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#meta response
blogquantumreality · 2 months
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@asoulofstars replied to your post “Intelligence (US) 2014 Episode Order?”:
The only thing I notice is in Ep 3, they reference Syria—which is Ep 4—but it also doesn’t make sense to me that Ep 4 goes first. Other than that, it all feels correct to me.
​It also felt to me like maybe episode 6 should come earlier.
That said, it's not like Almost Human where we know for a fact that the intended airing order differs from what was actually done.
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orchidbreezefc · 6 days
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ok. years have passed and we've had some distance, so i'm finally gonna take the leap of faith that tma fandom is finally ready to hear me on this. let's talk about tannins.
161 was the first tma episode i heard on early release, and i felt the bit where martin declines wine and cites tannins was pretty obvious in its implications. cool, got it, say no more.
imagine my surprise when i was one of maybe three people i saw read between the lines there, in a fandom famous for red stringing--a fandom that immediately caught the much less obvious thread of ignition sources in the same episode. i'll spell it out: alcohol is an issue for martin.
maybe it just felt obvious because addiction is a pet issue for me--as it is for jonny, who has said everything he writes is filtered through a lens of addiction. i don't know if that's due to his own experience or a loved one's, and i won't speculate; i also don't know if martin personally struggled with drinking or just avoids it for fear he would, but alcohol would fit what we know of his family. his dad walking out and his mum spiralling into bitter wallowing and verbal abuse? i'd bet one or both of them drank, yeah.
on a basic level martin tries to decline alcohol, and that alone should have raised eyebrows given what we know of martin and, again, a fandom that dissects everything. we already knew martin "K" blackwood lied about his personal life and his family in particular, especially pre-canon, which is when this flashback took place. i was shocked that everyone took his flimsy excuse at face value with no further questions.
and the excuse is flimsy. martin turns down wine by--nervously--exclaiming tannins are "a proven headache trigger!" which sounds like trivia from a magazine cover and not the words of someone who actually has headaches--and it hasn't come up before or since. jon, confused, points out that tea, a drink martin consumes to a degree that is memetic both in- and out-of-universe, also contains tannins, and martin squawks a panicked, "what?!"
if tannins are enough of a concern for martin that he knew they're in wine and so avoids it, why didn't he know they're in his drink of choice? why does he still drink tea at the time of canon, and why doesn't he struggle with constant headaches from consuming 'a proven headache trigger' day in and day out? why, indeed, would someone avoid wine and not tea?
when sasha insists martin drink he caves and agrees to 'just a drop'. i imagine him pouring it in a plant, which admittedly he could have done if tannins really were the issue. i will say that i, for one, would be less likely to falsely agree to something that makes me physically ill than to a private issue that i'd rather not be pressed on any further. this scene also establishes martin's birthday was an ice cream party instead of the more traditional visit to a pub.
also, this scene was in the first episode of the final season, as one of three flashbacks that could have been to any pre-canon event in the archives. prime narrative real estate. not really time one would waste on establishing the important character context that martin has... headaches. which never comes up before or after, even regarding the week he spent in spiral town. but you know what is pretty crucial character background...?
it felt like a no-brainer, and yet all i saw was h/c fluff about jon attending to martin's headaches. and i hate feeling bitter about disability representation. i want folks with chronic headaches to feel seen and have fluffy escapist fantasies. i don't want to be mad about people portraying a character with a disability. but, guys? you got the wrong disability. jonny sent a clear message, and it went over fandom's head.
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starflungwaddledee · 4 months
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from: @starflungwaddledee to: @post-it-notes7
message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "
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attleboy · 3 months
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What if Pomni's hat acted like expressive dog ears? Droop when sad, stand straight up when scared, ect.
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to reiterate what i said in the sketchpage, yeah this is a hc ive enjoyed for a while i just can't do it anymore because ermmmm hat too big :(
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mccoyquialisms · 2 months
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my fantasy high red-string-conspiracy-theory-board-of-the-main-mystery lore tracker (a long ass post) (because I love both mysteries AND organization of inconsequential information):
rough chronology of events:
In ages past there is a wedding attended in the Chaos Mountains by Sol and Galicaea of their sister the Witch Goddess to an unnamed giantkin god. This god is a summer god, sibling of the giant winter goddess Ruvina
Over centuries, the unnamed god's domain changes from the sun and summer to fire
This unnamed god is killed and their name was wiped from history. The other gods remember who this being is, but due to obliviati mori, cannot reference them directly to mortals. Red shatter stars appear around this time
850 years before present day, the Witch Goddess's name is erased by her followers (encouraged by followers of Galicaea) and she is transformed into the Nightmare King. Before she does she performs the 4 trans-substantiations to resist being "unmade". Her familiar Kalina becomes a plague and begins to spread through the mortal populace. These events likely happen after the death of her spouse, as there is no reference to a spouse when the Witch Goddess was previously mentioned
Roughly 4-6 years before modern day, the pit fiend Bakur attempts to resurrect his god, whose name was lost "so they could not be worshiped." The return of this god is felt to be a significant threat to the world. Lydia Barkrock and her adventuring party stop him by sealing Bakur in a red gem in Lydia's chest, where she keeps him imprisoned with her rage
The Ratgrinders, then called the High 5 Heroes, meet in freshman year and consist of Kipperlilly, Oisin, Mary Anne, Ruben, Ivy and Lucy.
They xp level up by killing rats, twig gremlins and other small magical creatures in the woods behind Aguefort
The events of freshman year happen and Kalvaxus is released. During prom, Ragh spots Jace Stardiamond talking to Arianwen. He is later "barbarian healed" by Porter and after this can see Kalina. Kalina finds Ragh later and threatens Lydia if he talks about what he's seen
Sophomore year spring break happens and the Nightmare King is transformed into the goddess now named Cassandra
At some point Lucy began to return to the woods after party sessions to revive the rats they killed. She did this long enough and with enough regularity that the rats remember her name/face well and think of her fondly
Paperwork is submitted for Lucy to change her god from Ruvina to a god whose name cannot be read, just before her disappearance. A few days later a second request is submitted to withdraw this change. Neither form was ever seen by Lucy's teacher Yolanda Badgood
Lucy was killed near Lake Shimmerstone by multiple assailants with both weapon and magical damage towards the end of sophomore year, in the period of weeks after grades were complete, but before summer break. The area has multiple uprooted trees, some of which were used to hide her body. Unholy rites were performed over her body to force her soul to the beyond, so she cannot be revived.
Lucy is reported as dead but her body was never found. She was described as "not alive in this material plane" via divination
Because of the timing of her death, her party was not moved to pass/fail as all grades for that year had already been submitted
Night Yorb and the long dark summer happens
Buddy Dawn, a cleric of Sol, is specifically requested by the Ratgrinders to be their new cleric for junior year
Also over the long dark summer, the Loam farmers are accused of embezzlement and the Frostyfair festival is moved from there to the Thistlesprings tree at the recommendation of Lola Embers. Sklonda Gukgak is assigned as the Loam couple's public defender
Kipperlilly finds or is found by the rogue teacher and has passed the whole of junior year
Junior year begins. On her first day, Kipperlilly questions Jawbone on where YES! was created
Kipperlily announces she is running for student body president and her primary platform is for uniform equity under the rules without "favoritism"
In the mall of the Synod, the event that kicks off the battle is Cassandra becomes angry hearing Kristen isn't coming to help find followers. She says "This isn't fair!" as a razor-sharp flickering star of red light emerges from her chest. 24-point, red shatter stars infect nearby wizards and turns them into rage-filled, violent, giant versions of themselves. The people taken over by the shatter stars are instructed by an unknown voice to attack Cassandra
Cassandra is able to be calmed by a high persuasion and when she does, she expels multiple shatter stars. She seems to recognize them and says "I thought you were dead.”
Before Kalina is taken over by the shatter stars, she looks to Riz and says "Ragh Barkrock". She then slits Cassandra's throat, triggering a new round of rage in Cassandra
Cassandra suffers multiple attacks and begins to transform into a giant, red raging version of herself and attempts to kill the party. Before she's successful, the gang are swept away in a time loop back to Spyre. The Bad Kids see the Synod is destroyed, and Kristen finds she has shards of Cassandra in her pocket
Kristen attempts to commune with Cassandra and hears a voice say "She is at my side once more." The voice then mocks Kristen with YES!'s body and then tells Kristen it is coming for her, and it will break her irrevocably.
Ivy sees Fig disguised as Lucy at the party at Seacastor Manor, and has an inscrutable reaction to it, but did not seem surprised
The cloud rider engine in Fabian's basement is broken and a piece is found missing
Kipperlily does the food truck event with the subliminal OK messaging on the packaging
Ruben Hopclap performs at FrostFaire when he is attacked by Principal Grix. Grix is eventually killed by Fabian. The Bad Kids determine Ruben was doing some kind of ritual with a song about anger above an arcano-tech array in a 24 point star pattern, successfully releasing a large amount of some type of magical energy.
Simultaneously, Yolanda Badgood is killed at Lake Shimmerstone by immense concussive force damage, and afterwards her body is expertly hidden. She is subjected to the same unholy last rites that Lucy was.
The Bad Kids find Lucy and Yolanda's bodies, and Kristen releases their souls, who travel to the beyond on a "trail of moonlight"
Sklonda's clients are found murdered
Mazey reveals that the Vice Principal (i.e. Jace) does not become the Principal, and it would be the student body president who becomes the new principal of Aguefort
additional info we can reasonably infer or that don't fit neatly in the timeline:
Buddy's grandparents, and likely Buddy himself, have a vested interest in his grandfather becoming the cleric teacher. He went to Aguefort and is familiar with the school. Presumably he wants this to be able to preach about Sol and spread his influence
At some point before her death, Yolanda told Jace about her concerns regarding Lucy's deity-transfer paperwork
Cassandra is not dead, but is "beyond reach"
Lucy and Yolanda were noted to be in "realms beyond", which Brennan specifically noted they were taken from and "whatever was happening there"
The Ratgrinders are gunning for the bad kids and seem to be orchestrating situations to try to get them to take drugs
Porter's philosophical discussion with Fig regarding the concept of protection and how that is often inextricably tied with rage, that one can act as a fuel for the other
Porter is a paladin of the ancestors, and at some point was mentioned to be a goliath, though this seems to be debated in canon. If true, it's possible he's a descendant of giants
Kristen bring's up Sol's wrath and Buddy does not refute this, agreeing Sol's wrath is a well known aspect of him and he has been quite angry because of the dark summer/night yorb situation
As above so below. What the gods do affect their mortal followers, but conversely, what the mortals who follow them do also affect the gods
A god can only come back from death in a place a god had been born or created, meaning Bakur's decision to try to revive his fallen god in the Red Waste was what doomed it to failure
Bakur's documents are written in the language of giants, and his deity is said to be from the same region as Ruvina. Combining this with Adaine’s research, and the “mitochondrial magic print”, Bakur’s god is Cassandra’s former spouse
The cloud rider piece was likely stolen by the Ratgrinders as Kipperlily asked Aelwyn to research schematics of the device
Kipperlily seems to be keeping information from some of the other Ratgrinders, telling Aelwyn she needs to "protect Oisin" from their shady deals
Kipperlily's mother works for the city treasury and her father is in real estate. Neither are super wealthy, but Kipperlilly has been paying Aelwyn large amounts of money to obtain arcane components. Given the timing of this with the disappearance of a large sum of money from the Frostyfair accounts, the timing of the murder of the people who were blamed for it, and that the new chosen location happens to be the home of one of the Ratgrinders rivals, the Ratgrinders involvement is thought to be likely
Cassandra's whispered clue of "spies, tongue, curse"
Places outside Spyre, like the Synod, are easier for dead gods to reach
For whatever the Ratgrinders have planned, a student being the principal of Aguefort is essential for it. A lot of people have had to be conveniently absent or dead for this circumstance to occur.
This is all not even touching Aguefort's whole journey through time and possible time quangle issue and whatever the fuck Fig's Bad Luck Thing is. I'm not convinced that these are related to the god stuff and are likely their own separate issues. also, I am tired lmao. If you want to hear my rambling theories, I'll be making a separate post.
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sentientsky · 4 months
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i know this has been discussed ad nauseam, but i'm doing research for a meta, and i'm slowly realizing that i will never ever be over the Good Omens Lockdown dialogue. especially that line towards the end (begins at the 02:50 minute mark):
Crowley: [...] You know, I could hunker down at your place; slither over and watch you eat cake. I could bring a bottle—a case—of something...drinkable?
first, the unabashed expression of a desire to be near Aziraphale is so rarely evident (i mean, we have 1967 and other instances, but in the case of '67, an outsider could more easily—i guess??—interpret offering him a lift home as an expression of gratitude for the holy water). so, to witness his clear, unveiled desire for comfort and closeness (and to literally just watch Aziraphale eat cake) demonstrates the interpersonal progress made in the time after Armageddon't; he's not concealing the offer behind some flimsily-constructed reason (e.g., "I just didn't want to see you embarrass yourself"). in fact, he's implying that they'd be spending long lengths of time together ("hunker down", "a case of something drinkable"). and then Aziraphale's response is also really interesting, and kind of exists as a microcosm of their whole push-and-pull dynamic that has existed for literally thousands of years (begins at the 02:59 minute mark):
Aziraphale: No, I—I—I—I’m afraid that would be breaking all the rules! Out of the question! I’ll see you… when… this is over?
i'm sorry, but the sheer nervousness???? the grasping for excuses??? they're gay disasters, ur honour. breaks my fucking heart </3 i love them both, but also OUGH. azi, why?!?
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ineffably-human · 8 months
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The day Guillermo slaughtered a theatre of vampires, Nandor looked up and actually saw him. 'My name is Guillermo de la Cruz' burned like a silver knife in his brain. And that's the day Nandor started rooting for him.
Making him a bodyguard, insistent that's what he was. Watching him so carefully. 'Push back. Break the rules. Talk about yourself. I can't do it for you. If I do it for you then you've already lost.' Guillermo slapped him and his eyes lit up. Guillermo fought him, and he only wanted more. Guillermo said 'I can kill you whenever I want, I choose not to,' and it's what he was waiting for.
Nandor stands at the train station, feeling awake for the first time in months as he considers all the variables. The normal bite won't be enough, not for a Van Helsing. He'll have to drink someone right away, just to be sure. Will it feel the same for him, to hunt a human the way Nandor's watched him hunt a vampire? Maybe if they do it together. Maybe there's a lot that Guillermo can do very easily, if they do it together. Maybe there's a lot Nandor can do, very easily, if-
(...he's not coming. Well, familiars have balked at less.)
--
It's such a genuine surprise when he reappears. Why everything happened doesn't matter, exactly; Guillermo doesn't fight to get any of it back. He's so angry, so ready to leave, and by all rights Nandor should let him. But all he can feel is the instinct to stop him. Perhaps if he has actual love in this house, something to fill the void... Maybe there's one more thing Guillermo can do for him before his exit.
It's a strange year. Guillermo is not in his service, so much as he's a friend charged with service. His mind is so pulled in different directions - raising the Colin-creature, helping at the club, buying his gaudy new clothes that aren't vampire-like at all. Talking on the phone, sometimes in the other language he speaks, sometimes in secret whispers Nandor doesn't try to figure out.
If Guillermo doesn't want him to know, then he doesn't. He can't begrudge him a life outside this house anymore. It's like Guillermo has remembered how to be human.
Maybe he has. Nandor takes him to fight, wants to see that fire in his eyes again, but Guillermo only wants peace. They never talk about him becoming a vampire. Guillermo doesn't ask once. At the wedding, Guillermo promises to always be there when Nandor is afraid. Nandor wonders what 'always' means to him.
When he meets Freddie, things click into place a bit. Nandor is happy for him, truly. Suspicious, of course - this is a stranger in their home, one who clearly doesn't know their secrets. But such a kind and engaging stranger. And intriguing, like a little secret corner of Guillermo Nandor has never been able to reach. Nandor has been so lonely lately, he keeps getting everything he wants and yet he's lonelier than ever -
Nandor fucks up. Nandor fixes. Or does his best, anyway.
Guillermo goes to London one day, comes home with a look in his eyes like something broken. They don't talk about it.
Guillermo is back to dusting. He sits beside Nandor and smiles, placid and friendly. 'So, what's next?' But he doesn't ask. And Nandor can't ask it for him. That's not how this works.
--
And suddenly, Guillermo is a million miles away. Suddenly, Guillermo would rather be anywhere than with Nandor.
He talks about being a vampire for the first time in a year, but there's a strangeness to it. A wariness. When they laugh at the idea, he doesn't push back. There's no fire.
Something is wrong, honestly wrong, but Nandor can't bring himself to think about it seriously. Guillermo still runs from even the thought of their orgies. (So it can't be what he's thinking of, can it?) Their first big crisis as a household in a while, their bodyguard is nowhere to be found. (Is he a bodyguard anymore? A familiar? A lot more like Laszlo's familiar, these days...)
'I'm not going to be around forever.' Well, fine. He can survive that. He's survived far worse, and so has Guillermo.
And Guillermo is not just here right now, but is alive right now - wonderfully, blessedly alive - and Nandor won't be forced to think about his death for a while yet.
The one thing he knows for sure is that Guillermo would never do anything to hurt him, to hurt any of them. And maybe that's why it never worked out. You have to do so much more than survive, to be a vampire.
-- When everything that happened becomes clear, when his rage fades to anger fades to acceptance, there's still responsibility. Responsibility to his familiar, responsibility to his friend.
And when Guillermo's heart is too full, and spills over whatever bloodlust he had, Nandor wishes he were surprised. Guillermo has iron in him but it's been forged into a shield, after all this time. There are no little leftover bits Nandor might have helped him shape into a pair of fangs.
Guillermo can feed a family, or defend one, or defend himself. But he won't kill unless he has to, and his own survival - or his own happiness - is not a 'has to'. Fine. Guillermo has fought for him. Nandor can fight, too.
His own anger still needs a more constructive place to go. So he looks at Guillermo's wretched sire - who never even wanted to be a vampire, and then made a vampire so thoughtlessly. Who hasn't come to see Guillermo, who couldn't figure out how to help him, who doesn't even know that he's in pain.
Nandor drives a stake into the heart of a vampire. And it feels good.
Maybe now, he can also be angry at himself a little less.
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exaltior-a · 7 months
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Personally the amount of people who are either "Jake is a stupid himbo" or "Jake is actively malicious" blow my mind. No, Jake isn't stupid, and he's not evil. He's a sixteen year old who is implied to have a mental disability and/or brain damage (it's not exactly clear, Caliborn claims they have the same developmental disorder and Dirk iirc worries that Jake hit his head too much, I guess you can take either with a grain of salt but I digress), and has not had meaningful real life interactions with other human beings in years. He is in the wrong for his actions, but it feels. Purposefully ignorant to claim he's just stupid or just evil for them.
He's socially stunted. He wants to emulate heroes in movies but lacks self esteem and experience. If the alpha kids had enough time to be more fleshed out (and let's be real, if Hussie cared about Jake) this might have been explored more thoroughly. He'd never had the opportunity to learn how to cope with a relationship, how to communicate his needs, or understand that he can't control how other people perceive him like he can through a computer screen.
He doesn't know healthy boundaries because he's never had to use them, and this goes both ways (allowing his friends to sexualise him and treat him like an object, as well as constantly complaining about his relationship with Dirk to Jane) Like yeah he does run away instead of communicating with Dirk and yeah he does dump all his problems on Jane. I love Jane, but one of her problems is her bottling up her feelings and people pleasing until everything blows up. She should have told him off much sooner, and while he was being a dick, it was partly because she allowed him to feel like it was okay to do, since she never told him it wasn't after the first few times or when she was starting to get aggravated.
His problems with Dirk are a little more complicated because we're never actually shown their relationship or how it broke down, but from what we can gather, Jake felt overwhelmed by Dirk's intensity and decided to ignore him rather than tell him try and avoid confrontation but leading to Dirk being frustrated and breaking up with him. Dirk claims he feels like he bullied Jake into a relationship, and though I personally think that's him making it seem worse than it was, it does mean that Dirk probably was trying to go too fast. I've best heard it is Jake being an introvert pretending to be an extrovert.
This is not to say I don't think people can't dislike or even hate Jake, but it's like. Idk. Misinterpreting a character and disliking that version of them is a little redundant to me.
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Danny is plopped into Gotham via Clockwork because he needs a vacation and a way to vent his energy. Danny in true Fenton fashion finds an underground group of metas and decides to join them in throwing huge underground raves where everyone could vent out their powers however they wanted as long as someone kept a look out for the bats. Well one night Danny is on lookout and sees the bats. He doesn't know what to do so he immediately runs in, smashes a bottle of apple juice on the floor and yells "IT'S THE FURRIES! SCATTER!" and just as Batman arrives everyone runs in a different direction. Danny just straight up phases through the floor in panic
Ok ok this is amazing and I love it but...what if we add dannys duplicate
There are a lot of metas with powers to weak to become a hero or they just don't have any interest, so Danny wanted to help them have fun but he wouldn't put people in danger so he duplicates himself and throws multiple parties at the same time
The bats only found 1 of the parties so all the others got a warning
Then other (more adventurous meta's) absolutely love the idea of fucking with Batman
So there's a little subgroup of let's that throw giant parties to get the Batman's attention and all scatter the second he shows up
Batman's loosing his mind over this and his kids won't stop laughing because the warning for him is "FURRIE INCOMING"
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There is a cyclic tragedy inherent to Mori's character wherein he's actually a deeply lonely man, but it's mostly because his resolve to do morally reprehensible things and think of people as pieces on the game board is something he prioritizes over his relations with those very same people, and this inevitably pushes them away (for very understandable reasons). And it kind of sucks honestly because the most frustrating thing about Mori is that he 100% has the potential to be a fantastic teacher and mentor, and more than that, I think he loves it! Just look at Beast! But for as long as he decides he needs to be the one to make "the hard calls" to "preserve peace", then Mori will inevitably continue in this cycle of alienating all the people he has a fondness for.
I do feel as though Mori's loneliness is something he views as a necessary sacrifice that he is making for the greater good (and if he is so willing to sacrifice, then Dazai's unwillingness to do the same comes out of left field because - "what do you mean? you're supposed to be just like me!").
Anyways.
Mori voice: "I'm so alone"
Also Mori: *continues to prioritize pure logic over the emotions of his people and himself*
The people: *get rightly angry and/or become extremely traumatized and leave him*
Mori voice: "I did what needed to be done"
Mori: "..."
Mori: "..."
Mori: "I'm so alone"
Sir. You are doing this to yourself.
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blogquantumreality · 8 months
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bob has always been really hesitant to criticize his character. He said that weird stuff about not being at fault in any way over Lincoln's death and how O should forgive him, said If clarke would have been in arcadia then Bell wouldn't have murdered 300 people (so its her fault?), and that its fine that bell hates all the grounders bc they've turned on him before. He basically seems to think Bell is a hero and can only be seen as heroic.
I don't suppose much has changed now that T100 has ended and Bob is off doing other things.
It's really maddening, though, when an actor won't admit the serious flaws their character has. I feel like if they're honest with themselves about a character it lets them better grasp how to handle the role.
(Sorry, anon! This has been in my inbox since 2017 so if you're still on Tumblr, know that your ask has been responded to with equal saltiness on my part about Mr. Morley, heh.)
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21 year old Severus Snape waking up to an eleven year old slytherin quietly calling his name from the doorway outside his personal quarters. He throws on a robe and stumbles to the door, bleary eyed and thoroughly exhausted.
“Yes?” He manages to get out, praying to every higher power that he won’t need to actually contribute energy into a human conversation at this ungodly hour.
“…Sir…I—I frew up”
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the bit that gets me is "you can't leave this bookshop" as if crowley hadn't asked aziraphale to run away with him on two three occasions, to leave the bookshop, on crowley's terms doing what crowley believes to be the right thing
i get it he means 'the bookshop' as a metaphor for him, for leaving crowley, because there's no way crowley is ever going back to heaven and aziraphale was naive to even think he would
but the resolute way he refuses to hear aziraphale wanting to be with him, but this time on aziraphale's terms, doing what aziraphale believes to be the right thing, he immediately takes that as rejection and rejects aziraphale in kind
sometimes i don't think crowley realises that - possibly through no fault of his own - he's actually not as different from heaven as he might like to think he is
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david-talks-sw · 10 months
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As a quick addendum to this recent post:
Could the Jedi have done more to help Anakin? Sure. There's myriad more things that could've been done. For example, Mace could've sat Anakin down in the Council Chamber and gone "Skywalker, tell me what's really going on."
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But it bears mentioning that the above scenario ⬆️ likely wouldn't yield any results. Because, well, Anakin barely ever opens up about his feelings or fears or past trauma.
He doesn't do it with Yoda, when the latter asks for more tangible information so he can tailor his advice.
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He barely ever opened up to Ahsoka.
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He barely did so with Obi-Wan.
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And by Revenge of the Sith, he's even shutting Padmé out.
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(Yes, part of it is due to the secrecy surrounding his marriage, but I've already explained my thoughts on why it's an unfounded fear at that point in time, and it's not the only factor behind his silence as he already didn't open up as far back as Phantom Menace, nor is it his only secret)
The only person he does confide in is Palpatine, who:
keeps enabling Anakin's flaws instead of letting him learn to overcome them,
keeps isolating him from everyone else.
And Palpatine's both the most powerful Sith in history and the leader of the free world, so he's always gonna find a way to worm himself into Anakin's life.
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As long as Palpatine's in the picture, no matter what the Jedi or Padmé do, he'll be right around the corner, ready to undo it.
So at some point - short of Palpatine tripping into an empty elevator shaft and falling to his death - the only person who could've gotten Anakin out of that mess... was Anakin himself.
Would it have been difficult? Hell yes.
But as Shmi Skywalker (who let go of her attachment), Padmé Amidala (disciplined and principled), Obi-Wan Kenobi (refused to give in to anger upon losing the love of his life), Ezra Bridger (rejected the Emperor's promise of power and reunification with his loved ones), Luke Skywalker and Quinlan Vos (pulled back from the Dark Side against all odds) have shown us... it wouldn't have been impossible.
"All of my movies are about one thing, which is the fact that the only prison you’re in is the prison of your mind. And if you decide to open the door and get out, you can. There’s nothing stopping you." - George Lucas, SirusXM, American Voices, 2012
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stainedglassthreads · 10 months
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One thing I think I just realized is, in addition to being dissatisfied with how stories deal with Toriel’s grief compared to Asgore’s and Asriel’s, and how I don’t see many instances of Toriel and Asgore’s quarrel being addressed in a way that satisfied me... I don’t think I see that many AUs that quite get the responsibility Asgore feels... right.
Yes, I’ve seen several that portray his grief, depression, and how badly he doesn’t want to be in this position well, even if it’s disappointing how not everyone seems to be aware of what you learn about him in a Neutral run where you’ve previously killed Flowey. A lot of people can get aspects of his characterization very well, the broken man, the goofy dad, the intimidating monarch. But I think the reason I don’t see people capture the weight of his responsibility quite as well in fanfics and comics is... well. Oddly enough it’s in the way the monsters treat him.
It’s not just the fandom that has issues with idolizing or demonizing characters. It’s also the Kingdom of Monsters themselves--and they all idolize Asgore. Yes, he’s a very grounded and compassionate individual who invites his subjects to share all their problems with him, and who Papyrus insists will just let you pass through the Barrier. But he’s also a bit of the subject of a cult of personality for his subjects. When they say he’ll absorb seven souls and become a GOD, it’s not an expression of his arrogance, but rather their own adoration. While out-of-universe the Angel is generally agreed to be either Asriel or Chara(or us), in-universe I wouldn’t be surprised if Asgore was considered the Angel.
It’s not long now. King Asgore will let us go. King Asgore will give us hope. King Asgore will save us all.
Yes, individual monsters may want to collect a human soul for their own individual wants and desires. But it’s only the capture of a human soul, or using a single soul for their own benefit, that they really aspire to. (With the exception of Toriel, who wants no souls, and Flowey, who is Flowey.) Of those area bosses who earnestly try to take just one soul, Papyrus and Undyne both want to hand you over to Asgore, and Mettaton wants to protect humanity FROM Asgore. Literally everyone in the Underground seems to fully believe that Asgore will be the one taking all the Souls and fulfilling his promises, and all are content. (Again, barring Toriel, MTT, Flowey.) No one seems to ever doubt he’ll do as he says, even his ex-wife, and no one’s greedy to take the power for themselves or take the burden of being a savior for themself, except his kid who has both a God Complex and a Savior Complex.
With Chara, and with Asgore. They take a person and turn them into a representation of something More than any singular person could ever be. And then in the worst route Chara does it again, to themself. Asgore is freedom and salvation and retribution itself, and everyone including the woman who was once married to him agrees and reinforces the role. Chara is the feeling of a number going up, and the fandom agrees and reinforces the role.
And I dunno. There are fics and AUs where Asgore never lost his kids and always remained an affable, friendly guy. There are AUs where Asgore is the main antagonist and an awful villain with few redeeming qualities. There are fics and AUs where Asgore gets to recover in a post-pacifist setting. But I’m not sure any fics or AUs have ever quite captured how everyone else just talks about the guy, for me. Toriel is simply ‘intimidating’. But Asgore is a GOD.
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sexy-sapphic-sorcerer · 4 months
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Adam raised a Cain
BBC Merlin, The Beginning of the End (1x08) /// Cut by Catherine Lacey /// BBC Merlin, To Kill the King (1x12) /// Comfort Me With Apples by Catherynne M. Valente /// BBC Merlin, The Crystal Cave (3x05) /// Cassandra, Florence and the Machine /// BBC Merlin, The Coming of Arthur: Part 1 (3x12) /// The Picture of Dorian Gray by Oscar Wilde /// BBC Merlin, The Coming of Arthur: Part 2 (3x13) /// Adam Raised a Cain, Bruce Springsteen /// BBC Merlin, The Sword in the Stone: Part 2 (4x13)
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