspect of their relationship you’re looking at
that’s all to say, it’s notable that mizumono acts as the literal gateway between the familiar world of s1 and 2 and the phantasmagoric beauty of s3, stripping both its main characters and the show itself of their person suits, which isn’t as jarring as it should be due to the particular way s1 is structured
which takes us back to what I really want to talk about: ouef
the episode opens in baltimore, where will tells hannibal this:
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as will speaks, we see his house, lit up and observed at a distance in the middle of nowhere, caught in the vast, misty darkness he describes. linking the house with the boat is important, since this dual image develops throughout the rest of the episode. thematically, ouef is about family, as is represented through the monster of the week: the woman kidnapping the lost boys and manipulating them into killing their families. but as we said before, this scaffolding is designed to set up character specific concepts and themes that’ll be relevant later. for now, will’s home is only a safe space for him at an observable distance — only “safe” because it looks like a boat at sea, which is a positive association for him
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houses traditionally represent the self. it’s an image commonly linked to identity, both on a literary level and oftentimes when interpreting dreams. and of course, when talking about the house we naturally think of family. will can only appreciate the intimacy of both himself and his personal connections from an observable distance. he does not feel safe doing otherwise. it’s why his house is located so far away from the rest of society: he’s in hiding
from here, hannibal is quick to change the subject, stating that will “stood in the breathing silence of garret jacob hobbs’ home”, or, metaphorically speaking, hobbs’ identity. in episode one, will saw the truth of hobbs more so than he’s ever seen (or embraced) the truth of himself. he was not at a distance. he was not safe
then hannibal asks, “did they speak to you?”
and will responds, “with noise and clarity”
he then follows this by saying he “tried so hard to know garret jacob hobbs. to see him” beyond the police tape and dead girls and photographs, all of which he considers superficial details. this particular phrasing is significant, since it directly parallels what hannibal later tells will in mizumono after he learns of his betrayal: “I let you know me. see me.” this scene lays out the dominoes for this chain reaction, all of which results in s2’s climactic moment, by showing hannibal’s desire to be seen, even if he doesn’t fully realise it yet, and will’s desire to connect with others like himself, if they even exist. as I’ve said before, will does not think monstrosity and humanity are separate concepts
so, by wanting to see beyond hobbs’ person suit, which in of itself is a metaphor for conformity, expectations, and the false self, will set aside his own denial and discovered something very ugly about himself. he murdered hobbs in his own home and, for the briefest moment, caught a glimpse of the truth of himself. “see?” haunts will for this reason. it’s something he carries for the rest of his arc
it’s important that this all happened in the kitchen, but I’ll get to that later
but returning to the scene. hannibal asks will how he felt seeing marissa, the girl hannibal killed last episode. there’s an unspoken question here: did you try hard to get to know me too? did you know me? see me? would I ever allow you to do so? under the copycat guise, and the person suit, is knowing me even possible? as we learn in mizumono, the answer is yes
will says he feels guilty and I don’t think he’s lying here the same way he lied when he told abigail murder is the ugliest thing in the world last episode. there’s a difference between feeling guilt and feeling remorse. he thinks he caused marissa’s death, and he feels guilty because he knows he isn’t feeling (or reacting) the way he should be. killing hobbs felt good, remember? he saw hobbs, and in turn himself, with “noise and clarity” and had a moment of chilling self awareness he can’t shake. this is what he feels guilty about. it’s not about “not saving her” it’s about the threat of his self-destructive nature burning everything around him, which is what he fears. he feels monstrous inside, due to his own sense of vindication and inclination towards righteous violence
for the rest of this scene, I’m going to pick apart the dialogue in a kind of skeleton structure so we can take what information we need from what they say. their conversation goes as follows:
“sometimes I felt like we were doing the same things at different times of day. like I was eating or showering or sleeping at the same time he was.”
→ will feels like he’s doing the same things hobbs was (showering/sleeping/eating) even after he was dead because he’s now sensing hannibal, the copycat. or rather, his own copycat/foil. they’re already connected and they already feel the same (he feels like he killed marissa even though hannibal killed marissa)
“even after he was dead?” / “even after he was dead.”
→ so it’s hannibal he’s connecting to now, even subconsciously
“like you were becoming him?”
→ the introduction of the “becoming” motif which, as we all know, is a central theme and another reference to their foil dynamic (hannibal has already said he and will are the same). note hannibal’s tone when he says this: he’s speaking quicker, unable to stop questioning. there’s another conversation happening just below the surface of this one. he’s curious about will and his ability to connect, which was established earlier in episode 2
“I know who I am. I’m not garret jacob hobbs”
→ links back to the first episode where will, out of his own free will, chooses to shoot hobbs. remember that in the opening scene of that same episode he himself tells his students that, according to his own worldview, by understanding the murder, we understand the man. this isn’t a matter of confusing his identity with that of a killer: will knows exactly who he is, and that’s what scares him. he’d rather stay in denial
it’s also noteworthy that will’s refusal to be seen as hobbs, or a copycat of him, mirrors hannibal’s refusal to be associated with him too, as we saw in episode three when he tells abigail “I am nothing like your dad.” it implies that reading either of these characters as a mirror of someone else (other than each other, of course) would be a misstep. for both will and hannibal, hobbs is just another layer of the person suit. something that’s brutally stripped in mizumono, as I said before
we learn all this in one scene alone. like I said, this episode is complex and packed. the rest of the episode simply expands on the concepts introduced in this one conversation. I won’t go into every scene because this post would turn into an academic paper, but I do want to spend time dissecting a few key scenes which I feel directly link back to mizumono specifically and highlight why this episode is so important: the family dinner scene, hannibal breaking into will’s house, will’s therapy sessions with hannibal, and hannibal and abigail making breakfast together
how will analyses the family dinner, as well as what we learn from this scene, adds to our understanding of how these characters interpret family as a whole. after all, this episode is about “the lost boys” which, to me at least, will and hannibal both are. it’s their lack of real connection that causes them to treat abigail in the idealised way they do, similar to how the woman tries to make her own found family with the kidnapped boys (although this parallel better fits hannibal than will)
within his reconstruction of the crime scene, will sits at the head of the table, saying he’s “brought his family to this home invasion.” of course he’s impersonating the killer here, but this use of the home again (and family) is enough to pay attention to
power and control is also brought up in this scene. will says he controls the turners with “threats of violence. threats that turn to action” which is how hannibal operates (although more psychologically considering his demeanour, he doesn’t seem threatening at first and rarely loses his cool) but he can’t control people that way, least of all will. in the end threats of violence don’t even work, because the more worked up you get the less in control you actually are
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will then shoots mrs turner, who, as we later learn, forgives the act since she loves her son. forgiveness (and acceptance) being synonymous with love literally underpins the conflict of s3, which is triggered by hannibal asking will if he’ll forgive him for murdering abigail in mizumono, but it’s first shown here, of all episodes, in the story’s set up. because of this, hannibal killing abigail and stabbing will recalls this episode, perhaps more as an echo than a direct link, but is strengthened nonetheless by this subtle build. added to this, it’s notable that the threat of violence here is also due to a type of betrayal (“family dinner, I wasn’t invited”) but the lost boy sits at the head of the table anyway, where he belongs, much like hannibal does, both at the end of this episode and as the “paternal” father figure throughout most of the show
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as will says, this whole sequence portrays family values. twisted ones, but values nonetheless. it’s why I’m more inclined to connect this episode to the s2 finale than I am the s1 finale (although it’s still relevant) because this episode is so strictly about family. mizumono is the same but in reversal: the ideal family hannibal dreams and tries to take control of, since he had no control of his own as a boy, is shattered before his eyes
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the other largely significant moment in this episode is when hannibal breaks into will’s house and pierces his thumb on the hook, tying the fishing/boat imagery back to the house again and foreshadowing will as the “lure” (his s2 persona)
what’s important about this scene is that hannibal enters will’s world (his isolated identity) to plant the evidence that’ll later frame him for all the s1 murders, leaving traces of himself on will so that, for a moment, will too becomes the copycat. again, not the exact truth of him or his nature, but a fragmented replica. inauthentic. fake. another layer of the person suit, except this time it’s hannibal’s forced on will
but what’s interesting is that hannibal also gets caught in will’s web. there’s a lot of focus on the hook specifically, and the camera lingers on the feathers, which hannibal takes the time to touch and look at, until finally, he pricks his thumb and draws blood
the irony is that in this moment, before the game even really begins, hannibal loses. he’s already hooked himself. we saw hints of this in the first scene of this episode, how his fascination with will is unlike any other attachment, or lack of attachment, he has, and it encapsulates the whole reason for his downfall: his attachment and obsession. it’s beyond his control (“you cannot control with respect to whom you fall in love”) and humanises him in darkly twisted way. he cannot control his feelings, and he doesn’t know what to do with this
his fate is sealed in this episode, but he doesn’t realise it until mizumono
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again, the boat imagery is another interesting thing to note. fishing/boats/anchors are all introduced in this episode as mild, safe things (seeing the house as a boat makes will feels safe, wanting to teach abigail how to fish, hannibal saying will needs an anchor, will and his dad at the boatyard, etc) but fishing has an insidious side, too. one hannibal isn’t aware of. it has a meek mask, and in its own way, acts as another type of security. does will feel safe within his own sense of control, too? that’s the whole point of the person suit, isn’t it? it’s an important question, because the fallout is explored in mizumono. like I’ve said all throughout this analysis: everything here is being set up for a single climactic moment
will also sails to florence later in a boat he builds. he returns to hannibal’s home in s3, sitting in the kitchen with abigail’s ghost, but it isn’t home if hannibal isn’t there, so he sails to find him. I hate to say it, but will’s insane little sailing trip to italy is actually symbolic too if you interpret hannibal as will’s home, and by going to find him will, in turn, is also going home
the scene ends with hannibal sucking the blood from his thumb, before we transition to the blood streaked family portrait, opening the next scene. having the frame of hannibal bleeding being immediately followed by the bloody family portrait seems deliberate to me, since, as we know, he kills abigail later and destroys their “family” because will “makes him bleed”. again, tying the events of mizumono back to the family values introduced in this episode
also, in the script the sound hannibal makes when he sucks the blood from his thumb is described as “not unlike a quick kiss” which is an odd way to phrase it within the literal context of this scene, but makes a lot of sense when you consider what it means symbolically. it’s a small detail, but it recontextualises will “luring” him in as a romantic act, as well as a romantic betrayal
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continuing on, what family means to hannibal and his desire to both connect with will and manipulate abigail are both interweaved as the episode progresses. hannibal says that “children transport us to our childhoods”, reframes the idea that will’s family, who will jokingly refers to as a pack of strays, also includes abigail (and without saying it, himself) and that the woman who’s kidnapping the lost boys is engaging in a “perversion” of motherhood. all these things evidently reflect hannibal himself, and the specific trauma he experienced losing his parents and, more to the point, his younger sister. we don’t learn the specifics of this backstory until much later on in the story, but his behaviours (and the trajectory of his character arc) are influenced by it regardless
in contrast, will doesn’t seem all that interested in the concept. he sees family as an “ill fitting suit” (yet another reference to the person suit) and it’s an entirely foreign concept to him (it’s foreign to hannibal too, since they’re the same, but I digress). still, he tries to connect to abigail anyway, but this isn’t motivated by a want for authentic family or someone who understands him, but rather an ideal. will doesn’t want to see the truth of himself, it scares him. he doesn’t want to see the truth of abigail, either. he doesn’t want to see her as her father’s lure (again, fishing imagery) but as something innocent and divorced from what he knows of himself. he ironically buys her fishing gear in this episode (although he never gives it to her) in an attempt to associate her with the same meek mask we discussed earlier. but as we know, this “safety” too has layers
buying abigail a gift also mirrors what hannibal says to will in mizumono: “I gave you a rare gift, but you didn’t want it.” the rare gift is family, which is given value when will says “I can’t give them back what they just gave away” in relation to the lost boys and their dead mothers. it’s again another part of the family values introduced in this episode: family is a rare gift, but it’s not something you can force, which both hannibal and will try to do with abigail (like the mother tries to do with the lost boys)
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the “I can’t give them back what they gave away” is particularly important, since it implies permanency and an inability to reverse the action. the gift of family and connection is only rare because once it’s taken from you you can’t have it back; you can’t reverse time; you can’t take back control
this is the crux of hannibal’s entire arc. the belief that he is in control of his life, since, in his mind, he’s godlike and exists beyond human folly and attachment, underpins every single one of his actions leading up to mizumono. for this reason, it’s significant that the teacups are introduced in this episode as a means (and symbolic prop) to control abigail. they are later related back to time but this is meant to be a symbol of hannibal’s power. he directly says that he wants to give abigail her ‘power back’ earlier in the episode, but he’s really just empowering himself. he projects his attachment to mischa onto her, something he pretends doesn’t affect him and he is above of (his approach to dealing with trauma is clear through his interactions with abigail — he thinks she shouldn’t be immersed in the tragedy of the past and should just ‘move on’)
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in truth, hannibal wants to recreate the moment of tragedy (both his tragedy and abigail’s tragedy) in order to reverse time and have the perfect family, despite being incapable of this. he’s trying to escape how his trauma makes him feel powerless by attempting to take power back, no matter how futile it is
he attempts to do this here, in his home, by making them breakfast, since in his mind by feeding abigail the same (and last) meal she had with her family, he is in turn engineering a kind of ‘rebirth’ for her. he reassures that although this was the last meal she had with her family, it’ll be the first with him, and tries to take away her bad memories by replacing them with positive associations. the reversal of time is even clear in how he makes breakfast for dinner, flipping literal time on its head for his amusement
for the audience, in this scene we learn he’s a more skilled manipulator than the woman who took the lost boys, since he’s forcing this “blur” between abigail’s father and himself through the use of psychedelics and fostering dependency. he wants to replace hobbs without necessarily becoming him. again, he’s his copycat, not his replica
the fact that this all takes place in the kitchen is also important. it’s the same place hannibal will later kill her, proving he can’t reverse time and he isn’t in control, and that she was never reborn, and he was never her father. and returning to the beginning of this analysis (I said I’d come back to this) will also killed hobbs in his own kitchen, where he finally sees the truth of himself. in mizumono, a reversal occurs: hannibal is now confronted with the truth of himself and, like will, accidentally finds something very ugly by exposing himself
the episode ends with will separated from the ‘family’ and resting with his dogs, similar to how mizumono ends with will lying in his own blood, alone. in summary, oeuf quietly introduces and foreshadows key plot, character, and thematic elements through the conventions of the crime genre, and it’s fascinating to me how many links can be made between this episode and the bloodbath in mizumono
even down to the episode title: the newly formed egg and all the consequences that are to follow its hatching
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the-acid-pear · 9 months
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Deltarune Theory: Spamton, The Player & Freedom
As some of you might know by my occassional ramblings and the fact that i post 10 pics of the guy per day bc of my 100+ queue I've been a little unwell about Spamton and Deltarune as a whole lately, and recently while trying to ramble about a different topic I realized something:
I think we, the player, the soul, are a bigger part of this game that we are giving credit for.
After all, what are some of the main themes of Deltarune? Lack of freedom, lack of control, how your choices don't matter... And if we look on a smaller scale, if we look at characters like Kris and Spamton you can also add to the mix a certain level of disconnect with your own body, but maybe i'm going too off topic there... (maybe?)
This is to say, don't you think these things apply quite well to the soul, to us, too? Sure, we control Kris, but Kris is free of ripping us out temporarily and often adds their own input to the things we ask them to say (and even says things on their own), not to mention how they get around to avoid doing what we asked or avoid revealing certain information to us.
On top of that, there's our vessel. The body we were meant to have and freely use, that was, in theory, discarded. And i think this is very imporant because many pick up on Kris being trapped with us, but not as much on us being trapped with KRIS. What we have is an uneassy alliance, a sort of symbiotic relationship, we need one another to exist. But we still aren't free.
And this is where Spamton comes in, our EV3RY BUDDY 'S FAVORITE [[Number 1 Rated Salesman1997]] and number 1 freedom yearning puppet, who offers us the highly valued [Hyperlink Blocked] which he believes will carry one to freedom and such.
And it is true that freedom is something Kris might want, but don't forget Kris isn't the only one in control of their body. We too are the ones going straight back to that salesman and doing his little quest.
And this is even more true in the Weird Route, the route where we strip all control from Kris AND Noelle to the point she can only hear us talking, and it's the route where Spamton says at the end "IT’S YOU AND THAT [Hochi Mama]! YOU’VE BEEN [making], HAVEN’T YOU! YOU’VE BEEN MAKING [Hyperlink Blocked]!".
And if you, like me, believe the meaning of [Hyperlink Blocked] is LOVE, then this would make a lot of sense, after all, what were some of the biggest complaints people had about chapter 1 when it released?
Lack of multiple routes, namely a genocide one, and lack of control.
And Toby Fox, being the monkey paw ass guy he is, obligued to the fans request. You want control? You want murder? Okay, there you go.
Not only that, but the weird route is the only one where Spamton never learns Kris' name, only called them kid, making the fact that Kris has nothing to do with our insane rampage even more explicit.
And on top of everything, Spamton was right. We did in fact gain control and a certain level of freedom thanks to this, our choices, the player choices, now REALLY mattered. And the consequences were devastating, hell, even Spamton died here.
So, with all this said, I think my point has become clear. I think our role in the story is very significant, and it even perfectly ties with the themes and the existing characters.
Very excited to see this develop further as more chapters come out 😁
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aelswiths · 1 year
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Aelswith in 2x06
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