#the poetic principle

[durruti23]

We have taken it into our heads that to write a poem simply for the poem's sake ... and to acknowledge such to have been our design, would be to confess ourselves radically wanting in the true poetic dignity and force:– but the simple fact is that would we but permit ourselves to look into our own souls we should immediately there discover that under the sun there neither exists nor can exist any work more thoroughly dignified, more supremely noble, than this very poem, this poem per se, this poem which is a poem and nothing more, this poem written solely for the poem's sake.

Edgar Allan Poe. "The Poetic Principle" (1850)

#edgar allan poe #the poetic principle #1850 #1800s #quotes #literature #poetry #art for art's sake #usa #essay #poem #literary criticism #literary theory #for a poem's sake #aesthetic

[khelinski]

The struggle to apprehend the supernal Loveliness - this struggle, on part of souls fittingly constituted - has given to the world all that which it (the world) has ever been enabled at once to understand and to feel as poetic.

Edgar Allan Poe

#quotes #Edgar Allan Poe #the poetic principle

[moongothic]

I know people often speculate about Crocodile and if that is his "real name", either implying he has a deadname or his name is another one of those Hidden Ds (much like Roger and Law)

And like. This is just me but personally I would prefer it if he didn't have a deadname at all. It already grinds my gears when people use Sanji's "real name" when he himself hates it and doesn't want to be called by it, and so god knows if Crocodile is trans then the fandom misgendering is going to be obnoxious enough, you don't need to add a """real name""" into that mix

So. Personally, I would prefer it if Crocodile really was his birthname. It would just help us avoid some toxicity, ya feel me? Like people can't deadname him if he has no deadname to begin with?

That said.

I do find it interesting how Crocodile never actually introduces himself during the story to like. Anyone. Like we never see him go "yes hello you may call me Sir Crocodile" or anything

In fact, like, very specifically, when we finally get Crocodile's face reveal in Chapter 155, he explicitly says

"Call me what you will"

Of course, the citizens of Nanohana had just been calling him a 'hero', 'desert king' and 'the Guardian Deity of Alabasta' in the previous page, so his comment is mostly just in reference to the various titles people were shouting out rather than his actual name

And to be fair, the dude is Extremely Famous, he doesn't have to introduce himself because everybody already knows who he is

But it's still an interesting detail, isn't it?

(Also tangentially related, but Crocodile never seems to object to people calling him by cutesy nicknames either? Like to be fair, he probably couldn't object to Ivankov calling him "Crocoboy" to begin with, but he never seemed to mind Bon-chan calling him "Zero-chan" repeatedly either, nor did he object to Buggy's "Cro-chan" 🤔)

If nothing else though, considdering even his former bounty was associated with the name we know him by, it's possible that even if he had a deadname, "Crocodile" could be his "pirate nickname" that he chose to roll with. Kind of like "Strawhat" or "Blackbeard" or "Hawkeyes" etc, a title people use so often you kind of forget the person's actual name

Or he might have that Hidden D. Which, if he did, I'd be more inclined to believe would be more like with Law (where he might've been told as a child to keep it a secret). Instead of the whole "names being merged into one to hide the D" like with Roger, since that one was a specific, intentional move from the World Government

The only thing about the Hidden D is that. I just. I think it'd be a little silly. Like. Crocodile doesn't have to be a part of the D clan in my mind. Like I don't need that twist. But to be fair, there is an argument to be made for Crocodile being a D. Like if his goal is to destroy the WG and the World Nobles (that being the reason he wanted military force and Pluton to begin with) then ARGUABLY it would be fitting for him to be a D, since the D clan are the "Natural Enemies of the Gods". Also, there's the whole trend of D clan members always dying with a smile on their face. Like sure Crocodile hasn't died (yet) but he definitely went to Impel Down (hell) with a big ol' smirk on his mugshot (chapter 413 cover), which is close enough. So there is an argument to be made for Crocodile having a fullname with a D that's been kept a secret

I dunno, these details are interesting to me

#Moon posting #OP Meta #Sir Crocodile #This is not an invitation to start speculating about what Crocodile's deadname might be *with me* #You are welcome to speculate about it!! I just personally don't care and don't want participate in the discussion #Like if he has a Hidden D that's one thing but like. Someone's deadname is none of my business #(I know he's not real I just don't want to speculate about it out of principle. It's uncomfortable) #(And I feel like if I don't give out a disclaimer now I'm going to end up with a bajillion asks and comments about it) (I'M SORRY) #I just wanted to comment on this tiny observation about the character because it is facinating #If I had to pick my poison I'd rather go with a Hidden D over a deadname because. I can deal with some misgendering. #It's the deadname on top of it that would be too much for my very personal Bullshit Tolerance to handle #I think the most poetic and kind of precious option would be Crocodile not being a D by birth #But becoming an inheritor of the Will of the D after marrying Dragon. Like. That would be precious. To me specifically.

[eorzeashan]

Jadus lost his flesh long ago. He can take any form he so chooses, as long as it is warped by the Dark Side; shadow oozes out of the holes in his mask, his limbs elongating, his body a crack in the void. Fear changes him, and fear makes him different than he appears both before mortal eyes and in lasting memory. Fear makes him larger than life-- there is no corner of the psyche he cannot fill, no shape too terrifying he cannot become. He is fear itself, nebulous, changing, twisted, sticky and stinking as oil, a rot in the hive. Jadus is the man who walks among us. Jadus is the thing that walks among men. Jadus is Jadus.

#swtor #ooc #more poetic ramblings #i always laugh nervously when it comes to discussing my version of jadus #because mine is a Being and not so much a person #a genderless entity who seems to not care being called he #but something that preys on fear #a being of the void irreparably changed by the dark side #there is nothing beneath that mask inside that body #it is all darkness and bleached bones #ink as blood and exposed marrow #his connection to fear is so strong that he eventually takes on the appearance of what would scare you most #contained quietly inside that iron maiden he calls armor #either way. I think you can tell my idea of him isn't much of a person at all. but his principles remain. #only something so removed from us could find the most insignificant souls to be so interesting #a sith who hates his kind. who is above them. who cares not a lick for the force in others. but he loves those without power #like ants in a jar he carefully dissects.

[schrodingers-android]

To the iPad kid. A melody of a zoomer

Listen to your Father for he knows what you need

What is the is The Algorithm but the Hand of Your Creator giving you content

Like a Mother nurses her child, You, O Lord, give me those sweet YouTube vids (Selah)

Like a Shepherd comforting a lamb in his bosom, you comfort me with hours of mindless TikTok’s

What is my For You Page but your breath on my Phone.

I listen to you O Algorithm, for you are my Lord

Amen

#this joke went too far #psalms #practicing my biblical poetic principles #honestly I could workshop this tho #in all seriousness though I hate algorithms #this is an inside joke #is this blasphemy?

[blueheartbookclub]

Delving into Poetic Wisdom: A Review of "On the Art of Poetry" by Aristotle

Aristotle's "On the Art of Poetry," translated by Ingram Bywater, stands as a seminal work in literary criticism, offering profound insights into the nature and function of poetry that continue to resonate with readers and scholars alike. Written in the 4th century BCE, this treatise serves as a comprehensive examination of the principles and techniques that underlie the creation of poetry, providing valuable guidance for poets and readers alike.

At its core, "On the Art of Poetry" is a testament to Aristotle's keen intellect and analytical prowess. In this work, Aristotle explores the various elements that contribute to the effectiveness of poetry, including plot, character, diction, and spectacle. Through his systematic analysis, Aristotle seeks to uncover the universal principles that govern the art of poetry, shedding light on its essential nature and its role in human society.

One of the most compelling aspects of "On the Art of Poetry" is Aristotle's emphasis on the importance of mimesis, or imitation, in poetry. According to Aristotle, poetry is a form of imitation that seeks to represent the actions, emotions, and experiences of human life. Through the skillful use of language and imagery, poets are able to create a vivid and lifelike portrayal of the world, inviting readers to engage with their work on a profound emotional and intellectual level.

Moreover, "On the Art of Poetry" offers valuable insights into the principles of dramatic structure and the role of catharsis in tragedy. Aristotle argues that tragedy is a form of poetry that evokes feelings of pity and fear in the audience, leading to a purgation or cleansing of these emotions. Through the depiction of the fall of a tragic hero, tragedy allows audiences to confront their own mortality and the fragility of human existence, ultimately leading to a deeper understanding of the human condition.

In addition to its exploration of tragedy, "On the Art of Poetry" also examines the principles of comedy and epic poetry, providing valuable guidance for poets working in these genres. Aristotle discusses the importance of unity of plot, character, and theme in epic poetry, as well as the role of humor and satire in comedy. Through his analysis, Aristotle highlights the diversity of poetic forms and the unique challenges and opportunities that each genre presents to the poet.

In conclusion, "On the Art of Poetry" by Aristotle is a timeless classic that continues to inspire and enlighten readers with its profound insights into the nature of poetry. Aristotle's systematic approach to literary criticism, coupled with his keen observations and analytical rigor, make this work an indispensable resource for anyone interested in the art of poetry. With its timeless wisdom and enduring relevance, "On the Art of Poetry" remains a cornerstone of literary theory and a testament to the enduring power of poetic expression.

Aristotle's "On the Art of Poetry," is available in Amazon in paperback 12.99$ and hardcover 18.99$ editions.

Number of pages: 116

Language: English

Rating: 10/10                                           

Link of the book!

Review By: King's Cat

#Aristotle #Poetry #Literary criticism #Mimesis #Imitation #Dramatic structure #Tragedy #Catharsis #Comedy #Epic poetry #Unity of plot #Characterization #Diction #Spectacle #Poetics #Aesthetic principles #Greek literature #Philosophical discourse #Aristotle's theory #Literary analysis #Poetic form #Emotion #Human experience #Morality #Ethics #Aesthetics #Universal principles #Literary genres #Rhetoric #Imagination

[tauromacos]

Episode 2.2 Kristen Case

In this episode I had the opportunity to speak with Kristen Case. She is the author of two books of poems “Little Arias” and “Principles of Economics” and has a new manuscript “Daphne” looking for a home. An editor and a professor of English at the university of Maine, she wrote a fascinating book on the connections between philosophy and poetry called “American Pragmatism and Poetic…

View On WordPress

#American Poetry #Antonio Ochoa #Contemporary poetry #Conversation #Conversation about poetry #Daphne #Emerson #Kristen Case #Little Arias #Poem #Poet #Poetics #Poetry #Principles of Economics #Thoreau

[steelycunt]

after searching my brain for something to ask I realized I don’t think i’ve seen you talk about movies. so, on that note, what do you think are remus’ favorite movies? guilty pleasures included (and also sirius’ if you can think of any) :-))

hi babs!! okay i will be honest...i know NOTHING about film. truly nothing xx took it as an a level for a week when i started sixth form and then dropped it for poli xx ive no taste no knowledge and as such im not confident i can provide very accurate insight into r/s' tastes (if any of my mutuals can please feel free to add on!!) :-// also--are we talking r/s in the seventies? or modern au r/s? i feel like canon sirius would be rather mesmerised by the concept of films at all and thus would be easily pleased by the box office hits xx he wants guns and cars and action innit his taste is TERRIBLE. and i DO understand the 'remus is a pretentious filmbro' angle i get it but i just dont know what pretentious filmbros watch :-/ what do they like can someone tell me :-/ tarantino? is it tarantino. fuck knows. i also stand by the notion that remus would participate in al pacino saturday if he was a girlblogger so do with that what you will...genre wise i think he is pretty flexible! although i dont imagine him being too into scifi-ish/superhero stuff (he would hate marvel which is a relief xx) i dont know!! what do u guys think !!

edit--linking this ask where another anon provided much more insight into this topic than i could xx

#my obsession with music comes at a price and that price is i dont know anything about anything else ever xx #i turned up at A Level Film freshfaced and eager and quickly realised that it was Not the Muppets Christmas Carol. and thus i quit xx #one thing about me. LOVE quitting. just love it. can't get enough xx #i had a letterboxd for a bit and it was solely poa muppets christmas carol every wes anderson film and clueless (1995) #oh and what we do it the shadows (2014) film of all time too #i actually got a bit of a reputation for logging poa over and over again solely to wax poetic about david thewlis. which im not proud of #rem refuses to watch werewolf films out of principle. sirius suggests an american werewolf in london (1981) every time just to piss him off #the last film i watched in cinema was dune because my friends wanted to go and it was possibly the worst 9 hours of my life :-/ sorry :-/ #it was so DULL and the viewing was so LATE i even napped for a bit and when i woke up nothing seemed to have happened... #spent an extortionate amount on popcorn just for something to do #anon #telegram

[blueheartbooks]

Delving into Poetic Wisdom: A Review of "On the Art of Poetry" by Aristotle

Aristotle's "On the Art of Poetry," translated by Ingram Bywater, stands as a seminal work in literary criticism, offering profound insights into the nature and function of poetry that continue to resonate with readers and scholars alike. Written in the 4th century BCE, this treatise serves as a comprehensive examination of the principles and techniques that underlie the creation of poetry, providing valuable guidance for poets and readers alike.

At its core, "On the Art of Poetry" is a testament to Aristotle's keen intellect and analytical prowess. In this work, Aristotle explores the various elements that contribute to the effectiveness of poetry, including plot, character, diction, and spectacle. Through his systematic analysis, Aristotle seeks to uncover the universal principles that govern the art of poetry, shedding light on its essential nature and its role in human society.

One of the most compelling aspects of "On the Art of Poetry" is Aristotle's emphasis on the importance of mimesis, or imitation, in poetry. According to Aristotle, poetry is a form of imitation that seeks to represent the actions, emotions, and experiences of human life. Through the skillful use of language and imagery, poets are able to create a vivid and lifelike portrayal of the world, inviting readers to engage with their work on a profound emotional and intellectual level.

Moreover, "On the Art of Poetry" offers valuable insights into the principles of dramatic structure and the role of catharsis in tragedy. Aristotle argues that tragedy is a form of poetry that evokes feelings of pity and fear in the audience, leading to a purgation or cleansing of these emotions. Through the depiction of the fall of a tragic hero, tragedy allows audiences to confront their own mortality and the fragility of human existence, ultimately leading to a deeper understanding of the human condition.

In addition to its exploration of tragedy, "On the Art of Poetry" also examines the principles of comedy and epic poetry, providing valuable guidance for poets working in these genres. Aristotle discusses the importance of unity of plot, character, and theme in epic poetry, as well as the role of humor and satire in comedy. Through his analysis, Aristotle highlights the diversity of poetic forms and the unique challenges and opportunities that each genre presents to the poet.

In conclusion, "On the Art of Poetry" by Aristotle is a timeless classic that continues to inspire and enlighten readers with its profound insights into the nature of poetry. Aristotle's systematic approach to literary criticism, coupled with his keen observations and analytical rigor, make this work an indispensable resource for anyone interested in the art of poetry. With its timeless wisdom and enduring relevance, "On the Art of Poetry" remains a cornerstone of literary theory and a testament to the enduring power of poetic expression.

Aristotle's "On the Art of Poetry," is available in Amazon in paperback 12.99$ and hardcover 18.99$ editions.

Number of pages: 116

Language: English

Rating: 10/10                                           

Link of the book!

Review By: King's Cat

#Dramatic structure #Tragedy #Catharsis #Comedy #Epic poetry #Unity of plot #Characterization #Diction #Spectacle #Poetics #Aesthetic principles #Greek literature #Philosophical discourse #Aristotle's theory #Literary analysis #Poetic form #Emotion #Human experience #Morality #Ethics #Aesthetics #Universal principles #Literary genres #Rhetoric #Imagination

[apollopleasant]

Kys

Lol

As a reminder for everyone dealing with mean anons and suicide baiting:

You are allowed to have your own opinions and your life is valuable. Anyone trying to suicide bait you on Tumblr is a clown and too weak and pathetic to address you in person, double for if they are on anon.

Don’t take them seriously and laugh at their dumb attempts!

#Suicide baiting #Too weak to come off anon #Not principled enough to add a reason #And not creative enough to wax poetically about how I should die #lame anon

[avelera]

Was thinking about how Hob and Dream could both be insufferable in some way because, in fairness, Hob comes across as someone who could make friends with bread if left in a room with it long enough.

Then I had a thought:

What if Hob Gadling is just super fucking insufferable to other immortals?

See, Dream is... difficult for mortals to get because he's got his whole eldritch thing going on. But while he's not particularly popular with them, I imagine other immortals at least get and respect his whole deal. Like, he's the Dreamlord. Of course he's weird. But they understand the laws and principles he's referring to at least when he's being weird. He seems to at least have a pleasant relationship with the Faerie Court. It's mortals who can't really connect with Dream and find him exasperating as a result.

Whereas Hob gets along great with mortals, just swell. He's Just A Guy who happens to live forever and people get along with him. But immortals? We don't really see it much but immortals positively loathe this guy.

Dream's reaction to the whole, "I've made up my mind, I've decided not to die!"? Hob tossed out in 1389? That's the teeth-grinding level of irritation Hob engenders in every immortal he comes across (before they have centuries to get to know him) and it is exactly why Death just had to make this man immortal because it would be hilarious.

Why doesn't Hob hang out with other immortals besides Dream? Because the minute he opens his mouth about how great life is and how he's never had even a moment's doubt about how much he wants to live, every immortal in the room starts to make the gagging motion.

You're an immortal just trying to have a bit of a kvetch about Kids These Days and how much times have changed and how it was better in your day, and there's Hob fucking Gadling again ready to throw down about how amazing antibiotics and automobiles and the latest iPhone number whatever are and like, sure, but you were just trying to say back in your day things were better, right? Not objectively maybe but you're just trying to indulge in a bit of immortal nostalgia and Hob fucking Gadling is not having any of it and is ready to argue you into the dirt about it.

You're immortal but haven't quite kept up on today's slang? Hob Gadling will absolutely call you out and he's a teacher now so he's going to be super nice about it but you know he's judging you for saying groovy unironically and thinks you should get with the times already.

You're a vampire living off centuries of generational wealth? Hob keeps talking about how you should get a job and get out of the spooky mansion more, and maybe you wouldn't feel so much existential angst. You like your existential angst!

Hob doesn't have a single ounce of patience for immortals who want to wax poetic about wishing they were mortal again. Diseases, he says, have you ever had diseases? Like even a cold? It sucks. It really fucking sucks. The Plague? The fucking worst. You don't need to be mortal to get involved in mortal life, Hob fucking Gadling keeps pointing out at the monthly eldritch coffee meetups. You can just live as a mortal and share in their problems and enjoy the fact you don't have to deal with the shit parts like getting sick. Completely missing the point of the futile lamentation of regretting one's lost mortality is something you enjoy.

Hob harshes the vibe of every single immortal out there. They are so goddamn sick of him. There's a reason he has no apparent immortal friends or connections to the supernatural world despite (in the comics) seeming to have met other immortals and having the occasional supernatural encounter that he immediately brushes off as dull when compared to what the normal, every day world has to offer.

No other immortal can fucking figure out what Dream of the Endless sees in this guy, and how he can stand to talk to him even once a century without storming off (which, in fairness, Dream has done on 2/7 occasions). Dream, not otherwise known for his patience, is seen as a saint in the eldritch community for even spending as much time as he has over the course of 600+ years with Hob fucking Gadling.

#hob gadling #the sandman #sandman meta #dreamling

[burningvelvet]

Lord Byron writing about book-burning, queer representation, and the value of poetry . . . in 1821:

“Let us hear no more of this trash about ‘licentiousness.’ Is not ‘Anacreon’ taught in our schools? translated, praised, and edited? Are not his Odes the amatory praises of a boy? Is not Sappho's Ode on a girl? Is not this sublime and (according to Longinus) fierce love for one of her own sex? And is not Phillips's translation of it in the mouths of all your women? And are the English schools or the English women the more corrupt for all this? When you have thrown the ancients into the fire it will be time to denounce the moderns. ‘Licentiousness!’ — there is more real mischief and sapping licentiousness in a single French prose novel, in a Moravian hymn, or a German comedy, than in all the actual poetry that ever was penned, or poured forth, since the rhapsodies of Orpheus. The sentimental anatomy of Rousseau and Madame de Staël are far more formidable than any quantity of verse. They are so, because they sap the principles, by reasoning upon the passions; whereas poetry is in itself passion, and does not systematise. It assails, but does not argue; it may be wrong, but it does not assume pretensions to Optimism.”

Context: this letter was written during the Bowles-Pope Controversy, a seven-year long public debate in the English literary scene primarily between the priest, poet, and critic William Lisle Bowles and the poet, peer, and politician Lord Byron. The debate began in 1807 when Bowles published an edition of the famous writer Alexander Pope’s work which included an essay he wrote criticizing the writer’s character, morals, and how he should be remembered. Today, we would say that Bowles tried to “cancel” Alexander Pope, who had affairs without marrying, and whose works had sexual themes. Lord Byron defended Pope, who was one of his all-time favorite writers. Pope had been dead since 1744, so he was not personally involved. This debate shows that while moral standards have changed throughout the centuries, the ways people have debated about morality have remained similar.

Source of the excerpt: — Moore’s Life of Byron in one volume, 1873, p. 708 - https://books.google.com/books?id=Q3zPkPC8ECEC&pg=PA708&lpg=PA708&dq=%22Are+not+his+Odes+the+amatory+praises

Sources on the Bowles-Pope Controversy: — Chandler, James. “The Pope Controversy: Romantic Poetics and the English Canon.” Critical Inquiry, vol. 10, no. 3, 1984, pp. 481–509. JSTOR, http://www.jstor.org/stable/1343304. — https://www.britannica.com/topic/Pope-Bowles-controversy — Bowles, Byron and the Pope-controversy by Jacob Johan van Rennes, Ardent Media, 1927.

#literature #english literature #romanticism #poetry #lord byron #aesthetic #dark academia #history #writing #alexander pope #literary #lit #english #reading #lgbt #sappho #book burning #book banning #libraries

[twomiddlefingersforthehaters]

Naruto and Sasuke often uses 'Nazedaka' and 'Nandeka' in their monologue. Nazedaka= for some reason,without knowing why, somehow. nandeka = nazedaka have similar meanings.

We know that Naruto never wanted to give up. If we ask him 'why', there is always an answer for it.

He stabbed himself to open the wound, why? Because he doesn't want to run away and being afraid again.

He sympathize with Haku even though he killed his teammate Sasuke, why? Because he knows what loneliness is. He is also the one who taught him how far you will go to protect your precious person. He also understands him.

He never want to give up taking the tenth question in chunin exam, why? Because he doesn't want to run away.

He never want to give up fighting against Gaara, why? Because Sasuke acknowledged him and he wanted to protect Sasuke & Sakura.

He understand why gaara becomes a maniac, why? Because of loneliness, the hatred from others... And he is a Jinchūriki.

He never want to give up fighting against kabuto, why? Because he wanted to prove to Tsunade that he was worthy to hold the title of Hokage. By this, he can bring her back to Konoha and cure Sasuke and others.

He never wanted to give up fighting against pein, why? Because he wanted to protect the village. He wanted to end the cycle of hatred.

He never want to give up fighting against Obito, why? Because he wanted to end the fucking war.

But when it comes to Sasuke he doesn't know, why does he feel like that…? Why he didn't want to see him hurt...? why he doesn't want to give up on Sasuke? Why would he go to such lengths for him? He is unable to give a definite answer to all these. Because it's not that easy to say.

N̲a̲r̲u̲t̲o̲

1. Naruto's inner monologue (In ch. 228) vote 1

Raw: 何でか分かんねーけど...

Romaji: nande ka wakannē kedo...

Literal: I don't know why.... but...

Raw: オレは お前を... 大蛇丸なんかに 取られたくねーん だってばよ･･･

Romaji: ore wa omae o... Orochimaru nanka ni toraretakunē n datte-ba yo...

Literal: I don't want you... to be taken away by someone like Orochimaru!

[His words contain sooo much emotion.]

2. Vote2

Raw: 「それ説明しろって言われてもオレも正直よく分かんねェーよそんなの... ただお前のそーゆー背負ってゴチャゴチャしてるとこ見てっと・・なんでか・・ ・・・オレが・・・痛てーんだ」

Romaji: sore setsumei shiro tte iwarete mo ore mo shōjiki yoku wakanne yo sonna no...tada omae no so you seotte gochagocha shiteru toko mite tto... nande ka ... ore ga... Itate nda

Literal: Even if you ask me to explain it.... I honestly don't properly understand... that kind of thing...It's just that.... When I see you carrying burden on your back... getting all messed up.... for some reason... ...I'm.... hurting...

S̲a̲s̲u̲k̲e̲

(Sasuke's dialogue is much more poetic in Japanese. He sounds so incredibly vulnerable)

1. Sasuke's inner monologue (ch.698)

Raw: 「...なぜだか気になるようになった」

Romaji: ...nazedaka ki ni naru yō ni natta

Literal: For some reason/without knowing why, somehow.... I became as anxious/worried and bothered about you (when you were in my mind).

means -> { I became (in such way [that] when you were in my mind) }

Raw: それからのお前を見る度にど んどん気になるようになっていった

Romaji: sore kara no omae o miru tabi ni dondon ki ni naru yō ni natteitta

Literal: And then, steadily, every time I saw you, I became uneasy (when you were on my mind)....

• Kininaru

気 - ki exists in us. Spirit. It is the spirit principle that follows it within a person. Kininaru - that person is occupying our feeling, sensation, thoughts etc... Whatever it is that turning into our spirit.

-> Kininaru means to think about something unconsciously/subconsciously.

Kininaru means shinpaininaru 気になる -> 心配になる｡ 心配になる (shinpaininaru) means- someone is worried about something. It depends on the context how it use, it could be 1. I'm concerned about something/someone 2. I'm worried about something/someone 3. I'm interested in~ 4. I'm bothered about~ 5. I wonder~ 6. I'm curious about~ etc...

1 . Kininaru uses when you are curious about something or you want to know because you are curious about something/someone. It's like, that someone/something catching your attention and you becomes curious because you want to know so badly! 'You want to know more & more'! And using 気になっていた (kini natteitta) means "I've been curious about something/someone." It's not about 'you are curious about it now' but about 'you've been curious about it for a while.' Kininaru express about the feeling of yourself about what you feel about something.

2. I'm worried about -> "I can't help but worry about that X"- Worried about X (because X has an injury/illness or some other problems). If you say you're worried, it doesn't mean you're worried, it's that you're worried about 'that person'. Kininaru has more of a feeling of something that effects you. As like Naruto's worries become Sasuke's worries

3. Kininaru uses when you've romantic interest in someone or someone attracted you or someone catches your attention. "Oh, that person drew my attention" Or "something was interesting about this person". It often use なって- form to say 'you're interested in someone'. If you say that you're interested in someone (気になってるんだ - ki ni natteru nda), it means that you like him/her a little bit. And you want to know more about that person.

Note: Potential verb + "you ni naru" - to become/to become able to. kininaru - anxious/worried/bothered or to be on one's mind. Adding 'you ni naru' means "I couldn't do it before but I can now". So the potential verb + youninaru express or to shows the change.

So, 気になる has the meaning of 「心配になる-shinpaininaru」 (worrying/ bothering/anxious/curious/concerned...) and also the meaning of 「ちょっと好き- chotto suki」 a little liking ( in a romantic way) . It's a bit special. There are two meanings to this verb, so if you use this you need to pay attention to this.

Raw: その時思った... お前の弱さがだんだんオレに染まってきたんだと

Romaji: sono toki omotta... omae no yowasa ga dandan ore ni somatte kitanda to

Literal: At that time I thought.... your weakness gradually came to taint me.

[[The other panel 'literal' is above, you can check]]

Note: The image of どんどん (dondon) means 'something is going very fast' or 'changing speed of the progress is very fast'. Dondon means rapidly/steadily/more & more/significantly. And whereas だんだん (dandan) means little by little/gradually. So both dondon & dandan are opposite because どんどん is faster than だんだん.

And in both cases Sasuke saying something like; "Seeing Naruto being scolded by the others and him suffering... made Sasuke worry more and more about Naruto. The thought of Naruto made him worry/anxious. He's feeling uneasy or being overly concerned about him".

2.

Raw: 「そしてなぜだか安心したんだ」

Romaji: soshite nazeda ka anshin shita nda

Literal: And then... without knowing why, somehow.... I felt relieved (because of you).

Note: Anshinshita + Nda, んだ (nda) is used at the end of sentences. んだ is a casual and preferred in speaking. んだ- One way in which it often does this is by emphasizing the feelings of the speaker. 安 (AN) which means "peace" Or "ease", 心 (shin, Kokoro) which means "heart" or "mind". 安心 as "relief" or "peace of mind". 安心 has the kanji for 'safe' and 'heart'. So it means "peace of mind your heart is at ease". 安心する means " I feel relieved."　安心 is a noun, and 安心する is a verb. If you want to say ``I felt relieved'' in the past tense, you should change the verb to be in the past tense 「安心した」. It more emotionally relieved.

And, Sasuke using anshin shita which means something like - 'only when you are there, I was always at peace/safe/relieved '. It has a meaning of 'That's a load off my mind ' or 'you found your safety or security when your burden was lifted ' Or 'being pleased/happy and satisfied (feeling content)'. So, it has more deeper meaning than just 'relief'. (It is a vague concept in Japanese with a wide range of meaning).

We can also see the same word used by Naruto himself in his monologue (VOTE 1)

Raw: オレは... 最初自分と同じような 奴がいるって 分かって 安心したんだ!

Romaji: ore wa ... saisho jibun to onaji yōna yatsu ga iru tte wakatte anshin shita nda !

Literal: In the beginning... when I found out.... There was someone similar to me.... I felt relieved!

Also the same expression was shown in ch. 499 when Naruto heard his mother's word 'I love you'

なんだろ = nandaro = (I wonder) what is this?

すっげー 安心する... = sugge anshin suru... = I feel so calm/ I feel so relieved...

すっげー うれしいっ!!! = sugge ureshi !!! = I feel so happy!!!

Naruto's reaction to kushina saying i love you was so precious. He was unaware of any of these types of emotions. He have never known what a mother's love is. He doesn't even know what his mother looks like or what her voice sounds like. He doesn't know how mother's scolding and mother's love feel. When Kushina says "I love you" to Naruto, it means that she has deep affection and care for her son and wants to express those feelings. It is a way of showing him that he is valued and appreciated. His mother's love... it gave Naruto a peace of mind that he had never felt before. It makes him soooo happy. Tender and unbreakable, gentle and strong, soft and loud bond between a mother and a son. And he felt all these for the first time.

A boy who is alone in life gets comfort from another boy without even have a conversation with him. Sasuke and Kushina were the two people who soothed his heart, made him happy, and comforted him.

Kid Naruto:

それに 嬉しかった。 ホントは すぐに話しかけ たかったんだ･･･

soreni ureshikatta. honto wa sugu ni hanashikaketakatta nda...

And besides, I felt happy. To tell the truth, I really wanted to talk to you right away.

Teen Naruto:

オレだって いつもお前が 一人なのは 知ってた

ore datte itsumo omae ga hitori nano wa shitteta

I always knew you were... alone

同じような奴がいるって安心した・・・

onaji yōna yatsu ga iru tte anshinshita ・・・

There was someone similar to me.... I was relieved/I felt relieved...

すぐに話しかけたかった･･･ なんだか嬉しくてよ!

sugu ni hanashikaketakatta... nandaka ureshikuteyo!

I immediately wanted to talk to you... Somehow/somewhat I felt happy!!

When characters are nervous or shy about talking to someone, they often put their hands behind their heads as if rubbing their head or neck. Here, Naruto making the same gesture. But he never made this kind of shy gesture to anyone else. Why is he shy? Because Naruto was confessing that he always wanted to be like Sasuke and he found him strong and cool. He complimenting sasuke's look in person.

If Sasuke and Naruto felt like they were just friends or brothers... this 'I don't know why, For someone reason,without knowing why' would never exist. Sasuke is someone who actually had a brother, and he knows what it's like to have a brother. Naruto literally acted like a big brother to Konohamaru and He was someone who found many friends because of his hardwork and he knew what it feels like. And yet they can't say it out loud "why they feel a certain way for each other"

Sasuke begins to worry about Naruto way before they become friends, before having a proper conversation with Naruto. Also, they are not even connected by blood. The way they feel each other's pain and the conversation they have in KSA, Vote2 and Sasuke's monologue is not the way you would talk to your friend or brother. It's because they clearly love each other.

#Naruto analysis #narusasu #sasunaru #sns #my stuff #my rough translation

[rcksmith]

Untouchable - Five Hargreeves

You can find the 2 request here: anonymous 1, anonymous 2.

Resume: The villain falls in love with the girl.

Trope: “ Who did this to you?” “Touch her and you are dead.” “i´ll find you in every lifetime”

Couple: Five Hargreeves /Fem!Reader.

Warnings:  A LOT OF ANGST, swearing,  mention of death, blood,  fight between the Hargreeves and the Sparrows,a little enemies to lovers in the end,  fluff, SMUT, degrading talk.

Word count: 15k.

A/N: Spoiler from season 3.

OMG THIS IS HUGE JAHHSHDAHSDJAHDHND it turned out bigger than i expected. 

Because I have a lot of requests in my box, I compile orders that are similar and put together, but I took care to added all the elements that were asked for individually, and made sure that all ideas were respected and written down.

We not tolerate any pedophilia here!! I write about Five with their 20s. I write the same about the characters of Harry Potter, MHA and others fandoms.

English is not my first language, so I so sorry if have a mistake.

Requests are OPEN. Love you ❤️

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Honor comes from the Latin honoris. Indicating a person who lives with honesty and probity, basing their way of life on the dictates of morality. A principle that leads someone to have a righteous, virtuous conduct, which allows to enjoy a good reputation in society.

Five Hargreeves thought of himself as a callous man with no honor and, somehow, able to drown out the voice of morality in his head. He was very knowledgeable about literature and history, and his physics and math skills could surpass Tesla's, but philosophy for him was a bunch of weak principles and dictated by people who didn't really know the world, who didn't pass 1% of what he passed by, who did not see what he saw. Not even Socrates, Plato or Machiavelli had known the worst of humanity like him, the truth about realities.   A big part of his existence came down to surviving, fighting, winning, crushing everything that threatened his life.

His cynical outlook on life led him to pragmatism, and he knows that if he wants something done, he will have to do it himself.

His actions were more about getting things done than about displaying a display of rebellion or power. However,  Five was not afraid of pain or even killing. He didn't mind being the author of the worst massacres if it meant going back to his family.

Five Hargreeves don't give a damn about being the villain of the story. He did what had to be done.

It was why, when The Handle ordered him to carry out the death sentence of a Duke and Duchess in 1730, Five did not question or hesitate.

Even though in the back of his mind, in a very small part of his brain, the question arose as to why people from such an old and outdated date, he did nothing about it,  much less pulled the thread from the ball of yarn that would trigger a series of questions in a row. His job was not to ask why, to investigate step by step, to go through file by file. Five wasn't on The Commission to know the reason for each death, he was on the execution.

So he went, letting the suitcase unfold before his eyes an ancient era, from a faraway time, introducing him to carriages, flowing dresses, gigantic balls. And, as much as some people considered that era poetic, Five never liked lack of practicality.

So he killed the couple as quickly as possible, determined to escape from the need to spend more hours in that old-fashioned place.

It was like any other murder he had committed over the years on The Commission; he came, killed, and left. No looking back, no questions, no hesitation. Drowning in the deepest wave any second feelings that might have submerged, ensuring his emotions were chained very well at the bottom of the ocean.

It was easy, normal, routine. He was once again the villain, and could sleep very well the night with that.

But something began to change gradually in the atmosphere, in the air.

On some mornings, it was as if Five's hands were tingling for no apparent reason, eager to catch up something he had no idea what it was. On some afternoons, his heart vibrated in his chest, like a ground being punished by an earthquake, shaking his balanced state of mind. And, on some dawns, Five's mouth was as dry as the Sahara desert, thirsty for something that not even the coldest water could appease.

Wherever he was the air stayed suddenly thin, stuffy. And sometimes, in the middle of a mission, the wind seemed to blow in only one direction, hitting Hargreeves' back as if pushing him to go in a path. At those moments, his heart returned fluttered in his chest, as if he knew that one north was calling him and was that where he needed to go.

Everything inside Hargreeves began to be affected by strange reactions, spurred by banal, mundane events.

An in a few seconds, if Five stood completely still, silencing his thoughts and hollowing out any inner voices, he could hear something in the wind calling for him. Small seconds that swept away any balance that one day he ever had.

Five Hargreeves was going through a peripeteia, and he had no idea what was causing it.

What hell is going on?

It was wen, on an afternoon where the sun hid with shame among the dark gray clouds, The Handler gave him another murder.

In 1750.

His soul shuddered inside him in that second, echoing through his bones, keeping Five's egyptian green eyes fixed on the paper in his hands, unable to look away from the bold numbers that indicated the date of his next mission.

The icy breeze ruffled his dark hair, but he didn't move. There seemed to be something important and unspoken in the air, and this time, the voice calling his name on the wind grew softly louder. Now, it didn't seem to come from the back of his mind anymore, but from a place far away.

Five looked around, in an instinctive movement in the pathetic and vain attempt to find the source of that voice.

Nothing. As always.

“Five.” The Handler snapped her fingers in front of his face “May I have your precious attention?" The irony didn't go unnoticed, but his eyes flickered to hers. “As I was saying, the time and place of this mission is strictly important. Viscount Sebastian needs to be killed in his office at midnight, in the middle of his daughter's debut ball, not a minute less and nowhere else.”

Hargreeves gave a nod. Not because he had devoted all of his attention to her, just because he wanted her to stop talking. Much of his concentration was still on the way his body and the hemisphere around him behaved. Mission times and places were standard, no need to focus on this nonsense and listen to someone reiterate the rules as if Five were a child. He was 26 years old, a child was the last thing he was.

Something seemed to be happening, occult like a current that rattles under the sea. And the knowledge that he couldn't see the bottom of the ocean unnerved every cell in his body. Hargreeves couldn't stand things he couldn't perceive, understand how it works, take it apart and put it back together again.

This time, when Five returned to the eighteenth century, with 20 years having passed in that time after his visit and only 2 weeks for him, what hit him first was not the impracticality, the carriages, the big dresses. But the wind. Strong, cold, bringing with it the voice who called his name for weeks, now loud and clear.

The dark strands of his body prickled, and he could feel his heartbeat in his throat. Suddenly, anxiety snaked through his body like venom, stirring every fiber in his body, pumping something into his veins that made his blood heat like lava. An emotion he couldn't name what it was.

In the last mission, Five had a string of complaints about the  way the black waistcoat squeezed the white linen shirt over his abdomen, and how heavy the straight-cut coat felt heavy under his shoulders. But in this time, he wasn't bothered with the clothes he had to wear so as not to attract attention and go unnoticed. Now, with his heart pounding in his chest, his throat dry and the constant feeling that he had to be somewhere urgently, his clothes were the last things on his mind.

It was an emotion that squeezed the pit of his stomach, made his hands itch and his body shot with an adrenaline that screamed that he needed to move. That he had a more important place to be. All the sensations he'd felt leisurely over the weeks now came back with absurd force, as if he were getting close to the source of it all.

What was happening?

The moon in that far away era shone sovereignly in the sky, blessing the houses, carriages and large mansions with cascades of distilled light in the purest color of silver.

Las time, the feeling that came over Five was to get out of there as quickly as possible. But now, looking around in search of the source of the voice calling him in the wind, the last thing on his mind was leaving.

His watch still read eight o'clock, but the sensation  was like he was already late.

The most practical plan was to stay hidden somewhere near the mansion where the ball was being held. Avoiding crowds, witnesses, minimizing risk and being a shadow. As always did. The most rational thing to do was to stay away from that place at all costs, until the inevitable arrived and he was forced to enter through one of the windows.

He should have done it. But he didn't.

Just as a sailor follows a siren's song on the high seas, Five followed that voice on the wind. His brain screamed for him to seek a hiding place, but his soul rebelled with an absurd ferocity, ricocheting tremors through all his bones and ordering his legs to follow a path his conscious did not know. His whole mind was confused, but his soul carried a certainty that no other living being had ever had in they life.

With no other option, stunned by the sensations in his own body, he found himself walking towards the front door of the only place he was supposed to avoid until midnight.

If Five Hargreeves had to describe what was happening to his five senses, he would say that his vision was mildly blurred, as if were searching for focus. The smell was of climax and the ambient sounds were drowned out by his own heartbeat. It was like being there in flesh and blood, but not in soul.

He didn't focus on the details of the world around him, but he knew when he finished climbing the front steps. He couldn't focus on the conversation around him, but he knew that a few people were walking beside him.

His mind saw everything, but processed nothing.

It was a mistake not to be 100% aware of the environment, not to study each individual's body language, not to constantly calculate the odds of a move going wrong. But... it was as if something prevented him from emerging to the surface.

Five didn't respond when the butler greeted him at the entrance to the great hall, but looked around as the wind from outside hit his back and his name rang in his ears once more.

It was a female voice. Now he could tell.

Going deeper into the hall, the melody of the orchestra invaded his ears while thousands of people, talking, dancing and drinking, took his view. Everything resembled a blur on a painting, the sounds were still muffled as if Five were at the bottom of the sea, and the smell transitioned between flowers, feminine perfume and poetry.

Five Hargreeves was a pragmatic, cynical and austere man. Everything that made up his being was based on rationality, laws of physics and mathematical concepts,  he wasn't oscillated  by tender things and he certainly wasn't carried away by things of the heart or soul. He always followed what rationality dictated. Until now.

Until now.

Like a violin string that ruptured, Hargreeves was gripped by the feeling that something very important was about to happen. Something that would not only change his existence forever, but change him for eternity. This fact stared him at back, bold, warm and as inevitable as the setting sun. And very hair on his body stood on end at once while everything inside him pulsed with a brutality that could shake his bones.

Now, the sound of the orchestra was drowned out by the soundtrack of his life, which was coming closer to apex by the second. It was like being submerged in a slow-motion, in a moment that preceded an momentous event.

As magnets are pulled one by the other in an impassable way, his eyes, as if they already knew where to look, were drawn to a figure among the others who danced in the middle of the hall.

You.

Was like an explosion. Loud and brutal. He suddenly submerged from the bottom of the sea, bewildered, desperate, out of breath. The stupor released itself all at once, bringing his mind back to the reality. Instantaneously, nothing was blurred anymore, sounds weren't muffled, and he abruptly returned to his conscious state. But his soul was not so lucky. Like being whipped by live eels, his heart pounded in his chest with such fury that he leaned over forward millimeters, his throat was drier than the Egyptian desert and now his hands itched in a hellish, bestial, uncontrollable way.

Five Hargreeves has released himself from a wave of numbness only to be hit by a tsunami of sensation.

His eyes were seeing everything clearly now, but he couldn't take his attention away from the female figure dancing in the middle of the room, her bouffant gown swirling gracefully across the floor as if deities were blowing the fabrics.

There were a lot of people around him, in front of him, behind him, but Five Hargreeves only had eyes for you.

In an insane, magical and inexplicable logic, Five had the purest certainty that it was your voice that called him in the wind, that was by the desire to touch your skin that his hands itched. Five would never be able to explain it to other people, but at that moment, there was nothing more concrete on Earth, in physics and science, than the certainty that was because of you that his soul felt, so many times, that he should be somewhere else.

Like the indubitability that you need oxygen to breathe, touching your skin has become just as indispensable. It was a matter of needing, something that now not only itched his hands, but corroded the bones in his fingers.

There was no reason for all those absurd feelings, Five had never even seen you before. But rationality had no space in that moment.

There, in that rift between the past, future and parallel realities, there was no discernment, lucidity, judgment. It was a hideaway free of any cohesiveness, with the smell of romance, an atmosphere full of emotion, passion and poetry. A distant era that allowed, for the first time in many years, that the soul of Five Hargreeves to take control of his body.

He moved, one step after another, his focus petrified on you. With each centimeter closer to your body, the more he felt able to breathe again, relieving the brutal anxiety that had been beating him for weeks, giving a truce to the martyrdom that  lacerate him day after day without even him even knowing why.

You had finished your dance, clapping along with the other guests for the orchestra that started the new melody, this time more lyrical.

Your hair, the tone of which seemed to be the personification of poetry, of art, was tied in a bun that allowed a few strands to fall under your neck, the skin of your bust was speckled with a few little droplets of sweat, the perfect amount to glisten under the yellowish light of the candles in the chandelier, making a divine, almost celestial aurora radiate from you. The dark blue gown referred back to the night sky in its greatest splendor, highlight your full breasts at the straight neckline and opening at the hips in a skirt that preached the illusion of you being floating across the hall. Your lips were a red that Five had never seen in his life. A red that seemed to exist only to serve you, enhancing the color of your eyes.

You were like a mirage. An oasis in the farthest desert. One of those paintings that people come from all over the world to see in person, capable of sweeping, taking they breath away, making they cry for having to live with the burden of never having the possibility of knowing you in life.

The romantic period was going on in that century, society was tired of trends in intellectual thinking, rationalization, industrialization and the veneration of science. People longed for an escape into emotionally charged images and fantastical fiction in the visual arts and literature. And Five Hargreeves was certain that you were one of the greatest inspirations of this movement. It was so clear that you were the influence of John Waterhouse's paintings, sweeping the hearts of artists and illuminating poets. Lord Byron was thinking of you when he created the short lyric poem “She Walks in Beauty”, completely fascinated by you.

That thought shuddered Five's soul even more. And an acidic emotion rose in his throat and burned his eyes. In his chest was injected the feeling that he was facing one of the greatest beauties in history, the person the poems and paintings were based on, the inspiration for so many names of literature and art that would become renowned.

There, in front of him, was more than a person. It was a piece of history, art, literature, a beauty that was immortalized and that would be admired even after centuries. Five had already gone to different times in the past, but nothing touched his soul as much as now. As much as you.

Five Hargreeves went in your direction like a sailor following a siren's song across the seven seas.

You were relatively distracted when he got to you. Lungs catching breath from the last dance, body preparing for the next, your mind was on that ballroom but your heart was far away. It was universally true that girls your age should revel in balls like this one. Full of potential husbands, dancing and music, governed by a perfect night for falling in love. You came to like it in the past, but now, after so many similar events, everything didn't have the same magic anymore. 

You've heard enough stories - filled with adrenaline, pirate ships and dangerous waters - to crave adventure in your life. It was also noticed that you spent too much time with your books, and that the consequence of spending so many hours in the fictional world brought you very high standards for men and love. The whispers through the darkened streets were that you would end up a spinster. Since you took no interest in any gentleman who courted your hand.

In your defense, it wasn't your fault. The men in your reality were terribly...tasteless.

That was until he showed up.

You don't know where he emerged, or what lineage he was from, much less his name. But he came towards you like that was more important than breathing. In a virile, perfect posture. As if he knew all the secrets of the world and was able to show you them.

One of the first things you noticed were the eyes. The room was partially dark, lit only by the flickering candles in the candelabra, but the darkness only made his eyes clearer. Intense greens. Of such a pure emerald tone that it shone like a mystical cat, calling you to sink in his greenish sea. The stranger had hair as black as midnight, which fell softly and romantically over a face with firm features; jaw as sharp as a razor and a nose full of masculine personality. Although was well dressed, all his clothes, with the exception of the white linen shirt, were as dark as the strands of his hair, something unusual among the sophisticated gentlemen who were invited.

Looking at that gorgeous face, you were left speechless. The deities had been generous to this man, gifting him with bold, aristocratic features and iris as green as Egypt's most precious jewels. The mystery and secrets contained within in those eyes were a fascinating contrast.

“Can I have this dance?” Just a sentence.

He didn't introduce himself, he didn't say who he was. He just dropped that sentence as if it was the only thing he really cared to say.

The gravity of his words made your heart flutter. What a beautiful voice that man had. With a provocative huskiness, a touch of superb, as if he were an oracle at his peak in ancient Greece. The sound seemed to seep into your body and run through you like warm honey.

The truth was, you had reserved the dance for another gentleman, but in that second, you couldn't care less.

“Of course, milord.” That's what you said, accepting the hand he extended to you.

Never taking his eyes off yours, an unfamiliar sensation washed over your mortal body and engulfed everyone around you. You wondered if it was just the stuff of your imagination or if he too felt the electricity whip through his body as he positioned you closer to dance.

Single women weren't allowed to touch men's hands if you weren't wearing gloves, and that rule had never bothered you. Until now.

Until be affected by an insane, visceral desire to feel that man's skin. Of experiencing the heat radiating from his hand against yours, of feeling those white fingers, slender and pale, holding your denude skin. You've never been touched by a man without a layer of clothing intervening. No brushing of elbows, no bumped of fingers, no errant caresses. And you wondered what it was about that man that made you aware of this deprivation. That stranger radiated secrets in an inexplicable but extremely palpable way in the air and you wanted to feel the touch of mystery on your skin more than you wanted to breathe. A will as strong as fear, as intense as hunger.

Your soul screamed in frustration because of the dress when his hand cupped your cover waist. In a touch so firm it only existed in the romance novels you read. Your heart raced, your breath disappeared, and you didn't notice when you rested your hand on his shoulder and your feet began to follow the rhythm of the waltz.

It was pathetic the intensity of your emotions for a man you had just met and didn't even know his name. But, it was like you'd found something didn't even know you'd lost.

Well… if it was the lack of knowledge of his name that was making things a little difficult…

“Aren't you going to tell me your name? Mine is Y/n”

Your voice, sweet as molasses, velvety as suede, made the hairs on the back of Five's neck stand on end. He recognized the timbre now, he had already heard you calling for him in the wind, but nothing surpassed hearing you from inches away.

This was one of those moments where, if you asked Five why he was doing this, he couldn't answer. He couldn't find any logical answers to his actions, reactions, thoughts. But, once again, this rift in space and time was an environment free of rationality. He didn't need this here. He felt he didn't need to. Not when had you in his arms.

A name…

Five Hargreeves was the name of a villain. Someone who would carry on his shoulders to the grave the weight of the thousands of souls he killed. Someone whose hands were marked, eternally, with thick, hot blood. A proof that his destiny was traced directly to hell. His name was the personification of a freak created to be a hero, an orphan in the apocalypse, a man who belonged nowhere in the timeline, someone without family for many decades.

He looked at the hands that held you. The hands of a serial killer. And then he looked at you, full of beauty, life, happiness and innocence. It was like committing a crime against nature to hold something so pure in such infamous, disgraced, death-scarred hands. And something inside he twisted with something like pain…disgust, for the fist time.

His soul didn't want to hold you in the hands of Five Hargreeves.

Five Hargreeves was the villain. And he didn't want to be that man right there.

His mouth, which looked so beautiful yet so dangerous, softly approached the foot of your ear, while the body of you two continued to follow the steps of the waltz. "We don't need names here."

A current of electricity slammed into your body like a whiplash from a live eel, raising goose bumps on parts of your skin you didn't even know you had. My goodness, it was a sin for a single man to have that much charm.

Sensible young women would have turned away at once. Practical girls who appreciated rationality, sincerity and transparency, who had no estimate for games, mystery and sensuality, would have rolled their eyes. But you were not sensible, practical or appreciative of the good customs of the epoch.

You were romantic, hungry for a good charade, adventure. And that man seemed to be built by those two things.

The world was just a shapeless blur, other people were no more than wandering silhouettes, and the atmosphere was enraptured by the flickering orange light of the candles in the candelabra. The smell was of poetry, romance and freedom, which intoxicated the brain and alcoholize any common sense. Was like a magical place in the middle of space and time, a rift that allowed just being. Time passed slowly, as if dancing together with you two.

 ‘One second can change many things...’

Just as Five could hear his father's voice saying 'I told you so' during his years in the apocalypse, he could hear his words now.

‘you can crumble empires, win battles...’

Five swirled you around before pulling you into his arms once more, his heart pounding with each passing moment. Neither of you realized it, but every second you spent together, every step, more messed up the timeline.

You smiled full of romance and magic as he leaned you back, his hand firm on your spine, bringing you to the surface and returning to dance around the hall with the waltz that dandle yours bodies.

‘you can fall in love.’

With every strong step the two of you took on the floor, in an apocalypse dance, realities were immediately misaligned. With each spin, lines of events were exploded into other universes. With each look shared, with each smile, with each heartbeat full of romance, people were erased, born, disappeared.

An apocalypse was brewing somewhere because of his hands on your body. A mystical waltz that brought the ascension of chaos in other timelines.

Neither of you two knew about it. But if Five knew, he wouldn't keep his hands off you anyway. Five Hargreeves was the villain in many realities. And he would accept the burden of being in a few more if it meant having you in his arms.

In an inexplicable and irrational way, what was happening now had more importance than everything he had ever lived and would live through in his entire life.

"You dance very well." You praised him, and his hands on you tighten a little more.

"No more than you". Then he gave that smile.

The half smile that lifted only one corner of his mouth. Malicious, sagacious, sphinx. Who promised to know all the mysteries of the world and show you all the sins of life. What man was that? So full of charm, sensuality, beauty. He seemed out of this world and you found yourself wishing that time would freeze in that moment, that you could hold onto your chest and live in that dance for the rest of your life.

There was something different in the air. A soul-deep feeling that whispered that your life would never be the same again.

Not after this man.

“It is not difficult to find women who dance.” You joked. "You've certainly danced with others to know."

Yes, with his mother and Allison.

But even if he had been dancing with all the women in the world, they would have disappeared in that moment. No memories memory experiences with other women could stand out at that moment.

"If I danced, they all disappeared the moment I waltzed with you." He realized he might have said the right thing, because he could see the breath go out of your lungs and cheekbones flush deliciously.

God in heaven… this girl was breathtakingly beautiful.

Five led you around the hall masterfully, committing your features to his mind like the tattoo on his wrist. Permanently, eternally. Suddenly, he was struck down by the insane desire to know more about you. To hear more of your voice, to taste the way the words flowed from your lips like the purest honey.

You were like a drug, an obsession. An addiction that had stuck with him since the first time he came into that century, since he breathed the same air as you, since he coexisted under the same night sky as you. There was insane logic in the fact that his soul felt your presence without even seeing you on that first mission. He would never be able to explain it, but somehow it made sense inside in him.

Five Hargreeves didn't think about what would happen when he had to leave. He didn't think about the withdrawal his body would suffer when he was away from you. Much less noticed the way there seemed to be something important in the air. If he had been in full intellectual faculties and grounded in rationality, he would have managed to understand that that something was the temporal lines collapsing, an apocalypse forming elsewhere, pure and perfect chaos destroying parallel realities.

But he was not being led by rationality. And even if he was, he wouldn't have minded a few worlds burning if it meant having you next to his body. He didn't care. But The Commission was a different case.

But Five Hargreeves wasn't thinking about any of that.

He conducted a conversation with you the way he conducted that waltz. He discovered that you liked the high seas even though you were never allowed to be on a ship. You loved nature and enjoyed good books. He heard your eagerness to know the world and learn about different cultures, that you wanted to unravel the mysteries of Egypt, see the architecture of Greece, visit Spain and wanted to go swim in the beaches of Brazil. You were an adventurer, and Five's heart skipped a beat for it.

But in a corner of his soul, deep down, he felt an ache reverberate through his bones. The urge to tell you about the world came with overwhelming force, and something inside him died when he realized he could never tell you the truth about the subjects you cared about.

He could never tell all that the world already knew about Egypt, about its tombs and its pharaohs. He could never be able to show the beauty of Brazil's beaches that become famous tourist spots, and he reserved a note in his brain that you would have loved to visit Genipabu in Brazil, a beach with huge sand dunes that seemed to be the junction of a huge desert whit a beach.  He could not tell you what science, oceanography and marine biologists already knew about the oceans. He could never say about the cruises that roamed the seas in all the luxury and comfort, much less about the planes.

Five Hargreeves would never be able to show you the world. And his soul decided to torture itself even more thinking about what it would be like if you were from his time. The things you would do, the freedom you could enjoy.

He could show you anything you wanted, tell you the secrets of the universe…His secrets.

When the waltz was over, on a note as dramatic as the situation, you couldn't say goodbye to him. Your soul, enchanted and completely enraptured by the man in front of you, vehemently refused to remove your hand over his. It seemed that every molecule in your body, every corner of your spirit, every fiber of your being, had defined that it was with that man that they wanted to stay. Forever.

What was foolish.

The truth was that the sensation of poetry, romance and magic that surrounded you two throughout the dance, had evaporated from the air like mist in the sun. Now the sure that you two weren't meant to be together hung in the air like a black cloud, thundering and flashing. This feeling oppressed you with an overwhelming force, so tangible it was possible to cut it with a razor.

No words needed to be said, but it was stamped into the environment, filling every millimeter and gap, putting that magical dance into a category that would never go beyond that: a dance.

A feeling of melancholy jabbed your throat like a scorpion's sting, injecting an emotion of sadness and helplessness into your blood like distilled poison. You didn't want that to be the end. You didn't want to say goodbye. Even with everything in the air indicating that whatever existed between the two of you, ended here, now.

Five's eyes seemed to exude the same as you. Feeling the end heavy and resounding in the air, reverberating like thunder, as every corner of his soul roared the opposite. The green sea of his irises looked like it was in the middle of a storm. Full of pain, anger. With colossal waves and revolts, which promised to destroy everything they saw ahead. Just like the oceans did in the apocalyptic events in the era of Younger Dryas.

Somehow, without having to utter a single sentence, you both knew you were feeling the same thing. Wishing, with all their might, that this wasn't the end, that they were able to hold time against their chest in a tight, desperate embrace, an attempt to freeze the pointers.

At that moment, Five clamored, to any god who would listen, that you not be taken from his arms.

However, like the evil joke that was his life, his thoughts were cut short by the chiming of the clock. 11 chimes. That echoed in his soul like the trumpets of hell, laughing at him, mocking him, making fun of a murderer thinking he would be graced with something like you.

Five Hargreeves was a villain. And he was destined to have the things villains deserve. And none of this things included someone like you.

In that sadistic moment, Five finally understood a sentence from one of the books Grace read to them at night; ‘If I were to kiss you then go to hell, I would. So then I can brag with the devils I saw heaven without ever entering it.’

Yes. Now he understood. Five Hargreeves leaned in, bringing the back of your hand to his lips, laying a kiss that, however much it was impeded by the muslin layer of your glove, he prayed that this kiss could transmit all the feelings he could never say. This are the only kiss he could give you. That sentence echoed in his head like a fact, as sure as the sky is blue, as true as the salt in the oceans.

And when he went to the core of hell, paying for all his sins, he would brag to the other demons that he had been to heaven without ever having entered it.

You wish you'd said something, asked where he was from, stopped him from going. But none of that happened. This was one of those moments that we regret forever, that are branded in a red-hot iron in the soul, in the mind, in the body. Everything inside you was screaming to go after him when Five turned arund and walked into the sea of guests. But he disappeared in the waves before you could even move your feet.

No one had to tell you, but you knew you'd never see him again. And your heart would never beat for another.

-----------

Five Hargreeves has had to do a lot of horrible things over the years. Actions he wasn't proud of but he knew needed to be done, nights awash in blood and the smell of death.

But nothing has wobble him as much as you have.

His soul, body and mind, trained since he was a child not to develop any weakness that would prevent him from being a perfect hero, then perfected and aggravated by the Commission to be the unbeatable assassin, were rarely stirred by feelings.

He was cynical, hard-nosed, crotchety and arrogant. He never got carried away by emotions and, as much as his desire to save his family is pure, he will cross any ethical lines for the greater good. And all of that made him the Commission's best weapon.

Until now.

Until his emotions messed up not just one, but thousands of timelines. Created catastrophes, formed apocalypses, killed people. Hargreeves meeting you was something that could never have happened. Repudiated not just by nature but by the gods. Having you in his arms was like a crime against the timeline, against the balance of the world.

And heavens and hells would make him pay. With work, blood, or his heart. Promising to take not only the soul, but any hope of laying eyes on you once again. As Icarus had his downfall for the sun, so Hargreeves had for you. In a triumphal ruin.

“Do you have any idea what you caused ?!” It was the first thing The Handler said as soon as Five returned from his mission, seconds after he had killed his target.

Her voice was loud, suffused with anger and rage and… despair. Five frowned, soul still aching from having to leave you, your warmth still in his arms. He didn't have the head to deal with her right now. Not when he had so much to process.

“A death.”

“Don't play smart on me!” Her roar was loud enough for Hargreeves to realize that something really serious was going on. The Handler was many things, but she never got worked up without good reason.

The clatter of her heels echoed through the room as she walked towards him, her eyes full of fierce emotion.

“You had only one job to do! One! Kill the man and get out of there. Like always!" Her voice was as rough as desert sand. “But not only did you mess up entire timelines,  but created apocalypses on thousands of worlds that were to happen only thousands of years later!"

Five's mind was racing like a Catarina wheel, spinning at full throttle as it tried to put the pieces together. He blinked once, twice, his heart starting to race with the feeling that something devastating was about to be revealed.

He looked at The Handler, who understood his look. "That's right! Your little feat of dancing with that girl shattered thousands of timelines! People were killed, disappeared, events took a completely different course because of your little impertinence!"

She pulled his arm towards the thousands of screens that monitored infinite realities. And what he saw was chaos. Pure and perfect. Some worlds succumbed to fire, others to water, others to war. But they had devastation as a resemblance.

Five can hear the voices of other Commission workers in the background, in another corridor, other rooms. Some sounded desperate, others irritated, and others helpless, but all seemed concerned. He couldn't even say that he didn't know that little things had chain reactions. Because he knew. There was nothing to justify his actions, for he didn't even have a good reason for himself.

But the truth was, even staring the apocalypse in the face across nine different monitors, he felt no…remorse. There wasn't a part of him that would have done differently, that wouldn't have touched you, that wouldn't have known you. Deep in his soul Hargreeves knew he didn't care how many worlds he had destroyed just by touching you. He was going to hell anyway, it was better to have a memory of you to remember for eternity.

"...we'll have to kill her." It was just that sentence that Five's messed up mind paid attention to.

Then everything stopped.

The weather, the conversations. The world seemed to have held their breath, suspended, staring at Five. Everything inside him fell silent into scary silence, and he turned slowly toward The Handler, all his senses heightened, heart still, mind clear.

She seemed to notice his state. "What did you expect?! You know how things work. Causers of apocalypse get killed, that's our job! And because of that dance of yours, this girl has caused nine different apocalypses.”

There was a kind of insane, evil logic to the situation. The last riddle of gods and life to see Five Hargreeves on his knees. Broken, empty. To punish his sins, taking from him what he took from so many people. They engineered his downfall perfectly, writing with a red-hot iron on his soul the sentence that he could never be happy. His curse, the price to pay. Cosmic fit.

What the fucking hell.

“I'll send some agent to kill her immediately and...”

But Five Hargreeves has never been one to accept sentences imposed on him with his head down. Limitations, rules. He made his own destiny, no matter what he told him, and lived with the consequences. No god, destiny or universe dictated his life.

Everything inside him roared like a beast. Exploding, bursting, sending any control flying away. In an action without any hesitation, delicacy or ambiguities, his hand closed on The Handler's arm. In a firm, strong, tense grip that started hurt her very soon.

She looked at him in a mixture of shock and annoyance. There were very few people in the world willing to face a woman on her level, some too fearful, others who value life too much. But Five Hargreeves was none of those things. He'd never known any predator he should fear, everyone knew he was capable of anything and everything. Maybe there was no line he was able from crossing, or plan he wasn't capable of executing.

Five Hargreeves was the predator she should fear.

And The Handler realized that. For in that pair of eyes she saw danger, rage, pure and perfect hate. His sea of green gave way to red, glittering waves, shining with all the blood he had already spilled. And with a warning that he wouldn't mind spilling more.

“Stay. away. from. her. ” he guided each word with a tighter grip on her delicate arm, sure to leave marks that won't go away anytime soon.

Bewildered, she looked at him like a man possessed, filled with a rage that could fuel hell all by itself. The Handler had never seen him in that state, he was always angry, annoyed, acidic, but that… that was hatred, a bloodthirsty hate.

Five Hargreeves promised to go to hell and drag anyone with him without saying a word. 

For the first time in her life, The Handler was afraid.

“Five...you know her need to die...”

"Listen to me" He vociferate, shaking her by the arm. “I don't give a fuck what you have to say. I swear, for all that exists in this world, that if you lay one finger on her, there will be nowhere on earth you can fuck hide from me.”

Five Hargreeves was a tall, masculine man, wrapped in a macabre and sinister aura when he wanted to. He pulled The Handler closer, his face filled with colossal rage being etched like a tattoo into her soul.

“I don't give a fuck about how many worlds are ending, I don't give a fuck if fucking people are dying!  You won't touch her until the day I'm dead!  And you can bet that, even seven feet under the ground, I'll find a way to take you with me to hell if you do fucking something to her."

You were untouchable.

All of his work on The Commission was about killing a number of people to save even more. But he would never, ever, sacrifice you for the greater good. Not even if it meant millions of dead people. 

It didn't matter as long as you weren't one of the dead. 

Without waiting for further discussion, he led The Handler towards the exit door, leading her out of the room and locking the door when he returned. Five wasn't stupid or naive to think that she would follow his orders. The handler might be afraid of him, but she knew how to get what she wanted, no matter how long it took. And now that he'd bruised her ego, Five knew she'd make it her primary mission to kill you.

Something he would never let happen.

If someone asked where so much anger, so much sense of protection came from, Five Hargreeves couldn't say. Because he didn't even know. In the same way that he still didn't understand everything that had happened, everything that he had been feeling, he still hadn't reasoned where such primitive, territorialist impulses came from. He had no idea where it all came from, but he was sure he could never let anything bad happen to you.

In a twisted and somewhat obscure way, you had gained a villain as a protector. A fallen angel who didn't promise to do good to people, but only to you. Who swore allegiance not to humanity, but solemnly, exclusively, to you.

It was a sensation that filled his entire body like boiling lava. And Five put his hand in the fire for the certainty that he would never be able to get rid of his feelings for you again.

His soul said that, as long as he was alive, he would be yours.

Making his mind work faster than it ever had before, Five Hargreeves concluded that every record of you had to go. There could no longer be documents proving that you were part of humanity. That once you had a name, a house, a reality. Five would have to erase you from any and all records. Forever. The only way to keep you out of the hands of the people who had access to every form of terrestrial existence, was to erase you from the world. Only then, hidden from the Commission, could you live happily. Fully.

But throwing all your documents away was signing the sentence that he was took the risk of never getting to see you again. Without them, finding someone was nearly impossible, much less accessing their reality. Five could start a calculation to find you one day, but that could take years, ages, and even if he memorized your documents number by number, did the calculations and managed to get to you without any side effects, The Commission could follow him and find you. 

And finding a civilian's documents was much easier than finding a special agent like him and throwing them away too.

Once again, his life was a cruel joke of the gods, which served as entertainment for any higher power. Five strongly believed that, if there was anything above or below him, they designed his life for they own amusement.

Five Hargreeves spent hours in the file room, locked in that cubicle, not letting anyone in, not getting out. Once he disappeared with your documents, he would be declared a traitor and deserter, where his punishment would not only be more years of work, but death.

The world was spinning. Head ached. A sound gnawed at his mind, a scratch without melody, like a rustle of paper. Someone had taken a scream, a memory and a fear, crumpled it into a jagged ball, and used it to stuff  Five's skull. He need to think of a plan that covered all the rough edges, but his eyes were bombarded with futures he didn't want to think about. Every time he blinked he felt the tragedy lurking in a dark and dismal corner, ready to catch him in their sharp mouths and take him somewhere he feared to go.

A place where the worst had happened to you.

Suddenly, the world was filled with secrets, fears and terror. Just as his soul took control of him in that night, it was the same in this moment. Five Hargreeves wasn't someone to get carried away by anything, but the feeling that something very bad was about to happen to you haunted him to the bone. That would be the perfect ending to his sinful life story; having the one person who touched his feelings so powerfully killed in the same way he killed so many other people.

Life was taking its toll on all the things he had done. For a second, he was afraid of that reckoning. Because the worst is not the bullet hitting yourself, but someone you like.

The feeling outside of being torn apart. All the patches and pieces of what it was to be Five Hargreeves - which he had been painstakingly piecing together throughout his life - were coming loose again, all at once. The clock was ticking, the hours were ticking, and he knew that just as he was coming up with a plan, so was The Handler.

It was a macabre race against time, in which if he lost, he had the feeling he would never fully recover. Not without a part of his soul dying along with you.

When he found your documents, the photo they had of you was a portrait made in that last century, a small painting of your face, eternalizing your smile. Suddenly, the memory of how you'd smiled at him like that gripped him like a demon. And when the memories of you intensified, they brought no comfort, just only fear and dread. Five Hargreeves could not live with himself if those memories were tainted by the knowledge that he was the cause of his tragedy. He would never be able to remember those tender moments again if memories of you were vandalized by images of how you were killed.

It was too late to remedy the consequences of what he had unleashed. The macabre possibilities of what The Handler could do to you were there, tattooed on his brain, as if they would snap open and bolt to reality at any moment. So, as panic rose, Five Hargreeves' mind slammed shut like a heavy book. He wouldn't let any of that happen. Never.

After scheming and checking all the plans in his mind, Five decided that he had already orchestrated the almost perfect scheme. He would destroy all of your documents and, when he had done that, he could no longer remain on the Commission. Thus, he would steal the mission from one of the agents about killing John F. Kennedy, the time that most closely matched his calculations to return to the family in 2019. Then Five Hargreeves would evade The Commission and deal with them without being an employee anymore. And even if they went after him, they would never find you.

Not even Five.

And so it was done.

-----------

Five Hargreeves went through the reunion with his family, faced the commission agents coming after him to kill him, dealt with The Handler and put up with his siblings drama.

In a matter of weeks, he had already gotten himself into so much trouble and confusion that sometimes he didn't even have time to breathe. Processing events and digesting them had become a luxury he no longer had, and saving the world from one apocalypse and falling into another had seemed to become a family pastime.

But there were nights. Cold, when the moon reached its apex in the sky and the rain poured down on the ground, when he was finally able to be alone and clear his mind. In those rare moments, the only thing on his mind was you.

Always you.

His point of peace, his refuge from his constant stress and pressure was in the images of you. In the way your body fit perfectly in his hands, in the way your gaze, enchanted and completely shining, did not leave his. Five Hargreeves felt that, like him at that moment, there was no other place you would rather be.

Twenty years could go by, but he would still feel what it was like to have your warmth in his arms, in the smell that your perfume exhaled and in the way the candles in the candelabra glowed on your skin. You were like a goddess, dancing at that ball as if the world would never be graced with such beauty again.

When Five Hargreeves closed his eyes, he could see you perfectly. Swirling around as if the ground were your clouds and everyone there were mere mortals, watching what the angels in heaven looked like.

It was like a dark paradise. He managed to slake some of that suffocating tightness in his chest whenever he returned to those memories, but it resulted in more flagellations in his poor, tortured soul. The notion that he would never have anything but memories, dreams, and mowed wishes, would skin him alive until his last days. Five would forever be haunted by the notion that, even when he died, you wouldn't be waiting on the other side.

You would be in heaven. And he belonged in hell.

But, it was worth it.

All the pain, all the desperation his soul struggled with, all the shortness of breath that coiled in his lungs, all the feeling of being stabbed with a dagger knowing his would never lay hands on you again, it was all worth it when he reviewed your face in his memories.

Five Hargreeves didn't clamored for relief from his pain, balm for the cuts deep in his soul, a minute's mercy. No, he accepted all of his fate with his head held high. He clamored for you to be okay. Safe, happy. Free from any worries or tribulations. He wished you had forgotten about him, erased that night from your blood, because it would be impossible to live if he knew you were suffering just like him.

Five Hargreeves had never given you a single kiss, tucked your hair in his fingers and tasted your tongue, but he didn't need it. His soul didn't need that to fall madly in love with you.

Yes, pure and perfect passion. It was the only logical explanation for how he felt about you.

Even though he never tasted your skin in his mouth, or touched you without the interference of a piece of clothing, Five Hargreeves was in love with you.

And it would be for the rest of his life.

-----------

All the Hargreeves siblings thought all was well when the Commission was defeated and they got a briefcase to take them back at home. The nightmare of the second apocalypse had already passed and now the feeling that invaded their bodies was one of relief. For a second, Klaus thought that everything would now be back on track; with the family together, stronger ties and improved relationships.

Everyone thought so, actually.

The shimmering blue flash engulfed all the brothers, passing through the barriers of space and time, leaving the Hargreeves in the mansion where they grew up and spent most of their lives. Everyone looked happy, relaxed. And Five also shared the same relief.

Until that fateful moment.

Until a draft of wind enter through the window behind him and hitting his back, bringing a feeling that immediately made every hair on his body stand on end. In a matter of seconds, all sense of relief, calm, and peace were shattered, exploding one by one with the same aggressiveness of a nuclear bomb. The world seemed to stumble and stoped, the colors of the hemisphere fluidized into a vintage orange, flickering, almost as if the lighting came from candles.

As much as his siblings were laughing and making noises, everything for Five was quiet, in a tacit silence. The sound of cars on the streets did not exist anymore, the conversations disappeared, and, little by little, the only thing he could hear was his own heartbeat. Increasing in tempo gradually, like a soundtrack.

Then, in the apex of silence, when Five could already hear the blood rushing through his veins, he listened.

Five.

Your voice in the wind, almost like a whisper. Calling for him. Just like you did a long time ago.

His soul gave a scream that shook him to the very bones, and he didn't notice when his eyes widened and his breath hitched. Suddenly, his whole body came back to life, being pulled sharply from the bottom of the ocean, submerging, desperately, breathless, astonished. Abruptly, the heat returned to his hands, to his cheeks, to his heart. Five could feel warmth coursing through his body as if they had rekindled the flame of his soul.

Was like resurrect.

He looked back in one jerk, spinning in place, heart pounding in his ribcage, his frantic, frantic eyes darting around every corner.

Nothing.

“Hey, are you okay?” Klaus looked back, focusing on his brother, but Five didn't respond.

He walked past Klaus as if he couldn't hear him, his eyes and hands trembling visibly, his step tight. Five chased the wind current as if he were chased his life, oblivious to anything or anyone.

His siblings, finding the situation strange, followed him without hesitation, accompanying the owner with green eyes entering more in the house. They had no idea what to expect, or what to think, but they stopped behind Five as he froze in the middle of the living room, eyes petrified, wide, fixed on a very specific spot at the top of the stairs.

But nobody noticed what he saw.

While all the Hargreeves were taken aback by Reginald's appearance in the outer corner of the room, stunned and petrified, growing more and more stunned as their father went on to explain the situation, Five couldn't take his eyes off the top of the stairs. Nothing in the world would have made him look elsewhere.

You.

You.

Fucking hell...you.

There, standing next to people he didn't care to find out who they were, looking down, observing at the people who had just entered.

Suddenly, everything inside him was whipped by currents of electricity, as if he'd been struck by lightning. An argument seemed to be brewing in the background, but Five Hargreeves didn't fucking care. May the world explode, may everything end up in dust, fire or water. He didn't want to know.

You were there. With the sunlight coming through the large windows behind your back, and illuminating your silhouette as if you were a deity, a goddess, a muse. You shone. Like the gates of heaven. At that moment, the soul of Five Hargreeves fell to his knees in front of you. For you.

An extremely strong emotion invaded him without asking permission, destroying everything he once was. Five felt like crying.

As a war in the background unfolded, the people who were beside you started to descend the stairs one by one. But he couldn't take his eyes off you.

“Five. Five.” Luther seemed to call out to him in the background, but he didn't care.

You walked down the steps the same way you glided through that ballroom, as if the floor were your clouds. Yours robes were uniform this time, but Five was pretty sure that behind that high collar, your skin harbored a birthmark on your collarbone. Your hair was down, but he knew how you looked with your strands tied up.

With each step you took, more his pulse quickened. It was like a dream, a mirage, his oasis in the scorching desert. At some point in the battle against the Commission he had died, and that was his dream.

However, Luther's hand gripped his arm, forcing his green eyes to meet his brother's.

“Dude, what's wrong with you? Didn't you hear dad saying that we're in another reality?”

“I am not your father.” Reginald countered. “Not in this reality.”

Five frowned, rationality slowly returning to his body, his brain taking over once more. A parallel reality. That explained a lot. A reality where…you existed.

Holy shit.

Someone said the Hargreeves had better go, and Five would have laughed out loud if he hadn't submerged in thoughts. If they really was in a parallel reality, that meant you didn't remember him. You didn't even know him. The version who have danced with him was still in another century, in a timeline far, far away.

But…Five looked up. You radiated the same beauty of the romantic period as before, your skin still looked feather soft, your lips still where able to take away his complete self-control, your eyes still have… the same glow that he remembered so many times during so many nights.

You didn't know him, but that didn't matter. Because Five knew you.

He suffered the worst of martyrdoms all this time, and now that he'd finally, finally found you once more, he wasn't going to leave. Even if it meant having to make you fall in love with him all over again. In fact, Five Hargreeves would dedicate his entire lives to making you fall in love with him all over again in every reality there is. He would have as many times as necessary a first dance with you.

He didn't realize it, but his lips lifted in a smile. In a snap of fingers, everything reached a apex, higher than the buildings, higher even to the clouds. All the problems evaporated like mist in the sun, and being in a parallel reality, with a father that wasn't his, in a house that wasn't the one he grew up in, seemed to be extremely insignificant.

For the first time in a long time, Five Hargreeves was happy. And nothing would change that.

That's when, amidst all the arguing the Hargreeves and Sparrows were having around, your eyes met his. And for him it was like coming home after an excruciating winter.

You cocked your head slightly to the side, intrigued by the way that man was looking at you so…surrendered. You understood the gravity of the situation, of those strangers breaking into your home and trying to claim everything as theirs. You were also irritated just like your siblings.

But... when you looked at that man… with eyes so green and hair so dark, something inside you caught your breath. A shiver went up your spine. And maybe you were crazy, but you can swear that felt your soul heave a sigh of…relief. A strange, emotional feeling reverberated through your spirit as if…somehow you'd just found what you've spent so long waiting to met again.

It don’t make sense.

As the confrontation unfolded between the two families, you couldn't help but notice that, minute by minute, you found yourself wanting to look at this man more. As if it were never going to be enough, as if the second you turned your head, you were overcome with an insane urge to see more. You should be focused on trying to get those strangers out of your house, not admiring one of them.

But Five realized that. A spark inside him vibrated with hope, and he delighted in being able to relive the feeling of what it was like to be looked at by you again.

But before he or you could even do anything, the physical feud between the two families broke out with astonishing speed, spreading like the plague. Diego, as usual, was the first to go into battle, followed by Luther and Allison.

See, you didn't consider yourself a confrontational person. Your peculiarity was to manipulate the natural elements and, although that made you one of the strongest figures among your siblings, you had a more adventurous spirit than a fighter. There was no such homeric thirst in your blood to be the best, the strongest, the most brutal. Ben said that was the most unattractive thing about you, but Sloane saw this feature with good eyes. Like you, she wasn't much inclined to brutality.

The fight drove you and Five away from each other, separated by rooms, siblings and war. You saw your family appeal to brute aggression very quickly, while, if you're honest, you didn't want to hurt anyone. Is trut that you were irritated by the way they claimed your house as theirs, but you didn't think they were bad people.

Or all this bland resolutions were for the fact that you didn't want to hurt him. Because, in some way you couldn't explain, you knew he wouldn't hurt you.

But that's when Alphonso yelled at you from upstairs. “Y/N! Do fucking something too!”

Everyone was scattered around the house, but you still remained downstairs, in the living room, arranging a way to help without being very aggressive like your siblings were being. You had no intention of killing or seriously injuring them, but you also weren't willing to put up with the scolding your brothers would give you if you continued to be omitte.

So, when one of the strangers came running to get away from something, the tail of his dark overcoat dancing in the air and his black hat toppling along the path, your reaction was to do the one thing that couldn't seem to do any real damage. In a wave of the hand, the windows were shattered by large, sprawling tree roots, that came out of the garden earth like thick snakes and entered the house in a steady stream.

The man gave a high-pitched scream, but his feet were already entwined by the roots and he was knocked to the ground. The roots, which spilled earth over the floor and exhaled a forest smell, wrapped themselves around the man's body up to his chest, with the only purpose of immobilizing him.

You weren't putting force or brutality, and you were sure the roots were just putting considerable pressure on, like a bandage around an injured arm. But the man didn't seem to notice this, because he kept screaming.

The fear should still be clouding his senses, and you revealed the situation. For it wasn't often that someone was wrapped around by giant roots that moved of their own accord. In your place, you would have reacted that way too.

“Hey, hey” you tried to get closer “It's ok, they won't hurt you and…”

But your speech was interrupted by shrill hum, which cut through the air with force and passed like a bullet in front of your face, shaking a few locks of your hair. The speed were frightening, and for a second your heart stopped in your chest. The fright made you take two steps back immediately, but in a matter of seconds any feeling was replaced by a very strong burning in your left cheek. In the same second, a hot liquid began to ooze from your injured skin like water in a current, spreading pain wherever went.

Two seconds that were able to put you face to face with death. Because that attack was not joking.

The bearded man ran to help the one who was lying on the ground, forcing his freedom between the roots that were now weak due to your distraction.

Unlike you, Diego didn't care about the things he had to do to save his family. He was willing to injure, inflict permanent damage, even killing if that was the only way out. He would have a guilty conscience later, but in the heat of the moment, he wouldn't hesitate. Diego did this to the Commission agents hours ago, and he would do this to you if he had to. As sure as the sky was blue, the Sparrows were the enemy. And he was the hero. Thats it. Two polar opposites, destined to face each other into the death.

And that was why he didn't hesitate to attack when he saw Klaus lying on the floor, screaming as if he were being killed. After getting a small taste of the kind of things your powers were capable of doing, it was pretty clear that you were one of the first ones that needed to go down. So Diego didn't hesitate either when he pulled Klaus off the ground, and wielded yet another dagger. Aiming not to hurt, but to kill.

But love could drive even the smartest minds crazy.

Because when the dagger was thrown in the air, a blue flash invaded the scene and a male body enveloped yours, pushing both of you aside in a rough, protective, intense gesture.

Five Hargreeves was on the stair railing, fighting Jayme, when Klaus's screams grab his attention. He didn't have much time to process what he was seeing, but the moment one of Diego's daggers slashed across your cheek, the primal, visceral instinct he'd felt so long ago, with The Handler on  The Commission, roared through him like an angry beast. So when another dagger was wielded and thrown into the air, he didn't think twice, didn't hesitate, didn't blink.

Dropping everything behind, Five Hargreeves dove into the blue flash, having you as the only focus in mind.

As soon as the crash of his body with yours caused you both to leave the deadly path, the arms, masculine and wide, wrapped around your back as if he were holding the only anchorage on the high seas in the middle of a storm. His heart was pounding in his chest, and as much that adrenaline, primal instinct and rage were bubbling through his body, he still managed to feel his soul sighing in deep relief when felt your warmth again in his arms.

"WHAT THE FUCK ARE YOU DOING?"

Diego's angry roar seemed to shake the walls, but didn't stop the obstinate, angry look that swallowed Five's expression.

“Diego…” his voice didn't match the situation the Hargreeves found themselves in. His tone was serious, steady, so calm it was terrifying, like the warning of darkness to the light. “Stay away from her.”

His brother's confused and perplexed look couldn't have been more accentuated. And even Klaus, known for being the least serious about situations, looked completely astonished. Five Hargreeves didn't held you like he was preventing a murder. No. He held you like Cerberus should have held the only person he was ever loyal to.

"You are fucking crazy?!" Diego gestured with his hands “Let go the enemy now!”

The Hargreeves have been through a lot, seen a lot. Many of them being absurd, beyond any rationality or law of physics, moments in which they had to deal with situations that were not possible to be of this world. But nothing, and no one, could have prepared Diego and Klaus for what they heard from Five;

"Never."

The moment was dispersed when Viktor appeared in the room, shaking, hurt, out of his mind. His head fell back in a single gesture, his arms opened up and the fists closed, as white lights began to shoot out from within his eyes and chest.

Five Hargreeves knew what that meant.

He didn't think twice before running to the side,  hiding you behind the bar counter and lowering you two bodies to the floor. His body in front of yours, blocking access to the roughest impact in you.

You two had three seconds, three seconds to look into each other's eyes before the flash explodes. And in that three seconds, the only thing that passed in the soul of both of you was the feeling of finally being where should be.

-----------

"They're stupid villains who think they're smart!" Ben was furious in the kitchen, pacing back and forth.

The last few days had passed like this. With Ben angry about the invasion, Ben angry about the fight, Ben angry about Marcus disappearing, Ben angry about... well... he was always angry.

Of all your siblings, he had the worst temper. Fei and Christopher were practically his dogs, going along with all of Ben's stupid plans just because... you really didn't know why they followed him so fervently, but had a theory that it was because they both thought they would have more power when Ben's plans came to fruition.

A hierarchical system that filled the family with toxicity.

On the other hand, there were Jayme and Alphonso. You never really understood the two, but you described them as bullies. A duo who liked the power they had and how they managed to exert it over people.

The only one you could relate to more deeply was Sloane.

"It would have been better if Y/n had made an attack." Alphonso brought your name up in conversation, his gaze full of rancor.

"Fuck off, asshole" It was the only thing you deigned to say, because you didn't have the patience to deal with his comments at the time.

The truth is, since the invasion, you couldn't get him out of your mind.

It was like a drug, an addiction, that had seeped into your blood from the first time you laid eyes on him. There was something there, something you could never explain. He should be the enemy. Your enemy. But…

The way he saved you from the knives, the way his arms wrapped around you. Almost like he already knows how to hold you. How to protect you.

Your heart couldn't slow down whenever your thoughts returned to that man. From the memory of him placing his body in front of you, standing at the forefront of the explosion.

He saved you. Everytime. And there was something that told you he would save you every chance he got.

The truth was…you wanted to see him. Know his name. Talk with him. There was no longer a fiber of your being that saw the situation as your siblingsdid, your body was facing the complete opposite north.

You wanted to touch him, not fight with him.

When time passed, and Luther showed up at the mansion as someone who was kidnapped, you, again, did not see the situation as a beneficial opportunity for your family. But for you.

Suddenly, your entire soul was gripped by a completely unsettling anxiety that made your hands itch, stomach churn, and your legs unable to stay still. Then you were swept by a feeling of deep sadness, as if you'd already experienced what it was like to spend your whole life wanting to see that man and never getting.

There was no more logic, rationality or coherence to what you were feeling, but finding him was as indispensable as breathing.

That's why you volunteered - more like an imposition - that you would be the one to escort Luther home the moment Ben said he could leave.

“It was kind of you to accompany me” The blond man smiled at you, as the two of you walked through the night streets.

"It was nothing." You tried to sound casual, but with every step toward your destination, the more your hands itched, the more your heart was racing, and in a moment, you found yourself picking up the pace to get there faster.

“I have to confess that you were a topic of discussion between my brothers.” Luther laughed, his odd way of bringing up the subject and not mincing words.

But that got your attention. "What do you mean?"

“A-ahem…well…from what I understand, Diego wanted to kill you, but Five stopped him and…”

Five…Five

His name was Five.

Something inside you stirred. An unfamiliar emotion, but one that made a smile rise to yourcheeks.

“Five” you tried to say aloud, and his name just… felt right on your lips.

You went the rest of the way not being able to pay attention to a single syllable Luther was saying. You don't wanted to be rude, but you just… couldn't stop thinking about Five.

“How long before we get there?” you cut off something Luther was saying about Sloane, and the blond eyebrows drawing together in strangeness.

“Actually” he looked at the big hotel in front of him “We already arrived and…”

But you couldn't stop yourself. All of your muscles felt like they had undergone countless electrical discharges, your heart was faster than any living soul has ever been, and your blood was rushing through  your veins like marathon runners. You increased your pace considerably, quickly climbing the steps and opening the doors of that building as if you had just walked through the gates of paradise.

You needed to see him.

Luther came up behind you, giving you a suspicious look and walking towards a bar, where the outlines of several people were talking.

-----------

"I returned." Luther's voice brought Five out of his thoughts, and a part of her brain tried to remember the time his brother had left.

And he didn't find any answers.

To his defence, Five's mind had been elsewhere these days. Moments when he rewound in his mind once, twice, three times. Not even the impending new apocalypse knocking on the door seemed to have any effect on Five. To be honest, he… saw no point in trying to save the world this time. Meeting you once was a miracle, but meeting you again, in an entirely different reality and without The Commission making things difficult, seemed like too much of a luxury for him to ignore.

The truth was that in the first attempt to escape the apocalypse he ended up sending the family to different times, with intervals of years between each one. And, deep down, he didn't know if he could handle trying to take you with him to another reality and end up losing you too.

Five had been through this once before. He knew pain too well not to be willing to risk it.

“What is the enemy doing here?!"

Diego's voice snapped Five out of his thoughts, and an electric current shot through his head and reverberated down to his toes. Immediately, without any hesitation, his eyes flew away, finding not just Luther - whit several bags in hand - but you beside him.

You.

Something inside him ignited, his heart raced and, for a moment, the whole world around him fell away.

But just for a moment, because Diego was already getting up from his seat.

“Hey. Hey!” Five teleported away, once again placing the body in front of you . “What the hell do you think you are doing?”

“What would anyone do to the enemy! What are you doing? Defending a stranger again?!"

“She is not a stranger, Diego. Now be quiet in your place before I have to do it for you.”

"She is not?" Klaus and Viktor said in unison

"I'm not?" Your voice, the only one that mattered to him, came from behind his back, quieter than the others but loud enough for him to hear.

Five turned towards you, turning his back on his siblings. Unlike how he looked at Diego, his eyes held all the softness and attention in the world when they met yours. A small smile appeared at the corner of his left mouth, a secret smile, hidden from the world but revealed only to you.

"It's a long story," he admitted, having no idea how to start. How to tell something that even to him don't make sense.

“I came to see you.” you rewarded his honesty with another truth, a gleam crossing his eyes like shooting stars. “I have time to listen.”

A smile blossomed on his lips, and Five was overcome by the purest feeling of happiness. Without saying anything, or giving anyone satisfaction, his hand laced into yours, and he disappeared with you in the blue flash.

-----------

Any sensible, practical, centered woman, would have laughed at what Five had just told you. Anyone who didn't get carried away by matters of the heart and didn't believe that two people, when destined to be together, are helped even by the wind, would have turned around and walked away.

But you weren't a sensible woman, nor practical, much less centered. Your being was composed of romance, adventure and magic. You fervently believed in destiny, soulmates and that some loves are capable of overcoming the barrier of space and time.

What's more, if all that wasn't enough, you also felt, from your soul to your bones, sensations that couldn't be explained. Feelings he was also saying he felt too. You believed in him. And that fact came as soft as the droplets of dew, as the brightness of the moon.

After his account came to end, with him letting himself be vulnerable in telling all the thoughts that ever crossed his mind about you, the urge to say just one thing screamed your blood rumbling. “You’re no the villain in my story” your words hung in the air.

“I am,” Five's voice brimmed with a liquid honesty that was able to chill your bones, but nothing in his words hinted at remorse for the things he'd already done. “But i'll be the villain for you. Not to you. I'll let worlds burn again if it means keeping you alive. In a problematic way, that I'll never be able to explain, I don't feel guilty about doing something if it means your safety.”

Five Hargreeves expected many things. Many different reactions. Many words of contradiction. But never what happened next.

Your mouth, without any hesitation, joined his in a kiss that was capable of making his world explode. His body was ignited by a fire that swallowed even his soul, washing away all his sins and giving a demon a taste of heaven.

So what was it like to kiss a goddess? An angel, a muse.

If before, without even touching your skin without the interference of clothing, Five would have happily accepted going to hell, now, with your hot mouth melting into his like warm honey, he would accept the torture of eternal fire with a smile on his face.

And when the small kiss intensified into something much bigger, his hands, warm and masculine, wrapped possessively around your waist. There was no going back. There was no turning back. Five would keep you for himself in the same selfishness that a villain steals a princess. And there was no hero in the world capable of pulling you away of his clutches.

“Are you sure that’s what you want?” He found the last bit of strength to let you know when your hands untied his tie “I could really hurt you.”

But all good intentions evaporated when your eyes, eager and full of desire, blinked at him. There was an addictive sweetness in that look. The way your lashes fluttered against your cheeks, the way your eyes held tinges of delicious submission but hid an incendiary fire behind them.

Fucking damn. He wanted you so badly.

"I don't care." Your breathless whisper invaded the room. But he didn't know if you understood the seriousness of the situation.

“Y/n.” his hands cupped your face. “I spent a lot of time contenting just for the way you looked at me. Spending sleepless nights reliving what it was like to feel the contour of your waist in my hand.” His voice was serious, deep, rough like sand scraping against stone. “Do you have any idea of the things I'm going to do to you now that I can finally, finally, have you?” his pitch lowered a few notes, like a predator talking to its prey.

You didn't know it, but only imagination made yours thighs tighten.

“I can destroy you.” his lips went to the foot of your ear, down to the curve of your neck, inhaling  your scent and tasting you. “I can leave your body purple, your breasts bitten, your hips marked by the aggressiveness of mine whenever I enter on you.”

A moan escaped your mouth, fingers tightening on his arms, head lolling to the side.

Oh lord, please he do that.

Five's hands went up to your shoulders, in a touch that became more and more possessive, gluttonous, as if he wanted to swallow you.

“I can spend hours fucking you.” his fingers lowered the straps of your dress, letting the fabric fall unceremoniously to the floor. Five pulled his face away enough to be able to look at your body fully, and a husky growl followed right away. “I can kill you.”

Here, in that moment, Five Hargreeves was giving you one last chance to give up, to make him tame the villain he was and who would destroy you for any other man.

If you slept with Five Hargreeves, you would never stop being his.

"Do it." but you didn't have an ounce of self-preservation in the inner body "please."

You didn't have to beg twice. His hands pulled your legs up, making you place your feet on his hips and hug him with your legs. Your back hit the closed bedroom door as Hargreeves' mouth claimed all it could of his. Twisting your tongue around his, biting and sucking on your bottom lip, he was beginning to mark you as his in a single kiss.

“You have no idea how much I want you.” his confession was more of a hoarse groan, hands fumbling with his belt and lowering the waistband of his pants.

Under other circumstances, he would have sucked you until drive you unconscious, pushing your walls with his fingers until you begged for his cock. But he didn't have the presence of mind to do that now. Not now. Not today. He warned of the consequences of wanting to continue at that moment. But you wanted, you begged, and now he was no longer afraid of being able to fuck you with all the vehemence he needed.

Your moans invaded the room very quickly, your waist, even if limited by the door, moved in his groin, exorcising any common sense and control that Five once had.

He pushed your panties to the side impolitely and entered you in one single, glorious, primal thrust. His cock slid in with extreme ease, being completely soaked by the way your pussy was so slick.

“Oh fucking hell” his growl sent even more waves of pleasure to your uterus, and you pressed your mouth to his neck to keep from screaming.

That's when he withdrew and pushed himself into you. Strong, brute. Hitting until found the bottom of the well. His thrusts began relentlessly, thrusting in and out of you aggressively, possessively, almost animalistic. Five's hands were all over yourbody, fingerprinting every bit of your flesh. The nails digging into your waist when you contracted and squeezed him within your plush walls.

“Fuck. fuck.” his groans mingled with the attrition of the bodies of you two against the door, which sent loud, telltale noises throughout the  hotel.

But you would rather die than stop.

His cock suddenly hit a place that made your moans come out too loud. Tears began to pool in the corner of your eyes, and your toes curled.

“Oh do you feel this, baby?” Five teased you, digging himself as deep as possible anatomically and rubbing the tip of his cock there, eliciting sly, desperate cries from you  "That's your cervix."

Then he went back to fucking you aggressively, this time pulling his chest away from you and digging his hands hard into the flesh of your hips, pulling you towards him at a intensity that could only be described as animalistic.

This was better than anything he had ever tasted in his life. Better than any sin. Better than any whiskey.

His cock desecrated your pussy like it was the only thing that mattered in the world, pulling thick liquids out of you that enveloped him in pasty white rings. Five Hargreeves would ensure that whenever you thought of any man, your mind was invaded by the way he fucked you.

"I will… I will…" your tearful voice blended with the noise of the door slamming and your bodies bumping into each other.

“Thats right, baby” his mouth covered your “cum for me. cum so I can fill that gluttonous pussy with my cum.”

If the way he thrust in and out of you wasn't enough to make you come, his lines had done the job. You came in a glorious explosion of stars, colors and sensations. Your body contracted with absurd force and relaxed like the best of massages. Your arms went limp around his neck, and you could feel his cock tremble and the hot, thick liquid fill your entire pussy.

The noise of the door stopped, his moans calmed down and now the only thing that could be heard was the heavy breathing in the air.

You thought it was over, until Five climbs a hand to your neck and lets out  a broken growl "'You look so good with my hand wrapped around your throat, baby."

His cock moved inside you, moving in and out smoothly, pushing his cum even deeper inside you. Make sure you gobble it all up.

“Did you think we were done, princess?” he chuckled evilly, his lips moving closer until they were inches from yours. "I'm just getting started. I'm going to show you how much I've wanted you this whole fucking time.”

#number five #five headcanons #five fanfiction #five x reader #five imagine #five hargreeves x reader #five hargreeves #five hargreeves imagine #five hargreeves smut #five hargreaves x you #five hargreeves x y/n #number 5 #number five x reader #number 5 x reader #number 5 imagine #tua smut #fanfic smut #tua season 3 #five hargreeves angst #five hargreeves fluff #number five smut #number five x you #The Umbrella Academy #the umbrella academy fanfiction #the umbrella academy imagine #the umbrella academy smut #Smut #smut five

[tainbocuailnge]

Hey, sorry to send an ask without us knowing each other 😅

But I just saw you in the tags in the post about jrpg translations, saying that FF14 has better translations in other languages.

Can you talk more about that?😊

I played in English before and it was okay. I tried German too, but was a bit disappointed. So hearing you say that, I'm genuinely curious to hear more!

I've been replaying msq in german and wrapped up tsukuyomi just yesterday and it's insane the extent to which german is more thematically consistent and has stronger and more nuanced characterisation than english. i think the german script is more poetic too, despite english trying so much harder to sound flowery and important. I've been translating bits and pieces to my friends and I keep feeling like I'm presenting them with that botched jesus painting restoration because I just don't know how to convey how beautifully constructed some of these sentences are. the german translation team are genuinely very good writers.

as an example of what kind of differences we're dealing with here, and since it's what I finished most recently, in german from the start there's a lot more emphasis on how it was systematic mistreatment from the "good old" doma that lead yotsuyu to where she is, and that her cruelty is specifically retribution for the way doma has failed her (as opposed to english trying to frame it as in large part to satisfy her personal sadistic impulses). gosetsu is repeatedly shown to be sympathetic towards her for this even while she's actively trying to hurt and kill him (as opposed to english having him be sarcastically dismissive of her), which makes it make way more sense that he'd take tsuyu in his care later even without the "also she reminds him of his dead daughter" bit (that they do still tack on at the end but doesn't feel like a handwave excuse as much because of aforementioned consistent sympathy).

in english hien has several lines showing he's hostile to and wary of tsuyu and waiting for the right opportunity to kill her, but in german hien brings up killing tsuyu one (1) time and when gosetsu argues for her right to live hien agrees, and the difficulty in keeping her around is not his personal dislike but that it's hard to guarantee her safety when the doman people will want violent retribution in turn (in clear parallel to lyse trying to keep fordola from getting lynched without a fair trial). because german hien is not constantly talking about how he wishes he could just kill yotsuyu for her crimes, it doesn't read as pathetically incompetent of him to let her sneak out of the mansion multiple times because he was treating her as harmless citizen of doma instead of an enemy of the state (because german in general emphasises a lot that she SHOULD have had a place in doma), and her backstory is taken seriously as part of his motivation to create a better doma that she perhaps could've had a peaceful life in

there are many cases like this where german displays a nuance that english doesn't, and from very early on. in english arr cid ran away from the empire out of moral disagreements, in german it's clear that he also holds a complicated resentment over losing his father to project meteor and then his replacement father figure gaius to a similar mad search for power, something that in english doesn't come up until all the way in shadowbringers with bozja. in english castrum meridianum livia says she's going to kill you because gaius is hers, in german she's mad at you because you killed her friend mr cape westwind and is going to kill you before you can take gaius from her too.

in german heavensward thordan sounds much more convinced of his principles. when you defeat him in english he's horrified of how you could possibly overcome the amount of faith he's powered by, in german he's horrified that the future of ishgard will be thrown into chaos in the name of your pursuit of truth. gaius sounds more convinced of the ideals he spouts too, and it feels more plausible that he has people willing to die for him and his ideals. in german the similarities between nidhogg and estinien are clearer, and when nidhogg possesses him he insidiously frames it as an act of kindness.

in german, many random moments of misogyny in the english script outright don't exist. matoya doesn't make fun of alphinaud for looking like a girl. alphinaud isn't dismissive of alisaie in binding coils. most of the lines in english that insult or dismiss yotsuyu as an evil whore don't exist in german, and lines that weren't about her at all in english turn out to express sympathy towards her in german. in english hydaelyn had minfilia fuse with her by force, in german it was minfilia's idea. in english i was bothered by lyse being made head of the resistance because she sounds so unsure of what to do and think right until the end, in german she's full of conviction and clarity of purpose. I'm sincerely convinced the english team hates women.

because german doesn't go out of its way to sound like some kind of ancient wizard prophecy at every turn, several scenes which in english were confusing convey their information clearly in german (I'm particularly thinking about the minfilia anitower scene here). characters talk clearly and with a lot of personality that english fails to achieve because everyone has to speak faux old english. and because most characters talk like real people instead of ancient wizards in german it's extra cute that urianger does in fact talk like an ancient wizard.

as a more personal gripe, I have noticed several moments where the english script centers the warrior of light and their importance and struggles, while in german those scenes where about, like, the character the scene is about. german wol is still hydaelyn's favourite freak of nature and everyone loves them obviously, but as the example most fresh in my memory there's the scene in early post-stb where you visit fordola in her cell and she unwillingly looks into wol's past thanks to her fake echo. in english, she asks wol how they can bear all the suffering other people have put them through. in german, she asks how wol manages to stay sane when the echo makes you so deeply aware of the suffering of others. in the flashback of her past you see in that scene the german script also mentions that her face tattoo is an ala mhigan design, which makes it clearer than it was in english that she was specifically trying to rise the ranks of the imperial military as ala mhigan and makes her motivations more coherent - namely wanting to prove both the ala mhigans who hated her for being garlean and the garleans who hated her for being ala mhigan wrong by achieving success as both (and the power to lash out at both).

there have been very, very few moments where I actually thought the english script was better (shiva's trial lines and like, one line hien says at the steppe, that's it), and the vast majority of the time german is anywhere from about the same quality as english to just insanely better. the english script is so concerned with sounding cool and important that it becomes scared of letting characters be motivated by emotion. it's plagued by the kind of insincerity and insecurity that plagues so much of western media and leads to movie superheroes making fun of their own costumes. the english script will write one good line and then keep repeating that line ad nauseam and yet still fail to achieve the amount of internal thematic consistency the german script has, because english is relying on this handful of cool lines to carry its emotional core instead of actually letting the emotional core drive the characters. combined with the consistent pattern of dumbing down and/or vilifying female characters frankly I want to beat koji fox with hammers.

I'm actually very curious what about the german script disappointed you. the german voice acting is not good so if that's what turned you off I completely get it (I play with jp voices myself) but that's separate from the actual writing. these kind of things will ultimately always come down to personal preference so i won't judge but as you can tell from these several paragraphs i feel very strongly about the quality of the german script so I find it hard to imagine why you think that

#riverrabbits #king of asks #efksiv #ffxiv

[amerricanartwork]

I saw your lilypad art post, and I got curious: why do you enjoy lilypad? it's not a common RW ship, so I'd be interesting to hear what about it you enjoy!

Hear me out, guys... I must explain myself before I get onto the Lilypad essay.

I made that original comment because, at the time, I wanted to just get the aforementioned headcanons out as soon as possible. Understand, my reluctance wasn't because I didn't want to talk about Lilypad, but rather the exact opposite: I had so many feelings about it, yet had put so little effort into expressing them in a coherent, presentable format that I just knew it'd distract me for the next week or two if I let it rent too much space in my conscious thoughts. But now that little comment has left me with several people asking me to share those thoughts, and, both thankfully and unfortunately, I simply can't resist indulging in thoughts about the characters I love—!

Keep in mind, I haven’t finished Saint campaign yet, and even then I’ve found like less than half the broadcasts in Spearmaster campaign yet, so there’s likely some extra canon info I may be missing that could add to or change some of what I say here. I also apologize if some of what I write here seems really out-of-character. I try not to let my passion for my little headcanons and scenarios make me disregard the canon, but even so, I might slip and think up some weird things occasionally. Nonetheless, I feel like I’ve got enough of the picture to start confidently enjoying this ship, so I’ll talk about it anyway! 

As always, feel free to add to these ideas if you can! Without further delay, enjoy this 3381-word essay, with a few initial headcanons sprinkled in, on why I adore Lilypad!

Oh, and just in case, if you couldn’t already tell, major Hunter campaign spoilers below.

Quetzalli on Loving Lilypad

I’m gonna start this out with a preface: I can generally find the appeal in a lot of different ships and the art other fans make for them, but for me to ship something enough to actively draw it and make my own headcanons about it and such (outside of, perhaps, gifts for other people), it usually has to contain a variety of “ship tropes” that I personally fancy. Many of my most-favorite ship tropes tend to be the ones that aren’t just cute, but that carry narrative significance and seem poetic in some way, usually because they can facilitate character arcs in the involved characters. The more of these a ship has, or the more ship tropes I can portray it with without it seeming too out-of-character, and the more I like those specific tropes, the better. This principle is a major reason why I’ve gravitated towards Artimand as my main slugcat ship, but for now, I’m going to focus on which of these I see in Lilypad — in canon content, other fan-portrayals, and my personal headcanons — that, as opposed to other iterator ships, has currently won me over.

I’m gonna describe the main general things I like seeing in this ship. Some of them are more due to fandom portrayals than what’s in the canon, but they all play a big role in my current love for Lilypad. 

Synergy

I’ll begin with how I really appreciate just how much synergy Looks to the Moon and No Significant Harassment are shown to have, at least in fan content! I always like seeing pairings where the characters aren’t just romantic, but also work really well together as a team or even just as friends. After all, just because the characters may be romantically in love doesn’t mean they must only show it in explicitly romantic ways. To me, Lilypad strikes me as a relationship where Sig and Moon would make an amazing team in many aspects of their lives, whether it's collaborating on projects, sharing their interests, or trying to maintain order in the rest of their group. And their compliment is just really sweet to me, though I’ll get to that later.

A Shoulder to Lean On/The Lady

One of my favorite ship tropes is “character with a lot of weight on their shoulder who finally gets to lift it off and be ‘normal’ for once when around the other”. I’ve always found it sweet when characters like this, especially ones who are normally very selfless, finally get a chance to indulge and enjoy themselves for once! And once again, this is another thing I imagine in Artimand too, and you could project this onto Trafficlights given Suns’s implied high status, but I think it works especially with Lilypad, given Moon’s role as group senior means she objectively has a lot to manage all the time with no permanent escape from it. Even beyond the whole Five Pebbles rot drama, Moon probably had a lot on her plate just in terms of maintaining order between the rest of the group and setting a good example to the younger generations, especially as the group expanded over time, not to mention trying to find the solution herself. Combine this with how I picture her to be the kind of person who cares a lot about her image as a “proper” and  “dignified” leader, and someone who often sacrifices her own desires to promote the group’s welfare, I just find it really soft for her to have someone to lean on, metaphorically (and in a worm-off-the-string scenario, literally), and who better to go to than her best teammate, who knows the power of a good laugh and will stop at nothing to have fun with those he loves? Not to mention, since I headcanon Sig as slightly younger than Moon (2nd gen, specifically), I just find it rather cute in an ironic sense that the older, more serious Moon is soft around the younger, far more chaotic Sig, especially as Moon would go through the realization that she actually kinda likes this little troublemaker! 

This also comes back to something I mentioned in the tags of that beepsnort post, which is that one of my other favorite ship tropes is “guy who loves/is good at making people laugh x girl who has a REALLY weird/embarrassing laugh”, and that just works so well with Lilypad! It’s admittedly a very headcanon-based thing for me, but given how I’ve already explained my perception of Moon as very proper and serious, I imagine one of the best ways Sig takes the weight off her shoulders is by being the only person who can consistently make her laugh so hard! And with the beepsnort headcanon it’s even cuter, because of course Moon would be super embarrassed every time she even so much as gives a half-chuckle at one of his jokes, because Sig is relentless when it comes to getting the giggles out of her, and he won’t stop until she’s rolling and shaking on the floor of her chamber, her beepy-snorts filling the room! My GODDD I love this trope so much, and for beings who are inherently such workaholics, I think getting to genuinely relax and have fun for a bit, once she gets over the initial shock and embarrassment, would be something Moon would really come to value.

Inverses Attract/The Tramp

I’ve mentioned it in my last Artimand headcanons post, but one of my absolute all-time favorite ship tropes is the classic “opposites attract”, although I prefer the name “inverses attract”. As I like to portray it, the trope not only involves characters who are opposites personality-wise, but those being opposites of the same core aspect, and ultimately helping balance each other out by offering the other half of the equation to each other (hence the name “inverses”). The trope I just wrote about above is how Sig helps Moon to relax and have fun, but as I try to do with all ships, how does it work the other way too? Well, I really like to imagine Sig learning to be more openly serious and dedicated! Don’t get me wrong, Sig is a hard worker (it’s pretty much the nature of all iterators), but given he seems to pretty strongly reject the quest for the Triple Affirmative, I imagine the next problem would be in him finding a new purpose to strive for. And what better new purpose than in standing by and protecting the group senior he thinks he just might wanna be more than friends with?

It already works because Moon, of course, would work to keep Sig in check and make sure he doesn’t go too overboard with his shenanigans. But just imagine how inspired he’d grow over time seeing Moon work so hard to keep the group together and keep them striving for their purpose, even if he doesn’t agree with it. I imagine it’s why Sig’s methods are still rather controlled rather than purely chaotic, and there’s a reason to his rebellion. Thanks to Moon, rather than slaving away at a seemingly impossible solution until his mind collapses with his structure, he’ll use his talents to, at the very least, keep the local group together as long as possible, because even if they’ll all be gone one day, that doesn’t mean they have to go alone!

It’s why I’m also labeling these two tropes together as “the Lady and the Tramp”, yet another ship dynamic that gets me every time! It’s a specific instance of “inverses attract” where the noble, proper lady finds a taste of freedom and courage from the dangerously charming tramp, who from her finds a new sense of purpose and honor! And in my opinion, Lilypad is most definitely the best opportunity for this dynamic among Rain World ships!

The Fated Couple

Slow-burn couples seem to be pretty popular in many fandoms, but what about a really slow-burn? There’s something just so romantic to me about the idea that Moon and Sig, from the moment they met, have always just clicked so perfectly, and have been by each other’s side so constantly ever since, to the point it seems practically inevitable to everyone (except them of course) that they’ll eventually get together romantically. Of course, there are two main roadblocks to their romance being 1.) their whole objective and purpose for being created is kind-of fundamentally opposed to strong attachments like love (I mean, if Karma 3 is Companionship, wouldn’t romantic love be considered the worst example of that?), and 2.) even if they did reject this purpose, being massive immovable structures with the only humanoid part stuck deep inside a box, a budding romance seemingly couldn’t really go anywhere anyway. In fact, because of these roadblocks much of my Lilypad imaginings take place in the ever-popular “worm-off-the-string” scenario, especially since the next couple of reasons for why I like the ship play a lot into the themes I like to incorporate in this story concept. 

However, these issues towards such a romance are also what make it so sweet in the end! Just think of Moon, alone in her chamber, beginning to worry about how she’s actually kinda sorta, maybe, hypothetically, possibly, just a little bit starting to like the carefree and charismatic Gen 2 in the local group as even more than just a work partner and a dear friend, but oh no, that’s indulging in a Karmic Sin, and as group senior she can’t just throw away their purpose like that and set such a bad example to the rest! What’s she gonna do?? And then on the other side, Sig puzzling in his chamber, pining so hard for the group senior yet seemingly unable to confess, because, even disregarding Karma 3 and the fact that giant immobile calculators aren’t about to be snuggling any time soon, why would someone as perfect and powerful as her want someone like him, so dismissive of their core purpose and unorthodox in his methods? Is there even a point in having these feelings at all, when they might very well end up simply fading to dust along with the rest of his structure?

Maybe, they both think, it’d be better to just keep these feelings to themselves and quietly love from a distance. That is, until…

Moon’s Collapse and the Slag Reset Keys

The fourth reason is, of course, the most steeped in canon. It goes back a bit to the “shoulder to lean on” concept, but even aside from that, there is something just so romantic about this on both sides.

Firstly, from Moon’s perspective. There’s no doubt that the collapse must have been very traumatic for Looks to the Moon physically, but I like to think about just how much it’d affect her emotionally, too. I mean, being so painfully destroyed by your own brother, with seemingly nothing that can be done to stop it and no one to help you? And then consider how lonely it must have been in her final moments. The only comfort she does get is from Spearmaster’s visit, and even then she sends him off to go deliver her final words, which has still got to be really depressing. And finally, think about how betrayed she must have felt, trying so hard throughout her operation to help her citizens and the local group and be kind to everyone, only to have it be repaid like this, forced to collapse in on herself, being buried under her own body, unfathomable pain all around, and with not a soul to help her.

So then, think about just how shocking and heartwarming (literally, if you think about it) it must be when that lovable Gen 2, always so playful and carefree normally, is the one to give her a second chance and being her back when all hope seems lost, and using such a unique delivery method no less! I mean COME ON, Sig literally brought her back to life, how could one NOT fall in love with someone who did that for them? It links back to the “shoulder to lean on” idea, in that, for once, someone finally looked out for Moon and gave back to her for all the kindness she gave to the world. Think about this as the moment she truly realizes she’s in love with No Significant Harassment, and how tragic it’d be knowing now, it’s too late to say it. But, even so, if he’s willing to go this far to make sure she’s okay, then maybe, just maybe, there’s a chance her love at least wasn’t alone.

Now, my thoughts about this from No Significant Harassment’s side (which also kinda turned into a mini NSH appreciation paragraph that links back to the earlier Inverses Attract and Lady and the Tramp segment), I think it’s very poetic to see him going out of his way to take his messenger concept, originally used for no more than a trivial prank and at most a very experimental and unfinished alternative communication method, and turning it into a noble last-ditch effort to rescue the one he loves. It doesn’t just clearly show how much he cares for Moon that he worked to save her when no one else did (and if that’s because the odds of being able to do anything seemed very low to the rest of them, that makes it even more sweet) I think it shows off a lot of Sig’s character beyond just being a jokester. Like, I’d seen this kind of personality for Sig in the fandom content before, but this action and the other broadcasts are what first made me truly realize not just that it is based in canon, but that, more importantly he’s not just stupid or unfocused, he’s rebellious. He doesn’t joke around because he just doesn’t care, it’s because he’s independent, he’s got other places he wants to go and plans that don’t fit into what most of his peers are used to. He makes light of the world because he sees what others don’t, and it’s honestly pretty frickin’ funny how blind others can be most of the time (case-in-point: him making a slugcat from a messenger, which no one else thought to do because those creatures seemed too “dull” and “primitive” to ever be capable of such a thing). So think about how significant it must be when he’s openly taking something seriously. This is where that dynamic of the Tramp, and how Sig would benefit from this relationship is really highlighted. I just adore it when the easygoing, carefree character finally finds purpose in their lover, and springs into serious action like they never were before! And it makes sense too given what I said about them not getting together before: seeing Moon collapse would show him directly that even beings as durable as iterators don’t last forever, so if he’s got these feelings for Moon, he’s got to make a move while there’s still a chance! And what better way to show his love than to bring her back when all hope seems lost? Which brings me to the final aspects I’ll talk about here, first of which is…

True Love’s Kiss

Yes, you read that right. The real reason I love the slag reset keys as a plot element so much is not just because it shows Sig’s secret strength of character, not just because it finally gives reward to Moon’s kindness, but because it is a real fairytale come true! 

I know this sounds crazy and probably totally unrelated to Rain World, but think about it! You guys have probably seen Snow White and Sleeping Beauty before, or at least one of the two? Isn’t the whole trope that the beautiful princess, fairest maiden in the land, gets cursed through some means or another to die (or in Aurora’s case, fall into an indefinite sleep), which is only undone when the strong and brave prince, riding upon his noble steed, awakens the princess by giving her true love’s kiss? I already love both those movies on their own for various other reasons, but after my description, is this starting to sound familiar in another way?

I mean, with everything I’ve said about Moon in this post so far, there’s no doubt you could perceive her as the “fair princess”, who through unfortunate circumstances is put to a premature and indefinite death. And there’s no doubt Sig fills the role of the brave prince by working to save her with the slag reset keys, which in this metaphor are undoubtedly the “true love’s kiss” that ultimately conquers all, always longed for, and finally delivered! And hey, given Hunter is the one to carry the keys to Moon, a small yet courageous beast who stops at nothing to meet his goals, Sig even has his own “noble steed”! And even if Hunter is technically the one to actually deliver the green neuron, and the death the “princess” succumbs to wasn’t out of genuine malice towards her, I think the sentiment is still there and the parallel is close enough! 

But yes, as strange as it may sound, the fairytale parallel is the main reason Lilypad resonates with me so much! Those classic fairytale-esque romance tropes and that poetic storytelling found in Disney’s first feature-length animated films has always been dear to my heart, and is even more so now that I’m older and can truly appreciate the beauty of them. So now, even in my fandom experiences, ships that win my appreciation over all others are often those that manage to embody those classic romance tropes and themes as best as possible, and frankly, even Artimand loses ever-so-slightly to Lilypad in this regard! Or, as I also enjoy calling them, “Lifeline”, for reasons that are probably obvious now. 

And it’s even better when you consider…

Some Things Never Change

Another trope I’ve recently begun to love is the idea that some phenomena in the world never truly disappear, but simply manifest in different ways, sometimes unexpected ones. And given the whole Triple Affirmative quest and the Ancients’ mass ascension philosophy, this idea is something I especially love seeing in Rain World content. Even the canon events show this idea, but think about how wonderfully it would work with Lilypad beyond just the slag reset keys, especially taking up that “worm off the string” iterator AU concept some have explored in this fandom already.

Just think about how sweet it would be when Moon and Sig, operating primarily through their puppets now, get to finally hug and kiss and be with each other so directly now! Think of the way Sig would speak to Moon about how, even after her collapse, she's still somehow beautiful as ever, and Moon returning with how even all the trouble the group has faced hasn't put a dent in his charm! And it's even sweeter when you consider it’s against everything their creators stood for! Think of Moon, after everything she’s been through and how much she’s probably changed at this point, now willing to give some of these “worldly attachments” a chance, because you can never truly get rid of them, but she knows better than anyone that you won’t be around to experience them forever, so why not enjoy it while you’ve got the chance? And it’d make sense too, not just for her own benefit, but for Pebbles and the rest of the group’s sake too! She’s always strove to set a good example for them, and since their original quest has left them with nothing but pain and trauma, why not show them that maybe all these attachments aren’t so bad after all?

I just think it’d be really interesting to see Moon joining Sig in that rejection of the Triple Affirmative, and what better way to do that than by finally embracing that love they’ve felt for each other for so long? Because love never truly dies, it just appears in new people. And maybe they don’t have to spend their whole lives as grand iterators, the vast infinitely-advanced mechanical deities who embody perfection in almost every way. Maybe, even just for a bit, they can just be people, falling in love just as their creators did all over again!

-.-.-.-.-.-.-.-.-

And with that, I think I’m FINALLY done here. HOLY COW, this is easily my longest post yet, and I hope it doesn’t disappoint! Part of the reason it took so long was because I was trying to find the perfect way to express all these ideas without it just spilling out onto the page in some weird half-coherent mess. But eventually I just said “ah screw it, let’s just ramble about this ship and see where it goes!” and my god, did it go far! And I still managed to somewhat organize it, so yay!

But aside from that, thank you SO MUCH to everyone who asked for my thoughts on Lilypad, and everyone who made it to the bottom of this essay! I’ve never really gotten a chance to openly ramble about one of my favorite ships to the rest of the fandom like this, so seeing that some fans, even if it’s ultimately not a huge amount, actually wanted me to do it was such a welcome surprise!

I hope you all enjoyed the drawings and the art! I’ll be around in case someone wants me to write another ship essay or something! And who knows, it’s likely I’ll find more reasons I like Lilypad as time goes on and I see more fan-content and find the rest of those broadcasts! But at least this was a starting point! 

Expect more LIlypad content to come in the future, but until now, thanks again for the opportunity!

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