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#possibly disturbing
stygiovictoria · 14 days
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red
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spicy-flower · 1 month
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Gouache painting from a few days ago
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mahatka · 6 months
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Goretober entry 😌
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hamsters-in-cups · 2 years
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Hamster-in-Cupcake Hamster Hideouts. I wish there were a picture of a hamster-in-hamster-in-cupcake, but the seller did not provide one and the only user-submitted image I could find was the following:
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Perhaps YOU could buy one of these hideouts and photograph YOUR hamster (or hamster figurine) inside of it and submit it here! (I *DO* so love submissions after all.) To get one, you’d have to visit LoveDrizzlesStudio at https://www.etsy.com/listing/1156098643/ and then agree to pay them money. That second part is unfortunate, but products usually do come only with the forfeit of funds. For possibly disturbing additional imagery of this product, see below the cut.
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Hi hello yes I have no idea what’s going on anymore
So uh, I have some old artwork that I abandoned and I decided to post now for the hell of it, BUT unlike most of my posts/art, this could be uhhhh a bit disturbing? So we’re starting this post with a content warning and then the work will be below. Okay? Okay.
ALSO: This post contains my first attempt at giving my images alt. text! I will suck at it for a while, but I want to make my work/posts more accessible, incase people come across these posts and can’t see the images. I will improve over time, just please bear with me (and tell me how to do it better l m a o)
Content Warnings: Mildly Disturbing, Mild Gore(?) and Slight Body Horror- revolving around the mouth, teeth and gums. There’s no blood, but it’s badly drawn so it’s not too graphic. Just keep it in mind to be wary ADDITION: There will be an additional image at the bottom of the post where it shows my attempt of adding blood/more gorey details, however it sucked so I’ve forgone it (I did my best- was weird analysing how blood worked though…)
You here? Cool! Let’s check out this trainwreck
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So this is an abandoned artwork from Halloween, yes as in from 3 months ago, that I was unable to finish due to time and also just sucking at art. This would be an interesting redraw some time in the future lmao.
(Below I talk about the inspiration which may be a bit disturbing if things about the teeth and gums unsettle you. I would skip this paragraph if so)
It was inspired by some REALLY bad toothache I was dealing with from mid-October until recently. All I knew before I could see a dentist was “it hurts” and this was exactly what it felt like. Like it genuinely felt like my gums and cheek were being ripped apart. To try and distract myself and bring humour into it, I was like “hah imagine it was like a really dramatic scene in a vampire fanfic”, so as I was brainstorming for a Halloween drawing, that thought kinda ran away from me. I was actually going to do a fun/silly drawing for Halloween and then couldn’t help myself.
Makes sense why it hurt btw, half of it was gone lmao. Got it sorted a week ago though! Handled it better than I thought it would.
Funny story- did the sketch for this while watching Halloween (1978) for the first ever time, home alone, while on the phone with my mom, who was also watching it at her house. Hadn’t initially wanted to watch but was convinced, and I spent my entire time watching making sarcastic commentary.
Tried to do some blood and more gorey effects while sitting in a little corner in college. Where everyone could see. I doubt anyone would have batted an eye- if not for the fact I was right beside the eating area/vending machines, and the department for social sciences. Still probs wasn’t that weird, just noticed I caught eyes when people past lmao
For those curious, here was my attempt of blood at the time! It was not just bad but lazy lmao
(One without the weird running blood, and one with it)
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mr bonzo in ep 12:
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this is the worst thing ive ever made i love it
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dailyhatsune · 2 months
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Spooky Miku that's DISTURBINGLY and IMPOSSIBLY long
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(in the voice of an expository note in an indie horror game) whatever you do…don’t look at her…or she will miku miku ni shite ageru
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bludweave · 3 months
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i don't remember how it started. only how it ended.
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oifaaa · 11 months
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I dont think we as a society do enough with the fact that in current dc continuity the original story of how Damian was born is canon and that technically includes the bit were Talia gives Damian up for adoption as she thought that would be what's best for him bc there's a lot that can be done with this
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poorly-drawn-mdzs · 11 months
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Try Morse Core. Women Love Morse Code.
[First] Prev <--> Next
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Went to a doctor today. Got diagnosed with the curse. Yeah, it's the horrors again.
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stygiovictoria · 14 days
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thebiscuitlabryinth · 2 months
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[prev]
Nowadays, Pure Vanilla has gotten used to his sleep fluctuating wildly between turbulent dreams and sleep like the void itself has swallowed him whole. It seems like a game of chance whenever he rests his head down, and neither option leaves him any less tired the next morning.
Today, his dreams are absurd, swirling and spilling into each other, and vividly upsetting in a way he can't identify. He shut his eyes tight, but that doesn't block out the rest of his senses. He can hear begging, crying, shouting, and the scent of something burning and wilted lilies clashes in the air, creating a suffocating smell that winds around him slow. It is awful, but it is slightly less so, now that he knows how to recognise when he is in a dream. More importantly, he has a question, and he is more than aware of Shadow Milk's lingering presence.
"You founded the study of Dark Moon Magic, didn't you?"
It is a soft question, but one that is sure of itself. Instantly, the sounds and smells and sensations that had been plaguing Pure Vanilla disappear. Pure Vanilla keeps both his eyes closed for the time being, just in case. Tonight, his staff is absent like a missing leg, and he misses the added security of being able to look through it.
"Oh, come on! Don't interrupt the scene, we were just getting to the good part!" Shadow Milk's voice responds with frustration, the sound coming from all sides. It is precisely because it comes from all sides that Pure Vanilla keeps his eyes closed, not quite trusting that the shards of his nightmares have been fully swept away. He doesn't want to find out what Shadow Milk could possibly consider to be 'the good part' amidst the sounds of suffering and anguish.
Instead, Pure Vanilla sighs. "It was your choice to stop everything when I asked that, wasn't it? You can't blame me for that."
"Bzzt! Wrong! I can blame you because you did interrupt. It doesn't matter what I did in response, a disruption is a disruption." Shadow Milk declares loudly, voice a little rougher, as if he was daring Pure Vanilla to argue back. But his voice is now only coming from one source, right in front of him, so Pure Vanilla cautiously opens his eyes to check the surroundings.
He finds himself in the library of Blueberry Yogurt Academy, and nostalgia eagerly rears its head within him, somewhat surprised. He's stood beside a littered table, surrounded by the deep blue bookshelves of his youth and the comforting smell of aged paper. The details blur a little past that, some of the shelves lighter, more like the bookshelves in his chambers in the Vanilla Kingdom, leaving it less like a perfect replica and more like a collage made out of bits and pieces of his lifetimes' worth of memories, but it is mostly the Blueberry Yogurt library.
Shadow Milk is across the table from him, tutting when Pure Vanilla takes too long to reply. He leans his elbows on the table, propping his chin on the bridge of his linked fingers. "Sneaky, silly-Vanilly, trying to use me to get out of your funny little nightmares. Very, very sneaky."
"It worked, didn't it?" Pure Vanilla says, a bit stiffly, because that had never been his main intention, mostly because Shadow Milk isn't nice enough for him to think it would work. No, his main intention is genuine curiosity, and that is exactly why he continues to prod. "...You didn't answer my question."
"Because it's a stupid one." Shadow Milk hums back, tilting his head to the side. He tilts it far enough that his cheek is now resting against his hands instead of his chin. "You should be able to figure that out yourself. Didn't I already tell you where my home is?"
Pure Vanilla doesn't answer for a moment, laying a tentative hand on the edge of the table as he tries to squint at the papers across its surface in the dim lamplight. It takes him a second to realise that they're all forbidden texts on Dark Moon Magic, and when he does, he murmurs back. "It's better to clarify than assume, isn't it?"
This time, Shadow Milk is the one who doesn't answer for a moment, instead staring at him with those piercing eyes. Pure Vanilla can feel more around him, behind him, lurking in the shadows pooling in the nooks and crevices and he can't help it – he shivers slightly.
That reaction must be enough for Shadow Milk, because he snorts, and pushes off the table to lean back, kicking his feet up onto the table and right on top of texts, which is already enough to make Pure Vanilla wince. Poor library etiquette aside, the movement is horribly uncanny to watch, partly because he is leaning back onto thin air instead of a chair, partly because he moves so quickly it's like his limbs snap into place, and partly because his smile is stretched far too thin as he does so.
"Of course I did. I'm very talented, you know." Shadow Milk announces smugly, his eyes never leaving him. They narrow slightly, all of them in suspicious synchronisation, and he raises his eyebrows expectantly. "But I must admit, I am crumbling to know why you brought it up."
Whys are always difficult to answer, especially for something as difficult as motives, which can morph and change over time. Pure Vanilla hates lying, but he hates lying in front of Shadow Milk even more, because he seems to recognise every single one and Pure Vanilla doesn't want to give him the satisfaction.
But he really can't admit the core of the matter to his face. He can't admit that ever since he glimpsed the ghost of Shadow Milk's past, he hasn't been able to stop thinking about it. He can't admit that he is actively trying to glimpse it again, and what better way to try and draw it out than with any scholar's pride and joy – their work?
"It's impressive. I, myself, have mastered White Magic over the years, and I certainly contributed to its development, but I cannot claim that I created it as a school of magic." Pure Vanilla explains instead, and it isn't a lie either, just lacking all the details. He fidgets a bit, tugging at his own sleeves, adding quieter. "Dark Moon Magic is forbidden too, so there aren't many detailed sources left on it. I want to know more about its founding."
I want to know more about you.
There is another lapse of silence, and Pure Vanilla is tense with tentative hope. After all, if Shadow Milk was really against the topic altogether, he wouldn't have gone through the trouble of plucking him out of his nightmares.
Shadow Milk's smile is sharp like a knife, clashing with the casual way he folds his arms behind his head, almost languid as he finally muses. "Oh, really? That doesn't sound right. I'm sure there's enough details lying around to get the gist of it. After all, you've used Dark Moon Magic before, so you must know something about it already."
Pure Vanilla flinches back, and it isn't a surprise that he knows about that too, not anymore, but it still leaves him with unstable footing. Regardless, he doesn't let that scare him off the topic, which he suspects is exactly why Shadow Milk said it. "...I've only really used it once, and I don't remember much about what happened. So I may know something, but that something is rather little."
It's a confession, and the truth. His brief tangle with Dark Moon Magic is a complete blur in his own mind, watered down to blinding sensations and a heartache so intense he had felt like he was crumbling. Theoretically, he knows enough about Dark Moon Magic to hold a conversation, but he remembers nothing about it in practise.
"You know who could help you with that?" Shadow Milk asks, seemingly unbothered, but the words curl with open mockery and a smirk. He tilts his head back slightly so he can look down on Pure Vanilla and throws his arms out dramatically. "Our beloved, newly coronated Guardian! She has plenty of experience with–"
Pure Vanilla's heart lurches painfully.
"Don't talk about her!" He interrupts, voice bursting out louder than he expected and panic fluttery in his chest. He doesn't want to hear him tear at her old wounds, even if she can't hear it herself. He knows how vulnerable that cry makes him seem though, and he fumbles to lower his voice to something softer, less shaky. "Don't– please, I'm asking you for a reason."
Shadow Milk giggles, a strange grating sound that climbs higher with each breath, until he is laughing in earnest. He curls into himself, arms wrapped around his middle, and the position looks painful with his feet still planted on the table. Pure Vanilla watches him warily, a little shaken by the mention of White Lily, and wonders if maybe, he was wrong about what he thought he saw in Shadow Milk. He has been seeing more things that aren't there, recently.
His laughter stops abruptly. The stillness that follows is jarring, but doesn't last long.
Slowly – so slowly that it is unnerving, for someone who typically moves as erratically as him – Shadow Milk reaches forward with one hand and plucks a scroll up from the table. He unrolls it with a lazy flick of his wrist, the other end tumbling away over the edge of the table and across the floor. It is a smooth movement, Pure Vanilla notes through the pounding of his heart and his scrambled nerves, a practised motion that speaks of thousands of opened scrolls.
Shadow Milk peers over at the contents of the scroll with an empty, disinterested expression, his legs melting through the table until he appears to be sitting somewhat politely again. The sudden switch to this from his near hysterical laughter leaves Pure Vanilla disturbed, unsure if this is progress or not.
"I wanted to strike a balance between Black and White Magic." Shadow Milk says, his voice a disconcertingly low murmur, almost monotone. While his main eyes remain steadily on the scroll, the rest are eagerly burrowing into Pure Vanilla from all sides. "Black Magic draws from the void, making it unpredictable and destructive by nature, but full of potential. White Magic draws from the moon, primarily, and other celestial sources, making it safer and easier to use, but limited in its purity. If I could find the middle ground, I could harness magic with more flexibility and power but less unpredictability."
Shadow Milk pauses then, his eyes sliding up to stare right at Pure Vanilla, and his lips quirk upwards. When he speaks again, his voice gains a little more character but remains mainly flat, like a poorly-delivered theatrical monologue. "The dark side of the moon was the obvious choice for a source of that kind of power, because it's the natural overlap between the moon and the void. Once you figure out a source for magic, it's simple to find a way to draw from it, and to make it simpler, I had access to the knowledge of the Witches at my fingertips. All I had to do was write everything down, and the school of Dark Moon Magic was born. Easy-peasy!"
Shadow Milk throws the scroll to the side with little fanfare, not even sparing a glance at those ancient texts as they land in a heap of old paper on the floor, uncaring of if they damage or rip. And why would he? They both know this is a dream, and even if it wasn't, he had written that scroll himself.
Pure Vanilla would have cared, dream or not, if he wasn't wholly distracted, reduced to only a wide-eyed blink.
Because Shadow Milk may feign a bored face and voice, as if reading off a report or a particularly uninspiring script, but when their gazes meet, his eyes glitter like shooting stars, sparking with pride and passion and something else.
It captivates Pure Vanilla, the very same shine that comes with a breakthrough for every researcher. It is exactly what he had been hoping to see again, but the sight still leaves him feeling unmoored, even if pleasantly. Intruige and hope swirl within him, and he suddenly finds himself desperate to hold onto this ghost of the past, to make it stay longer and help it spill into the present.
"What does it feel like?" The question comes out before Pure Vanilla can think it through, focused on continuing the conversation before Shadow Milk can pick up his showmanship again in full. "Dark Moon Magic, I mean."
Shadow Milk huffs, a playful grin settling on his face again, and a sickening mix of dread and disappointment trickles through Pure Vanilla as he watches him lean over, crushing more texts beneath his palms. For a scary moment, he expects him to make another quip towards his previous use of the magic, or worse, bring up White Lily again.
He doesn't. Shadow Milk kicks his legs up behind him, so that he is laying on his stomach in mid-air, and cheerfully asks, "How about I show you?"
He doesn't wait for Pure Vanilla to process what he said, let alone reply. He reaches out and ensnares Pure Vanilla's hand, the one normally occupied with his staff, and laces their fingers together. Pure Vanilla doesn't reciprocate the hold, surprised, but only tries a small unsuccessful tug in response.
Shadow Milk's grip is an oppressive pressure, tight but not quite painful. He presses their palms together firmly, and Pure Vanilla gasps.
Magic bursts through the contact, rushing through his jam in a dizzying, warm flood. It is thicker, heavier than the magic Pure Vanilla is used to, thrumming and twisting as if it has a mind of its own, almost scratching at his dough as if trying to consume him, and he can't even concentrate on it because– because–
He can see everything.
Pure Vanilla really, truly can. He can see Shadow Milk's curling smile in front of him, he can see the Faeries having a feast, he can see Black Raisin greeting the moon from one of the Vanilla Castle's towers, he can see Dark Cacao striding through the citadel, he can see White Lily going through her morning routine, he can see his own sleeping body, and places and Cookies he doesn't have the presence of mind to recognise, all simultaneously. He doesn't know what to focus on, doesn't even know how to focus on anything, and his head hurts like it is falling apart.
This is how Shadow Milk has been watching me, he thinks deliriously, the only thought he can manage as he drowns in his sights.
And then, in a snap, he is back in the library with only one scene to see. His vision swims a little at the edges as if it didn't get the message, and he wobbles in place.
Shadow Milk is still holding his hand, but the grip is slightly looser, and the stream of his Dark Moon Magic is gone like a whisper. His grin is sinister and too big for his face, but his eyes still burn like stars.
"Fun, isn't it?" Shadow Milk coos, giddy like it is a shared secret, lifting Pure Vanilla's trembling hand and brushing a kiss to the back that buzzes with Dark Moon Magic. "My very first masterpiece."
Pure Vanilla wakes up disoriented, with a ringing headache and an itch in the back of his hand. White Lily notices his poor state almost immediately when she sees him – wonderful as she is – and she asks if he had a nightmare with that gentle, concerned slope to her brows.
Pure Vanilla adjusts his grip on his staff, leaning against it more than usual.
"No." He assures her lightly, not quite the truth and not quite a lie.
[next]
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sugar-grigri · 6 months
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If Fumiko is monstrous then Fujimoto should start presenting her as such
Fumiko is written to remind us that Denji is a child, and I repeat, she is the symbol of a child's sexual trauma in all its horror and "paradoxes".
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Touching Denji without his consent, catching an adolescent who hasn't yet discovered himself off guard, is the most obvious way of proving the link between the theme of sexual assault and Fumiko, but it doesn't stop there.
The fact that Denji accepts only proves this point: it shows just how much he's someone who needs boundaries and protection. He passively listens to what he's told without question simply because Fumiko has the upper hand.
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She has one, but spends her time pretending she doesn't, in particular by disguising her age like a predator, calling him "senpai" when she's 22, and playing up her protective role as a "bodyguard" when she's only there to stop Denji thinking for himself
As can be seen in the dialogue between Miri and Denji, she positions herself as an interlocutor, standing in Denji's shadow, influencing his decisions and distracting the boy from the substance of Miri's message.
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But she's a complete paradox, still trying to make Denji believe she's protecting him, she refers to Chainsaw Man as a "child", which rather than demonstrating a good intention shows that she's well aware of what Denji is and that she's abusing him head-on.
Who protects a child by attacking him?
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Once again, I insist, these are two pages from the same chapter. Dare you tell me that Fumiko doesn't present any contradictions?
Above all, she makes it seem as if she only wants what's best for Denji, even when he hasn't responded to her pleas for help. Once again, there's a paradox: the predator blames her victim for not having seen her own vulnerability, whereas she’s only abusing those of her victim.
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Fumiko is a metaphor for the very dangerousness of sexual assault, gentle on the surface but insidious, its violence only made clear and felt after the event, rising like a tide.
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When Yoshida convinces Denji to give up his normal life, he leaves him in the hands of Fumiko, a public hunter, who symbolises the extent to which, despite the monster in front of them, danger also exists among men, and that the milieu of public hunters is a harmful world for a child.
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I think the reason Fujimoto doesn't immediately place Fumiko in a position of condemnation is to instil a feeling of frustration and powerlessness at seeing Denji unprotected, to make it clear that "he's missing something", a parental figure.
But I think that for the writing to be complete, the author has to take a clear stance on the subject, in his own way of course, but explicitly
Seeing Fumiko next to Denji makes me anxious, it's such a common form of violence that it pulls me out of my reading.
Fumiko is a monster, so I pray that Fujimoto will have fun explicitly detailing her dark side and her horror.
If he doesn't, then she'll remain an unfinished and confusing chimera, the result of lazy writing and a fear of commitment.
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xx-sketchy-xx · 7 months
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*takes Wally and runs off* wally you are MINE!! And I will keep you safe with me!
@gooberartz @veeneeyyyy @fanoffandoms23 @nc-creatorworld @ash-attxck @glass-teeth01 @spirit-minish @catgirl41 @wallyissocool
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Married to a shredded corpse
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moon9931 · 10 days
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look I can really make things in magma
things!!!!!!! magma pages 1-2
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mutaols...in ordererssssjdejdhjdss... @misdreavusplush
@whereismyhat5678
@oddpizza
@ijusthavefun
@cyberrw
@the-little-knight
@little--critter
@marclef
@noodletime
@fluffygiraffe
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