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#not holding anything back
ingravinoveritas · 9 months
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Crowley and Aziraphale always came off as romantic to me; both in the book and in the show. They have so much more chemistry than anyone else. And I always second guess me reading their relationship as romantic when I see the general public's takes. So then I go back over like, okay, if this was a man and a woman, how would this read. They do couple things all the time. They use pet names. The show leans more into pining but in the book it feels like they're already married. Both the narrator and other characters refer to them as a couple and its never contradicted. Is that subtext or just plain text. I wouldn't call it queerbaiting, but queercoding or representation doesn't feel quite right either. Are we reading too much into it or is media literacy dead.
Hi there! Thank you for sharing these thoughts in response to my post from the other day. What you've mentioned here (how this would read if it was a man and a woman) is something I have thought about as well--both in terms of Aziraphale/Crowley and Michael/David, as I have shipped them outside of the show for some time now, and especially given the increasingly fuzzy line between them and the characters (which both Michael and David themselves have talked about in multiple interviews).
I think what we're seeing is neither queerbaiting nor queercoding/representation, but instead a sort of incongruity between what was put on the printed page when Good Omens was first published and what was brought to life on screen when it came to TV. What I mean by that is I often see a lot of people point to the line "gayer than a treeful of monkeys on nitrous oxide" as proof (almost typed "poof" there--hello, Freudian slip...) that Neil/Terry meant for the characters (specifically Aziraphale) to be gay. But from what Neil has said, the main intention here was for this to be a play on words--so, "gay" as in homosexual, but also "gay" as in happy, which was the original meaning of the term. I'm then led to think that in the minds of two cishet men in the late 1980s, "gayness" conjured a particular, unserious image, which they then brought into the writing.
Fast-forward to thirty years later, and you have Good Omens finally becoming a television show. Terry Pratchett (Gnu) had sadly left us, and so the task fell to Neil to write the screenplay and honor Terry's last wish by faithfully adapting the story. And while Neil wisely decided to cast Michael for his goodness and angelic-like nature, what I think he didn't count on was Michael's long-held beliefs and ideas about the character of Aziraphale and how he would portray him, or his profound penchant for playing numerous queer characters over the last several decades. The gayness of Aziraphale on the written page was something that Neil could control, but he couldn't control the gayness of Aziraphale as interpreted by Michael.
So that led to Neil having to address some things that I don't think he was quite prepared to address, both about the show and inside himself. Mainly, that if we are to extrapolate that what we see in season 1 is a reflection (to some degree, anyway) of Neil's views on relationships, a straight couple with little to no chemistry can jump into bed together without any hesitation, but a gay couple with tremendous chemistry and who share a deep and profound connection can't express that, either physically or by simply saying "I love you."
Much discussion has been made about how it's not necessary for someone to say "I love you" to convey such a sentiment. But what I've noticed missing from this discourse is the age/experience of anyone who has been in a relationship where that wasn't said (or conveyed) by one partner and how painful that was for the other partner. And as I mentioned in my other post, even once gay/queer people started to exist in media, they still weren't allowed to fall in love. (The phrase "the love that dare not speak its name" even came into being because of this taboo, for crying out loud.)
So when we then look at the countless tweets from Neil about how Good Omens is a love story while considering the vastly different ways in which that love is regarded when it's straight vs. when it's gay, his words start to ring somewhat hollow. And if he repeatedly has to emphasize that something is a love story, then maybe it isn't coming across as a love story in the way he thinks it is. Maybe Neil being more comfortable with casual, meaningless sex than a deep commitment speaks to a larger issue on his part. Or maybe Neil was fine with the abstract idea of a gay love story, but suddenly less comfortable with the concrete, three-dimensional reality of it.
If I had to use a word to describe it, then, from a media/cultural standpoint, I think I would call it "queerplaying," which I would define as roleplaying queerness on a surface level without actually delving into the complexity and messiness of what it actually means to be a queer/non-cishet human being. (To be clear, I am applying this to the writing/the original GO text, not to what Michael and David ultimately brought to the roles as actors.)
I hope this all makes sense. Again, the second season could come out tomorrow/Friday and prove me completely wrong about everything I've just said here, which would be wonderful. But I'm glad that other people have felt similarly about what we saw (or didn't see) in the first season, and the disconnect between the perceptions of fans/the perception of the public vs. Neil's authorial intent. Thanks for writing in! x
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7roaches · 7 months
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sorry that took like an hour i stopped to eat dinner heres my idea
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ruporas · 10 months
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thinking about wolfwood (ID in alt text)
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ryllen · 2 months
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snap! 🫰 snap! 🫰 and it's birthing time already
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x-i-l-verify · 3 months
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Something that I've noticed ever since the Smiling Critters were introduced is that they can so easily be paired off into complementary duos, ones that are specifically designed to teach children fundamental lessons about life and self-care from two different angles. It's really interesting to me.
Like obviously you have Dogday and Catnap, with their sun/moon, dog/cat dichotomy, that stress how important it is to have fun and get things done during the day, but also that it's important to wind down, relax, and get a good night's sleep.
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Bubba Bubbaphant and Craftycorn were introduced as a duo in the Smiling Critter show's intro, and their dichotomy is quite obvious. They are basically the right and left sides of the brain personified. Bubba is the left side of the brain, logical, analytical, focused on math and science. Craftycorn is the right side of the brain, creative and imaginative, focused on the arts and self-expression. They represent learning and academia in all its forms, the different ways people engage with and understand the world.
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Hoppy Hopscotch and Kickin' Chicken form the sportsmanship duo. They are both portrayed as enjoying sports and the outdoors, but in different ways that highlight the different ways sports can be played and enjoyed and also what it entails to be successful at them. Hoppy Hopscotch may be loud and impatient, but she is also a team player, shown in her willingness to slow down her fast pace to make sure none of her friends are left behind. Kickin' Chicken, on the other hand, is laid-back, relaxed, and chill, the described "cool kid" of the group, but he's also described as having a ton of perseverance, more of a "slow and steady wins the race" type of person.
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This leaves Bobby Bearhug and Picky Piggy as the last pair. Fittingly, these two are all about how to meet the fundamental needs of yourself and others. Bobby teaches children how to nourish themselves emotionally through showing and receiving care from others, while Picky teaches them how good food is important to nourish the body and soul. Depriving oneself of either of these things only makes oneself and therefore everyone around one miserable, because those fundamental needs are no longer being met.
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Like fr, this is some pretty genius marketing right here. You have enough characters that every kid will have their favorite, but not so many that any would get lost in the shuffle, because the lessons each one of them would teach would be integral to the group as a whole. It really makes me that much sadder we saw basically nothing of the Smiling Critters during the game itself, because Mob Games struck gold with this concept, only to ultimately do nothing with it. :/
But I guess that's what fandom is for, eh?
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swordheld · 7 months
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do the silly thing. if you do not do the silly thing time will pass and it will not be the same silly thing it could have been. it will still be silly, and it will still be yours, but it will not be the same. this is both a blessing and a curse, but so is living; and if you do not do it now when will you? who will? it has to be you, it was always meant for you, waiting for you.
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varilien · 2 months
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wednesday was the 1000th day since the fateful afternoon my roommate asked to see the space cowboy show i apparently used to talk about a lot and i wanted to do a big illustrated piece to celebrate but my job keeps me from drawing anything at all !!!!!!!
anyways i've been missing vash so so so so so bad u guys can anybody hear me it's so dark in here.
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lines also cuz i really like how his hair turned out :3 reminds me of the couple shoujo manga i read as a kid teehee
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warpedpuppeteer · 2 months
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You know what gets me? The fact that Buck was so fucking pissed at his parents and was taking it out on the punching bag yet when Eddie places a hand on the punching bag, Buck stops mid punch. He's so in tune with Eddie and his movements that he catches the move while he's fucking pissed and stressed and goes oops can't hurt the boyfriend by accident. Also the fact that Eddie knew Buck wouldn't accidentally punch him . The fucking trust he has.
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puppetmaster13u · 4 months
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Prompt 142
Dan came from the Flashpoint timeline, which was destroyed. Well, mostly destroyed. There were a few things that slipped through, which would be concerning if it was anything else. Honestly Danny has no clue what to think about the murder-grandpa Batman ghost, but honestly, he’s happy to get proper training and- holy fuck the murder-batman just oneshot Vlad away this is his new favorite person. 
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perpetual-fng · 4 months
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a very rendered roach
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puppyeared · 5 months
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doodles of my fav sillies
anton belongs to @poicyss
#my brain is a barbie dreamhouse and theyre all just living in it#im especially fond of the second one because my mom used to hold me like that all the time <3#im drawing them a lot lately because im being crushed by the horrors and have to compensate for it somehow#homemade comfort blorbos......#watch me draw anton inconsistently bc i can never decide if i wanna draw him close to how he actually looks#or yassify him and give him soft fluffy hair and kind eyes and defined features. head in my hands#i dont really have a lot of drawing ideas for them bc they dont have like. a canon storyline or anything methinks#its just stuff me and bow toss around and giggle abt thru messages lol. maybe ill draw infant vincent one of these days#i just come up with stuff and draw them doing it. it makes me feel warm and fuzzy inside#cuz like anton works for lobocorp as an abnormality BUT hes super duper chill and cute and does his funny little tasks so its fine#AND hes unkillable. auggie is an oc ive had since like 6th grade and i smushed them together. and vincent was for fun but i got attached#i dont have much of a read on anton either bc i think hes meant to be more of an insert character??? if im using that right#on one hand i dont think too hard abt anything being ooc since im not taking it seriously. on the other hand i just hold them in my hands#and stare into space until i can come up with something to draw since i dont have much to go off of. but its fun to build on small tidbits!#i think bow called it an au so i guess??? its an au????? im not really sure. bow if youre reading this im just willy nilly#the only thing i know for sure is that they boink like rabbits. im talking gomez and morticia levels of boinking#maybe ill go back and look at my old doodles for them and redraw em lol#myart#my art#my oc#oc#friend oc#augusta#anton#vincent#sillies family#doodles
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snackugaki · 2 years
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boys from the bay(verse)
it’s nap time, you little shit
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kingkatsuki · 2 months
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Bakugou blows so hot and cold you never truly know whether he’s actually in to you or not.
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fanaticalthings · 2 years
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Just thinking about how Jason had a bit of a rough childhood and considering the state his parents were in, I feel like he probably wasn't held much?
So can you imagine Jason getting carried by Bruce for the first time and absolutely loving it, but he's too afraid to show how much he actually enjoys it, which gives Bruce the impression he shouldn't do it often, until Jason has to shyly ask B to pick him up like how a 5yo would be asked to be carried by their parent like:
[Jason lightly tugging on Bruce's shirt]
Bruce, looking down at him: What is it, Jay? Do you need something?
and it's just Jason hesitantly raising his arms up hoping Bruce will get the message sjoajdiididjns
and ofc Bruce is absolutely elated that his son loves to be held by him and squeezes him extra tightly when he picks him up
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mizzyislost · 1 month
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so i heard it was a certain silly slug game's birthday
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havntedcheese · 2 months
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when people put monster high with other y2k nostalgia items im like
MONSTER HIGH WAS RELEASED IN 2010 IT IS NOT Y2K OR 2000s ADJACENT
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