Tumgik
#so growing up they actually try SO HARD to be what people want them to be while also trying to fight to be who they are
pucksandpower · 8 hours
Text
Party Girl
Happy Nation: A Series of Standalone Fics
Logan Sargeant x Hunt!Reader
Summary: Logan tries to save a notorious party girl from herself (or in which going wild runs in the Hunt family)
Warnings: illicit substances and peer-pressure
Tumblr media
The nightclub’s bass thumps through Logan’s chest as the trio approaches the entrance. Lando and Oscar turn to him with matching grins.
“You ready for this, mate?” Lando asks.
Logan eyes the mass of people spilling out onto the sidewalk. “Is this really a good idea?”
“Of course!” Oscar claps him on the shoulder. “It’s gonna be brilliant. Especially with you keeping an eye on the hostess.”
“Me?” Logan’s brow furrows.
Lando nods. “You’re our designated driver tonight, so you’ll be the soberest one here. We need you to keep Y/N from going too far off the rails.”
“Why me though? I barely know her.”
“Exactly!” Oscar exclaims. “She doesn’t really know you either, so she’ll actually listen instead of brushing you off like she does with the rest of us.”
Logan frowns. “I don’t know, guys ...”
“Oh, come on!” Lando wheedles. “You’ve heard the stories about James Hunt. Partying is in her DNA. We just need to make sure she doesn’t take after her grandad too much tonight.”
With a sigh, Logan relents. “Alright, fine. I’ll do my best to keep her out of trouble.”
The two grin and clap him on the back before leading the way inside. The throbbing music and flashing lights assault Logan’s senses as they enter. He scans the crowd, quickly spotting a vaguely familiar mane of untamed waves.
You’re laughing uproariously at something one of your friends said, drink sloshing precariously in your hand. Your cheeks are already flushed, eyes bright with intoxication and mirth. A pang of concern flutters in Logan’s chest — Lando and Oscar weren’t kidding about keeping an eye on you.
Making his way through the press of bodies, Logan sidles up next to you. You glance over with a brilliant smile.
“Heyyy, you made it!”
“Yeah, uh, hi,” Logan replies, suddenly feeling awkward. “Your friends invited me to, you know, keep things under control.”
You giggle. “Under control? What fun is that?”
Taking a swig of your drink, you spin away to dance with your friends, moving your hips enticingly. Logan swallows hard, trying not to stare. This is going to be harder than he thought.
The evening blurs by in a kaleidoscope of colors and sounds. Wherever you go, Logan follows at a respectful distance. He rebuffs anyone trying to offer you illicit substances and intervenes whenever your friends get too rowdy.
A few times you shoot him annoyed glares, but he just shrugs apologetically. He’s only doing what Lando and Oscar asked. Besides, he reasons, better to have you mad at him than in real danger.
As the hour grows later, your movements become more uncoordinated, laughter louder and words more slurred. Logan hovers closer, concern mounting.
“Ohhh, Logannnnn,” you croon, draping yourself over him. “You’re sooo stuffy. Live a little!”
He gently extracts himself from your embrace. “I think you’ve lived enough for tonight, Y/N.”
Pouting, you turn away petulantly. Logan watches as a few of your more unscrupulous friends surround you with sly grins. Alarm spikes through him when he sees one of them press something into your palm.
“Hey!” Pushing forward, he places himself between you and them. “Back off. She’s not interested.”
You blink at him owlishly while your friends sneer.
“Who’re you to decide for her, pretty boy?”
“Someone who actually cares if she’s okay.” Logan holds his ground.
With a drunken giggle, you lean against his back. “S’ok, Logieee. Lemme have some fun!”
“No, Y/N.” He spins to face you, gripping your shoulders firmly. “That stuff is bad news. You don’t want it, trust me.”
Your eyes are glazed, but you search his face like you’re trying to understand. One of your friends makes another attempt to press the little baggie into your hand. Without thinking, Logan bats it away. It goes flying across the club, spilling white powder everywhere.
“Dude!” Your friend shouts, outraged.
Logan doesn’t give them a chance to react further. Scooping you up in his arms, he starts carrying you away from the crowd. You’re tiny and warm against his chest, still giggling faintly.
“Mmm, Logan ... gonna getcha in trouble ...”
“I’ll take my chances,” he mutters.
Pushing his way through the throngs of people, Logan finally breaks free into the cool night air. He sets you on your feet, but keeps a steadying hand on your waist when you sway unsteadily.
Up close like this, he can make out the flushed skin across your nose, the flecks of light reflecting in your warm eyes. For a moment you just gaze at each other, the sounds of the party muffled behind the club’s doors.
Then your brow furrows. “Why’d ya stop me? I was jus’ havin’ fun.”
Logan shakes his head slowly. “That kind of fun isn’t good for you, Y/N. Your friends, they ... they weren’t looking out for your best interests back there.”
“You don’ even know me!” You protest, pushing away from him on unsteady feet.
Without thinking, Logan catches your hands in his. They’re so tiny, delicate, yet topped with nails sharp enough to take an eye out. Just like the rest of you — an enigmatic mix of fragile beauty and uncompromising tenacity.
“You’re right, I don’t really know you,” he admits. “But I know that you’re strong. Braver and tougher than anyone gives you credit for. And you don’t need that junk to be the life of the party.”
For a long moment, you simply stare at him, eyes wide. Then, slowly, you nod. A few stray tendrils of hair fall across your face and Logan’s fingers itch to brush them back. He tamps down the urge.
“M’sorry I made a scene back there,” you mumble, averting your gaze.
“Hey.” Logan ducks his head to catch your eye again. “Don’t be sorry. Those people, they ...” He shakes his head in disgust. “You deserve better friends than that.”
Pink dusts your cheeks as the corners of your mouth tick upwards. “You’re sweet, Logan. A real gentleman.”
“I just call it like I see it,” he replies with a shrug.
You laugh softly then, a warm, rich sound that sends tingles down Logan’s spine. When you speak again, your voice is clearer, more sober.
“I guess tonight got a little out of hand. Sometimes I go too far trying to live up to the reputation of my last name. It’s stupid, I know.”
“Hey, we all have things we’re trying to prove.” Logan squeezes your hands reassuringly. “But you don’t have to prove anything to me, Y/N. I can already see how amazing you are.”
For a beat, you simply stare at him, eyes shining. Then, surging up on your tiptoes, you throw your arms around his neck and kiss him hard.
Logan freezes for half a second before melting into the embrace, pulling you flush against him. His fingers tangle in your hair as he kisses you back with everything he has.
When you finally break apart, breathless and flushed, Logan rests his forehead against yours.
“Wow,” is all he can think to say.
You grin impishly up at him. “Now there’s a party I wouldn’t mind getting carried away at.”
Logan can’t help but laugh. Tucking you into his side, he presses a kiss to your temple. “Let’s get out of here. I’ll take you anywhere you want to go.”
***
Logan jolts awake to the sound of insistent pounding on his hotel room door. Squinting against the bright sunlight filtering through the curtains, he rubs the sleep from his eyes and shuffles to answer it.
“About damn time!” Lando’s voice greets him as soon as the door opens. “Do you know how long we’ve been stuck outside?”
Oscar shoulders past Logan into the room. “Yeah, mate. Abandoning your friends at the club? Not cool.”
Logan’s brow furrows in confusion until the previous night’s events come trickling back. The party, the near miss with the drugs, getting you safely away ...
His gaze drifts to the rumpled bed across the room where you’re just starting to stir, sheets tangled around your legs. A soft smile tugs at Logan’s lips as he watches you blink owlishly.
“Earth to Logan?” Lando waves a hand in front of his face. “You still with us?”
“What? Yeah, sorry.” Logan drags his attention back to the two drivers. “Look, I can explain about last night ...”
“No need to explain why you ditched us,” Oscar interjects with a suggestive wink toward the bed. “We can figure that part out for ourselves.”
You sit upright then, the sheets pooling around your waist as you rub your eyes. “Whas’ goin’ on?”
“Well, well!” Lando exclaims with a salacious grin. “If it isn’t the life of the party herself! Get up to any ... extracurriculars last night?”
Heat creeps up the back of Logan’s neck as you glance between the three of them in sleepy bewilderment. A strangled laugh escapes Oscar’s lips as the realization hits both of them. You and Logan lock eyes from across the room, equally mortified.
“No, wait! It’s not what it looks like!” Logan splutters.
Lando claps a hand on his shoulder with a pitying look. “It’s alright, mate. You don’t have to be ashamed about finally getting some action.”
“But I didn’t!” Logan insists, running a flustered hand through his hair. “Y/N, tell them!”
Untangling yourself from the sheets, you slide off the bed — giving everyone an eyeful of the fact that you’re only wearing one of Logan’s hoodies. His breath catches in his throat because damn if you don’t look incredible drowning in his clothes.
Your bare feet pad across the carpet until you’re standing before him, fingers playing with the worn cotton hem. “He’s right, you two. We didn’t ... you know.”
Hurt flashes across Logan’s face before he can squelch it back down. Right, of course you wouldn’t want that after all the lines he crossed last night. You’d been drunk and vulnerable and now you were regretting everything, including the–
“We kissed! But it doesn’t have to mean anything,” he blurts out, not meeting anyone’s eyes. “I got Y/N out of a bad situation and we may have, uh, gotten a little carried away in the heat of the moment. But she was drunk and it won’t happen again, I swear.”
An awkward silence falls over the room, broken only by Lando’s snort of laughter. “No rizz, this one.”
Logan’s jaw clenches. He knew they’d tease him about it, but he’s a grown man and he doesn’t need to take it from the likes of–
“Logan.”
Your voice is soft but it cuts through the embarrassment swirling in his mind. You take his face gently in your hands and he’s helpless but to meet your warm gaze.
“What if I want it to mean something?”
The air whooshes out of him in a surprised breath. His hands find your waist of their own accord like it’s the most natural thing in the world. “Y-You do?”
Behind you, Oscar groans. “God, he’s so hopeless.”
“I think it’s sweet!” Lando retorts. “Innocent, you know? Like a puppy getting all flustered.”
Logan blocks them out, his whole world narrowing to the amused, almost fond smile playing across your lips. You nod, leaning further into his embrace.
“I meant what I said last night, Logan. You’re the sweetest, most caring guy I’ve ever met. And I like you.” Your nose wrinkles adorably. “A lot, actually.”
He blinks rapidly, certain his heart is about to burst out of his chest. “Y/N, I ... I like you too. So much.”
Laughing that rich, warm laugh of yours, you loop your arms around his neck and rise up on your tiptoes. Logan meets you halfway, melting into the heated press of your lips against his.
Catcalls and wolf-whistles finally penetrate the happy bubble enveloping you both. You break the kiss with a breathless giggle, burrowing your face into the crook of Logan’s neck.
“Oi, lovebirds!” Oscar hollers. “Get a room!”
“Yeah, we’ve already got one!” Logan shoots back, surprising himself with the retort. He winks cheekily at you and you positively beam in response, eyes crinkling at the corners.
“Alright, that’s our cue!” Lando steers Oscar toward the door. “Don’t do anything we wouldn’t do, you crazy kids!”
The door slams behind them, leaving you and Logan alone in blissful quiet. His arms tighten around your waist, keeping you pressed flush against him. For a few heartbeats, you simply drink each other in, basking in the unfamiliar but not unwelcome feelings bubbling up.
Eventually you break the spell with a featherlight brush of your lips against the corner of Logan’s mouth. “So, was that too forward? I shouldn’t have just sprung that on you ...”
“No!” He rushes to reassure you. “God, no. I’ve never been more sure about anything in my life.”
You poke his chest lightly, eyes dancing with mirth. “Not even racing?”
Logan chuckles, tucking a stray curl behind your ear. “Okay, maybe one other thing. But you’re definitely in the top two.”
Winding your arms back around his neck, you arch one brow mischievously. “Only top two? I’ll have to work on that ...”
His breath catches in his throat at the playful promise in your tone. “I, uh ... I wouldn’t be opposed to that.”
As you lean in to kiss him again, Logan can’t help but silently thank Lando and Oscar for dragging him to that party. True, the night didn’t go exactly as expected. But he wound up with the greatest prize of all — you, here in his arms, carefree and happy and perfect in every way.
Like the gentleman his mama raised him to be, Logan vows silently to cherish every moment with you. After all, only a fool would look a gift horse like you in the mouth.
***
Adrenaline still thrums through Logan’s veins as he exits parc fermé, helmet tucked under his arm. His cheeks ache from the wide grin stretched across his face — a double points finish was exactly what Williams needed.
Alex falls into step beside him, equally elated after their impressive showing on the track today. They did good, really good. Logan can’t wait to celebrate with the whole team.
As they approach the Williams garage, a familiar head of hair catches Logan’s eye. You’re standing front and center, bouncing on the balls of your feet with poorly contained excitement. A large bakery box is clutched in your hands, the elaborate logo on the lid leaving little doubt as to its expensive contents.
Logan’s grin widens impossibly further. Of course you’d be here with treats in tow, always ready to turn any occasion into a party. His heart swells with affection just watching you eagerly await his and Alex’s return.
The rest of the team notice their arrival and erupt into cheers, crowding around to clap the drivers on the back with jubilant congratulations. You hang back, though your whole face is lit up with unabashed pride.
“Nice one out there, lads!” An engineer calls over the ruckus.
“About time we had a good points haul,” Another mechanic agrees.
Logan waves off the compliments with a bashful duck of his head. The team has been through so much in recent seasons — they deserve this moment more than he does.
“Alright, alright! Give the boys some space to breathe!” A familiar voice rings out.
You shove your way through the throngs of people, bounding right up to Logan with a brilliant grin. He has a split second to brace himself before you launch into his arms, nearly sending him toppling backward with the force of your enthusiasm.
“You were brilliant!” You exclaim, planting an exuberant kiss on his cheek that has him blushing furiously. “Both of you! I’m so proud!”
Alex chuckles fondly as you untangle yourself from Logan just enough to loop an arm around the other man’s shoulders. “We couldn’t have done it without the team’s hard work. You should be proud of them.”
“Oh, I am!” You turn your beaming smile on the rest of the crew. “Which is why I brought a little celebratory treat!”
Holding up the bakery box with a waggle of your brows, you peel back the lid to reveal a massively decadent-looking chocolate cake. It’s one of the most elaborate confections Logan has ever laid eyes on.
A reverent hush falls over the assembled group as they all lean in to get a better look. The air is suddenly thick with the rich scent of cocoa and buttercream frosting.
“Blimey, Y/N! That must’ve set you back a pretty penny!” Alex exclaims.
You wave him off with a casual flap of your hand. “Oh, please! You don’t even want to know how many races I’ve brought an expensive cake to just in case. I’m just glad I finally got to use this one!”
A ripple of laughter rolls through the crew at that. Logan shakes his head in fond exasperation, equal parts endeared and unsurprised by your extravagant gesture.
When your gaze lands on him again, warmth blooms in his chest at the open adoration shining in your eyes. You look at him like he’s the most impressive thing you’ve ever seen, not some lucky racer who simply played a tiny part in today’s success.
Liquid courage from the race still thrumming through his veins, Logan acts on impulse. Plucking the cake box deftly from your grip, he passes it off to a bewildered Alex before cupping your face in his hands and kissing you soundly.
A startled squeak quickly melts into a pleased hum as you melt against him, looping your arms around his neck to pull him closer. Logan pours every ounce of his pride and affection for you into the heated press of his lips, uncaring of the captive audience for once.
Hoots and hollers finally break through the rosy haze fogging Logan’s mind. He breaks the kiss with a breathless chuckle, thumbs brushing over the delightfully flushed apples of your cheeks.
“Get a room, you two!” Alex hollers with a roll of his eyes.
The rest of the crew quickly devolves into jokes and ribbing at your expense, but Logan couldn’t care less. With you smiling up at him like he hung the moon, the rest of the world simply falls away.
“You taste like chocolate,” he murmurs, brushing his nose against yours.
The impish grin you shoot him in return makes his heart stutter. “Well, it wouldn’t be a proper party without dessert.”
An arm slings around Logan’s shoulders, disrupting the little bubble you’ve found yourselves cocooned in. He startles, having completely forgotten about the dozens of other people still milling about.
“Well isn’t this just precious!” Gaetan, Logan’s race engineer, gives him an affectionate shake. “Young love blossoming right here in the garage!”
Red blooms high on Logan’s cheeks even as your melodic giggles wash over him. He scratches the back of his neck sheepishly.
“We’re not that young.”
“Could’ve fooled me!” Gaetan retorts with a bark of laughter. “You two have more spark than the rest of the kids around here combined.”
Your hand finds Logan’s, tangling your fingers together as you lean bodily into his side. For a fleeting moment, he allows himself to bask in the happiness surrounding him. It’s like floating, secure in the knowledge that you’ll always be right here to keep him grounded.
“You know,” you begin softly, batting your lashes up at Logan. “This might just be my new favorite party.”
A surprised huff of laughter escapes him. But really, he shouldn’t be so shocked. From the moment he met you, it was clear you had an unparalleled zest for life. You see the joy and potential for a good time in every single occasion. It’s one of the many, many things Logan loves about you.
“Your favorite, huh?” He bends to press his forehead to yours, drinking in your radiant smile. “I’ll remember this one, then.”
Because no matter how many parties, races, or adventures you two share moving forward, Logan vows to cherish each and every one with you by his side. After all, every single moment is worth celebrating when you get to spend it with the person you love most.
283 notes · View notes
capseycartwright · 1 day
Text
for my fellow merli girlies - do you remember the whole “all roads lead to bruno” line from the sequel series? well, i thought about that too hard and it caused this. enjoy!
all roads lead to eddie diaz
Eddie inclined his head slightly. “He is,” he hummed in response. “But it sounds more like you’re wanting to pick a fight here than discuss our mutual appreciation for how great a person Buck is.”
Tommy, at least, looked slightly embarrassed. “I don’t know how I didn’t see it before,” he admitted. “The way you feel about him.”
or - eddie and tommy have a revelatory conversation about the buck of it all.
ao3 link
The thing is, Eddie doesn’t intend to say what he does. He blames Frank, in all honesty, because if Eddie was less in touch with his own emotions, perhaps he wouldn’t have said it at all – but Frank had worked hard to make Eddie a more open version of himself, a more confident version of himself, and Eddie blames the confidence for how it happens.
It’s a family barbecue. Eddie loves their 118 family barbecues. They’re chaotic, in the nicest way, Bobby and Athena’s garden full of children of all ages, teenagers gathered in the corner, pouring over whatever the latest game they have for their consoles is, Jee-Yun holding court with the littlest of their gang, enough toys to rival an actual toy store gathered around them. Bobby was grilling, Buck standing at his side, the two of them looking altogether very serious as they discussed whether or not the burgers were done yet.
Eddie loved their family barbecues – the way everyone had a role to play amongst the chaos. Eddie’s was to stay far away from the food – though he felt he had long-since redeemed himself on the culinary front – and so he was usually sitting with a beer in hand, observing. Maybe once upon a time it was in an ‘outside looking in’ kind of way, but now it was in more of an appreciative way – Eddie loved this family he had built for himself, the people he had found and the people who had helped him find himself. He liked to watch, drink it all in – because one day, Eddie Diaz would be old and grey (and it was a revelation in itself to want to grow old) and these will have been the good old days, and he’ll miss them, so he likes to observe, and try and commit it all to memory.
Eddie’s attention was drawn by a bright laugh from Buck, and he couldn’t help the way he smiled as he watched his best friend.
“He’s brilliant, isn’t he?” Tommy said, siding up to Eddie. Normally, it wouldn’t be unusual for Eddie and Tommy to discuss how wonderful Buck was – it had long since become a key bonding point of their friendship – but there was an edge to Tommy’s voice that surprised Eddie. Tommy was a fairly calm and collected guy.
Eddie inclined his head slightly. “He is,” he hummed in response. “But it sounds more like you’re wanting to pick a fight here than discuss our mutual appreciation for how great a person Buck is.”
Tommy, at least, looked slightly embarrassed. “I don’t know how I didn’t see it before,” he admitted. “The way you feel about him.”
Eddie was quiet, for a minute. “Because I was good at hiding it,” he admitted. “Even from myself. I hid it for so long that I think people started to assume they were wrong to think I had ever felt that way about him.”
“But you do? Feel that way about him?”
Eddie shrugged. “Doesn’t seem like you want to know the answer to that.”
Tommy sighed. “I’m asking you – as a friend.”
“Then the answer is yes,” Eddie said. It still surprised him, how easily the words came now. It had taken so long for him to get to the point of being able to say it, the words coming out in a panicked rush during a session with Frank. It had felt like the most immense task he had ever undertaken, in that moment, but the words had started to come easier, since – when he’d told Hen, and Karen, over a bottle of pinot grigio, the words punctuated by some sad tears. He’d thought it had been too late, then, and Hen had gently reassured him that it would never be too late, not for him and Buck.
Still – it was the wrong time. Buck was with Tommy, and they’d been together for close to five months now, and Buck was happy. Liberated, even, free, and comfortable in himself in a way that Eddie had never seen before. His bisexuality had been the thing Buck had searched for his whole life, and who was Eddie to deny him the joy of discovering his queerness with a relatively attractive man who was kind to him? Eddie was in love with Buck, and in some ways, that love was what allowed him to take a more selfless approach to the whole situation. Eddie was proud of that.
Tommy’s face was doing something entirely complicated.
“Is that going to be a problem?” Eddie asked, raising an eyebrow. He didn’t want this to affect his friendship with Tommy – really, he didn’t. Eddie knew that if this all went the way he would like it to go, there would be hurt, but he’d sort of been hoping that Buck and Tommy’s relationship would come to its natural end and that hurt would only be momentary, the result of the strangeness that Tommy would feel if his ex-boyfriend started to date their mutual friend. But despite that, Eddie didn’t want to lose Tommy, and he knew Buck wouldn’t want to lose him either.
“Is it going to be a problem for you?” Tommy questioned, in lieu of a response.
Eddie shrugged. “No.”
Tommy’s face got even more complicated, confusion the clear emotion. “How – how is it not a problem for you?”
And this – this is where Eddie probably should have kept his mouth shut. In hindsight, he should have feigned some sort of migraine, and ran away, but he didn’t. Eddie let his newfound confidence get the better of him, and that was a very shiny, new problem for him.
There were lots of reasons it wasn’t a problem, but it all boiled down to one simple thing -
“I know he’ll chose me.”
The words were out, before Eddie could stop himself, and he couldn’t help but internally wince as he looked at Tommy’s face, the confusion turning to hurt, and then, well – annoyance. It wouldn’t be a nice thing to hear, Eddie knew, but he couldn’t deny the satisfaction he felt in saying it.
Eddie Diaz knew several different things to be true. The sky was blue, and he loved Christopher with every particle of his being. He was a damn good firefighter – and Evan Buckley would always choose him, over anyone else in the world.
Buck just didn’t know he was an option, yet.
“You sound very sure of that,” Tommy’s jaw was set in a hard line, his annoyance clear.
“I am,” Eddie said. “I want him to be happy, with you. I’m not going to try and ruin what you have. But Buck and I – we’ve been going somewhere for a long time, now, and neither of us were ready before. We’re not ready now, arguably. But I know we will be, one day, and so I know he’ll chose me.”
“All roads lead to Eddie Diaz, huh?”
“Something like that.”
Tommy was quiet. “I’m not going to fight you for him.”
“I’m not going to start a fight,” Eddie retorted. “It’s his decision.”
“Right.” Tommy looked as though he didn’t quite know what to say. “I am – I’m going to go and get another drink.”
Eddie watched as the other man walked away, and although it wasn’t particularly nice of him, he couldn’t help but smirk into the rim of his beer bottle.
The sky was blue, and Eddie was a happy man, now – and Buck would always choose him. He was sure of it.
He was looking forward to it.
232 notes · View notes
linkspooky · 24 hours
Text
Tumblr media
SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN
The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 
Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 
BROKEN THEMES = BROKEN STORY
When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 
Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 
When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.
“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 
I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 
With Great Power… You know the rest. 
My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 
However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 
The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 
Now I’m going to drastically oversimplify what a character arc is. 
A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 
I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 
The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 
MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.
Tumblr media
From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”
All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.
Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 
Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 
"Can I save the villain?"
"Should I save the villain?"
"If I don't save the villain, then can I really call myself a hero?"
In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 
I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 
The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 
Tumblr media
How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.
Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 
Tumblr media
However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 
Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 
Tumblr media
Edo: Can you even fathom that, Judai?
For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 
Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 
THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.
Tumblr media
Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 
seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 
While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 
Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 
In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 
Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 
Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."
Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 
There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 
Should I save the villain?
The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 
Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.
Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 
Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 
Johan: Judai, it was my dream to save everyone through my dueling!
The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 
Should I save the villain?
Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question
If I don't save the villain, can I really call myself a hero?
It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 
People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 
These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"
Was there ever someone you couldn’t save?
m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 
Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.
Tumblr media
Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 
"I was suffering even as you came to forget about me..."
Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 
It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 
Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.
Tumblr media
But you see, I couldn't possibly forget about you in the time that I've suffered...
Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 
"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."
For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 
They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 
Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 
Tumblr media
Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.
They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.
Tumblr media
Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.
Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 
Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 
Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 
Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 
In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 
Tumblr media
I just want to save my friend. That is all.
By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 
Tumblr media
I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.
Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?
Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?
Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.
Tumblr media
I couldn't have lived with the heartache unless I felt that I was being loved...
At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 
Tumblr media
So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 
It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 
Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 
Tumblr media
That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.
Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.
Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 
Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 
Tumblr media
"And even if that means I won't exist anymore... I don't care."
Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 
Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.
Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.
Tumblr media
And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.
The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 
The story of how Deku became the worst hero.
I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 
Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 
Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 
Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.
Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.
clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 
For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 
Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 
What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 
This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 
Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 
The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 
Tumblr media
The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?
Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:
Can Shigaraki be Saved?
Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 
Tumblr media
Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.
This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.
Tumblr media
Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 
Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.
Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 
Tumblr media
I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 
Tumblr media
Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 
He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.
Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 
It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 
He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 
Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 
Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.
Tumblr media
In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.
The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 
Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 
The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 
Tumblr media
We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?
I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 
The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 
Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.
Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 
Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.
Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.
Tumblr media
Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).
When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 
In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 
This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 
Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 
Tumblr media
On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 
Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 
There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.
Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 
Tumblr media
Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 
Tumblr media
Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.
Tumblr media
Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.
In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 
When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.
Tumblr media
What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 
I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.
"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"
Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.
Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"
Yubel is embraced and comforted, Shigaraki disintegrates into nothing.
One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.
The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.
Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 
167 notes · View notes
shroomsroom · 19 hours
Note
Hi dear I hope you're doing well and I was hoping if you can do the whole greaser gang with a s/o that's like Fiona Gallagher from the show shameless? Like she's taking care of her six siblings and her dad who's usually at the bar or passed out somewhere. Their mother ran out and is mentally ill so their s/o is left to be her siblings mother/father/ and nurse fill free to ignore if you want to do and I hope you have a good day!
Tumblr media Tumblr media
Summary: The Outsider x Fiona Gallagher!Reader Warnings:mentions of absent mother, drinking, very toxic adult behavior, dysfunctional family Author's Note: gonna be busy tmrw and weekend again, ill try and post 1 fic per day but no promises.
PONYBOY CURTIS
Ponyboy doesn’t really live in a dysfunctional family, yes his home life is tough but Darry loves him and tries his best and pony knows that
However, pony cant mentally put himself in Darry’s shoes of having no-one to lean on and having to take care of many siblings
When he first met you, he was absolutely smitten. And when you told him of your problems, he thought you were the toughest chick in town
He often asks Darry what to do to take a couple of burdens off your shoulder. He applies it to you and also at home, you’ve made him a better person.
JOHNNY CADE
Has a dysfunctional family and can understand, to an extent..he still gets fed sometimes and doesn’t have to work to stay in his home
But he doesn’t have a hard time adjusting to you.
He’s very open and loves your siblings, so he tries to take them out as many times as possible to give you some rest.
He genuinely doesnt understand how your parents could have left you doing all this by yourself when you’re such a perfect girl.
SODAPOP CURTIS
Soda admires you like you’re a work of art. 
He takes everything into consideration, for example, if he wants to take you on a date he’ll invite some of the gang members to hang out with your siblings and keep them away
Never asks you for anything, not to rant, vent or anything. He feels as if his problems could never measure up to yours so his whole world revolves around you.
Tries to spend as much of his money as possible to get you nice things and spoil you.
STEVE RANDLE
Steve understands how tough it is for you mentally. He’ll often stop by your place with something for you, like a box of chocolates or something. 
Whenever he’s over, he makes an effort to get to know and play with your siblings, he even was going to introduce himself to your dad. You convinced him it was a bad idea so he didnt.
He makes it known that you can tell him anything, literally anything, and he’d listen. He also wants you to know that you can call him anytime and he’d come for you.
Reassures you that he won’t ever leave you, that you’re special and he’s madly in love with you.
TWO-BIT MATHEWS
Two-Bit has some kid experience so he tries his hardest to keep your siblings company and even brings his sisters for ‘playdates’
Really enjoys spending time with you and would even do the chores around the house with you to keep talking with you.
He’s not very good at comforting people and he tries to make up for it by using his humor. You get where he’s coming from and it often helps a lot actually.
Tries his best to look nice for you when he comes over, he wants you to know he’s not a washed up nobody like your parents and wants to be a rolemodel to your siblings.
DARRY CURTIS
Often tells you that you’re perfect and that your siblings will grow so much better with you as their ‘parent’. He once made you cry because of what he said and he just held you in his arms while you sobbed.
He can sort of relate to what you’re going through but his is not as extreme as yours. 
Whenever he can he drops by to help you. Date night consists of making dinner for your siblings, washing the dishes and having a late night dinner together after you put your siblings to bed.
He knows you'd make a perfect wife since he’s old enough to marry, just waiting on the right time to pop the question.
DALLAS WINSTON
Dallas is insensitive and rude to you. He knows what you’re going through, he just doesn’t care.
However, once you caught him putting on a bandaid for your younger brother. He wasn’t kind about it, saying things like “can’t you do this yourself?” but he still did it.
He knows you saw it and thinks that hanging around your house and helping you with chores and siblings will keep you quiet about it
He doesn’t like kids, but he tolerates them for his reputation, and because you’re growing on him.
22 notes · View notes
depresseddepot · 2 years
Text
the way i try so SO hard to gain even a crumb of body neutrality only to then see some shit on twitter that remind me that oh yeah. a distinct portion of the population genuinely believes they are being discriminated against when they have to look at or be within 50 feet of a fat person
#the amount of times ive heard my skinny friends call themselves fat and disgusting to my face without considering the implications#i saw some tweet that just like. had a fat person in the video and ALL of the responses were men making fun of her#like. yes i realize my life would be so much better if i was born with a faster metabolism. thank you for reminding me#yes i realize i am not treated seriously because i am fat#that sort of incredulous look skinny people give you when you have the audacity to sit near them on the bus or ask for directions#like they're shocked you weren't some round thing that was in their sights for 2 seconds to make fun but disappeared#i am trying very hard not to let it get to me but when so many people seem to think the same thing it feels stupid#likei know i dont see people the way allosexuals do but are fat people really so disgusting that they feel like they can say shit like that#its so so frustrating#if i am going to die alone because of my own failings i can learn to accept that#but if i die alone because i can't find anybody that doesn't think fat people are worthless then what is the fucking point lmao#''people irl dont actually think that'' i cant count on 1 hand the amount of skinny people who have lamented about their weight to my face#someone brings in cookies to work and as im eating one someone skinny says ''well. i really don't need the extra calories so ill pass''#someone skinny checking out diet/exercise books because they ''REALLY have to lose some weight''#no they aren't talking about me/to me but how detached from your surroundings do you have to be to shit on yourself for your weight#like. even if i was skinny they're still talking about how gross and ugly they are around kids#''love your body and your self!!!1!!1'' okay then stop calling yourself disgusting regardless of how much you weigh.#you can think if if you want but god that 12 year old girl in line behind you is going to remember that forever#she is going to internalize ''oh okay. thats what a disgusting body looks like''#andthen she'll grow up and hate herself and continue the fucking cycle#just stop. stop talking about your weight around kids. i dont need 60 yo women telling me they're gross when they weigh maybe 150 lbs#i know this is super unhealthy but i literally cannot wait until i can move out and isolate myself from society#because every second i try to engage with it is literal torture#yall are so mean for no reason#i dont really have much to live for#but it would be helpful if skinny people didn't constantly reiterate that there's no point to living if you aren't skinny#im so tired#vent
26 notes · View notes
byanyan · 7 months
Text
me two years ago: byan has always been a little bastard. awful nasty child who intentionally used their big doe eyes to manipulate people
me now: byan used to be a soft baby who just wanted love and acceptance, who slowly became hardened and selfish in order to survive when they realized they'd never get what they needed
4 notes · View notes
Text
despite being friends with goro when they were younger, sachiko actually does not handle people being mean to her or disliking her well at all. the first time she tried to befriend goro he blew her off and she retreated immediately and didn't try again until years later. when she approached him the second time he nearly blew her off again, and she probably would have left him alone if he didn't agree to work together for the sake of their survival.
their friendship only worked because they both kept a certain amount of emotional distance that was mutual since both of them hate vulnerability. still, sachiko was by far the more enthusiastic and friendly of the two, bringing out goro's softer side. there was still a certain amount of rockiness in their relationship though, because neither of them were in a good place and they both dealt with that in opposite directions. (goro by stewing in it on his lonesome, sachiko by ignoring it and being social.) goro could never bring himself to be too harsh because of how friendly she was to him, and he knew that being mean would result in the end of their allyship. in the end he became mostly neutral, not overly kind or harsh in either direction, working with her in a manner that he justified as purely strategic, not personal.
if you asked them, they'd both tell you the relationship was surface level, and they weren't friends, just allies. until, of course, the Incident happened and they both realized they'd started to think of each other as their surrogate sibling. but of course by then it was too late.
#i was thinking about how she doesn't get along with morgana but does get along with goro and that sparked this thought.#sachiko asahi#persona ocs#sera posts#anyway their friendship in canon after goro's been 'corrupted' so to speak and is a much meaner person would be really interesting.#bc i don't actually think they'd get along at first. there's all the baggage obv but goro's just not as nice as he used to be and sachiko#is going to have to learn that he's changed (they both have) and learn how to meet him where he's at. and goro will have to realize#that if he wants to make amends he's going to have to actually try to be better and not be a bitch 24/7. they'll have to meet each other#in the middle#memes aside i think goro learning how to be kind again would be a really good (and necessary) part of his arc toward self improvement#learning how to be kind in a way that isn't just his detective prince mask. but because he genuinely wants to be kind and make friends#and be a better more healthy person who is a positive force in the lives of the people around him#and i think sachiko would make him want that. bc he does actually care about her and he wants to make up for what happened to her#(which he blames himself for)#sachiko and goro genuinely love each other and want to be friends but it's going to be Hard for both of them at first#and sachiko is going to have to learn how to curb some of her enthusiasm bc goro can't respond to it positively at this point#but they'll figure it out eventually and they'll both grow a lot as people in the process#sachiko's positivity can actually be extremely toxic so learning how to meet goro in the middle is super important for her growth too#but im just repeating myself at this point
2 notes · View notes
performing-personhood · 3 months
Text
Other people: Yeah, prioritizing yourself can be a struggle, self care is hard. :(
Also those people: covered in tattoos, own nice new clothes, going on vacations, getting regular haircuts, can regularly be found with takeout coffee and sometimes at breweries.
Me: Prioritizing myself is a real struggle. Self care is almost impossible without concerted effort.
Also me: has been planning three tattoos for 15yrs, buys new clothes from fast-fashion only when the old ones stop being wearable in public, has not taken a trip longer than a weekend that did not involve interpersonal labor (wedding, new baby, graduation etc.) in nine full years, been drinking only coffee and water for two weeks because 12pks of soda weren't "a need."
This is not a flex, i am a broken human.
But we are not the same.
And until I know for a fact that at least one of those other people has made sure to carefully request a birthday gift under $25 shipped - so that they could experience the rare, indulgent pleasure of getting something they wanted while also being careful to make as minimal an impact on reality as possible -
I wish people would stop pretending they know what this fucking feels like.
#i stopped reaching out to people for connection about this bc i got so tired of people unconsciously lying to my face#they genuinely believe they empathise#it is hard to fault them#but i also can't correct them without sounding like i'm trying to win the Suffering Olympics#so i just grimace/smile at them and stfu about it#i wonder what it was like to have parents that were interested in you growing up#i had loving parents but they were too distracted by their own unhealed generational trauma to notice they didn't care#which is a very weird flavor of childhood neglect to conceive of for oneself much less explain to others#i just became an adult who wants nothing and has no interests bc it has never mattered if I did#if i wanted smth i probably couldn't have it and if i was interested in doing it I'd have to do it alone#having human connection was contingent upon others getting and doing what they wanted and me tagging along#actually#it is still that way bc i have accidentally structured my life around this dynamic#and now I am a 38yo with no wants or interests and no framework for self-prioritization and no clue how to start#after 6y in therapy i can now identify that this exists#thats as far as I've gotten#being alone in this is bad but its WAY WAY WORSE when people pretend I am not#it feels insulting invalidating and like i am as invisible as i feel#can you tell my birthday is in two weeks#seasonal depressive disorder#spring seasonal depressive disorder#seasonal affective disorder#spring edition#mental illness#actually mentally ill#actually neurodivergent#cptsd vent#just cptsd things#living with cptsd#actually cptsd
0 notes
justauthoring · 1 month
Text
jerk.
Tumblr media
because bakugou katsuki is a jerk but he's also unfortunately your soulmate.
a/n: wooooooohhhhh i love soulmate aus so much omg
pairing: bakugou katsuki x f!reader
part two.
You’ve known he was your soulmate from the first day at U.A. 
When he’d bumped into you, steaming with anger in that way he regularly was and had spat at you; “move it, extra, or i’ll make you” – and you’d known then because those were the words written across you hip since you’d turn five and it had manifested with your quirk.
Because that was how the world was. Nowadays, it was odd to find someone without a quirk and even harder to find someone without a soulmate and you’d grown up your whole life having those awful words written on your skin. Had grown up knowing that for whatever reason, the soulmate you’d been given didn’t say warm, intimate words to you or even just simply generic words. Your friends had always had such nice sentences from their soulmates, with pretty words or a happy greeting.
And in yours you’d been called an extra.
Whatever the hell that meant.
You’ve never been excited to meet your soulmate. Not once. Not when you were five, or eight or twelve or when you started noticing people in a way you hadn’t before, more romantically. Not when you started maturing and growing up. Those words glared at you every time you stared at them and you didn’t want a single thing to do with your soulmate.
Not ever.
That is only doubled when you realize who your soulmate is. Maybe there was always a small part of you that hoped the words were misunderstood; you’d make scenarios up in your head about how those words could be teasing or even just a misunderstanding. 
When they’re spat at you by an intimidating blonde man that looks like there’s actual steam pouring from his ears, with piercing red eyes that cut into you like you’d done some horrible thing to deserve his anger… you understand then that they weren’t teasing and they aren’t a misunderstanding. They’re cruel and they’re mean and dismissive and hurtful and every horrible thing piled together by a man who is even worse beyond just his first words to you.
So you make it your goal that he never finds out you’re his soulmate in return.
You avoid him. Desperately. You’re barely a person in his own head so it isn’t all that hard to do. Even as the rest of the class grows closer and bonds, it seems Bakugou is just as content to ignore everyone else as you are to be ignored by him. Sure, some worm their way into his heart, like Kirishima or Midoriya and Shoto, but nobody else really seemed to matter. At least, you didn’t. You had the same friends, you were in the same class, and eventually, you ended up sleeping in the same building. 
You saw him everyday. You ate in the same kitchen and relaxed in the same living room. You trained in the same gym and overall, were consistently near each other. But you didn’t speak to him and he’d never tried to speak to you after that first day. Months pass and it continues on this way and you’re sure he doesn’t even know what your name is.
Or that you really even exist.
And you’re happy with that.
Content.
Because while the idea of a soulmate was romantic and heartwarming and something you dreamed about, him being your soulmate sounds horrible.
And it was best he just never even knew.
He was so focused on becoming number one, you’re not sure he even cares about finding his. 
Which is fine. Works better for you in the end.
-
“Y/L/N and Bakugou. You two are teamed up for combat practice today.”
You freeze at Aizawa-sensei’s words, body tensing as your eyes instantly shoot towards Bakugou. He’s already looking at you, brows furrowed and eyes narrowed as he lets his eyes drag across you; it’s clear he’s assessing you. Maybe trying to remember your name or if he’s ever seen you before.
It wouldn’t surprise you if he was.
Somehow, in all your months of being in the same class as Bakugou, you’ve never once been partnered up with him for anything. You think once you may have been put in a group with him, but that was with several others so it'd been easy enough to avoid him.
One on one though? That was going to be harder.
Way harder.
“Good luck,” Mina calls from beside you, squeezing your shoulder before she moves to meet up with her partner; it looks like she’d gotten Jirou. Lucky. 
Watching everyone else disperse tells you that you can’t just stand there like an idiot anymore. You take a deep breath, ignoring the nerves that course through you as you make your way over to Bakugou. As you make contact with him again, you realize he’s not moving; obviously he expects you to come to him.
Jerk.
When you reach him, the two of you just stare at each other and since you’re certainly not going to speak first, there’s a moment of awkward silence before Bakugou grunts; “ready?”
You nod and he isn’t confused by your silence so the two of you walk off to an open area in the gym. He stands across from you, gives you a look and then is racing towards you. You’re not sure why Aizawa-sensei teams you up with Bakugou because your quirks definitely don’t mesh well together and it’s clear Bakugou is stronger, but you’re able to hold up well enough on your own.
You even manage to land a hit on Bakugou once that clearly surprises him and you take it as a win.
And a little payback for being such an ass.
Then, when the class is over and you’ve promptly been knocked on your ass in return, you’re surprised to see a hand stretched out in front of you, invitingly. You blink, eyes drifting upwards only to meet Bakugou’s as he stares down at you. He’s not smiling and he doesn’t look all that friendly, but he nods his head in recognition.
“Good job.”
The words are such a shock your brain short circuits for a minute. Not only are the words the nicest thing you’ve ever heard Bakugou say (which is saying a lot) but his voice wasn’t gruff or aggressive like it normally is–it was… soft, almost? Maybe not soft but… normal. Just… calm.
Your heart is lurching at the sound before you even realize and then you’re pushing yourself up to your feet, basically smacking his hand out of the way and running out of the room without another word.
-
After that, Bakugou doesn’t seem to leave you alone.
He’s everywhere.
And not everywhere in the way he had been before. He’s not there in passing or just across the room from you, he’s asking to train with you or deliberately making sure he’s the only one left for you to partner with. He seems to always be in the kitchen when you want to eat or in the living room when you want to vedge after a long day.
He’s constantly there.
Not to mention, gone are his glares or looks of indifference. He’s always looking at you, making sure you know he knows you’re there; even if the two of you are in class or with a group of classmates. He makes note of acknowledging you. The others seem to notice too because the girls start asking what you did to get Bakugou’s attention and you promptly tell them you have no idea.
Of course, they don’t know Bakugou’s your soulmate so they don’t really get the scope of your panic. And it’s not that you don’t trust them, especially after all you’d been through as a class, but more because the less that knew, the less likely Bakugou was to know.
But now? Now it was getting hard to avoid him and it was even harder not to say something without it looking obvious why you weren’t.
You were promptly fucked.
You are able to stall it for all of two weeks before you’re cornered by Bakugou.
“Do you think I’m stupid?”
Your wide eyes fall on him, not only shocked by his presence but panicked by his words because there were few things a sentence like that could mean. 
A quick glance around tells you there’s no way to get past him without Bakugou being able to block him and since it had already been made clear that he was in fact stronger than you, you knew there was no escape. Everyone else was gone since you’d snuck out of training to grab a bite to eat and it seemed like Bakugou had snuck out the same to follow you.
So yeah, you were screwed.
Bakugou lets out a huff at your silence and he takes another step towards you, further crowding you and you swallow thickly when he steps into your personal space. You move to walk back but then your back is pressing against the wall of the kitchen and Bakugou is completely shrouding you, it's hard to look anywhere but at him.
“Do you think I don’t know why you won’t speak to me?”
Inhaling sharply, you turn your head to the right, determined to avoid his steely red eyes that feel like they’re piercing into your very soul. You focus on the handle to the cupboard to your right and try to ignore the growl he lets out in response.
He takes another step forward and suddenly he’s inches apart, close enough you can feel his breath drift across your skin, warm to the touch.
“It wasn’t hard to figure out after you ran from me that day when we were partnered up,” Bakugou continues. “Especially when I started to realize you’ve never talked to me. And then? Avoiding me for the last two weeks? It’s not hard to figure out.”
You halt, freezing, waiting for the words—
“You’re my soulmate.”
You refuse to look at him. You won’t look at him. 
Maybe if you just ignore him, he’ll go away. He’ll just… leave. He doesn’t like being ignored, that much you’ve gathered and so if you just refuse to–
Suddenly his hands are on your arms and his chest is against yours and he’s way too close. “Hey,” he huffs, “look at me.”
You don’t listen. Even as you tense beneath his grip, you refuse to do anything, to give him any sort of reaction. If you give him a reaction, he’ll get what he wants. And you’re not thinking straight. You need to just wait, wait until he’s bored and then you can think—figure this out because surely–
“Y/L/N,” he calls and you’re surprised he even knows your name, “look at me. Hey. I’m right, aren’t I? Why else wouldn't you fucking looking at me.” You continue to remain silent and Bakugou lets out a low growl. “Fucks sake. I’m not leaving until you say something so you might as well—”
“—I’m not saying anything to you because you’re a jerk!”
Well, that certainly could’ve gone better.
The words leave your lips before you even realize you’ve said them. The second you’re done, your chest is heaving and you finally turn your head, eyes snapping to Bakugou’s, fearing his reaction at your rather blunt and rude words.
But, a second later, instead of being angry like you’d expected, Bakugou starts… laughing.
You’re not sure you’ve ever seen the boy laugh, certainly not that genuinely. His lips are parted and his eyes have squeezed shut and the laugh that leaves his lips is pure and genuine and loud and it’s so unlike anything you’ve ever heard from him you’re stunned stupid as you stare back at him with your lips left parted, jaw slacked.
As his laughter fades, Bakugou meets your gaze.
“I’ve been waiting to hear those words for years,” he starts, still smiling–actually smiling this time. Not a smirk. But an affectionate grin. “Wasn’t sure what I did to deserve those words, but it seems fitting.”
Blinking, once, twice, you sputter, snapped out of your stupor. “I–I… You jerk!”
“I think we’ve established that already, babe.”
You barely even notice the nickname. If it wasn’t for the way your heart races at the sound, you’re sure your stupefied mind wouldn’t have caught it because seriously, what the hell?
“You… this is exactly why I didn’t want to say anything!” You cry out, not sure if you’re defending yourself for him or more for yourself. Why are you even defending yourself? And what against? “You’re insufferable. And rude. And cocky. And a jerk.”
Bakugou just snorts. “What are your words?” He asks, smile fading slightly as his expression turns more serious; almost solemn. Regretful. “Must’ve been bad if you had to avoid me.”
You’re surprised by the guilt in his tone, but it gives you the confidence to answer. “‘Move it, extra, or I’ll make you’,” you mumble, fiddling with your hands. “You said it the first day we started here at U.A.”
“Shit,” Bakugou curses, running a hand through his hair. “So you’ve been avoiding me for months?”
Your eyes flick to his before lowering and that gives him his answer.
He shifts. “L-Listen… uh, sorry about… about cornering you like this.”
Blinking, you tilt your head up. You’re shocked to see a red tinge to his cheeks. 
“I just needed to know,” he finishes explaining. “And I’m sorry about that shit I said to you. My soulmate doesn’t deserve that crap but I can’t take it back, so I’ll just make sure I make up for it.”
You’re positive now that you’re hallucinating this whole thing.
“What?”
He blinks down at you at your screech before smirking.
“Well, I mean, as we get to know each other,” he says, like it’s obvious. “I’m shit with words but I’ll try for you. I'm good with showing though,” and he looks a little too pleased with himself.
But you can barely focus on the very blatant meaning of his words, you're still trying to catch up. “You…” and you hesitate, not sure if you’re hearing this correctly. “You want to get to know me?”
And he looks at you like you’re dumb.
“Duh,” he shrugs, “you’re my soulmate.”
“What about being number one?”
“What about it?” he argues, shaking his head. “That’ll still happen. You think I can’t do that while also dating you?”
Your eyes widen; “dating?”
“Yeah,” he says, again like you’re dumb. He takes a step towards you, once again closing the gap between you and his hands falling on your waist, pulling a gasp from your lips at the touch that causes him to smirk, as if proud. “You’re my soulmate. Of course we’re going to date.”
“I barely know you!”
“That’s why we’ll get to know each other.”
You just stare up at him.
“You really are insufferable,” is what you manage to say in the end, exasperated. Your shoulders fall and your body sags but you don’t pull away from his touch and even if you’re not fully aware of it, you’re pretty sure you end up leaning into him.
“You’ll learn to love it,” he shrugs, still grinning. “Now, let’s go back to training. We need to work on your defense.”
Blinking, you turn to him as he shifts the both of you, guiding you forwards. “Hey!”
“What,” he shrugs down at you. “It’s true. You were barely able to block my hits when we fought.”
You can’t find the words to say so you simply let him lead you along, trying to ignore the way his hands make your skin tingle and your heart race. Or, really, the way that despite everything, you really don’t mind.
If anything, you actually like it.
Fuck—he really is a jerk.
4K notes · View notes
Mc accidently got splashed with a (obsessive) "love potion" and she falls in giddy love with first person she lays her eyes on.
All she wants to do is give them kisses and hugs...and yea she also is clingy and she follows them around even duuring class. She is ready to do anything for her "love" ( like whatever they ask of her) she wants them to be happy . She is convinced that they are dating and it's honestly pointless to try and explain things to her.
How would Azul, Jamil, Malleus, Duece and Floyd hanndle the situation/what's their reaction? ( they were not dating before ) 
Azul Ashengrotto:
Azul was doomed by yet another situation he couldn’t see himself out of. He hardly knows how to handle you normally, or rather how to handle his feelings for you, but you’re much harder when you’re like this. Having you clinging to his side and demanding his attention made it impossible for him to concentrate, and feelings be damned he wasn’t going to let his business suffer. Since Jade and Floyd refused to escort you from his office (finding Azul’s flustered face and inability to actually push you away the best comedy bit they’d seen in years) he ordered them to instead find a cure for the nightmarish love potion that ailed you. They do agree but take longer than they need to, wanting Azul to endure his torturous thoughts a bit longer.
Deuce Spade:
You have poor Deuce stressed OUT. He’s too worried about your well-being to hear any of Ace’s teasing, also focused on keeping his lips covered in case of another surprise attack. He wouldn’t mind under normal circumstances but this doesn’t feel genuine (and he had a much more romantic first kiss in mind for the two of you). He boldly confided in his seniors about you in hopes of them helping with a solution, tightly holding your hand to keep you at bay. He’s willing to go to any length to cure you, even if he’d miss the closeness.
Floyd Leech:
Floyd is willing to milk this situation for all that it’s worth. He particularly enjoyed the squeezing contest you had, and how tightly you clung to him even after he clearly won. He would have loved to keep you all to himself, using your condition to get out of working at Mostro Lounge as it would be hard to cook with you attached to him like you were. Jade is surprised with how long Floyd indulged your clingy behavior, even when he seemed fed up, he knew if he really wanted to push you away and lock you up so you’d leave him alone, he would do it.
Jamil Viper:
Jamil would have used you for all you were worth if he didn’t have feelings for you. He’s frustrated that yet another responsibility was thrust upon him, but turning his back on you was not a choice under these circumstances. It makes it hard to go about his day when he has two different people bothering him all day, but you proved to be the bigger challenge (for now). If he could concentrate he’d have an easier time of finding a solution but there was a part of him that longed for you to continue to worship him, curious how much of this might mirror your relationship if you ended up dating.
Malleus Draconia:
You had always been more honest with Malleus than others, but this was certainly new. As much as he enjoyed your emboldened behavior it didn’t take him long to detect something was off, leaving him conflicted. He wouldn’t mind having a close relationship like this with you, maybe some more boundaries discussed for the sake of Sebek’s heart and everyone else's eardrums, but he was disappointed to know this wasn’t you acting on ‘real’ feelings. He’s even more suspicious about how and why you were splashed with such a potion to begin with, growing rather possessive at the concept of someone trying to steal your heart away from him.
3K notes · View notes
Text
Good People
Part One🦇Part Two🦇Final Part
Wayne knows eavesdropping isn't the done thing. He's definitely old enough to know better, and he wasn't going to. He had a plan. He was going to walk directly into the living room, so they'd know he was awake, and after he'd fixed his cup of coffee, he'd plopped into his perfectly worn in recliner and subtly glare at the Harrington boy until he squirmed.
Mostly because it amused Wayne, but also just a little sliver of it was because he wanted the Harrington boy to know Wayne didn't think he was good enough for his boy. But only a little! Lord knows that Wayne couldn't do anything to make Eddie change his mind about Steve Harrington, short of Harrington proving Wayne right. Which he doesn't actually want because he doesn't want Eddie hurt.
He's just... He expects it to happen. That's what boys like Harrington do to boys like Eddie. He's seen it enough times to know that this song and dance leave no room for improvisation. Boys like Harrington play around, get their kicks with the devotion Eddie shows them, and then when they've had their fill, they leave.
Boys like Harrington will never be good enough for Eddie, but they always leave with Eddie feeling like he's not enough. Wayne hates it.
Anyway, his plan wasn't to eavesdrop. It's just that Harrington said his name and Wayne found himself standing still instead of continuing.
"Why doesn't Wayne like me?" Harrington asks.
"This again?" Eddie says dismissively, which has Wayne agreeing. His opinion shouldn't have bearing on their friendship.
A deep sigh from Harrington before, "I just. It's- he means so much to you. And, like, I- nevermind. It's stupid. I'm stupid."
"Hey," Eddie sounds a type of serious that Wayne rarely hears from him, "you're not stupid. And you gotta quit fucking saying that. You say it enough and you'll start to believe it and it's not true."
"Hard to quit feeling stupid when people dismiss my concerns like they are stupid," Harrington snaps back, bitchy as can be. The tone makes Wayne bristle on behalf of Eddie. His boy doesn't reply immediately, though. Doesn't bite back like Wayne's used to hearing. Huh. Maybe he's growing up, just a little.
"You're right, Steve," Eddie says when he finally speaks. "That was dismissive. I'm sorry. Explain it to me. Why does it matter to you whether Wayne likes you or not?"
"Well, because he's your family."
"Yeah," Eddie agrees, "he is. But that doesn't explain why it matters. I don't care if your parents like me or not."
"That's different!"
"How?" Eddie asks, soft but firm.
"Because their opinion doesn't matter. It's not- It's irrelevant. What they think."
"That makes no sense. Wayne's opinion matters because he's my family, but your parents' opinion doesn't even though they're your family?"
"Yes!"
"But why?" Eddie presses.
"Because they're bad people!" Steve bursts, not quite shouting but close. "Because when bad people don't think highly of you, it's not a fault in you. Their disproval is, like, a compliment. They don't like you because you're too different from them. And that's great! You shouldn't want their approval. It's different, because your uncle is a good person. And when a good person doesn't like you, it is your fault. It's something- it's..." Harrington loses steam here, voice dropping low and defeated, "there's something wrong with me. Something in me that- that he just knows. Senses about me or whatever. Something wrong or rotten or-"
"Steve! That's bullshit. Sure, Wayne's been standoffish, but he'll come around. You're not wrong, or rotten, or whatever else you think you are."
"How do you know that? I was an asshole most of life and what if that's just the real me? What if that's who I'll always be deep down. 'Cause I'm trying so damn hard, man. I'm giving it my all trying to be a better person and it's not enough! Everyone still talks about who I was in high school and even you-" Harrington snaps his mouth closed so hard that Wayne hears the clack of his teeth from his position in the hallway. "I'm sorry. I didn't mean to- I'm sorry."
"Steve. This is about more than just my uncle's opinion of you, isn't it?"
"I'm sorry. I shouldn't have said anything."
"I want you, too. I want to know if I've ever done anything to make you feel like you aren't enough."
Wayne really shouldn't be listening. He should back down the hall and into his room. Give them time to talk.
"No, Eddie, you don't make me feel like- that's not what I meant. I just. I'm...."
"Hey, Stevie, you can tell me."
"I'm just so afraid that... That one day everyone will wake up and realize what Wayne already knows. That I'm not good enough for them. For you."
Oh. Wayne really shouldn't be listening.
"I'll admit that Wayne's opinion is important to me, for a lot of things. But not about you. What I feel about you, how I feel about you, isn't dictated by Wayne."
"Sure. I mean, I know that, like, logically or whatever. But it's. I can't convince my brain that you won't just. Hate me one day. And I- fuck, Eddie, I'm already halfway in love with you and-"
"You're in love with me?" Eddie interrupts, sounding awed, starstruck, and Wayne cannot be listening anymore. He backs down the hall silently and back into his room.
Steve Harrington seems to think that he's a good person, but he's not feeling like a good person at the moment.
He's got some thinking to do.
4K notes · View notes
astro-rainbow777 · 3 months
Text
🍒⛽️Red Astrology Observations☎️👠
Tumblr media
Mars in Astrology
💋 Passion in Astrology can be found in the Mars sign and house placement:
- Aries Mars are more passionate In nature, whatever they want, they go after, fiercely and bravely. The type to love sports, fights and competition of any kind. They thrive in a competitive environment and relationships. It possible their passion is tied to their childhood in some way (same for Mars in 1st)- so if this involves child hood toys they used to collect, eating their favorite foods growing up or playing games that they used to when times were simpler.
- Mars in 1st house can make the native very passionate about their looks, being perceived as dominate/hot/sexy, working out and having physical strength. I’ve noticed that they may like competition but generally they don’t try that hard to compete with others if they are in good health. If these natives are confident in themselves- they try so hard to boost the confidence of everyone around them.
- Taurus Mars can be passionate about their possessions, having their material needs met, connecting to their 5 senses and financial gain. “Anyone can cook” 👨🏻‍🍳 🤌🏻mentality. Passionate about rest! This may sound silly- but it’s actually quite hard to master, especially in hustle culture. As someone with no earth placements in their chart, it’s extremely hard for me to rest, slow down and enjoy my food. Be present, Taurus mars understands and values this. Not the type to gamble their money away. Needs things to make sense materially.
- Mars in 2nd house makes the individual very passionate and their financial security and safety, having their basic needs met, having an abundance of possessions. They can thrive in jobs that are considered a “competitive pay” corporation. They may love shopping, spending and saving money. They value passion and material wealth, so depending on what sign the Mars placement is in can add more context of what it surrounds. Bulk spenders, Costco/Sams Club membership holders lmao.
- Mars in Gemini is very multi faceted in what they are passionate about. They have little niches and hobbies that they love, anything that challenges them mentally while also being hands on! My mom has this and she’s really into gardening and cooking with the food she’s grown. She can get very restless about it but I think that it’s so cute how whatever she is passionate about consumes her mentally.
- Mars in 3rd is passionate about mental pursuits, they could have been picked on as a kid, which made them highly ambitious in their studies. Extremely competitive in the realm of knowledge. Their peers and siblings may see them as a threat or just see them as generally argumentative. Although I think these people just enjoy a good debate and exercising their intellectual capabilities. They could have an abundance of hobbies they indulge in and our passionate about. They may bound with their friends through their hobbies and passions. Could really enjoy competitive video games such as Smash Bros.
- Mars in Cancer natives are passionate about their family and proving themselves to their family. They could have been compared to their family members a lot growing up, or just felt an instability at home. They are passionate about cultivating a home for themselves and starting a family of their own one day. This does not have to be pertinent to kids- chosen family- fur babies 🐾 or significant other also ring true for this sign. - Mars in 4th are passionate about their loved ones, they are highly protective of themselves and others. These people are quite competitive but in a passive aggressive way. They are usually at war with their own emotions, family and security. I’ve noticed many of these individuals have had violence in childhood home or trauma surrounding family ):
- Mars in Leo they are passionate about their creativity, children and having fun! Would love to have this Mars placement honestly, because these people march to the beat of their own drum. It’s very admirable! They are passionate about their own authenticity, you will never catch them trying to steal someone else’s Swag lmao. I think they invented swag quite honestly 😂
- Mars in 5th are total party animals! They are passionate about life and all that the world has to offer. The world is their Oyster! Every sidewalk is their runway and every song they hear is the backtrack for the movie they star in! Their life is all about being confident in their own skin and romanticizing their selves, relationships and passion projects.
- Mars in Virgo are passionate about helping others and being the best version of themselves. This Mars sign is notoriously known for being able to try something once and being exceptionally good at it the first go. I hate to say it (only because I know it comes from a place of pain) but these natives are passionate about perfection. This can cause them a lot of anxiety if they are careful. Although, they are good at many things, it is advised that they lean into whatever makes them happy, serve their part in making the world a better place!
- Mars in 6th are passionate about their purpose, their health and their pets. They can spend a lot of time researching how to become better versions of themselves. They will have a very active routine and live passionately day to day. The type to wake up at sunrise, take their vitamins tend to their pets needs, cook a whole food breakfast, workout, meditate, journal, than go to work, tend to their pets needs, do their night time self care, hygiene, journal, meditate, pre sleep stretch, sleep exactly 8 hours, repeat. Function well with planners.
- Mars in Libra are passionate about harmony and balance. When I tell you their whole plan of action is strictly devoted to how not to get into conflict… it’s to the tea. They are super passionate about the relationships in their life, and are very generous in nature. They love art, certain aesthetics, good food and beautiful things. They may be called lazy from time to time because they don’t quite function the way other people do. They may make plans for 50 different things one day because they have a difficult time saying no- then end up going to none of them because they didn’t finish getting ready until everything event was finished. These people invented fashionably late.
- Mars in 7th is passionate about their partnerships. These natives are actually quite confrontational in comparison to Libra Mars. This is because they want to squash the beef before it’s even a problem. There may be a tendency to people please- but most of the time these people are just socially extroverted, kind and considerate.
- Mars in Scorpio is another sign that is just passionate in nature. It is so intense for them that it is hard for them to do anything if they not completely engulfed in passion. They psychoanalyze everyone they meet, at natural detectives and are friends with the unknown. They aren’t scared of the dark and often find so much beauty in what others cannot comprehend
- Mars in 8th are passionate about the unknown as well, it is very enticing to them. Anything involving mystery is naturally alluring to them. They love to get lost in rabbit holes of whatever they are interested in. Whatever it is they are the master of- and you question them about it, they’ve already thought of answer. Because they know their hobbies are often taboo, scary, and misunderstood- they have studied every answer to every question that someone had for them. Their passions are all encompassing. They are so much more than deep. Everything they do is intentional.
- Mars in Sagittarius are adventurous, hilarious and curious. I feel like Sagittarius more than Gemini Mars has that “Curiosity killed that cat” vibe. For Gemini mars it’s more like googling disturbing thing’s because they are curious than regretting it. For Sag tho, it’s doing things because YOLO and why tf not? Than breaking their leg or something. Although doesn’t happen often because we know how lucky Sag placements are lmao. But it’s like they jumped off a cliff, didn’t die but they broke their leg. Haha- this was a tangent
- Mars in 9th is going places! Literally they can’t sit still. Most likely passionate about travel, philosophy, and adventure. One of the most fun placements to have. Extreme sports is common here, skydiving, bungee jumping etc. They live to experience all that there is to experience. Very ambitious and passionate about education and teaching as well. They probably have things that they LlVE by
- Mars in Capricorn are passionate about success, achieving their goals which usually require them to work really hard. Where ever the mars is located in the houses can tell you a little bit more about what their goals are. They are passionate about being in control of their own lives, not takin shid from anyone lol
- Mars in 10th are passionate about being successful, being their own boss, their reputation and getting external recognition. They will put a lot of energy into their career and be very passionate about whatever they are doing. They will be a trail blazer and their career because they do it the right way the first time. Extremely hard workers- just be weary of burn out Mars in 10th folks!
- Mars in Aquarius is passionate about humanitarian pursuits, their community and friendships. They move about the world in the most unpredictable and unexpected way. They can be seen as a black sheep of their peers and then BAM they’re the ones turning heads, setting trends and on top. You will never know their next move and honestly neither do they! They get sudden bursts or urges of motivation and ideas- so never underestimate these individuals!
- Mars in 11th are passionate about their dreams, humanity and social causes. They will spend a lot of time surrounded by their friends and in their community. Although, their best friends will be fighting alongside them. They are passionate about the injustices of the world, stick up for the underdog and let their freak flag fly!
- Mars in Pisces are passionate about compassion, sacrifice, and unconditional love. Many of the times Pisces mars has their head in the clouds and put their energy into reading or writing their own book, painting the world they envisioned in their dream the night before, or staring at a the ocean, only to find God. This is if they are in a healthy nature, but many times they could escape through dr*gs, alc*h*l, s*x, or toxic relationships. This placement can get a bad rap for their changeability and confusion energy but they love harder than no other and would do anything for you if committed.
- Mars in 12th is passionate about their dreams, spiritually, many of them are religious or spiritual in nature. I haven’t met many who aren’t. They are natural introverts who need to spend as much time alone as they can to recharge. They may feel outcasted from society. A lot of people talk behind their back because of this which makes them withdraw even deeper. These natives benefit from living a spiritual, service oriented lifestyle, developing boundaries and surround themselves by people who genuinely want the best for them. It is hard but it is doable. Stay strong Mars in 12th!
Tumblr media
🤬💢Pet Peeves🚨🚩
🚗Aries Mars- Going too slow in front of them-especially with no way around (applies to driving as well), lazy people, people who can’t keep up 💢Taurus Mars- Smacking, chewing inappropriately, weird textures….like chalk? Unpleasant senses, smells, being rushed, itchy clothes, under/over cooked food
☎️Gemini Mars- over stimulation, close minded attitude, when their friends don’t like each other, one word responses, boring people, when the Wi-Fi connection is slow
💔Cancer Mars- Inconsiderate of other people’s feelings (doesn’t have to be their own, most time it’s not), manipulation, people with anger issues, or people who take out their problems on others
🪭Leo Mars- When people try to compete with them when they are merely existing, copy cats, buzz kills, unwanted attention, seeing people in public that they don’t want to see
🤡 Virgo Mars- Know it alls, people who act like they know everything but don’t, ignorance, STAINS, people who are really loud….people lmaooo
💋Libra Mars- hypocrisy, stubbornness, arguments (especially in public), hypercritical people, slut and bullies
🧲Scorpio Mars- Lack of depth, lying for the sake of lying, slut shaming, shallow people, assuming, saying “I love you” like it’s casual, saying their friends when they know nothing about them, rumors
🚁Sagittarius Mars- People who lack independence, being late to things (not really others…they hate being late), people who try to control them, excess responsibility, and inflexibility
🩸Capricorn Mars- Doing things half-a$$ed, moochers, lack of ambition, unreliable, carelessness, immaturity, unpredictable behavior
🍄Aquarius Mars- Conformist, cry babies, stupidity, agreeing with them when they are playing devils advocate lol, when they like an unpopular artist and than it becomes trendy, attention seekers
🌹Pisces Mars- Telling them they are being unrealistic or their dreams are too big, being called sensitive or told they care too much, lmao reality…being alive hahaha- being judged for their spirituality/religion
Tumblr media
1K notes · View notes
atyourmerci · 2 months
Text
♡ Hook, line, and sinker (sub!abby // follower req)
Tumblr media Tumblr media Tumblr media
Basketball!abby X nerdy reader
Next chapter
♡ ♡
Summary: Abby is the head captain of your college basketball team, a known player in more ways than one…but you knew her dirty little secret
Warnings: smut, MDNI, porn smidge of plot, sub!abby, top!reader, cunnilingus, fingering if you squint, abby is sub inexperienced, abby is a whiny little sub, author enjoyed thoroughly, no y/n, no physical description of reader
A/N: first req!! So thank you for sending it in. Hopefully this will hold y’all off till I can get out a full fic :// (this was supposed to be a drabble and I got carried away oopsies). Psa wrote this at 2am so it’s probably a MESSSS
♡ ♡
She was dangerous force, intimidating just by the sheer sight of her. She was the kind of girl that people walked on the other side of the road when she was coming, afraid of what would happen if she snapped. Hell even the girls on the court would run from her, and not in the way the game was supposed to happen, they just knew she broke bones.
Abby was brutal, she was a hard hit, she was uneasy to break… she was a fucking whiny sub.
No one knew that of course, none of the girls she tossed around like dolls as she rammed into them emotionlessly, it would ruin the reputation she had built, right?
But you knew.
She was embarrassed you ever saw that side of her, but fuck did she need you. Only you could let her beg and plead to let her cum after denying her over and over again. Only you were allowed to see that pretty pink pussy drenched in slick that ran down her muscled thighs. Only you ever made her cum.
The situation she had you in was less than practical. Abby begrudgingly asked for your help in physics since you were undeniably the smartest in the class…oh if she would’ve know the things you’d teach her. 
You weren’t her type, she liked easy girls, the ones that threw themselves at her so she never had to even try, open up to anyone. Some girls had pressed for more, to which she’d move on to the next.
You…you were difficult, hard to read. She was surprised you didn’t use the chance of meeting with her to study to get a good fuck out of her. You were strictly business, even when you couldn’t stop thinking about what she would look like with her legs wrapped around your head.
♡ ♡
That day had started just like the others, abby sprawled out on your tiny dorm bed while you sat neatly across from her, textbooks giving needed separation between the two of you. She always felt the need to dominate every space she took up. If only you could just break her…
“I- I don’t fucking get this. I’m not going to.” Abby says dragging her large hand cross her face. She was usually frustrated when she came to you, but today was the worst you’ve ever seen. She’d leave in a much better place than you had started, but after 3 hours there had been an unusual lack of progress.
“You’re not using your head,” you say growing impatient. You let out a sigh of equal frustration, knowing you’d have to break down the first wall of unspoken territory with her, “what’s wrong with you, you seem off today.”
She returns a scoff back at you, head tilting up to meet your eyes, “I’m fine.”
You shake your head knowingly back at her, “Abby you-“ you begin to protest as she cuts you off defensively, “I said I’m fine. Now are you actually going to teach me? Or would you like to keep interrogating me?”
Your mouth opens in anger. She wants to play this game, let’s play. “Don’t come at me because you were too busy fucking the entire woman’s soccer team last night to be prepared for this midterm.”
“Why the fuck do you care what I do,” she barks back with just the same vengeance.
You laugh at her blatant assumption, “I didn’t say I did.”
“Then why are you breathing down my neck,” she says narrowing her eyes on you, in an almost curious gaze, still laced with anger.
“I just think you should worry about yourself more than making half of Yale’s female population come.”
She returns a breathy laugh, shaking her head turning away from you, “and you don’t think I get off?”
You cross your arms with a testing gaze on the profile of her face, she couldn’t even look at you talking about herself that way. “I know you don’t.”
“And how the hell would you know that.”
“You’re so fucking tense I’m sure you haven’t gotten off in years, can’t even let yourself do it.” You watch as she twists her fingers around themselves nervously, still unable to meet your eyes.
“Y- you don’t know what you’re talking about,” she says unsure, barely above a whisper.
Any assumption you had made had been completely checked off now, and you were ready to completely destroy her. Before you could make out a rational thought your hands were at the textbooks in front of you, the separation between you and your weary opponent. You moved everything off onto the desk next to your bed, closing the once necessary gap.
“Come here,” you say as she finally meets your gaze again. “W-what?”
“You heard me, lie down completely,” you demand, and she reluctantly agrees, unsure of her fate.
You make your way to the side of her, brushing your bare knees against her side which causes her to flinch as her fists are closed tightly next to her.
You place a hand on her abdomen first, trying to ignore the chiseled muscle beneath her black tank, “have you been touched here?”
“Yes.”
You then move your hand to the bicep caged around the outline of your legs, she was sure not to make direct contact, “have you been touched here?”
“Yes.”
You move the same hand to her cheek, cupping the sharp line of her jaw, her eyes now drowning in yours, the anger that had held her down now disappearing. “Have you been touched here?”
“Sometimes. N- not often.” Her gaze falters, fluttered down out of your reach at the vulnerability.
Your hand drags down to her neck, this time you let it roam, dragging your fingers across her pulse, “and here?”
“No.”
You click your tongue at her, “shame,” bending down on your knees to scatter slow kisses up the throb in her neck. You feel as she squirms slightly beneath you, “such a sensitive area, really,” you say returning upright, dragging your fingers down to her raised nipple, hardened by your kisses.
“Here?” You lay light circles around the heightened bud as her mouth falls open, quickly closing it with her top teeth on her lip to make sure she doesn’t crack.
She shakes her head rapidly in response, eliciting a giggle from your throat as you move to her other nipple, sure to give it just as much attention.
You let your hand drag down to the seam of her sweats, toying with the exposed skin between her shirt and pants with your fingertips. You watch as her teeth let the grip of her lip go and her head fall back to the ceiling.
The tips of your fingers ease under the sweats over her boxers, inching your way in till your hand cups her mound to which she lets out her first groan of satisfaction “Have you been touched here, Abby?”
“Fuck- no. never.” Her chest rising and falling heavily now, unable to catch her breath.
“You want me to touch you there abby?”
“Please- please touch me there,” her fist that was caged around your bent legs now gripped into your thigh, large hand almost completely engulfing your leg.
“Well since you asked so nicely, take off your pants. Only your pants.” Within seconds she had them down to her ankles, ripping them off and discarding them to the floor. Her hand returned to your thigh, eyes now trained on you.
You moved your hand back to her mound, covered by her black boxers. You began rubbing down to feel how soaked she was, pooling already. You wouldn’t give her much, not yet, only rubbing slow and soft stripes up and down to hear her breathy moans from the stoic woman.
“Does that feel good?” You ask her doe-eyed as she stare’s pathetically up at you, so needy for anything you’d let her have. “Y- yes.”
“Take off your boxers.” With the same enthusiasm she rips them down at your command, returning her gaze back to the ceiling, still embarrassed at her vulnerability but unable to stop herself.
“Open up those legs for me pretty girl,” you say rubbing your palm up her thigh.
“You can’t talk to me like that… I- I’ll come” she breathes out, bucking her hips slightly into the air to no sense of relief.
“I haven’t even touched you yet,” you let out a small giggle at her admission, continuing to rub in her inner thigh.
“Y-ou don’t h-ave to- I’m close enough.”
“Awh pretty baby, all from some talking?”
She continues to buck her hips in hopes that your hand will meet her in the middle. “Please touch me before I finish.”
She had been so good, so pliable, so you honored her wish by placing your fingertips to her raised clit, soaked by her arousal. “Oh fuck!” She yelps, raising her hips into your touch, the hand on your thigh digging crescents into your soft flesh.
“So swollen, just for me?”
“Yes! Yes! Fuck- don’t stop. Please don’t stop,” she begins to plead. You know she won’t last much longer. And you had to taste her.
You whip your legs around her backwards to straddle her, getting a perfect view of her sopping wet cunt, pretty pink lips coated in white slick. You lick a fat stripe down her slit, tongue pointing into her leaking entrance to get a taste of her.
“Fuck fuck fuck fuck” she begins to babble as you lap at her hole. She moves her wide hands to grasp at your covered ass in search of stabilizing herself.
You return to her swollen bud, immediately sucking it into your mouth, pulsing it systematically as you hold her wavering thighs open.
“I- im- FUCK-“ she begins to shake under you, whimpers flying out of her as she bucks into your mouth, riding out her early orgasm.
She continues to shake as you try to suck every last bit of her climax out of her, letting her revel in her pleasure. You wish you could talk her through it now, but you’re sure she’ll let you do it over and over again.
As cries of overstimulation flood her voice you let off her clit with a pop, eliciting one last whine from her throat. You return next to the half naked brute, right back to where it started.
She hops of the bed and lazily returns her clothing back to her body.
“No one hears of this. No one.” She says with a pointed look, deep into your eyes.
Ah, the reputation must be upheld. Whiny fucking sub.
Follower req by: @ghgygd
Taglist: @wishbones999 @bookpagecandlescent @littlegingerperson5 @lookforthelight1 @fict1onallyobsessed @shewantstoknow
1K notes · View notes
fuckyeahisawthat · 2 months
Text
There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.
The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.
(under the cut for book spoilers and length)
The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)
In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.
The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.
The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.
The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.
From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.
There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.
Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.
If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.
1K notes · View notes
inkskinned · 10 months
Text
you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
3K notes · View notes
collaredkittyboy · 4 months
Text
Well it's come up multiple times today so I'll make a post about it.
I think the popularization of the word "twink" has ultimately been really bad for people in general.
I know it's hard to track the positive and negative effects of language but I don't think it's hard to see how creating a word for a group of people wherein the most consistent qualifying trait is "being skinny" is healthy for people's self image. Obviously people have lots of ideas about what it means to be a twink- gay, lacking body hair, feminine, beautiful, young, white- but the most consistent descriptor I've seen is "skinny." Hell, it's even a body type on Grindr; the size below "average."
So it kind of functions as a code word in the gay community: anyone can say that they're only interested in twinks and they don't have to look shallow by saying they only like skinny guys. It's such an accepted attitude that no one really bats an eye when they hear it.
I'm not even going to get into how it's become part of the larger issue of people turning "top" and "bottom" into gender roles 2.0, but that is closely related, because people with any internalized homophobia can look at a skinny, feminine man and turn off their fag alarms by viewing him as a woman or not a "real" man, and it makes twinks more acceptable to society at large.
No, ignoring all of that, one of the biggest issues is that gay men are taught by society that they are only attractive while they are skinny. Just having the label "twink" reminds a boy that people are looking at his body and judging it. There were countless times when I was growing up that people would tell me, "You're such a twink," or argue about whether or not I qualified as a twink because I had body hair. People around you, unpromted, judge your body and give you a label based on it, and that label has a large influence on whether or not you're seen as objectively attractive. I know many other gay people who say they wish they were a twink so they could be more attractive to guys.
So think, you have all these kids growing up being told whether or not they qualify as a twink, and then we have the gay community as a whole where it's completely acceptable to say you're only attracted to twinks. I think its because of all of this pressure to be a twink (in other words, to have a below average weight) that many of the gay people that I interact with struggle with a negative body image or eating disorders.
I mean, people talk about "twink death" like it's an actual event that makes a gay man much less attractive, and no one thinks that, maybe, it's harmful to tell a guy that the very day he stops being young and thin and pretty, he will stop being attractive and celebrated?
I'm not qualified to speak on fatphobia in physical queer spaces because I don't have the ability to frequent them where I live, but I can't imagine that these aren't issues at social gatherings as well. I also can't speak on my own experiences with weight discrimination because so far in my life I have had a naturally thin body, but I have experienced a lot of outside pressure to be thin that have caused me to pick up unhealthy eating habits to reduce my weight in fear that I could become fat later on. Thankfully that is something that I've mostly been able to work past. I'm not an expert, but idk, I just wanted to rant on my silly tumblr blog.
Obviously it's impossible for a word to be inherently bad. I'm not trying to imply that saying "twink" is a magic word with evil powers. Obviously the real issues at play here are fatphobia and harmful beauty standards and body shaming. But in my opinion, the popular use of the word twink has made it much easier and acceptable to express fatphobia, etc, in the gay community by turning "skinny person" into a "type of guy that you should try to be so you can be attractive."
1K notes · View notes