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#parks has a truly great final season though
johnny-and-dora · 11 months
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it’s truly wild how much sway a finale has in making or breaking a show’s legacy and the way it’s talked about FOREVER. i’ve never seen a single episode of how i met your mother i exclusively know it as the show with the really bad ending that pissed everyone off…same with got…maybe sometimes the unexpected twist ending…is worse
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myeuphoricmindset · 8 months
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Haunted by you | Eddie Munson
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Summary | Eddie Munson's ghost is haunting the house recently occupied by Daisy Morgan. Having been deceased for years, Eddie becomes visible only to her. As she adjusts to sharing her living space with an otherworldly presence, their relationship develops into a compelling yet forbidden romance between the living and the dead. But, how could that ever truly work?
Pairing | Eddie Munson x OC
Warnings/Tags | 18+ only, Strained parent relationships with significant focus on maternal issues, Themes of feeling unwanted and abandoned are central, Cheating -though not involving Eddie Munson or the main character, alcohol and drug use, Profanity, Sexual content, and Mental health themes.
Fic Notes | This fic is set after the events of Stranger Things season 4. Seven years have passed, and everyone has moved forward since the defeat of Vecna and the closure of The Upside Down. This story won't revolve around Vecna or The Upside Down. While there might be occasional appearances by other Stranger Things characters, the narrative centers on normal life, void of supernatural plots except for Eddie's ghostly presence.
I don't have a fixed posting schedule, but I'll aim for weekly updates. I might post more frequently, but I'm keeping the dates flexible for my mental well-being. Rest assured, I won't leave this fic unfinished.
Word count | 4k
Read on ao3
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August 1993
Embedded within our very DNA is the innate longing for maternal love and acceptance. When that love is withheld over time, our minds adapt, convincing us that we can do without it. However, a persistent yearning for that inherent love remains, a constant reminder of the void that's meant to be filled.
Even in death, Daisy’s mother couldn't find it within herself to love her daughter.  Grace’s final moments weren't filled with apologies or declarations of affection for Daisy; instead, there was only a will assigning property to her. 
With a chuckle, Daisy twirls the keys around her finger, amused by Grace's belief that a house could mend the chasm in her heart.  It’s a testament to how detached she was from what love between a mother and child should be.
For the past six months, Daisy has been stuck in limbo, her presence tethered to this seemingly senseless house following her mother’s passing. Today, at long last, she clasps the keys in her hand—a significant stride towards ending this dreadful chapter of her life. Whether driven by resentment or anger, Daisy raises her middle finger to the sky, smiling with satisfaction as she bids farewell to Grace. 
In the parking lot, a few passersby cast concerned glances her way as Daisy releases a breath. It's not just any breath; it's a sigh that unburdens her from a lifetime of pain. The ache will persist, but it no longer shackles her to Grace; now, her mother can only haunt her dreams. And she will take that as a win. 
A huge smile is plastered on her face as she walks to her car and calls her realtor. The line rings twice before she hears his eager voice on the other end. 
"Hello, Ms. Morgan."
"Walter, it's all set. You can move forward with putting up the for-sale sign. I'll send over the necessary paperwork soon. ” Daisy says. 
"Absolutely, ma'am. Sounds great.”
“Oh, I’ve also turned on the electricity under my name while we work on getting it sold.”
“Wonderful. I'll arrange an open house for next weekend." 
This house holds no appeal for her; it seems Grace hoped to tether herself to Daisy through the property. The faster it’s sold then the faster she can move on with her life. 
"Thank you, and please, call me Daisy."
"Certainly," he replies apologetically. 
She gives him a kind smile, almost as if he could perceive it through the phone, and says goodbye.
Music blares as Daisy speeds out of the lawyer's parking lot. Her sunglasses shield her eyes from the summer sun, her brown hair wiping in the wind, and her engagement ring glimmers brilliantly as her hand tightens on the steering wheel.
Things are finally looking up.
She planned to stop by the bridal store and try on her dress for the last fitting, but she could do that tomorrow. She just wants to relax at home with Nick and watch Pretty Woman. Maybe even recreate the bath scene, singing Prince while drowning in bubbles. That’s a perfect night.  
*
The apartment's lights are on even though her fiancé isn't due back until seven. 
"Nick?" Daisy's voice echoes through the apartment as she opens the fridge, her mind set on preparing dinner. A craving for pasta, rigatoni specifically, with grilled chicken, mushrooms, and onions fills her thoughts, her stomach voicing its approval with a rumble. Unfortunately,  they are completely out of chicken and pasta. Wonderful, just wonderful. 
Luckily, their apartment lies within walking distance of one of Nick's favorite Chinese restaurants. The prospect of takeout lifts Daisy's spirits as she heads to their bedroom to ask Nick if he wants his usual Kung Pao chicken. 
The sound of the shower greets her before she enters the room. 
"Nic—" Her words halt as her gaze falls upon the disheveled bed.
What in the world? The comforter hangs askew and pillows litter the floor in disarray. It’s an absolute mess and she could have sworn she made the bed this morning like she always does. 
Before she can call Nick's name once more, noises emanate from the bathroom. Daisy cautiously pushes the bathroom door open. The sight before her is surreal: Nick and his coworker Mia are in the shower together. His hand rests on her thigh, the same hand that's wiped away Daisy's tears. His lips pressed against her neck, the same lips that proposed to Daisy. Mia's moans fill the air, reminiscent of the sounds Daisy herself has made. Her mouth goes sour at the sight.
Daisy remains rooted in place as if observing the scene from outside her body. 
This can’t be happening. 
Time slows as Nick becomes aware of her presence, the shower door flinging open, Mia futilely reaching for a towel, and Daisy retreating.
Nick's voice calls after her as she assembles a small bag. She can't answer, gripped by a numbing shock. The room's movements feel surreal, and Daisy navigates it like a phantom, a silent specter swallowed by her own detachment.
Pushing the front door open, the summer air snaps her back to reality as she approaches her car. Nick's voice recedes as she leaves him standing, towel wrapped around his waist and their shared future at his feet, symbolized by a single apartment key.  
“Daisy!”
Betrayal is no stranger to Daisy, but it doesn't blunt the pain of misplaced trust. A sense of foolishness washes over her, as Nick held the secrets of her past, her vulnerabilities, her fears. Tonight he reinforced her sense of being an unwanted burden.
It’s too much to bear. She has to get the hell out of here. 
*
Hawkins lies eighty miles from Indianapolis. Unintentionally, Daisy found herself heading north on Interstate 65, steering aimlessly while her thoughts were lost on autopilot. At some point during the drive, Daisy stopped for gas and picked up McDonald’s despite lacking any appetite. She mechanically consumed it, then pulled over on the highway only to throw it all up. All of this occurred while she was in a haze, unable to recall the process. She moved through these actions like a mere shell of herself. Reaching a new city without a memory of the journey ignited a surge of panic within her. 
Daisy wasn’t just in Hawkins, Indiana; she found herself parked outside her mother’s house, now her very own. Mixed emotions surged within her as her hands tightened around the steering wheel, her focus unwavering on the imposing iron gate adorned with the “Morgan” insignia.
She will never admit that she'd memorized the route to her mother's house. A house she never intended to visit. It was always decided after the accident that she would never contact Grace again, but it gave Daisy a sense of control knowing where her mother was and not doing a damn thing about it.
Until now. 
She would have driven to Sloan's place, relying on her childhood best friend's kindness to give her a place to stay while she figured out what to do next. Sloan had always been there, a constant pillar of support. But, tonight was not the night to ask for support. Sloan happened to be attending a significant work event with her girlfriend, Robin at her side. Months ahead of time, she had planned a stay at a luxurious hotel for this very evening. Even on a subconscious level, Daisy understood that intruding upon their special night wasn’t an option, even when her own life was unraveling at the seams.
Left with no other options, Daisy finds herself in an unexpected predicament—having to accept help from her mother, the last thing she ever wanted. Daisy understands her mother's presumed satisfaction in the afterlife, and it's a painful realization. Even though the house was hers, the idea of depending on Grace’s help for her own well-being bothered her, making her upset. She was meant to sell the home and ever step foot on the property.
It felt like her mother had won, even though the game ended when Grace died. But Daisy reminded herself that the stay isn't indefinite; it's just a temporary solution until she figures out her next step. 
Her hand trembles as she inputs 0527 on the keypad. Time seems to freeze for a moment, and Daisy holds her breath. The tension snaps as the gate loudly creaks open, breaking the silence.
The driveway stretches, winding its way around towering trees and clusters of flowering bushes. Daisy remembers the land from before the house was built—a trailer park with families that got wiped out by a natural disaster in ‘86. Grace saw the chance, bought the land, and replaced the trailers with a mansion. The families from the Forest Hills were paid to leave, a deal they took because their homes were falling apart. They didn't have many options and didn't want to end up homeless. Most of them did not have insurance to take care of their homes and Grace paid more than they could ever offer. 
One person with too much money took over a place that used to be home to many families. Instead of helping them rebuild, Grace paid them to go away. Daisy wonders about those families and the kids who used to play here; their laughter once echoed between the trees and now it’s silent. Hopefully, they managed to reconstruct their lives using the resources she provided.
As the sun set, its light bathed the house, creating a gentle radiance along its edges. The home stands on a grand scale, boasting windows that envelop both the lower and upper levels. Despite only being built seven years ago, Grace held a deep appreciation for history and it shows in the architecture. The Victorian-style home was crafted in a manner that exudes the aura of centuries past.
The focal point, the entryway, is crowned with two grand wooden front doors, standing tall and imposing, their well-worn elegance inviting all who visit. Ironically, Daisy can only assume that visitors to the house were few and far between during Grace's time.
Effortlessly, the key slipped into the lock, and upon entering, Daisy’s bag dropped onto the wooden floors, the sound reverberating through the expansive, vacant house. 
"Hello?" Daisy's voice echoed through the space, although she knew well that no one would answer.
Still, she waited for a reply that never came—only the structural creaks and the soft hum of air circulating through the vents persisted. It was eerie, but at least she was not on the streets and the house itself was undeniably beautiful and fully furnished. Daisy had to admit that Grace possessed a talent for home decor. An artist at heart, Grace's creative vision shone through, not just in her painted canvases but also in the ambiance of her house.
Daisy admired the exquisite crown moldings that decorate the ceilings, intricate panels adorn the walls, and ornate chandeliers cast a warm, gentle glow. It was inviting even if she didn’t feel welcome. 
Stained glass windows, with their kaleidoscope of hues, scatter fragments of sunset light. The grand staircase, an artful masterpiece that anchors the foyer, leads to the upper floor, its handcrafted banisters a tangible testament to the commitment to the minutiae.
All of it was stunning. It’s hard to believe that Grace was living in this while Daisy endured nights on a couch, lacking a proper bedroom, in a family that seemed indifferent to her presence.
She debated unpacking her bag but was overwhelmed by the day's events. She wanted to take the edge off, to forget. She figured Grace might have left some wine in the kitchen. Grace was rarely without alcohol nearby.
The kitchen was pristine. The house staff, paid ahead of time, had maintained the house and yard even after her death. They hoped to impress a new owner. Daisy wondered what they'd think when they saw the for sale sign at the end of the weekend. She couldn't worry about that now; it might push her over the edge with all that’s on her mind.
Daisy tossed half-empty wine bottles into the trash and found a corked bottle on the rack. She wiped the dust off a Pinot Noir named Goldeneye.
Never heard of it, but it’ll do. 
 “Aha,” Daisy muttered with satisfaction as the cork popped.
Holding the bottle, she walked to the living room. Taking a hefty sip, she hoped the wine would numb her. The smoky black cherry flavor lingered on her tongue. The house was quiet. Daisy kicked off her shoes, drank some more, and collapsed onto the couch.
"Fuck," Daisy muttered, looking around at her situation. Emotions surged, and she used the wine to drown them.
“Fuck!” She shouts into the emptiness, fighting tears.
Amidst denial and disbelief, laughter bubbled up, an unexpected reaction to her turmoil. Could this really be happening? Maybe it was a terrible nightmare, and she'd wake up soon. She gulped down more wine, trying to steady herself. She pinched her arm, in a desperate attempt to wake up, but the pain was real. She choked back a sob with alcohol.
No, Daisy told herself, forcing herself off the couch. Sulking wasn't the solution. What did she need now? Besides wine, music. Daisy searches the living room and it doesn’t take long for her eyes to spot the record player sitting pretty on the oak table behind the couch. The vinyls are displayed perfectly on a shelf. Daisy’s fingers brush the stack until she comes across Tell Mama by Etta James. 
With steady hands, Daisy placed the needle down in the record, and the resulting music gently cradled her frayed nerves. She’s thankful she paid to have the electricity turned on or she would have been sitting in the dark. 
For the first time in hours, a smile graced her lips as she raised the half-empty bottle, playfully spinning around the room.
“Sing it, Etta,” 
The house came alive with echoes of the music. It felt different, there was a shift in the air. 
But a sudden whiff of smoke caught her attention, and she slowed down. She frowned, puzzled.
Was that the smell of cigarettes?
It couldn't be. Chalking it up to the wine's effect, Daisy walked to the window and opened it, welcoming a draft of fresh air. She was beginning to feel hot and that was a sign that she’s had too much too quickly.  
Examining the bottle in her hand, she was met with a shocking sight that widened her eyes—within its brown-tinted glass, a man leaned against the wall, arms crossed, an amused smirk playing on his lips. 
The sight paralyzed her momentarily, her scream of terror overpowering the music before the bottle crashed to the floor.
Dizziness engulfs the room, and she clings to the couch for stability. Her gaze shifts to the spilled wine staining the wooden floor, and then swiftly looks up to find the man. 
But, he's gone.
"Who's there?!" Daisy's voice trembles as she retreats toward the kitchen, tripping over her own feet in her haste.
The music persists, accompanied by the lingering scent of smoke. Daisy snatches the phone off the hook, her fingers fumbling with the buttons as she struggles to dial 911.
"Get out now! I'm calling the police!" Daisy's voice wavers as she shouts, her unease palpable.
As she waits for the line to ring, Daisy stretches the phone cord to its limit as she reaches for a kitchen knife.
There is no ringing. The line is dead.
Daisy's heart sinks, and her face slumps as she presses the numbers again in frustration. 
No. She forgot to set up a new landline under her name.
“No!” Daisy's exclamation filled the room. 
A voice emerged from behind Daisy, “You can see me?”
Daisy spun around, stumbling backward. The same man stood over her with a confused look—a figure both captivating and haunting.
He was taller than Daisy, lean and lanky in build. His dark, tousled curly hair framed his face, the locks falling gracefully over his forehead and partially obscuring his eyes. Those deep brown eyes gazed down at Daisy with curiosity.
“Get back!” Her knife trembled as it rose toward him. “Get out of my house!”
His lips curled up as he leaned down, his face mere inches from the knife's tip. His gaze shifted from the knife to Daisy's widened eyes. 
“You’re in my house, sweetheart.”
Without hesitation, Daisy thrust the knife into his neck.
A gasp escapes her lips as she realizes what she had just done.
But there is no blood, no cry of pain from him. The knife left no mark.
The man straightened, appearing unaffected and unperturbed. His fingers brush over his neck, and he examined them. A laugh erupted from him as he confirmed his lack of harm. The sound of his laughter startles Daisy. She struggles to comprehend how the knife had passed through him as if he were air. 
“Impressive, but you have to try harder than that,” He remarked.
Daisy recoiled, her veins flooded with an icy rush, as he moved through her and vanished.
Through her... he had walked through her as if he were the wind rustling the leaves in the trees.
What the actual fuck is going on? 
Gasping for air, Daisy struggles to catch her breath, her attempt to regain composure falling short. Her chest feels constricted, as though it might collapse under the weight of her racing heart, while her head continues to spin with disorientation.
This is it. She’s going to die.
In the same house as Grace? Hell no. The thought of that alone has Daisy scrambling to her feet. 
Her eyes dart around, and he is nowhere to be found. A surge of adrenaline has her running to the front door. There is a phone in her car. She just needs to make it there and call 911. I’ve got this, she thought. 
Daisy didn’t turn around once she made it out the door. She’s seen too many scary movies and they never survive when they slow down to check their back. 
She closes the car door with a strong thud, locking it forcefully. Her phone is in the glove compartment, rarely used. It’s a new addition, and she isn't entirely used to having a phone on the go.
With shaky fingers, she dials 911. The operator's voice on the other end is a lifeline, reassuring and guiding her. The calm instructions provided a semblance of order amidst the panic that threatened to engulf her.
Dispatch is en route to her location and that helped Daisy breathe a little easier. Following the operator's directions, Daisy remained in the safety of her car. 
She settled into the driver's seat, eyes scanning the surroundings for any sign of the intruder who had shattered her sense of security while she waited for the police to arrive. The absence of the man did little to quell her unease; if anything, the tension remained palpable, coiled within her like a tightly wound spring.
Time seemed to stretch as she waited, every passing second laden with apprehension.
The flashing lights of the approaching police vehicles pierced the darkness, casting an eerie glow on the scene. Relief mingled with lingering fear as Daisy watched the law enforcement officers spring into action. Even though the immediate threat might have dissipated, the aftershocks of the intrusion still reverberated through her, leaving her on edge.
As the officers began their investigation, Daisy recounted the harrowing encounter, her voice shaky but resolute. She cooperated with their questioning, hoping that their presence would help dispel the lingering shadows that had taken hold of her mind.
However, the man who had broken into her home remained elusive. Even though the immediate danger had passed, Daisy couldn't shake off the feeling that she was being watched, which kept her on edge.
As the investigation reached its conclusion, Daisy's version of events started to unravel. No signs of forced entry, no trace of an intruder—her story seemed to be falling apart.
Doubt crept in, exacerbated by the officers' questioning of her sobriety due to the spilled wine and the discarded bottles. Frustration surged within her. They didn’t believe her. Of course they didn’t. 
Internally, Daisy wrestled with the wild scenarios her mind had conjured in the heat of panic, like the memory of stabbing the man who simply walked away unharmed and how he disappeared in thin air. She kept these details to herself, focusing on the central truth: she had indeed seen a man, an intruder.
“Perhaps the alcohol took its toll and played tricks on your perception. We've all been there before, Ma’am. It's understandable,” the officer offered, his tone laced with a well-intentioned reassurance.
“No, that's not what happened!” Daisy's frustration surged forth. Her voice held a mixture of anger and determination. “I had maybe half a bottle. I’m not intoxicated. I saw a man, and he was in my house.”
A glance exchanged between the officers told Daisy all that she needed to know, and now her patience is wearing thin.
This day had tested her resilience. Her emotions teetered on the edge of tears, a precipice she was desperate to avoid.
Hold it together, Daisy. Tears will only add to their assumption that you’re insane. 
“We're here to help, Ms. Morgan. Let us accompany you inside,” The officer suggested kindly. “It's getting late and about to rain.”
Walking back inside, Daisy's thoughts were a whirlwind of disbelief and vulnerability. As she stepped in, the house no longer felt safe. The officers' presence was comforting, yet it couldn't hide the truth: Her space had been invaded, not just by a stranger but also by doubts that made her question her reality.
“We've checked your home thoroughly. There is no one here. I can promise you that. Now, If you come across anything else suspicious or unusual then give me a call. Here is my card.”
The officer hands over the card, offering well wishes for the evening, then heads towards their car and drives away.
Daisy lingers in the doorway as rain begins to fall. She wonders if she’s losing her sanity—could she have imagined everything? Doubt sneaks into her thoughts like an unwelcome intruder, picking at her beliefs. Yet, the uncomfortable sensation in her gut persists, a reminder that things aren’t right. Her emotions converge, forming a bubble of anger in her chest. She’s tired of looking like a fool. 
With a forceful slam, the door shuts behind Daisy as she enters the living room, her steps heavy and furious. She scans the room, finding it empty and shrouded in silence. The music has stopped, leaving only the wine stains as the only reminder. She scowls, her eyes fixed on the red-stained wood.
“Where are you?” Daisy’s voice reverberates through the room in a shout.
No response.
“Show yourself! I know you’re here.”
Silence. Total silence. Daisy’s face glistens with dampness, and she wipes her cheeks with the back of her hand. The tears, once contained, now break free like a dam bursting open.
Daisy pulls out her cell phone, her vision blurred by tears and sobs catching in her throat. With shaky fingers, she dials ten digits, and amidst the ringing, she eases down the wall, finding herself on the floor. Even though she doesn’t expect an answer, hearing Sloan’s voicemail gives her a small sense of comfort.
“Yeah, you reached Sloan. Leave a message and maybe I’ll get back to you.”
A loud beep sounds, and Daisy takes a moment to collect herself. “Sloan,” her voice quivers, “I need you. Please call me back when you can.” 
Daisy draws her knees close to her chest, enveloping them with her arms as she lowers her head. This, she acknowledges, is her lowest point. Here it is, the culmination of losing her fiancé and her sanity, all within a single night. 
Daisy’s attention is grabbed by a heavy sigh, causing her to look up. Everything in her freezes. There he sits, on the counter’s edge opposite her, absently twisting the ring on his finger. 
“You know, there’s something about a girl crying,” he murmurs, drawing a breath before slapping a hand over his chest, “It just tears me up.” 
Though his words carry a genuine tone, his eyes hold an elusive expression she can’t quite place. Daisy remains frozen, her gaze locked on him.
Their eyes meet, and he speaks softly, “You’re killing me, Daisy. And I’m already dead.”
Chapter two coming soon
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@eddiemunson4life420 @boxofsmittens @sweet-villain @all-time-otaku @enam3l @steveoswhore
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thy-spicy-orange · 1 year
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At long last, my analysis on the down fall of the cartooning industry.
Cartoons have long been a medium of storytelling for all ages. You’ve got things ranging from Dora the Explorer to Family Guy.
And you’ve got all the in between’s that (while not rated for all ages) everyone can watch. Like Miraculous and The Owl House.
Cartoons (or animated series) as a whole have always been made for everyone. The use of beautiful and fluid animation is a great way to draw in viewers and get them engaged. And then in most cases, the plot comes through and gets viewers hook, line, and sinker.
Unfortunately as this form of storytelling gains popularity, the stigma around it continues to grow. That stigma being that Cartoons or animated series are only for children.
The idea surrounding that stigma is false. You wouldn’t let a child watch shows like Family Guy or South Park or even Camp Camp. And those are cartoons.
With the rise of more child friendly cartoons though, the misconception continues to rise as well.
The most prominent example of this in the Modern Animation Era? The Owl House.
Despite the creator, Dana Terrace herself, tweeting about her target audience for this show, many still believe that this show is for kids only.
This was only proven false though when Kids weren’t tuning in though. In fact, a majority of Owl House fans consisted of people ages 13-25. Not the audience Disney expected.
Unfortunately it wasn’t the audience they wanted either. In 2021 Disney announced it would be canceling the show and shortening its third and final season into three, hour-long specials.
A lot of Fans (and even the creator herself) speculate it has to do with Homophobia seeing as the show featured Disneys first WLW/ Sapphic couple in a children’s cartoon. And while I think that definitely contributed to their decision, I think there’s a bit more to it than that.
The Owl House, from the get go, set itself apart from other Disney Series. It jumped in with its darker concepts and art styles. The color pallet was different from Disney’s typical pastels. The character was relatable to audiences and portrayed the struggles of growing up different and weird.
Then, after a good Season 1 A, the second half came in. Here’s when the plot developed. This is where I believe Disney began to have problems with it.
Because of the complicated storyline and development of actual plot they couldn’t just air it on the Disney Channel on cable.
Which means they couldn’t get children to sit still and watch when it was on. Which means less people watched the Disney Cable channel.
Essentially what is happening is Disney as well as other streaming and Cable services are “kidyfying” Animation to make it cable worthy for children.
Hence The Owl House “not fitting their brand” and being cancelled while shows like Big City Greene and The Loud House have been, and traditionally are, aloud to run for multiple seasons one after another.
And shows like Infinity Train and The Owl House get cancelled or shortened.
I believe the act of doing this will truly be the downfall of the cartoon industry.
By reducing cartoons and animation to be kids only your depleting 75% of your audience. The 75% that is able to go out and buy mercy or go to see movies produced about the shows or convince adults to continue paying for services to watch these shows.
They’re killing their biggest sources of revenue and with it killing one of the greatest forms of story telling through television.
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analogskullerosis · 6 months
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Also, Timothy Dalton truly just knocks it out of the park every time he appears on the show. He's such a magnificent bastard who knows how to play Niles Caulder as an irredeemable piece of shit, but also endearing and charming enough that I do care about the guy and just love whenever he shows up. He's a great example of how to do an imperfect but still morally decent character. His talk with Old!Jane to help her solve her puzzle and his genuinely trying to understand why this hulking robot is pissed off at him showed that he isn't always the giant bastard the characters are haunted by and make him out to be. Even though he has shitty and smug moments (berating Laura at the bureau, calling himself a goddamn genius after getting a good look at Cliff) Dalton plays it so well that he's simply captivating regardless of which Niles he is at the moment. He always found a good balance with his version of Caulder and I think the comics sometimes tended to lean too far into making him and "apathetic asshole." He's just as flawed and fucked up as the Doom Patrol can be, he just had more power/connections/desire to be MORE than all of them combined. But much like the Doom Patrol, he did spend his last days with them trying to help and make up for the terrible things he had done. Shitheel or not, he at least owned up to his actions and did his best to help his victims find peace. A guy who lets you eat his disembodied head to cure your zombieism can't be all bad, right?
He's a wonderfully flawed character and I think it's Dalton's performance that was a key factor in why it was hard to fully hate him throughout the series. It's easy to play a straight villain and easy to play a straight hero, but a complicated, morally grey character is a taller order. He's so important to how the show develops past the first season that I think if he wasn't as good as he was, the entire show would've fallen apart. You needed him to be this really complicated guy with tough relationships to the main characters so that he can somehow still haunt the Doom Patrol even long after he's gone.
I was so happy to see Dalton in the role one more time before the final episode.
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animaniacs16 · 3 months
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I was a bit iffy about episodes six and seven of the Percy Jackson series, but episode eight is truly phenomenal!!
It makes Percy’s fight for the gods more believable, and makes Poseidon so much better of a father than he was in the books!
Read below for more detailed thoughts on it:
To start, I do think the Ares fight was a bit too short and didn’t show Percy’s power enough, but maybe they’re saving it for future seasons. I was expecting a hurricane, rather than just one tidal wave. I did, however, like how they showed a little bit more of the gods as Gods rather than just adults, such as Ares turning into his godly form, and Zeus’ bolt and Poseidon saving Percy.
That whole scene with Percy, Poseidon, and Zeus was absolutely incredible. It’s such a terrible shame that we’ve lost Lance Reddick, because he was a phenomenally terrifying Zeus. Toby Stephens, like literally everyone else in the show, is perfectly cast, and even though looks aren’t a facet in this series you can see the family resemblance- it really looks like he and Sally are Percy’s parents. Poseidon has so much more pathos than he does in the original series and he does truly care for his kid- that conversation started STRAIGHT OUT of the books, and the added dialogue was heartbreaking and heartwarming all at once. Poor Percy :( Poseidon, unlike the books, seems to truly go to bat for his son and stand behind him rather than vaguely supporting him.
That contrast really strengthens the scene where Percy figures out that Luke is working with Kronos- I like that Luke still trying to convince Percy to join him. However, Percy has seen that, although yes, the gods are petty and mean and treat humans like insects, they can also truly be kind and caring. Sidenote, the fireworks were absolutely PERFECT as a backdrop to that whole scene, and I love that they had Annabeth eavesdropping because it had to hit her hard. Also Backbiter being able to make portals is a good way to explain how Luke is everywhere in the books lol
I also really like this episode was so Percy centered, although I love love love the trio it was great to see Percy’s story, because after all, it’s his journey. He’s stubborn, he’s loyal to a fault, he’s courageous, he’s smart, he loves his mother, and he always does what he believes is right, and THAT is Percy Jackson.
And after all of it, it comes back to Percy and Sally. Percy has always been devoted to his mother, and I’m so glad that we got those scenes of them at the end. Sally is awesome- although she didn’t end up committing murder like she did in the original season and yet Gabe still ended up as a statue lol
I find it interesting how they’re going with Annabeth and this sheltered angle in the show- in the books she had seen movies before- she had seen “Roman Holiday” and I’m sure she knew what a theme park was so for her to not know what Disneyland is was interesting. However, one of my previous complaints was that the trio couldn’t just be kids in the Lotus Casino episode, so when Percy told Annabeth to just focus on being a kid, that made me happy because that’s what I wanted for them in the first place cause these are only 12-year-olds. Also, the searchers’ license being a flower was awesome.
I also selfishly do wish we got a little bit more between Percy fighting Luke and the end of the summer- did Percy just avoid Clarisse? It probably isn’t like him to apologize (Altho he did apologize after swiping Luke who was trying to KILL HIM to be fair). I also don’t really agree with Percy passing the deadlinex because I think it would’ve been just as impactful if they were still gathering forces for the war before the deadline and it still happens like it did, however, it was interesting to see Mount Olympus, deserted, except for Zeus, because everyone was preparing for war.
I can’t believe this book series that I’ve adored since I was a kid is finally being brought to life in such a wonderful manner! While not perfect, this is a phenomenal adaptation and I’m so happy that so many kids and people get to experience this wonderful series for the first time. It is fundamentally different from the book, but the underlying message and morals are still the same and that’s what really matters. Thank you to the whole cast and crew for this amazing show!
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hccn-overseer · 4 months
Text
Issue 33, 12/27/2023 - The Overseer
Issue Masterpost About the Overseer
As Hermitcraft Season 9 has come to a close last week, our citizens are also wrapping up their business in preparation to the move to a new world. We have seen many of the Hermits already leave to take a hiatus before the new Season and the new year (aside from Impulse, the mad lad). Thus, we have brought a couple of recaps of the amazing creations brought on by the Hermits this season. Hope you enjoy!
The Wondrous World of Scarland
By Azure
This year, we saw the construction of Scarland, thanks to the creative mind of Goodtimeswithscar. For him, Scarland has been a longtime dream, and it’s amazing to see his vision take place. After completing his Elven Village, he soon began construction on the theme park. Opening to the public on August 25th 2023, Scarland is one of the most magical places on Hermitcraft.
Starting on June 20th 2022, Main Street was the first area to be completed. As you enter, you’ll see a statue of Goodtimeswithscar himself and Queen Jellie, holding hands and standing proudly as they welcome visitors into Scarland. The Main Street also serves as the first stop for Scarland’s trolley system, and is home to stunning shops and carts where visitors may purchase snacks, posters and even their very own pair of Jellie ears, amongst other things. Most notably, it is home to the Scarland Hotel, and the official hOtguY HQ! Many of the buildings were inspired by different styles of architecture, and the final stores were completed. 
Continuing down Main Street, we arrive at the Castle of Scarland. This magical castle is where Scarlands nightly firework shows take place in a dazzling display of color. During the day, it’s just as magical, with its towers on full display, reaching for the sky! It is truly a sight to behold, reminiscent of a fairy tale come to life.
Most recently, Adventureland cleared its vines to welcome its first visitors! Featuring an awe-inspiring volcano that towers over even the Scarland Castle, the jungle is home to the beloved Ellie the Elephant, beautiful jungle landscapes and more. 
Scarland truly is a magical place, and though it will never truly be complete, we are amazed by how far it’s come. 
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Now onto other news under the cut!
Geminitay, Geminislay, Gem the Great
By Roo
Gem Geminitay is wrapping up this season with a total of 34 videos as of the writing of this article, and every single one is a joy from beginning to end. 
She began the season with her house in a tree, sparking the elven vibe for the season. She continued this with an archer statue, before taking on the large project of draining an ocean monument and turning this into a farm. 
However, we must mention the iconic trio of this season- or, at least, one of them. In the very first episode, Pearl, Impulse, and Gem grouped up to raid a woodland mansion first thing, armed only with shoddy tools and nothing to eat but soup, earning their name- Soup Group. 
Soup Group quickly became inseparable, building their megabases as close as hermitly possible, which is to say, with Gem on top of a mountain and Impulse inside it, Pearl across the river. Of course, with the rise of Ren the King, Soup Group took an entirely different approach, quickly becoming anarchists. 
This entire time, Gem’s megabase was quickly growing. With the completion of her prismarine farm, Gem could continue her plans, even going so far as to work a mob farm into her base. 
Said base quickly shifted from its original elven plans, with the addition of a head room in Gem’s basement, which gave Geminislay a chance to shine. Geminislay got yet another chance to shine at the challenge of Grian’s frog, Champ, who she defeated easily. 
Her neighbors contributed to the building of her megabase as well, from proposing messaging systems, to building a redstone smiley face (quickly dubbed McKenzie) in the side of her wall. 
The Soup Group did other things, though- Gem participated in the breaking and entering of King Ren’s vault, contributing her amazing PvP skills, no doubt collecting heads for her head room.
After the excitement of all that, Gem completed her megabase, and added a custom taiga biome to the surrounding area, adding countless details and custom trees. 
The biome wasn’t the only tree in Gem’s plans- the top of her elven megabase was given a magnificent cherry tree, surpassing her starter treehouse by approximately 284* times its size.
With the addition of the tree, Gem moved on to the inside of the megabase, adding cozy libraries, sitting rooms, and dining rooms, which were quickly house warmed by a visit from Gem’s neighbors, and they broke in the new dining room with a round of soup. 
Of course, Geminislay made yet another visit, absolutely demolishing Etho in countless rounds of PvP, making Gem the official holder of the most Etho heads ever.**
And then Decked Out started- giving Gem a lovely opportunity to use her PvP skills against ravagers, wardens, and- wait, the dungeon itself? Please don’t fight the dungeon, the dungeon master will not be happy. 
Gem also spent time working on her village down by the sea, redoing many houses, making docks, and building statues. In most circumstances, Gem’s elven village would be voted safest place to live on Hermitcraft, but given the *ahem* murderous tendencies of the local Hermit, it may not be safe if you challenge Gem to a duel. 
This article cannot sum up how truly impressive the things that Gem has built and accomplished are, and we at the news office can’t recommend that you all go check out Gem’s videos for yourselves. Despite this only being her second season, it’s impossible to imagine a Hermitcraft without her.
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Grian Summed Up
by: Mateo!
Grian’s Hermitcraft Season 9 was established in the very beginning as a season rooted in nostalgia— evidenced by references to prior seasons through things like the designs on Dwayne, Grian’s megabase, the return of Grumbot, or a Hippie Bit.
The season started out with the creation of The Entity, which used the idea that everything sold at The Entity would have a visible indicator on the exterior of the shop like wood (a tree) and copper (stolen half of a water wheel from Grian’s starter base). Next there was a large farm dedicated to trading with villagers, then the creation of the Rift, established earlier as having tasted like grapes and battery acid. The Diamond Ore Race occured, then the Entity grew legs and moved, preparing the way for the megabase
Dwayne, Grian’s megabase of giant rocks both balanced against each other on the ground and floating in the air, had several buildings on it that resembled the architecture and color palette of his Season 8 megabase, as well as farms in several floating rocks, a broken bridge leading to Mumbo Jumbo’s vault, the entrance to the Rift and eventually, a rock dedicated to Resisting Creating A Resistance when Ren took over as king of the server.
Next came the reappearance of everyone's favorite Hermitcraft Robot. Grumbot was a big help in generating content, although he did seem to have a concerning habit of threatening the world if Mumbo wasn’t there. 
More buildings were added to Dwayne, with the back of the base unfinished as per the norm, more content was generated by Grumbot (a prank involving the one and only GoodTimesWithScar, his obstacle course, and a charged creeper), and Grian assisted Gem and Impulse in their resistance against King Ren, therefore not directly creating a resistance.
Then… the Rift allowed many of the hermits, including Grian, as well as Grumbot, to visit their friends in the Empires SMP. Grian and Cub collaborated to create a machine that shrunk the Hermits to ‘hermit-sized’, and the entire hermit ensemble created Hermitopia as their temporary home in the other server. Fun was had, like a tea party under the bedrock while sitting on llamas, and LORE! was dropped. Eventually, the hermits made their way back to Hermitcraft but not before several of the Empires players came through the Rift.
The Secret Santa occured, giving Pearl the chance to organize Grian’s chest monster on a time limit, and the Empires friends had to return to their server. A new development with the water highways made transportation faster and led to the iconic Grian Cackles™ as the chaos unfolded. 
The Incident, however, was a large change in pace. Grian and Scar messed up Doc’s world eater in a fabulous moment of miscommunication and double clicking a button, which led to the subsequent ban of the two from the Perimeter and the retaliation to the ban as Poultry Man and Hot Guy filled the Perimeter with chickens and created Lag Central. Hippies returned after this, as Mumbo, Scar, and Grian decided that Doc’s daily and nightly messages that ‘This is Doc’s world, you just live in it’ were annoying and needed changing.
The Buttercups, the hippies, created a camp on the edge of the Perimeter and several lovely design elements— ‘Live, Laugh, Love’ in yellow cursive on the side of the wall and a lovely cherry bonsai in a large pot that housed some giant robots that battled Doc and Ren’s robots, which generally caused destruction and chaos and laughter. The Buttercups also completed a monumental task in which they covered the entire surface of the perimeter AND terraformed it, which is a lot of time and a lot of blocks.
There were moments of hilarity strewn throughout the season as with the continuous back-and-forth of hermits messing with each other's copper as it aged, leading to instances like ‘sub[scribe to] scar’ and a large amogus, as well as the secret fools day that had Grian bringing back the infinity room to prank Impulse and Doc unleashing an unholy amount of ghasts upon the main starter base area and Grian and Scar, who were present at the time. The challenge of opening Mumbo’s vault, the trap of which Grian fell for every time and ultimately led to nothing; the episode where sand, gravel, concrete powder, or anvils falling all kicked Grian off of Minecraft; the chaos of Ren’s final day as King and hermits had to face Grian’s challenge, a very easy quiz; Hermits staging an intervention to get Grian to finish the back of his base; The Incident; the return of Decked Out, Grian’s iron golem experimentation room, and every Hermit’s addiction to playing the game. 
The season ended with a long episode in which Grian wrapped up loose ends and left lovely messages to each individual hermit, including the sorely-missed TFC. We hope he returns again next season, and hope Season 10 is as fun as every season before has been.
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Fun and Games
This week's fun and games are brought to you by Rookie! We have a wonderfully cute Scar coloring page for the festive season!
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marc-spectorr · 2 years
Note
I wanna say hi to you and the lovely annons and that I hope your day is going well.
🙄⚠️☺️ these are my 3 emojis all I ask is that you make the reader snarky I'm in a mood today lol 🤣
Ps.
Also when you start starwars I hope you get the chance to watch the mandolorian. I love him and if could Mary any character it would be between him and the moon boys. Okay sails out ✌️
heeey love, it’s always a pleasure seeing you in my inbox 🥰 and hehe the mandolorian is def on my watchlist, can’t wait to get to that show :)
anyway, hope you like this one!
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pairing: marc spector x reader
warnings: angy reader, but dw it’s fluffy!
“Come on, babe. I said I was sorry! If I had known that you’d be this upset about it, I wouldn’t have done it.”
Marc’s statement is met with a sly roll of your eyes, followed by a grumbled huff in agitation. You’d been in such a great mood before all of this. The weather today had been clear and sunny; you found a nice parking spot right in front of your office. Lunch was delicious, and you were looking forward to coming home to your fiancé and watching your favorite show's season finale together.
But things soured for you when you stepped inside the flat, catching Marc lounging on the couch, feet kicked up on the coffee table as closing credits run on the television screen. You had recognized the theme song in a split second, realizing that he’d seen the much-anticipated episode in your absence, which he’d adamantly promised not to do.
“Gosh, Marc. You couldn’t wait, huh?” you mutter, irritated at the way he’s chuckling under his breath as if this is the funniest thing in the world. “If you can’t keep your simple promise to wait for me until I get home so that we can watch our show together, how am I supposed to believe that you’ll promise to love me forever?”
You lift your left hand and point at the shimmering diamond ring on your finger for dramatic effect. That’s when the laughter stops. 
Got him.
Marc pushes himself off the sofa and makes quick strides across the room. You cross your arms against your chest when he finally reaches you, pulling you into a tight embrace.
“I’m sorry, I really am. I have no excuse as to why I didn’t wait. None,” Marc tells you, pressing soft kisses all around your face as you maintain the displeased expression covering your features. “But please forgive me. I love you, okay? I love you, I love you, I will forever love you. I’ll watch the finale with you again and won’t spoil anything, promise.”
“Promises, promises…” you mumble sarcastically. Even though much of the initial anger and annoyance has passed, you quite like poking fun at Marc, who’s willing to do just about anything and everything for you now. “Hmm, I don’t think I can ever believe a word that comes out of your mouth again.”
He lets out a heavy exhale, and you bite back the amused giggle rising from your chest. Marc looks absolutely defeated, apologetic. His dark brown eyes show regret while they plead for your forgiveness.
A smirk curls at your lips as you breathe out a resigned sigh. “Fine, you’re alright, Marc. I forgive you, but don’t think I’ll allow something like this to slide easily next time.”
“I swear, I won’t do it again. I just got curious, you know? But that doesn’t matter now. Go shower and change; I’ll run downstairs and buy you a tub of that ice cream you like from the convenience store, my treat.”
Marc lays one more kiss on your lips, then swiftly rushes out of the apartment, leaving you to shake your head at how much you truly love this man.
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pomegranate · 10 months
Note
besides mash, what are your favorite tv shows?
ahhhh gosh this is a BIG question, I think I’ve been into TV over the course of my life far more than I’ve been into anything else. off the top of my head, though,
The Simpsons - seasons 1-11 or so, kind of formed my pop culture knowledge as a kid
Kids In The Hall - truly formative as well & impacted my brain in a lasting way. I don’t know how to explain better than that, but I can link sketches for people to watch, if that will help
MST3K - original, I never watched the reboot SORRY
Doctor Who - mainly everything pre-Eleventh Doctor Clara seasons
Parks & Rec 1 it prob hasn’t aged super well but it aired at a perfect time for me, as a budding comedy nerd. also Harris. 💓
Abbott Elementary - SO fucking funny and sweet and a great evolution of the mockumentary style that Parks & Rec/The Office started with
Yellowjackets - sometimes the modern plotlines are a lil slow for me but I fucking love this show. girls being fucked up. YEAH
The Other Two - I raved about this a lot and then it got cancelled and while it appears that the showrunners were perhaps a bit too much like the two main siblings, it’s a comedy masterpiece. I really wish it had a wider audience. The finale was perfect.
Pushing Daisies/Dead Like Me/Wonderfalls - a triple threat! I do love Bryan Fuller but I will never watch Hannibal bc it’s too violent for me.
Andor - listen, I know Star Wars stuff has been overdone but Andor is a genuine masterpiece. The acting and the writing is so brilliant that it barely even feels like Star Wars (I love SW please don’t come at me but even SW fans know how bad SW can be and Andor is everything that SW should be)
There are more but I’ve spent a LONG TIME on this already so I’m going to leave it here!
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Text
Cartoons have long been a medium of storytelling for all ages. You’ve got things ranging from Dora the Explorer to Family Guy.
And you’ve got all the in between’s that (while not rated for all ages) everyone can watch. Like Miraculous and The Owl House.
Cartoons (or animated series) as a whole have always been made for everyone. The use of beautiful and fluid animation is a great way to draw in viewers and get them engaged. And then in most cases, the plot comes through and gets viewers hook, line, and sinker.
Unfortunately as this form of storytelling gains popularity, the stigma around it continues to grow. That stigma being that Cartoons or animated series are only for children.
The idea surrounding that stigma is false. You wouldn’t let a child watch shows like Family Guy or South Park or even Camp Camp. And those are cartoons.
With the rise of more child friendly cartoons though, the misconception continues to rise as well.
The most prominent example of this in the Modern Animation Era? The Owl House.
Despite the creator, Dana Terrace herself, tweeting about her target audience for this show, many still believe that this show is for kids only.
This was only proven false though when Kids weren’t tuning in though. In fact, a majority of Owl House fans consisted of people ages 13-25. Not the audience Disney expected.
Unfortunately it wasn’t the audience they wanted either. In 2021 Disney announced it would be canceling the show and shortening its third and final season into three, hour-long specials.
A lot of Fans (and even the creator herself) speculate it has to do with Homophobia seeing as the show featured Disneys first WLW/ Sapphic couple in a children’s cartoon. And while I think that definitely contributed to their decision, I think there’s a bit more to it than that.
The Owl House, from the get go, set itself apart from other Disney Series. It jumped in with its darker concepts and art styles. The color pallet was different from Disney’s typical pastels. The Main character was relatable to audiences and portrayed the struggles of growing up different and weird.
Then, after a good Season 1 A, the second half came in. Here’s when the plot developed. This is where I believe Disney began to have problems with it.
Because of the complicated storyline and development of actual plot they couldn’t just air it on the Disney Channel on cable.
Which means they couldn’t get children to sit still and watch when it was on. Which means less people watched the Disney Cable channel.
Essentially what is happening is Disney as well as other streaming and Cable services are “kidyfying” Animation to make it cable worthy for children.
Hence The Owl House “not fitting their brand” and being cancelled while shows like Big City Greene and The Loud House have been, and traditionally are, aloud to run for multiple seasons one after another.
And shows like Infinity Train and The Owl House get cancelled or shortened.
I believe the act of doing this will truly be the downfall of the cartoon industry.
By reducing cartoons and animation to be kids only your depleting 75% of your audience. The 75% that is able to go out and buy merch or go to see movies produced about the shows or convince adults to continue paying for services to watch these shows.
They’re killing their biggest sources of revenue and with it killing one of the greatest forms of story telling through television.
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reikyaoi · 1 year
Text
leon's day off
pairing; n/a word count; 4.1k characters; oogami koga, otogari adonis, kanzaki souma, hakaze kaoru, sakuma rei ao3 link
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“Leon’s a free spirit and a lone wolf. I let him off-leash so he can get all his energy out without me gettin’ in his way,” Koga shrugged. “He’ll come back if I call him though.” 
Turning around to amplify his voice towards the general direction he watched him sprint in, Koga shouted, “Leon!” 
… And nothing happened. No corgi came bounding for him from any direction.
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gift for @uglytsumugi12, you were my assignment for the enstars new years gift exchange 2022!! i hope you enjoy this silly little koga centric fic <3
As much as he loved him to death, even Koga could admit winter was not Leon’s best season in terms of agreeability. 
Despite his well behaved nature, shaped by multiple years of Koga’s meticulous training, Leon was curious in nature. It's as if he seemingly forgot how to act when temperatures dropped. He loved exploring, playing in snow, forcing Koga out into below freezing temperatures at 6am so he could go run around and get snow all over his coat…
Koga sighed. He can’t be annoyed with him really. He’s the one that signed up for the responsibility of having a dog, and Leon was always worth the turmoil. Doesn’t negate the fact that the streets are completely covered in ice that has yet to be salted, Koga has to be at school in two hours, and Leon is dragging him along to get to the park so he can run around off leash, and Koga has nearly slipped and ate shit about four times now. 
“Quit tuggin’... We’re gonna get there soon, and then you can run around all you want without nearly killin’ me, okay?” Leon had stopped momentarily to pee on someone’s potted plant. He blinked at Koga owlishly. Koga, unamused, blinked back at him. The second he was done with his break, he darted off ahead of him, nearly pulling his arm off.
Two near death experiences and a little treat bribery later, and they finally made it to the dog park. Once there, they made it a safe distance into the park before Koga bent down to unclip Leon’s leash. Free at last, Leon dashed off into another direction, to do who knows what in the snow. Probably take a shit, Koga’s brain supplied. 
“Oogami.” 
Koga nearly jumped out of his skin at the hand appearing on his shoulder. When he whipped around, his attacker revealed himself to just be Adonis, joined quietly by Souma at his side. 
“Jesus fuck, I thought I was about to be mugged. Always so damn quiet…” 
“I apologize Oogami. I did not mean to sneak up on you.”
“...S’okay. I can’t really be mad when you apologize so earnestly…” Souma, looking for an opportunity to make his presence apparent, bowed. “Hello, Oogami-dono.”
“Zakki, hey… What are you two doing out here?” 
Adonis smiled. “Kanzaki needs to bring Kamegorou back to the marine life club for a check-up with Shinkai-senpai. We decided to take him with us while we went on our morning jog, so that we don’t have to go back and get him. It ended up being more of a walk to accommodate him… But it was nice.” 
Koga looked down between the two of them and finally noticed what Souma was carrying- a small clear plastic pet carrier lit from the inside by a warming light, with a perch rock and a small bit of water. Laying on the rock was a small pond turtle shell, presumably with its head and legs tucked inside.
Koga looked at the carrier, confused. “Is it not… too cold to be carryin’ that thing around…” 
Souma’s face dropped at the question, “I truly hope not. I’ve been doing my best to keep him warm. I’m unsure if the lighting fixture I’ve installed in his carrier is enough. We’ve been stopping in shops periodically to make sure he doesn’t freeze. I am beginning to think this was not the great plan I had thought it to be… But I acted selfishly. I did not want to give up on my morning run with Adonis…”
“Kanzaki. I would not have taken offense to you canceling for a day if you had other responsibilities.” 
“I know… As I said, I was acting selfishly. I enjoy spending time with you and did not want to miss an opportunity to do so,” Souma lamented.
“Ah… That means very much to me, Kanzaki. You truly are a dear friend to me.”
“Adonis…”
Koga looked between the two of them with thinly veiled discomfort at the quarrel he had been forced into witnessing, if you could even call it that. “So if you two are going on a walk with the turtle… Why’re you at the dog park?”
Souma brightened at the reminder of why they were there, “Adonis saw you and suggested that Kamegorou-san meet your dog. He spoke very highly of how well behaved Leon is, and if Adonis says he is well trained, I trust him.” Souma looked back at Adonis as they exchanged fond smiles. “We saw him with you just a moment ago. Where did he go?”
“Leon’s a free spirit and a lone wolf. I let him off-leash so he can get all his energy out without me gettin’ in his way,” Koga shrugged. “He’ll come back if I call him though.” 
Turning around to amplify his voice towards the general direction he watched him sprint in, Koga shouted, “Leon!” 
… And nothing happened. No corgi came bounding for him from any direction.
Koga, suppressing an instinctive anxiety, tried again. Louder this time, Koga shouted, “LEON!” 
And still, nothing happened. 
“God fucking damnit where did he go,” Koga grumbled. Leon was well trained, and rarely ever ran off without coming back. Koga also highly doubted he could get very far on his little legs. “Fuck, I don’t know where the hell he went.”
“Would you like us to help you look for him?” Adonis asked, concern clear in his eyes.
“Ah… Fuck, yeah, if you can.” Koga gave in. Souma pressed his carrier closer to his body and wrapped his arms around it completely in an attempt to keep its passenger as warm as possible, and then the three of them set off in different directions, all shouting Leon’s name. 
After about ten minutes of walking around the park, Koga finally started to allow himself some internal panic. Leon never did this. Even when he was being trained as a puppy, he never strayed far from Koga for very long, especially not after having his name called. Not responding when his name was called implied that Leon was far enough away to not be able to hear him calling. Did he run away? Did someone take him? It was about 7am at this point. There were only about two other owner and dog pairs here right now, both caught up in their own little worlds. Still, he approached them and asked if they had seen an orange corgi running around anywhere. Both said they hadn’t been paying attention. A little negligent of them, Koga muttered under his breath as he turned away. Koga never didn’t pay attention to what the other dogs at the park were doing, just in case any of them were misbehaved enough to try anything… Except now Koga was the negligent one because he just left his dog completely unattended while he talked to his friends and now his best friend was lost and he was never gonna see him again-
“Oogami.” Adonis put a hand on his shoulder, snapping him out of his thoughts for the second time that morning. “Oh. I did it again. I apologize, Oogami.”
Souma piped up, “Unfortunately, me and Adonis did not make any meaningful progress towards finding your dog. We searched the entire left side of the park, and both found nothing. I’m sorry we couldn’t be of any help.” He paused, “... and unfortunately, it is 7:30… Classes start in half an hour…” He trailed off, looking extremely guilty that he had to put his studies over finding Koga’s friend. “It would be unwise of us to show up so late and risk punishment… And I also need to assure Kamegorou-san is properly warmed up.”
“If you would like, we can help you the moment we get out of school today. Kanzaki and I both feel deeply responsible for Leon running off, since we distracted you with our presence while you were watching him. So we will both do anything we can to help you reunite with him. I apologize that we cannot do more for him now.” Adonis said, hand still placed comfortingly on Koga’s shoulder. 
As always, when the two of them were being so earnest with him, it was very hard to be upset at them for what he knew was ultimately his mistake. There were three things that Koga took more seriously than anything in the world. #1 was being a member of Undead, #2 was practicing his guitar, and #3 was being Leon’s owner. He knew that despite Adonis and Souma’s claim to guilt, the blame for Leon straying too far away was on him. 
“... I think I’m gonna keep lookin’ for him for a bit. Student council be damned; it’s not like I’ve been extremely late all that often. I just gotta hope they’ll make an exception this time. Leon’s too important not to keep lookin’... You two can go though. I’ll come bother ya if I really do need help after school though.” Koga was desperately trying to keep his cool and not show how stressed he truly was. There was an image to maintain, after all. 
Adonis looked at him unsure. “Kanzaki, maybe we should stay… I would feel truly terrible if something were to happen to Leon because Oogami could not find him in time…” 
“Nah, seriously, you guys are good to go. Leon’s tough, I trained him to attack if he senses bad intentions. Unfortunately, he hasn’t attacked Hakaze-senpai yet, but hopefully he’ll get there one day.” Koga said, only about 90% sarcastically. 
Souma giggled at that, while Adonis gave him a look of confusion, “Why would Hakaze-senpai have bad intentions with Leon?” 
“Agh, nevermind, I forgot you two don’t always understand sarcasm…I’m just sayin’, he can handle himself. Besides, he’s got on a collar with my phone number on it. Nobody’s gonna think he's a stray.” 
Having been reassured of Leon’s supposed strength, Adonis relented. “Okay. If you say he’s strong, we will go. Please let us know if you do need our help.” And with that, Adonis and Souma said their farewells and headed off. Koga sighed. Reassuring Adonis did actually help to reassure himself that Leon would be fine. Leon didn’t look anything like the strays that wander around the area. He’s a well taken care of, 12kg corgi. If anyone found him, they would call him. 
Confidence in his ability to find Leon restored. He set off to search the entire park again. 
How far away could Leon truly even get?
───────
Pretty fucking far, apparently. 
He had searched the entire park, the park's direct exterior, up and down the streets surrounding it, hell, he even had begun to retrace his steps and walk back to ES, hoping that Leon was smart enough to know his way back home. 
By the time the clock had reached 9:30, Koga knew he had to give up for now and take Adonis and Souma up on their offer to help look for him after school. He could tell he wasn’t doing a very good job at not wearing his emotions on his sleeve, because the second he walked in the room, they both gave him a slight look of pity that he pretended not to see. 
All day, Koga couldn't stop checking his phone. It was truly baffling to him that no one had called and said they had found him yet. He couldn't stop bouncing his leg up and down and fidgeting with pen and looking out the window and checking the clock. He was so antsy, he felt like he was gonna explode. 
The minute they were dismissed, he bolted from his seat, ready to go resume the search. 
Adonis and Souma followed swiftly behind him. “Did you really find no leads while you were out this morning, Oogami-dono?,” Souma asked. “You were gone for an extra two hours…” 
Koga glared. “If I found somethin’, do you think I’d be rushing out the door like this Zakki?!” Souma wrinkled his nose at Koga’s tone, but said nothing in response, reasoning that he was being even more snippy than usual because of his lost friend. If Souma lost one of his dear friends, like Kamegorou or Saigoudon, he doesn’t think he’d be very calm either. 
“Where did you leave off your search, Oogami?” Adonis spoke up.
“I was heading back towards ES to see if Leon had somehow gone back home without me. But I realized how late it was getting, so I called it quits… Let’s split up. Zakki, go towards ES and see if he somehow made his way back towards that area. Adonis, you come with me and we’ll both look around the area of the dog park separately.”
They both nodded, and they all headed off on their separate missions. 
───────
As the sun began to set, Koga allowed himself to feel an emotion he had not allowed himself to feel all day: dread. He and Adonis had searched an even wider area than he was able to cover this morning. He had begun to ask locals if they had seen a corgi waddling around, but both of them had come up empty handed on any sort of lead. 
Only around 6pm did they finally allow themselves a break. They found a nice local cafe to get a rest from the cold in, just to warm up a bit before they ultimately headed back to ES. Adonis watched as Koga took a phone call while he got their drinks. “Was that someone calling about Leon?” 
Koga sighed. “Nah. It was Sengoku calling on Zakki’s behalf. He didn’t find anything in the direct area around ES. Leon isn’t there.” 
Adonis frowned at that, “I’m truly sorry, Oogami. I cannot shake the feeling this is my fault…” 
“S’not your fault, I already told you that. You don’t have’ta feel guilty over it, Adonis. It was me who shouldn’ta let him off the leash in the first place. He never does stuff like this though! He’s never just run away from me like that before… And I mean honestly, how far could he have even gotten?!” 
Adonis frowned at Koga’s attempt at a joke. “So what is your plan n-”
“I’m so sorry to interrupt. Did you two gentlemen say you were looking for a corgi?”
Koga immediately shot to attention. One of the cafe’s waitresses had timidly approached the table. “Yes. Why? Have you seen one? What do you know?!” Koga frantically asked. Her eyes widened, slightly, at the sudden outburst of her patron. 
“I… Two gentlemen came in here earlier, one of them was carrying a corgi. They got drinks and dessert, and a small cup of whipped cream for him, dined, and then left…I vaguely remember them discussing needing to return him to his owner.”
Holy shit. Leon WAS kidnapped! He was fucking dognapped! Whoever the bastards were, they knew they had stolen the Oogami Koga’s dog, and they were gonna ransom him out for money! Or something potentially worse! Koga didn’t know what he was gonna do, he was an idol sure, but he didn’t have Leon ransom money?! Maybe he can convince the company to pay, or get Tenshouin to use some rich person trickery bullshit to figure out who kidnapped his damn dog-
“May I ask, what did they all look like?,” Adonis asked. “Both the dog and the two men,” he added. 
She thought about it for a second, “The dog… was orange with white patches on his face and belly.  Definitely a corgi breed.” Adonis and Koga shared a quick look. Definitely Leon. “And the two men… One had long-ish black hair, and scarlet eyes, and the other had blonde hair and brown eyes, but- oh, they kinda looked grey when the light hit them right. He was very charming, the way he talked, and-”
When Adonis looked back to Koga, he could practically feel the rage billowing off him in hot waves. “Those fucking assholes.” Cutting off the women from her rambling about how this handsome blonde stranger’s casual flirtatious compliments made her double shift totally worth it, Koga angrily grabbed his jacket and got up. Adonis quickly bowed in apology towards her as he followed Koga out the door. “I’m seriously gonna kill ‘em this time. They stole my fucking dog!” 
“Oogami. We don’t know why Sakuma-senpai and Hakaze-senpai took Leon. We have to hear them out first.” 
“I’m not hearin’ shit from the two of them! They’re both gonna fuckin’ die today!” 
───────
The door to the Rhythm Link office space Rei and Kaoru were occupying slammed open. Koga was immediately greeted with the sight of the two of them lounging on the couches located at the back wall, filling out paperwork. And there, on Kaoru’s lap being absentmindedly pet, was Leon, napping without a care in the world. He seethed even more. 
“YOU TWO.” Rei and Kaoru both looked up at him with surprise. Rei shook it off quickly, “Doggy. We were hoping you would stop by today.” Noticing Adonis standing anxiously behind Koga, Rei smiled at him. “Ah, hello to you as well, Adonis-kun.” 
“Hello, Sakuma-senpai.”
“Don’t be nice to these thieves!,” Koga said as he turned around to reprimand Adonis. He whipped back around. “You two stole my dog!” 
Having been woken up from his nap, Leon finally noticed his owner’s presence. He immediately hauled himself up, and Kaoru unfolded himself to allow Leon to jump off his lap and bound towards Koga. As soon as he reached grabbing distance, Koga snatched Leon up into his arms. He hugged him close and pressed his face into the side of his neck. 
“Fuckin’ scared me…” Koga whispered into his neck, soft enough so only Leon could hear. Angry as he was, having Leon back in his arms significantly dampened the rage he had felt. Not that he was gonna let his seniors know that though. 
He adjusted Leon so that he was pressed against his chest, head on his shoulder as if he were a baby. Koga stood up, made sure his dog was still comfortable, then glared at Rei and Kaoru. “Alright, ‘fess up. Why did you two take my dog, and then not bother to tell me you had him all day? I was goin’ crazy all day thinking I lost him. It’s really pissin’ me off that you two had him all day and didn’t fuckin’ tell me.”
Rei yawned. “Are you not glad that he was found and isn’t out there wandering the frozen streets? He even got to spend his day being spoiled by his favorite grandparents~” 
“Don’t call yourself that!” 
Rei shrugged as he continued absentmindedly filling out whatever bullshit paperwork they had been working on. Kaoru, at least, had the decency to look guilty. “We were gonna bring him back to you, honest!” 
Koga continued to glared, unimpressed with this answer. Kaoru shrank back, still attempting to hold a kind smile, but evidently crumbling under his gaze. “Rei-kun and I were going out for brunch and we found him running around in an alley. Since you weren’t with him, we figured he was lost but my phone was dead, and Rei-kun’s-” Kaoru looked at Rei, exacerbated. “You wanna tell Koga-kun what happened to your phone?” 
Koga switched his attention back to Rei, who now looked like he was actively trying to hide from this conversation, paperwork entirely covering his face. Realizing he had become the center of attention, he slowly lowered them, a feigned nonchalant smile on his face. “Ah… well… It’s truly an almost chivalrous story, if you think about i-”
“Rei-kun.” 
Rei deflated at his partner's condemnation. “... You see, Kaoru-kun and I attended a dinner meeting last night to meet with Hasumi-kun, Kiryuu-kun, a handful of representatives from an advertising firm, and some of the companies’ higher ups to discuss some business about our units’ involvement in an upcoming advertising campaign for a brand of instant ramen. It was truly a beautiful establishment that they booked, with a dazzling view of the city skyline, and you could even get a stunning view of the ocean-”
“Get to the fuckin’ point.” Koga barked.
“... In my, truly noble might I add, attempt to get Kaoru-kun a picture of the view with my mobile phone’s camera… It seems that I was not being careful enough, and I dropped it off the balcony.” Rei hung his head in shame at the admission. “The representatives, at least, found my fumble amusing.”
“And so, neither of us had phones we could use to call you. We were planning on just taking Leon-chan back to you when you were done with classes, and we were done with all this paperwork, but it's ended up taking much longer than we thought it would.” Kaoru finished, sighing over the misfortune.
Koga squinted at the two of them. “That all sounds like a buncha bullshit you two made up. What’s the real version?”
Kaoru frantically shook his head. “Nonono! I promise it’s the truth!! Believe me, I wish I could make up the story of Rei dropping his phone off a balcony in front of all those important businessmen. Hasumi-kun was not happy with us on the ride back to the dorms…” 
Adonis interrupted to ask, “Did it hit anyone when it fell? I cannot imagine that would have ended well if it had.” 
“Thankfully, it did not.” Rei said, mood shifting back to being annoyingly playful. “To be quite honest, I do not understand why Hasumi-kun was so displeased with my actions. The representatives loved it, and it’s not as if it was his mobile phone-”
“Shaddup. You two are idiots.” Koga said, finally reaching his limit with the conversation. “C’mon Leon. Let’s get you cleaned up since you were apparently playin’ in the trash. Let’s go, Adonis.” 
“Koga-kun!” As the three of them turned to leave, Kaoru suddenly got up to stop them. “We’re sorry. Really. We didn’t mean to scare you so bad. We know how much Leon-chan means to you, so we thought it was best if we looked after him. We should’ve found a way to tell you sooner.” 
Rei nodded in agreement. “Rei-chan is weally sowwy~”
Kaoru scowled, Koga scoffed. Realizing his error in determining the mood, he quickly added, “Ah, I mean, what I meant was that we are truly sorry, Koga-kun. Kaoru-kun is right when he said that we should have made more substantial attempts to contact you. We apologize.” As if planned, they both bowed to him and Leon in sincere apology. 
“Oogami, I think they are serious.” Adonis whispered. 
“... Did you guys at least feed him?”
Kaoru perked up at that, “Yes! I used some steak pieces that someone left in the fridge with a “free to use” note on them, along with his usual food combination to make him something gourmet~! He really liked it, from what I could tell.” 
Rei smiled. “Though it was safer with us, he kept trying to find his way to your dorm room. If I had to guess, he must have simply wandered too far in his excitement at the fresh winter snow, but he made some truly valiant attempts to get away from us to find you.” 
“Heh, good boy.” Koga grinned at his dog. He knew he would never purposefully run away from him. “... Fine. You two are forgiven. If anything like this ever happens again though, you both are fuckin’ dead, hear me?”
“Yes, Wan-chan~” 
“Understood~” 
“Good. Adonis, let’s go.” As Koga turned to leave, Adonis bowed in departure to their seniors. 
They walked to the elevator in comfortable silence. Leon had fallen back asleep, face pressed safely into the side of Koga’s neck. Once in the elevator that would take them back down to the dorm levels, Adonis broke the silence. “Oogami… I still feel bad about you having lost Leon-san. Seeing you reunited with him has made me even more aware of the damage I have caused, so I must offer my help with bathing him, if you will let me.”
If getting close with Adonis has taught him anything, it's Adonis’ tells when he's not being entirely forward with his feelings. Adonis was shy, but never closed off. Right now, his body language was almost anxious; arms crossed and looking downwards. If Koga had to guess, he didn’t truly still feel bad about being the cause for Leon’s brief disappearance. 
Koga’s eyes softened. “If you just wanted to spend more time with him, you coulda just said so.” 
“I apologize.”
“Didn’t mean it in a bad way. ‘Course you can come help me… If you wanna…” 
Adonis smiled at him. “I’d like that very much.” 
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justaredheadf1fan · 11 months
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What could've been and never was in Monte Carlo
Hey there!
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So I've been checking out Quali results at work with one of my colleagues, who's also a fan, and we were watching when there weren't any clients around us 🤪
Quali - Saturday
Just a few minutes into Q1 Checo decided it was a good time go just crash for the fun of it. Very nicely done, my friend. One out, one to go. Another flying car in the same day, how about that. There goes another Red Flag. Might as well have an interesting GP all along?
Carlos bothering Sharl almost at the end of Q1. Meh. Some quick surprises like Yuki on P1. Oh, good times ending quickly. Lewis at the edge of the abyss, saved by the bell basically.
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Let's see Q2. Can't remember now who dropped on this one.
Seriously, is Lewis truly struggling that much? OMG and he's starting his lap right at the time limit for Q2... I know he made it through but I might kill him anyway. This guy loves giving people heart attacks.
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Yuki is killing it today, he's right there in Q3, baby!! So if the rumors about Marko giving Nyck an ultimatum are true, honestly this isn't looking good for him this time either. He's achieved nothing so far this season. So much promise last year... I know the AT is a tractor, but I don't know how much he'll last.
Alonso and Carlos at the top... No, please. I hate to see this 🤣 The Alpines are doing a fantastic job this weekend, it's looking nice for them. HAHAHA ESTIE BESTIE P1! WHAT IS GOING ON TODAY?
Sharl trying to get his well-deserved pole, AND HE DOES IT!!!!! But shit happens and Alonso gets back up there. Grandpa, stop it now. And there comes... that person, with the illegal car. Obviously. Oh, what a surprise.
Race - Sunday
So, I've actually watched the full race with a bowl of popcorn just lying there on my bed and just tried to "enjoy" it on its own, without commenting on everything through here at the same time I was actually watching it happen. I have to say, although I haven't really enjoyed it, I've found myself more relaxed while watching, just enjoying the peace after a good day at work.
In all honesty, I've seen a tiny bit of the race at work with one of my coworkers because she's also a fan, and we watched the chaos unfold after it started raining.
There's just been a few things worth commenting on, from my perspective, since the race has pretty much been a bore:
Estie Bestie P3. Seriously, the Alpines have worked very, very well during the whole ass weekend, but Esteban today was on top of the world. He made a train(wreck) and ended up keeping his original position. Well deserved, if you ask me. He's done nothing wrong and earned his spot.
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Lewis P4 after the disappearance of the "no-sidepod" concept on the W14, sounds promising, plus he's done a great job as he tends to do, but I'm still not confident.
Carlos and Checo did everything wrong today. We could definitely add George to this mix, but I don't even want to wast energy on this topic.
I don't see it as a surprise that Fraudstappen won. I mean, illegal car aside (?), what else did anyone expect? Excitement? Surprises? Right now F1 is synonym to this person winning it all without even trying or, God forbid, making an effort or fighting for his spot, like at all. Is that really what's left of the exciting sport Formula 1 used to be? Because at least Lewis, Sebastian, Fernando, Kimi, Rosberg... They all had a competition, even though Mercedes were far more superior by far in most occasions, they had to work for it still, so... Where's the actual work or so called "brilliance"?
Anyway, next week's Barcelona. The time finally came around and I'll be going on Thursday and I'm hoping with all of my heart that it doesn't rain. Not because of the race, it would make it that much more interesting, but the parking lot... It's all dirt, if it rains, that's gonna be the worst, so I'm hoping for a mundane thing like sun and dryness to go on the whole weekend, for our sake 🤣
Peace out!
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darkisrising · 2 years
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WiP: Stranger Things
Well, I tried to write a thing but life got in the way (aka I thru my back out? wtf is that about?) Don’t know if I’ll wind up finishing it even though I’d really wanted to for @doodlethings birthday (and you should ALL check out their Steddie drawings they are PERFECTION) so here, have nearly 2k of what was gearing up to be a Stranger Things Steddie fic but for now it’s just... I dunno. Characters being characters. Or something. Anyway, post Season 4, so spoilers for that, etc. Let me know if you like it, maybe I’ll get a second wind and actually finish the damn thing, who knows. Sigh. The Baby-Sitters Club #1 - Robin’s Great Idea
Hawkins is burning.
Which, to be fair, is nothing new. It’s been months of ash raining from the sky, of fissures fracturing underground and swallowing buildings whole, of FEMA and the Red Cross and way more church disaster relief groups than Steve can remember setting up shop and helping and leaving only to arrive again at the next wave of fires and fissures and disasters and the next and the next… 
And even that is only the public stuff. There’s the years it’s been close to total destruction, held together with essentially El’s psychic equivalent of duct tape and, well, yeah.
So Hawkins is burning. Again. Big whoop.
“I’m just saying, maybe we ought to get away for a bit,” Robin says, her feet on the dash as they wait in the parking lot in front of the cluster of trailers that’s passing for the high school these days. “See the sights outside of Hawkins. Breathe air that doesn’t taste like an ashtray for a few days. You remember air, Steve, don’t you? Clean air?” 
Robin’s getting louder and closer the more fixated she becomes on this idea, her hand finding Steve’s bicep and squeezing until he finally has to nudge her away with a: “Yeah, yeah, clean air. I remember it, jeez,” before she chokes his arm to death like a boa constrictor.
“Look at this shit. Just look at it,” Robin taps at the window, as if Steve needs a visual aid when the ash hasn’t let up in four months. “This isn’t clean air. This is like the opposite. The furthest thing from. Next thing you know they’re gonna bring in a camera crew to film an environmental PSA only instead of some old Native American dude crying it’ll be a dumpy middle-aged Hoosier dad. It’ll be Mr. Wheeler, and they’ll zoom in on his face and one single tear will be coming down,” she paints an invisible line on her cheek with an index finger, and contorts her face into a truly ridiculous frown until Steve can’t help but snort a laugh. Robin’s grin is bright as she continues: “And his thick glasses will get all fogged up. Just imagine it, it’ll be so sad. So very, very sad. Are you imagining it?”
The thing of it is, he’s not even lying when he says: “Yeah, yup. Imagining it,” because if there’s one thing Robin is it’s good with words. Or at least, she’s good with words that Steve can follow. Usually. For the most part. Granted, she uses a lot of them, so it’s kind of that law of averages thing that he vaguely remembers hearing about in Statistics class way back when. That thing where, because she tries every word known to man in a single sitting, Steve’s bound to grasp some of them eventually. 
“So?” she asks with a blink of her big, blue eyes. The late afternoon sun has to work hard to slice through the thick clouds above, but it’s bright enough to find Robin’s nose through the windshield, to highlight the smattering of freckles across her face as she stares at him, waiting for a response.
“Clean air could be cool, I guess,” Steve mutters with a shrug, cutting his eyes back to the trailers just as an alarm sounds out the end of the school day. 
There aren’t many kids still around Hawkins—most families got out back in the spring when the going was good—so it’s a sad little trickle that lets out, making their way down the stairs of their trailers which rock a bit with the movement. It’s nothing like the rush of people Steve remembers back when he was the king of Hawkins High, back when the student population was a sea that parted for anyone in a letterman jacket like they were that dude from the Bible, the one that parted the sea. Or maybe he walked on it—or was that a flood?—something like that, Steve never really did pay attention to that church shit back when his parents were around to drag him in every Sunday.
Now that Hawkins is ground zero for every Satan-fighting crusader in the Midwest, he’s even less inclined to give a shit about Christianity. Especially since all those brain-dead Bible thumpers seem to agree that, as far as they’re concerned, Satan’s name starts with an ‘E’ and ends with an ‘ddie Munson’ and that, well, that makes Steve want to do things like pick up a bat and go to town on every stained glass window the Presbyterian church has left. 
Robin pokes his knuckles where they're gripping the steering wheel, scarred skin now bone white from how tight he's holding on, and with a start he lets go. He wipes his palms against his legs, rucking up his twill pastel blue shorts up his thighs even higher. Not that they're sweaty or anything, but it gives him something to do so he doesn't have to think about why, whenever he starts to think about Eddie Munson lately, a pit to rival any Upside Down gate opens in his guts.
"You good?"
"Yeah," Steve answers with a scoff. "Why wouldn't I be?" and Robin at least has the decency not to say anything else about it, even if her eyebrows are creased together with worry.
He catches sight of his band of merry misfits and pops the locks as they trudge closer. He waits. And waits. And waits some more, before hitting the button on the power windows and mutters "Would it kill them to pick up the pace?" to no one in particular before shouting out: “Come on, Henderson, Sinclair, Byers, Wheeler, Hopper, let’s go, go, go,” as he pounds on the outside of his driver’s side door.
When the door finally opens, Steve grouses “You know, maybe the rest of these dweebs I’m not surprised at, but you, Sinclair? You? You were on the basketball team. Where’s that hustle? Where’s that drive, huh?”
Lucas rolls his eyes as he tosses his backpack in, the rest of the brat pack following close behind as they all pile in, one by one, as Dustin whines: “Are you out of your mind? That new grape flavor absolutely ruined Fruity Pebbles."
"Well. Agree to disagree," Lucas shoots back, settling into his seat.
Mike, El, and Will squeeze their way into the back row, and for every twinge of regret Steve gets now and then for trading in his maroon BMW for an ‘84 Dodge Caravan, it's nothing compared to the ache of relief he feels somewhere around his demobat scars whenever he's got his entire brood together in one place.
The minivan might not be the sexiest thing that’s ever rumbled down the roads of Indiana, but he doesn’t even care anymore. Sex, once almost synonymous with the Steve Harrington name, is now the furthest thing from his mind. The change has been building for a while now, pretty much ever since his first taste of that whole, weird world just beside this one, but ever since the showdown with Venca a few months back Steve has all but lost interest. Girls and dates and sliding through the bases, it just doesn't do it for him anymore.
Now his life is simpler. Quieter. He picks up hours at the grocery store for cash, and helps out with whatever volunteer effort is in town, and ferries around his twerps whenever he can, and at the end of the day he crashes face first into the narrow, stupid bed of the RV camper he never bothered to return. Wake up and do it all again the next day.
True, there's a whole thing with El laying low as Jane, and Will's goosebumps, and being on the lookout for the next great disaster that's going to hit any day now, but even that is whatever. It doesn't take up much of his attention. He leaves that crap to everyone else. Say the word, he'll be there, ready to kick ass and take names but until then his life is this:
A minivan with faux wood panel siding, and a Robin riding shotgun, and five (sometimes six, on the rare occasions that Erica decides to grace them with her presence) little jerks bitching and moaning and arguing about Fruity fucking Pebbles behind him. 
“It’s disgusting,” Dustin declares. “It’s trash, it besmirches the names of Fred Flintstone and Barney Rubble, and Post cereal should be ashamed of themself for this stunt. Come on, somebody. Back me up here!”
“I like it,” El says, voice soft and through the rear view mirror Steve can see her shy, one-shouldered shrug and quirked half-smile. For a kid with all the power in the world, she’s still so quiet most of the time. It’s easy to forget she could probably crush them all like a Coke can with just a thought if she ever had a reason to. 
Steve’s not used to people having an advantage in life without being more than willing to take it, to lord it over people or worse, turn it into a weapon, be it that they’re stronger or smarter or richer or come from a long line of guys with a great head of hair. Survival of the fittest, as his dad always liked to say, but Eleven seems perfectly content to stay small, and unassuming, and curl up next to Mike in the back. There’s something about that almost feels like permission? in a way? For Steve to not worry so much that, for all that he’s older, he’s been well and truly whipped by a ragtag group of children into being their stooge. Even if it does piss him off that no one is listening when he yells through the chaos: “Okay. Seat belts, we all got our seat belts on back there?” 
“I like it, too!” Mike agrees, a little too eager to take El’s side, and Dustin rolls his eyes so hard it’s a wonder they don’t rattle out of his skull completely.
“Safety first, guys. Come on—”
“Honestly,” Will chimes in. “I just think it’s weird they have a cereal that’s basically like ‘here, kids, eat some rocks for breakfast.’”
“I paid for the extra row of seats—“
“I mean, Pop Rocks are, you know, also rocks. But in candy form,” Lucas points out.
“Yeah,” Will agrees. “And that’s weird, too, when you think about it.”
“ —the least you little shits could do is buckle up.”
“So then don’t think about it!” Dustin yells.
“Well,” Lucas says with a sigh. “Now I can’t stop thinking about it.”
“Wait, isn't Fred Flintstone’s daughter called ‘Pebbles’?” Mike asks.
“Oh, because that makes sense, we’re eating Fred’s child instead of—”
“I never said—”
Robin launches herself forward, twisting at the radio dials until the Miami Sound Machine is blasting through the minivan, Gloria Estefan crooning how words get in the way as everyone slaps their palms to their ears. When Robin turns it down again, everyone has been cowed into silence and her raspy voice is smug when she says: “There. Brutal, but effective. Anyway, you were saying, Steve?”
“Oh, uh,” he answers with a blink. “Right, yeah. Seat belts on.”
This time they actually do it, even if Dustin is muttering to himself: ”Of course Steve is listening to mom music.”
“Hey, dude, come on. It was the radio. I don’t control the radio.”
“Sure, sure. I believe you,” Dustin says, dripping with sarcasm. “I toooootally believe you. Mom.”
“Hey,” Robin raises a finger in warning and Steve doesn’t need to spare another look sideways to see she’s not as serious as she’s pretending to be. “Show some goddamn respect.” She settles back into her seat. “That’s Mr. Mom to you.”
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So, it's time I post something about the things I liked and disliked about Stranger Things season 4 because many people discuss this half season.
Let me tell you, I don't hate it and I don't love it. It has its flaws but that doesn't mean there are no good parts about it.
What I loved about Stranger Things season 4
Max is filled with deep regret and guilt she didn't try to change it, didn't try to change the way they see each other. And the trauma of seeing him die, sacrificing himself to save El and Max and all of them, sits deep. It's the whole package of grief. Her mother has a lot of stress, they moved to a trailer park and Max feels empty and alone. Isolation is what easily happens when you grieve and work through trauma. You don't have enough energy for socializing because you barely sleep and feel like others might not understand you because they haven't outlived something similar. I remember when my grandpa died and my best friend was there, silent, and just said "oh okay" because she didn't know what to feel. You can feel more of an outsider than ever before when people you care about react this way. It totally makes sense for her to break up with Lukas. He reminds her of the time before all of this, when life was a light breeze, but it pains her that he is holding on to that old version of her. "I have changed", she feels misunderstood, too caught up in her head and overwhelmed by life going on and people not stopping for a minute like she did.
My first point is Max played by Sadie Sink. I love Sadie Sink, especially since "all too well" because she nailed that. Here in this fourth season, she could show off her potential as well. After the finale of season 3, it would have been cold of the writers to let her move on as if nothing has happened because Billy was her brother after all. At his grave she says something like "you hated me and I hated you but maybe we could've started again" which captures very well how much she was used to his attitude. She was used to it. Billy was always moody and an ass but somehow they were stuck together. I wouldn't say it was hate, it wasn't love either. They lived together without existing together. Just a mutual understanding of the situation with the deep wish to change it but communication is too hard.
I think it's a very interesting storyline and showed an extremely different side of Max and the way she copes with strong emotions. Before, she swallowed all of it, but now, she's at a loss. I find it truly amazing how well Sadie Sink portrays this grief and dispair. The graveyard scene had me holding my breath when she read out her letter and started crying.
Also, we see Max having a very strong will. She was always part of the team, part of the plan, didn't stand out. But here with Vagna, she is alone, she fights her battle and she has such a strong will to live, this whole scene reminded me of Harry Potter. Vagna is the dementor Harry pushed away with a patronus filled with happiness. It's the same Max did and she holds on to dear life because despite it all, she wants to live. It's a very different character approach.
Let's move on to Will. Will and El work out great as siblings and it's of course because Milly Bobby Brown and Noah Schnapp are such close friends in real life. Else this wouldn't have worked out so great as it did. But I truly love their sibling dynamic with both of them being the outsiders but Will always tries to let the situation seem brighter than it actually is. He comforts El and tries to show her that even though he doesn't understand her the way she wants to be understood, he is there and will always be. He never takes her for granted, never calls her stupid and tries to save her from herself mostly. Other than Mike shouting "what did you do", Will knew El didn't mean it that way. She didn't mean for Angela to be hurt that fatal and El is obviously very disturbed afterwards.
Side not: I love how the Byers are calling her their sister/daughter. Like when Joyce is handcuffed, she says she has three children at home and begs for mercy. Joyce is always so warm-hearted, I love her.
The whole Satan thing Jason believes in. We love a little drama and Jason definetly called it the second he went onto that Basketball field and gave us a little speech before the match. When Patrick dies, he goes on a rampage and explains this weird incident as a satanistic sacrifice and I can't tell you why but I just love this. He doesn't know anything about the upside down. He is just a lost young man who saw something unexplainable and nobody wants to listen. Why not explain something that's scientifically impossible with a myth? It's what every culture does. It's human. And it causes a lot more stress because now, they are all on a run and have two problems to fix. One is fixable in sight but the whole town believeing they are vessels from satan is a whole new, more political and societal problem. I am excited to see how this will work out.
Next, we have Steve and Robin. The iconic duo. I love these two. Robin is so smart, she just needs the right spotlight and Steve calling himself "their babysitter" is hilarious. And this may be an unpopular opinion because Nancy and Jonathan are epic, but I like Nancy with Steve. I kinda liked it in season one when Steve was not a total douchbag, he had his moments, and I like it even more now that he has grown. Nancy has changed. So much so, that going back to Jonathan may even hold her back. I feel like they grew apart. Maybe they will find their way back but right now, I'm on the NancyxSteve ship.
My issues with Stranger Things season 4
I have to say, this won't be shorter than the things I liked because there are some things in writing that I can't agree with. They make sense but then they don't and I am lost.
First of all, it makes sense El is sad and angry at the world. Her life is shit, really, and I think telling Mike a different truth made the real one easier when she was alone. School is hell for her and a different reality, a reality you'd love to be true can be soothing but it makes reality so much more suffocating to a point when you can't breathe any more. It's why she explodes and hits Angela with her skate.
Mike and El were always about not lying, El herself always says "friends don't lie" but she's going against her principles and straight up lies to Mike, knowing he is not there to see how much she suffers. Suffering alone is just not any option, Will knows that but can't reach her. El is basically pushing everyone aside, feeling like an outcast and it never reached this extent before. She isolated herself before, was irationally angry at others and hurt innocent people. But it was never that far. And Mike doesn't make it better. The fight was really important and it showed all the insecurities they both have. Mike is not well with emotions and El has too much of them, it's all understandable but I somehow don't get their whole drama. I don't get how it could go this far, how Mike acts like he did in season one. Hasn't he grown one bit? The last time he blames El was in season one. He screamed "what did you do" as well and he makes the same mistake. I just don't want to see it because it doesn't make sense to me why he would talk to El like that when he knows her so much better now.
I think Mike finds himself again when El is arrested and they go and try to find her. Here comes the next problem: their story just ended. Jonathan, Will, Mike and Argyle are on the run, try to figure out what the Nina project is and they are so important characters (Mike is the original protagonist) but they are hardly seen? They have like 10 scenes and then that's it. Nothing happens on their way once they hit the road and the imbalance of storytelling starts.
We have El returning to "Papa" which I deteste because why is this man still alive? She is given a choice but doesn't have one. When she walks away, implicating she says no, she is being anaesthetized. After that she agrees to all of it, desperate to get her powers back. And I'm totally on dr. Owens' side here because El is really just traumatized and needs to be away from it all. Unhappiness can cause much more damage to powers and the will to life than dr. Brenner thinks. El might be strong but there's always a limit and she didn't ever take a rest. He is pushing her, following a goal we can't see.
As you can see, I don't like the way they bring back season 1 because season 4 has moved on so much further.
Let me tell you, there's something else I dislike very much. It's the imbalance of storytelling. The roadtrip is barely mentioned, El has the brainwash going on and the two most viewed storylines are Hopper and Eddie which I find weird because they are all equally important. The priorities of the characters have suddenly changed and I don't know why. Hopper's story and rescue is way too long. We didn't need this back and forth for hours. And upopular opinion: I don't like Eddie that much. He is freaked out, I know, but he is kinda incompetent and slows them down and he looks like someone who can't live on his own...
And here, the most unpopular opinion ever because I haven't met anyone who agrees with me: I don't like that Hopper is still alive. There, I said it but stay with me, I'll explain. See, I am in general someone who says she didn't need season 4 to happen because season 3 was so hyped up, I feared they couldn't recreate that. I was right, they didn't. But that's not it. I personally think the ending of season 3 is a proper ending. It's a small open ending but most things are settled there. Billy died and Hopper did as well, both for the better cause. It would have stayed as heroic as that was, if the show would have just ended and their deaths saved the world. Because now it's like Billy died for nothing because the upside down still messes with the reality and the fact Hopper didn't die, means the gate is not fully closed. They did all of this for nothing. And I don't like it. The fact Hopper lives, is not logical to me because everyone else in that room vanished. Why didn't he? Even if he fell down, he was still in the same room... doesn't add up to me.
As you can see, I had a lot to say about this season and I only checked it out because I was curious to be honest. But let's see what's about to happen in five weeks
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tsuki-sennin · 9 months
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Geats 45! This show's been going on for 45 weeks, where the hell did all that time go? ...wonder when I'm gonna see that summer movie? Better yet, who is this mysterious zoomer Rider who we're gonna be getting to know far too much about next season?
Spoilers, I guess...
-At least Neon got something nice out of all this.
-I wonder... has Beroba been wandering aimlessly all this time?
-"Da-Paan~! How's my new favorite edgelord of all time doing~?"
-Ace needs a lot of people on his side.
-OHHHHHH
-Gonna finally transform, Jitto?
-VIPs, eh?
-Hello, Irumi-san. Oh, Neon-chan's here too~!
-Here comes Kanato.
-Oh I see, the panda's new sponsors enjoy a good masquerade.
-"I do it for the fans~! And just like any gamer encountering a woman live on stream, I'm gonna make some goddamn content~!"
-Hey, you get your paws off that Beat, mister! That's Na-Go's!
-Man, I want to see Fantasy Beat so badly. She deserves to be a music wizard.
-I can't complain about how much ass she's kicking at all though, this is great.
-Oh that's sick.
-I can't believe they remembered that feature.
-"Oh man, you're almost cool now~! Fallen to Despair like that..."
-Can't believe Da-Paan of all Riders is accurately describing Keiwa's headspace.
-I think it's pretty genius how we were so close with Keiwa before and saw so much of the DGP through his eyes, and yet now he
-Kram Park.
-"This game sucks."
-Never give the people what they want. Unless, of course, it's Fantasy Beat Na-Go, I think that's an objectively good idea.
-Hi, Daichi.
-You put those vines away, mister.
-"You fucked up big time, Nadge-Sparrow. I'm putting you to work."
-Come forth, my son.
-Hello, GM.
-PunkJack sneaks. ...this is quite a miraculous feat for somebody like him, you'll know.
-C'mon, Keiwa.
-"Wow. For once, you're the crowd favorite."
-Don't you know, Tycoon? Jesus is like ten feet away from you.
-At long last, our confrontation has come.
-Nothing like a swordfight in an empty park.
-Hi, movie villains!
-Oh, yippee~! Free buckles for everybody~!
-Reality TV makes the most annoying commentators, huh?
-The cape almost makes the Monster look scary?
-"Geats is gonna die, sweetheart. And you're gonna watch."
-Hot damn, Win.
-Run, girly!
-BOOST BUJIN SWORD
-Gotta love this cinematography.
-"Tycoon :<"
-That's our Ace for ya.
-"I can't change you."
-ough
-That stings.
-"Tsumuri! ...why are you white?"
-Belief needs no basis!
-"Change the world then, God! Show me your power!"
-Oh!
-Tsumuri-neesan's back.
-"Ace! ...why are you white?"
-"Very well. A simple matter."
-Da-Paan truly did nothing today aside from put an unarmed woman in the hospital.
-Bye bye, Movie Villains, see you in a few months.
-"Believe in me, Tycoon. Believe in that world."
-Aw man, Michinaga's gonna die next episode?
-Oh, things are really heatin' up next week, huh?
-Join me next week, when all hell breaks loose once more.
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testudoaubrei-blog · 3 years
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Well, it’s not quite a master’s thesis, but this is (the first of) a series of posts on why Catra and Adora are the best love story in the history of kids TV animation and maybe the greatest love story in the history of TV. This may in some ways be faint praise - romance on TV is generally not very good compared with books or movies. Often it’s just some will they/won’t they sexual tension that is defused by getting characters together and re-heightened by breaking them up. TV is full of nearly shark jumping pointless dramas like Sam and Diane (Cheers, holy fuck am I dating myself, though that was technically before my time), Ross and Rachel (Friends, which was no Cheers) etc, but also some less annoying couples like Ben and Leslie (Parks and Rec) or Amy and Jake (Bk99) who are mostly just kind of cute and fun. Other shows, like the X-Files, teased viewers for years with unresolved sexual tension. In kids shows most romances are, appropriate for their target viewers, mild, sweet relationships based more on self-conscious flirting and blushing than on complex and conflicted feelings or deep passions - which is pretty realistic when the characters are young teens or even mid-teens. Some of these relationships are really well done - Finn and Flame Princess, Dipper and Pacifica (yeah I ship them), the early stages of Katara and Aang (before the showrunners imbued this childhood crush with cosmic significance), Steven and Connie, etc. Catra and Adora, though, are different. Their love story is not a side plot or a sub plot, it’s the heart of the show. It isn’t a childhood crush, it’s a very messy and passionate relationship between two young adults. She-Ra is an emotionally complex lesbian romance just as much as it is a thrilling action/adventure show. Everything about their relationship is baked into the show’s plot, its themes, hell even its musical score. The dramatic tension between Catra and Adora is not the result of stretching out a flirtation for ratings, but a coherent dramatic arc that runs through the entire show. As Noelle said, he made Catradora so central that execs couldn’t take it out without ruining the show. And the show is better for it. In this series of posts I’m going to try to show why, as well as showing why She-Ra is such a fantastic love story.
First off, let’s talk about how Catra and Adora’s character arcs are foils for each other, and how they come together and apart through the series. This is actually a post that I’ve been working on for a while but I keep summarizing the show rather than cutting to the chase, so I’m not going to recite many plot points so much as sketch out what’s going on with the dramatic structure at the time. But also, let’s talk about what each character’s arc is saying, and how they are commenting on each other. Spoiler alert: Catra’s arc is a subversion and critique of stories of empowerment through ruthless self-assertion and revenge, while Adora’s arc is a subversion and critique of chosen one narratives and stories of self-denial and self-transcendence.
When the show starts, Adora and Catra are shown as rivals and friends - their first scene starts the recurring motif of them reaching out for each other as one of them dangles above an abyss, as well as establishing their flirtatious banter and easy camaraderie. We quickly learn that these two young women plan to conquer the world together. These scenes and later flashbacks show Catra and Adora as deeply enmeshed in each others lives, to the point where neither of them (but especially Catra) have clear identities outside of one another. There is so much genuine love on both sides before Adora leaves, but also resentment, envy and fear, especially on Catra’s side, as well as a protectiveness on Adora’s side that deprives Catra of her autonomy. They are both being abused by Shadow Weaver - Catra physically  and emotionally, Adora emotionally. It wouldn’t be too much to say that Shadow Weaver holds Catra hostage to control Adora (this is why critiques that Adora abandoned Catra to be abused are actually kind of messed up, since they accept Shadow Weaver’s premise that Adora is responsible for what Shadow Weaver does to Catra). In addition, Catra and Adora actually see the world incredibly differently. Adora already sees the world in terms of right, wrong and her destiny to right wrongs - this is why it’s important for her  to accept the Horde’s obvious lies - she couldn’t keep living if she didn’t. Catra, on the other hand, sees the world solely in terms of survival and personal loyalty - everything for her is about preserving herself and the person she cares about - Adora.
Then, when Adora finds the sword, she leaves because it’s the right thing to do. Catra doesn’t even have a concept of ‘the right thing to do’ being something she should care about, or perhaps, something she can care about as an irredeemably evil, awful fuck-up. So at Thaymor neither one understands where the other is coming from, and Catra and Adora begin to part. This is the first turning point in their relationship. Adora chooses duty over what she desires, Catra chooses to protect herself (such as she sees it) and nurse her sense of betrayal and abandonment.
Their relationship until Promise is a kind of weird Frenemy thing that is fascinating to watch and sold me on the show. Neither one wants to fully admit to themselves that the other is now their enemy, neither one has given up on changing the other’s mind. Each is furious at the other, and desperate to see her again at the same time. There’s a lot of heartache and just as much sexual tension, especially at Princess Prom. Both of them come alive when they fight each other (more about that in a later post). But they’re already growing apart - Adora embracing her destiny as She-Ra, Catra rising in the ranks for the Horde. Adora now has the purpose she always wanted, plus other friends and a sense of being chosen to do something great, while Catra now has power - the means to protect herself from people like Shadow Weaver as well as the vindication she had always been denied, and even the opportunity to beat Shadow Weaver at her own game.
The next turning point is Promise. Holy fuck, this episode. It’s an episode that is even more heartbreaking after you’ve watched the show because you know just how much worse things are going to get, and yet, it’s a necessary part of both of their character arcs. Even through season 1 Catra and Adora had remained very much enmeshed in each others lives in an increasingly fucked up way as they grew apart but refused to turn away from each other. Even though they aren’t -exactly- a romantic couple (Adora doesn’t recognize and acknowledge her feelings until the last episode of Season 5), Season 1 of She-Ra is one of the worst breakups I have seen on TV. As I said in a couple of previous posts, this is the kind of shit that the Mountain Goats write songs about. Everything that was poisoning their love for each other even before episode 1 bubbles to the surface and combines with them fighting on opposite sides of the war to make a truly fucked up situation. In the end, it’s Catra that makes the choice to turn away from Adora. This isn’t a -good- decision. It’s spiteful, and destructive, and based on an outright deluded understanding of their relationship (inspired by Light Hope’s manipulations and her own issues), but it’s in some ways a necessary decision. Catra has been so wrapped up in Adora for so long that she isn’t going to be able to figure out who -she- is without cutting Adora out of her life. And the same is true of Adora.
But each of them do this in about the worst way possible. Catra embraces destruction, ambition, manipulation and outright cruelty, turning the tactics of her abusers against them and against everyone around her. She first triumphs over Shadow Weaver and manipulates Entrapta into trying to corrupt Etheria itself. Meanwhile Adora ‘lets go’ and commits herself to the self-denying mantle of She-Ra. Over the next several seasons, their respective paths will nearly lead both Catra and Adora to their deaths (in the Season 4 finale).
For the next season (counting season 2 and 3 as one) Catra and Adora are still closely linked, but as enemies. Still, there’s more than enough flirtation between them (that ‘Hey Catra’ in the first episode of Season 2 is something else), and especially on Adora’s side we see her hold back with Catra, and often take responsibility for the harm Catra inflicts, just like she had when they were kids. Yet they still drift apart - after facing off every other episode in Season 1, they spend less and less time on screen together through season 2 and 3. Catra continues her ascent to power and descent into villainy while Adora becomes more of a stressed out mess as she takes the fate of the world and the wellbeing of everyone she cares about on her admittedly broad shoulders. Catra’s one moment of vulnerability is rewarded by Shadow Weaver’s betrayal and her exile, then Catra triumphs in ruthless badass fashion through sheer desperation and aggression. In the Crimson Wastes, we see Catra at her most independent, and she almost seems happy. But once Adora shows up and Catra hears about Shadow Weaver, she’s sucked back into the worst of her resentments, and she makes very clear that being happy is less important to her than making sure Adora is miserable.
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This changes everything. Catra completely breaks with reality and tries to kill Adora, herself and the world rather than lose to Adora and Shadow Weaver (I do think it’s important to remember that she does that after Shadow Weaver nearly kills her). Catra betrays everyone around her when she exiles Entrapta, threatens Scopria and lies to Hordak. Then she flips the switch. When Adora tries to fix things, Catra fights to her own death to make sure that the world disintegrates with her. For her part, Adora fights first to understand what is wrong with the world and then to fix it. Finally she tells Catra that destroying the world is her choice and she has to live with it, decks her, and then sees her off with a death glare once the portal is closed. With this, Adora writes Catra off even if, as she says later, she never never hated her. By doing that, Adora casts off the guilt that had dogged her and takes responsibility for her own life rather than someone else’s - this is actually a huge step for her, and one that will become more important in Season 4.
Season 4 is in many ways the nadir of their relationship. They only see each other once during the entire season, in Fluterrina, when Adora tries to blast Catra, much to the latter’s shock. There’s a sense in that scene that Catra is trying to have the same flirtatious enmity she used to have with Adora, and Adora is having none of it. Catra almost seems hurt by this, which is an early hint at how isolated Catra is beginning to feel. Catra spends the rest of the season at her highest and lowest. On the one hand she spends most of 12 episodes winning by every standard she has ever claimed to care about, besting Hordak himself in single combat and making herself co-ruler of the Horde and coming within a day’s march of ending the Rebellion. In many ways it is the ultimate empowerment fantasy - the abused young woman has defeated her abusers, showed up everyone who doubted her and forced everyone to respect her. But I think it’s striking that the show starts with her and Adora dreaming of conquering the world together and in Season 4 Catra nearly succeeds in conquering it alone, almost like she was trying to live out her old shared fantasy while proving she didn’t need her former best friend. 
At the same time, Catra is clearly miserable. She’s always been unhappy, but in Season 4 we see her completely isolated and lying to herself and everyone who will listen in a desperate attempt to justify her actions. Turning the tactics of Hordak and Shadow Weaver against them to gain power and then against Scorpia and Entrapta to maintain it haven’t vindicated Catra, they’ve made her more and more alone as Entrapta is exiled and Scorpia drifts away. Meanwhile Catra reaches out to Double Trouble, and her interactions with them reek of a kind of desperate desire to have someone in her life (the feeling of their interaction is of an unhealthy casual relationship where one partner becomes emotionally invested and the other takes advantage of that while denying the other the closeness they desire). As people leave her, one after the other, it becomes clearer and clearer that Catra doesn’t want power at all - she wants connection, friendship, love, and power is a very poor replacement. As I said in my long Catra rant, Season 4 is both her ‘Walter White as a Catgirl’ season and the beginning of her redemption. Everything comes to head when Sparkles destroys everything Catra has tried to achieve, Double Trouble delivers those harsh truths and Horde Prime shows up and makes it all irrelevant, just highlighting how futile all her struggles and sacrifices and crimes have been.
Meanwhile Adora spends Season 4 becoming her own her and her own woman. After telling off Catra, she grows more and more disillusioned with Light Hope and critical of Glimmer (though the latter has more than a shade of her old habit of taking responsibility for others - Adora’s development is not linear). She’s gained the courage and confidence to strike out her own path, not just follow a destiny. At the season’s end she once again breaks with her best friend to do what is right, and discards the destiny that she was being prepared for. But in this case she isn’t chasing one packaged destiny for another, instead she’s making her own choice and literally shattering the thing that she thought gave her life purpose. It’s badass, and heartbreaking, and along with decking Catra and jumping after Catra into the abyss (see below) it’s the perfect Adora moment.
In many ways Season 5 starts with Catra and Adora farther apart than they have ever been. They aren’t even enemies anymore, they’re completely out of each other’s lives. And both Catra and Adora are lost at the beginning of Season 5 - Catra is useless and alone on Prime’s ship, completely defeated despite ostensibly being on the winning side, and she goes through the motions of her normal plotting without any particular conviction and none of her normal flair. Meanwhile Adora is even more miserable and self-destructive than usual, throwing herself at Horde Bots and working herself until she drops of exhaustion. In a very real way they both stay lost until they have a chance to help the other. Catra takes responsibility for what she’s done and what she can do, saves Glimmer (at least partly for Adora’s sake), apologizes to Adora, and sacrifices herself. Adora only seems to come alive when she decides to turn around, face Prime, and save the cat. And when she does, Catra and Adora’s arcs, which had separated so completely in season 4, come crashing back together to end the series.
Adora during Save the Cat is such a contrast with the uncertain, hesitant and self-destructive wreck we’ve seen so far in Season 5. This is possibly her craziest plan in 3 years of mostly cazy plans, but she never wavers or questions herself. Even when Chipped Catra appears and we see Adora’s heart break while we watch, Adora doesn’t back down or relent. She keeps at it even as the tears stream down her face. She fights better trying to save Catra without She-Ra’s powers than she fought at the Battle of Bright Moon with them. Catra’s just about as desperate - we see her cry and plead, and now is probably as good a time to any to point out how amazing a job both VAs did throughout the show, but especially in this episode, and how good a job the board artists did. 
Seeing each other for the first time in a year, and only the second time since Catra blew everything up, Catra and Adora are probably the rawest and least restrained we’ve ever seen them. There’s barely any banter, no bravado, and no pretense that they are anything other than two women who desperately need each other (Prime doesn’t help with ‘You broke my heart’.) Then Catra is flung to her death, Adora jumps after her, breaks both her legs in the fall (we see her crawl to Catra, as though she couldn’t walk) and becomes the real She-Ra. It’s such a triumphant and deeply queer moment seeing a woman transformed into a warrior goddess to protect the woman she loves, and it’s the reason that, as dark as it is, Save the Cat is my Comfort Food episode.
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Let’s not sleep on Taking Control, though. This episode is like a microcosm of what this show does best, especially the A plot with Catra and Adora. Catra’s reversion to lashing out at everyone and her refusal to be open to Adora shows just how much of a struggle this whole ‘being good and trying to connect to people’ thing is. Catra’s outburst gives Adora a chance to stand up for herself and refuse to be Catra’s punching bag, while also not trying to control her. Adora’s ultimatum gives Catra a chance to reach out to Adora (quite literally), and allow herself to be vulnerable. In this episode, we see just how far Catra and Adora have come since the messed up stew of their relationship in Season 1. Adora lets Catra be responsible for her own actions; Catra lets herself be vulnerable to Adora and takes responsibility for her actions. They’re both better people and better friends and better partners than they were, and the show has shown this in a strikingly nuanced and realistic way. 
The important thing to note in the next few episodes of Season 5 isn’t just how much closer Catra and Adora get to each other and how much they flirt (So much. So much, y’all) but just how -happy- they are. We see both of them transformed in the other’s presence. Basically, since they’ve parted, both Catra and Adora have been defined in no small part by how miserable they often are. They have both had their triumphs and their lighter moments, but there’s been a sense of melancholy dogging both Catra and Adora since episode 1. And now that they’re together again, that lifts, somewhat. Catra’s verbal barbs have lost their venom, and she can openly show how much she cares for Adora and even Bow and Glimmer. She’s still herself - snarky, cynical, somewhat devious - but she’s not engaged in a self-destructive zero-sum struggle with everyone around her. Meanwhile Adora has spent 4 seasons being a neurotic and sometimes nearly joyless mess who takes responsibility for everything and often doesn’t let herself enjoy anything other than the odd BFS group hug (exceptions include trying to uh...impress Huntara and reveling with the butterfly ladies of Elberron in Flutterina).  Around Catra, though, she’s a cocky, swaggering jock who gives as good as she gets. It’s a side of Adora we’ve only seen hints of before, and one that’s so much more confident and joyful even as the world is ending around her. Apart, Catra had tried to protect and vindicate herself with power and conquest, while Adora had tried to forget herself in duty and sacrifice. Together, they can be themselves again. This dynamic is crucial to the show’s portrayal of Catra and Adora’s romance because it doesn’t just show how much they love each other, but how they’re -good- for each other now that they’ve grown as people, and that they are so much better than they were when they were apart.
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Until Shadow Weaver shows up. Their old abuser reintroduces tensions but even then things are different than they were. Now Catra isn’t just resentful of how Shadow Weaver prefers Adora - she’s  protective of Adora, which is clearest in Failsafe when she calls Shadow Weaver out for being willing to sacrifice Adora. And while Adora takes the Failsafe, it isn’t to follow her destiny or because she has a death wish - it’s because she loves her friends, and she is the only one who has any hope of doing this and living (though Catra’s suggestion that Shadow Weaver take it is a good one). And finally, when Catra leaves Adora, it isn’t because she hates Adora, nor, despite what she says, is it because she really thinks that Adora chose Shadow Weaver. At least, not exactly. It’s because Catra loves Adora, and can admit that to herself, and can’t stay around and watch the woman she loves sacrifice herself rather than choosing Catra. Before Catra leaves, she asks Adora ‘What do you want?” It’s a question that echoes Shadow Weaver’s speech in Episode 1: ‘isn’t this what you always wanted since you could want anything?’ As much as Adora has grown as a person, and defined herself and stood up for what she thinks is right, she still has never answered that question - it’s never been ‘what do I want’ but ‘what do I have to do?’ and that’s how Adora answers Catra’s question. This is Adora’s last gasp as a self-transcending hero, letting go of what she wants (not that she ever dared articulate what that was) in order to do what must be done. And it nearly kills her and dooms the universe, because Adora can’t be the hero that she needs to be by being anyone less than herself.
But it’s losing Catra that inspires Adora to tell off Shadow Weaver for good (not that she’d ever really warmed to her after season 1). And it’s love for Adora that inspires Catra to stand up to Shadow Weaver and demand that she do the right thing. In both cases, Catra and Adora aren’t just standing up to their abuser, but holding her to account for the harm she’s caused, and it’s the love that they have for each other that inspires them to do this. In Catra’s case in particular her refusal to let Shadow Weaver weasel out of finding Adora is a much greater triumph over Shadow Weaver than beating her up and breaking her mask in Season 1 - it’s proof not so much to Shadow Weaver but to Catra herself that Catra really is better than this and that she deserves better than this. It’s not turning her abuser’s tactics against her, but truly holding her to a moral standard and demanding that she do the right thing.
And then there’s Catra and Adora together at the heart. Catra has already come back for Adora and stayed to the end, choosing to die with her even if she can’t share a life together (not out of some death wish, but because Adora needs her). And Adora, who’s been avoiding answering the question for three fucking years, finally let’s herself want Catra when Catra finally confesses her love (breaking the last of her self-protective shields) and asks Adora to stay -for her-. And by admitting what she wants, Adora can truly be at peace with herself and be the hero she needs to be, lesbianism saves the universe, The End.
So anyway, that’s how Catra and Adora’s stories are woven together and how they compliment and comment on each other. Narrativiely, Adora and Catra start together, come apart, find something of themselves, and truly find themselves and each other when they are reunited. Thematically, they are critiquing seemingly opposing narrative tropes - empowerment narratives and narratives of self sacrifice. But by showing the flaws in both types of story and showing how neither self-seeking empowerment nor self-negating self sacrifice can actually make us happy, She-Ra asks and answers more profound questions than most prestige dramas for adults do. I’ll get into how the show sells the idea that the power of love can bring us happiness (and save the world) in a future post. But next up, I’m going to celebrate just how much Catra and Adora’s relationship revels in ambiguity, complexity and contradiction and so tells a grown up love story in a kid’s show.
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taetaesbaebaepsae · 3 years
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Lunar Violence (jjk)
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Summary: You’re not a big fan of your best friend’s favorite band, Lunar Violence. Their werewolf gimmick makes you roll your eyes, even if the music isn’t too bad. When she drags you to a concert just as the blood moon rises, though, everything changes.
Warnings: werewolf sex, possessive behavior, choking, knotting, marking, heats and ruts so whatever consent issues you feel are within that realm, unrpotected sex, werewolf dick, abo dynamics
Word Count:7445
Rating: Explicit
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You're not normally a fan of gimmicks, particularly with your music. So when your best friend begs you for a solid week to go with her to this concert, you're wary when you do a simple Google search.
Lunar Violence might be the dumbest fucking name for a band you've ever heard, but they certainly seem like they're going for a certain vibe. You'd definitely have been into it when you were a teen, the fake fangs, the facial piercings and torn leather pants, the howling they do at the ends of some of their songs.
The music itself isn't bad, the lead singer is stupid hot and has a smooth low tenor and bedroom eyes. 
You flip through only a few of the member pictures before making a decision based on the fact that they're good eye candy, at least.
Your friend Jia jumps up and down excitedly when you tell her and shows you the signs she's made. She's got a thing for the one they call Happy, a lean bassist who has a bright smile and a sexy glare.
"What are with these names? The seven dwarfs? I think they're mixing metaphors."
Jia snorts. "They call the drummer Baby because he's the youngest. It’s not that dumb and the music is really good, you’ll love it, I promise!"
"This is so dumb. You owe me."
"If I get close enough to Happy to make eye contact I'm gonna make him mine and then I'll give you anything you want." Jia says determinedly.
It’s a few weeks before the concert, so you find yourself listening to a few albums and actually getting pretty excited about it. It should be a fun time, get you away from the stress of your every day life, at the least.
You had no way of knowing that the night of the concert would complicate your life tenfold.
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“Do we always have to schedule concerts around rutting season?” Namjoon whines after hitting yet another wrong chord on his guitar.
“It’s the best part about this job!” Hoseok grins.
“I can’t fucking concentrate being horny all the time, I agree with Joon,” Yoongi agrees, banging his forehead down on the keyboard.
“Should have called you Horny rather than Lucky,” Seokjin snorts, and Hoseok laughs so hard he nearly knocks over his bass guitar.
Jungkook watches them with a fond smile on his face, his brothers. Not by blood, of course but being the only werewolves in the city made them have an instant connection and camaraderie, and they’d created a pack pretty quickly. The music had come later, they’d all been interested in it, all had some talent and all been blessed with good looks, and after that it was only a matter of who did what and stage names.
Kim Seokjin, with his regal looks and sharp jaw: Prince.
Min Yoongi, with the scar over his left eye he’d gotten scrapping with a grey wolf in the woods behind his house in Daegu as a pup: Lucky.
Jung Hoseok with his easy smile and eager nature: Happy.
Kim Namjoon, always so serious and intelligent: Beethoven. 
Park Jimin, with his pretty face and sneaky smirk: Sly.
Kim Taehyung with his sweet nature and affectionate personality: Honey.
Finally, Jeon Jungkook, because he'd been barely old enough to breed when they'd met: Baby.
"Baby hasn't had his first rut yet, yeah?" It's Jimin, smirking, always giving Jungkook grief about something. 
Jungkook narrows his eyes and chucks a drumstick at him but it's no use, Jimin catching it in one band and twirling it like a goddamn baton. Jungkook would say Jimin was graceful if he hadn't seen him fall off about a dozen barstools and half a dozen stages, sober even for the latter.
“Kinda late, isn’t it?” Seokjin speaks up, and Jungkook knows he’s teasing but it stings a little, nonetheless. 
“He’s only just turned 23. You were two weeks from your 23rd before you ever popped a knot, hyung, or have you forgotten?” Namjoon snarks, and Jungkook snickers as Seokjin makes a face, that vein on his neck pulsing just a bit.
He shouldn’t laugh, they’re just as likely to come to blows during the beginning of a rut and in a full moon cycle, but he can’t help himself
Yoongi, as usual, manages to keep the peace by offering to order pizza and foot the bill, a truly saintlike act since they could go through a pizza each, as hot as their temperature would be running by now.
Jungkook doesn’t say that he’s had a knot for two years now, the very thought of his hyungs knowing that makes him blush so much he hides it by wiping his face with a towel, pretending to have been sweating. 
Truly, he should have had a rut by now, triggered by all the pheromones' from the shows they’d been doing, this tour had been particularly rough due to the upcoming blood moon, at least for all the other boys, and it isn’t as if Jungkook hasn’t mated, of course, but a full rut? Not even the hint of it. It worries him, but Namjoon keeps assuring him that everyone gets there in time, people are just different.
Taehyung had been a late bloomer himself, not starting his first rut until he met and fell in love with his girlfriend, a short feisty redhead he’d met after a hand injury from stringing his bass guitar and slicing his palm open. She’d been a nurse who scolded him for not coming in sooner and it’d been almost instant, her green eyes triggering every wolf thing about him, or at least that’s how he tells it, all wide eyed and dreamy.
She’s a near constant in Taehyung’s hotel rooms now, sometimes riding along on the tour bus, but he doesn’t let her into anymore of the concerts even when she pouts, because human mates around a group of wolves around rutting season can be a dangerous time.
Taehyung is one of the gentlest wolves Jungkook knows, but he’d seen him snarl when Yoongi so much as winked at the redhead near a rut, so it’s probably for the best.
Anyway, Jungkook wasn’t worried (much). He’d find his true mate eventually, but probably not at a concert. Maybe he’d start his rut there, at least, around the full moon. He’d never have imagined that he’d find both.
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The crowd is nice enough, although they seem a little feral. Some of these girls have signs that should be x rated, but you're not one to judge, especially since you've never actually….done anything too x-rated. 
You feel a little strange when you enter the concert venue and you can’t quite put your finger on it. You shrug and blame it on the strong drink your friend had made you chug before you entered since she couldn’t finish it all herself.
It’s like there’s something living under your skin, some rush like heat, and it  makes you feel antsy, ready to dance along to the music or at least laugh at your friend losing her mind next to you.
There’s a lot of gimmick to the concert and it’s bright and dark at the same time near the stage. You’d swear you’d seen the guitarist strum with no pick, with a sharp claw instead, but you’re sure it’s makeup, part of the show. They’re wearing contacts, too, you’re pretty sure, and the music is good, your friend isn’t wrong.
The song you’d heard that you’d like is actually their encore song, heavy on the bass and drums, and the lead singer even makes your skin feel hot a little when he makes eye contact and winks at you. The last solo the lights come down on the drummer, he’s on the back stage so all you can see is his long hair bouncing, the flex of his admittedly impressive biceps as he finishes the song.
You’ve been jumping up and down and singing along so much that you’re sweating and feeling a bit dizzy, so you drag your friend out the back alley while she’s still swooning, having gotten a direct smile from her favorite bassist.
“Did you see him? He looked right at me! We’re in love, Y/n. Do you want to be my maid of honor?” She’s babbling when you hear the click of a lighter next to you.
There’s people milling about, it wasn’t exactly a sold out show but there was a decent crowd, and people are now piling into the bar next door.
“Did you like the show?” 
When you turn your head you’re shocked to see that it’s the lead singer, a couple strands of his silver hair falling over his eye as he smiles at you.
“Oh. Oh, yes, I liked it very...very much,” you stammer. He’s even more handsome up close. Those are some really good contacts, you can’t tell they aren’t real at all, even though surely no one’s eyes are a violet color like that.
“Sly!” Your friend screams, and you jolt forward, surprised.
The singer’s hand lights on your shoulder and you look down. You have time to think that they must make great money for these expensive special effects because they sure do look like claws before your friend rushes past you, yelling because Happy had come out the back with the rest of the band.
There’s no mob or anything, maybe a dozen people other than you and Jia, but it makes you a bit anxious nonetheless, especially since you’re still feeling just as antsy, hot and dizzy as you were before.
It might be worse, actually, as you stand outside in the moonlight.
“Sly’s just my stage name.” His voice sounds softer, closer to your ear as he leans in. “You can call me Jimin.”
“O-okay,” you stutter, unused to feeling this way. You’re usually more outgoing, talkative, but it feels so strange. You find yourself looking up at the sky as if looking for the moon.
It’s better, once you’re inside the bar, there’s not as much of a crowd and you’re sitting at a big table with Sly...Jimin, you remind yourself, and Jia and Happy, who seems to fit his name well, laughing open and loud with your best friend as if they’ve known each other forever.
After a few hours and a couple of drinks you’ve lost most of that antsy feeling since being indoors, and you and Jimin vibe well, becoming fast friends. You’re both flirty and talkative after getting to know each other, and your mood is lifted from the concert, the alcohol, and the socialization.
You even laugh about calling their gimmick dumb as they dodge questions about where they get their makeup and accessories. You assume it’s some kind of sponsorship situation or contract, not thinking much of it.
You manage to excuse yourself long enough to look for the bathroom, although Jia abandons you since she’s made her way into Happy’s lap, wrapping her arms around his neck and with a blissful smile you’re not sure you’ve ever seen on her.
There’s someone standing in the hall and it’s a narrow hallway and he’s pretty wide from the back so you stumble a little when you turn, placing a hand on the wall.
“Oh, excuse me!” You say, brightly, but when he turns you gasp, a little surprised by the bright red of his eyes before you realize it’s another member of Lunar Violence.
“Hello,” he says, quietly with a little smile and he has these prominent front teeth that are pretty cute, make him look a lot less intimidating, despite those contacts and an eyebrow piercing and his size.
“Oh, hello! You’re…”
“Baby,” he blurts, and it makes you giggle.
You feel a little tipsier than you’d realized, and you guess it must be since you’ve been sitting down for an hour or so and just gotten up.
He puts a hand over his face, embarrassed. “My name is Jungkook,” he explains. “I’m the drummer?”
It’s cute how his voice pitches up into a question, as if you wouldn’t recognize him. He’s definitely a bit more modest than the other two members you’d met, with Jimin and Happy (who you’d just learned also goes by Hoseoki), bragging about tours and performances. 
“Pretty big for a baby,” you tease, and he makes an embarrassed sound in the back of his throat.
“I keep trying to get them to let me change it,” he mutters.
You introduce yourself and he smiles again, and his eyes aren’t as red as you’d thought at first, anyway, maybe it’s just the light. You brush past him as you continue to the bathroom after excusing yourself, and it’s a little zing through you, like static electricity.
It takes you longer in the bathroom than it usually would, that last drink really must have packed a punch, and when you return to the table Jungkook is sitting there, too, next to your empty chair. Jimin looks a little sullen and pouty, but he smiles at you, those violet eyes crinkling up at the corners, and you give him a bright smile back.
Jungkook, on the other hand, is all energy, jiggling his leg and tapping his fingers on the table and Hoseok seems to be watching him intently.
The atmosphere in general seems to have changed, and after exchanging numbers with everyone with the urging of Jia, you two excuse yourself.
The three men walk you outside and Jimin is close while Jungkook hangs back. You imagine Jimin is so close since you mentioned feeling a bit dizzy and he asks you twice if he can call you a car but you tell him that the fresh air will do you good.
It’s funny, the moonlight seems to energize you a bit. When Jimin leans in to kiss you on the cheek, you jump a little at a sound behind you, something like a bark.
Jimin jolts back a little, eyes widening, and you both laugh at your nerves.
“Stray dog,” you remark, and Jimin snorts.
“Something like that.”
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Namjoon pinches the bridge of his nose. “So what exactly the fuck happened after I left?”
Jimin is sullen on the couch, arms crossed over his chest with a busted lip and Jungkook is sitting next to Hoseok on the floor on the other side of the hotel room with tissue up his nose, Hoseok tilting his head back.
“Baby is about to go into rut,” Taehyung sings, laughing, his girlfriend draped over him on the bed drowsily, his teeth marks littering her neck and throat.
“Don’t,” Yoongi warns. “Everyone’s just wound up. Full moon is in two days, after all, cut him some slack.”
“Sees one girl he likes and suddenly no one else can talk to her,” Jimin complains, gingerly working his tongue across his lip ring to see if it’s torn.
“You tried to kiss her,” Jungkook growls, and Hoseok pushes on his chest to keep him from getting up.
Jungkook can’t explain why his wolf wanted to rip Jimin’s throat out when he leaned in to kiss you, he’d just met you, didn’t even know your last name, but it was visceral, sudden, something crawling up his throat. He’d almost moved forward to do it before Hoseok said his name, sharply.
“We all get a little possessive about potential mates around the full moon,” Namjoon reasons. “But that’s not the way to handle it, Jungkook.”
Jungkook hangs his head and removes the tissue from his nose with a shake of his head. “I’m sorry, hyung.” He looks over at Jimin but he means it for Namjoon. He’s still bitter, somehow, about Jimin’s hand on your lower back, his lips brushing your cheek. It makes his head feel fuzzy, his guts roll.
Namjoon, on the other hand, had been the one to “discover” Jungkook, back when he had no idea why his eyes were starting to change color with the moon cycles or why his nails grew out like claws. He’d started learning percussion just to get rid of some of the energy he had around those times, and he’d been 17 when Namjoon approached him in a music store when Jungkook was looking into buying cymbals. 
Jungkook had been abandoned when he was a baby, adopted at four years old and he had no idea about his wolf lineage, or even that they existed, until Namjoon explained it to him.
“Jungkook doesn’t know his lineage,” Namjoon reminds them all. “He might just be presenting as an alpha, that’s a lot around the full moon, Jimin, you remember.”
Jimin grumbles something under his breath and Jungkook has to take a deep breath through his nostrils, smelling iron from their scuffle earlier, in order not to lunge across the room and hit him again.
Eventually, Jungkook has to move to his own room despite usually bunking with Jimin, and he finds himself unable to sleep, staring at the ceiling. He keeps seeing your bright smile, your curls bouncing around as you talked and laughed, mostly at Jimin, and it makes him stiffen to think of how Jimin had met you first.
Why did it matter, anyway? You’re just a person, just like he is, just a girl, and he doesn’t have the best track record with talking to girls, anyway. You’d been in the front row, with your friend who Hoseok had gotten so smiley about, he’d seen you just before he started his set, his vision clearer around the full moon.
The others laughed at him for how he talked about “the wolf,” as if it wasn’t a part of him, as if it wasn’t who he was, but that’s how it had always felt. He just hadn’t had a name for it until he’d met Namjoon. It was like this thing, inside him, this beast, something that clawed and scratched to get out.
Seokjin keeps telling him that he’s fighting the wolf, that’s why he hasn’t gone into rut or popped his knot, that’s why he feels so achy and fidgety around the moon cycles, that’s why he hasn’t shifted. Namjoon would always respond there was no way to know that but Seokjin just rolled his eyes.
“Aish, I’m your hyung, listen to me. I fought mine, too, when I was young, and when I shifted I broke a few bones. You should give in, let it ride in the front seat once in a while.”
Jungkook had nodded at the time but now, he doesn’t know how to do that. Drumming helped, it was a lot of work and energy expelled and it felt like he could let him out, the wolf, just a little. It’s why he’d gotten so big, staying active and lifting weights was something the wolf liked.
The wolf came sometimes when he masturbated, too, when he’d feel particularly worked up around the full moon, after a concert, sweaty and rolling his hips into his hand.
When he tries it after meeting you, he can’t even finish, ending up panting and sore, the wolf still snarling over the memory of Jimin’s lips barely brushing across your cheek.
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Surprisingly enough, it’s Jungkook who texts you first. Wanna go for a drink?
You’re not sure whether to say yes at first, you’ve been feeling so strange. You can barely sleep, your skin feeling hot, as if you’d burned yourself with a too hot shower. You think about that night at the concert a lot, Jimin’s violet eyes, Jungkook’s almost red ones, how odd you’d felt.
You would have talked to Jia about it but she’s been abducted by the werewolf band, apparently, you’ve barely seen her in a week and when you had she’d been littered with hickeys and with a big goofy smile.
Part of you wonders if this is all some sex ring cult but she seems happy, jubilant even, so you agree, meeting Jungkook at a downtown bar.
He’s there before you arrive, you can see him through the window sitting at a table, looking wide and a bit intimidating until he lifts his head and smiles at you with a little wave.
His eyes are a warm brown now, pretty and wide, you’re able to notice the shape more without the contacts.
Jungkook is still all energy, maybe that’s just how he is, talking to you more and more as the nights go on and you two share a pitcher of beer, scooting his chair closer. You find he flushes a pretty rose when you flirt with him and can’t stop laughing when he nearly falls out of his chair when you prop your legs up in his lap.
By the end of the night he can’t stop smiling at you and you’re intrigued, moreso than you’d imagined you would be when you’d first met him, smiling shyly at you at the bar near the concert. You start to feel funny again, your head fuzzy, probably from the alcohol.
When you tell him, he’s all wide eyed concern.
You giggle. “Now I know why they call you Baby.” 
He huffs a little. 
He walks you outside just as he did before but this time he doesn’t hang back, and when you reach the alleyway, he places a hand on the swell of your hip as you take a few deep breaths of the night air.
You’re surprised, laugh a little until you look up into his eyes. You’d swear they looked red tinged again, but surely it’s just the beer.
“Not a baby,” he murmurs, moving closer, pressing you up against the brick with his body, and you hitch in a breath.
“No?” You ask, boldly trailing your finger along his collarbone through the black tshirt he’s wearing.
He shakes his head, leaned down close enough to your face that his nose brushes yours.
“Prove it,” you tease, and he makes this rumbling sound in the back of his throat that makes goosebumps break out across your flesh.
He leans down further, nips at your lower lip, and you moan, body surging forward toward his as if it was made to fit it. You’re not sure if you kiss him or he kisses you, but his tongue is in your mouth, his hands on either side of your head, caging you in.
You feel hot all over, dizzy in the most pleasant way, at least until he pulls away, gasping.
You whine, a sound you don’t think you’ve ever made before, when he’s not touching you anymore.
“I’m sorry,” he gasps. “I’m sorry. I should go.”
He’s gone before you can even gasp out another whine of his name, and the moonlight on your skin burns instead of cools.
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Jungkook tells this story in a burst to his bandmates the next day, hungover with his head pounding.
“You just left her there?” Jimin says, his face shocked, and Jungkook feels the wolf make a growl start at the back of his throat.
Namjoon puts a hand on his shoulder and it turns into a whine instead. 
“I’ve never felt him that close, hyung. Right at the surface. I wanted to…”
Namjoon and Seokjin meet eyes above Jungkook’s lowered head.
Jimin catches it. Jimin catches everything, it’s one of the best and worst things about him.
“What? You think…” Jimin laughs. “No. She can’t be his.... She’s not a wolf, I would’ve smelled it when-”
Jungkook surges out of his seat, a deep growl rumbling from his chest. “When what, Jimin?”
Jimin’s eyes glow a pale violet as he snarls back, uncaring that Jungkook towers over him.
In the end, Namjoon and Seokjin have to separate them physically as they bark and snarl at each other.
Hoseok and Taehyung are missing, having holed up to ride out their ruts with their human mates instead of the house the seven share.
Yoongi huffs out a breath. “He’s definitely presenting as an alpha.”
“No shit,” Namjoon barks, unusually on edge. 
Yoongi, Seokjin, and Taehyung are the betas of the group, and until now there had only been a slight difference among the bandmates despite their different rankings.
Alpha pheromones were stronger and their senses were more heightened around rutting season, particularly for other mates. 
In the end, they have to completely change how they house themselves, with Jimin sharing a room with Yoongi, and Jungkook sharing with Seokjin.
“I’m sorry, hyung,” Jungkook says miserably, his wolf finally calmed as he sits down on the bed.
“It’s not your fault,” Seokjin says, voice much less harsh than Namjoon’s had been earlier when he’d scolded him. “I saw Namjoon during this time, and it wasn’t easy.”
Jungkook looks up at the elder with wide eyes. “Really?”
Seokjin snorts and nods. “Yeah, around the full moon he was unbearable, snarling at everything.”
“I just didn’t want to scare her or...or hurt her...I wanted to put her against the wall and…” Jungkook trails off, embarrassed.
Seokjin only smiles and ruffles Jungkook’s hair. “That’s normal too, Baby. You wouldn’t have hurt her, especially if it’s what we think it is.”
“What...what does that mean?”
Seokjin shakes his head. “Something you gotta work out on your own.”
Jungkook groans and flops down on the bed as Seokjin laughs, heading downstairs to make dinner while things are calm.
He has trouble sleeping again, but this time instead of wondering why, he knew, could almost feel the soft skin of your hip on his palm like it was still there, how you’d moaned into his mouth, whined for him.
Jungkook isn’t sure there’s a cold enough shower to help.
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You can’t seem to sit still as the full moon nears, feeling like you might jump out of your skin. You can’t count the number of friends you’d called but no one seems up to going out. You bite your lip while looking at Jungkook’s contact on your phone screen.
If you think about it long enough, you can still feel the way he pressed against you, how the hair on the nape of your neck stood up when he nipped at your lip, how hot you’d felt, how wet…
You sigh and scroll up, seeing Jimin’s name instead. Jimin had been fun to be with the night you’d met, easy to talk to, less….intense. And he didn’t make you feel like you were about to crawl out of your skin, so you ask if he wants to meet up for a drink.
It’s late, by the time you decide, and the moon is out, waxing toward fullness. There’s only a tiny sliver remaining, big in the sky, and you can’t stop looking up at it as you walk to the bar near your house.
You’d chosen it because it’s close and not because it’s where hot drummer Jeon Jungkook, also known as Baby, had pressed you against an alley wall and made you almost…
Jimin jolts you out of your thoughts, calling your name and waving as you approach the door. He’s leaned against the doorjamb, giving you a smirk and you think now you understand why they call him Sly.
It makes you smile and again, you vibe well with him, you get along in the best way, conversation is easy and you don’t feel gooseflesh or your hair stand up when he brushes his fingers against yours.
Jimin knows he’s playing with fire when he replies to your text, but they don’t call him Sly for nothing, and you’re interesting, for a human. He’s only met one other female wolf, a tall and feisty woman with a sharp tongue and the most beautiful brown eyes, but she’d had a mate and well...things hadn’t ended well. 
Jungkook thinks of his wolf as this separate entity but Jimin disagrees, let’s his wolf do what it wants, so that all the bad things he feels have some kind of outlet. This was especially so after he’d lost his brown eyed wolf girl, so he invites you back to the house, knowing that Jungkook will be at the gym all night before the full moon tomorrow.
In fact, all of the others will be out, finding fun of their own, and why shouldn’t Jimin do the same? It isn’t as if Jungkook has marked you, or even can, since you’re human. 
Your eyes aren’t quite the same shade of hers, but he can pretend.
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Jungkook works out until his muscles ache but nothing can shake this feeling he has, like something’s wrong. When he leaves the gym even the moon looks off, as if it’s dimmer than it should be, and something’s pulling him home, like this tug in his gut. It feels like it used to as a kid in his first foster home, when he’d get so anxious he’d climb onto the roof and stare up at it.
He’s almost running as he gets closer, feeling his skin prickle as he gets to the house, his wolf so close to the surface he can feel the fur that isn’t there yet standing up on the back of his neck.
He smells Jimin first, wrinkling his nose at the alpha pheromones, and when he walks upstairs it isn’t as if he decides to let the wolf take over, or struggles with it - it’s instant.
You’re standing in the hall, head tilted up, and Jimin is leaning against the wall, smiling down at you, and when you lean up to just softly brush your lips against Jimin’s, Jungkook’s heart nearly leaps out of his chest, and the wolf barks, loud and warning.
You turn, surprised, and Jungkook doesn’t think, doesn’t act, it’s all wolf. He grabs you by your waist, hefts you up over your shoulder, and begins to walk you to his room.
Jimin protests and Jungkook growls over his shoulder, daring him to try something. Later, Jungkook is glad his friend didn’t follow, because he isn’t sure that he could have held the wolf back.
You kick and yell and beat on his back and Jungkook doesn’t realize what he’s done until he’s plopped you down on his bed, crawling toward you.
You kick him in the chest and it barely registers. You stand up and that’s when he snaps back to himself, at least to a degree.
"Don't leave. You can't leave." It's panicked, his voice, higher pitched almost like a whine.
"I can do whatever I want," you snap.
He makes this sound between a whine and a snarl and it's startling, strange, and you stop at the door.
"I know that! I know, but he doesn't!" 
"He..." you turn to look at him and he's trembling, head down, and you step closer, worried. "Baby, what do you mean?"
Jungkook just stands there, still trembling, until you reach out to touch his hair, gently. "He thinks he owns you, that you're his, that no one else can touch you." He explains, almost in a whisper.
"Who is he?" You ask slowly.
He raises his head slow and you gasp when you look into his eyes, instead of a warm brown this burnt amber, red hued.
"The wolf."
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You stand there, blinking in surprise, for a long moment before actively telling your feet to move to the door. Unfortunately, your brain seems to have some kind of disconnect to your limbs, because you just step even closer, lean in and inhale along his neck, this scent of sweat and the iron of the weights he’d been lifting washing over you.
Rationally, you know that you should be shocked, horrified, even, that werewolves are real and you’re apparently standing in a house full of them but all you can do is run your tongue along the vein in his throat and Jungkook is trembling all over, whimpering like a puppy.
“Y/n, please, don’t-” he chokes out.
“Why not?” You murmur against his skin, the scent of him making your body react like you’ve never felt before. There’s this ache between your thighs that you’ve only felt a hint of before and you want more, nipping at his skin, unable to think clearly.
“He wants to...wants you,” Jungkook stutters, balling his hands into fists to keep from touching you.
“He does? Or you do?” You ask, lifting your head to pout at him, and Jungkook groans.
“Both,” he whispers hoarsely. 
“Then take me,” you say, and you don’t even know where the words came from. Your head feels light on your shoulders, dizzy with the scent of him, how his skin tastes under your tongue, and you do what he did to you the last night you’d seen him, nipping at his lower lip. Your canine pierces the skin and you taste iron on your tongue
Jungkook growls and lifts you again, this time with his hands under your ass and thighs and your legs wrap around him instantly. He all but throws you down on the bed, this time, and you whimper when he grips one of your thighs with his big hand, squeezing the flesh there.
“Mine,” he snarls, that high pitched whine at the end, and it makes you arch your back, claw your nails across his shoulders.
Jungkook leans down to sniff at your neck and growls again, wrinkling his nose and when you open your eyes he’s staring down at you with those red/amber eyes. 
You look back defiantly but you’re rolling your hips against his, you can feel him hard against your core and even though you’d never gone all the way with anyone before you want him inside you, can’t think of anything else.
“You smell like him,” he accuses, voice hoarse, and his wide eyes fade back to brown, just slightly, the color dilating around his pupils.
“Jungkook,” you whisper, feeling something like guilt, even though nothing had happened, really, and even it if it had…
He rubs his nose against your throat, covers you with his body like he’s replacing any of Jimin’s scent with his own. He licks against your neck, bites down on your skin, making you yelp.
“I’m sorry,” Jungkook whines. “I’m sorry, I have to. You’re mine, I have to mark you, have to scent you anywhere he touched you,” he tries to explain, his hands skating down your ample curves.
“It’s okay,” you say, and somehow you mean it, you understand, the very thought of Jungkook smelling like anyone else makes your heart jump into your throat, something primal rise in your gut. “I know, baby.”
“You’re mine?” He says again, voice pitching up into a question just like when he’d introduced himself and it scares you, the way it makes your heart ache.
Instead of speaking you kiss him again, hard, moving your hands to his hair to get him closer. You had worn a skirt and halter out, it’s so warm even though it’s close to winter, your skin feeling so hot under the moonlight that you couldn’t wear much else.
Even as you kiss him he’s tearing at your clothes and you lean up to help him until you’re bare beneath him and panting, this whining noise coming from your throat that you can’t explain.
“God,” Jungkook groans, rubbing a hand over his face. “I don’t know what I’m doing, I-”
“You haven’t...haven’t done this before?” Your eyes widen.
Jungkook realizes what you mean and he blushes a bit. “I’ve...yeah, I’ve done this before but not...not like this. I feel like...the wolf feels like...he’s been crazy. Since the first moment I saw you.”
“Like you’re gonna jump out of your skin? Always feeling...hot?” You ask.
Jungkook nods slowly, eyes widening.
“Me too,” you admit. “I don’t...I don’t know what it means. That’s why I came out with Jimin, I-”
Jungkook cuts you off with a choked whine. “It means you’re supposed to be mine.”
He snuffles against your neck again, hands at your hips, still holding back, trembling. “It means he never should have touched you.”
“I’m sorry,” you say, even though you know you have nothing to apologize for. “I want you. I’ve never...I’ve never done this before but I want you so bad,” you admit, clutching at his tshirt, pulling it up until he gets on his knees and pulls it off, tossing it to the side. You spread your hands across his chest and he lets out a wrecked moan.
“You’re holding back,” you accuse.
He nods. “The wolf, he doesn’t….I don’t want to hurt you. Especially...fuck, no one’s touched you like this before?” His hands slide up and down your thighs as he stares down at your body, your breasts, the cleft of your cunt.
Jungkook knows that shouldn’t make him so hard, shouldn’t make his dick pulse in his sweats, shouldn’t make the wolf keen with pride. Mine mine mine, the first, the only is all his brain is chanting, he feels dizzy like he’s drank too much even though he hasn’t had a drop.
“Please, please, please,” you beg, but he can’t, can’t let the wolf out, he’s afraid he’ll rip you apart. You’re human and a virgin and he can’t risk hurting you.
The wolf won’t even let him say it, so he just shakes his head. 
You huff out a breath, your body aching all over, need making your arousal coat your thighs. You don’t know what you’re going to say until you say it.
“Should I ask Jimin to do it? I bet he can smell me,” you taunt, shocking yourself.
Jungkook freezes, his eyes bleeding to red again and one hand jolting out to wrap around your throat.
“Don’t,” he warns.
You know you should be cautious since you’re about to fuck an actual werewolf, but fuck, you’re so hot, you can’t think, you need something inside you and you drop your feet to the bed, spreading your legs wide.
“Jimin would mark me. He’d fuck me, fill me full like I want.” 
Jungkook feels something in him snap, and his heart hurts and his cock aches and the wolf is keening, clawing inside him and he can’t control it anymore, just like before.
“Never,” he growls, squeezes his fingers around your throat and you gasp, your stomach aching with need.
Finally, finally he slides his fingers along your pussy and you choke out a sob as his thumb slips across your clit but it’s not enough.
“Jungkook,” you whimper. “Make me yours.”
“Already mine,” he murmurs, and finally slides two fingers inside you, making you cry out. “You’re already mine but I’m gonna give you what you want, mark you, fuck you, make sure Park fucking Jimin never so much as sniffs at you again.”
“Yes,” you sigh. “Yes, please, please.”
Jungkook still worries somewhere in the back of his mind that he’ll hurt you, that the wolf will, and by now he understands they’re one and the same but you’re rolling your hips up and his cock feels heavy and full like he’s about to burst, somehow wider at the base and he rips down his sweats, fucking you with three fingers now. 
When his cock bounces against his stomach you gasp, and if you’d been in your right mind you might worry he’s too big but something inside you is crying out in pleasure just at the sight of it. You spread your legs wider and he releases your throat, leaning over to kiss you instead, biting your lip as he slowly works himself inside you.
It’s a tight fit even after three fingers and you’re whining into his mouth, wanting more.
Jungkook isn’t a virgin, far from it although a little less experienced than some of his band members (Hoseok had once bragged about fucking a house of sorority sisters during a rut), but the way you clench around him has his hips twitching, wanting to buck into you even if it would split you open. 
Despite his worry, neither he or the wolf wants to hurt you, though, so he waits for you to adjust even as you beg, waits until you can take all of him.
He’s barely realized that he’s popped his knot until he looks down to see where you’ve joined and he groans. He knows how to do this, has been talked to (endlessly, by Taehyung, about his human girlfriend and how she desperately wants to take his knot and they’re working on it but it will take time and training), knows that you can’t take his knot but the wolf is howling for it, wants to fuck you hard and then pop it inside you, spill a littler into your womb.
You whine and pulse around him, reaching up to tug at his hair. “Kookie,” you pout. “Baby. Want you inside me, fuck me harder, please-”
“I can’t-” he chokes out, but then you wrap your legs around his waist and pull him deeper and the wolf growls, leans down, mine mine mine chanting in his head. My mate.
You felt a tiny pop when Jungkook first entered you, nothing painful and then just need, you want more and more and you don’t even know how to say it. You look up at him, near tears, needing something that you feel he won’t give you.
“I’m not yours yet,” you slur, and he looks pained, his eyes dilating from warm brown to amber red again and again.
He rocks his hips against you slow, and you’ve orgasmed twice already, once from his fingers and one from his cock but it’s not enough and you whine, it comes out almost inhuman, like his.
“Fill me up,” you urge, and Jungkook tries to hold the wolf back, he really does, but he’s too far gone, this close to the full moon and in the start of his first rut. 
Jungkook groans, fucks you harder and faster and when you cry out his name his balls draw up and he thrusts forward harder than he’d meant to, popping his knot inside you.
You make a surprised sound and his eyes pop open, his hands cupping your face even as his hips twitch as he cums, spills inside you.
“Y/n. I’m so sorry,” he mourns. “I’m sorry, I love you, I’m sorry,” he babbles, kissing along your neck and throat, seeing that he’d already marked you twice, once on each side of your throat, and he barely remembers it.
You let out a happy sigh and wrap your arms around his neck, feeling finally sated, at least for the moment. “What are you sorry for, silly baby?”
“Doesn’t it hurt?” He asks, and you look up into his eyes and they’re heterochromatic, now, red hued amber and brown both.
“You’d never hurt me,” you mumble against his throat.
“Never,” he promises. “Never, I love you so much.” 
You’re half asleep, sated with him still inside you, planting soft kisses on your lips and face. You don’t know where you’d learned the word, but it feels right when you say it, right before you drift to sleep.
“I love you too, Alpha.”
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It takes a while to understand, especially between Jungkook being barely able to leave his room since he’s in rut and you’re in heat, but eventually, you figure it out.
Your great grandmother had been an omega werewolf, and it’s a recessive gene so you’d been the lucky one to receive it. Since you had never shifted because your gene wasn’t activated by male wolves, you had no smell.
At least, not until the full moon, when you shifted into what Jungkook says is the prettiest wolf he’d ever seen.
After, when you’d near your heat, Jungkook would snap and snarl at the boys so much just for talking to you that it made you roll your eyes, but eventually you got the dates right (for the most part, there’d been one instance in which Jimin had made a snarky comment and Jungkook had lunged at him and they’d gone rolling down the stairs), and you holed up in your apartment, instead.
Jungkook was working with Seokjin to understand that the wolf is him instead of some seperate entity. You tell him you’ve always known that. From what you know now, if the wolf wasn’t, he would have taken you the very first night. True mates are rare, and you’d both known it the whole time, even when you hadn’t.
You and Jia went to every concert, her always telling you her neverending sexcapades with Hoseok to be able to take his knot, front row, waiting for your Alpha’s set. It’s cute, you think, that they call him Baby on stage but he’s your Alpha, especially since he’s both, always, to you.
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