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running-with-kn1ves · 3 months

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Hii ! I wanted to ask if you could do more yandere gangster.

A/N: here's a ramble that is similar to so many other fics/imagines but its ALL I CAN THINK OF RN...

CW: kidnapping, yandere themes, murder, illicit substances mentioned, weaponry, some suggestive thots, general dark content shtuff.

Gangster! Yan who’s the right hand man to one of your city’s oldest gangs, the bosses family operating it since the prohibition era. Their main source of income back then was smuggling alcohol to different speakeasies and clubs, now mostly dabbling in the occasional shipment of opioids or small arms that they can get their hands on. Your gangster! Yan doesn’t handle that side of business, though. He’s been tasked to oversee deals, and the protection of the boss and whatever sweet treat he has on his arm for the evening.

When a ‘project’ goes haywire, he’s there to settle things. When someone needs to be taken care of, he oversees it while his boys do what they need to. And when there’s a witness to a particularly unsavory part of business, he personally sees to shutting them up.

That’s why he didn’t have a choice but to watch you, to learn your morning routine and stare intensely when you perused the grocery isles indecisively. The boss put him up to it, to dispose of every flaw in their seamless operations; countless times he entered your backdoor, breaking the lock you had just replaced due to his previous endeavor, watching you curl up in warm white sheets and smush your face against your pillow. Standing outside wasn’t an option anymore, his shadow from the window disturbed you, and it blocked the trickle of moonlight on your dewey skin.

Even with the small pistol in his hidden coat pocket, the crowbar he ued to pry the door open, the compulsion to rid you of what you had seen to appease his leader could not overtake the complete desire to rub his face into your chest, to have your thighs wrapped around his head like a sea of warmth, needing that earthy scent of your skin that somehow calmed his screaming heart to completely surround him.

What drew him to you was how alone you had been-- at home, at the scene of the crime, when you were out and about. Who would miss you? Who was there to take care of you? What would be the purpose to killing you? You hadn’t even gone to the police yet, despite the millions of questionable asks you submitted to reddit and looked up online for what to do after seeing a man’s murder.

The roughly edged gangster found it endearingly cute, so foreign to the life he had led. You had no way of stopping him if he completed what he was supposed to, no one to turn to if you suddenly found yourselves at the hands of a shady group of men who used you as a drug mule.

Gangster! Yan knew the kind of underlings his boss employed, easy men on probation or past druggies who wouldn’t think for a minute to stop from gobbling you up on the side of the street if you just so happened to walk down the wrong alley. Seeing as you had stupidly yet to make a distinct change your route after witnessing his gangs work, it could happen any day now.

He couldn’t let you fall prey to the men he didn’t have a leash on, nor let you continue to live in such suffocating solitude with that neutral look on your face forever. Even if it was only filled with fear from now on, from him-- he’d give you a better life than what you lived.

It was too easy to take you, too easy to drag you to his car, too easy to put you in the decent condo he had been paying for the past decade and barely came home to. Now, he had just realized, he’d have a real reason to come back home. He couldn’t just sleep the night away in shitty bars just to wake up to the next day of work. He had to take care of you, feed you, make sure you bathed.

Gangster! Yan was almost as surprised when he gave you the cold shoulder, heartlessly teasing you for your stupidity in walking down a known drug-trade neighborhood, for not having realized that he had stalked you every. single. Day. as you were blind to his heavy, broad shadow of scars and grimaces.

You were so quietly willing to appease him, to scoot to his lap when he demanded it with a threatening hand over his pocket, pretending as if the empty space was a weapon. “Please don’t kill me” you asked neverendingly, every meek breath expecting a slap or a shove off. But the criminal held onto you tighter, hating the reminder that you weren’t a willing pet.

Even when your eyes faded back with ecstasy, your arms thrown around his shoulders with a grip that only a lover could offer, he saw the flinch you gave when he bent down to kiss you.

Even with his harsh spats that he throws at you for your mistakes, his belittlement, you are his comfort doll when he’s deal with hardships for the day. When the horrible things he’s done starts to get to him and the alcohol doesn’t drown it out, or when one of his drop-offs go to shit, you’re the one he bee-lines for for to rant to, to make you stroke him and nod at how hard he’s worked. But his possessiveness is soul-crushing. His grip is painful when he holds you at night, his kisses rough against your mouth with his chain-smoker breath and chapped lips that haven’t been touched in ages.

But with you, he’s learned to take better care of himself. He already has you, wants you in every way, but he needs you to want him, to need him. So, coming home to shower, geling his hair back like he did as a young rookie, shaving his 5 o’clock shadow, he’s made himself into the perfect, respectable man-- or wannabe bad boy. But no amount of grooming could change your perception of the blood stained gangster that kept you in a cage before you were trustworthy enough to be chained to the bed.

“I’ve killed for you, who else could say that?”

“Been thinkin’ bout you all day, waiting here for me. Came home as fast as I could so you wouldn’t be lonely. A nobody like you can’t be left to your own devices for too long.”

“Won’t let no other fucker get a hold of you, you’re mine-- through and through. I’ll kill us both before something seperates us.

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cringefail-clown · 2 months

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okay, so we know that godtiering heals you. tavros gets his legs back, vriska gets her eye and arm back etc etc. furthermore, it could be interpreted as healing perceived disadvantages. terezi wouldnt get her sight back if she were to godtier, because she doesnt see (pun not intended but here we go) her blindness as something that weakens her, quite the opposite - and when aranea heals her sight, she hates it and purposefully wears a blindfold. sburb would recognize her preference and honor it once she ascends.

we could go even further. once ascended, all your perceived weaknesses would be removed, and what weakness means varies wildly from person to person. harlenglishcrocegberts keep their glasses, as well as vriska - we can assume they never felt like their bad sight was any issue for them, so it was left out. for trans folks, and lets put myself under the microscope - if i were to godtier, sburb might throw my way a nice and quick top surgery, but leave the rest alone since i dont have any strong feelings about those.

it could even heal things like brain damage, chronic pain, migrains, cancer, anything that you feel like brings you down will be removed. alpha kids get their hangovers healed up. ascending basically builds your body up from the start, atom to atom, whole dna rewritten if you want it to be.

my question now: would it, or would it not remove karkats or kankris mutation, making them limebloods? everytime we see vantases who are god tier theyre ghosts, and their wings are not shown. it might be because theyre small (which is a popular headcanon) or they dont have any, be it because of their mutation or because its a feature of the bloodcast they originate from, or theyre simply hidden. either way we never see what the actual color of their wings is, which would indicate the color of their blood after ascention.

basically i have no idea. but its a fun thing to think about and ive been doing it for the past few days now

#homestuck #homestuck meta #karkat vantas #kankri vantas #terezi pyrope #godtier #either they dont see their mutation as a weakness anymore and they stay the same #or godtiering couldnt change their mutation (unlikely for me)#or they really just straight up switched their bloodcaste and we were just never shown lmfao #i think the vantases are limebloods thing is also just a theory but i like it so much im basically treating it as canon #i mightve missed some info about the godtier stuff tho so if i got something wrong/it was explained then lmk!

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waveoftheocean · 9 months

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yet another vw wip for this week's wip wednesday bc i have zero (0) self control and so. so. so many thoughts abt them

#vashwood #trigun #trigun maximum #vash the stampede #nicolas d wolfwood #mine #wip #lmao ngl this looks like it could be done but it is not!!!! it is not :3c #please join me on my journey of creating more and more elaborate merch #where the setup and trying to vizualize how the pieces should fit make my head hurt 🤯#(but yes this will be a charm and it has multiple parts and i really hope it comes out like i planned it to)#merch stuff #actually my caption is a lie i have SO much self control #because this much? this is me holding back #i want to draw SO MUCH of them i want to read fanfic i want to rewatch tristamp and finish the 98 anime and finish the manga #i wanna admire other ppl's fanart and cosplays and theory vids and edits and everything just everything.#but NO. i live in a capitalist society and i have to WORK. I HAVE DEADLINES 😭😭😭

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samijey · 2 months

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Kevin was living for this one

#randy orton #kevin owens #wwe #wweedit #smackdown #wwe smackdown #theory really went ZOINKS #stuff i made

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fernifox · 2 months

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Sorry it’s last minute! This is for @where-does-the-heart-lie ‘s dtiys challenge. I adore how whery draws sabo and the other asl bros. They mean so much to me. I’ve drawn sabo a few times now but I’m still not satisfied with how I draw him, but I’ll get there, hopefully.

Btw this guys missing his ear and horn on the other side of his face! To match the scar, and the mask around his neck filters out smoke and other stuff, cause I feel like he has to have some lung damage from being blown up. Fire and all that. Oh! And the pack on his back is a special flame thrower type thing. It lets him release fire out of the palms of his hands and the heels of his boots.

Alt version and og sketch under the cut

I thought the :> was too cute to leave out.

#one piece #sabo #revolutionary sabo #one piece fanart #whery dtiys #dtiys #dragon sabo #Ferni art #I really need to practice general color theory stuff still #just avoiding it #idk why sabos so hard for me to draw #maybe I have higher standards for him because he’s my favorite #anyways thank you for this fun little challenge whery!

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morganbritton132 · 9 months

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Living for conspiracy Steve. You know if they tried anything Joan the Disservice cat would be on the case. You also know Diane clocked it during her looky loo walks and she’s got tea. An alliance is forming.

What’s funny about Steve’s paranoia with the electric company van parked outside is that it’s definitely just the electric company.

If SoMeBoDy would just listen to reason then maybe they might remember the bad weather they’ve been having. They live in a suburb just outside of Chicago. It’s windy and wind messes with powerlines, but Steve isn’t dumb. Thank you very much.

He knows that.

Just like he knows what logo Mike said was on the van that El flipped. And like he said, “It’s spycraft 101. Of course, they’re here after a storm. It’s inconspicuous.”

“Big word,” Eddie replies appreciatively. “How do you know that?”

“I took the SATs?”

“Now the word! Why do you think that they’re tapping our phones?”

“It’s in all the movies, Eddie.”

There’s an unspoken duh tacked on to the end of Steve’s sentence and Eddie kinda loves it. He kinda loves how confident Steve is when he’s convinced himself this shit is real and a little part of Eddie wants to play along, but he knows how quickly it can all go bad so, “Baby, please. Stevie, what are they tapping into? We don’t have a landline.”

Steve pauses to think and then peaks back out through the blinds. He mutters, “You don’t know how wiretaps work?”

“Do you?”

Steve just purses his lips and looks even harder out the window which is just Steve-speak for ‘no, actually. I don’t know how wiretaps works because no one does.’ It makes Eddie grin, sliding up behind him and whispering in his ear, “Don’t you think one of our half dozen nosy neighbors would’ve told us if someone was spying on us?”

“Not if-“

“Baby, Diane came over twice last week because she saw a suspicious car in our driveway,” Eddie hums. “It was our car, Steve.”

Steve relaxes back against his chest a little but he knows the battle is not yet won so, Eddie adds, “Sweetheart, think about it. They’d know.”

“That’s true,” Steve relents just a little and then says, “Unless one of our neighbors is a spy.”

“No, baby.”

“Like a nosy neighbor that’s always in our business,” Steve continues, building confidence. “And who has always been in our business ever since we moved in…and who is talking to the electric company people right now.”

Eddie looks out through the peak in the blinds Steve is making and watches as Diane makes her way down her driveway in her pink house shoes, waving at the man halfway up the telephone pole. She calls something up at him but they’re too far away to hear it.

He can feel Steve pull away and Eddie thinks, damn it.

“Well, that friendship was good while it lasted.”

#meanwhile Eddie has like three restraining orders out against people for stalking #but thinks the idea of the government spying on them is too crazy even though one of their best friends can move stuff with her mind #I love when characters are one hundred percent correct but in the wrong direction #it reminds me of this umbrella academy AU I was writing where Five unrolls a conspiracy theory correctly but then accuses #Diego of being a part of it which is wrong even if he had really good points about it #eddie munson tiktok saga #eddie munson #steve harrington

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mx-metronome · 5 months

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I AM STILL BEING 300% NORMAL ABOUT THIS JENOVA CHEN INTERVIEW, REVIVAL EDITION

Rehashed my old theory now that Revival is almost over and I’ve had some epiphanies

#sky children of the light #sky cotl #thatskygame #sky spoilers #season of revival #sky two embers #sky theory #THIS NEW FIREWORKS STUFF HAS ME FEELING THINGS #hopeful steward really IS more than just a questgiver #SO much more #and Two Embers is gonna PROVE it

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krimsonmay · 2 years

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guardian angel

#deltarune #kris #digital art #fanart #deltarune fanart #kris deltarune #noelle deltarune #noelle #krimsonmayart #i have drained all my sanity #i love itty bitty details but absolutely DESPISE making them up #like i'm not that creative chill #anyway this was originally (as a sketch) supposed to just kris and ralsei instead of noelle #bcz i have some dumb theories (not really thories) about some guardian angel stuff or whatever #but i changed my mind #wanted to draw the deer girl hehe #detailed

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laniemae · 6 months

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The sexualisation of Mikoto, stalking, and how the fandom is repeating this.

CW: Stalking, sexual harassment, fanservice, murder

I’ve been thinking a lot about Double’s thumbnail, and especially the stalking theory. And if you think about it a lot basically everything fits up and that his victim was likely his stalker. Although a lot about what happened I never really have seen discussion on the why or how it’s been happening, so I just want to give my thoughts and theories on this all before Double.

The fanservice in MeMe:

The fanservice in MeMe has always felt really off to me. Milgram never has any fanservice-y stuff, minus Yuno in Tear Drop, but it’s only just her revealing outfit and nothing to do with strange camera angles or whatnot, and it’s very important to her character. For me and what I’ve think the consensus in the fandom has been, is it’s nothing more than that. That the fanservice is only there to appeal to thirsty fans or whatever. But I’ve been thinking a lot, and with the music videos extracted from prisoners minds, everything has a meaning in one way or the other. So for the creators to just throw a bunch of fanservice scenes in MeMe with no meaning apart from just plain fanservice feels really counter intuitive to the whole point of the MVs. And especially how this has never happened before makes it really strange to me. And with this idea in mind and going back to the stalking theory I mentioned earlier, I think it’s disgustingly clear what has happened to Mikoto.

Mikoto being watched:

I think what’s going on is that Mikoto was stalked for sexual reasons. The constant scenes of him in embarrassing moments (taking of his shirt, having a shower, having a bath) is what the stalker has been seeing and this subconsciously put itself into MeMe from Mikoto’s POV. Camera imagery in MeMe is very prevalent, from at the beginning him grabbing the camera and at the end him picking it up and punching it. I think this is supposed to represent him realising he’s being stalked and trying to hunt down who’s been doing it, and the destruction of the camera at the end to represent him killing the person.

Also around the middle of the song, we see security cam footage of him entering his apartment and crying on his couch, with Mikoto hyperventilating and gasping in the background. I feel like with everything I’ve said before this scene makes it extremely clear, that someone put up a bunch of camera around his house to catch him in those moments, if we’re taking that scene literally.

Then it cuts to him laughing at the screen in darkness, and the aforementioned fanservice scene right after this sequence of events really makes things scary to what was happening in his house. And also like I said before about the hyperventilating during this scene. I could mean multiple things such as him having a panic attack, being actually attacked or worse.

And the imagery of being watched doesn’t stop at just the camera stuff. At the beginning of MeMe in the scene at the train station, the camera moves around from behind a wall to reveal Mikoto sitting there holding a bat, like someone is watching him directly. To further back this up there’s a vignette around the edge of the camera and wee see it blink, like from a POV shot. And after the blink Mikoto disappears, and then we see him outside swinging a bat at the POV (just want to note this is outside and is probably in a different place than the train station, but I don’t know what to make of that right now, and how also the vignette I pointed out before isn’t present here). Then it cuts back to the scene in the train station, now with Mikoto holding a bat and walking towards someone on the ground, attacking them. Noticeably the vignette is still here in this scene, so the person Mikoto was attacking likely wasn’t his stalker, perhaps he just thought they were.

Wait I suddenly just got a theory from this. I just mentioned how the vignette in the scene I just mentioned likely means that Mikoto attacked someone else and the stalker was watching on. Me and basically everyone else has assumed that guy was his victim, but then what about the stalker? I’ve always strongly believed that Mikoto only killed one person but now I’m just starting to doubt that. If MeMe is to be taken in chronological order in this part, he probably killed that guy then realised that he was continuing being stalked. And as I said at the beginning of my analysis I mentioned that Mikoto punching the camera at the end could be representative of him killing the stalker and ending it (also to mention he gets the death card right before hand). And I didn’t think of it when I wrote that but what if he did actually kill multiple people in an attempt to kill his stalker. Hmm.

And going back to what I was talking about before, he probably entered his apartment afterwards and switched to Bluekoto after it was assumed everything was safe now. (Just saying I’m using Mikoto interchangeably to refer to all of the alters as it’s not clear who’s doing what, but this takes the theory of that blue was the murderer and not the other/s into account, because there’s a part of me that feels it wasn’t him attacking those people as red/green has a strong desire to protect blue and hide him from the traumatic events taking place).

I feel like I’ve gone way off track with what I’ve been saying here because while writing this I just keep noticing more and more stuff to write down and I just thought of someone thing again.

Every time it appears that Mikoto killed someone (the train scene, the garbage scene although the bag doesn’t look like a human body just saying), it cuts to a fanservice-y scene right after, maybe implying that the person he killed wasn’t the stalker, and he’s still being watched afterwards. Although this makes the bath scene kinda out of place as it doesn’t take place after a murder I think, and someone mentioned it was before the shower scene which kinda debunks this but I just wanted to mention this because why not.

Mikoto’s mindscape in MeMe:

Another thing I’ve been thinking about a lot is every character’s “mindscapes” as I call them. Yuno has an empty pink void with a tower, Fuuta has a fantasy land, Mahiru has a room inside a birdcage ect. And all of these places represent an aspect of their characters. Yuno’s representing her feelings of emptiness, Fuuta feeling that everything he’s doing is for justice and that he’s a cool hero, Mahiru being trapped and sheltered in an ideal concept of love and stuff like that. I’m going to make a theory on this in the future as it’s very interesting to me but Mikoto’s mindscape is always something that’s confused me.

Mikoto’s mindscape is a parallel of his apartment. Down to the couches, tables and everything, but lacking the bookcase and tv being buried in the water for whatever reason.

(Also I just noticed but there’s a blue thing behind the couch that Mikoto laid his head down on before which could be a bed or whatever. But in the mindscape and this other shot we don’t see it???)

(Actually maybe we do if we squint, oh well)

Okay, okay back to what I was actually going to say. The furniture from the apartment appearing in the mindscape makes sense, but what about everything else? The broken, tiled walls, the mirror, how everything is covered in a thin layer of water, the clear blue sky. There’s a bunch of this stuff I could analyse in my future post about mindscapes but I’ll just say the stuff that relates to what I was talking about earlier. But to say it right now, I think all that other stuff is supposed to be the bathroom we see him in.

Notice here the tiles are exactly the same, and we even see the same mirror he looks at himself in, in real life then Mikoto in the mindscape.

Also to point out how the Mikoto we see looking into the mirror here is wearing a sleeve and likely in the mindscape and as someone mentioned, since the ahoge is backwards it’s likely a reflection. Although it’s strange that it has the same green filter both ways.

After this we see bluekoto (presumably) fall backwards into the water. And another strange thing I noticed is that this mirror is behind the couch, but when he falls down the couch is tipped over.

Don’t know what it make of this but again I’m just constantly pointing stuff out I notice as writing this.

So basically I think the mindscape is a mix of the living room and the bathroom. The furniture from the living room and the water, mirror and tiles from the bathroom. But this makes things confusing, why the bathroom? Why would Mikoto project imagery of his bathroom into his own mindscape? This brings me to what I was saying before. The walls in the mindscape are completely collapsed, providing no closure or privacy to this “room”. The sky is also out, so his mindscape feels very exposed. And what I said earlier about my staking theory. It’s likely that someone placed cameras up in/around his bathroom to record him naked, a complete breach of privacy and that’s why this mindscape is so exposed and has elements from there. Even in this world that he created, he still doesn’t feel safe at all.

The audience and the repeating of Mikoto’s trauma:

Basically to sum it up from what I’ve said. Mikoto was being stalked and sexualised by someone. Cameras were placed up around his house to record him in embarrassing situations and he figured out, and attempted to kill the stalker.

But here’s one thing, that story we likely see in MeMe is happening again. But with the audience.

When MeMe came out everyone went ballistic. Lots of people were very surprised in how violent it was, how compared to the calm preview we saw it instantly started off with death metal and destroyed every idea we had about him, and kept switching between being calm and violent. But what I want to walk about right now is the reaction to the fanservice.

As we all know, when MeMe released a horde of thirsty tiktokers came over and started absolutely obsessing over Mikoto and all the fanservice scenes we see. Things got so out of control that people tried to vote him innocent just because he was hot and even jackalope bought this up. But thinking about this, it’s getting dangerously close to what I think happened in his story. Being filmed in embarrassing moments without consent, and having people obsess and sexualise you for that. The music videos are representative of the prisoner’s minds, and in no way would have Mikoto known how he was shown naked and shirtless for a huge chunk of MeMe. Same as him being stalked and recorded in his story if I’m right.

The fandom here is doing exactly what his perpetrator did to him down to a T. It’s almost like what happened with Amane when people tried to reverse her brainwashing by showing her tough love by not forgiving her, exactly like what the cult did to her to try and make her obey them more. This thing is happening to Mikoto as well as Amane and repeating their traumas. And also to mention how Mikoto has DID which is a result of repeated childhood abuse so it’s likely this has been happening to him alot and just can’t escape from this reality. And for the alters to take in all the trauma and leave the host blissfully unaware of everything’s that’s happening.

This brings into account how the guilty prisoners can hear the voices of the audience judging them. Fuuta completely broke down as he was constantly harassed with strange voices judging him and denying his actions. And he’s mentioned a lot of times how he can’t stand this feeling of being watched and this manifests through the eyes in Backdraft. And with Mikoto from everything I’ve been saying before it’s very likely he has trauma from this. And now feeling like he’s being watched and hearing the voices of the audience, who we know constantly sexualises him. It’s likely he’ll have to relive his trauma once again that he thought he finally escaped…

Conclusion / TL;DR

To sum this whole theory up I believe that fanservice in MeMe actually has importance besides just fanservice. And it’s likely Mikoto was being stalked by someone and recorded in those situations, and he ended up hunting the person down and killing them. And now because of the audience’s constant thirsting over him and how the guilty prisoners can hear everything we say about them, Mikoto will have to relive his suffering again.

Other things I’d like to briefly mention but didn’t have any space to put in, Is how since Mikoto rides a bike instead of a train to work as he said but we see lots of train imagery. And I think what happened is that he was probably being harassed on the train and switched to going to work alone. And the thumbnail in Double we see him looking depressed, on a train surrounded by destroyed mannequins.

#milgram #Mikoto kayano #milgram theory #cw stalking #cw s3xual harassment #After writing this I’m becoming more and more scared for what we’ll see in double #I’ve never really seen this theory talked about in much detail and connecting it to the stalking theory and this is my thoughts on it #I kept getting off track writing this and came up with a bunch of mini theories I just shoved in there that were somewhat related #ADHD brain working again #I also wanted to point out the parallels with Amane on the audience repeating the character’s traumas #I find it really interesting how milgram does something like that which I have never sen in any media before #I just want mikoto to be happy #I never usually write stuff on this topic but the more I kept thinking about it the more likely it seemed #Repost because it didn’t show up in tags #Also for something I want to note after I posted this is that mikoto is always shown sitting with his legs spread out #To the point we never see him sitting normally #I hope this doesn’t mean anything but I felt like it could possibly be related but I don’t want it to #LanieMae’s theories #To note I had to censor the Tw tag because it blocked my post if I wrote it normally sorry about that

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strbry-shortcakes · 7 months

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taking some extra anatomy classes this year, here are some of my notes in case they could help someone. should be updated every weekend (aside from october 28th and november 4th which are free days) with the following lesson's notes. (further explanations at the end)

anyway. here goes:

SCENE 0-1: LEARNING HOW TO LOOK/OBSERVE

when drawing, we each more or less have our own methods when approaching certain subjects, with multiple tools at our disposal in order to achieve the desired results.

but generally, when drawing a model (or most things from life, actually) we can in some sort of way define a general order as to when to draw what:

Looking / Observing

Blocking In

Correcting

Details

for today i’ll focus on the first one of the list, looking / observing.

the existing nuance between “seeing” and “looking” exists in the sense that “seeing” is more passive than “looking”. when you say “i can see a cat”, you aren’t paying too much attention to the cat. but when you say “i am looking at a cat’, you are actively paying attention to the cat and what they’re doing.

(given the class is in French, the nuance was similar, using the words “voir” and “regarder”. but due to French not having a close equivalent to “watch” i cannot make more parallels about this, as my knowledge of English and French-to-English translation is still fairly limited)

when looking at a subject, the primary objective should be to understand what you’re looking at. you can look at a subject (or the world as a whole) under multiple filters: values, hues, proportions, in 2D or 3D, and so on. you need to define how you want to look at a subject following these filters of vision. what do you want to look at first? what do you want the viewer to look at first? this is important to define before you put your tool to your support.

generally when drawing from life, it’s a bit reckless to rush to draw the model without actually observing them a minimum. you should take the time to observe, you are allowed to take your time to observe. no amount of limited time should paralyze you from examining the model the best you can before you put your tool to use.

getting this more precise vision of your model can give you a better vision of their body, which is often hidden under detail. when drawing them, you should ask yourself “how is the model posing?”

why look/observe? (probably like the most given piece of advice by pros and art youtubers who aren’t pros but still get called pros cause they have 1 million subscribers on youtube)

this question is very easily asked but also very easily answered:

to know how and what you’re going to draw

to time yourself correctly and have a good time management (drawing a pose in 2 minutes is completely different to drawing a 10 minutes one), thus,

to avoid rushing to draw the subject. as said previously, take your time. start slow, but stay accurate to the model. (teacher compared it to a musician rehearsing a piece, first slowly, then speeding it up progressively as he gets to know the piece itself better and better. unfortunately as someone who is as farthest from a musician as can be, i cannot honestly attest to if this is accurate).

but really, there is actually no such thing as a “finished” drawing. a graphite drawing could always have color added afterwards, a painting could always get more and more detailed. a piece is “finished” only when you deem it is finished. the French Académie des Beaux Arts didn’t like the Impressionists because to them, what the impressionists were doing were half assed jobs, since the idea of “transmitting a vague feeling, or an emotion through a specific style of very visible strokes” was absolute fuckery to them. speaking of,

to transmit an emotion, or a feeling through the posing of the model. the more technical and controlled the strokes will be, the finer the wanted sensation will be felt by the viewer. this also ties in the physical aspect of the model. ideally, in order to achieve this, you can try posing the same way the model does. it may be a bit awkward but it works (depending on your learning type, of course.)

to understand how the whole “body system” works. “i know the rules of the human body, therefore i make little to no mistakes.”

adding a whole context to the pose helps: adding a situation in which the pose could work in gives some meaning to your drawing, as well as helping you remember it better. it also adds a narrative element to your drawing(s), which are absolutely always a plus. (memorization is also an important tool!)

now let me play devil’s advocate and ask: why not look/observe?

well, uh, there are two reasons my teach told us:

to let your instinct and imagination go wild and free, trust your gut and have fun!!

and, tying back,

to let yourself be surprised by what you’ve done.

form synthesis (or just different types of approaches to draw form)

when drawing a model, there’s a few things that can be mentioned:

multiple types of lines exist with different purposes within the drawing: the action line(s), structural lines, and contour lines.

action lines define the overall movement of the pose. the principal one is the one you see when giving a better look at how dynamic the pose is. the secondary ones are the ones you can find in secondary rhythms when examining the pose a little longer.

(here's a better example, actually:)

structural lines are pretty much the “stickman skeleton” you sometimes see in certain how to draw books (specifically the more advanced manga themed ones).

contour lines surround the form in a way as to draw all of the outer body without using inside shapes or lines. (it is also the basis for the Bargue method which will be slightly discussed below. there unfortunately won’t be any talk about cross-contour lines, as it hasn’t been talked about in class (yet?))

generally, lines take either an I shape, a C shape or an S shape. (teach said it’s preferable to mostly use I and C type lines when drawing live models. probably due to the fact that S shapes are much trickier to use “effectively” within a piece (effectively not meaning much in this context, if nothing at all. again, have fun.)). using these lines tell a lot about the model and the pose, telling a sort of dynamic storytelling which varies depending on what type of line you choose to represent your model.

we can mostly talk about 2D shapes when three or more points have been linked by lines. sometimes, lines can skip articulations for the sake of dynamism. shapes should be thought about in their entirety, the difficulty that can be encountered usually being remaining vague but accurate with your form.

now, a quick word about:

the Bargue method (or, the fuck do you mean the Americans used it in art schools before us, Bargue was literally born in Paris, i fucking hate the Académie des Beaux-Arts)

the Bargue method is probably fairly well known among certain art schools or artistic communities. if i do recall correctly; it originated with Bargue noticing the low level of the students of the Académie des Beaux-Arts de Paris (or some other place basing itself solely on academic style art and paintings located in the city of Paris in the country of France on the continent of Europe) and devising a simple way to learn how to draw accurately from life (or plaster casts, depending on what you prefer). it solely based itself on straight, contour lines, forming a base around which to slowly add details to. apparently, a lot of art schools in america base their teaching of life drawing on this method, but given i do not feel like getting over $200k in debt without even mentioning living and travel costs, i cannot say if that is actually true.

here's an example of it:

it’s pretty much basing yourself on simplifications of the form to attain absolute accuracy. no curves here to distract you, only straights. somehow, when pulled off correctly, it gives a very neat impression of realism.

anyway, that’s all i wrote down. hope teach won’t see this anytime soon, and hope this kinda helped a little bit. next week’s notes should be about blocking in shapes, so we’re starting to be a little more concrete with the actual drawing process.

these classes were taught by Mr Francis Buchet at a class given at the Académie de la Grande Chaumière, so most of the things i’m saying here are taken from him and his class. if you live in/close to Paris and are interested in learning artistic anatomy, i suggest you look up where he is giving public classes, since they’re infinitely more engaging than these notes. his instagram is be linked below. (hoping he doesn’t get mad at me for sharing these notes… in any case i will use my own example sheets to avoid getting in any more trouble.)

and, may i remind you: these notes are only here to showcase one approach among many others, so they don’t mean much in the grand scheme of things. i myself am in absolutely no way a professional, so please, take all of this with a grain of salt (or a spoonful, even). draw how you enjoy drawing, and find happiness in the way you want to draw.

Francis Buchet's instagram: x

so, seeyou next weekend! (or earlier, if i draw something i want to show here.)

#artist tips #art tutorial #art tips #art help #drawing tips #literally no one asked but why not #that was something i've wanted to do for a while tbh #god i hope that doesn't sound pretentious #next time i'll try to show more examples since this one seems a little bit bare #first four classes will be about drawing theory so it might take a little while before we get to actual anatomy :(#so it's gonna be a little bit boring for the first while :((#really sorry about this #next ones should be a little more concrete so. yea #i apologize if this sounds abit confusing; it's the first time i try to make a “tutorial” or anything like that for art #will also try to find a spot to put my own drawings i did while attending the class to show the stuff we do there #in any case #hope this helps someone!

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