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#so many a thing
silly-lil-fool · 1 year
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Aughf, I’ve missed drawing traditionally so much <3 <3
Featuring @sapphicsforslightly ‘s smq Wendy but smaller
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macdenlover · 10 days
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it came to my realization that 99% of my fandom related headaches would be cured if everyone understood this
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s-lycopersicum · 2 months
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Untitled by Pas (paxiti), on May 23, 2018
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Untitled by Pas (paxiti), on June 1, 2018
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Untitled by Pas (paxiti), on August 30, 2022
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Untitled by Pas (paxiti), on August 31, 2022
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Untitled by Pas (paxiti), on September 6, 2022
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Untitled by Pas (paxiti), on June 17, 2023
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Untitled by Pas (paxiti), on June 21, 2023
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Untitled by Pas (paxiti), on June 22, 2023
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i propose that instead of pride month, we have queer year (queer people are treated like actual people all year long)
edit: @ilackhumanqualities wins best addition to this post
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suiheisen · 2 months
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MONKEY MAN (2024)
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ruushes · 6 months
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sleeping arrangements (not sure tara would ever actually deign to sleep in the same 20ft radius as shovel but who can resist those big shiny insectoid black eyes 🥺)
plus:
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bookwyrminspiration · 8 months
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if you all could see all the fanart i imagine in my head and never draw it’d blow your tits clean off
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mengjue · 5 months
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Ūropi (Europe)
Ūropi, also known by its indigenous name “Europe”, meaning “wide-gazing” or “broad of aspect”, is a small continent first discovered in 1806 by Moehanga of Ngāpuhi, although indigenous Europeans had been living there for many thousands of years. Modern researchers believe the indigenous Europeans originally migrated from the Middle East, and over time split into separate tribes or “kingdoms,” with many retaining their ancient rangatira (called “monarchs” or “nobility”) to this day.
While many see Ūropi as timeless and exotic, indigenous Europeans have actually adapted well to the modern economy, often exporting cultural products like baguettes and vodka, the former of which may be recognisable as the basis for bánh mì.
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bereft-of-frogs · 2 months
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There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation
because WHAT are people talking about sometimes
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crashstanding · 1 year
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Reblog to give the person you reblogged from the ability to finish their WIPs
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supposedlyahuman · 7 months
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tw: Examples of reblog bait/people trying to guilt others into reblogging stuff. I am not actually saying the things below, they're just examples that I have seen.
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I fucking hate when people say stuff like this. Especially when it's on a generally good post with valuable information. On the one hand I want to share that information because it could genuinely help someone; on the other, I don't want to spread this type of guilt-tripping and shaming and potentially trigger someone else like me. It's a lose-lose situation. No matter what I do, I am going to feel guilty. No matter what I do, I will feel like a terrible person. It sucks and I just wish people would stop doing this. I know it's shocking, but it is actually possible to make an important and useful post without guilting everyone that sees it into sharing.
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sangrefae · 18 days
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wheezes and collapses into a pile of bones and dust
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lgbtlunaverse · 16 days
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I've seen a good number of people ask a question along the limes of "why do characters like Falin and hate Laios when they're so similar?" and i've also seen good analysis on the differences in how the touden siblings carry themselves that would, despite their shared traits, make a person gravitate to one more than the other.
But i feel like we've overseen one very central thing here.
People don't like Falin
Like... the average person in dungeon meshi doesn't like Falin. She was deeply ostrasized by her home village, in magic school she had zero friends before Marcille and the others generally saw her as strange and a bit offputting.
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Characters like Namari and Chilchuck like her well enough but not necessarily more than any other member of their party, including Laios. Neither Kabru nor his party think much of her. The canaries don't give a fuck about her. Toshiro's retainers don't see her as anything else than the weird foreign girl their boss has a crush on.
The reason we think everyone loves Falin is because, despite all the indifferent side characters, the 2 most important and central characters of the story are Laios and Marcille. Who are NOT representative of the average attitudes to Falin! But necromancy georg number 1 and 2 are our main eyes into the story and they love Falin so much that it colours our perspective of the whole world.
The only side character who qualifies as liking Falin and not Laios is Toshiro (at least at first, as he ends the story on much better terms with Laios) and that says a lot about his character, with him drifting to the quiet Falin precisely because of her oddness but being both uncomfortable with and deeply jealous of Laios' much more open expression of that oddness. Because he's a repressed guy from a culture where etiquette is incredibly important.
But like I said, that's a specific aspect of him, not to the world at large.
Because there's also people that click more with laios than with Falin.
Kabru, for one, who is initially distrustful of laios but clearly also deeply fascinated by him and drawn to him.
Minor spoilers, and you don't have to read too deeply into this, because I don't think Kabru particularly dislikes Falin or anything. But it's interesting that when he talks about his distrust of the toudens in ch.32 he's talking about them both. But his big friendship declaration in chapter 76 is aimed squarely at Laios, he doesn't say "you and your sister" he says "you"
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And Senshi!! He instantly clicks with Laios, well before he does so with anyone else in the party– who he also becomes friends with, it just takes a bit longer– specifically because they bond over their shared special interest in monsters!! Senshi is kind towards Falin and cares for her wellbeing, but he also... doesn't know her. The reason he is even here, helping to save her, is because he and Laios bonded over monsters and he wants to help his new friends out!
Of course, the theme of neurodivergent isolation is very present in Laios' story. I'm not denying that. He does turn people off, without meaning to and unable to fully understand why! But so does Falin. And just like there are people who like her despite of or even because of those traits, there are people who do the same with him.
In conclusion: "Average person loves Falin and hates Laios" factoid actually statistical error. Average person is neutral on both Falin and Laios. Georcille, Laiorg and Geoshiro, who live in the dungeon and think over 10,000 Falin-loving thoughts a day, are statistical outliers adn should not have been counted.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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gibbearish · 7 months
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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astearisms · 9 months
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catalysts, protectors
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