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#posts of her in this scene
forgotmysword · 1 month
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Not one person has mentioned marcille’s fucking breath hitch/quiver in the dub. Im literally foaming at the mouth.
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this-simplefeeling · 5 months
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erm okay so... the way this argument ends...
because obviously the doctor is about to blame donna for spilling the coffee, but he catches himself, backs off and apologizes. and it's not him catching himself in a "this is a pointless argument because i'm right and you aren't getting that so i give up" sorta way- because in that beat after, he isn't irritated, he doesn't start trying to figure out a way to reiterate his point. it's him catching himself in a "that was the wrong thing to say and i regret that" sorta way.
it's him catching himself becoming another one of the voices in donna's head calling her a screw up.
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hamable · 4 months
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Ok no I do have to make it it’s own post bc I don’t remember the book’s scene in detail but Annabeth seeing the fates cut a string at the arch is so fascinating. Bc we know that’s Luke’s string. He’s not dying soon, but it’s been decided when he will die.
The moment the fates decide that Luke will die and when is right after Percy sacrifices himself. Right after he shows Annabeth his care and loyalty. That she is worth saving. That she doesn’t deserve the wrath intended for her. A set of dominoes has just been toppled and when they all finally fall, she will stand between Luke and Percy and choose Percy. From this moment, from this early on, Luke’s fate is sealed.
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orionis13 · 1 month
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Jeans that are gonna sell for 300 dollars on poshmark after they kill this old man
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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ryllen · 2 months
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and some extra unused stuff while they are in affectionate mood
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time-speculo · 1 year
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Sorry for i am not immune to the rock lesbians
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queenofinys · 19 days
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She swallowed past a lump in her throat, looked up into her son’s eyes. "Paul…I want you to do something for me: choose the course of happiness. Your desert woman, marry her if that’s your wish. Defy everyone and everything to do this. But choose your own course. I…."
LADY JESSICA & CHANI KYNES IN DUNE: PART TWO (2024)
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cametotheshowinsd · 7 months
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The autumn chill that wakes me up, you loved the amber skies so much;
🍁TAYLOR SWIFT × FALL🍁
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lemongogo · 6 months
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thank you, meryl
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cbmagus49 · 5 months
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Hey guess what it's time for a big ol' Relativity screenshot edit sketchdump!!!!
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lorephobic · 5 months
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“the class commentary in saltburn was shit” WHAT CLASS COMMENTARY???? NOT EVERY MOVIE WITH RICH PEOPLE HAS TO OR SHOULD HAVE CLASS COMMENTARY. EMERALD FENNELL KNOWS VERY WELL THAT SHE IS NOT THE RIGHT DIRECTOR FOR A MOVIE ABOUT CLASS COMMENTARY WHICH IS WHY SHE DID NOT WRITE A MOVIE ABOUT CLASS COMMENTARY.
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reitheist · 8 days
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in light of recent yoi news
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lonewolf638 · 7 months
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deadpoets · 25 days
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SOLDIER, POET, KING by The Oh Hellos
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redundantz · 5 months
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Act 2 Thanks for reading
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