#it is just as dangerous and harmful to those who live it

[amizuki]

watched the pilot storyboards, albeit only 3/4 of it, and I like how the pilot made Luz seem more like an outcast eccentric weirdo, which is what she's supposed to be, rather than an ignorant asshole who is borderline terrorist

instead of her waltzing into school with dozens of spiders, snakes and fireworks, that she all planned to use INSIDE the building with a smile on her face and not a care in the world, here she instead only brings one snake to school and that's it. a snake that stays with her and her only, doesn't bite anyone, and whom she also later sets free OUTSIDE school. sure, she mentions that Azura is going to "explode out of the snake's stomach", but I heavily doubt it meant that, if the teacher hadn't stopped her, she was gonna pull out a big pack of fireworks, like the ones she had in the show, stuff them inside the snake's mouth and blow it up, especially considering she called the snake "friend" and seemed to treat it like an actual living being, instead of a book report prop, since she had a bag of food for it in her locker.

honestly they should've kept this scene in the 1st episode, at least partially.

like, the start of the episode would play out the same as in the pilot, except Amity isn't here and doesn't stand up for her, so Luz just quietly sits down at her desk in embarrassment and maybe pets the snake while looking upset or something. it then continues the same, up until she opens her locker.

(by the way, I feel like this scene would work better to show the audience that Luz is a nerd, by looking at all those things in the locker, that are usually considered as either nerdy, childish or both, rather than having Luz herself just tell us that she likes to do nerdy things)

in the pilot, that's where Amity walks by and Luz tries to talk with her, but since she wouldn't be able to be here in the actual show, instead Luz would hear an announcement from the principal that he needs her to go to his office. cut to her sitting in the office with her mom already there, and then it generally plays out the same way it did in the 1st ep – the principal says that Luz's been disrupting classes often and have been making her classmates weirded out and disturbed by her antics, which also simultaneously lead to her having no friends. no spiders in class and fireworks inside building – only her acting overly eccentric and weird, to the point where she might accidentally ignore some of the social norms, like with that book report in the pilot and the school play in the show. then the principal mentions today's geometry class that Luz interrupted and says that this was the final straw – not only because something like that happened however many times before, but also because this time she brought a live snake to class, and while it didn't bite anyone (unlike in the show, where her snakes bit MULTIPLE people, and Luz was just like "oops, guess that's where the backup snakes went haha lmao"), it was still a very dangerous thing to do. Camila would react to it in surprise and ask "Mija, where in the world did you even get a snake?" or something like that, with Luz just kinda awkwardly shrugging in response, while looking down at the floor. after that, the principal offers for her to go to a summer camp, to "get her head out of the clouds", and everything else plays out the same way it did in the actual 1st episode.

if it was like that, then, once again, it would actually make Luz look like just an eccentric nerd, who doesn't actively try to harm or disturb anyone, and just does things that she thinks are cool or fun. sure, she might come off as a bit ignorant, with her occasionally ignoring classes and social cues, but it would be just because she's too passionate about the things she likes and gets so much into them, that she might forget the real world in the process.

but uh... the 1st episode Luz isn't exactly that

letting dozens of small spiders inside class, while not giving a shit about people who are scared of those is not cool or fun.

letting however many snakes roam free and bite everyone, while, again, not giving a shit about them being bit is not cool or fun.

and, fucking hell, setting off fireworks inside the school without a second thought is NOT cool or fun

so yeah, that's all I've got

also I wish the "Why would anyone throw it away?" moment with Eda was somehow kept in the show, because it's honestly beautiful and I love it. I don't know how they'd be able to pull it off in the actual show, since Amity was never able to go to Human Realm there and thus Luz wouldn't be able to make that drawing of them, but oh well, it's good that we're able to see this scene at least in the storyboard form.

#♤mizu.txt #toh pilot #the owl house #toh critical #not really that critical but I still wanna add that tag #txt

[deathsbestgirl]

Just saw a post about 3 and it has been a looooong time since I watched it but I would love to know what the deal was with that. Thoughts?

oh i LOVE 3. it's a hard episode for me to watch for a lot of reasons. mulder's depression is more palpable than ever, his guilt complex & self punishing ways.

i actually made a thread on twitter of what i think are the important scenes, because i just think...people very wrongly hate this episode. the whole point is how mulder is not okay without scully, that she was endangered because of their work and he can't accept that. like this explains perfectly what he does in one breath: he screams like a madman at scully's doctor & the hospital staff, he plots revenge, he tries to quit, and ultimately, he listens to melissa & sits by her bedside urging her to wake up.

mulder barely speaks in this episode. he talks to local law enforcement, he talks to the suspect, and he talks to kristen. but there's so much of him just alone.

as kae said to me: there's no one to explain anything to

"i only need one thing" and "i don't sleep anymore"

and the reason kristen matters, beyond the fact that she's in danger & she's a victim of abuse, is she understand a him & he understands her. they are kindred spirits in a certain way.

kristen can't look in mirrors, and he can't sleep. they both feel this guilt & intense self hatred. they share loss & pain. and they may be different but those differences don't matter when they're feeling as low & lost as they are.

mulder was meant to save kristen, but she saves him. it's heartbreaking because this woman deserved a chance too. she deserved to live and have better. but she chose to stop her abusive, vampire ex the only way she knew how and save mulder. she thought he was worth saving.

in the end, he's facing his failure. holding scully's cross that he's wearing around his neck. something he has never understood about her, the only piece of her he has.

one of my favorite things about this episode is that his grief over scully is very different than his grief over samantha, as in it is not brotherly. it's painfully romantic to me. people get caught up in the fact that he sleeps with kristen while wearing scully's cross, but the whole point is he's repenting. to me, this look likes self harm. it's something he understands as punishing, but is also clinging to the only human connection he's found. the only true understanding he's felt in scully's absence. kristen is the one person who has truly seen his pain, understood scully's importance. it isn't "just" a lost love, this is something brand new to him. he's lost his friend, the only person who has stood by him & faced his grief with him, the only person who trusts him with her whole soul, the only one who hasn't hurt him (purposely, purposefully). again, something kristen understands despite seeming not to have experienced this herself. mulder shares this vulnerability with her without really sharing anything. he doesn't know how to. so yes, they do something so very human and sleep together. and immediately afterward, everything goes up in flames.

#3 #fox mulder #mulder and scully #the x files #txf meta #asks #calimanc

[ferigrieving]

semper ad meliora.

⊹ ࣪ in which its the little things.

ft. oikawa tōru - royalty au, 1.6k words

⤷ masterlist ; requests open ; 01 tsukishima kei ; 03 coming soon..

once upon a time, in a kingdom unknown, there once lived a prince named oikawa tooru. he was the epitome of beauty, his ethereal charm captivating hearts wherever he went. with soft, brown locks, and a face you were sure was sculpted by the gods, he exuded a radiance that left onlookers breathless.

suitors lined up at the palace gates, each vying for a chance to capture the heart of the prince that embodied perfection in every way. yet, despite the countless proposals that came his way, oikawa remained elusive, declining each and every man and woman that came his way with a smile. 

in the grand halls of the palace, where tapestries whispered tales of old, and chandeliers cast shimmering light upon polished marble floors, the prince’s days were filled with royal duties and endless meetings. yet, amid the grandeur and formality, he often found himself longing for companionship beyond that of his fellow nobles and staff members at his every beck and call. his heart yearned for a love that transcended mere admiration and superficial affection.

but as days turned to weeks, and weeks turned to months, the fervour of suitors’ affections grew increasingly desperate, their proposals becoming more extravagant and their intentions more sinister.

for oikawa, dealing with them became a daily occurance, something to add to his ever growing list of chores, his refusals met with occasional scorn and indignation from those whose pride has been wounded. and as the rejected suitors nursed their bruised egos, whispers of retaliation began to circulate through the palace corridors.

as the numbers grew, so too did the frequency of the attempts on the prince’s life. assassins lurked in every corner, their daggers poised to strike at the heart of the kingdom. trust was a precious commodity, he found.

it was in the midst of this that you, a rookie knight with two left feet, found yourself thrust into a role you never imagined– the personal guard of the prince. 

yet, fate had other plans for you, and you soon found yourself tasked with the monumental responsibility of protecting the prince from the dangers that lurked in the shadows.

as you stumbled your way through the intricacies of the new role, your clumsiness often earned you more than a few disapproving glances from fellow knights. despite your experience, you were determined to prove yourself worthy of the trust placed in you, even if it meant nursing a few bruises and cuts along the way.

and so, you found yourself stood outside the prince’s chambers, head on a swivel and hand grasped tightly around your sword. you become not just his protector, but a guardian whos loyalty would be tested time and time again. for in the heart of the palace, where shadows danced and danger lurked in every corner, it would take more than just a sword to keep the prince safe from harm.

a voice pierced the silence, breaking through the stillness of a night like a whisper in the wind. “y/n,” it called, soft and gentle, hand reaching out to touch your shoulder gently.

startled from his reverie, you turned towards the door, brow furrowing in confusion. “your highness..?” 

with the creak of its hinges, the door swung open to reveal the prince chamber beathed in the warm glow of candlelight. peering inside  the prince’s chambers for the first time, it was a sanctuary of tranquillity amidst the chaos of courtly life. stepping inside, you were greeted by a sight that spoke of elegance and refinement– tapestries adorned the walls, and a multitude of flower bouquets and candles. a large canopy bed, draped in rich fabrics of teal and white, stood as the centrepiece of the room, the prince himself sat in the middle, beckoning you to come sit.

at the heart of the chamber, a grand fireplace crackled with warmth, casting flickering shadows that danced upon the polished marble floors. overlooking the room, a series of ornate windows bathed in the space of the soft glow of moonlight.

“sit.” the prince called, his voice a melodic echo in stillness of the room. 

with a silent nod, you stepped forward, his boots echoing softly against the floor as you crossed the threshold into the prince chambers. you stood awkwardly before sitting on the very edge of the bed, looking as if you were about to bolt any second.

as you attempted to settle beside the prince, a flush of embarrassment crept up his neck as oikawa couldn't help but giggle at your awkward demeanour. sighing softly, he reached out, hand brushing against yours in an attempt to sooth your nerves.  

“there is something that weighs heavily on my mind, im afraid.” you turn to meet his steady gaze, eyes holding a mixture of vulnerability and resolve, a quiet plea for help.

“i feel… lonely.” 

you raised your eyebrows, wholly confused. lonely, in a palace filled with people who hung onto his every word. lonely, in a kingdom where his every whim was dealt to with unwavering devotion.

he felt.. lonely.

thinking for a moment, you felt it all click into place, the gears in your head working overtime. why he was so distant compared to his parents, or even his older sister. why you often spotted him sitting alone during parties, watching the crowd from a balcony. why he always wanted you by his side, an arms length away.ntle tide. lonely. the word echoed in your mind, resonating with a clarity that cut through the 

you looked into his eyes, deep into the facade of royalty, beyond the glitz and glamour of royalty. you saw the boy beneath the crown. and for a moment, you saw oikawa tooru himself, not the prince, not the man you were stationed to protect, not the heir to the throne. 

and in that moment, you reached out to grasp his hand in yours, offering him the comfort he so desperately sought. it was a small gesture, but the gasp he let out at your touch and the flush that spread over his cheek made it all worthwhile, after all.

as his gaze met yours, a flicker of gratitude danced in his eyes, and you felt yourself smile, even if just faintly. for a fleeting moment, he felt understood in a way he never dared to even hope for.

“--thank you.” he whispered, and you felt your heart leap out of your chest as he pressed your knuckles to his lips, pressing a soft kiss against the calloused skin.

as his lips lingered against your skin, you felt a rush of warmth spread through him, and you wouldn't be surprised if you were blushing brightly in that moment. your heart swelled at the prince’s words and actions, a sense of pride previously unknown. 

“...it is my honour and– and privilege to stand by your side, your highness.” you whisper, loosing yourself for a moment and pressing a kiss to the crown of the prince’s head.

time  flew past in a blur after that, talking about everything and nothing. though, it was mostly oikawa talking, you watching and nodding along like a lovesick puppy. as the hours waned, however, you couldnt help but notice the weariness etched into oikawa’s feature. with a small smile, you placed your hand on his shoulder, voice soft as ever. 

“your highness,” you began, “its getting late. i would advise for you to call it a night now, you have a big day tomorrow.”

“when do i not, hm?” 

you simply chuckle at his words, pulling back the covers with practised ease as you prepared to tuck him in, as you did every night like clockwork. with gentle hands, you guided the prince to lay softly, ensuring his was comfortable and warm as he lay beneath the sheets,

as you stood by the bedside, ready to bid oikawa a good night, you were taken aback when the prince’s soft voice broke the silence once more.

“would you– would you mind staying with me… tonight?”

your heart skipped a beat at the unexpected requent, but without hesitation, you nodded, bowing deeply in thanks.

“of course, your highness. i would be honoured.”

you began to undress into just your undershirt and trousers, placing your uniform at the foot of his bed, perfectly folded and out of sight. you could feel the prince’s eyes on you the whole time, roaming over your body like a predator its prey.

one by one, you held up the snuffer to the multitude of candles around oikawa’s room, careful not to let any wax drip onto his belongings. after putting out the fire in the fireplace, you slipped beneath the covers beside the boy, mindful not to disturb the prince’s peace.

nothing except the light of the moon accompanied you. 

with a soft sigh, the prince shuffled closer, movements tentative yet filled with quiet longing. you felt your breath catch in your throat as oikawa curled up against your side, seeking comfort in the warmth of your presence. the sensation of his form pressed up against yours sent a shiver down your spine, a rush of something you couldnt put your finger on flooding his chest at the intimacy of the moment. as you two lay intertwined beneath the covers, it felt like the rest of the world melted away, leaving only you, and the prince.

in the soft glow of the moonlight, you felt a sense of peace wash over you, a quiet contentment settling in your heart as you held oikawa close. and as you drifted off into the realm unknown, the steady rhythm of your breaths, you knew that in this boy’s embrace, you had found a sanctuary, as he had in you.

“goodnight, my prince”

“goodnight, my love.”

#⊹ ࣪ ˖ greywrites #⊹ ࣪ ˖ semper ad meliora #oikawa tooru #haikyuu #haikyuu x reader #hq x reader #oikawa x reader #haikyuu oikawa #hq oikawa #oikawa fluff #hq

[shannaraisles]

Apparently this needs to be said again.

The experience of oppression/racism in the United States of America is not the only experience of oppression/racism in the world. There are nuances in other countries that you cannot grasp, just as I cannot fully grasp the experiences you are having.

No one owes you the full recounting of their own experience to justify an artistic choice. If you don't like something, that does not give you the right to make a public comment drawing attention to it in such a way as will draw the ire of those "fans" who like to go looking for people to pile in on.

People are flawed, and surprisingly enough, that means that their fictional creations are also flawed. If the character you are reading isn't absolutely perfect in every way, that's a good thing.

But the main thing, my lovelies, is that your experience is not the universal experience, and your reaction to a piece of art is not the universal reaction to it. Please stop trying to tell artists of all mediums to conform to your narrow world view.

We would all be so much poorer without the diversity of global culture and experience available to us, shown through the lens of that same diversity.

#seriously though #quit it with the #my way is the only way #crap #and please stop assuming that just because i am white #i have not experienced any form of oppression #my name is niamh #i was born in the mid 80's in Britain #four months after the ira bombed the grand hotel #during the height of a little thing known as The Troubles #tell me again how I have no experience with being harrassed and harmed purely because of a racial signifying thing about me #and no #i do not mean race as in colour of skin #the whole thing is so much more nuanced than that outside your borders #and while no #it is not as systematic #it is just as dangerous and harmful to those who live it

[neverendingford]

.

#still mad about the whole “god made us trans so we could partake in creation” quote. like. bro #sure that's all well and fine now that we have things like bottom surgery and top surgery and hrt #but what about the decades and millenia where we didn't have the technology to “partake in creation” or whatever. #I'm sure everyone living with severe body dysphoria had a great time not being able to truly partake in the glorious act of creation #the idea that a god would create us to suffer just so that we can get better about it is ludicrous #I'm going to create a state of existence that has a stupid high suicide rate #just so that the ones who survive and successfully transition/adapt feel massive relief and joy #and somehow that would balance out the people who are murdered or kill themselves or live miserably closeted/repressed their whole lives #like. yeah I'm going to break your arm on purpose just so you feel super happy when it's finally healed #rip to all those other people whose arms I broke but they didn't have access to medical care #or they were in the middle of something dangerous when I broke their arm #sucks to be them I guess. they don't get to partake in the glorious act of healing the harm that I caused deliberately #if a god exists it really is like us. playing with toys and stuffed animals and causing pain because it's not real. #I made my stuffed panther a tactical vest and all sorts of guns and laser swords. he was my favorite. he won every fight he ever got into #but one day I forgot him outside and our dog tore him open and his vest and weapons didn't save him. was it is #was it his fault I forgot about him? #God knows about every sparrow that falls. but the sparrow still falls. #if there is a god. it does not love us. how could it? we are not real.

[illputdownmyrootswhenimdead]

no body part is evil btw

#blocking terfs and so many of them are convinced that penises are evil and bad #if you feel that way you need therapy and i mean that. it isn’t normal to think a body part that half the people on the planet have is evil #if that belief is from trauma you need to handle it. #trust me! i have also had fears like that due to trauma! but those are things that therapy can help with #you shouldn’t normalize it and act like that’s a fine basis for your belief system because it’s so fucking unhealthy and unhelpful #having a penis doesn’t make you evil having a vagina doesn’t make you good you people are so weird #dove talks #generally the level of fear a lot of terfs (and radfems in general) just live with that they think is just normal is really sad #yes misogyny is something to be scared of. yes you can be scared of bad things happening to you because you're a woman. #but turning those fears into a deep-seated paranoia to the point you cant interact with men at all? #to the point you think everyone with a penis wants to harm you? to the point that you think all men are evil? #thats not healthy or something to normalize or encourage #ive seen some of the people really far down the radfem rabbit hole who believe in the idea of female separatism #actually say you should be scared of male children. *children* #not even teenagers. we're talking younger than 5 years old. #ive seen several people who believe in that say that even as toddlers. boys are dangerous to girls and they should be separated. #how can you think thats a normal thing to believe??? #if youre so afraid of men (or those you see as men) that youre scared of male toddlers you need help full stop #also that can lead into very unsavory territory like not having sympathy for young boys who get sexually abused #ive SEEN people say that its not bad if a male child gets sexually abused because all males are violent and want sex always #i dont say this lightly but thats fucking insane logic. youre unwell if you think that. sorry #sorry for posting so many text posts with long rambling tags i have so many thoughts and opinions

[ayyyyysexual]

Tumblr on the Seven Seas

🏴‍☠️ white-beard Follow

Can we stop all normalising the use of "sc*rvy" as a fun little thing to call people?? I literally had sc*rvy last year and it was even worse than when I got my hand cut off. Fuck anyone who uses the S word without even considering how triggering it can be to those of us who have ACTUALLY suffered though it

🌅 castedaway Follow

No wenches?

🏴‍☠️ white-beard Follow

Honestly you people are so insufferable I genuinely hope you walk the plank

🌅 castedaway Follow

AHOY???

🍑 plundermebooty Follow

Okay but OP is literally a landlubber, mateys

🌴 pegmeg

nahhh why is it literally always landlubbers faking scurvy and sending plank threats ☠☠

768 notes

🗡wagscallion Follow

everyone says "land ho!" but never "land ma'am"

💨 matelotsaboteur

Really makes you think

2,041 notes

💃 crossdressing101 Follow

this whole crew was so gullible ngl, i just cut my hair and dressed in my fathers clothes and they all fell for it, hook line and sinker??

💃 crossdressing101 Follow

honestly im surprised no one has found me out yet. surely i dont seem that much like a man? i mean it makes this way easier but like. im still a woman. obviously

🕺 crossdressing101 Follow

mateys i have come to a shocking realisation,

34 notes

⛵ privatesteer Follow

wildest argument for piracy i've ever heard was that the gold stored on government ships is dangerous cause it weighs them down, so they're just 'lightening the load'

🧜‍♀️ kiss-pretty-ocean324 Follow

աaռռa ʟɨֆȶɛռ ȶօ ֆɨʀɛռ ֆօռɢ?

⛵ privatesteer Follow

no thanks

🕶 monstermaterdeactivated16520210

outta my way gayboy im boutta get it

🕶 monstermaterdeactivated16520210

i have drowned at sea

36,251 notes

⚓ shiveringtimbers Follow

14,811 notes

🌏 boat-enthusiast Follow

i am SO sick of the term "ship-shape" like, matey, which shape?? Ships come in so many fucking shapes like have non of you ever boarded more than one vessel in your career???? Anyway fake ship fans DNI with this post i can NOT be bothered with your tomfuckery today

💦 longjohngolder Follow

girl its not that deep ☠

🌏 boat-enthusiast Follow

to YOU. i just get it

1,147 notes

🙍‍♂️ dudeindistress Follow

honestly being held for ransom isnt that bad. kinda nice to be held

4,733 notes

🦜 pollypockets Follow

SQUAWK

🐦 aviated Follow

CAW SQUAWK SQUAWK

🦜 pollypockets Follow

CA-CAW

790 notes

🍑 plundermebooty Follow

the cabin boy just winked at me?? after offering to help clean my gun? privately. in my quarters. tonight.

🍑 plundermebooty Follow

i think i hauve scurvy

142 notes

🌊 swabmydick Follow

mateys I SWEARR my captain and his first mate are gonna kiss before our next voyage. they literally have so much romantic tension every time i see them its nauseating

🕶 longjohngolderdeactivated16511205

wtf its so problematic and harmful to ship real people?? unfollowing rn i thought you were better than this

🌊 swabmydick Follow

i literally rob and kill people for a living?????? that's where you draw the line???

🌴 pegmeg

op killed them

🌊 swabmydick Follow

even better news mateys, they kissed ☠☠☠

96,538 notes

#tumblr dashboard meme #fake tumblr dash #fake tumblr dashboard #pirates #matelotage #pirateblr

[oceanxveiined]

Her obsession with the Abyss, as well as each and every undertaking she's tasked herself with always had pretty much one common denominator and purpose–to assure her own well-being and safety. To ensure she would never be powerless in the face of a threat on her life ever again, however she can. It has been that way since she'd received her Vision, since she'd had to fight to protect her family, and each and every lethal encounter after that. At her very core, she wants to survive.

Admittedly though, even that will be secondary to not only whatever knowledge she seeks to gain from an encounter, but the assurance that her brother, or more recently her group will survive, regardless of whether it will doom her or not. Hence, it is why she will take such horribly reckless and seemingly thoughtless extremes of risk to herself in her information gathering. It's never been just her maddened drive to succeed and achieve that fuels it, but in fact because at least one of her most precious allies either stand behind her in the endeavor or happen to be one who will benefit most if she pushes to return to them with something to show for her efforts.

That, she will consider worth more than her own well-being, any day.

#v; intertwined fates (genshin verse) #//Why is she still described as 'self-serving' knowing this? Well; bc SHE sees it as such #//Bc as far as she knows; those people might as well be an extension of herself and her goals #//So anything of their becomes hers–thus in fulfilling THEIR wants/desires; she is essentially doing so to her own #//If THEY survive/live well; and SHE doesn't; she's still technically in the clear–an odd thinking; but it's her mindset & will never chang #hc #//Idk; lil bit of clarification on a bit from her bio. Esp if her obsession seems to come out of left field #//Bc I had to condense a Lot #//The Abyss thing specifically started with Eliza. Bc of her whole deal with the god remains #//Dani figured if they could harness the power of the Abyss; maybe she'd be okay and no harmed by it all #//THAT is the reason it started...then continuous exposure turned it into something uncontrollable; bordering madness when exposed to it #//THEN it became about her using it all for herself and gaining power comparable to the monsters she's encountered #//About truly UNRAVELING its mysteries and using it in more unique ways; in tandem with her powers as is #//SEEMS like normal research at first; but continued exposure to an Abyssal source messes her up Bad. She loses her mind & composure a bit #the longer she lingers near; in some cases enough to lose herself entirely unless subdued/removed from it; sometimes just getting frenzied #//She recognized the danger and kept pushing through bc in her mind; Eliza needed it; so it was Well worth the risk #//After Eliza no longer does; she still keeps at it bc at that point; the obsession is so ingrained in her; she can't help it #//That and hey; who's the say sealing away the god remains' energy will be PERMANENT anyways. #//Can't hurt to have a backup...at least; that's what she'd say

[drdemonprince]

In a piece for The New Inquiry from back in 2017, George Dust states that when queer people complain about there being a top shortage, what they really mean is “nobody is fucking me the way I want, and I have no agency in that.” Alongside co-authors Billy-Ray Belcourt and Kay Gabriel, Dust suggests that many queer people align themselves with a passive or “bottom” position because they believe that role will absolve them of the guilt of really wanting things. They present themselves as what they believe to be the sexual party with zero power; the receiver, the accepter of action rather than its cause.

This position is drawn in contrast to the bottom-identified person’s idea of a top: the one who approaches, the person with hungers and desires, the person who decides which sexual activities will happen and how intense they will get. The top, from this perspective, is the stronger, more capable, more dangerous person. They’re the only one who can ever be guilty of intruding or harming somebody else. This power is scary, but it’s also compelling.

Dust calls this fantastical version of a top a “brute” — and they are the most cartoonish stereotype of what it means in society to be a man. Because it’s a cartoonish stereotype, no human actually lives up to it — and we’d probably revile a person even if they could.

Though queer people know we are harmed by the gender binary and heteronormativity and all the social scripts those things force upon us, its biases are still embossed on our brains. Without meaning to, we reproduce tired gender stereotypes in our relationships. And so we see expressing a sexual want as masculine, and being masculine as being more capable of violence and coercive control, and thus bad. We see failing to communicate one’s desires openly as desirably feminine, as well as a sign of blamelessness and purity — because on some level we still feel it is wrong to have desires.

But this entire worldview is a complete lie. Desire is not evil. Expressing attraction is not a violation. Failing to express oneself can be just as dangerous as not listening to someone else’s limits. Women can be abusive. Bottoms can sexually assault. No matter our gender, presentation, or sexual role, we are each capable of harm. And the only way to make a safe, mutually pleasurable sexual encounter happen is by going after it, actively, and communicating from a position of inner strength.

So how do you do that, if society’s been telling you all your life that you’re meant to date by acting like a deer passively snapping twigs in the woods, waiting for some hunter to hear you, and pursue you? (That really is dating advice that Evangelical Christian counselors give to women, if you can believe it).

By not fixating so much on what you’re doing or not doing to draw other people toward you, and instead thinking in terms of what you want and what you observe beyond yourself.

[ghostaholics]

𝐏𝐈𝐂𝐓𝐔𝐑𝐄-𝐏𝐄𝐑𝐅𝐄𝐂𝐓

➸ PAIRING: Lieutenant Simon 'Ghost' Riley x gn!reader (aside from a single idiom whose origin uses masculine language/pronouns - every man for himself) ➸ SUMMARY: Against all odds, the Lieutenant accidentally falls asleep on your shoulder. Unfortunately, there are witnesses to the precarious situation (just your luck that it would be Gaz and Soap). ➸ WORD COUNT: 2k

𝐒𝐎𝐌𝐄 𝐒𝐀𝐆𝐄 𝐀𝐃𝐕𝐈𝐂𝐄: don't poke the bear.

Danger in your line of work typically consists of trying to walk away from a mission while still being left completely intact (i.e. the goal is to make it out alive, in one piece). You’ve survived a great number of ordeals: cornered into a shootout with a dwindling supply of ammo, tiptoed your way through a field of pressure-sensitive IEDs, dove towards probable death (with an awfully high probability of splattering onto hot, concrete hell like a bug on a windshield) because your helo was sent tail spinning courtesy of a perfectly-aimed RPG – and really, the list goes on.

It's been child’s play, in the grand scheme of things. An extensive catalogue of life-or-death scenarios accounts for your entire military career. And sure, this might be a bit of a stretch, but you'd wager that none of those instances thus far have been as high-stakes as the current predicament you’ve found yourself in.

Jesus-fucking-Christ. Why’d Ghost have to fall asleep on you?

𝐀 𝐖𝐎𝐑𝐃 𝐎𝐅 𝐂𝐀𝐔𝐓𝐈𝐎𝐍: avoid sitting next to him on the plane ride home. You've had to learn it the hard way.

And the kicker is that this whole thing could’ve been avoided; it didn’t have to be your problem. You could’ve sentenced any one of the other soldiers to your seat. Every man for himself, right? Get off scot-free, have a normal trip back to base with plenty of legroom so that you’re not cramped. Theoretically, it would've been beautiful – a passenger's paradise, the closest you could get to a first-class ticket.

But no.

Instead, play the Good Samaritan; extend your hand out with an act of benevolence. What’s the harm, right? So, you'd spared the poor guy, said you wouldn't mind switching places with him because he'd looked as white as a damn sheet at the idea of being crammed beside this behemoth of a lieutenant who's infamously every FNG's living nightmare.

Yeah, well hindsight is 20/20. Had you known what was going to happen, you would've had no reservations about throwing him under the bus. Sayonara, mate.

Law of the jungle, plain and simple.

To make matters worse, he is, in fact, exhibiting terrible flight etiquette. His head (which is dead weight and feels about as pleasant as a fucking bowling ball, mind you) has taken up every inch of real estate on your shoulder and is practically tucked into the curve of your neck; you’ll need to take a trip to the chiropractor’s after this – several, probably. The edge of his skull mask is digging into you. And, the cherry on top: get this – he’s man-spreading, so his left leg's trespassing into your own territory and brushing against your thigh. Utter lack of regard for personal space.

Incredible.

You’d still rather die than wake him up, though. You're not sure what'll happen if you do, but that's a risk you're not willing to take.

All things considered, an achy shoulder is a much better alternative than incurring the wrath of one angry Lieutenant. He's more subdued in this kind of context. To be completely honest, if you weren't already well-acquainted with him, you'd find it endearing.

From here, it's easy to see the simple rise and fall of his chest, steady and even. Slow inhale in, slow exhale out. He's at peace, a rhythmic lull that matches your own breathing. You can't quite put your finger on the exact moment he fell asleep. (He's got a habit of shutting his eyes and folding his arms over his chest when he isn't in the mood to converse with the other soldiers onboard. But God willing, he would never voluntarily loll his head onto your shoulder.) For what it's worth, he deserves the rest – never been one to do it this soundly as countless missions have taught you that he's usually a light sleeper. You remember him roughly prodding the toe of his boot at Soap's arm once when the Scot was conked out and his snores were a bit loud for Ghost's taste.

Rather odd then, that the Lieutenant even managed to allow himself to doze off like this. It’s too loud, too unsteady – the droning of the plane engine doesn't exactly make for good white noise and the turbulence outside is jostling the cabin around. Moreover, this puts him in a position of vulnerability, and he’s not the type to let his guard down so easily.

But somehow he did it with you beside him.

You try not to think about the implications of that.

𝐈𝐓 𝐆𝐄𝐓𝐒 𝐖𝐎𝐑𝐒𝐄, 𝐎𝐅 𝐂𝐎𝐔𝐑𝐒𝐄.

Because, Soap's just woken up from his nap, the first among the entire company of soldiers in the cabin still sleeping, excluding yourself. His seat's parallel to yours, straight across the walkway within direct line of sight, so he’s got an unobstructed view of you and Ghost. Soap sends a questioning glance in your direction, eyebrow quirked. A look that says, The hell's going on?

The level of your voice is down; it's at a conservative decibel to avoid rousing the others. Yet you convey your distress with the same amount of passion as if you were stuck in the middle of a losing firefight. "MacTavish, help."

Soap works with bombs for a living. Surely, he's capable of defusing situations too.

Alright the man’s a demolitions expert, but that’s semantics.

He blinks like he's trying to make sense of the situation. Though, it's pretty obvious what the problem is here. You're not sure why he’s got to take a moment and contemplate it. You need a solution, now. And he's moving at a snail's pace.

For a second, you think he might sympathize with your plight.

But then his mouth morphs into a shit-eating grin and when he nudges Gaz awake, you know right then and there that you're absolutely fucked.

More witnesses.

Great.

Because that’s just what you need, isn’t it?

Gaz drags a hand down his face. He pans over to his right to figure out why he’s been jolted awake so suddenly, and sees Soap who’s inexplicably, nauseatingly jovial before his eyes land on you.

Much like Soap’s original reaction, Gaz can’t help but offer a quizzical expression. The confusion is evident. His brows are drawn together because he knows that the L.t. wouldn't fall asleep on your shoulder.

Soap's shifting, sliding his hand into his pocket before pulling out his phone. He messes with it – a few taps here, a few swipes there. And then before you're registering what's happening, he's aiming it straight at you, like one of those mums getting a snapshot of their kids in matching jumpers during the holidays.

"Say cheese."

An indignant gasp leaves your mouth. "If you so much as—

"Soap, no. Don't do that." Gaz says from beside him, plucking the phone out of his hands. He tsks him with a click of his tongue. Stern disapproval in spades. The meaning is clear: it’s a big thumbs down from the Brit. He’s not endorsing this type of behavior. “Gone mad now, have you?” he asks in admonishment.

You release a sigh of relief. Finally, some moral support. He's reliable. Your faith in him is unshakable. Always could count on Gaz to get you out of—

"Have to shoot with a wide angle, see? Or else it'll look wonky," he corrects, flipping the phone horizontally before handing it back to Soap.

"Aye, thanks mate.”

Gaz's smile isn't as excessive as Soap's but the smirk gracing his face tells you he's relishing in your misery all the same.

Fucking traitor.

"Knobheads—"

They’d risk their own hides to save you from certain death. You've seen it in Cairo, Valencia, and Seoul. Good men. Good hearts in the right place as well. However, they're also the type to embarrass you at every opportunity – public humiliation being somewhere on that roster as well. And for that, you want to strangle them.

"Rude,” Soap comments pointedly.

"Bite me, MacTavish."

"Just wake him up if it's bothering you," Gaz supplies unhelpfully.

"If you were in my shoes, would you do it?"

"'Course, not," he snorts. "I don’t have a death wish.”

“Well, I also prefer my head on my shoulders, thank you very much," you whisper furiously, nearly hissing at him.

And Soap is admiring his handiwork, when he coos, “Aw, the two o' you make quite the pair." He briefly twists the screen so that you can catch a glimpse of it, and even from this distance, you can confirm that he's captured the shot. Annoyingly well, to add insult to injury. Angle? Spot-on. Lighting? Brilliant. It's interesting, has character. Black and white photography. He's managed to make a stunning composition and your upper lip is curling up into a sneer of disgust at his artistic eye. How infuriating.

"I'll send this to the Cap. He’ll get a kick outta it."

"Sod off."

"He'll appreciate bein' included."

Gaz matches the energy with an equally gleeful smile, now delighted by the idea. “Hey, and the L.t. he looks—”

“—cute," Soap has the audacity to finish for him.

What.

There are many words that you’d use to describe Ghost.

Cutthroat, maybe. Imposing. Glacial. Taciturn. A stringent set of ideals that makes him the perfect soldier: disciplined, honed, fierce. Intimidating, if he's not fighting on your side – someone you'd much rather have on your team than against, unless you fancied death. He can be a stone-cold terror on occasion. The man’s been penned as a walking horror story by those in the military. Given his iron-hearted demeanor, you'd be hard-pressed to disagree with that statement; there's not much room to call his steel-encased resolve into question.

So, yeah. Above all else, he's certainly not cute.

Your eyes narrow at them. "Congratulations, the both of you have officially made the top of my shitlist."

Soap, indifferent to your crisis, asks, "Want a copy for your wallpaper?"

There's another heated remark waiting on the tip of your tongue, because there's no way in hell that you would and you're ready to tell him off, about to give him an earful.

But somebody else beats you to it.

“Wipe that picture, or I’ll wring your bloody necks.”

Ice surges through your veins. Goosebumps break out across your skin. Because that voice belongs to one person. Oh, Christ. Never in a million years would you want to be on the receiving end of it.

There's anxiety warping in your chest. You're scared stiff, paralyzed with fear in a way that implores you to remain stock-still. The coarse fabric of your trousers bunches underneath your palms as you try not to freak out. This isn't your fault. None of it is.

And here's the worst part: Ghost hasn't lifted his head from your shoulder yet.

But Soap's unfazed. He blinks a couple of times, seems like he's weighing his options – as if there's something else he could choose besides following his lieutenant's command – yeah, right. He wises up, settling for a simple answer in the end. "Alright, Ghost." His smile makes a reappearance, sweet and well-meaning. Troublemaker. "Any chance you'd like a copy before I do away with it?"

"What kind of fuckin' question is that, Johnny?" he grumbles. "Obviously."

𝐁𝐎𝐍𝐔𝐒 𝐒𝐂𝐄𝐍𝐄:

"I take it you don't think I'm cute then. Have I got that right?"

"I'm sorry... mind repeating that again, sir?"

"You didn't have anything to say about Soap's comment."

"I have a feeling that whatever I answer will get my arse handed to me, L.t."

He's smiling in response – like sunshine trapped behind clouds. Despite it being obscured by the mask, you can see his eyes crinkling at the corners, which makes the black charcoal that's lining them begin to crease a bit. "Permission to speak freely, Sergeant. You have the floor."

Your mouth parts in surprise. Well, then. Maybe you stand corrected. And so, you appraise him momentarily, giving it some serious thought. There's more to Ghost than you give him credit for. He's terse and rough around the edges, but respected for a reason. Admirable. Someone you think highly of and has deserved your approval. The mask undeniably provides an air of intrigue. “I suppose you can be,” you start off, gradually warming up to him being more approachable. “When you’re not terrorizing the new recruits, that is.”

#i got lazy again #simon riley x reader #simon riley x you #simon riley #simon ghost riley #simon ghost riley x reader #ghost x reader #ghost x you #cod fic #cod mw x reader #cod mw 2 #cod modern warfare #call of duty fic #call of duty modern warfare #call of duty modern warfare 2 #cod x reader #simon ghost riley x you #simon riley fluff

[mostlysignssomeportents]

The real problem with anonymity

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then San Francisco (Mar 13), Anaheim, and more!

According to "the greater internet fuckwad theory," the ills of the internet can be traced to anonymity:

Normal Person + Anonymity + Audience = Total Fuckwad

https://knowyourmeme.com/memes/greater-internet-fuckwad-theory

This isn't merely wrong, it's dangerously wrong. The idea that forcing people to identify themselves online will improve discourse is demonstrably untrue. Facebook famously adopted its "real names" policy because Mark Zuckerberg claimed to believe that "Having two identities for yourself is an example of a lack of integrity":

https://www.zephoria.org/thoughts/archives/2010/05/14/facebook-and-radical-transparency-a-rant.html

In service to this claimed belief, Zuckerberg kicked off the "nym wars," turning himself into the sole arbiter of what each person's true name was, with predictably tragicomic consequences:

https://www.kalzumeus.com/2010/06/17/falsehoods-programmers-believe-about-names/

Facebook is, famously, one of the internet's most polluted reservoirs of toxic interpersonal conduct. That's not despite the fact that people have to use their "real" names to participate there, but because of it. After all, the people who are most vulnerable to bullying and harassment are the ones who choose pseudonyms or anonymity so that they can speak freely. Forcing people to use their "real names" means that the most powerful bullies speak with impunity, and their victims are faced with the choice of retreat or being targeted offline.

This can be a matter of life and death. Cambodian dictator Hun Sen uses Facebook's real names policy to force dissidents to unmask themselves, which exposes them to arbitrary detention, torture, and extrajudicial killing. For members of the Cambodian diaspora, the choice is to unmask themselves or expose their family back home to retaliation:

https://www.buzzfeednews.com/article/meghara/facebook-cambodia-democracy

Some of the biggest internet fuckwads I've ever met – and I've met some big ones! – were utterly unashamed about using their real names. Some of the nicest people I know online have never told me their offline names. Greater internet fuckwad theory is just plain wrong.

But that doesn't mean that anonymity is totally harmless. There is a category of person who reliably uses a certain, specific kind of anonymity to do vicious things that inflicts serious harm on whole swathes of people: corporate bullies.

Take Tinyletter. Tinyletter is a beloved newsletter app that was created to help people who just wanted to talk to others, without a thought to going viral or getting rich. It was sold to Mailchimp, which was sold to Intuit, who killed it:

https://www.theverge.com/24085737/tinyletter-mailchimp-shut-down-email-newsletters

Tinyletter was a perfect little gem of a service. It cost almost nothing to run, and made an enormous number of peoples' lives better every day. Shutting it down was an act of corporate depravity by some faceless Intuit manager who woke up one day and said "Fuck all those people. Just fuck them."

No one knows who that person was. That person will never have to look those people in the eyes – those people whose lives were made poorer for that Intuit executive's indifference. That person is the greater fuckwad, and that fuckwaddery depends on their anonymity.

Or take @Pixsy, a corporate shakedown outfit that helps copyleft trolls trick people into making tiny errors in Creative Commons attributions and then intimidates them into handing over thousands of dollars:

https://pluralistic.net/2022/01/24/a-bug-in-early-creative-commons-licenses-has-enabled-a-new-breed-of-superpredator/

Copyleft trolling is an absolutely depraved practice, a petty grift practiced by greedy fuckwads who are completely indifferent to the harm they cause – even if it means bankrupting volunteer-run nonprofits for a buck:

https://pluralistic.net/2023/04/02/commafuckers-versus-the-commons/

Pixsy claims that it is proud of its work "defending artists' rights," but when I named the personnel who signed their names to these profoundly unethical legal threats, Pixsy CEO Kain Jones threatened to sue me:

https://pluralistic.net/2022/02/13/an-open-letter-to-pixsy-ceo-kain-jones-who-keeps-sending-me-legal-threats/

The expectation of corporate anonymity runs deep and the press is surprisingly complicit. I once spent weeks working on an investigative story about a multinational corporation's practices. I spent hours on the phone with the company's VP of communications, over the course of many calls. When we were done, they said, "Now, of course, you can't name me in the article. All of that has to be attributed to 'a spokesperson.'"

I was baffled. Nothing this person said was a secret. They weren't blowing the whistle. They weren't leaking secrets. They were a corporate official, telling me the official corporate line. But they wouldn't sign their name to it.

I wrote an article about for the Guardian. It was the only Guardian column any of my editors there ever rejected, in more than a decade of writing for them:

https://memex.craphound.com/2012/05/14/anodyne-anonymity/

Given the press's deference to this anodyne anonymity, it's no wonder that official spokespeople expect this kind of anonymity. I routinely receive emails from corporate spokespeople disputing my characterization of their employer's conduct, but insisting that I not attribute their dubious – and often blatantly false – statements to them by name.

These are the greater corporate fuckwads, who commit their sins from behind a veil of anonymity. That brand of bloodless viciousness, depravity and fraud absolutely depends on anonymity.

Mark Zuckerberg claimed that "multiple identities" enabled bad behavior – as though it was somehow healthy for people to relate to their bosses, lovers, parents, toddlers and barbers in exactly the same way. Zuckerberg's motivation was utterly transparent: having "multiple identities" doesn't mean you "lack integrity" – it just makes it harder to target you for ads.

But Zuckerberg couldn't enshittify Facebook on his own. For that, he relies on a legion of anonymous Facebook managers. Some of these people undoubtably speak up for Facebook users' interests when their colleagues propose putting them in harm's way for the sake of some arbitrary KPI. But the ones who are making those mean little decisions? They absolutely rely on anonymity to do their dirty work.

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/04/greater-corporate-fuckward-theory/#counterintuit-ive

#pluralistic #tinyletter #enshittification #greater internet fuckwad theory #real names #nymwars #intuit #mailchimp

[mikareo]

“ ࣭⸰ ★ THE MOON SAYS HELLO. . . ⠀⠀⠀⠀⠀⠀⠀⠀呪術廻船; geto suguru x fem reader ⠀ ꒰ . . part one of three ꒱ . . . word count; 3.6k

⊹ ⠀⠀despite his insistence on never falling in love, suguru fails to stop himself from becoming smitten with his best friend’s beloved. you’ve become a flicker of hope in his darkness— though you’re someone who can never and will never be his to have and to hold.

series contains; if gojo didn’t kill geto n geto was given a chance to redeem himself, redemption arc!geto, human caretaker!reader, kind of e2l but also not really, love triangle, gojo x reader, fluff, major angst, heartbreak, wedding at the end, swearing probably, geto refers to humans as monkeys per usual author's note; rewritten fic, will be 3 parts in total (i'm half done pls be patient w me im a slow writer...)

YEAR ONE, DAY ONE

His face is sore. So sore. It’s red, swollen, and sore after he’s spent the last three hours screaming in frustration with his current predicament. This is absurd, Satoru should’ve just killed him when he had the chance. Geto’s lost count of how many times his palms have slapped his own face; over and over again with wishes that he can wake up from this hellish nightmare the higher ups call ‘rehabilitation’— though he can somewhat still recall the first slap that he’d given himself around the half-hour mark. He’s got a pretty good memory…that doesn’t stop him from hoping his veins aren’t too noticeable as they angrily protrude from his forehead in crimson currents.

He’d rather be dead than imprisoned like this…like an animal…like one of those damn useless monkeys.

The intensity of his wails continue to bounce off of the barren walls— barren aside from the dark mark he’d punched in earlier— and echo like a party of lost ghouls in the bottom of an empty well. Geto feels like a mad man.

He’s only just begun his isolation and he’s already growing mad with boredom. 

A huff escapes his lips as he plops himself down onto the twin-sized bed that’s nestled in the corner of his so-called ‘suite’. With linen sheets and a dark maroon comforter, it’s almost a cozy living situation; in another life, Geto could imagine himself cuddling beneath the covers with his favorite book and a soft record playing in the background for some ambience. That world is far far away now. Even if he asked for a record player, he doubts the higher ups would grant him one. He’s their most valuable prisoner, and they’re sure to keep him as miserable as possible until he’s one-hundred-percent pure hearted once more. However, despite their reluctance to grant him the things he wants, these aren’t the worst living arrangements he’s ever encountered and he knows that Gojo did his best to give him the best commodities he could to…well…a highly dangerous criminal. 

This is the only path to forgiveness, he reminds himself, constantly trying to be optimistic about the utter absurdity of it all. 

Optimism hasn’t been his specialty in a long time; anyone with a working pair of eyes would be able to deduce that, and he despises it. He’s quite rusty with the characteristic and has looked on the darker side for a while now— but wishes that he could be as reckless as he once was as a teenager. He can vividly remember how loud his laughter was with Gojo and Shoko, laughing as they chased each other throughout the school yard and using each other's cursed energy to their advantage in games of tag— but that would be near impossible now. His two best friends can barely look him in the eyes after the treason he’s committed. Gojo views him as a ticking time bomb and Shoko’s healed too many people to count that he’s harmed.

If he stepped one foot out of this room, he believes he’d be smothered on sight.

The Jujutsu Society fears Geto Suguru..

…and Geto Suguru fears himself. 

In all fairness, he deserves everything that’s come to him. What he did was awful; mass murdering humans…trying to murder even more humans…harming innocent students…starting a war during the holiday season…the whole gist. There are obviously bad actions from the past that continue to haunt Geto to this day and will continue haunting him so long as he breathes— but that’s all it is now…the past. He wants redemption. He needs redemption. If Gojo managed to reach clarity within Geto’s awful decisions, then maybe he can too. 

Geto wants to get better, to be better…not only for Gojo…but for himself. 

This is exactly why he and his best friend has devised a plan, one that will hopefully help lead Geto on a better path— a five-year path that will only be completed if he truly wants it to, and a half a decade seems like quite a bit of time to most; but for Geto, he doesn’t know if it will be enough. 

For Satoru…do it for Satoru…

He wraps his arms around himself in an attempt to comfort his heart that beats with fear every second of every day. It’s been so long since he’s been hugged by another, and he doubts he’ll ever feel that love and comfort from someone in his life. It’s the first time in a long time that he’s been alone with his thoughts with no one else to turn to; and if he’s being honest, there’s nothing in the entire world that scares him more than his own mind. 

“Geto Suguru?”

He doesn’t recognize that voice.

The soft sound comes from seemingly nowhere, startling Geto with a slight jump. Whomever it is sounds frail and weak, obviously intimidated by whom they’re going to be in the presence of in mere minutes; and Geto already finds nothing but annoyance at his new companion. Of course they’re going to have prior judgment. He bets you already hate him for the rumors and stories. He doesn’t really have a choice whether or not you come in, though. Gojo insisted on a caretaker— someone to talk to so he doesn’t go insane by himself— and Geto will do anything to make his best friend happy. So, he stands up and dusts his pants off, making sure to look more presentable, and stalks towards the entryway. His hand meets the knob, yanking it open, and ready to meet the stranger on the other side. 

Standing before him is you, a woman around his age. You can’t possibly be older than twenty-six, but perhaps you’re a few years younger. In your hands are various sweets and snacks that Gojo knows Geto loves, balancing on a silver tray that shines more light in the room than he’d care for. The reflections dazzle straight into his eyes, blinding him briefly with a scowl on his face. Of course Gojo would know to send you in with his favorites. He’s so predictable. His best friend is less surprising than he thinks, causing Geto to roll his eyes to the top of his head; though he appreciates the kind gesture. It’s far past dinner, though. Gojo must’ve struggled to convince the others to allow him a proper meal. 

“Don’t just stand there, monkey.” Geto commands whilst gesturing to the small dining table in the center of his confined space. “Come inside.”

The instant you stepped into his presence, it was horribly noticeable that you have no cursed energy. Zero. Not a lick of it…and he struggles to hide the disgust with his body language. He can’t help but be annoyed that a monkey such as yourself is going to be in his company for the next five years. 

With his distaste for you clear as day, he pulls out a chair for himself and disregards the kind option of pulling out yours prior; expectantly looking towards you with the expectation that you’re going to serve him his meal like a servant. 

“Well, monkey…” he trails off disinterested, “I’m waiting.”

You hustle towards him, quickly and efficiently placing the special grade sorcerer’s meal on the placemat before him and taking the empty seat opposite. There’s a small breath you’re holding in, Geto can see it in your throat— it’s suffocating you with fear for your life as your fingers lightly tap the dark wood in a nervous fit. 

You’re completely pathetic. As if a monkey would ever have the courage to speak to him. This is ridiculous.

His hands slam against the table with a loud bang. “What are you doing?” he questions, heavily interrogating you as you cower in your seat like a meak mouse. “Does Satoru expect you to monitor my meals?”

He really is nothing but a prisoner, isn’t he?

“What damage could I possibly do with this slob that’s been served to me by the scum of the earth? Start a food fight in the halls? Overthrow the Jujutsu world with a biscuit?” (If that is the case, in your defense, the biscuits are quite hard. There must be a new kitchen hand in training who based them.) This is a horrible day.

As Geto impatiently awaits your answer, a deep breath escapes your lips— perhaps a way to soothe your heartbeat into something less than a record-breaking speed— and you attempt to focus your stress and fear into a fleeting moment of zen. Your large eyes shut for a total of three seconds; one, two, three…before opening again. This time, as his own eyes make contact with yours, they’re shining with slightly more confidence than before as you swallow hard and settle your gaze on Geto— the look in your eyes evolving from that of anxiety to empathy. 

“Actually,” your lips rise into a thin smile, “Gojo Satoru didn’t send me here, the higher ups did.”

Your eyes search Geto’s for any signs of discomfort or inner rage that could be boiling beneath the surface of his poker face. It appears that he’s grown even stronger at hiding his true emotions towards humans; however, you can see through the veil. Yes, it’s thick and difficult to brush past, but there’s a slight opening in the center that you peek inside— and what you can see in his heart is a man who simply wants to finally do what’s right. 

“The higher ups are aware that Gojo Satoru has a soft spot for you— hell, everyone who knows your name is aware that when it comes to you, he has no reason. He has no right of mind. I’m only here to monitor and report your progress in an honest manner. That’s it. That’s all. I promise I won’t intrude on your life more than necessary.” 

Shit.

“I’m sorry, Geto Suguru…but you’re stuck with me.”

It’s as if his left and right sides are arguing between themselves. His good conscience says that he should give you a chance, perhaps you could be different than the monstrous humans that attempted to kill his beloved Mimiko and Nanako; while his bad conscience tells him to let out one of his cursed spirits to devour you where you stand. Listening to his right side would definitely get him his best case scenario…a chance to see his girls again…but the left side would be so much more enjoyable. Oh well. At least the higher ups sent someone somewhat his age and not an ancient and decaying corpse like themselves. That’s a disgusting thought. He’d rather be hugged by a hundred humans than be forced to befriend a higher up. A shiver runs through Geto’s spine as a newfound appreciation for you is birthed within him.

“Do you have a name?” Geto taunts as he begins to pick at his meal, slightly disgusted with the stale quality of some of the snacks but nevertheless thankful that he at least has something to subside his aching hunger. “Or should I just call you ‘monkey’ as I do with the rest of your kind?”

That sound?

You’re laughing?

Your giggles are surprisingly pleasant to Geto’s ears as they harmonize into a song that he can imagine himself listening to each morning. Why did you find that funny? He was quite literally insulting your entire existence. Geto is dumbfounded by the strange humor you seem to have, considering that he was being entirely serious with his question. Humans are so strange. He’s never really been able to understand how your peoples’ minds work, but perhaps he could begin to learn the basics. It’s not like he has anything better to do, and some entertainment would be nice. 

He’ll keep you around…it wouldn’t hurt and you can be his companion kind of like a pet.

Pets are cute…

…your smile is cute too.

You smile once more, answering his question with a blush on your face. “Please,” your cheeks redden, “Call me by my name, Suguru.”

YEAR ONE, DAY NINETY-FOUR

“You’re late.” Geto crosses his arms over his chest, exhaling a large breath of air in a loud and annoyed huff as he attempts to seem seriously angered by his new friend’s awful timing. 

It’s nearly twenty minutes past the time that you were supposed to be here; emphasis on supposed. He’s been waiting with his eyes staring at the clock, watching it tick and tick as the time passed by with no you knocking on his door. That’s twenty whole minutes of time in which he was forced to entertain himself rather than listen to your rambles and rants about whatever the latest scandal is in the outside world. You love that pop culture gossip stuff that social media and magazines rave about, and in a weird way, you somewhat remind him of his daughters— personality-wise…not attraction wise…that would be weird. 

Over the past few months, Geto’s grown severely accustomed to the daily routine that you’ve developed, becoming so fond of you that he strangely pictures your smile and recalls your laughter when you aren’t even here. Friendship is a funny thing. He doesn’t think he’s ever had a friend like yourself; yes, Satoru will always be his closest confidant…but his relationship with you is different in a way that he can’t quite put his finger on. He’s never considered anyone else the highlight of his every day like he does you. Your company is the kind of presence that he overwhelmingly enjoys; with such a positive and warm nature exuding comfort to Geto’s loneliness, and your judgment-free outlook on life rivaling his pessimism in a perfect mixture of negativity and optimism. He wishes he’d met you sooner, perhaps when he was a child— and if he had, maybe he wouldn’t have turned out the way he did. 

It’s too bad you would’ve only been an awful human to him back then…he would’ve called you his infamous nickname without batting an eye…a monkey…

…a mere monkey whom he never ever thought he’d develop unwanted feelings for.

For his entire life, Geto always told himself not to fall in love. That love isn’t real. It isn’t obtainable, not when there are people like Satoru in the world— people that you can’t help but love— and then people like him; people who you can’t help but hate. With that being said, he’s never necessarily been looking forward to any potential love matches in his future.

…no matter who he was involved with…

…until he met you.

“Sorry about that, Suguru!” you hustle through the doorway, your appearance a tangled mess with dusty dirt particles littered with gravel. 

There’s a large scratch on your right cheek, not deep or in danger of infection in any way, but noticeable enough that he’s able to see it from a distance. Knowing you, it’s most likely accidentally self-inflicted in some sort of way; you being notorious for tripping or snagging your skin on the sharp end of a table. How do you always manage to be so uncoordinated? Geto can’t help but let out a short laugh, his eyes scrolling up and down your body and taking in your entire appearance, dirt and all. You even manage to make dirt look good. What the fuck? He hates this.

Your voice carries on as you approach him. “I was running on time, but then I saw this adorable shop downtown and I just had to make a stop.” The overexaggerated tone you hold is amusing as your hands wave through the air in a physical storytelling of your experience. The skin of your cheeks is flushed red from your sprint through the city, looking beautiful in resemblance to that of a blooming rose. 

Geto can feel his own face heating up at the sight of you, choosing to shrug nonchalantly in an attempt to seem as if he doesn’t care at all about your dilemma…

…as if he doesn’t care about every second of your everyday…

…as if your overall excitement isn’t the only thing that truly keeps him going nowadays. 

“You tell me these things as if what you do outside of this room matters to me.” He hopes his words mask his rising blush. (Spoiler alert: They don’t.)

Flawlessly, you brush off Geto’s phony disinterest without the slightest acknowledgement. It’s as if the phrase had never even left his lips, with no evidence and proof of insult. This isn’t an uncommon occurrence when the topic of what you do when you’re not with him comes up in conversation, as the prisoner typically tries to ignore his interest in your daily shenanigans— and you can’t deny that it hurts. Most of the time, it feels as if Geto never actually listens to anything you say, and you were able to quickly realize that in the early weeks of your arrangement when the pain began to torment your heart; ripping and shredding it to bits with every eye roll and mocking scoff. You don’t seem to matter in Geto’s point of view. He doesn’t care…at least that’s what you believe. 

In contrast to Geto, you’re an emotional spirit— you crave love.Love is all you’ve ever wanted, needed, and desired. In your time with him, you’ve developed inklings of feelings as well. However, you’ve chosen to let your feelings grow and blossom out of the dirtied patch of grass they were planted in— ignoring the warnings every single person in your life has given you in advance. Despite that, Geto continues to stomp on your budding flowers. He takes a heavy watering can, filled to the brim with hose water, and drowns your garden in the tears that you shed in the privacy of your bedroom. Those tears that are a never ending waterfall due to the fact that you know it isn’t your job to fall in love with your client. Your duty to Jujutsu Society is to help Geto learn to love humans and sorcerers as one in the same and to gain the trust of his community once more— not to love you.

“Okay, before you judge me, at least give me a chance to explain myself.” Stumbling towards Geto, you accidentally trip over your own feet in embarrassment, and proceed to hold out a single flower not yet in bloom. “It’s freshly cut. I saw a bouquet in the window and it caught my eye, because it reminded me of you; but I knew you’d hate a flashy bunch of them so I just bought the one.”

It reminded you of him?

Taking the gift into his own hands, Geto studies it intensely. The rose is a dark shade of red, crimson, or scarlet depending on your vocabulary. The petals are a brighter color while the plushness near the stem turns dark, more sinister as it approaches the thorns lining the sides. Just by looking at the rose, he can understand why it made you think of him. It’s gorgeous, but practically untouchable figuratively and literally. There’s only one angle that he can hold the stem at that doesn’t prick his fingers. Ouch. And he just did the very thing he was being so careful of avoiding.

All his life, he’s never been the kind of person who longed for gifts or compliments, but when coming from the right person…perhaps he is. 

Whilst he struggles to come up with a reply— a simple ‘thank you’ or ‘i appreciate this’— you mentally applaud yourself as you’ve finally found a way to make him speechless…

…but your praise for yourself is short-lived.

He can’t be weak. Not even for you.“I guess it’s not terrible.” Geto throws the flower to the ground and lightly kicks it away with his right foot. As one of the beautiful petals drifts away from the lonely flower, he turns away, not being able to endure the heartbroken look on your face and the offended rose on the floor. Why does he have to be like this? “I’m sure that garbage is all a monkey like you can afford anyways.” Why is he so cruel?

His eyes clench shut as he hears the door begin to close. You’re so gentle even when upset. He admires that about you— you’re the calm to his ever-raging storm, the sailor to his tsunami, and the lifeboat to his wreckage— you’re the most pure-hearted person he knows, and you don’t deserve this awful anger he holds within him. 

Is he…crying?

As tears begin to drip down his cheeks, Geto collapses against the wall with his knees buckling beneath him and his weight crumbling down to a pile of patheticness. He’s just a shell of a man undeserving of someone like you. Soft sobs escape his lips and silent cries fill the hollow room, absent of your joy, crying out until he notices the faint outline of the young rose beside him. With the flick of his hand, he snatches the flower off the ground and lifts the thorny plant with careful hands— finally and truly understanding your meaning behind the gift. This is how you see him? He’s dreadful and hurtful to others on the outside, prickling kind people away with his thorns…but when encouraged and supported, he has the potential to become something beautiful.

Someone that could one day be compared to the beauty that is of a blooming rose. 

With the budding rose in his grasp, Geto sits alone. He realizes that he’s only able to become that person with the help of you. You’re the only person that has even come close to seeing him for who he truly is; aside from Satoru you’re the only person who would think of giving such a gift to the number one enemy of the Jujutsu world. You’re the only person who he’s ever come to feel true and honest romantic love towards. 

Geto has to become better. Not only for himself and Satoru…but now, for you.

⋆⋆⋆⠀ ⠀thank you for reading! reblogs are greatly appreciated! ⋆⋆⋆⠀ ⠀i promise i'll post the next 2 parts soon pls be patient :3

#geto x reader #geto angst #geto fluff #geto suguru x reader #geto x you #suguru geto x reader #suguru x reader #geto fanfiction #geto fanfic #geto ff #geto hc #geto hcs #geto oneshot #geto suguru fanfiction #geto suguru fanfic #geto suguru x you #suguru geto fanfiction #suguru geto fanfic #suguru geto ff #suguru geto angst #suguru geto fluff #jjk x reader #jjk x you #jjk x y/n #geto x y/n #jjk fanfiction #jjk fanfic #jjk ff #jujutsu kaisen x reader #jujutsu kaisen fanfiction

[marvelandponder]

one amazing thing about the Owl House finale is that it finally contextualized for me one of the central metaphors of the show. Spoilers for the series finale Watching and Dreaming ahead.

we good? no one spoiling themselves? beauty

for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough

what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale

look again

this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her

Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her

he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay

then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)

the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy

but don't think I forgot the internal conflict! :D

because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether

but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change

Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)

But Luz does have one real choice ahead of her

because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself

and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.

hoot hoot, that's some good metaphor

#the owl house #toh spoilers #luz noceda #eda clawthorne #king clawthorne #the collector #emperor belos #camila noceda #i may update the post with images at some point but I figured that's more likely to unintentionally spoil others #watching and dreaming

[cy-cyborg]

The Jaws Effect and what it means for media representation

The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.

Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.

This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.

If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.

This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.

Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.

But the impact of representation, of course, can go both ways.

I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.

But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.

Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.

When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.

[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]

#Writing disability with Cy Cyborg #Disability 101 #Long Post #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #Disability History #On Writing #Disability in Media

[st4rtar0t]

Helping your recognise your superpower

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Thank you so much for your time and energy and I hope you have a great day ahead!

Picture 1

Your lust for knowledge is your superpower. And I know you may think that is a lame power to have but I do want to your realise that knowledge is everything. The more knowledgeable you are, the more mature you become. Maturity comes from a sense of understanding and experience. The way you're always ready to learn new things makes you unique. Some of could be an higher achiver, or your sense of self comes from your academic performance. I think it's good to be knowledge but don't bring yourself down when you don't perform well. Give yourself time to learn and revise.

Your another superpower is your ability to look at situations from different perspectives. You know sometimes our pain clouds our vision making it difficult to acknowledge the hurt of others. But not for you, no matter how bad your situation is, you wouldn't let your emotions cloud your judgement Which is an remarkable ability.

Your faith, whether in yourself, in others or in something greater than us all, gives you strength and resilience in times of difficulty. Your belief in humanity, your trust in kindness and your faith in the possibility of a better future awaiting us uplifts not only you but also the people around you.

Picture 2

Your planning is your superpower. It's like having a secret weapon in life. When you plan, you're like a master strategist, able to foresee obstacles and navigate around them. You can set goals and figure out the steps to reach them. Planning helps you stay organized, focused, and prepared for whatever comes your way. It's not just about making lists; it's about taking control of your future and making things happen. So, embrace your planning abilities, because they can truly make you unstoppable. Some of you could be INTJ/ENTJ.

Your another superpower is your protectiveness. It's your ability to shield and guard the ones you care about, keeping them safe from harm. Just like a superhero, you have an instinct to watch over others, anticipating dangers and swooping in to shield them from harm. Your protective nature is a strength that shines brightly, offering comfort and security to those around you. Embrace this superpower, for it is a reflection of your love and dedication to keeping your loved ones out of harm's way. you may think that this makes you more feminine but caring for the people that you makes you stronger. Your constant transformation is your superpower because it means you're always evolving, learning, and adapting. Instead of being stuck in one way of thinking or doing things, you embrace change and use it to your advantage. You're like a chameleon, able to adjust to any situation or challenge that comes your way. This flexibility allows you to grow stronger, wiser, and more resilient with each transformation. So, don't fear change, embrace it, because it's what makes you unstoppable.

Picture 3

Your love for others is your superpower because it has the ability to transform lives in ways beyond imagination. When you extend kindness, understanding, and support to those around you, you create an atmosphere of warmth and positivity. Your love has the power to heal wounds, mend broken hearts, and inspire greatness in others. It's a force that spreads joy, brings people together, and fosters deep connections. Through your love, you become a beacon of hope and strength, capable of uplifting the spirits of those who may be struggling.

Your powerful presence is like a superpower. It's all about how you carry yourself and how you make others feel when you're around. You don't need special abilities because you are your own strength. People notice you without you having to do anything flashy. Your confidence and the way you connect with others make you stand out. Your presence is like a magnet, attracting attention and admiration wherever you go. It's what makes you truly remarkable.

Your voice and the words you choose have immense power. When you speak, it's like magic weaving through the air, touching hearts and minds. The tone, pitch, and rhythm of your voice can convey emotions and messages in ways that no other form of communication can. And the words you select? They're like arrows hitting their target, shaping thoughts, inspiring actions, and building connections. Whether you're calming a storm with soothing words or igniting a fire with passionate speech.

#tarot reading #tarotcommunity #pick a photo #divination #spirituality #tarot #pick a card #pick a pile #pick a picture #pick an image #tarot pick a card #tarot readings #tarot deck #tarot cards #tarotblr #tarot witch #tarot community #free readings

[rebeccathenaturalist]

Unsurprisingly, a lot of the commentary I'm seeing about this has been of the "But--but--I would do the same thing because I don't want anything bad to happen to the deer!"

Look. I love wildlife, and I love getting to see deer, coyotes, and even the occasional black bear in my neighborhood. But they are here because there is good habitat nearby with lots of natural food sources, not because I deliberately put out food for them to eat. I respect them as wild animals with whom my relationship is very different compared to the domesticated animals I take care of every day. A deer is not a sheep or a horse; a coyote is not a dog.

People who do things like try to tame deer or, worse yet, try to raise a fawn or other young wildlife like pets are robbing those wild animals of their natural existences. We've already wrought our own preferences on the landscape to a severe degree, tearing the wildness out of it to create lawns and farms and subdivisions and strip malls. When we then dismiss the wildness of these animals and impress our own desire for connection on our terms on them, we are harming them.

I've already written elsewhere about the difference between "tame" and "domesticated". No matter how docile that deer seems, it is never going to be as (relatively) safe and tractable as a domesticated sheep or goat. It will always be more unpredictable, and more likely to lash out suddenly at a person due to fear, or hormones, or protection of young.

These animals need their wild instincts to be intact if they are going to survive without being dependent on us. They need those instincts in order to find mates and keep the gene pool stirred up. Their instincts keep them safe from danger, including humans. And their instincts never totally go away, no matter how much we may try to tame them otherwise.

This is why a good wildlife rehab is going to minimize handling of the wild animals they care for, especially those that are going to be able to be released back into the wild. The less comfortable these animals are with humans, the better their chances of surviving in the wild and having fulfilling, natural lives. Wildlife that retain their wariness of humans are less likely to end up falling prey to hunting, or being killed as nuisance animals when they get too aggressive in seeking food or otherwise coming into conflict with people.

The person who painted "pet" on a fully grown white-tailed buck and put a collar around his neck may have felt like they were doing that deer a kindness, but they have likely robbed him of the chance to just live a natural life as his own, independent being out in the woods and fields. He might be out there, sure, but perhaps he won't mate because he imprinted on humans. Or maybe he will end up shot by a hunter in spite of the precautions because he's just too friendly and those antlers are worth taking the shot.

There will always be something missing from this deer's life because of the arrogance of someone who thought they could own and keep and control a wild-born animal for their own enjoyment, instead of allowing him to come and go as he pleased. Honestly, it reminds me of King Haggard from Peter S. Beagle's The Last Unicorn, whose response to seeing something beautiful was to capture it and keep it rather than simply enjoying and remembering that magical moment:

"I like to watch them. They fill me with joy. The first I felt it I thought I was going to die. I said to the Red Bull I must have them, all of them, all there are. For nothing makes me happy but their shining and their grace. So the Red Bull caught them. Each time I see the unicorns, my unicorns, it is like that morning in the woods and I am truly young, in spite of myself."

That's how I feel about people who are willing to drastically alter a wild animal's behavior for their own selfish benefit, even if they think they're being kind. I know I'm fighting a bit of an uphill battle in this, but I'm rather stubborn that way.

#deer #wildlife #wild animals #nature #animal welfare #animal cruelty #hunting #white tailed deer #zoology #animal behavior #ecology #environment #conservation #wildlife conservation #feeding wildlife #pets #animals #The Last Unicorn