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#in this way… children are terrifying…
thy-valhallen · 1 day
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i like the idea that it's understood in the Batfam that Bruce has a favorite but no one's really sure who it is-- all of them have their own guesses, and it's never themselves (except Steph, who's here to laugh at their theories)
Dick is convinced it's Jason because of how he saw Jason's death destroy Bruce-- like, he knows Bruce would cry for all of them, mourn and all, but... well, he's pretty convinced Jason had a spot in their dad's heart a bit bigger than they did
Jason, if asked, will swear to hell and back it's Dick-- the Golden Boy, the perfect son, the one he had to compare himself to growing up. Secretly though? he thinks it's Tim. Tim, the best detective of all of them, the steadfast kid who stepped in to fix everything without the slightest bit of thanks or appreciation, the nerd who dedicated himself to their crusade with nothing to gain from it. who wouldn't favor that kid??
Tim has known since the first picture he ever took of Batman and Robin who the favorite was, and has never wavered. Dick Grayson, his first son, the one who's pain was reflected so sharply back at him in a twisted mirror that he had to take the kid in-- Dick was the one to bring the Dark Knight to life in the daytime. Dick is his everything-- the boy he loved enough to slow in his life's work to help. Tim was certainly never worth the time, but Dick? Dick is impossible not to love, and to love Dick Grayson is to love with your whole chest
Cass bases her guess off of Bruce's body language, not Batman's, and for that, she thinks it's Duke. Duke is softer than the rest of them, less sharp edges from a childhood shaped by misery or death, and Bruce is less of a drill sergeant with him for it. after all, Duke doesn't struggle with directions like the rest of the Batfam (he so does, he's just the best at hiding it), so he gets less of the terrified, furious leader and more of the tired, worried dad
Damian has no doubt in his mind it's Cass-- at first, because she's the best fighter, and therefore most deserving. she's far more skilled after all, so in this insane family where adopted children upend the hierarchy he knows, it must be dictated by skill, no? no, actually. but then, he sees how Bruce doesn't yell at her, the implicit trust he has in his daughter. the way that they're so very in-tune with one another, it's like looking at a man and his shadow. Cass has to be the favorite, because no one else can look him in the eyes with the same sort of heartbreak he has and comfort him without a word
Duke was an only child before joining the Waynes, so it was a shock to suddenly see sibling favoritism so blatantly when Bruce so carefully and kindly talked Damian down from a rant about his classmates in the middle of patrol. no one else would've been allowed to talk about something so personal and revealing on a Gotham rooftop. it was just continually proven from there; shoulder pats and hair ruffles answered with little scowls, utterances of "son" that were lost to shuffling capes and tiny smiles tucked away in darkness
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zzthekaiju · 3 days
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
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This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
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That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
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Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
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This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
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...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
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Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
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With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
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pumpkinsouppe · 23 hours
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Here's my interpretations of all the OOT sages!! I have closeups of each sage and my thoughts behind their headcanon design changes below ^_^ (im alsooooo thinking of selling these as stickers if i ever figure out my silhouette)
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Zelda
I headcanon Zelda is half Hylian half Sheikah with Impa being their aunt (mother’s sister, mother being full Sheikah and died when Zelda was young)
I also hc Zelda/Sheik as either transmasc or gender fluid depending on the interpretation of OOT I’m using, in this art Zelda is gender fluid and since I’m talking about sheik and Zelda a lot here I’ll just use they/them
Combined Zelda’s design with Sheik’s to make it more believable that they’re the same person this includes:
A skin color closer to Sheik’s concept art
Heterochromia, which is why sheik was hiding one of their eyes (and Zelda was forced to wear contacts or use magic to hide being half Sheikah post civil war)
Hylian pointed ears, another characteristic sheik had to hide (more info under Impa’s notes)
Lighter blond hair to be closer to Sheikah white hair
Sheik’s eye shape and eyebrows
Textured long hair, sheik would have a braid like in smash bros
Not pictured but if sheik is broad shouldered and muscular, then so is Zelda!!!!
Big forehead Zelda truther
Impa
Shares some traits with Zelda since I hc them as being related such as similar nose shape, eye shape, and skin tone
Textured hair styled into locs, tied into a short ponytail
Sheikah pointed ears, since Sheik hides their ears I thought it would be fun to have another different characteristic between the human races such as differing ear shapes. If Sheik showed their ears it would be a giveaway that they are not fully Sheikah
The rest is basically the same
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Rauru
Rauru is perfect as he is all I did was give him spots on his skin to give him more accurate skin of an older person
Saria
So one thing I hc about Saria is that she was Link’s caretaker/mother figure in OOT so my main goal was to make her look childlike but have a more mature face
So I gave her rounder cheeks and made her smaller compared to everyone else and gave her larger eyes and a button nose but I also gave her some lines around her eyes to suggest age, I also gave her thinner eyebrows similar to a kid
I changed her eyes to brown bc I’m tired of all these blue eyed characters, there’s a severe drought of brown eyed characters in tloz
I gave her freckles
Her ears are also pointed upwards. I think the great deku tree did his best to make the kokiri look Hylian especially for link’s sake but he couldn’t get the ears right and they turned a little more animal-like since they live in the middle of the forest and are used to animals than humans. So kokiri look identical to Hylian children except the one difference is their ears being a different shape
Everything else is basically the same
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Ruto
RUTOOOOOO ‼️‼️‼️‼️💕💕💕💕💕💕💕‼️‼️‼️‼️‼️💕💕💕💕
Her size is much larger bc why are all the royal male zora 20 stories high but not the female zora, she would be almost as tall as Darunia at this age
I changed her eyes to be like all the other zora, it’s weird all the other zora have full color eyes yet she has human eyes 😭😭 you can tell the Zelda team was terrified about being called monster fuckers by committing fully to making Ruto have all the same traits as other zora
I also gave her freckles and added more spots on her to give her more texture and bc I love the way the Majora’s mask zora look
I haven’t drawn her body so I don’t have itemized changes but I’d make a couple more changes, other than that she’s perfect. Only smaller changes were made to just make her more zora-like than the design the devs used bc they were scared of idek what. Women can be beasts and monsters!!!! Cowards
Nabooru
Nabooru had the most changes besides Zelda but technically Zelda was a mash of two designs rather than fixing all of the issues with Nabooru’s design
My goal was to make her look like an actual person rather than a caricature such as changing her over exaggerated nose to be a hooked nose, removing the white on her lips, etc. If there is anything I need to change about my new design for her please let me know, I want to keep her recognizable without using the harmful designs the devs gave her
I gave her a darker skin color and gave her moles
I toned her red hair so that it looks more natural
I haven't fully decided on her clothes but considering she's in the desert i gave her long sleeves esp bc the area you find her in has crazy sandstorms
I'm still deciding if i keep her yellow eyes or not, i like their contrast and how it matches her eyeshadow but also I want more brown eyed characters
Darunia
The one big change about Darunia is making him more animal like by giving him more of a snout and a dog-like nose. I don't like how Gorons are designed in games like twilight princess and the white lips they have in majora's mask so my main goal was for him to just seem more animalistic and non-human
i also added lighter color around his nose area to suggest age similar to a dog
nothing else changes other than that
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owlrageousjones · 1 day
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If Lena is to be believed - and I think she might be telling the truth - then I think it explains why the OIAR's filing system is so... nonsensical.
In TMA, when Robert Smirke developed his categorisation system, he defined the Fears as fourteen separate entities - this wasn't wrong, but it also, explicitly, wasn't right either. At what point does the fear of being alone in an empty space embody the Lonely more than it does the Vast? When does the fear that you don't know what's going on cross from fear of the unknown to fear that you can't trust your senses?
What differentiates Purple from Pink, and at what point does it change?
But in that same sense, because the Fears operate on a sense of dream logic and 'if it feels right, it probably is', I think Smirke's Fourteen separated the Fears somewhat - it divided them into more discrete categories and manifestations. Not enough to truly separate them, but enough that they felt distinct - and thus, became distinct.
Furthermore, it meant that everything got consolidated. Fear of the uncaring bombardment in a war came together with other Fears of general violence and bloodshed. The Fear of parasites, the Fear of filth, of germs and disease, of rotting and infestation all congealed into a singular force. In some ways this may have made them more powerful than they might've been.
So how do you combat these things? How do you make sure they don't grow too powerful, but at the same time, keep them in balance? You separate them as much as you can, as finely as you can. You don't want the terrifying serial killing children's mascot to feel like it's on the same side as other terrifying serial killers or terrifying children's mascots. Every division you can create is another fracture you can use to keep them from realising they're all working for the same general goal.
Then you keep track of everything, keeping things in opposition to themselves. If one thing starts to get too far, you balance it out with whatever seems opposed to it - I don't know what Bonzo is 'opposite' to, but the OIAR's higher ups clearly thought they needed more horrifying violence committed by Mr Blobby WIth Teeth to act as a counterweight.
We've seen what happens when an ambitious mind connects the dots and realises there isn't really a defining line between the Fears - and if someone's listened to the tapes, they might've figured out the same.
You can't eliminate them - but you can suppress them. And sometimes that's the best you can do.
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chaichai-draws · 1 year
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Inspired by this post by @turning-the-kaleidoscope
Reigen is doing his best,,,
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itspileofgoodthings · 2 years
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Good morning what are the movies or tv shows that traumatized you as a kid mine are the BBC production of A Christmas Carol and a handful of David Suchet Poirot episodes
#my dad always thought if something was well done it was appropriate for children#so we never watched the silly little kid version of things. The muppet Christmas Carol? My dad would N E V E R#anyway a Christmas Carol ruined Christmas for me for YEARS#i hated to think about it#and poirot was just. traumatizing#there’s one called murder on the links which involved a golf course at night which is one of the most terrifying locations I can imagine#also there’s one called death in the clouds#and poirot uncovers the murder because there are two spoons on the dead lady’s tray of airplane food#and the way he says ‘he picks up a spoon giving him the task of a waiter to carry out’#when explaining the murder at the end to this DAY sends chills up my spine#I know this is very obvious but the thing about fear is that it isn’t about logic or reason but it is about revelation#it’s like the flip side of moments of good and happy insight#at least for me#what terrifies me is a moment where some kind of evil is revealed in a blinding FLASH#a motive or (I guess) a ghost#and there is this presence of some malevolent entity underneath the reality of things#and something about it being SEEN almost more than it existing#is so scary. Like I.#Poirot uncovering the murder and describing it with such studied fascinated careful attention#pulling back the layers of a blind of one kind or another#shakes me to. my. CORE.#and it’s all so visual and instinctive. it’s one tiny little moment that doesn’t fit suddenly pulling back the curtain of reality#with such terrifying abruptness#makes me want to sit down and cry like a baby#the knowledge of evil doesn’t scare me. as in it doesn’t elicit an emotional/physical reaction of fear#but seeing it in embodied action. again. where it’s some tiny ordinary little detail suddenly ripping reality as you know it to shreds#the surprise of it. the recalibration it demands#I !!!!!!!!! Get so afraid
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wisebeth · 27 days
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why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?
ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.
#all the gods and goddesses in the greek mythology are flawed in their own way#it doesn't make sense why the books were so unnecessarily biased towards certain gods?#it bothers me specifically that hera and athena are SO unnecessarily painted as villains#while posiedon is ‘cool’ dad ‘great’ lover ‘decent’ god ‘reasonable’ than other olympians#i get it he's the main character's father of a children's fantasy novel so rick painted him in a good light#but my man? then why are you painting other gods who are arguably just as bad as him as WORSE#shut up i feel strongly about it#i love the percy jackson series#but i hate how the gods are portrayed#is trials of apollo a good series? yes#does it make sense why he's shown as a human-like god with redemption arc#while hera is reduced to ‘evil stepmom’ and ‘bitch to annabeth’ even if apollo is JUST as bad as her?#no#and aphrodite is not some ‘silly fangirl’ whose personality revolves around shipping percabeth#she is powerful terrifying and cunning who can bestow some of worst revenge on those who offend her#demeter is not a silly crop goddess#her love for her daughter was so strong it almost ended the world and destroyed mankind#shes in charge of harvest and agriculture without her humanity will starve to death#shes just as powerful as the big-3 or at least she should be#posiedon is not this cool perfect rational god#medusa would disagree demeter would disagree pasiphae would disagree odysseus would disagree#apollo cursed women posiedon raped yet ares killed a rapist BUT nooo let's make ares the bad one#percy jackson#rr crit#greek mythology#heroes of olympus#trials of apollo
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benoitblanc · 4 months
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making an emily-arc gifset and screaming internally. why the fuck did they do that to scully
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hetagrammy · 1 year
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This might be controversial, but I've never had this idea of Britannia as being a particularly warm maternal figure. Like, I think she definitely loved her kids, but she was more concerned with their survival than with letting them be children if that makes sense. Her way of showing love was trying her damndest to protect them, and to make sure they could survive on their own after she was gone. It was less explicit "I love you"'s and more compliments on their progress or stern scoldings when they'd gotten themselves into danger. The British Isles Siblings are hard pressed to remember the last time their mother hugged them or sang to them, but they remember her pressing a blade into their hands, kissing their foreheads, and telling them to be brave. They know their worth because of her, but what tenderness they gained they learned elsewhere.
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eliza-makepeace · 5 months
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This...
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iredreamer · 2 years
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She always surprises me.
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spoops-screams · 2 years
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Imagine living in Briar valley and being very consciously aware of Lilia's existence. Like, yes, he is a general and yes he is scary as fuck to everyone in Briar valley but also every time someone hears his name, they all kinda look at each other like "fuck has he done now?" because his new status as a father and the existence of his very sleepy son will never not throw everyone else off
Like you hear his name and, with that added to everything else he has done, you just expect to hear the wildest most batshit story ever and, as detrimental as it would be to your mental health to hear about anything he has done again, you just have to know because it's the valley's local bringer of 'what the fuck'
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layzeal · 1 year
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mycotoxin · 6 months
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If you want women’s restrooms to exist for the reason of safety, I believe that makes advocating for not just gender neutral restrooms, but having the option of a single-stall one (like most neutral restrooms are). If the concern is security, safety, and privacy, a sign with a skirt will not give you that. Restrooms are such a terrible anxiety-inducing place because of the people in there, so why not the single-stalled option?
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spellwing777 · 1 year
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Baby bats can sound similar to human babies, apparently.
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