Mora, Sweden (No. 4)
A Dalecarlian horse or Dala horse is a traditional carved, painted wooden statue of a horse originating in the Swedish province of Dalarna (Dalecarlia). In the old days the Dalecarlian horse was mostly used as a toy for children; in modern times it has become a symbol of Dalarna, as well as of Sweden in general. Several types of Dalecarlian horses are made, with distinguishing features common to the locality of the site where they are produced. One particular style has, however, become much more common and widespread than others. It is stoutly carved and painted bright red with details and a harness in white, green, yellow and blue.
It was in the small log cabins deep in the forests during the long winter nights in front of a log fire that the forerunner of the Dala horse was born. Using simple tools, generally only a knife, woodcarvers made toys for their children. It was only natural that many of these toys were horses, because the horse was invaluable in those days, as a trusty friend and worker who could pull great loads of timber from the forests during the winter months, and in the summer could be of just as much use on the farm.
The art of carving and painting the small horses quickly flourished in the 19th century, as economic hardship in the region inspired greater production of the small horses, and they became an important item of barter. Horse-making may have started as something to do during the long dark winter months, but soon the Dala horses were traded in exchange for household goods and their carving and painting blossomed into a full-fledged cottage industry. The rural families depended on horse production to help keep food on the table, as the skills of horse carving and painting were passed on from generation to generation.
The carving of Dala horses as a livelihood is thought to have started in the village of Bergkarlås [sv] in central Sweden, though the nearby "horse" villages of Risa [sv], Vattnäs, and Nusnäs were also centres of horse-making. The villages were involved in the art of furniture and clock-making, and it is likely the leftover scraps of wood were put to use in the production of Dala horses. Many early Dala horses were not painted at all, but in the beginning of the 19th century painting them in a single color, white or red, became common practice. The decoration of the Dala horse has its roots in furniture painting and was perfected over the years. According to a local tale, a wandering painter in the style of kurbits came across one of these Dala horses in a farm he was decorating. When asked by one of the children why that horse was not as beautifully painted as the ones in the decorations, he painted the Dala horse in the same style. This tradition was then carried on in order to raise the market value of the Dala horses.
The earliest references to wooden horses for sale are from 1623. In the 19th century, Stikå Erik Hansson [sv] from the village Risa in the parish of Mora introduced the technique of painting with two colours on the same brush, still used today. In the book "The Wooden Horses of Sweden," the author mentions that this famous Dala painter is buried in a small churchyard in Nebraska after having immigrated to the Midwest in 1887 at the age of 64.) He changed his name to Erik Erikson upon coming to America and is buried at Bega Cemetery in Stanton County Nebraska, outside of Norfolk.
While there were many horse whittlers in the early production of Dala horses, there were comparatively few horse painters. The large number of whittlers and a lack of distinguishing features makes it difficult to distinguish between different whittlers. Early painters very rarely signed their work, but they did have their own distinct pattern from which it is often possible to identify who painted a particular horse. In the 1930s (especially after the World's Expo in Paris 1937 and World's Fair in New York 1939 in which Dala horses were shown) mass production of Dala horses started. This marks the beginning of a new era for the Dala horse, transitioning from toy to a national symbol and popular souvenir.
The Dalecarlian horse of today is still a handcrafted article, made of pine, and its pattern is about 150 years old. At least nine different people contribute their skills to create each horse. The distinctive shape of the horse is due to the usage of flat-plane style carving.
An apocryphal legend of the Dalecarlian horse is that they became the national toy in 1716. According to the legend, soldiers loyal to King Charles XII were quartered in the Dalecarlian region and carved the toys as gifts for their hosts.
In the 2003 Norwegian film Kitchen Stories, a small Dala horse is part of a joke when a character expected a real horse as a reward.
Early production of Dala horses was concentrated to four villages: Bergkarlås, Risa, Vattnäs, and Nusnäs, all in the parish of Mora. Production is believed to have started in Bergkarlås and later spread to nearby villages Risa and Vattnäs through kindred. At about the same time production started independently in Nusnäs, and being farther away their style was less influenced by those of the other villages. The individual painters each had their particular style, and the few who are old enough to remember first- or second-hand the history can often tell which village, and in some cases which carver or painter, turned out a particular horse. The distinguishing features of many early painters from these villages have now been documented.
Many of the works by the earliest horse makers are no longer in existence but those that remain are cherished by their owners and have often been passed down through generations. These are also coveted by collectors, and their value has risen markedly over the years.
Today, many of the villages in Dalarna county make Dala horses with individual styles representing the district of origin. These horses also have distinctive shapes and often come in different sizes. Some horses like the Nusnäs horse are stocky work horses; others are lean and upright with stately countenance like the Rättvik horse. Many of these can be seen at a yearly exhibition (since the year 2000), which is held at Klockargården in Leksand, Sweden. Currently about forty present carvers and painters show their Dala horses and put them up for sale.
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Looks like someone beat me to Catradora so...Steda. (AKA Grunkle Stan x Eda)
In theory? 8.5/10.
Although I do slightly struggle to get over the age difference here, I must admit how well these two would go together. They are so similar in personality (and, now that I think about it, in plot). They would get into all sorts of shenanigans together, and I think they would love one another’s jokes. So yes, when I picture it in my head, Steda could totally be a thing.
However... I said “in theory” for a reason. Steda mostly started because fans theorized that Eda could be Stan’s ex-wife. I’m sorry to disappoint y’all, but we already know the name of Stan’s ex-wife, and it isn’t Eda.
Once decoded, a cryptogram from the Gravity Falls episode Roadside Attraction reads:
Carla McCorkle returned all his flowers
Marilyn divorced him after only six hours
Beatrice slapped him for being a cad
Old Goldie’s the best girlfriend Stan ever had
Unless Eda was using a fake name, Stan’s ex-wife is someone named Marilyn, not Eda. Also in Roadside Attraction, Stan specifically says he’s been divorced once, meaning he does not have more than one ex-wife.
For that reason, I strayed away from Steda for a long time. I couldn’t stop myself from thinking that it was factually inaccurate. But thinking about it now, if we move past the ex-wife thing and just imagine Stan and Eda meeting for the first time, then yeah, I kinda ship it.
Thanks for the ask!
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