The commander of a large mounted force "invites" the party to join a quest on his king's behalf (Jim Holloway, from AD&D module I3: Pharaoh, 1st module in the Desert of Desolation series, written by Tracy and Laura Hickman, TSR, 1982)
michelle gomez somehow always manages to play opposite herself in some capacity…on doctor who she came face to face with herself played by another actor, on caos she played two different characters with the same physical form crossing paths, and on doom patrol the present day version of her character had a whole conversation with her past self. two times is merely a coincidence but three times is a pattern
Dylan and Kaitlyn thinking that Ryan and Laura are hitting off and having an adventure in the walk to the scrapyard scene and then showing Ryan and Laura fighting for their lives and completely stressed is so funny to me
Ro's got 1) bills to pay, and 2) a big deal birthday in 3-ish weeks, so it's time to get work baybee~
Please consider me for your portraiture needs, past clients can confirm I am both diligent and speedy!
orym’s motivations slowly diverging from the original group intent but most of the group following him uncertainly anyway because historically he’s been their heart, their leader.
orym losing himself in something vaguely shaped like a mission and shedding all of his soft layers to accomplish it even when the mission isn’t clear.
orym becoming a Whatever It Takes unstoppable force posited against laudna’s But Not My Girl immovable object.
oh we’re on the moon now, boys. ohhhhh, we are in it now.
i think that anyone starting an actual play show should be required to take a class from the justin mcelroy school of character voices. if your character has your normal voice, you’re doing it wrong. if you see medieval fantasy and default to shitty british, you’re wrong. i want FUN VOICES in my shows and i’m NOT going to apologize for it.
From the get-go, when we pitched [Yellowjackets] we called it equal parts horror story, psychological thriller, Gothic fairy tale, and pitch-dark coming-of-age comedy.
Henry James’ 1909 preface to The Turn of The Screw / Yellowjackets 2.04 “Old Wounds” / Alice’s Adventures in Wonderland / Coraline