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#non white characters
crunchycrystals · 7 months
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this makes me want to cry
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puppyeared · 5 months
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wanna see a magic trick? 🪄🎩
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not the human au's when they make maul and ahsoka white... nahhhhhh nah that aint them sorry. sorryyyy theyre not white. theres no way. also i think ahsoka would wear a headscarf no i will not elaborate yes i will because it would look like her lekku and its totally not because i wear a headscarf sometimes noooo what are you talking about hahahha
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ahsoka moment. thats all thanks. (yes im working on an ahsoka headscarf for myself shut up. )
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eldritch-ace · 9 months
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Made a cute cover art for my miraculous playlist, thought I would share it
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weedpoop · 2 months
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redditors will be like “erm does anyone else think abed is a bit of a dick 🤓” as if their faves aren’t a disbarred lawyer who sees women as objects, a future cop who drugs her friends with amphetamines, a white feminist who equates virtue signaling with political activism and thinks animal abuse is worse than racism, a pro-life fundamentalist christian, an arsonist, and pierce
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Not a huge fan of recent Marvel comics forgetting Magda and her importance in Magneto's life and history in favour of focusing only on Charles.......
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I'm taking a break and feeling a little bit self-indulgent so I think I should introduce to you guys my two first and oldest daughters:
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Sol & Nox
They've been with me since maybe my first year in secondary school, and their designs changed a LOT through the years. They're like my dress-up doll tbh.
They're based on common Asian legends about the sun and the moon, that's why Sol's original form is a three-legged bird, and Nox's is a rabbit
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This dude? Oh, don't mind him, at least not now. He's not worth mentioning at all lol~
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pawthorn · 2 years
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So I hope people recognize the work Erika is doing with Dusk, because it’s soooo frickin good.
Beyond the amazing change in demeanor we saw during their dream, they’ve also been pushing the party’s buttons in all the right ways. And this party? This party needs that. They came together to work for Eshteross, they need something to keep them together once that job is over.
And Dusk is already doing that! Without doing anything outright villainous. Just by crossing boundaries. Asking out the two people least ready for romance back to back. Pushing a little too hard for FCG to fly. Letting their annoyance slip through when the Hells pushed back on their plans. And their plans are good! They’re too good, too focused on success without consideration of the feelings and safety of individuals.
I don’t know if the cast yet knows that Dusk has ulterior moments, but Erika is doing a fantastic job of laying enough groundwork to raise the party’s suspicions, to unite them in a way other villainous characters have yet to do. Orym, Ashton, and Imogen stand together to say, no, FCG shouldn’t fly. Chetney and Ashton both refuse to choose seconds— to dictate which of their friends will risk their lives.
The entire time Erika is at that table, she’s watching and listening and looking for opportunities to exploit. The questions they swoop in to ask, the way they poke and imply things about the party… it’s a thing of beauty. She and Darin De Paul really leaned into the unique opportunities of playing a guest character. So much about Dusk and Sprigg is specifically crafted to provoke the party, one way or another.
The Bassuras arc has been my favorite so far, I can’t wait to see the race, infiltrating the Seat of Distain, and the arrival of Fearne’s parents. I really hope Dusk doesn’t die, they’d be a great recurring character if Erika can make the time. Anyway, I love this character and all the work Erika is doing with them, it’s a pleasure to watch.
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take it up with management
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some sovereign designs bc i dont think ive ever seen one of before they got nutribulleted together
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frankencanon · 3 months
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mash looks like if mob went through saitama's character arc
like a combination of mob and saitama
he's mob but saitama-shaped
does that make sense
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scalproie · 3 months
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Kazuya, Power and Freedom
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hamartia-grander · 5 months
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In all seriousness though. Luis Serra Navarro is not white. Your art of him should not be white. Your perception of him should not be white. You don't even have to know the history behind his last name to observe with your eyes that he is not white. He is noticeably darker than everyone else in the game, so colouring him lighter, or God forbid making him look as light as Leon and Ashley, is just an absolute lack of observational skills. Even if you are not willingly, actively choosing to whitewash him, your conditioning to whiten features or skin tones is absolutely at work here. Everyone is susceptible and subjected to it. You need to fix that.
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strawberry-s0ap · 10 months
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remaking my old stimboards - 3/?
x x x / x x x / x x x
original here!
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overleftdown · 4 months
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saltburn and privilege; an investigative tangent
god, where to begin.
i've seen a lot of people discussing this moving and specifically using the word "privilege," along with power, dominance, desire, control, greed, etc. me included. these are all very essential aspects of this movie. what i want to focus on is emerald fennell's nuanced portrayal of how different types of privilege interact. which one trumps the other? which types of privilege are more visible, while others are more subtle? what differentiates different levels and layers of privilege?
when emerald fennell describes the core of this movie, her inspiration for this script, she talks about desire versus untouchability. she chose the most absurd type of wealth to represent untouchability: the british aristocracy. old wealth, generational wealth, so far removed from the majority of their ancestors' sins that they can arguably ignore that the money they're standing on is dirty. and they live in fucking castles. this is one of the most unbelievable, gaudy, visible types of privilege you can imagine. everyone is entirely aware and feels entirely justified to call attention to this type of privilege.
oliver, being the main character, might be considered the least privileged within this movie. i'd like to take a critical look at this. this movie is not a straightforward class commentary; there is no traditional "the poor eat the rich" dynamic. because although some people perceive oliver as the least privileged character in this movie, he is incredibly privileged. oliver comes from a comfortable upper-middle-class home in the suburbs. oliver has two loving parents and two sisters. oliver is white. oliver is a man. interestingly, from oliver's perspective, he's not privileged at all. he hates the cattons because they are more wealthy, more comfortable, more untouchable. this extends to venetia and farleigh, even though oliver has applicable layers of privilege stacked above even them. he knows he has a certain type of power over them... yet he still hates them because they have one type of power he doesn't have.
that brings me to my next point. the existence of one type of privilege does not negate the effects of another, entirely different, type of privilege (or marginalization) [quote]. this is what venetia and farleigh's characters draw attention to. venetia experiences some of the same struggles as many women; she is ignored in her own household, perpetually existing within her brother's shadow (rosamund pike once lovingly pointed out that venetia does not have a single conversation with elspeth in this movie). she's insecure about her body and her worth, so she takes what little opportunity she has to use felix's friends as a form of self-fulfillment. farleigh is not only half black, but he's also queer, non-immediate family, and unaccustomed to english culture (specifically this type of english culture). farleigh is, in some ways, more financially unstable than oliver's family because his mom was too sheltered to understand money and his dad is, apparently, "a lunatic." (that's not to say farleigh isn't economically privileged because oh boy, he absolutely is).
this movie doesn't intend to incite pity from the viewers for any of these characters, and it generally doesn't. oliver is pathetically greedy, ungrateful, and desperate for a chance to lick the boots (or bathtubs) of those above him. venetia is pathetically bored of the privilege she does have yet is still so entrenched in emotional turmoil due to other areas in which she is marginalized. farleigh is pathetically attached to uninterrupted comfort and arbitrary white-centric expectations, constantly running from or attacking any threat of struggle. none of these people understand, comparatively, what the less fortunate experience. they are so ignorant to the bubble they exist in and just how grateful they should be for what monumental privileges they do have. but... felix.
felix is the epitome of privilege. oliver is specifically obsessed with felix. just like oliver, felix is a white man. but felix is more wealthy, more comfortable, more untouchable than oliver. oliver isn't as infatuated with farleigh and venetia because he's fully aware of the privilege they lack. he's fully aware of the privilege he holds above them, and he enthusiastically uses this power he has against them. to be in the position of oliver is to be consumed by jealousy and greed so bottomless that you will assert your dominance over any group that you're able to. felix doesn't need to do this. he's been handed every privilege under the sun and therefor welcomes the less fortunate with childlike interest and an equally childlike attention span. there's an aspect of farleigh and venetia's marginalization that is so invisible, so quiet and unassuming, that felix doesn't even notice it. he can't possibly be confronted by it. to be in the position of oliver is to understand what power you hold over others, because there is always more power to have.
racism, sexism, wealth, power, control, desire. there are so many facets of this movie that come into play. it may seem overwhelming, but this is... how things work. commentary on wealth is, and should be, equally a commentary on other areas of privilege. to be black and wealthy means different things than to be white and wealthy. to be a wealthy woman means different things than to be a wealthy man. to be rich to some also means you're much less rich than others, unless you're the richest person in the world. and, as this movie so beautifully portrays, to be richer than most doesn't make you less messy. the catton family is an ugly one, but also a complexly human one. each catton (or start) is jealous of someone else for another reason. each catton is emotionally damaged or incompetent for another reason. each catton has a different layer of privilege over the other. and each catton loves everyone in saltburn, because this is still a family, albeit a terrible one.
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idkaguyorsomething · 5 months
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if i had a nickel for every movie i watched that starred rachel zegler and josh andres rivera featuring young adults fighting each other to the death in a story that condemns how society perpetuates and even encourages these violent tragedies that also had a fuckton of singing, i’d have two nickels.
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seeminglydark · 3 months
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Evolution of Caro’s Hair.
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