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sidsinning · 11 months

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UNNECESSARY AND UNHINGED RANT ABOUT CINDERELLA'S CHARACTER FROM CINDERELLA (2015) INCOMING

Lemme talk about Cinderella from Cinderella (2015) for a bit actually yeah because these changes to my girl completely baffle me

She has friends now

Goes outside on her own

Says the only reason why she's staying is because it's her parent's house- bruh.

All of this takes away (+ more reasons down the cut) from the true cruelty of OG!Cinderella's backstory and how it all connects so well to inform you of her character and the actions she takes

OG!Cinderella has been indoctrinated into accepting her life as a maid to her step family since she was a small child. She is never seen going outside of the house besides the night at the ball. The only friends she had were random animals around her she couldn't even fully converse with. She had no other human perspective on her situation or how to get out of it. It makes sense why she's just taking her stepmother's tyranny while holding everything in because this isolation and neglect is all she knows. This is the entire limited scope of her world. A sad reality to many cases of abuse in real life.

And they just. Erased all of this for some. Reason???

The night at the ball was a big deal because she literally NEVER gets to go out. This is the only time she interacts with the outside world aside from the ending. The impact of that was HUGE in the original movie. The new one just cheapened that imo by implying she goes out in town and talks to others regularly. This event was an impossible, fantastical dream come true to someone who is never treated as anything but a servant to everyone she knows.

Basically OG!Cinderella has it way worse which is what makes the ball such a huge deal in the first place.

Third point I don't think I need to explain how Cinderella staying in her abusive home bc the house is "hers to love now that her parents are dead" is not a good character change and doesn't make sense. I would understand if her dad was alive and insisting on staying, but he is GONE. It is a building you grew up in sure, but that's all it is. Not something you sacrifice your wellbeing for. So that's a shit reason they didn't need to make up to say why this character is stuck in her abusive household. The isolation and years of gaslighting were enough. (Also showing how much of a frightening presence and manipulative villain Lady Tremaine is.)

And she sure left it quick after getting hitched lol

The Fairy Godmother having the audacity to test Cinderella with that "oh I'm a poor old woman and I want some milk please" nonsense

Not very godmotherly of her in this version. 🥴 The Fairy Godmother appeared in the original to offer pure comfort to Cinderella in a time of desperate need, when this resilient and kind spirit finally reached her breaking point. The dress, slippers, pumpkin carriage, and magic were all given freely as a present to make her feel better at least for one night.

Meanwhile this goofy ass Godmother has the audacity to be like "hey is she gonna be nice or not even though she's crying in tattered, recently destroyed clothing- I need to see that or else she doesn't get the magic juice". Like why did this become a way to test her morality all of a sudden? Why did you need something from her to give up the magic goods?? It's not even a good test she just walked a couple steps and poured some milk in a bowl,,,

Idk man they made their relationship transactional for no reason which taints the original purpose of this scene imo. The original Fairy Godmother already KNEW Cinderella was kind without having to make sure by disguising herself as a rancid old lady. 😭 Weird and unnecessary addition.

Kinda nitpicky here but this film did not at all match the terror of the torn dress scene which really shows you how horrifying and humiliating it was to Cinderella

Comparison

AND THE BIGGEST OFFENDER: THE WAY SHE "ESCAPED".

I NEED TO TAKE A BREATH

BECAUSE LIKE. WHAT WAS THAT.

Original Cinderella, seeing a real chance of escape from her abuse, uses everything in her possession to do so. She's yelling for the mice to get the key, to get Bruno to chase away the cat, running down to meet the prince's attendants to make sure they get the proof of her identity from her- and that moment she oh-so-casually pulled out the second slipper??? SEEING HER STEPMOTHER'S SLACKED JAW??? GAGGED US ALL.

ICONIC

But 2015. Bitch. What is going on. She gets locked up and easily accepts her doom. She just twirls and sings in her prison like a dunce because cINDerELLa wAs aLReADy cONTenT wIth her sMaLL mOMEnts oF hAPPIneSs anD dREamS wItH thE pRinCE.

Just. Gives up.

Not the mice begging her to get up and save herself come on now

The mice have to do their best on their own to push open her window so the prince and his crew hear her on time.

And yeah, all she had to do was open a window.

WHAT. WHY. HOW. WAS THIS??? MORE EMPOWERING???

1950: use your brain to fight to the very end

2015: quit while you're still ahead, or don't try you just gotta dance and sing all pretty then someone will come along and save you

I'm sorry, but for a production that was so critical of the notion of "Cinderella just waited around for a prince to save her"...is that not literally what they changed the ending to?

You wanna talk about lack of agency in princess stories well here you go 😭

You know what's sad about all this in the end is this is still the best recent live action Disney remake imo LOL

Anyways hello if you've made it all the way down here I rest my case

#disney #cinderella #cinderella 2015 #sidrabbles #rant #i like 1950s lady tremain more but i dont dislike this more sympathetic and character driven take on her either #feels different but not bad #prince is 10000x better no complaints from me #but the bar wasn't that high in the first place so congrats i guess??? LOL RLLY THO THE ACTOR KILLED IT ROB STARK YOU GO GIRL

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most-normal-eccles-cake-ignorer · 8 months

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Good Omens: Lockdown, Aziraphale’s SAD-ASS desk, and how they get to 'Our bookshop' in S2

Welcome to part 2 of me reading reeaally far into the Good Omens: Lockdown video! (part 1 from Crowley's POV here) This post assumes the item choices in the Lockdown visuals are intentional. What follows is going to be my headcanon regardless, but if you're into the Word of God, Lockdown is canon 'If you want it to be.' and I want it to be, sooo checkmate! >;D

Also this is something of a long boi (~13 minute read without following the links >.>), so if you're into unhinged analysis of details and literary references that indicate Aziraphale is in his longing era and want to learn more about author and fave-of-Gaiman, G.K. Chesterton, either get comfy or mark this to read later when you have time!

C: What? A: *somehow surprised even though HE CALLED* A-ah, hello. It's me! C: I know it's you, Aziraphale. A: *regaining composure* Yes, well, just calling to see how you were doing in lockdown.

The video starts with shots of Aziraphale and Crowley's da Vinci sketches (and some sushi remnants)... Babygirl is flipping through the time-goes-too-fast-for-me version of a facebook album, thinking about his crush. vERY chill of him. (also the paper looks new and he's eating on top of them, suggesting these are prints and he has multiple copies of them... sooo normal)

If we look closer at the still of Crowley's portrait, we can see part of the spine of a book that reads Kei- Chesterto-. This is, of course, author Gilbert Keith Chesterton, to whom Neil and Terry (and Crowley) dedicated Good Omens:

The authors would like to join the demon Crowley in dedicating this book to the memory of G. K. Chesterton A man who knew what was going on.

In this post by @azfellandco about Chesterton, you can see a photo of the dedication page and also read the book excerpt where Crowley describes Chesterton as 'the only poet in the twentieth century to even come close to the Truth'.

C: I'm bored. I'm so very very bored - transcendentally bored. There's nothing to do here!

As Crowley is explaining his nap contingency plan, we get a shot of Aziraphale picking up his mug of hot chocolate, then the image below of the 2/3rds gone bottle of Courvoisier cognac (i mean maybe he is baking with it let's not jump to conclusions), and then the stack of books beside a framed woodcut print of witches dancing with devils...

...that I used reverse image search to trace back to page 17 of a book from 1720 called The history of witches and wizards: giving a true account of all their tryals in England, Scotland, Swedeland, France, and New England; with their confession and condemnation.

Interestingly, the text above and below the picture reads:

At their Meeting they have usually Wine, or good Beer, Cakes, Meat, or the like; they Eat and Drink really: When they meet in their Bodies, Dance also, and have Musick...

Beside the framed print of Aziraphale's idea of a really great night out is a stack of books that includes (going from top to bottom):

Homer's The Iliad, Book 2

Orthodoxy by G.K. Chesterton

Forbidden Rites: A Necromancer's Manual of the Fifteenth Century by Richard Kieckhefer

a book by Hilaire Belloc with no visible title

The Club of Queer Trades by G.K. Chesterton

The Iliad (according to sparknotes) has the following major themes:

....Interesting, ok. Book 2 in particular starts with a god (Zeus) messing with someone (Agamemnon) via a dream that says he will be successful in taking Troy if he launches a full assault, balls to the (city) wall. Agamemnon, who is supposed to be leading the Achaean army to conquer Troy, believes the dream but then in a weird twist decides to test his army and be like 'jk actually I'm giving up and going home' and then is mad when the soldiers are like 'sick, to the boats!' Then Odysseus, who sparknotes tells me is the most eloquent of the Achaeans, gives an impressive speech to inspire the troops and reminds them that they vowed 'that they would not abandon their struggle until the city fell.' ...No way that could worsen Aziraphale's internal conflict about being a bad Angel who thwarted the Great Plan. >.>; Orthodoxy we'll get to in a second.

Then there's Forbidden Rites which is a medieval necromancy guide translated from Latin with added commentary - Aziraphale is perhaps studying occult topics in an attempt to understand Crowley better? And then there's the Hilaire Belloc book on top of the second Chesterton book, a collection of related stories/episodes?, The Club of Queer Trades. The book's Wikipedia page says:

Each story in the collection is centered on a person who is making his living by some novel and extraordinary means. To gain admittance [to the Club of Queer Trades] one must have invented a unique means of earning a living and the subsequent trade being the main source of income.

Aziraphale and Crowley have rather novel/extraordinary jobs and they're both peculiar-queer and gay-queer. Neat. The narrator in the book is named Charlie "Cherub" Swinburne - also neat. >.> He goes on an adventure with his friend, a retired judge and president of the Club of Queer Trades, Basil Grant, (who Oct 2021 GoodReads reviewer Cecily said is "described as mad, mystical, and a poet, with almost no friends, but who “would talk to any one anywhere”) and Basil's younger brother, a private detective named Inspector Constable Rupert Grant. The last line of the book is:

Thus our epic ended where it had begun, like a true cycle. (something something "It starts, as it will end, with a garden.")

Anyway, the Belloc book and The Club of Queer Trades are placed back to back in such a way that they almost look like they could be one book with two different aesthetics, or... two halves of a pantomime beast?! (stay with me I needed a segue)

Belloc and Chesterton have what is essentially a ship name:

It was coined by George Bernard Shaw (if you are like me and didn't know why you've heard of him: he wrote, among other things, Pygmalion, which was adapted into My Fair Lady). Shaw apparently liked to gossip about Belloc and Chesterton with H.G. Wells (again if you're uncultured like me: he wrote, among other science fiction-y things, The War of the Worlds).

In the Feb 15, 1908 issue of The New Age newspaper, Shaw said:

He continued:

"Chesterton and Belloc are so unlike that they get frightfully into one another’s way. ... They are unlike in everything except the specific literary genius and delight in play-acting that is common to them, and that threw them into one another’s arms.”

Shaw says Belloc is 'a bit of a rowdy', and 'cannot bear isolation'. Hmm. Then he says Chesterton is 'friendly, easy-going, unaffected, gentle, magnanimous, and genuinely democratic'. HMM.

“They share one failing—almost the only specific trait they have in common except their literary talent. That failing is, I grieve to say, addiction to the pleasures of the table.”

Ok ok I think we can see where this is going.

(^ from Staged S3E6)

Now, someone did ask Neil Gaiman about this similarity, and he said the Lockdown video was filmed by Rob Wilkins in Terry Pratchett's library, and that he suspects 'Belloc is there because he was on Terry's shelves beside Chesterton.' And it MAY VERY WELL BE that NONE (0) of the book titles are meant in any way other than 'these are books from Sir Pratchett's library that looked nice on camera and ofc we wanted some Chesterton refs and maybe some demon-y stuff for Crowley' but that is WAY less fun so I am choosing to take them as intentional: these are books Aziraphale is actually reading (along with the sushi and many cakes he is actually eating). Let's put ourselves in Aziraphale's shoes and try to imagine how it would be to read this stuff during lockdown while you pine for a demon with slinky hips after you got in big trouble at work for Armageddoff (and work happens to have defined your worldview and general purpose in life).

C: welll... ngk then people might follow my bad example and get ill. Or even die—

As Crowley acknowledges that he ought to be out making peoples' lives worse, we see Orthodoxy by Chesterton open on the desk.

Orthodoxy is described as a ‘spiritual autobiography’ and is considered a classic of Christian apologetics, i.e. the religious discipline of defending religious doctrines (in this case, Catholic) through systematic argumentation and discourse. Wikipedia also says Chesterton's The Everlasting Man contributed to C.S. Lewis' conversion to Christianity, so overall it sounds like he must've been fairly convincing. (and so maybe reading it also poked at that work-related-but-religious-trauma-adjacent stuff Aziraphale has going on?)

You can read Orthodoxy (and probably any of the books I mention bc theyre all old) on project gutenberg but I will include this part of what is shown on the righthand page bc it just reminds me (and so probably Azirapalala as well) of a certain angel squeaking happily at a nebula:

"I felt economical about the stars as if they were sapphires (they are called so in Milton's Eden): I hoarded the hills. For the universe is a single jewel, and while it is a natural cant to talk of a jewel as peerless and priceless, of this jewel it is literally true. This cosmos is indeed without peer and without price: for there cannot be another one."

Ok great, so Aziraphale is diving into the works of one of Crowley's favorite authors bc he misses him, that's cute. What else? Oh he already wrote him a letter right before calling - THE WICK ON THE WAX STICK FOR THE SEAL IS STILL SMOKING. sO CASUAL asdashgfjds

something something 'either call on the phone and talk, or appear mysteriously; don't do both'

When Aziraphale gets to 'I've never had so few customers, not in two hundred years!' We get a close up of this glass of cognac with droplets still on the side — I take back what I said about baking, Aziraphale is drinking it~

He's not drinking a wine, eg Châteauneuf-du-pape, which would be ~14% alcohol by volume (ABV), or a sherry (15-20% ABV); he is drinking Courvoisier cognac, a hard liquor (40% ABV). Crowley's Talisker whisky is 48.5% while we are on the topic. This is stronger than what Aziraphale usually drinks which means... he could be a bit tipsy.

As Aziraphale starts talking about the would-be cash-box burglary, we get this wide shot of the desk:

In the top left hand corner, we see two stacks of books, most (all?) of which appear to be Chesterton when I zoom in. Some of them have Chesterton's name visible on them, others have the publisher name 'Darwen Finlayson' on them, which according to my googling is a house that published several of Chesterton's works. If Chesterton was truly 'a man who knew what was going on', then perhaps this is Aziraphale seeking not just to feel closer to Crowley, but also to make sense of the warring ideas in his mind. Interestingly, Chesterton has also been described as 'The Eccentric Prince of Paradox'.

C: *clearly amused* Did you smite them with your wroth?

The screen then shows two occult-y books and a flickering candle (lower left image). Then Aziraphale explains about his cake~, and as Crowley cuts him off because he's about to nervously ask to come over bc he is so so lonely & down bad for a certain angelic bookworm, we see a map of Oxfordshire on top of Pilgrim's Progress (lower right image).

The two books beside the candle are Satanism and Witchcraft (presumably the 1862 book by Jules Michelet that comes up when I search the title), and another called Magic: An Occult Primer.

Satanism and Witchcraft is described on Wikipedia as 'notable for being one of the first sympathetic histories of witchcraft' and says 'Michelet was one of the first few people to attempt to show the sociological explanation of the Witch Trials.’ Sympathy for people who like to eat/drink/dance with demons, if you will?

Magic: An Occult Primer is a 1972 book by David Conway, a Welsh (CACHU HWCH!) magus and is described as 'a seminal work that brought magical training to the every-magician'. It also includes an appendix called The Occult Who's Who, which is somewhat reminiscent of Hastur's Furfur's book about angels. In Chapter 11: A Word About Demons, it says in regard to summoning them:

"Assuming that the form has turned up in the right place, it will soon begin to act and talk in a very friendly manner; do not forget, however, that its winning ways conceal a sinister intention-- namely, to get the adept out of the circle, and into its clutches.”

...okay?? Aziraphale's desk has a flickering candle on it throughout the video, and we get a close up of the flame when Crowley offers to slither over:

and just like that, Aziraphale has summoned a demon~~

Naturally, he freaks out:

A: *panicking*Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over.

But why? Isn't this what he wanted? Let's go back to the Pilgrim's Progress shot from right before the successful demon summoning and zoom in:

In a similar vein to Orthodoxy, Pilgrim's Progress, by John Bunyan, is an allegorical Puritan conversion narrative. Christian is the main character / stand in for anyone who wants to be in the allegory and Hopeful is well, hopeful, from what I gather. A slightly larger continuous excerpt is here for the curious, but here are some bits I thought were especially interesting in the part of the book shown above:

Christian: Why, what was it that brought your sins to mind again? Hopeful: Many things; as, If I did but meet a good man in the streets; or, If I have heard any read in the Bible; or, If mine head did begin to ache; or, If I were told that some of my neighbors were sick; or, If I heard the bell toll for some that were dead; or, If I thought of dying myself; or, If I heard that sudden death happened to others; But especially when I thought of myself that I must quickly come to judgment.

Perhaps the pandemic is bringing Aziraphale's "sins" to mind again, on top of the whole choosing faces thing to avoid 'quickly coming to judgment'. And then:

Hopeful: I thought I must endeavor to mend my life; for else, thought I, I am sure to be lost forever. Christian: And did you endeavor to mend? Hopeful: Yes, and fled from not only my sins, but sinful company too, and betook me to religious duties, as praying, reading, weeping for sin, speaking truth to my neighbors, etc.

UM??? While I can't say about the praying or weeping for sin, he has definitely been reading and the whole 'giving a good talking to' the burglars could be 'speaking truth to [the] neighbors'...?

Anyway to recap:

Aziraphale has been poring over books about dark magic and demons as well as a ton of books by an author that Crowley loves and who formed a partnership w a very different person in a sort of yin-yang, pantomime beast situation

He has been looking at pictures that remind him of their fun times w Leo in Florence and eating sushi and cake cake cake (and forgiving sinners) and drinking hot chocolate and cognac trying to fill a void but now he's tipsy so he wrote Crowley a letter, stamped it with a wax seal and then thought 'I should call her' BUT

His recent brush with attempted death penalties, the death toll of the pandemic, and some of the religious books he was reading have also filled him with guilt/fear over disobeying Heaven, who he knows could still be watching him and Crowley, so he feels much more conflicted than usual AND

He probably has some inkling that he wants to go ape shit on that ox rib if it comes over to hang out (lol editing to add bc i remembered ox rib discourse: ape shit in an emotional way! whether you hc them as ace or not I just think he really likes him and I’m using ox ribs as a stand in for general forbidden joy/love, not specifically sexy stuff)

So he has to say no.

Anything else might cause him to spontaneously discorporate into a plume of pining and cognitively dissonant gay smoke, which may be all well and good if you only think there's a God, but if you KNOW it and the angels are absolutely recording you and Heaven just tried to kill you and your wife colleague, it's... kind of a big deal.

C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*

We don't get to hear Aziraphale's response, but besties you and I both know he is not feeling tickety-boo. He spent like a month putting off calling Crowley (UK lockdowns started end of March, the call is at the beginning of May), finally got drunk and said what the Hell, it'll just be a fun flirty chat in between his temptations, and then it turned out Crowley was depressed and not going anywhere and Aziraphale made him even sadder. And then it got worse because it wasn't all over in July, or in October, even.

I think Aziraphale ends up with a lot of time and brain space in which to think about how Orthodoxy and Pilgrim's Progress were only written to guide *mortals* and how it really wouldn't be so bad if he spent more time with Crowley, would it? Heaven hasn't reached out in actual years again, things feel safer. Crowley is essentially Good and spending time with him would be sort of ministering to the downtrodden and afflicted, and Aziraphale does miss reporting his good deeds (lol you know, whatever rationalizations you need to get you there).

More than anything, he thinks about how hollow everything feels without Crowley; how no mouthful of food or drink tastes as satisfying in his absence because it wasn't ever just about the 'gross matter'...

So when lockdowns end, Aziraphale begins to summon his demon again, but this time with much less inner struggling. It all comes so naturally, when you let it. By the beginning of Season 2 in 2023, they seem delightfully comfortable with their shared routines and places (see also this lovely post by @nightgoodomens). Our car. Our bookshop.

Aziraphale might take longer to catch up, but he does get there.

(SHHH DON'T THINK ABOUT EPISODE 6! STOP! I'M HANGING UP!)

“The way to love anything is to realize that it may be lost.” ― G.K. Chesterton

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