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#molly watches tv
moonchildjelly · 4 months
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So yesterday I finished Amphibia and I got an existencial crisis so now I need to finish Molly Mcgee just to finish the year I guess...
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11fflower11 · 2 years
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Characters that should soon enter the MCU (pt.2)
Runaways
• Karolina Dean (aka Lucy in the Sky)
• Nico Minoru (aka Sister Grimm)
• Gertrude Yorkes (aka Arsenic)
• Chase Stein (aka Talkback)
• Alex Wilder
• Molly Hayes Hernandez (aka Princess Powerful
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don-dake · 11 months
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Star Trek: DS9 | S06E24: Time's Orphan
Colm Meany, Michelle Krusiec, Rosalind Chao
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tirednotflirting · 11 months
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no but like the bear is such amazing television how is it THIS GOOD
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lunastar92 · 1 year
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"And Muncy, lose the blazer." --- Olivia Benson
😂🤣
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The Breakfast Club is starting in half an hour on AMC (May 19, 10:15 A.M. EST) in case anybody's interested!
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mr42 · 2 years
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no "Molly in denali" this morning because of the queen's funeral. geez colonizers strike again.
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01tsubomi · 2 years
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every cartoon in the past 10 years has been like “here’s one of our protagonists, a happy-to-lucky oddball preteen girl who’s optimistic to a fault” and every time i’m like alright yes yes keep em comin
#this could also just be a direct at disney tv animation bc. why has every one had this#can't stress how much i don't mean this as a bad thing though#if anything i wish i had like a lot of time to meticulously watch all of gravity falls star amphibia owl house and molly mcgee (and every#other similar show i've missed) and compare#when you think abt the types of characters that are appealing towards kids and what's relatable it makes sense to keep showing#unique and positive representations of girls who may not be as 'adult' as they're supposed to be yet and mess up but bounce back#and i do think the strength of each of those characters comes from the intention of the writers. like it's not like they all literally are#supposed to be carbon copies of each other#but seriously i wish i had like. recently binged all those series. so i could actually talk abt how each character succeeds#bc currently i'm drawing a blank on all but mabel#love you forever mabel#the closest i have ever gotten to 'defending x character on the internet isn't enough i need a gun'#i actually don't understand how the general populous view of her changed so much but that's besides the point#the main point here is i started watching molly mcgee and dude i love it#so silly and fun if anything i wish it were even zanier bc i love the moments when you can tell the crew were just having a good time#personal#all of this also circles back around bc the REASON i started watching molly after being so vaguely aware of it is bc i finally saw a tiktok#showing molly and libby's friendship#and idk if they're even trying to eventually let them be girlfriends but duuuuude i love everything abt them#two total weirdo 13 (?) year olds who just get to be besties and comfy around each other in all their oddness??#that struck a chord so deep inside me and if representation /is/ what they're going for i think that's a really good angle to take#representing the weird queer girls who stick together#which is also to say that i love!! weird cartoon girl protagonists!!#it's just a good type of girl character to be putting out there#so. yea i love em all. keep em coming. keep showing little girls they can be out there and loud and happy
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lifewithaview · 3 months
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Molly Windsor in Traces (2019) S1E4
Emma starts to trust her instincts, while Daniel has his own troubles.
*The director Mary Nighy is the daughter of actors Diana Quick and Bill Nighy.
It`s getting better and better!
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roughroadhaley · 7 months
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one of my new favorite needledrops: Are We Still Friends - Tyler the Creator in the season 4 Insecure Finale.
Issa & Molly sitting down at the restaurant from the very first episode to try and talk things out after their season long friendship break up. Coming together finally fight after they almost lose Tiffany to postpartum depression & both of their love lives are fucked. Truly great television.
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muppetsnoopy · 9 months
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super into this show called Ice Road Rescue rn. its like a very chilled out reality show that follows a Norwegian road rescue crew and they're soooo funny. they were interviewing the boss about his employees and he was like "this is Olav. he is good man. I can call him any hour because he uhh how you say... not have woman :)"
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wildflowercryptid · 10 months
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i had a few games i haven't played in a while so i traded them in at the video game shop in my area and got the new awl remake! i never got to play the original so i'm excited to experience the valley for the first time.
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angelynial · 1 year
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Lovelies, the "Barbie" trailer this week gave me strong flashbacks to another beloved cult classic: 1999's Superstar, starring Molly Shannon.
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An over-the-top, absurdist comedy about budding sexuality, while being obsessed with attention and eager for popularity and fame? A satirical take on youth only being able to relate to the world around them via the media they consume? I'd say it's the blueprint of the modern teenager, but I'd be unfairly dismissing the teens of every other era. It's evergreen, like Will Ferrell.
Click through to watch the whole film, for free with ads, on plutotv:
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chastainromanova · 1 year
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muncy calling velasco her emotional support animal lol
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Once again on my Arthur Weasley obsession.
Please send me all the fic recs 😭
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ordinaryschmuck · 4 months
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I love that The Ghost and Molly McGee's forced cancellation isn't just frustrating to fans of the show but to people in the animation industry as well. They're just as sick as we are about how much studios disrespect animation. They keep looking for the next Spongebob, Simspons, or goodness forbid Family Guy, but instead having faith in the creators and their content, they just...wait. They wait to make a profit and do the bare minimum to market their shows and make them available.
Let's look at Gravity Falls for example. I remember that when Gravity Falls was still airing, you would be able to find out a new episode was coming out based on coming across a commercial by random chance or by the people working the show promoting it online. Add that with the fact that it was on a different channel that required you paying MORE for your cable to get it. It WAS available through Disney Channel, a channel more available at a cheaper price, but the entire of Season Two got moved to the more expensive Disney XD, where Disney shows go to die, because...REASONS. With no warning or announcement. I think I found out about Gravity Falls moving to Disney XD because the trailer played during a commercial break. And that's just the START the show's problems. Mixed in with poor marketing, the show would have a crazy inconsistent schedule, where we'd have four episodes a week, a few months of NOTHING, a few more episodes a week, nothing for a few months, a random episode playing between that nothingness with next to no promotion, and all of that happening to the rest of the show until it finally died a slow death with its series finale where four episodes got stretched out for six months. That...is NOT okay. And it doesn't stop with Gravity Falls.
Steven Universe, OK KO, Ducktales 2017, Amphibia, The Owl House, and now Ghost and Molly McGee are all shows that had similar and sometimes WORSE treatments as Gravity Falls did, where the networks gave next to NO marketing, the creators had to promote their own shows themselves, and the airing schedules were so inconsistent with wildly long hiatuses that only the most dedicated fans were willing to keep watching. General audiences (mainly kids) weren't willing to keep up with shows that had ongoing stories if the episodes stories kept being too spaced apart and never had reruns as frequent as other shows like Teen Titans Go or Big City Greens (Or whatever's constantly on network TV nowadays. I don't know. I mostly watch shit on streaming).
The people of the animation industry is catching onto all of these tricks, and they're getting sick of it. They're getting sick of inconsistent schedules. They're getting sick of trying to bend over backwards in every possible way to make the show they wanted. By either making serialized content as episodic as possible so the network could air it more or by condensing their stories as much as they can, already expecting that forced cancellation to happen sooner than later. And in some cases, they don't even get the luxury of being told their show is ending. Did you know that Inside Job and Paranormal Park both had seasons that were already in development before Netflix pulled the plug shortly after releasing new episodes of their shows? Did you know that The Ghost and Molly McGee was already working on a Season Three before Disney shut that down so they had to force out a series finale that would still be good despite the cancellation? Because it's true. It's ALWAYS true. Creators want to make MORE, but the studios won't let them because they didn't profit off of it. Except they WOULD HAVE if they treated it better.
I want kids to grow up with characters that stick around through their childhood, just like I did with mine. I want kids to have their own Ed, Edd n Eddy, Codename: Kids Next Door, Phineas and Ferb, or Kim Possible. I want kids to watch shows that last more than two-three seasons, stick around for years, and leave an impact as if they have all the time in the world because to them, it feels like they do. I want kids to have a show that ends on a high note because the creators wanted it and not because the networks demanded it. But the unfortunate thing is that it doesn't seem possible nowadays. Because if a mostly episodic show like The Ghost and Molly McGee fails, despite being charming and inoffensive and something most kids will love, the what hope IS left.
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