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#i know the last one didn't make it to the episode
starqueensthings · 1 day
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We need to talk about Echo (and by talk I mean screm). S3 E13 + 14 Spoilers!
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FRIENDS, I'M GOING TO EXPLODE. I need to talk about Echo for a minute. We need to talk about Echo for a minute,  because he has spent the last two episodes in the absolute thralls of complete and total danger, and I personally don't feel like there's been enough of a celebratory uproar for me to be satisfied with the level of appreciation and love that man deserves. (Remember when Hunter ran face first into a colossal exhaust pipe and we all collectively lost our minds because it was so impressive and so sexy? Remember when Tech drove a speeder really fast through a tunnel and we all fainted? I'M A TECH GIRLY. IT WAS ME! I FAINTED!!) but, Y'ALL, Echo deserves that right now!! And for all eternity!!! Because he is wholly submurged in the harrowing potential of torture and execution, and he didn't even bat an eye to put himself there. My awe of him is all-consuming, so please forgive me if this rant reads as nothing but incoherent screaming. 
Echo haters (first of all, we can't be friends....) come on this journey with me! Let's back pedal to the beginning of the last episode (13). He stole an imperial shuttle. Let me repeat, he stole an imperial shuttle. And not just an attack shuttle. Not just a lil one-pilot transport. Bro somehow stole a Rho-class medical transport, which is very large, obscenely conspicuous, and very easily tracked. And, to use his own words, it was "the best he could do on short notice." The man stole a shuttle on short notice. ON SHORT NOTICE? HELLO, HOW DID HE DO THAT. WHY AIN'T WE LOSING OUR COOL ABOUT IT. 
Next stop on this I-love-Echo journey through my mind: not only did he provide his brothers transportation in the complete void of their own (RIP havoc bb), but he also came equipped with intel and clearance codes, and, as Rampart stated, those things change DAILY. Echo somehow procured top secret imperial clearance codes, and a fkn SHIP, within hours of the Batch requesting his help. Not to mention, the ship had yet to be reported missing (which means it was only-freshly commandeered), and the clearance codes worked. Of course they did. Echo never fails. Never doubt Echo. "Echo's on it."  
Choochoo, next stop! Once they arrived on that station orbiting Coruscant, and made their way to the control room (lookin sexy as heck in his armour-au-noir), he broke imperial encryption, hacked into the Imperial database, almost instantly found them the location of a ship departing for the prison that holds their daughter Tantiss, AND THEN DIDN'T EVEN HESITATE TO CLIMB ABOARD AND STOW AWAY.  
He didn't even remotely have a plan, or have time to make a plan. He didn't know who or what else would be on board that mysterious vessel. He didn't know where it was going other than the name of the fkn mountain (which has proven to be nothing but unhelpful thus far). He just ARC-troopered his way through that crowded hangar, dodging aggressive astromech's and inconsiderate loader droids, shirking from the perspective eyes of highly trained commandos, and snuck his way onto a heavily guarded, extremely unknown science vessel. Then, of course, he wasted no time, hacking into the ships control system (may I gently remind- there were at least three pilots and an officer prepping the ship for jump and closely watching all aspects of its controls), disabling the proximity sensors without being detected, and then seamlessly covered the troopers absence by pretending to be him (which we all know is what should have happened on Serenno but... hindsight is 20/20.)  
So... SO.... now we're at Episode 14. Here we at fkn terrified station because HULLO ECHO IS ALONE ON A SCIENCE DIVISION TRANSPORT; we have literally seen them carry around Zilo beasts in that shit. What the heck else could be on there that they don't know about? Literally anything. Because THEY KNEW NOTHING before attaching themselves to it. Echo knew NOTHING before sneaking onto that thing and creepin' around. Thank heck he didnt come across a fkn fresh wave of slither vines ok?  
NEXT, Echo shoots (not stuns- lol) a sassy fkn droid (they had it coming, not sorry), then another trooper. AND THEN discovered his only option for departing the ship once it enters atmosphere is going completely undercover, because (in true "we improvise everything" CF99 fashion that gives me heart burn just thinking about it), they had zero fkn plan to get off the ship. I will repeat: completely undercover. On Tantiss. COMPLETELY UNDERCOVER ON TANTISS. NO COMMS, NO BACK UP, NO RECON, NO PLAN, BARELY ANY GEAR, and I would just like to stress... no neuro brace. He left his neurobrace on that ship. Left it. LEFT IT AND TOOK A HAND INSTEAD. PLEASE FKN SEDATE ME.  
We can't leave this station yet... This I-love-Echo train needs to linger at this point for a sec because I think it's lost on some people how wild this is. Echo without his neurobrace is huge. It's a bigger deal than Echo without his armour. Armour is, in the grand scheme of things, inconsequential (one can find more- see Howzer). Echo's neurobrace is not armour, it's a computer and it's so so so crucial to how his mind processes information and events. Don't forget, the Technounion HIJACKED HIS BRAIN. They took every memory from him and manipulated it for their gain. Pruned it, tweaked it, blanched it, poached it, turned it into scrambled eggs, and then fkn ate it up and used it to defeat their enemies (Echo's family- I'm sobbing). They implanted him with an unfathomable amount of information; they changed the way the neurons in his brain fire in relation to stimuli. That neurobrace is so so critical for him. Now, we know he can operate well enough without it, we saw it in the last episode of the TBB arc in season 7 of Clone Wars, but... please.... to what extent? We don't know what an extended time without that neurobrace looks like for him... especially when all other aspects compliing his surroundings foreign, unknown, and dangerous, and that scares me.
AND NOW HE'S ABOUT TO RUN AMOK IN TANTISS with Emerie who, (I'm sorry) is wishy-washy as heck (who are you loyal to!!!!! What is your history!!! Are you trustworthy and what are you looking to gain!!!), trying to adopt a collection of Jedi children whove spent maker-knows how long playing space tetris, WHILST ALSO ATTEMPTING TO LOCATE AND ESCAPE WITH HIS BROTHERS UNDER THE EYE OF THE GALAXY'S SECOND MOST DANGEROUS MAN. 
So yes, short of d-d-d-di... can't say it... short of THE WORST CASE, Echo has made the ultimate sacrifice to save not only Omega who is literally the only person we've seen able to make him truly laugh, but all the clone brothers that he's been desperately trying to locate and rescue. His bravery and determination are literally unrivalled, and he did it while feasting on nothing but humble pie because that man wouldn't know arrogance if it danced naked under his perfect nose.  
Okay so welcome, we've finally pulled into I-Love-Echo station. Before departing the ride, please stand and do a hip hip hurray for the miracle that is Echo, including but not limited to, everything he's done, is doing, and is willing to do for other people. 
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usereddie · 15 hours
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explain couch theory for dummies please
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alright!!!
basically, couch theory started last season in 6x01. we got a snippet of the script for the buckley diaz scene at the beginning of the episode, where buck, eddie, and christopher are all having dinner together, and christopher teases buck for not having a couch.
buck is upset that bobby didn't consider him for interim captain and goes "i just wanna know what these other candidates have that apparently i don't."
christopher goes "buck, you don't even have a couch."
buck explains that the last two couches came with girlfriends (to which eddie replies "i think you mean the last two girlfriends came with couches.") because ali picked his couch when he got the loft, and they kept taylor's couch after she moved in, meaning that when she moved out, she took the couch with her.
the theory REALLY starts, though, when eddie points out that buck and taylor broke up months ago, he could've replaced the couch by now.
and buck gets a soft look in his eyes as he looks at eddie and goes "well, maybe i don't want to pick the wrong couch again."
that's kind of the root of the whole couch theory.
there's another scene in 6x01 where buck mentions not having a couch to bobby and saying he doesn't want to make a mistake again, referring to life experience.
essentially, the couch metaphor is actually something that happens in canon throughout season 6. the couch theory is the spin off of that metaphor, where it's very obvious that eddie is the damn couch.
throughout the season, there's this theme of buck searching for the right couch. it continues at the very end of the coma episode (6x11), when the buckley parents ask buck why he doesn't have a couch after they come home from the hospital.
we find out in this scene that maddie is aware of the couch metaphor because she goes "oh, that story is too long to tell while standing."
we then get a scene in the following episode (6x12) while buck's in recovery, of him trying and failing to get comfortable on his couch.
in this episode, the 118 and co are showing up to buck's apartment to keep him company, a system created by maddie to make sure buck is fine and that he's not by himself while he recovers from the lightning strike and coma.
buck doesn't want all this attention, though, and, eventually, gets fed up and goes to eddie's house.
where he immediately gets comfortable on his couch, and falls asleep before eddie even brings the beers out.
it did make the fandom lose it, thanks so much for asking.
not directly related to the couch theory, but after buck wakes up on eddie's couch, they talk about the shooting for the first time since it happened.
couch theory kind of continues throughout the season. there's a scene that's essentially a beat by beat parallel of buck falling asleep on eddie's couch with christopher falling asleep on the couch, and the buckley diaz family implications went crazy with that one.
seriously, i'm not kidding. beat by beat.
the writers, actors, producers, etc were all aware of what the fandom thought about the couch theory and how it related to buddie, also. couches were mentioned in interviews, tweets were liked, it was a whole thing.
but, i'm assuming whatever oliver says in today's (april 25th) article about the couch theory is gonna be a little more....buddie specific than anything was during s6.
anyway, after buck falling asleep on eddie's couch everyone sort of hoped for a continuation of the couch arc that involved eddie, because obviously eddie was the couch. you have buck, who didn't want to pick the wrong couch again, who couldn't even get comfortable on the couch his parents bought him, immediately fall asleep the second he sat on eddie's couch?
insanity!!!!!! it was crazy!!!!!
i don't remember if anything happened between 6x13-6x17 that was directly in canon. obviously the fandom kept going with the couch theory, speculating all the ways that the couch could mean buddie canon (there's a lot of fic from s6 that's full of couch metaphors and couch mentions)(my fics, too).
kameron gives birth to the sperm donor baby on buck's couch, also.
i forget that detail.
anyway, end of 6x18, buck and natalia are sitting on his balcony and he turns to her and asks if she wants to go buy a couch.
people died that day.
that's more or less it. i'm sure there's more that i'm missing, but essentially, the couch theory is the idea that eddie is buck's couch, the couch representing a romantic relationship.
or, not just a romantic relationship, but the right one. buck's couch is buck settling down, finding someone to spend the rest of forever with, a family, a home.
and then he got that in eddie's house, but he was too blind to see it.
alright. i think that's it! hope it made sense :)
let's pray today's interview doesn't kill us all
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did i rant to my friends about dorian and orym just to be called a simp? yes i did. and i'll do it again.
these two characters? consume my waking thoughts. because just fucking think about this from a timeline/literary point of view for a second with me.
orym lost his husband and his father-in-law (who he always calls dad because he didn't have a dad growing up) in a violent attack on his leader a while ago and whatever magic was used to kill them kept them dead - no reviving magic worked to bring them back. in the space of a single attack, he lost two of the most important people in his life, and now he's a widow who still mourns and loves in equal measure even while far from home trying to save the world. he loves even though he's scared of losing again.
dorian is a runaway heir to a title he never really wanted, a musician for himself, a charlatan hiding behind an easy smile, who has really only ever wanted to see the world in his own time and make real friends for once in his life. and he did that! all on his own! he was with the group at the beginning of the campaign but then they ran into his older brother who was in trouble and needed to lay low and dorian went with him, falling back on old instincts that family by blood comes first. he ran from the group and from the foundations he was building with them. because dorian has only ever run from the things that scare him. but now he's back, re-traced his frightened footsteps toward the daunting promise of tomorrow - not yet with the group, we're getting his side of the story first. and he even said it himself, that he ran from the group and now he's not sure why he did it, why he left, when he stands here now and realizes everything he wanted was already in front of him.
they have sending stones, a once a day chance to say something to each other in 25 words or less. they've been using them, keeping each other updated on where they are, that they're still alive, and kindling this flame even without dorian at the table, without even seeing each other, and liam has been carrying this torch alone for 78 episodes but damn it the flame is still lit regardless!
and orym always updates on their progress and location first, and with whatever words he has left he drops in a sentiment to remind dorian that they still care - that orym still cares. and orym is practical through and through, he's a strategist so he always always always uses his words wisely because he's so fucking limited by this spell but the last message he sent? he repeated himself, he admitted a weakness, he faltered.
he told dorian where they were. he asked if dorian could come their way. he admitted to struggling while his voice broke. he asked again but in a different way if dorian could come their way. he ended the message with the most heartbreaking "fuck, i miss you," i have ever heard in my life.
orym, the man who messaged dorian 52 episodes ago and said "glad you're not here, wish you were anyway." because they're constantly in danger, and he wouldn't wish that on dorian, but he still aches to have him near. orym, the man who confessed 13 episodes ago during a trial with his friends that he's lonely, that he misses dorian and sometimes he thinks it's okay and sometimes he doesn't - because he was married and is still mourning and how dare he have feelings for someone else? how dare he move on even when his husband would WANT him to be happy again? he indicated dorian was missed by everyone in three of his previous messages before the trial, before finally shifting to 'I, orym, me - it's me who misses you'.
and dorian, the one who replied to a message orym sent him with "stay steadfast, sending you fairer winds" in the most longing tone i have EVER heard. dorian, who kissed orym's forehead when they parted ways but that is the closest they have come to acknowledging whatever is between them. dorian, who has been to orym's home between exu and c3 and met orym's mom and knows about orym's husband.
when orym died 58 episodes ago, he went limp and the sending stone slipped out of his hand because he was trying to message dorian before he died, before he ran out of words and breath. before he was revived, there was a moment he stood in the beyond and saw his husband and he told orym "you're not done," and orym said "i really wish i could stay," and then his husband said "i'll still be here," and orym said, heartbroken, "oh, i miss you so bad."
he told dorian, "i've really missed you," and "fuck, i miss you." i miss you is orym's way of saying i love you.
they're so close. they are so close. and orym fully died 19 episodes after dorian left, but he was revived and then never told dorian via sending that happened. part of me wants dorian to find out and the other part hopes he never has to feel like he failed orym by leaving. because nothing could have changed that from happening, not even dorian.
they are so close to reuniting, orym has needed dorian back for WEEKS and he's so close. i'm begging them to hold on so they can hold each other again.
and, again, from a literary point of view, you know the wildest part about all of this?
none of it is scripted.
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watchyourbuck · 1 day
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the second they made buck bi i watched the whole show for the first time, took a week, finished just before the latest episode came out. this obviously means i do not know my first thing about anything, most theories and fanon storylines included. what is the most important stuff that i need to know? the more deranged and delusional the better 🌸
lmao gotta love this ask. okay nonny let’s see.
the couch theory: right after Buck breaks up with Taylor, Eddie and Chris have dinner at his loft. they make fun of the fact that Buck doesn’t have a couch, and he says “my last two couches came with girlfriends — maybe I don’t wanna pick the wrong couch again.” we strongly believe the right couch is Eddie, and the scene itself is pretty, uh… hinting. I made a post about it.
the color theory: this theory stems from the fact that most of us believe the colors they are dressed in or are illuminated by (etc) aren't a coincidence, as in, we think different colors mean different things pertaining to their story and feelings. pls see our preacher on this subject @lover-of-mine <3 her posts are amazing
dad!buck: its a commonly accepted truth that Buck is not Chris’ uncle, but his dad. there’s not a lot of explaining to do, other than the man just loves Chris as his own, and clearly Eddie thinks the same, considering he added him to his WILL (insane behavior if u ask me).
shooting/lightening as direct parallels: Eddie getting shot and Buck getting struck by lightning are the two highlights of their individual and intertwined tragedies. there’s obviously other moments where they fear they may lose each other but these two are the biggest, most gut-wrenching ones. (these are their strings of fate, remember they both had to pull the other to safety).
buddie tends to parallel to every canon couple on the show: I’d have to pull up many receipts but, if you watch closely, you’ll see them. Bathena and Buddie both have water trauma, for example (tsunami vs capsized cruise ship), plus other more lighthearted ones like the Madney karaoke + the bachelor party Buddie karaoke scenes (7x06).
Edmundo Díaz is demisexual: and most likely gay. idk i didn't feel too comfy with the hyper-sexualization of Eddie on 7x05. but it’s more than that, obvi. that man was seen sleeping with Shannon, then with no one until Marisol, and i kinda believe Eddie getting out of the house to not have sex with her bc he felt distanced from her tells us a lot about him. he seems to only be able to engage in sexual activity should he feel something for that person.
I didn’t mean for all of these to be buddie coded, but alas, I’ve watched the show through their looking glass, and these are the theories that I’ve engaged with the most. for anyone reading, feel free to add more!💗
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The Fortune in The Fortune Teller
This is an isolated look into this specific episode.
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The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.
However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.
1. Katara and the Nature of Destiny
In the beginning, the Gaang meets a person getting attacked by a bear. He is acting incredibly passive, simply dodging the bear's attemps at his life. Then, A\ang and Appa interfere to help the man. When the Gaang questions him on why he was so passive, he says it's because the Fortune Teller told him he'd have a safe journey. They then have the following exchange:
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The man's logic is obviously flawed. If the Gaang didn't interfere, if the man continued to passivaly dodge, the bear would have attacked him. Fortune and destiny come from agency – from actively shaping them.
However, Katara is delaited at the prospect of seeing the future. Her and the Gaang go to meet the Fortune Teller, Aunt Wu. Aunt Wu tells her she'll marry a very powerful bender. Later, she comes back asking more details about her future husband. Remember her excitment, fantacising about her future husband:
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After that, Katara becomes somewhat reliant on Aunt Wu's prophecies. She goes as far as to ask her what she should eat.
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And she obeys her "prophecy", despite not wanting to. She became like the man from the beginning. She knowingly follows the fortune even though it doesn't make sense. She had given up on forging her own destiny.
Although by the end of the episode, she is no longer in this state of reliance, she still believes in the prophecies. Then, Sokka says that A\ang is a very powerful bender. This reminds her of what Aunt Wu said about her future husband. I don't want to cherry pick, so I took 4 different pictures of her face when she realizes A\ang might be the powerful bender she is to marry:
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With the look in her eyes, with her mouth tilted down and with the ominous music, this could easily be read as disappointment. Especially when remembering how she fantacized about the powerful bender earlier in the episode. She doesn't smile, but looks concerned. As if she doesn't want this. Earlier in the episode, she says this:
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A\ang is like the papaya. The fortune says he's right for her, but Katara doesn't want him. Now, she isn't like the man, passively dodging the bear attacking her. She shouldn't sit and wait for the prophecy to come true point blank. She has the agency to shape her own destiny and not to choose A\ang as her future husband.
2. A\ang, Meng, and First Crushes
In this episode we're introduced to a girl named Meng. Aunt Wu told her she'd end up with someone like A\ang, and so she developped a one sided crush on him. Throughout the episode she attempts to talk to him, all to no avail. Because A\ang is not interested in her.
Interestingly, her one sided crush is directly paralleled to A\ang's crush on Katara.
Exhibit A:
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Exhibit B:
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Exhibit C:
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Please note that in exhibits B and C in particular, there is an emphasis on the other party not reciprocating their feelings.
In this parallel the show draws, A\ang is Meng, the younger, shorter one the one who is in love; and Katara is A\ang, the older, taller one who... *checks notes*... doesn't reciprocate.
But in the end, A\ang and Meng have a heart-to-heart.
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Sometimes you'll like someone, and they aren't going to feel the same way, and even though it's hard, it's okay. They're young, just kids having a crush. A\ang responds to this with "I know what you mean". Because he, just like the audience that watched the parallels, knows that Katara likely doesn't return his feelings.
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In conclusion, The Fortuneteller could have been brilliant foreshadowing to Kata\ang not being the endgame couple, and it would have done so through beautiful, mature lessons about first loves and destiny. Thank you for reading.
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waltwhitmansbeard · 2 days
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so i just read a post explaining why the op (and, according to the op, a lot of other people, even tho the post in question only had 32 notes, some of which were from people who disagreed with them) didn't like the cut to the crown keepers in last week's episode. while i'm totally on board with people not jibing with stuff that just doesn't work for them, i wanted offer some reasons why this seemingly hard pivot to people who are not the main characters of the story being told was a good decision to make (note good decision, not inherently the best decision, which i believe no one, including the dm, at a ttrpg table should ever be expected to make).
matt had an extremely powerful, extremely unexpected character decision dropped in his lap in the final moments of the previous episode. we don't know exactly how much time matt has between recordings, maybe a full week, maybe not, but either way, there's a very real chance that matt just did not have enough time to fully prepare a session to deal with fcg's death and what comes next.
sam now has to create a new character that a) is of a level with the rest of the party and b) makes narrative sense for him to be there. that takes time for both him and matt, and they might just need some space to work on that. when laudna died, marisha was willing to sit away from the table for several weeks because she knew that she wanted laudna to be resurrected, but sam may not want the same thing, and that's okay!
matt may want to fold the crown keepers into his main story, some or all of them—particularly dorian, whom both liam and the fans have been asking to return for a while now. dorian is clearly important to orym and the story that liam is trying to tell, and bringing the crown keepers in may be matt's way to do that.
matt—and dms generally—has always had to straddle a very fine line of making sure that his players are the main characters of their story who feel like their actions have real consequences and effects on the world, while also understanding that in reality, it doesn't make sense for half a dozen chucklefucks to have such an outsized effect on major cosmological goings-on like *checks notes* the potential release of a god-eater. this becomes especially true when you're on your third campaign set in the same world, and your players' previous ultra-powerful pcs are still around and definitely more adept and connected than their current pcs are. i, personally, think matt does a great job at walking that line, and one of the things he does that i appreciate is that he doesn't shy away from the fact that a) his players are powerful but not the most powerful and b) his players aren't the only one who care about what's going on in the world and who are taking actions to effect change. the current plotline re: ruidus is absolutely world-shaking and is causing all the divine girlies to cower in their demiplanes, so of course even the evil ones are going to be calling on their champions to help out. it makes more sense for opal to be involved (which, btw, matt has been hinting at for a while now) than not.
matt might need a fucking break! he's been doing this consistently for nine years now, and shit is complicated! handing over the reins to aabria for a week or two or three may be what he needs to not get burnt out.
dnd is an emotional game, and the entire cast might have been rocked hard by fcg's death. some space away for a week or two could help them process and regroup to get back into a story that is otherwise very stressful and action-packed.
or it's none of these! what do i know! i'm a random idiot on the internet! matt doesn't consult me on these matters! (though my dms are open if he wants to chat, i do have ideas)
i think it's tempting to think of the decisions made in and around critical role (or any ttrpg show) like those made for a television series, because the episodes are serialized and we love them so much. but this show is, first and foremost, a group of friends playing a game together, and not a carefully constructed narrative with the primary goal of entertaining an audience. the audience always has been and, frankly, always should be second to the wishes and fun of the people around that table. matt would not have asked aabria to step in and dm a crown keepers side arc if he didn't think it was a good decision for him and his players, and that priority is the correct one. we are being invited in to watch these friends have fun together, and that's a privilege that we're super lucky to have. as long as the cr story isn't doing things that are outright abusive or harmful to the cast or the audience, i don't think we should begrudge them the choices they make in the name of their own game.
again, it's okay if you're not vibing with the crown keepers! i didn't love the aeor arc of c2! not everything is for everyone! but i think accusing matt and the cast of narrative malfeasance is a bit much when, tbqh, they don't answer to us. they answer to each other.
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A question of loyalty: an analysis of two perspectives in season 1
The past few years, I have loved rewatching season 1 with the context of the finale, because it has been so interesting to really see things from Crosshair's perspective.
Our first hint that maybe Crosshair's motives aren't what we first thought:
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Hunter's (and our) perspectives on the issue are further challenged:
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And then we reach the ultimate accusation:
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So, let's take a look at both sides.
POINT #1: "Crosshair was the one who kept attacking the squad! How could he POSSIBLY accuse the squad of betraying him??"
COUNTERPOINT: Because from his perspective, they had. We as the audience know the whole plan was for the squad to get Crosshair back after they escaped the brig on Kamino - in fact, Hunter was prepping to go back for Crosshair at the same time Crosshair was coming for them - but Crosshair doesn't know that. He had been arguing with his squad ever since Order 66, trying to get them to understand how important it was for them to follow orders, and they had yet another disagreement right before he was singled out. His inhibitor chip gets intensified, he gets sent after his brothers (as if Tarkin needed to do anything else to thoroughly disgust me...), and he finds them in the hangar prepping the Marauder to leave. (Just to reiterate: from Crosshair's perspective, he had recently been arguing with his brothers, and now he finds them readying to leave.) Hunter never tells him that they were coming back for him; instead, they engage in some back-and-forth about surrendering and following orders before the shooting begins.
Having left him on that note, it would be all too easy for Crosshair to work himself up over the perceived abandonment - especially if he started feeling any sort of regret over his actions toward his squad (finding a way to blame the other party is, after all, a common defense mechanism).
And every time they cross paths thereafter, instead of his brothers apologizing or listening or trying to come with him, they keep running away from him after arguing with him about how he's being controlled and forced to obey orders. I can't help but imagine that any mention of "programming" only served to stoke Crosshair's ornery side: he and his squad are "superior," after all; he can't be controlled, he is being a good soldier and following orders because HE chose to, not because of some stupid chip. (Cue Crosshair claiming it "doesn't matter" when he got his chip removed: his ideology remains the same, thank you very much.)
And so, from Crosshair's standpoint: his brothers abandoned him, they won't even talk to him except to try to convince him he's wrong about everything, and they're ruining any chance they have of finding "purpose" by remaining soldiers and serving the Empire.
POINT #2: "Hunter and the others didn't try hard enough to get Crosshair back - actually, they didn't try at all."
COUNTERPOINT: I think we overestimate just how much time passed between the Batch escaping Kamino and the events on Bracca (unless the squad was just hanging around in open space for weeks at a time, which I doubt). Consider how quickly events occur in the first eight episodes:
The squad narrowly escapes Kamino
They try to lay low at Cut and Suu's, but that lasts maybe two days before they are on the run again
The Marauder crashes
It's necessary to find a way to scramble the ship's signature, so they have to make a quick landing on Pantora
Enter Fennec
Well, now they have to find out why a bounty hunter is after Omega
Enter Cid
Cid pretty much immediately starts blackmailing them
They have to do another job for Cid - we don't know exactly how much time passed, but Cid doesn't seem to be one to wait to order the Bad Batch around, especially as this next job reasserts her claim on them.
Rex reappears - we don't know exactly how much time passed here, either, but I would guess Rex sought them out as soon as he was tipped off about them.
(Lest anyone think Tech must have just given up on the chip scanner after the Marauder crashed, remember that he needed comparative data in order to properly use the scanner. I can only imagine how much it must have eaten at Tech to not have any way of finding a source with the necessary data to complete the scanner - especially considering everything else going on - until Rex miraculously showed up.)
So, until reuniting on Bracca, there is precious little time or opportunity for the squad to formulate a plan to get Crosshair back... And then Bracca happens. Here, they are confronted by Crosshair, who responds to genuine pleas to reconsider his stance by hitting them where it hurts: "Aim for the kid." Crosshair then sets things up to literally incinerate them, and they barely make it out alive before being attacked by Cad Bane.
Now, they had seen what the chip had done to Wrecker, true; but Wrecker had previously acknowledged that he understood the chip existed and was willing to have it removed, AND it was squad+Rex against Wrecker (and even then they barely managed to subdue him). Crosshair refused to acknowledge even the possibility of a chip influencing his actions, obviously wasn't willing to have it removed at that point, had never shown any inclination of wanting to rejoin them, and squad+Rex against Crosshair+vast Imperial resources would have been suicide - ESPECIALLY since Crosshair proves time and again that he can predict their moves. There's no way around that.
So what does the squad decide to do? They run. They can't take Crosshair with them, but they aren't going to try to kill him either.
Crosshair remains too well protected for the squad to go after him, but we can see on Hunter's face as the squad leaves Ryloth after peripherally tangling with Crosshair that the situation REALLY doesn't sit well with Hunter.
And yet... WHAT ELSE CAN THEY DO?
So, from Hunter+squad's perspective: as far as they are aware, Crosshair is refusing all offers of help, and trying to go after Crosshair would be suicide. Crosshair can't be rescued if the squad is all dead.
An impasse, then.
ANOTHER FACTOR TO CONSIDER:
But the accusation of disloyalty goes far beyond Crosshair believing the squad left him behind; he sees disloyalty in the fact that they apparently don't share the same views. It's not just a conversation about why/how Crosshair was left behind; it's also an argument over ideology, as Hunter tries to point out the Empire's flaws while Crosshair is determined to remain a soldier with the one purpose he has always known.
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And then we reach the climactic revelation: Hunter is trying to convince Crosshair that maybe his views are being controlled by the chip - only for Crosshair to tell Hunter he already knows about it and the chip is gone, AND he won't even tell Hunter when it happened. We can make educated guesses as to when Crosshair's chip was removed, but Hunter has been spending all this time trying to keep everyone else on the squad safe from a fellow brother who is being controlled by an inhibitor chip... only to find out that maybe Crosshair was acting of his own volition for who knows how long. This, I believe, is the point where Hunter started to consider Crosshair as having actually betrayed the Batch.
And no matter when the chip was removed, Crosshair is still convinced that the Empire is the right side, and believes that anyone who won't join the Empire is against him.
So, before the confrontation on Kamino: Crosshair is convinced the squad has abandoned him. Hunter and the squad can't feasibly do anything about it.
During the confrontation on Kamino, we learn that unless the squad is willing to join Crosshair and the Empire, he's going to continue to believe they have disowned him. And the squad will not join the Empire, much as they love Crosshair.
CONCLUSION: Crosshair's and Hunter's perspectives are both equally valid, especially based on what they know and later learn of the other's stance. Hunter rightly points out that wanting different things doesn't mean they have to be enemies; but as long as the rest of the squad members aren't willing to support tyranny enforce order, Crosshair will consider them disloyal to him, since they are opposed to the views he stands by, the views that - at that moment - define him. It will take other perspectives, outside the squad, to shift Crosshair's views (but that's the topic of another essay 😉). In the meantime, having finally had the chance to hear the other's side - even if they don't agree - Crosshair and the Bad Batch separate on at least marginally civil - if strained - terms... Though both still consider the other to be guilty of betraying the ideals of Clone Force 99.
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chaos-has-theories · 8 months
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The thing about "two sides of the same coin" is - you can only ever see one side.
Look: the coin is in the air. Flip, flip, flip. One face, then the other. One side up, twinkling in the light; one side down, obscured in shadow.
But at least the coin is still spinning.
At least they're still both there, almost meeting, two parts of a whole - flip, flip, flip.
But the coin was always going to land eventually.
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mariocki · 7 months
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Patrick Troughton - billed as Pat - helps the stricken French nobility (and flashes the audience) as Sir Andrew Ffoulkes, a staunch ally of the title character in The Adventures of the Scarlet Pimpernel (ITP, 1955 - 1956)
#fave spotting#patrick troughton#the adventures of the scarlet pimpernel#doctor who#classic doctor who#two#itp#itc#1955#I've had a nice rhythm going lately with pairing a 50 min series (usually The Saint these days‚ tho not for much longer...) with a shorter#25 min one to dip into when I've less time or whatever. with The Adventurer over (adieu and farewell Gene Bradley you insane#multi talented everything) i thought I'd change it up a little and go for a much earlier itc series for a different tone. so early in fact#that they weren't even ITC yet; the company was then known as the Incorporated Television Programme Company‚ ITP for short‚ but be not#fooled; this is in every way the Lew Grade led company that would come to dominate the commercial tv world in the decades to follow#The Adventures of Robin Hood is usually identified as the first ITC production but in fact it beat this series to the screen by only#3 days and the two shows were presumably in production simultaneously. Hood went on to be the making of ITC and Lew Grade and lasted#a whopping 143 episodes over 4 years; Pimpernel made it to only 18 despite being planned as a 39 part series (standard length for these#early itc shows). exactly what went wrong i dont know; Goring was heavily involved in production as well as starring and maybe that played#a part‚ or maybe the popular success of Hood meant this show was no longer affordable. idk im just speculating but from#what I've seen it's fairly fun. starting on ITV just a week after the network commenced transmission‚ it's safe to say this didn't capture#the public imagination like Hood did and it does seem to have been rather forgotten about. Pat is actually a series regular and these#pics come from a few different eps among the first few. he isn't in the very first (nor is the Pimpernel's other faithful companion#played by Anthony Newlands) and i do wonder if that was a pilot (it has Robert Shaw as the Pimpernel's right hand and to my#knowledge he doesn't reappear; he'd make up for it with a starring role in one of ITC's next series‚ The Buccaneers#but yes he's here and he's fantastic and gets to be dashing and heroic (tho never moreso than Goring of course). he's also the one of the#three heroes who best suits the powdered hair look (Newlands looks quite unfortunate). and of course i know what im doing with that#last shirtless pic.. you're welcome Pat girlies (gender neutral)#maybe I'll make another post after I've seen a few more eps but i wasn't going to commit to a Pat post for every episode im afraid
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aangarchy · 1 year
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britneyshakespeare · 19 days
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throughout the series of drake and josh it pretty consistently implies that josh nichols is a christian (josh peck is jewish) and in the finale of the series helen (played by yvette nicole brown, not jewish[?]) is portrayed as a practicing jew
#i dont have a problem w either of those things necessarily i just find it interesting#if i had to guess. drake and josh was a mainstream that didnt wanna touch on religion generally#but josh was kind of a dork and usually when josh's religious beliefs are implied it is in dorkish ways#such as praying and thanking the lord after he has his first kiss.#but since dan schneider is jewish perhaps he wanted to make helen have a jewish wedding in the finale?#not that there needs to be a reason. but u do notice occasional jewish-related jokes in d&j but none of them are what you could call#offensive. in good faith that is. 'eric is a pacifist' 'i thought he was jewish?' like come on#text post#i have been rewatching drake and josh recently and i have had so many thoughts#im almost done. i just have left that stupid dance episode that they premiered last for the stupid reason#of a special dance-themed premiere night in fall 2007. they premiered the third episode of icarly and a new zoey 101 on the same night#which i think is so stupid. they should've aired really big shrimp last. it messed w my understanding of the series at the time lol#i remember not really knowing that the show was ENDING. like i knew icarly was starting & miranda was doing that#i thought really big shrimp was like just another special like go hollywood.#and then like two days later they premiered the helicopter episode for some reason#and i was like why is drake not famous in this. he just had a number 1 song in a superbowl commercial#and then a month later the dance one. which. if anything is satisfying about that as a final episode it's just that#that unnamed girl from the blues brothers episode who is obsessed w drake shows up again and congratulates them#and the very final line of the series is 'who is she?' because. because really who IS she?#that's a funny enough throwback to wrap things up with i suppose#drake and josh wasn't a highly serialized show so i can see how they could air those after the intended finale and act like it didn't matte#but i have to tell you it did fuck with my brain a bit at the time. lol. i still think of those episodes as having 'happened' after#and on paramount plus those episodes are still placed after really big shrimp. the injustice#but thats kinda messy. what a weird way to end such an influential and popular sitcom#season 4 had a few lowpoints while still also having some VERY solid episodes.#idk. ill have to continue my series review another time im getting way too longwinded here#helen dubois is jewish
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the-physicality · 10 days
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so i did watch jocks in jills as per my usual monday routine
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lyxchen · 14 days
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I don't like this season
#it has some good moments#but i keep wanting something to happen#like stuff happens but also nothing happens#and everyone is just sad and miserable and hating each other#like last season it was also like that but there were still enough happy moments#now it just feels unbalanced#and i don't like that they fully split apart amerie and malakai#they were so good together#and rowan sucks#like i know he's (spoiler) birdpsycho but he also just sucks in general#and he's so damn boring#we get it#amerie hurt you (or your brother idk) when you were little and never got (in your opinion) proper punishment and now that you're at her#school you wanna make life a living hell for her#i get it now get over it#(i'm still at episode six tho so i could be wrong and also no spoilers please)#also where is sasha's redemption arc?????#i feel like she got even worse#cause she isn't just entitled and selfish now she's also a hypocrite#like season one sasha would have picked that cup up and thrown it in the trash#and she deserved that redemption arc#but instead we get to see how deep spider problems actually are ohh poor baby boy :(( shut the fuck up#why does he get all this characterization and then they won't even let sasha feel one genuine emotion????#also#WHY IS THERE SO LITTLE QUINNI??????#and why would darren scream at her and say such mean things to her#i relate to her so much and all her friends just dropped her like that#like the thing happened at the zoo and then darren and amerie had like one line of 'oh where is quinni i miss her'#and they both didn't even bother to ho talk to her or make up#heartbreak high
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witchwhaat · 1 year
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so i have finished aib 2.......
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theadhddragon · 1 year
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I've been hearing a lot about how season 3 is Bo-Katan fan fiction
Like the Mandalorian hasn't basically been a fan boys wet dream of a fan fiction since season 1? Like Din killing Bane? Total fanfiction move. And bringing in Luke wasn't a fanfiction move?? Ahsoka appearing? Bringing Boba Fett back to life?? HELLO?!
Admittedly I see this bitching about Bo-Katan mainly from new fans and women haters, the latter I'm not gonna bother with, but the former? They don't understand just how much this show isn't for them, this show has had call backs to the clone wars series since season 1, and season 3 was full of Rebels characters, the Mandalorian has ALWAYS been serious fan service, you just don't know that unless you've watched the animated series. Din was never going to rule Mandalore, Bo-Katan has spent near her whole life fighting for it, of course she was going to be the one to unite Mandalore and rule it.
I hope for the new fans that season 4 is for you and it goes it's own way, because seasons 1-3 were total fan service, not just 3
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kurokoros · 2 years
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Eddie being killed at the end of S4 is already infuriating, but it’s even worse when you remember there was another gate nearby that should have opened when Fred was Vecna’d. Assuming the gates have to attach themselves to something physically (they’re never shown floating in the air--Patrick’s gate was at the bottom of the lake, not above it where he actually died) there should have been a gate on the ground, on the road where Fred died. That gate easily could have been used as a backup escape route for Eddie or Dustin to use if/when being overwhelmed by the bats. Also the fact that no one thought to make covers for the gates to prevent the bats from getting through was... a choice
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