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blushingreid · 4 years

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Frat Boy

Spencer Reid x Fem!Reader

A/N: this random idea I got in the shower LMAO. Pls enjoy & slide me some feedback <3

“It looks like the unsub is picking his targets at parties hosted by the fraternity, Sigma Tau,” Hotch said as the team gathered around the table in the police station.

“The best way for us to catch him is most likely at the next party,” JJ realized, calling Penelope to figure out when the next one was happening.

“You’re forgetting one little detail, the party would be over the minute those college kids see us pull up to the house,” Morgan pointed out.

“Send in the kiddos,” Rossi announced, a smirk appearing on his face as he turned towards them.

Y/n and Spencer looked up at the mention of “kiddos” to see the team staring at the two of them.

“No way, I am not going to a frat party,” y/n whined.

“You both have to, you’re our best chance of infiltrating the party without the unsub noticing that we’re onto him,” Hotch reasoned.

After finishing her call with Penelope, JJ came back into the conference room, a worried look on her face. “Sigma Tau is throwing a party tonight. We’re gonna have to send them in before the unsub kidnaps another victim.”

“How are you going to convince a bunch of college students that Spence and I aren’t FBI agents when we’re dressed like this.” Y/n gestured to their work attire. Confused, Spencer looked down at his usual sweater vest and converse duo.

“Oh don’t worry. JJ and I can bring you shopping and help you get ready,” Emily assures as she linked arms with JJ, the two of them communicating silently through their eyes.

“Pretty Boy is in good hands with me. I just gotta get him a new outfit and jzoosh up his hair, and he’ll be looking like a frat boy in no time,” Morgan said, ruffling Spencer’s hair.

After spending the next hour getting transformed to look like college students, y/n and Spencer approached the Sigma Tau house.

Y/n attempted to pull her dress down, suddenly self conscious of how exposed she was. Spencer noticed and gave her a gentle smile. “You l-l-ook uhh really good actually,” he stammered as he quickly turned away after checking y/n out. “I mean not that I’m saying you don’t always look good because you do.”

“Remember, we’re looking for a white male in his early twenties who gravitates towards drunk women,” Hotch reminded them both through their earpieces.

“Yeah, so I’m gonna need a little more than that because every guy here will basically fit that profile,” y/n sighed.

“He’ll most likely be wearing the hat of Mike, the last victim’s boyfriend, since he has conditioned himself to believe that he is now living Mike’s life,” Emily added.

As they approached the house’s door, Spencer instantly felt nervous. He didn’t do well with large, crowded events like these. Sensing this, y/n slipped her hand into his and gave it a gentle squeeze to silently tell him everything will be alright.

Entering the house, y/n spotted the drinks table and headed over to it. She grabbed two solo cups for her and Spencer. “Here,” y/n said, handing one of them to Spencer as they surveyed the scene.

“Why? We shouldn’t be drinking on the job,” Spencer questioned as he raised the cup to take a sip.

Y/n quickly stopped him, slapping his hand. “Ew, Spence. Don’t actually drink it. We don’t know what’s in them. Never trust the punch at these things,” y/n warned.

“Then why’d you give it to me?” Spencer asked, sniffing the cup curiously.

“For the sake of our cover, of course, we gotta look like we’re actually here to party,” y/n whispered into Spencer’s ear, the music almost drowning her voice out.

“I’ve never been to a fraternity party before. You know, roughly 80 percent of college students, four out of every five, consume alcohol to some degree. It's estimated that 50 percent of those students engage in binge drinking,” Spencer said amazed by his surroundings. He was intrigued by the various students and their drunk antics.

“Consider yourself lucky,” y/n assured, setting aside their cups. She and Spencer stood near a wall, observing the party for any signs of the unsub.

Suddenly, a girl approached Spencer. “Hey you’re cute,” she purred as she ran her hands through his hair. “Do you maybe wanna get out of here?” she offered before starting to grind on Spencer.

Spencer felt his face heat up and looked to y/n for help. There was only one person he wanted grinding on him right now, and it was not this stranger.

Y/n giggled before wrapping her arms around Spencer. “Hey back off! He’s with me,” y/n barked at the girl. The girl quickly stumbled away into the crowd.

“Damn lil mama. Easy there, remember we’re here to catch the unsub. Not to watch you fight a college girl, as much as I wouldn’t mind seeing that,” Morgan reminded y/n in her earpiece.

“I hate college kids,” y/n groaned.

“I don’t know why she chose me to dance provocatively on,” Spencer asked, fixing his hair and disheveled clothing.

“I mean with the way you’re dressed, you do look like a frat boy. Plus, you’re hot,” y/n casually said. Spencer felt his heart flutter at y/n’s statement. He’d always had a close relationship with her, but hearing her compliment him never ceased to not catch him off guard.

The frat house was beginning to fill up with party goers. Both of them hadn’t realized how close they’d naturally gravitated in order to avoid the other students. Suddenly, one of the party goers comes running out of one of the rooms near them.

“PAAAARTAYYYYYY TIMEEEEEE!” He yells as he roughly bumps past y/n.

Y/n cursed the heels she was wearing as she felt herself lose balance. As she fell forward, she closed her eyes and braced herself for impact on the dirty ground. To her surprise, she never hit the ground.

“You can um open your eyes now,” Spencer said, his warm breath fanning her face, arms wrapped around her waist.

Y/n eyes flew open when she realized that Spencer had caught her. Neither one of them moved from their positions. Their lips dangerously close to one another’s. They both silently thanked the dimly lit party for hiding their red faces. Both wondered if the other could hear their own heart beating loudly. Spencer saw y/n’s eyes flicker down to his lips, but something in him caused him to slowly pull away.

Before he could pull away, he felt someone roughly bump into him. Next thing he knew, his lips were on y/n’s. Spencer froze, scared that this was a mistake and y/n would reel back in disgust. To his surprise, y/n wrapped her arms around his neck and returned his accidental affections. He wasn’t in shock anymore. All the feelings he had kept bottled up for y/n were being released into this kiss. Y/n felt herself melt into Spencer’s embrace, never wanting it to end.

Unfortunately, Hotch’s voice in their earpiece was what broke them apart. “Rossi, JJ, and I just spotted the unsub exiting the party. We’re tailing him now. Morgan and Prentiss, keep a look out because he’s headed in your direction. Reid and y/l/n head to their location for backup.”

“Um uh guess the party is over for us,” Spencer said, a hint of sadness in his voice as they exited the house.

Before they headed towards Morgan and Emily’s location, Y/n’s hand tugged on Spencer’s wrist to stop him. Spencer turned to face her, confused. To his surprise, y/n leaned up to plant a chaste kiss on his lips.

He couldn’t hide the look of surprise from his face, as giant grins appeared on both their faces.

“Once we catch the unsub, I’ll show you what happens after frat parties.”

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botwstoriesandsuch · 3 years

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Kip v Age of Calamity

For someone who writes tough shit on Age of Calamity, you sure don’t see me writing a better story. So maybe I should stop complaining and be satisfied with what was given to me.

...or...

...maybe we can dedicated a few hours of my time to spite an ask.

Even though the entire argument of “why are you mad if you can’t write a story yourself” is inherently flawed and pointless considering that’s the equivalent of telling me I should chug spoiled milk because I’ve never milked a cow, I’ll fucking step up to the plate here, I’ll put my money where my mouth is.

So here is Part 1 of your residential Kip approved rewrite of Hyrule Warriors: Age of Calamity. Or as I like to call it:

Ok so before I get into it, a couple things I wanna establish. First, I know I just said I’m doing this out of spite, but I’m actually also doing this for fun. I really enjoy and am passionate about the writing process, so if you were looking for an angry rant about how terrible everyone’s opinions are about everything, this isn’t that. I don’t think that I am a better writer than anyone, or than the professionals that made this game, or that I am somehow superior to Nintendo. I am someone with the benefit of hindsight, I don’t have the constraints of producers and mandated directives and executives rubbing their hands in the story to make it more marketable or dumbed down or any of the other chaos that goes into crafting a videogame. So while obviously I think the people involved in this could have done a much better job, this isn’t a bash to say, “look how easy it is to make a story” because there’s a ton of unseen drama that goes into development that I have the luxury of avoiding, and it’s a miracle that any games are coherent and enjoyable in the first place. I’m just a lil Kip doing a fun lil exercise.

This little series is also not going to be a fanfic. I’m going to be telling the story chronologically as if you were playing for yourself, but it’s going to be from my omniscient perspective because 1) I need to relate the story to the gameplay 2) That would take way too much time to actually make this into a fanfiction as it already takes a hell of a lot of time to even plan out the beats of this rewrite and 3) This is less going to be a telling of a story, and more of a fun little exploration on the Three Act Structure and The Hero’s Journey. In fact, I am going to try and keep the given story of Age of Calamity as intact as possible.

The general ending is going to be the same, the characters used are going to remain roughly unchanged, (there will be no new characters, or removal of characters) and characters that live or die and where they end up are going to be mostly the same with how the original game is written. I know, I know, we all would love to see the Champions die brutally or to get us that sweet sweet Link angst or to have a game with multiple endings. And even though I personally would change some of those premises in Age of Calamity, I’m going to strive to keep it all as intact as possible, just to prove wrong the misconception that the story was only bad because of the writer’s choices for the general arc. I am a firm believer that biggest weaknesses of this game are in its methods of conveying its story, a problem in the storytelling process, and not (necessarily/only) the story product itself.

If you want to use any of the ideas that I present, go for it! I release them into the public domain, I have no plans whatsoever to write a fanfic for this myself, in fact I already have my own separate Pre-Botw fic story that I am pouring myself into, so I give the people full permission to take these ideas off of me.

Alrighty! With all that out of the way, let’s get into:

HERE IS THE VERSION IN A GOOGLE DOC FORM BECAUSE TUMBLR HATES YOU MOBILE PEEPS

Spoilers! Obviously. I’m going to act on the assumption that you know the full story of Age of Calamity to save myself some time, capiche?

Ok so we start out the game roughly the same, with eggbot being chased and forced to time travel into a portal. But, there is going to be some important differences in details.

We have the part of the scene where Zelda awakens her powers, and at the same time, something else in Hyrule Castle glows with the same aura. However, this glow is not coming from the Princess’ Tower, but instead, the camera pulls back from the fields of Fort Hateno, sweeps over Hyrule (where you can see the Guardians and the sense of destruction and all that) and the camera eventually flies over Castle Town, then within the Castle, weaving through the halls, until the camera stop and focuses on the entrance of a destroyed room, slowly creeping in. It’s a room that’s been demolished, stone rubble from Guardian blasts ruin the floor and cave in from the ceiling, there’s a small fire in the corners of the room, and from the props that you can make out, it seems to look like some study or office of some sort. The room is small, but domed and circular, signifying that it’s of a bit more importance than you might think . The desks and books and all buried beneath this collapsed stone brick. But as the camera focuses on that pile of rocks, from within that rubble, you see that same glowing aura that Zelda has, glowing brighter and brighter until finally out pops, eggbot.

Now, you can have that same sequence within the game where he runs around all cute, the outter wall of the room is broken so eggbot can look outside and see the Calamity’s destruction. Then that cut to Zelda saying “I want to save...everyone,” and this is important because I need the fade in between Zelda’s line and the fade back to eggbot to wordlessly imply that he is hearing these words, something that’s already done pretty well in the original cutscene. Anyhow, then the Guardian Stalker pops from behind, prepares to shoot, and eggbot can escape into its little time portal, and then the malice follows or whatever.

However, I’m not gonna immediately cut to the title, but instead, we have the music build to eggbot’s little jump in a pretty climactic way. But then the music still lingers slightly, and rests in suspense, camera is still looking out the window where eggbot jumped. It pulls back, turning back into this room that eggbot emerged from. Music is still relatively silent. Then, from the corner, you see some of the fire suddenly catch onto something. Flattened between the rocky rubble, just a few feet where eggbot emerged, is a purple cloak, trimmed with gold, flapping just slightly in the wind. [Said flapping being what causes it to catch] The fire catches, burning through the cloak, and underneath it, is a fallen copy of the Sheikah tapestry of 10k years ago. Camera zooms into that art of the Calamity, music suspends, merge to title card, then the music hits that climax and BOOM, “Hyrule Warriors: Age of Calamity.” Main Theme plays. Let the opening title roll.

Now the reason I changed this slightly is because 1) I wanted to earlier set up some of the plot points that I have planned for this (some of which you might already guess or maybe not who knows *wink wink*) and 2) I think that the original opening could have been much stronger with its hook. Yes, the element of mystery is established with eggbot’s existence and that element of time travel, but then the opening immediately goes into saying “This is the tale of champions, a diminutive Guardian who traveled backwards through time, and the Great Calamity they faced.” So...you just dampened that hook you established two seconds ago because you explained it all. Sure, it doesn’t completely ruin it, but I think the impact would be much stronger if that text wasn’t there at all, and the music and hype of the tapestry moving and coming alive is all there was. I’d much rather that element of time travel just be explained through the cinematography itself, because you can already understand that perfectly with that scene where you see the portal lead into birds flying around a beautiful Hyrule Castle.

Also, the music in this game is fantastic! So letting moments that really let you soak it in, I think would be very beneficial. So now this scene serves as a much more effective hook before we get into the actual plot. The mystery of eggbot’s identity is heightened and left a bit more unexplained, you have this mysterious circular room that you’ve never seen before, and the set up of details that will eventually serve later revelations in the plot, cough cough.

Then you hit Chapter 1, Link gameplay, eggbot and the tower, that’s all the same. I got no changes for the story there, it’s a great introduction. However! I know my strength here is writing and I am by no means a game developer or designer, but I need, I absolutely need to add one aspect to the gameplay.

Near the end of the first stage, where there are those three moblins at the end, I want to add something that I’m going to call, a gambit. The game already introduced you to the special meter and “press a to use special attack” thing, but I want Impa and Link to use a gambit to defeat this last horde of moblins. Essentially, you press A to use your special attack, BUT, if another character is in proximity, the attack is even more powerful. Every pair of characters has a special little attack, that does tons of damage, and during said sequence, there are voiced lines, or at the very very least text boxes that comment on it. And with this gambit, while a regular solo special attack still does a lot of damage, I’m gonna nerf it slightly to encourage players to use this gambit feature.

Now, why did I add this? Because I need to better connect this gameplay to the story on more than an external “lets defeat this and go from point A to point B” type of way. I need something in the gameplay to better serve to the game’s main theme of “teamwork makes the dreamwork” and all that. The CURRENT gameplay, although absolutely fun and fantastic, just doesn’t do this. I need just one element to serve this theme while ALSO having the dual purpose of serving as character interaction. The current structure of Age of Calamity works where the sidequests and battle serve as your character interaction, development, and banter, while the cutscenes serve the main story beats, and important plot revelations. The cutscenes just aren’t crafted to support the weight of these dozens of characters while also giving them all interesting interactions, and that’s fine! So I’m just adding this feature to the gameplay, because being able to customize different lines for different characters for different stages that are voiced will go a long way into making the character development seem more fleshed out. And this gambit feature doesn’t necessarily change the way you play the game drastically, as you can still have four character slots and have them split up to take on the battlefield, but now you can split them off into groups of 2. And also, because I’m not completely blind to game design, the damage percentage boost of these gambit attacks will not increase as much, just slightly lower, than the damage boost of a solo attack when you level up. So what I mean is, when your character is weaker level, you are forced to rely on others in order to defeat your enemies, but, with the way the leveling up percents work, your characters can still reach a point where they can defeat big bosses all on their own without gambits. THAT way, when certain events happen in later chapters, when your character is all leveled up, (and maybe they awaken a sacred power or two) it feels all the more powerful when you can go off on your own. You can feel how your character has grown in strength because you can contrast it with your teamwork gameplay of earlier levels. AND it still highlights the importance of that theme of companionship, because you would never have gotten to this level of strength had you not relied on your friends.

OK, so the stage 1 ends with a gambit attack, Impa compliments Link’s fighting style or something that shows her admiration or respect for him. And then stage 2 for the Road to the Royal Lab is the same, but gambit dialogue for that stage is Impa complimenting Link, Impa being protective of Zelda, and since this is Zelda’s first playable area, Zelda’s gambit lines can be about kinda brushing Link aside like “I want to capable to hold my own in battle but thank you” to Link (cause I never really got that same “I don’t really like you” vibe that is established in botw for this game) and then to Impa Zelda’s gambit lines can be like “is this thrill what you always feel when battling?” and Impa is like “yeah isn’t it great we should do it more often!” and then you can allude to that with a sidequest for Zelda’s training or something. I just want to better connect sidequest stories with this stuff. And also, gambits are obviously optional so that’s why this is all just banter and character development and not actually plot points, and I’m going to stick with just one-on-one dialogue, although it should be theoretically possible to have gambit boosts of three and four, but I feel that would be too much as I don’t want to ruin the gameplay balance and encourage you to keep all four character slots close together, because splitting them up is an important part of the game. Anyhow!

So Chapter 1 is done, my changes being almost purely in the gameplay because this is the start of the story and the character set up is important. Chapter 1 to Chapter 2 is basically the establishment of the ordinary world, and in the Three Act Structure it’s basically Act 1. Act 1 is all about set up. I need to really focus this chapter on both introducing the player to the mechanics of the game, having them connect to the characters and the characters connect to each other through the gameplay, and I need to establish this tone so that when I rip it away, and change the tone during the threshold, it feels more meaningful and suspenseful.

As you can see from the diagrams, Act 1 has something called the Inciting Incident. The Inciting Incident is going to be the Yiga attack in Chapter 2, where our heroes first experience the true dangers of their journey, and there is no turning back. BUT I’m getting ahead of myself.

Chapter 2 is also exactly the same. I would literally change nothing about the Champion’s sections (other than my addition of gambit interaction of course) because they’re all pretty great. For the record, yes, evil egg is still a thing, and yes, Zelda and the gang can still discover those pictures of the Calamity in eggbot, yes you beat up Revali, and the Divine Beast sequences are the same. I just really need that gambit dialogue to help establish character relations. Revali quips at Link, Mipha protects him, Daruk is his buddy [I thought a cool gambit attack for Link and Daruk to better show that they are old friends could be them both chewing down on some rocks, before striking an enemy simultaneously. Because they never eat rocks together and I just want this ok] Kohga is the same, Sooga is the same, BUT, for that scene when you first meet Astor in the Yiga base, I need two things to happen. 1) The camera reveal for Astor starts at his cloak, which is intact and NOT tattered like how his design is in game. It’s a deep purple with gold trim, the camera pans up to the back of Astor’s head. Now 2) When the camera moves to look at Astors face, I need him to be standing in front of and staring solemnly at the evil eggbot. He’s frowning, and his eyes suggest something like he’s deep in thought of something in the distant past. That’s how the scene starts, and in the background is Kohga recounting the events of his failure to beat Urbosa and the gang. Then, Kohga can say something funny to annoy him, Astor’s face changes to your classic villain disgust. Then, he can get a bit pissed and go on his little rant about how pathetic the Yiga are and how the Calamity is trapped within the evil eggbot and how he will use his powers to end the Kingdom of Hyrule. Then he can take his little astrolabe and be all “My harbinger, show me the future!” and all that. IMPORTANT LINE CHANGE, Astor’s motivation here is not “The future, as it will and must be. I will not allow anyone to alter its course.” Instead, I need to tweak it slightly to be, “The future, as it was fated to always be. The pathetic stories and legends of children and false kings cannot waver this course. I will not allow it, for my sake…” camera pans to the broken evil guardian, Astor’s voice lowers just slightly. “...and yours.” The slightest, almost silent bits of the harmonies (not the melody) of the Hwaoc Main Theme play before fully fading back to Astor’s theme. And the final shot of that scene is Astor, looking down at the heap of Sheikah tech, with a neutral expression, but then looking back up at the malice stars, and the future visions of the Calamity. He just ever so slightly smiles.

[Also I JUST realized that the harbinger is actually slightly above Astor, because it’s supposed to show that the power dynamic is really Calamity Ganon is in control, so ignore the “looking down” parts I talked about, and just think in the broad direction of Astor looks at the guardian, and then looks further up at the ceiling with the Calamity and the future and then he smiles]

For that scene, I also need to remove any characterization where Astor is laughing and being joyous at the impending destruction, I only need that smile at the end. There is no villainous cartoon laughter, at least, not yet. Also the part where Sooga calls Astor a fool for thinking he can control the Calamity is GREAT I need that, that absolutely needs to stay in.

And then Chapter 2 closes off with that Yiga ambush. That’s the inciting incident, so I need the tone at the end to be slightly different. Instead of ending on that cute little thing where eggbot points angrily at Link, (like that part can still EXIST in there BUT) I need it to end on a more serious note.

Referring back to the Hero’s Journey, the Call to Adventure is the parts of each of the Champion’s recruitment. They each have their initial reasons for joining the fight, whether to protect their people, to feel validated for their skill, to get closer to the ones they love etc etc that’s all established in their respective stages.

This Yiga stage, however, serves as the official barrier between Act 1 and Act 2, the threshold between the known world and the unknown world, where the heroes prepare to seek out the obstacle that stands in the way of their goal. It’s important that this threshold establishes a sense of urgency, because that better gets you invested in the stakes, and helps the story's momentum to move forward. IT shows that the journey and adventure that these characters want/need to take is outside the safety of their home/known world.

In the original game, the threshold ends with that cute scene of eggbot and Zelda and Link and the Zelink vibes. That’s not bad, but it’s also not good. The momentum towards the later confrontation in Korok forest needs to feel more important, because this is a major turning point in the story. SO, I am going to add one more scene at the end. It’s just after the ambush, after the fires have died down, and Zelda (and in the back the Champions) discussing the events with the King. I want King Rhoam to a few things. First, I need him to kinda berate the Champions for falling for the Yiga’s “splitting them up trick” and leaving his daughter vulnerable. This 1) establishes doubt within the party, which makes for better uncertainty for the future and later internal conflict. This was supposed to be the dream team but the King is already kinda telling them off. 2) This also still characterizes the King as someone who cares for his daughter’s safety. That care for his daughters safety is layered in the subtext of him saying something like “Your priority must be to protect the only person capable of sealing the Calamity. You were so concerned with victory and glory in battle that you forgot that the fate of this kingdom lies on my daughter’s survival.” and blah blah blah. The King can also congratulate Link for keeping Zelda safe, and this is GREAT because that can add further to Zelda’s slight resentment for him, as he’s getting the approval from the King that she has yet to receive. But like overall the King is like “don’t leave my daughter alone cause she almost got killed if it weren’t for Link wtf.” and then that can also be a further excuse to hurry to korok forest to find the wielder of the sword so that they can better protect “not just the Princess, but the entire world,” something something fancy kingly dialogue.

Also when the Champions leave THIS can also be the time where Zelda gives that Sheikah device thingy to Rhoam and also where he sees eggbot. I know that happens a bit later, but for pacing purposes and for the sake of the story changes that I made, it better serves to place it here. That interaction itself can stay mostly the same as it is in the game.

So now, the threshold ends with a bit more tension. The Champion squad is powerful, but also has flaws in how they were split up by the Yiga, (cough cough I wonder if that serves the themes of the game in some way cough cough) and it’s not just “smooth sailing” into the search for the Master Sword, and the stakes are a bit rocky as we finally enter into the story’s Act 2.

= = = = =

And that’s Part 1 of my rewrite. Not really a lot, cause again this is mainly character set up, and establishing stuff, but personally I think it’s already a bit stronger than how Age of Calamity did it. Stay tuned for Part 2 either tonight or tomorrow, mwahaha.

Predict the future if you can...

#yes that is a allude to Nando v Movies #hwaoc spoilers #Hwaoc: The Kip Cut #honestly not TOO much rewritten for the First Act because the First Act is actually one of the strongest and best written parts of the game #hwaoc #age of calamity #hw age of calamity #hyrule warriors age of calamity

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stanharu · 3 years

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beastars episode 23 thoughts!

some of my favorite scenes from this arc are in this ep so i've been real excited for it

this episode was super fun. as i said, its filled with some of my favorite scenes from this arc & ive been super excited to see them animated, and i dont think the anime disappointed when adapting them. this week's ep covered chapters 82, 88, the latter part of 89, 90, 91, and part of 92.

The ep opens with the moth scene, and i really loved it. I really enjoyed the way the anime adapted the part when legosi has the bug in his mouth and he's like narrating his experience of eating a bug lol. i think this whole scene was very well done and i cant wait to show it to my friends when the dub comes out lmao.

my one gripe about this scene is st i mentioned last week, that the anime made the bug eating gouhin's idea instead of legosi's. legosi is known for having unique and strange solutions to problems so in making this gouhin's idea you lose a bit of that legosi brand weirdness lol. there's also a tie-in with legosi's past and his fixation on bugs but since that got cut from this seaon it got cut from this scene too. rip.

next i wanna talk about dressgosi. a lotta ppl were worried that it'd get cut but i figured it wouldn't be. i think the anime really knocked this scene out of the park as well!!! the music. everyone's expressions. legosi's flasetto voice. all amazing lmao.

it's been known that louis hasn't been very expressive outside of going >:[ most of this season, so i'm really glad that he got to emote more in this scene. his expressions were great. i cant put screenshots of all of them here bc there's a limit to how many pics you can put in tumblr posts djlskjdlkfjsdf

when ur idiot boyfriend is back on his bullshit

i liked how they did the splitscreen so we could see legosi, louis, & ibuki's reaction's/thoughts to the whole situation lol

the way legosi's heels echo as he leaves the bar is so funny to me. A+ scene.

after this scene it's new year's eve, the night of the fight. personally i wouldve like a bit more of a buffer before actually getting into the new year's fight, but with all the rearranging and pacing issues of this season it can't really be helped that it turned out this was. it's not that big of an issue imo, just a personal preference.

we get this anime original scene of pina and riz meeting up, i think to give some plot coherence with all the rearranging the anime is doing. i think it was a nice addition.

scargosi is HEREE YEAH!!!

also!! it seems like melon & sebun has cameos in this ep 👀 rly hopin this is a sign for s3. tbh i noticed sebun on the first watch but didnt realize melon was there too until other ppl pointed it out lol.

now, im sad the anime took out legosi's new years call with haru, she already has so few moments in this arc and taking one of them out really sucks imo. but i saw some ppl suggest their phone call may be moved to next week's episode, so im gonna hold out hope that that turns out to be the case lol. also i am OBSESSED with legosi's lock screen 😭💕

they are so cute 🥺

now... it's here. the tunnel scene. i feel like the lead-up to this scene was a bit rushed. imo louis' "i like carnivores" line happened so suddenly, and didnt have the same impact as in the manga. altho to me louis' lil inner monologue about how he actually likes carnivores seemed a lil gayer lol so i still enjoyed it quite a bit.

i also rly liked louis' expressions in this scene, the way he looked/moved when he was talking about how legosi might die had me like 🥺

worried about his wolf bf

i also really liked the contrast of these two shots. ibuki towering over louis, looking large and imposing, and louis looking so small in comparison, having to look up at ibuki.

i wanna hold off my final judgement on the tunnel scene itself until we get to see the conclusion of it next week, but so far i think the anime is doing fine adapting it. i am a bit sad that it isnt playing out exactly the way it did in the manga but im curious about how it'll play out in the anime. on one hand i wanted more of the dialogue and all the buildup from that scene before the gunshot happened but on the other hand ending the ep w/ the gunshot and then the ED immediately starting was devastating and im sure it was even more devastating for anime onlies who finally made sense of the ED in this ep.

overall i loved this ep and im so excited for the last episode next week. we've got about 5 chapters left of this arc to be animated and it's gonna be such a Ride. im just hoping the anime can pace it out well.

#beastars #beastext #we're IN IT NOW YALL

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saintqueer · 3 years

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always ready to clown w/ u 💖 (fr tho i was thinking along the same lines as u on the yt vid being released but i also dont wanna hope so imma remain skeptical as hell

but i hope its true it would be so nice if the music industry got its own lil upheaval but i feel like w/ just rebecca it doesnt seem too likely to happen yk? like she needs more ppl to start speaking out not only that but she needs someone who's internationally known so that it can be the whole music industry nd so that more artists start feeling safer to speak out, safer as in they won't lose their careers their labels won't drop them etc.

if one of the 1d boys did i feel like that would hv a huge impact but the likeliness of that happening are slim to none so its interesting to think abt what the video actually means in terms of if they are in contact w/ her does that mean one of them is gonna speak out? already we know theres an insanely low chance of that for multiple different reasons (likely including but not limited to their contracts)

so does that mean that they are in contact with her in the way that they are helping her w/ this? as in they're convincing more artists to come forward? but i feel like thats risky as hell especially if they're not saying anything themselves bc they could be sending these artists to their doom if not enough ppl come thru or smth yk? so that might as well be ruled out too

or maybe they're in contact w/ her in the way that like they're helping her and other artists that wanna speak out? maybe helping them to figure out how to give them a larger/better voice? but i feel like that would likely fall on PR ppl that they hire

but if one of the 1d boys is in fact in contact w/ her dont u think there could've been a subtler way to tell us? I mean the tweets are already not subtle (the ones by rebecca) but i also understand why that is but its im sorry this is so frustrating and my mind is going a thousand miles an hr and im just so frustrated w/ all this bc none of it makes sense and i feel like there smth happening we dont know abt and i just wanna know and i wanna know if we can do anything to help and i just want them all happy and to be ok and i'll stop talking now

anyway sorry for bothering u - defintly not expecting a reply lol ik u said u didnt wanna talk abt it so i hope its ok i sent this in)

have a good night/day lots of love 💖

helloooo bb!

its totally fine for you come into my inbox and vent/speculate anytime you need. i dont mind at all! i only feel bad when i can't get to everyone (i see you and im sorry!) but always feel free to word vomit, lol

i don't blame you for going back and forth a lot. especially with the idea of the boys speaking out about the mistreatment as it's been very hush hush on their end for many years! however, i dont think its quite as unlikely as many make it seem.

just look at the last year and how much liam has spoken very plainly about the abuse and mistreatment the boys suffered. he has been very candid and it's only been increasing over the last year. we've also seen several other people connected to x factor and syco speak up for the first time over the last 7 months.

a lot of the things cumulatively that have happened over the last year make me think that perhaps several of the boys will speak up, will make a fuss, and do so at the exact right time. i think whatever is going on right now is very strictly planned and has a very particular timeline. and a lot of it might be happening behind the scenes (especially if they are attempting legal action) so we wouldn't know until it all came out (in the wash).

we won't know until we watch it all unfold, hindsight is 20/20. this will all make sense one day when we look back. but i'm gonna try to put some pieces together in the meantime because that's what this fandom is built on: noticing patterns and calling them out even when others say it's a reach or a coincidence. we didn't recognize rbb & sbb for what they were by going on about how "it's probably the sound guy" and "it's just a coincidence they are reading those books"! we got here by calling out weird shit even when we end up wrong.

and, as for me, i choose to believe that louis wouldn't purposefully mislead us with his overwhelming positivity over the last six months.

#i think they will speak out just a matter of when #anon

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katsuflossy · 4 years

Text

Best Worst Night Ever?

Pairing: Pro Hero Midoriya Izuku x Black reader

Genre: Fluff

TW: Sexual assault, obscenities, Drinking, throw up, cops, um pubic lice?

A/n: This is my thank you for 500+ followers!! I sadly have limited time to do any fics but I squeezed in a day to finish a lil WIP I had which is this!! I just watched Hercules and couldn’t help making this so please enjoy!!

BIG PSA: I am in no way romanticizing or poking at sexual assault. The story is inspired by Disney’s Hercules.

Taglist: @sunset-novice-writer @goatsenpaiultimate

The Tokyo club district may be Midoriya’s most hated areas he has to patrol. Nothing attracted him here, in fact, the area repulsed him. The last time he stepped foot into the club was for Denki’s 21st. That night ended early for him due to an incident involving throwup that cost him his shirt, pants, and custom shoes. Ochaco still sends him apology gifts from that night. But even before the incident, the top pro-hero felt no pull towards club life. The music was so loud he couldn’t hear himself think. Someone always was pushing him in a shuffle to ruin their liver or to grind on strangers. Not to mention he is a pro-hero so there was a reason All Might never appeared in nightclubs – it’ll eventually turn into an unofficial meet-and-greet.

So why was he assigned to watch over the district during one of the most popular summer nights? Simple, crowd control. Deku was one of the only pro-heroes who could sway a crowd to his will. His spirit could’ve reached anyone even if it was a simple crook or a drunk valley girl and his presence in the Shibuya would bring more foreigners to the club scene hoping to see the number one hero.

A sigh escaped his lips as his fingers massaged his temples. Midnight announced its arrival through the train station nearby yet the soft pulsing from each club around collectively buzzed out the PSA automated message. His eyes strained to stay open as he passed the reds, blues, and greens of Shibuya’s active clubs. He stretched for the fifth time in the hour, the cracks of his back emitted little result to the weighty feeling on his body, like the humidity within the night. Tokyo was sure hot that night

Hot indeed it was.

Izuku was on his twelfth attempt to suppress a yawn until his ears caught on to a female scream barely breaking through the night. He questioned whether the scream was fearful or...playful, remembering one specific night he interrupted a couple in an alleyway. However, the scream rang out again, pushing the pro-hero to the source and silently cursing himself for second-guessing. His ears led him three blocks up, beside the infamous Harlem. The red club light glared in Deku’s eyes as he tried to register the bodies in front of him.

Muted red scattered across your body front forward pressed against the bricks of the building. A tall, skinny man pressed his body against your own, restricting your thrashing from knocking him in the nose or somewhere much more sensitive. Your cheek pressed harshly against the rough texture you were forced upon as you glared at the perpetrator.

“Why don’t you just let me carry you home, babygirl?” The liquor and weed wafted from his mouth, singeing your nose hairs as you thrashed harder.

“Like fuck, you green bitch! Get the fuck up off me!” He sneered in response, ignoring your demand as his hand brushed your leg, trailing to the hem of your skirt.

“Stop! Let her go!” Your eyes snapped to the open end of the alleyway where the voice rang out. You wasted no time to take the distraction as you used your stiletto heel to stab his foot. He shrieked as he recoiled from your body. You took the time to turn around and kick him in his crotch, bringing the molester to the ground.

“You fucking slut!” As he attempted to get up, Deku zapped in front of him, grabbing his elbow as he slammed him against the opposite wall. The man had his breath knocked out of him in an instant before passing out due to the impacting force.

The alleyway stayed quiet for a few seconds, processing what just happened and how quickly the man crumpled against the wall. Your eyes furrowed and your fist clenched, walking up to the passed out body before commencing in a swift kick after kick adding stomps to his stomach.

“That’s what yo filthy ass get!”

“The next time I see you, I’m putting one ‘tween yo eyes cause you lucky I wasn’t packing tonight motherfucker!”

“If you had put your grimy hands on me further I would’ve bit your ear off like I’m fucking Mayweather in this bitch.”

Midoriya, grabbed your upper arm, snatching you away from the bruising body on the ground, mortified by the profanities spilling out from your mouth.

“P-please stop, the police are on their way and they’ll deal with him.” His pleading stopped you momentarily. Believing that you were calm, he released the hand from your bicep only for you to get one more stomp in. He attempted to grab you again before you raised your arms and stepped away from the man, satisfied by the pain-filled groan he let out.

Not saying a word to the pro-hero, you went to pick up your phone, which skidded from you as the molester wrestled you against the wall. The young hero also spotted your clear handbag at the corner of the alleyway, assisting you as you dialed your friends’ numbers on your phone. Your back faced him as he approached with your purse. You clutched your phone tight as you cursed into the phone, freezing Midoriya in his spot.

“You fucking bitches! Not only did y’all not tell me y’all were leaving the fucking club, y’all not answering the phone and still posting ugly ass pictures on snap. I knew I should’ve never fuck wit y’all stank ass hoes in the first place. And Charlotte? Suck my fucking dick from the back! Hope that nigga you let hit tonight gives you crabs, dumbass bitch!”

You slammed on the send button in the group chat, giving your ‘friends’ a piece of your mind, forgetting about the audience that was behind you.

“U-umm…” You whipped around at the sound of the male behind you, still pissed off about your friends ignoring your call.

“Yes?” Your attitude fell a little when you noticed how handsome the man in front of you was. Freckles peppered the tops of his cheeks, deepening the blush he sported in miscellaneous places on his face. Scars did nothing to deter your attraction, in fact, they made him more alluring, giving a rugged look to his chiseled features.

“I believe this is yours?” He held out your clear mini handbag revealing the few yens you had and your Fenty Beauty lip gloss.

“Thanks.” You took it graciously before reapplying some of the gloss that had come off due to your ‘encounter’ just as the pro-hero actually looked at your appearance.

Your plump, glossy lips reflected the red club lights so sinfully. His eyes noted the beam of light shifted at the slight lift and drop of your lips. Your skin compared to the softest velvet and satin as the red light refracted on the shimmer of perfume you wore. May he mention that you smelled like euphoria? Or what he may interpret as that. His eyes traveled down your outfit, a pink skirt slit on the side peeking more of your thigh and leaving the rest to imagination. As for your top, the fluffy pink bikini top had his mind on haywire, noticing the sheen on the curves of your—

—He blinked, removing the haze from his mind. He had to say something to you, like his soul begged for a minute of your time. Denki’s voice popped in his mind, “Be cool guys, after a DID (Damsel In Distress), lay it on little by little. Ask her for her name, then if she’s safe, be a sexy gentleman.” Swallowing the thick ball in his throat, he went with the advice.

“Are you...a-alright Miss?” His hand went to his nape, rubbing the end of his undercut as a blush grew on his face. You smiled at his flustered attempt.

“(Y/n). My friends would call me (N/n) at least they would if I had anymore.” You couldn’t help your eyes to roam his physique, noting the rippling muscle under the black and green suit.

“So? Does a name come with my hero or should I start calling you Hercules?” A warm feeling traveled through his body, making its way to his face, burning his cheeks a brighter red. He bashfully chuckled.

“I-I’m uhh...uhh uh...uhh” You raised a perfectly shaped eyebrow at his brain malfunction, smirking to yourself at how cute this was.

“Are you always this articulate?” His eyes widened realizing the babble was not coherent as he jumped to answer your question.

“Deku! My—” He coughed at the fine pitch in his voice, brain bringing up the “How to be Cool Manual” made by Denki as he readjusted his vocal placements.

“—My name is Deku.” A light chuckle escaped through the air as you smiled at his notably lower than normal voice.

“Hmm, Deku? I think I prefer Hercules.” You joked before your teasing was interrupted by a loud groan coming from your forgotten assaulter.

“So? H-how did you get mixed up with the...uh?”

“Nigga who don’t know what the fuck rejection is?” You looked at the crumpled man again, having the thoughts to step on his globe head again. Deku’s eyes widen as if he read your mind, holding his arms out to stop you. You raised your arms, showing no harm before retelling the night’s events.

“Some bitches and I decided we were going to go to Harlem and I was the designated driver even though it wasn’t my car. Haven’t stepped into the club yet and they already drunk off of the entrance drinks. Lightweight bitches but they wanna chug down all the martinis in there. So one of them got a hookup and left without saying shit to anyone and the other was fucking faded—”

Deku flipped through his brain to remember what the definition of faded was.

“—my guy, like bitch was puking up in the stalls. So the third girl, almost as drunk as the other bitch, took the fucking car and ditched me. Didn’t tell me when I could’ve left this place cause in there was lowkey trash. All fucking mainstream pop, and few trap songs. But anyway, this pants-suffocating-my-balls ass nigga was preying on me the entire night and you know how men are. Saying 'no' means 'yes' and 'fuck off' means 'take me I’m yours'.” Your hands clasped together as you bat your lashes up into the sky. You quickly dropped your dreamy acting gig as quickly as you made it. Deku stood confused, chivalry and respect rolled off of his body as he did not know what the female interpretation implied.

“Don’t worry, ask rock-a-bye-baby here when he gets up.” Deku’s laughter halted as the sounds of sirens rang through the air.

“Well, thanks for everything, Mr. Deku. It’s been a real slice.” You waved at him before turning to leave. Deku panicked, rushing to grab your forearm. You raised a brow at his actions.

“W-wait! U-um the police would like a victim report so he can g-get full repercussions for what he did to a l-lovely lady like you. Heat flooded your cheeks as you mulled over what he said, lovely lady?

“U-um sure, it’s still fuck 12 though cause they didn’t do shit.” You turned around again only for the pro-hero to turn you back around, completely facing you.

“W-what?” You looked at him, wide-eyed at his boldness as he cupped your cheek. His finger swiped the side of your soft lips, almost dipping into the shimmery, inviting pool before retracting from your face.

“Y-you had s-some lip gloss smudged on your face.” Deku’s eyes remained on your own as you tried not to melt on the spot. All you could do was simply nod as the police cruiser pulled up by the entrance.

“Well thank you, ma’am, he won’t trouble you any further.” You nodded as the officer went back into the car, the man in the back sleeping quite peacefully for someone who’ll wake up behind bars. Your fingers typed in the address for your apartment, which was a 20-minute walk from your current location. You sighed as your feet, sore from standing in heels all night long, trudged down the street. However, a certain green-haired hero refused to let you go. Thanking the officers in the car, he rushed to your distancing figure.

“(Y/n), wait for me!” Deku waved you down, not breaking a sweat as he reached your figure.

“Deku, I’m sure you have somewhere else to be, so thank you and–”

“I’m a hero. My job is to make sure everyone is safe, including you. So please, let me walk you home.” His eyes were unyielding. He refused to take any other answer than a yes. You nodded your head, smiling at his chivalry before walking again.

“Alright Hercules, tell me why did you become a hero?”

And so the 20-minute walk seemed like only five as you and Midoriya talked about your childhoods, struggle, and funny memories. Your feet finally touched the doorsteps of your apartment after Deku carried you halfway through the journey.

“Thank you so much for saving me, even though I had it in the bag.” Laughter broke from the pair into the twinkling sky of the night.

“I’m sure you did.” The lighthearted atmosphere trickled into the sewers of the streets as the pair realized that their time was coming to an end. Deku began to panic, he wanted to see you again, there was no doubt as Denki’s voice invaded his head once again, “Go for the kill bro! Go for the kill!” The young hero grabbed your arm before you turned to leave.

“Umm (Y/n), I know you had an awful night but I- I would like to see you again!” His forwardness stunned you, not expecting the man to be this bold. Your heart sped up and you attempted to keep your cool.

“Sure, you got your phone on you?” He pulled out his phone, handing it to you as his excitement built. A smile stretched across your face, unable to contain your happiness as you returned the phone to its owner.

“Alright Deku, Imma fuck wit ya.” You fist-bumped the hero before leaning into his face, making the daring move to press a kiss against his cheek.

“Bye Deku.” You unlocked the door of your apartment, entering the vicinity before waving at the scarlet faced hero, who, still absorbing what just happened, waved back aimlessly. As you closed the door, your knees finally buckled for the first time in the night. You slumped against the door, smiling to yourself, not knowing the number one hero was doing the same thing.

#bnha midoriya izuku #bnha x black!reader #midoriya izuku x black reader #midoriya x black reader #mha x black reader #black reader #izuku midoriya x reader #izuku midoriya x black reader #midoriya x reader #deku x reader #deku x black reader

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tutubola-moved-on · 3 years

Text

Hi I like music and I kind of go wayyy too deep into the TPN soundtrack and I think it's about time I start throwing my thoughts out there before they spiral too much

Disclaimer!!! This is not a complete analysis at all, just a few thoughts on each of the songs. I'll probably revisit some of them in future parts if I ever do those aha anyways enjoy

(Part 1/?): 63194, Emma's Sorrow, Emma's Determination, 22194, Norman's Lament, The Promise Between Humans and Demons, Jailbreak and Isabella's Lullaby.

(manga spoilers)

I've done a lil smth smth on Main Theme 2 already and its my favourite song like ever aha this is a cry for help

here you go people

but now anyways fr

63194 (Season 1)

Wouldn't have started with this one cuz I'm still figuring it out but it was the first one that came up when I pressed shuffle

Let's just go straight to the point so we can move on. The first time we hear 63194 is in episode 2, when Norman is talking to Ray about their plan in the forest (or, as I like to call it, "boat scene"). It reaches its climax when Norman starts talking about how he'll use himself to ensure the escape plan will work.

And then it's only used again in episode 8, if I'm not mistaken, after Isabella tells them about Norman's shipment, thus foreshadowing him refusing to escape and using his "death" as a tool to help the others escape.

But alsooo the song is Emma's theme, so there's definitely some sort of meaning other than foreshadowing Norman's shipment. That's for later though cuz I'll have to think more. The beginning does sound a lot like Strauss' Metamorphosen, a piece symbolising how German culture was destroyed during WW2. Not sure what to do with that info for now.

If you'd like a little extra stuff, I also tried connecting the pieces to the Doctrine of Affections, a... thing some Baroque composers wrote that connected music keys to feelings. (I found many sources but I used this one).

63194 is in C Minor, which is described as "innocently sad" (although another source said "sweet but sad") and "lovesick." I think innocence really describes Emma, Ray, and Norman in general, as kids who never did anything wrong but were thrown into the wrong world. Innocently sad would be their conversations in boat scene. They're talking about life or death, it's not something kids should have to deal with.

But again, it's hopeful. Norman wants to create a boat made out of mud---he wants to save everyone---and he really believes it'll work. So although sad, it's also sweet. It's a light at the end of the tunnel, and also just an act of kindness. As for "lovesick," that would just describe Ray and Emma's inevitable longing for Norman after he was gone. Which brings us to...

Emma's Sorrow (エマの悲しみ) (Season 1)

The two times I remember Emma's Sorrow played was 1) When they first talked to Don and Gilda about the house and 2) During the infirmary flashback scene.

The Doctrine of Affections describes E Minor as "grief and longing." In the infirmary flashback scene that obviously not only shows how Norman longs for that time when they didn't know anything and everything was light and happy but also, once again, foreshadows Emma eventually having to grieve him.

Especially because they don't play the staccato part (short quick notes) that's in the original version. Instead, the strings are always present. In staccato, the music gets pretty,,, lowkey? because the instruments can't exactly "show off," whereas the legato (long/connected notes) really shows the true importance and impact each individual instrument has on the song. Considering how the strings (specifically the violins) in the soundtrack could symbolise Norman, it's showing how Norman is not just another guy who's in their group and planning the escape, but an actual friend they'll lose and who'll leave a significant emptiness behind. Not only brain power wise, but just.. you know he's a human being and it's gonna hurt either way.

Not only that, but the harmonies itself in Emma's Sorrow once the strings really do come in are really incomplete. Like, the piano part seems to be all over the place, but it comes together because of the strings. Norman was the one who brought Emma and Ray together, in a way, and isn't Emma and Ray clashing exactly what Shirai wanted when he sent Norman away? Yea...

And Emma's Sorrow is, of course, parallel to:

Emma's Determination (エマの決定) (Season 1)

Yea no I'm still gathering thoughts on that one. The ascending bass contrasting the descending bass in Emma's Sorrow is pretty cool, though. It plays when Don is going off about how he wants to be strong after punching Ray and Norman and it's in F# Minor, so "passionate resentment." Connect both and Don really is ready to change the world. He got slapped with this very very bad reality and naturally he's angry and he's sad and he wants to do anything in his power to save people.

But back to Norman.

(hi future me here. oh my god why am i only talking about norman this was not the route this was originally going to take im so sorry i swear there's more to this post than just norman brain rot 22194 is the last norman one)

22194 (Season 1) and Norman's Lament (ノーマンの嘆き) (Season 2)

22194 is in B Minor, so "patience" and "walking towards fate." That's pretty self explanatory considering how he, and I quote, "chose death." Yea. G Minor would be "uneasiness of the future," and once again, pretty self explanatory (The whole Lambda seizures thing and I'm The Only One Who Can Save The Humans Syndrome. Normy worries too much :/)

Comparing both is pretty fun, too. It's the same melody but in different keys and instruments and thus just give off different feelings. While 22194 is full of instruments and harmonies and is clearly structured, Norman's Lament is just. Empty. It's like it's trying to stay true to 22194, so the Norman from before, but at the end of every musical sentence it just drifts off. You can see parts of 22194 in there, but it's not the same. At all.

There's also no harmony. He wants to do everything himself, and discards all his bonds and friends for that. So sad. Stop him.

All that while 22194 is rich and beautiful and oh my god i love that song so much and it's just showing how Norman was a lot more lively and layered and human when he allowed people to come into his life (the harmonies) and listened to those people instead of just locking himself up and doing everything himself.

So in conclusion cuz I ramble a lot, 22194 is about GF Norman, who hadn't gone through all those things that turned him "evil," who trusted his friends and believed everything had a good, ethic solution. Norman's Lament is about Lambda/post-Lambda Norman, who had gone through a whole lot, and was now in a downwards spiral and had left everything behind to become God or whatever, but was also in denial that he had changed in the first place.

does this make sense no idea i'm typing this while sleep deprived and high on bread and i failed english this quarter

but that aside

The Promise Between Humans and Demons (人間と鬼の約束)(Season 2)

I love this song!!!!!! So much!!!!!!!!! I love the percussion, it's used so well. And I love the way the song builds up and adds more and more instruments until it eventually reaches a climax, like the growing tension between the humans and the demons during the war that snowballed and snowballed and eventually caused both sides to resort to the Promise.

And when the song comes down you can hear a very short "first draft" ish version of Isabella's Lullaby.

It's as if yes, all this mess went down and the demons and humans made this huge promise that completely changed the world and affected an entire society but then far far away from the Seven Walls and the Promise and oblivious of the Ratri Clan and the demons were these two tiny tiny children just singing a song and living happily. And those children---and that song---were the foundation for the entire revolution that ended with the Promise. Wow.

And it's in D Major, D Major is "Triumphant." The song itself sounds triumphant, and yes the Promise was gross but it was a nice little hello kitty band aid over the mess that was the world before it.

What was truly triumphant, though, was the kids' escape, which happened to the same melodic theme, albeit in a different key. Which leads me to...

Prison Break (脱獄) (Season 1)

Oh my God. I love this song.

It symbolises the kids breaking ties with Isabella and how many obstacles were in the way (not only was she their mom; their only mom who had cared for them for their entire lives, but she was also their enemy and did everything she could to prevent them from escaping). The second the brass comes in with the theme (around 0:53) it sounds like it's struggling to play it fully. In this case, Isabella, once the singing parts, would have lost her voice after being outwitted by the children (keep in mind the song starts playing after they've already reached the wall). After all, the song starts with a voice that seems to get more and more desperate before it's overrun by instruments, thus losing its power.

So she's trying to control them and get them back, but they won't let her. They're going to break free. So you have the melodic theme playing with significant breaks, until eventually it all goes silent. Why? Because they escaped. Isabella completely lost contact with them, they're free. And then you get the same melodic theme in The Promise Between Humans and Demons.

But the theme isn't played full. It's not played to the extent that they play it in TPBDAH, instead there's a lot of just "blank space" with no melody above it: that's where the children will write their melody---their story; a story independent from the Promise that shaped their lives thus far.

AGH.

I need a break but I'll be back

Isabella's Lullaby (イサベラの唄)

OK OK Continuing on Isabella I love how Sarah Alainn sings like she's crying. I really recommend this if you want to go deep on Isabella's Lullaby, they pretty much said everything I had to say. I don't go on youtube like ever and that might as well be one of my favourite videos LOL anyways

I also really recommend listening to the no vocal/piano solo version, the harmonies are so beautiful. And the more you listen to it the more you hear, there's always something new. The violins especially oh I love the way Takahiro Obata uses violins. Honourable mention to Nat King Ballade (ナットキングバラード) and Each Thought (それぞれの想い) (idk if thats the english name for it,,,, i've seen it as "Their Own Thoughts" too)

WELL THEN. What a ride. I'll go to sleep now. If anything is incoherent or u just wanna talk then send me askies or a dm smth idk aha i like music but i hate grammar :P

#adding this to the queue cuz posting it rn would be so weird #tpn manga spoilers #thoughts #long post #tpn music #63194 #emma's sorrow #emma's determination #isabella's lullaby #prison break #tpbhad #norman's lament

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spicy-raddish · 4 years

Text

So, in my last post I said that I literally hated Japan Sinks 2020, but that I was scared to voice my problems with it, from a writing standpoint, due to so many people genuinely liking the show. It seems I'm not alone at all. A lot of people encouraged me to make this post, so, here we go...

(This is going to be a long one)

Everything Wrong With: Japan Sinks 2020 (and it's a lot):

this post contains spoilers, obviously.

The music doesn't fit the mood of the show, like, at all. Don't get me wrong, the music is actually good, a lot of it is in my study playlist now, but it absolutely doesn't fit the scenes that accompany it. e.g. the dad gets literally blown up by a ww2 bomb leaving only his severed hand behind *happy music intensifies* this just cheapens the entire scene and removes any tiny fragment of emotional response to what you're being shown. And this happens all the time.

The animation... The backgrounds and general scenery look absolutely stunning, but the characters look genuinely awful. At times, I would be legitimately crying whilst watching a scene, not out of sadness, but out of laughter at just how bad the characters look. Extremely lazy drawing, and if the character isn't the one talking, they just freeze their animation for minutes at a time, not even making them blink or move slightly, just... frozen there.

Go and his constant use of cringy Engrish. I get it, he's half filipino and he looks up to an English-speaking YouTuber. But he goes into this broken English way too frequently, and again, it doesn't match the tone of what's happening.

How did Mari survive the first tsunami? Also, why didn't we get to see the first tsunami? Or the plane crash-landing in the bay and hitting the bridge? Why do we never actually get to see these large-scale events that are supposedly impacting our characters? Also, if Mari supposedly was in a plane crash, then ended up in the river where a tsunami hit, and she somehow managed to swim out of the river during a tsunami, how does she then have the energy and strength to walk all the way through the city to the shrine, and doesn't even seem out of breath? Also, if Ayumu was in that changing room which resulted in people being literally severed in half, how is her phone not even smashed? Cracked a lil? No?

THE POLAROIDS. I actually turned the show off the second time Mari pulled her camera out for a group photo, and I had to force myself to go back and finish it. Why on earth do the characters keep insisting on taking these chipper polaroids like the literal apocalypse isn't happening around them? Is Mari emotionally stunted? I don't understand. Is it supposed to be making some kind of point? I don't understand...

The characters seem to have zero reaction to awful events happening around them, or they comment on it and move on immediately.

Random magical cult city growing serious amounts of weed... Literally everything that happens there is just awful writing. So far, everything that has happened has been a natural disaster, and they explain them as being due to the tectonic plate movements. So we're supposed to be believing all of this as possible. Explainable natural events. You can't build a world around this and then suddenly introduce magic out of the blue. Not to mention, what even happened in the end? Did 'Mother' reincarnate herself? How? Why?

The weird nightclub scene and the pensioner sex scene are both two scenes I could do without.

The weird trickster guy who keeps pulling fake eyes/ears/noses out of nowhere. Again, he ruins the tone of the show. Not only that, continuity just doesn't exist with him. He says he's from England, but speaks English with an American accent. And then he says he grew up in Yugoslavia. Like, which one is it sweetie?

Why is this old man just randomly addicted to morphine?

You can't expect the audience to have a legitimate emotional response to character deaths if you introduce and kill off new characters so frequently, whilst simultaneously not really telling us anything about them that would cause us to care that they're gone.

Huh, what do you know, episode 8 was actually kind of good-ish, and the only reason it was good was because we were left with only two characters, the characters we've known right from the start, meaning we have at least some reason to care about them. And there's none of the random happy music. And Go keeps his Engrish to a minimum. And neither of them dies in a freak accident that gives the animators reason to show more body horror out of nowhere for shock value.

THE RAP BATTLE. At this point, I genuinely thought that this show had to be satirical. Like, there is just no way this is supposed to be a serious show. Again, the tone is non-existant now. For some reason this show likes to be really self-deprecating towards Japan at every available opportunity and they just went full speed with this rap battle. Like, I get that maybe the writers thought, oh, we've been showing a lot of bleak scenes, let's give some comedic relief. But that only works if you haven't had happy music blaring this entire time, combined with hilariously out-of-place English phrases and the weird Yugo-Brit-American guy with fake eyes, etc. That only works if this was a serious show to begin with.

I'm making a separate point just for the godawful animation during Kite's weather balloon scene. Jesus Christ.

The fact that they built a new mini-Japan/Tokyo for the surviving Japanese people, knowing full-well that Japan is going to re-emerge at some point, thus destroying this new island and killing its inhabitants in the process.

We're supposed to believe that nobody, not one nation, tried to claim the area that Japan was once in for themselves, supposedly as a good will to the Japanese people, even though it would be a prime location for fishing, etc. And there's definitely not enough Japanese people left to try and contest it.

I forgot to mention the fact that the intro doesn't match the show either.

There is a consistent issue with the show not understanding the tone it's supposed to be having. Combining the happy intro, happy music throughout, characters' lack of response to what's happening around them, laughable animation and random "comedy relief" aspects like the foreigner and the rap battle, you're left with a show that is unable to make you feel the way it wants you to feel. It seems like a joke, you want to see it as satirical, but the show continues to act like these events should be taken seriously. Now, I've seen anime that does this kind of thing before, having the tone of one genre whilst actually being another, but in a good way. An example would be Gakkou Gurashi (School Live). But Japan Sinks 2020 seems to do this unintentionally. It's just... Funny. I don't think I cared that a single character died. And that, in itself, is sadder than the entire show.

If you've made it through this post, congratulations. As someone who is both a writer and a fan of apocalyptic/natural disaster fiction, this show hit a nerve and I needed to speak out about it. Especially since I'm seeing it be praised so much online!

#japan sinks 2020 #japan sinks anime #netflix #anime #japan #natural disaster #apocalypse

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bybdolan · 4 years

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Rating all the songs from “Across The Universe” (2007)

Girl (7/10) – A fun intro! Nothing too special, but it’s a bit mysterious and Jim Sturgess is looking directly into my soul, so it definitely draws you into the story. The mashup with Helter Skelter plus the whole protests/wave thing is veeeery dramatic, I dig that.

Hold Me Tight (7.5/10) – A cute lil’ dance scene, some sweet character introduction that immediately highlights Jude’s and Lucy’s different lifestyles… We love to see it! Also: The casting directors really found the most American looking guy ever to play Lucy’s boyfriend (I just assume he doesn’t have a name), huh? That’s talent.

All My Loving (8/10) – It’s one of my favorite Beatles songs, so I am biased, BUT Jim Sturgess really sells it and I love the scene that goes along with it. Him singing it to her in the alleyway feels very genuine and organic. (Side note: Jude you are a fookin’ bastard for cheating on Molly, gee.)

I Want To Hold Your Hand (9.5/10) – Incredible. Showstopping. Revolutionary. Ten times better than the Beatles’ version. Seeing this song from a gay perspective makes it so much deeper… She’s just asking to hold her hand… Wanting the simple things because maybe they can get away with doing that…. Maybe people won’t talk because girls holding hands could just be good friends…. The yearning of it all!!!!! The tenderness!!!! When I first saw that scene and the camera stayed on the girl as the guy was walking away and Prudence kept singing… Cultural reset. Only reason this isn’t a 10 is because this movie has even better scenes! (On a side note: It is hilarious that the school’s team is called Wildcats.)

With A Little Help From My Friends (8/10) – Boys being boys! Dudes bein’ guys, guys bein’ dudes. It’s a fun scene and a fun version of the song. All that’s left to ask is: DO YOU NEEEEEED ANYBOOODAAHHHYYYY? (Side note: Max Carrigan… Sir…. Spare hand in marriage?)

It Won’t Be Long (6.5/10) – Not gonna lie… I have no idea what purpose this scene serves. We never see Lucy’s boyfriend actually meeting her. However, I am not mad to hear Evan Rachel Wood perform this absolute banger, so I’ll take it. The school scenes are fun, I guess. It’s also one of the few times we see the other Carrigan sisters, who disappear for the rest of the movie. Maybe they also got drafted. Or they died. Who knows. They aren’t even there for Thanksgiving. Where did they go.

I’ve Just Seen A Face (9/10) – I don’t care if it is basic or simple… This song is instant serotonin and the bowling scene is so! Much! FUN!!! The chemistry between Max, Lucy and Jude is amazing… I love my dumb children.

Let It Be (12/10) – The full score doesn’t even cut it for this masterpiece. You thought the Beatles’ version was moving? Watch this damn scene. I can’t even think about it without getting emotional. If you don’t believe in a higher power, you will after hearing this song. The acting of both of the mothers is also spot on; when the mother of Lucy’s boyfriend clutches the flag and just breaks down? That kills me. Julie Taymor saying that she wanted the scene to make us empathetic for what’s going on in the world instead of apathic after becoming desensitized from all the violence we see on the news every day makes it much more impactful. I’ll stop talking now. I can’t handle it. EGOT!

Come Together (9.5/10) – It’s fucking Joe Cocker singing Come Together. The musical arrangement is LIT as fuck and the choreography is *chef’s kiss*. Shout out to the hooker girls! You are Queens! Only reason this isn’t a 10/10 is that pimp!Joe Cocker creeps me out. What’s up with that beard?

Why Don’t We Do It In The Road (7./10) – We don’t hear much of the song since Jude and Lucy are talking so much, but Sadie is amazing. Her voice is great. She’s gorgeous. Sadie sexy. I’m gay for Sadie. That’s it that’s the review.

If I Fell (8.5/10) – Evan Rachel Wood I have feelings for you.

I Want You (She’s So Heavy) (11/10) – This is THE scene, okay??? You may argue that the symbolism is a bit too on the nose, but it fits this very imagery-heavy movie perfectly. *Childish Gambino voice* This is America. You can tell that the writers of the movie thought long and hard about what to do with each and every song and it truly pays off in this scene. It is scary, it is weird, it is stunning. It is… Dare I say… Perfect.

Dear Prudence (9/10) – Prudence literally being in the closet… Iconic. This song makes me feel like I am floating. It’s so soft yet euphoric. Love the protest scene, too. Really captures the spirit of the time. (I say as if I was already born.)

I Am The Walrus (8/10) – I want to rate this lower because the whole LSD ordeal serves no purpose whatsoever and doesn’t drive the story further, but… Bono kills it :/ It’s a banger. Sorry Beatles, but Bono is the REAL walrus. There’s no competition.

For The Benefit Of Mr. Kite (3/10) – What’s the point??? Why is this scene in the movie? I guess they all had fun making it, but sorry Miss Taymor, cool set design doesn’t make a good scene. The blue guys are cool though. And Prudence got herself a gf!!! Good for her.

Because (8/10) – Deep sigh… It’s just a very good song. And the transition that shows Max has been shipped away is amazing.

Something (8.5/10) – Greatest love song ever written, blah blah. What can I say. Again: Mr. Sturgess kills this performance. He has the perfect voice for the song.

Oh! Darling (8.5/10) – My parents Sadie and Jojo are going though a tough spot, but they are kind enough to turn their anger and sexual frustration into a show that we can enjoy. And oh boy, we DO enjoy it. Their voices work together so well and the eMoTiOnS!!! Splendid. Good job, guys. Now please make up :( You love each other, after all.

Strawberry Fields Forever (10/10) – I’m spiraling. This song and this scene is god tier. It is beautiful and heartbreaking and simply gorgeous. Just… Wow.

Revolution (8/10) – Jude you are a little bitch but this song slaps. Next!

While My Guitar Gently Weeps (9/10) – Jojo’s voice… Heavenly. Just a damn good version of this song. Bonus points for the Freewheelin’ Bob Dylan vibes near the end of the scene when Jojo and Jude are walking down the streets.

Across The Universe (10/10) – This movie is cranking it up near the end, damn. This is just beautiful. Plain as that. The scene of Jude seeing Lucy and himself from the past in the subway driving past evokes feelings in me that I can’t explain.

Helter Skelter (9/10) – BANGER! Better than the original; Paul McCartney wishes he had what Dana Fuchs has. Works incredibly well with the riot scene.

Happiness Is A Warm Gun (10/10) – INCREDIBLE! Julie Taymor managed to make this song makes sense, wow. Joe Anderson’s delivery is incredible, and the hospital scene is really creepy but in a very very good way. Bonus points for Salma Hayek.

Black Bird (7/10) – I’m always too focused being sad about Max to pay attention, sorry. But it’s Evan Rachel Wood softly singing a ballad. What more do you want?

Hey Jude (9.5/10) – THIS SONG! MAX AND JUDE! T H E Y! All friendship is romantic, bitch!!! I can’t properly express my emotions but let it be known that I cry at the first note of this song. Hey Jude……

Don’t Let Me Down (7.5/10) – My parents are back together :) And they sound great!

All You Need Is Love (10/10) – Get your tissues ready. We’ve reached the end and it is flawless (just like the rest of this movie – except the LSD scenes). You probably will cry of happiness. Love truly is all you need.

Lucy In The Sky With Diamonds (7/10) – A solid banger to finish it all off. Gives you time to wipe your tears away and get carried away on the waves of funky Beatles songs.

#across the universe #the beatles #evan rachel wood #jim sturgess #dana fuchs #julie taymor #musical #film #this is my magnum opus #bono #u2

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courage-a-word-of-justice · 3 years

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After much watching...I cut it down to 5 anime and 1 short.

Suppose a Kid… 1

I am not writing out that full title every time! Anyways, here’s the first “real” debut of winter 2021.

For some reason…this series reminds me of Pokemon. Probably how at the start, Ash tries to get along with Pikachu by doing all sorts of things like what Lloyd is doing here. (<- learnt protag’s name through synopses)

The name “Shouma” rang a bell and I was right – Shouma is voiced by Souma…Saito.

The Japanese title has “monogatari” on the end there…so it probably doesn’t fully translate into the English title.

These orange flecks in Lloyd’s eyes are kinda distracting…

Isn’t Kunlun in China, though…?

If this is just going to be Marie yelling…I don’t see why I should stay. (<- turned volume on for everything so far)

*facepalms* Lloyd is so dense…

That fight scene’s not very good…

…oh great. Selen’s fallen in love with Lloyd already…*sigh*

The missing princess is certainly going to be a plot point later.

Wow, that tiger looks impressive! If only they could’ve done that for the fight scene…

…oh great, Selen is a low-key yandere…

Didn’t Lloyd say he sucked at combat…? Anyways, I’m not keeping this. The designs are colourful and the tiger was good, but it’s meant to be a comedy and it’s not funny.

Hortensia Saga 1

Here for Ume! He’s voicing a guy called Defloitte Danois.

I-Is that CGI? So early on into the anime???

*a dude gets bitten into by the werewolf*…welp, at least this series isn’t afraid of its own gore.

I had a sinking feeling our real protag was Alfred…and I was right, according to the OP.

Huh? The song goes silent for a second near the end…what the heck?

The book appears to use English, albeit English so faintly inked in you can’t quite tell what language it is.

Alfred, governing Albert…? Isn’t that a bit redundant?

I swear all the female voices in this anime are squeaky as all get out…

All these high fantasy anime – or heck, any high fantasy series full stop – ever justify why the country is worth fighting for. It’s why I find war stories pointless and senseless.

You can tell from the voice and short stature “Marius” is Mariel…but she uses boku, which is why Alfred can’t really tell the difference. (Also, he wasn’t privy to the fact Mariel cut her hair.)

This almost smacks of a game tutorial. The CGI is still there…it’s not as bad as other examples I’ve seen, but you can tell it’s CGI when you look at it.

Roy’s kind of pretty, in a generic way.

A close-range archer! Ho, you’re kinda impressive yourself, Roy. (The feeling of a game tutorial has disappeared by this point.)

Hortense…of Hortensia…how confusing.

The scruffy guy you keep seeing with the dark hair is Defloitte. Keep an eye out for him for me, would you?

The ED seems to consist mostly of…anguished pop screams. *cringes slightly*

Anyways, this anime isn’t bad. It’s quite average though and its CGI could easily get worse.

Kumo Desu ga 1

…you know I don’t like 1st person cam, yeah?

…this is just Kumoko (as I’ve heard her being called) yelling so far…plus there’s quite a bit of CGI.

I like how the ED has an English overlay and the style they’ve used for it. The music, though…? Nah.

Wait a second? Millepensee? Shin Itagaki? That would explain the CGI!

“…a spider that just happens to have my memories.” – A butterfly dream, huh?

…well, at least this anime is well aware of the genre space it inhabits. Maybe you could say…it’s an isekai light novel, so what? *groans from the audience*

…well, you didn’t really “bring” your “brother’s” (?) corpse in case of an emergency, now, did you?

…welp, to have guts, you must eat guts. I guess that’s how it goes.

What’s a “skanda”?

This anime’s quite monologue-y (as expected of an LN). I can live with it, but I don’t know if it can carry the entire thing through the season.

…humans? Haven’t seen them almost all episode. What are they up to?

These designs sort of look like SAO’s. They’re not a dealbreaker yet, but they could be down the line…

This ED seems to take cues from Cop Craft’s OP (same studio). It also has some…“Aggretsuko rage”, I guess you could call it.

2.43 1

…Another confusing title, I see. I normally don’t do sports anime, but I’m here for Ume.

*sees the colour of the volleyball* - Basically anything volleyball has to collaborate with volleyball maker Mikasa, doesn’t it?

This anime seems to like putting characters’ thoughts on the screen for dramatic impact. The CGI is sort of visible, but not a dealbreaker.

I’d thought I’d heard of this OP artist before, but it turns out I haven’t.

This series has a nice sense of force. You see those moments where the ball squishes, or when Yuni presses against the wall without thinking? Those.

LOL, way to burn Yuni, Chika…

These transitions are a bit hard to detect. I think I like Akudama’s more overt ones more.

LOL, Dr Popper (sic).

The serves are nothing special. Haikyuu does the same thing from the episode I saw of it. (You know I don’t like Haikyuu, yeah? Dropped it after 1 episode because everything I heard the fans talking about caused me to connect the dots.)

The way Yuni blushes…it’s more than someone usually would, even if it is out of embarrassment. It may just be the entertainment I consume, but I could swear that’s going somewhere in more of a BL manner.

I get the feeling Chika has a bit of Virgo or Taurus in him somewhere. The sort of guy who nags at everyone to do stuff his way is probably like that.

Pocari Sweat (unaltered).

I gave myself dimples by puffing up my cheeks and poking them until they became permanent. I guess you can do the same thing with ambidexterity…?

For some reason, I can detect Chika’s jealousy when he discusses blocks and natural talent.

…wow, this anime is pretty serious for a volleyball anime.

The ED scene where the face is replaced with flowers is pretty creepy. Like Jigokuraku or something.

Cells at Work!! 1

What are these blob creatures you see in the OP, anyway…?

I think I remember reading something that the numbers assigned to the cells aren’t arbitrary – they’re hexadecimal colors, e.g. RBCs get shades of red as their numbers.

D’aww, Platelets warm the heart. They really do.

Platelets have a master…? I thought they were all just lil’ kids.

“What the cell’s going on?!” – Oh, I remember seeing a tweet about this. I love that pun! Kudos to whoever was responsible for that.

LOL, no. 4989 dancing in the background.

Hmm…those nets look like CGI.

…uh, I did not need that shot of the Megakaryocyte’s camel toe…that’s distubring.

Wait, Backward Cap is a she?!

Aw, lookit WBC being a dad. That’s cute.

Backward Cap = Ushiromae-chan.

Is that…a construction worker holding a giant pudding?!

Cells at Work Code Black 1

This anime is called “black” due to black companies. It’s Code Black to avoid being racist, I guess. I’m looking forward to it because it’s undoubtedly going to show a dark side to the main series…

…and there it is, the RBC complaining.

I assume OJT = on the job training.

I knew “pespin” (sic) was a typo. It’s pepsin.

Now that I’ve been working at customer service for two years (give or take COVID), I can see where the senpai RBC is smoothing over the relations.

…that also means I know where to suppress my emotions. I’m not a person who opens up to people easily without getting used to them, so people never see me as suitable for customer service anyway, but it’s the only experience I have so *shrugs*.

…oh gosh. I haven’t seen these words since…the time I was still learning biology.

…*sigh* Rookie RBC is worried about boobs.

The fact Senpai lost his iconic hat…is kinda sad, actually.

“Don’t let his resolve be for nothing.”

Hmm…does the male WBC from the main series wear black fingerless gloves?

I thought I’d heard of this artist before…but turns out I just can’t distinguish really autotuned artists from each other…(lel)

…and stuff goes ka-blam. It’s the spiritual successor to HypMic, even if I wasn’t asking for it. (LOL)

Back Arrow 1

…I heard you said “hot guys”? (Yes, I am predictable as all get out.)

What’s with that episode title…?

Stereotypes, eh? I kind of expected as much from the promo, but where’s the title character…?

…was that yuri fanservice? I can’t quite tell because it was the aftermath of an action scene, but I can see the shippers gearing up in my head.

…after a bit of waiting, there he is. Back Arrow himself. He kind looks like Takuto (Star Driver).

“I’m not trying to hide anything!” – Well, that’s…true.

…*sigh* Why do girls always have more feminine-looking mechs? (Plus this one has boobs…*sighhhhhhhhhhhh*)

So it seems mechs in this anime are the form of one’s conviction and they have skills along those lines, eh? An interesting concept.

…you do realise I abandoned an entire anime based on a joke about lucky underwear? However, this anime is so absurd and just keeps running with the joke that I just can’t say no to it. If there’s one thing I’ve learnt from volunteering at a charity store, it’s that when it comes to selling stuff, you can’t say no to a lot of stuff…including selling potentially used underwear, so long as it’s not dirty or stinky.

Whoa! Those things break?!

Why does the title card mention the wall...?

Anyways, I…like it, surprisingly enough. Let’s keep going.

Back Arrow 2

…eh? Didn’t expect inflatable clothing, LOL.

I suspect Shu Bi is scheming something.

What’s the long thing…?

“…tomorrow might not come.” – A good reminder to have in these times of COVID.

Peath = Peace. (Heh. What a stupid name…*thinks about the name “Quattro Bajeena” suddenly* Okay, “Peath” pales in comparison to that.)

What is that creature that circles in the sky…?

I know this is meant to be a serious fight, but…that attacking guy’s hat seriously looks like a bamboo stalk and so I keep seeing it and trying not to laugh.

I only just now realised there’s CGI. CGI these days is getting much better than it used to be.

Tomozaki 1

LOL, Yontendo. It’s clearly Smash Bros + Nintendo Switch and the character designer was also around for Iroduku, so that’s why this style looks familiar.

…lemme guess, since this is a romance, it’s likely NONAME is Aoi. Or some other girl.

I would pay for a romance where it’s the girl building the guy up to be presentable, instead of a girl building other girls up to be presentable a la Ageha 100%.

Didn’t the anime show us Tomozaki reflecting to himself, though…?

“…rules working in combination.” - Well, there’s social norms (e.g. knock before entering a room), laws, contracts, societal standards (e.g. in Japanese society, you bow to others as a greeting or apology)…(continues to blabber on for a bit)

I think Aoi said something like “onitadaku”, but I’m not sure what the joke is there. Oni is in there, sure, but what’s the original phrase she’s playing off?

…LOL, it’s a good time to remind people to wear a mask.

LOL, Krout.

Anyways, this seems decent. I like how it’s going the way I want it to.

Tomozaki 2

“…make sure I’m nearby…” – Okay, that’s just being pushy, Aoi.

Minami and Hinami…so confusing…

*Minami chomps on Natsubayashi’s ear* - …okay, that’s not a thing girls do in real life unless they’re lesbians. This is likely trying to take the fanservice route.

They didn’t even show why the “kiss” was broken up…meaning they were doing it to make potential girl-on-girl look hot. Just great.

*Aoi touches Tomozaki’s butt* - Dude, that’s groping…

I didn’t think we’d get the story on Aoi’s “hexactly” so soon.

…well, that episode just made me feel mildly bitter. I’m dropping it here.

Praeter 1

…aw s***. Only a few seconds in and this looks like a terrible game…

It’s like someone barfed paint across Durarara…

The only time the background buildings look any good are when there’s a fight scene…

These Seals (or whatever those designs are called) seem to act like mini shields. Update: They’re called tattoos.

That transition was a bit fast for my liking…

Seems like the series is mildly peppered with Greek terms.

“To Infinity and Beyond” by…some author I can’t really read the name of.

Suddenly, they throw in more characters…?

Where does Eiji keep those bullet cases of his…? In his jacket?

Having a guy die in the 1st episode is cheap. I mean, we don’t quite care for him yet – it’s too early in the anime for that.

Now there’s Norse terms on top of the Greek ones…

Even more characters? You kidding me?

Lemme guess, Eiji gave up his tattoo because Yamato inspired him and now he’s a goner.

Welp, the weight of the world is in your hands, Yamato. Including that dead dude on your back. (<- sarcastic)

Sk8 1

I’ve been hearing good things about this anime! Let’s go! (<- about a week late to the debut)

That politician is probably relevant…probably someone’s dad, if HypMic taught me anything.

LOL, a beef. They call this stuff “beef”? Where’s the chicken? (<- joke from HypMic)

Haemanthus…apparently a flowering plant from S. Africa.

That’s rare, you don’t see Canadians in anime all that much. I was just thinking as I came home from volunteering how you know British people all have fancy names like William and Australians are Johnno, Danno etc., but Canadians? No clue. Update: Apparently you’d call one Arnold or something just as generic…?

Why are all foreigners in anime half-Japanese with the mother being the Japanese side, anyway?...Because people can make their character speak Japanese while looking foreign. Right. Moving right along.

Ahh…I understand your plight all too well, Reki.

…Hmm. It seems Reki’s surname is written kiya, but read “Kyan”. His name literally translates to “history (calendar/age) of bravery (military might)” Update: Turns out his surname is 3 characters (read “kiyan”, although I’ve never seen that final character ever being read as “n”) and his first name is one, so his first name is just “history (calendar/age)”.

Even I suck at balancing on bikes and stuff (…yeah, I still can’t ride a bike even though I’ve done so many other things in my life) and I know you have to support yourself with one foot on the ground before you do things like trick flips. I may not have observed Tony Hawk all that much, but he was on the periphery of my knowledge.

“What’s your hourly wage?” – Ouch, I feel ya, Langa.

Koko ni netete actually means “Lie down here”, but…okay.

These eyecatches are cute.

That’s a cute fox.

Yikes! 60 mph = approx. 97 km/h!!!

Random umeboshi, LOL.

Aghhhhhhhhhhh! Cherry Blossom’s so pretty~! I love him already!

Thank you, based Bones!

Something that can be enjoyed, even without sound: this is why I enjoy both action and comedy anime!

Okinawa? We’re in Okinawa?

Well, that was cool! I didn’t even ask where the location was until the end. Update: Why is this anime sometimes called Sk8 the Infinity anyway…?

Horimiya 1

Horimiya…I’ve been aware of this series for a while. There’s even a Chinese volume of it at a library close to me, although due to contact tracing I haven’t bothered to check it out.

Oh, I bet Hori is the otaku!

Ooh, Marketing Script!

Because I’ve been behind on the premieres, I’ve seen enough to know this boy with the chain is Miyamura.

…argh! Miyamura is cute! Y’all were right!!! (<- likes blushing bois)

I bet there’s going to be an emergency meeting!

“Sorry, it’s egg time!” – Oh, I’m laughing so hard! So that’s the context behind the Wonder Egg Priority meme!

“…see these?!” – Well, it’s not like you have a tattoo or some-*Miyamura shows his tattoos* Never mind…

Oh, I just realised they even animate the minute movements of the eyes Miyamura does…cool.

Notice how Miyamura is blocked from the other guy due to the window.

Miyamura goes “Ishikawa-kun” but “Hori-san”…hmm. No wonder he’s letting Ishikawa get Hori.

The problem I find with romance series is that they’re generally tied to heteronormativity. Hori is coded with red silhouettes and Miyamura with blue…*sigh* Whatever happened to gender ambiguity?

Good heavens, what is up with this ED?! It looks like Pocoyo! (…Does anyone else know that cartoon…?) Aside from that quibble, this anime is great though.

Mushoku Tensei 1

Apparently this is the grandad of all isekai. Why it took so long for an anime of this…who knows?

…and of course this guy’s a loser virgin. Go figure.

*sighhhhhhhhh* He’s just ogling this woman’s boobs…

…oh, sorry. I was so distracted by the man candy, I didn’t care about Rudy.

I-It’s actually quite refreshing to not have an OP protagonist from the get-go for once. (Or maybe I’ve developed such a disdain for isekai since SAO rolled around that everything here suddenly feels fresh.)

You can see the birthplace of isekai without having watched any of the others right here, it looks like.

“…what’s the point of incantations?” – To make it easier for you to cast spells, I gue-spoke too soon.

…wow, they shamelessly showed off Rudy’s privates. I know he’s still young at this stage, but that reminds me of how I dropped Dragon Ball around the time Goku was shown the same way (which is…very early on, by my own admission).

I believe, based on the name of the spinoff I see in the 7 Seas emails, the magic tutor is called Roxy.

You’re thinking about marriage?! At your (reincarnated) age?!

Oh no! The tree again!

LOL, Rudy’s acting like a kid who’s been in COVID lockdown for a while.

I think what most of the isekai that spun off from here missed is that the loser is job age. Losers at life at job age are relatable and high school geniuses are relatable (albeit sometimes insufferable), but losers who become NEETs for no reason whatsoever and then get banged up by Truck-kun are not.

Anyways, this was good, but a risky kind of good, since it seems like this male gaze will continue to be around as Rudy gets older.

Update: Dropped after learning Rudy was a paedophile in his past life.

Update 2: Apparently the anime toned down this paedophilic tendency of Rudy’s, so...now the verdict is that I move on while I let other people tell me if this is true of the anime or not.

Kemono Jihen 1

“Kemono Jihen” means something like “creature incidents”. I wonder why Funimation didn’t change the name…?

Kabane means “summer wing”.

Kanoko Villa, I’d assume, is named after the deer (the name means “deer’s child”).

My experience with Sho Aimoto (creator of this manga) is reading a bit of Hokenshitsu no Shinigami. (That, by the way, reminds me of Nube, but it’s nothing spectacular.) However, Hokenshitsu no Shinigami has a very detailed artstyle…That’s why I’m pretty shocked Kemono Jihen has such a scratchy one…

Ooh, edamame!

Oh, I see…this is like Furuba or a werewolf story, huh? Rather than a Natsume Yuujincho sort of thing.

…I thought Inugami and Dorotabo had seen everything of each other because of bathing together…I guess not, then.

…is Yataro going to die?

It seems the “immortal demons” are oni, so…why subtitle them as “immortal demons” and not just “demons”?

Ohhhhhhhh…this shite’s good. It seems to have a throwback feeling to it, moreso than even Yashahime or a lot of the sequels I’ve seen recently.

Cells at Work!! 2

I was going to move right along to Wonder Egg Priority because I’m really behind on the debuts right now, but I accidentally opened this up while I was cleaning up so I might as well watch another episode or two before setting it aside.

He’s dead, Jim. (<-joking)

…gosh, these walls look like Hover all over again and that’s from 1995…

LOL, these background cells don’t even have any details. They’re basically stick figures with fat bodies…

I think that phrase that appeared, “Take good care of B Cell!”, may be a pun on Give My Regards to Black Jack (written with similar Japanese, “B Cell wo Yoroshiku!” vs. “Black Jack ni Yoroshiku!”).

LOL, “you sure have the guts”…while they’re in the guts.

The certificate says something about it being presented to someone in the face of bravery, I think (<- just looked at it briefly).

“You have a good head on your shoulders,” says the T cell as WBC struggles with the disguise…stuck on his head.

Wonder Egg Priority 1

I’ve been hearing this series is surreal, but no more surreal than Flip Flappers. So…I don’t know if I’ll like it or not.

What’s this K?(?96…?

There’s a sunflower on her raincoat…so that’s why I saw a post called “You’re the sunflower”. Personally, that just reminds me of Post Malone.

Those Seeno Evils…they’re CGI, aren’t they?

As Boueibu once said (but I may be paraphrasing here), “nothing is more scary than free”.

…to be honest with you, I haven’t had a best friend for at least 2 years now. I only really feel close to people who are like me and who I have sustained contact with over many years, so I end up cutting contact with people after we part ways and never trying to fix it.

I always find it slightly absurd when anime girls get a little pudgy and go, “I’m so fat!” (See, for instance, the Dumbbell series.) Or, in this case, Ai’s going, “I’m so ugly!” when there’s nothing wrong with her. She’s only a bit different from everyone else due to her heterochromia - she doesn't have any physical or mental difficulties.

IChu 1

Here for Ume and, of course, dem bois. Bring it!

I seem to remember one of the magazines called an “Ichu” “an idol egg” (i.e. a fledgling idol)…More egg puns for me, then.

I found him! Ume! He’s Akira Mitsurugi! Update: Turns out that’s Toshiyuki Toyonaga…Oops. (Ume is actually Lucas from I*B.)

Huh? For a second, I imagined Akira with a dubbed voice. Of course, I could only be dreaming, because idol anime normally don’t get dubs, but…it was interesting to think about.

LOL, “Onsta”.

This Akio-type character is popular lately. The sort who’s timid but has an outstanding talent they themselves might not see.

…uh, but Kocho means “Principal”…?

An idol bear?!

Torahiko is crazy…(Note the tigers. Tora = tiger.)

Specifically, that’s black coffee with no sugar.

As much as I want to keep watching this, I’ll hit pause on it here. There’s much better offerings this season.

YuruCamp s2 1

…grandpa’s writing is so…neat.

*glares at CGI car…*

This OP just doesn’t compare to Shiny Days, y’know…?

OOPArts.

Talking pine cones! They’re back!

Curry rice! Literally had some of the Japanese-style stuff the other day. It was great.

All this talk about jobs…I personally don’t like jobs because I like to work at my own pace (hence one reason why I’m working on being a translator), but…money…I’m jealous, girls.

I’m trying not to rely on the subs for those texts that appear on the screen so that I can keep my reading skills up…I kept up with them for the most part…but then I got distracted by the croquette sign at one point…

“…buy you some local food?” – That’s omiyage, normally translated “souvenirs”. “Local food” actually does make more sense in that gap, though.

…man, I’m jealous that the girls all got jobs suitable for their personalities and everything. Lil’ ol’ antisocial me sucks at retail, even after 2 years.

Design-bu 1

LOL, that man and his bunny. Update: That’s Unabara-san.

…geez, these utaite are everywhere now. I’ve seen 96neko, USSS, Eve and more being more central to anime song creation…

Thise characters in the OP seal (<-the stamp, not the animal) are saiyou, meaning “recruited”, or in this case, “accepted”.

OEM = original equipment manufacturer.

Hrm…you can tell it’s a giraffe by description, but…that “base everything on the horse” is interesting as you could count several things as horse derivatives. Also, the angels’ names are all standard Japanese names with natural components to them (Ueda = upright rice field, Shimoda = frost rice field etc).

Is this pink-themed guy…a guy? Or a crossdresser? Update: That’s Kanamori-san.

I like how the suits have little wing-like flaps. Also the wings on Shimoda’s back.

…I never thought an anime episode would make me so concerned about giraffes.

That guy in the green I remember from the Wave x Tendebu (Heaven’s Design Team) collab, his name is Kimura.

Oh, so there is a bird like that!

The random wiggling the chibis do in these short segments…it’s a bit disorienting. (<-Just a small quibble of mine.)

Oh! Galapagos effect!

Agonistic: “polemical; combative.” I thought they meant “antagonistic”.

Oh man, that punch line was great! It took me a while to get into the spirit of it, but this anime is great!

Update: Oh, that’s where those nature names come from! They’re actually meant to be gods! (Or…named after gods…?) Also, Ueda vs. Shimoda (the “shimo” could be the kanji for “below”).

Ex-Arm 1

I’ve heard this anime looks bad…even well before its debut. How bad? Let’s find out.

*stifles laughter* From the first pan, I know this anime is doomed on my list. Even Praeter was better than this!

*stifles laughter again* This OP really does look as bad as the stuff I was seeing prior to winter 2021! Like a game I shouldn’t take out of my archives! (It’s not as bad as Hover’s graphics, but still…that’s from 1995. Cut it some slack.)

That’s the 2nd Kimura this season…

Yugg is just…ugly. Never try to render elaborate eyelashes in CGI again, people.

Dimension High School was better than this because at least that had puzzles. This is even jankier than that!

Wait, why is Akira 3D when his dad is 2D? It’s not that obvious, but I notice these things. Update: That’s not his dad…but close enough. (That’s his brother.)

…and here comes Truck-kun! (LOL)

This would be good…if it weren’t rendered in the jankiest CGI known to man…

Alma’s gun strike doesn’t have a lot of force to it.

The fire is rendered so terribly…*stifles laughter*

This part with a disembodied Akira is what I assume I got up at 6 am for…but I can’t hear it, due to background noise. Remind me to confirm this later. (Minami’s mouth is rendered so terribly…augh.)

No force to any of these recent motions, either.

LOL, this censorship.

Wave 1

Ever since this project was announced, I’ve been watching developments unfold on Anime News Network. I knew it would get an anime or something similar I could follow…and now here I am. I mentioned in the Sk8 comments I have basically zero knowledge of surfing, so…this is very unexpected, in one sense.

Was that a drone…?

“Wizard of the Waifu Board”?! Are you kidding me?! (LOL)

There seem to be shots where I can see the CGI here, but…anything’s better than Ex-Arm. Let’s say that.

Actually…yappe is a derivative of yabai, meaning “cool” or “crap” (in an ironic sense). So it would probably be better to translate it as “Surfing’s the greatest!” or “Surfing’s the coolest!” Anyways, what I was thinking before I was going to say this was that the waves are so enticingly animated, it feels like a summer anime. Basically the only other anime I’ve ever said that for is Grand Blue.

If I’m understanding where Isokichi’s name comes from right, “iso” is the character for seashore or a rocky beach (磯).

LOL, the teacher just wrote “Show must go on.”

Hayama, Kanagawa. Kanagawa’s capital is Yokohama, so it’s not quite Tokyo, but somewhat close.

“Murphy”? I have zero clue what that means.

Oh, I see. The title is translated that way due to context. Now that I can accept.

I just burst out into laughter when I realised Nalu hasn’t dropped or put down his ukulele once.

BSD Wan! 1

Here comes my past to haunt me…aside from me being a fan of BSD, I’m here because I influenced this series. How so? Once upon a time in the now-distant year of 2016, I was a scanlator for a brief period. Most of the work I’ve done hasn’t influenced the world at large, but this is the most influential manga I had a hand in working on.

Oh no! They’re starting with the dog AU?! (That comes from pretty far into the manga, IIRC. Further than my work was on it, at least.)

It’s Rashomon, but Rashoken (that last bit means “dog”). Hence Ruffshomon.

Basically, they just insert dog-related words everywhere…don’t make me explain every one!

Ouch, I can only imagine how much pain it was to translate Inu Shikkaku. Literally, it’s “No Longer a Dog”, but how would anyone make it in line with the other puns…?

I wasn’t fully aware of how the dog AU was connected to the main Wan series because I haven’t really looked at it after I quit due to aggregators, but…that was a nice fakeout. Also, I was concerned as to whether this was going to be a full-length ep or a short…seems like it’s a 10 minute short, so I have more chances of taking it.

…oh gosh, that pose! I remember it! I worked on this one! (Now that I know it’s a TV short, I won’t cover future episodes, but I want to at least finish this one because I started it.)

I think they added a bit there. I remember Kunikida’s and Yosano’s were in the manga, but not the other members or Fukuzawa going “the wind is smiling” + Kenji working on the roof at the start.

Oh yeahhhhhhhhhhhhh, I remember Rampo. I think I had to approximate how he would say stuff with Pocky in his mouth, but Slug (current scanlator) went the extra mile and stuck food in his mouth to do the same panel.

It seems to make a short ep., they strung a bunch of the chapters together. Also, I don’t think we ever found out what Yosano’s puddle was and that was…probably for the better.

Oh yeah…I think I remember this one.

Now I remember it! I remember having fun explaining what a youkan was.

Whoa, Higuchi scrapped the SFX! That wasn’t in the original…

The ED seems to be an Atsushi cover of Namae wo Yobu yo.

Oh noooooooooooo! The flower gazing episode! That’s the one I remember most, because I was trying to figure out how to translate 移動 while making it smooth-sounding English…(I remember the final result was something like, “Move! Move~!”

Dr Stone: Stone Wars 1

Final debut! Let’s go~!

The last time this series was on the air was about 1 year ago. I can remember that far back…

I like how that recap is framed as Gen talking to the kids.

Senku overcomes every problem with science.

…not much to comment on here.

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ne-fe-li-bata · 3 years

Text

Aye yo CORPSE! ...

Dead ass;

You can't convince me that Corspe was/is/does ;

in no particular order..

• Deserve to be held ( I would smother him with my chest and hold him tighter than he has ever been held) & protected from this world

• Pyro! Mans loves🔥🔥🔥 - mostly his fav elemental (Leo is a fire sign); “WOOO... now that’s a fire!”

• Loves knives/weapons- has a collection (quite a nifty 1, ay thank-a-you) & even knows how to use butterfly knives/ tackle combat.

Has a collection of weapons (brass knuckle, daggers, swords, knives,etc.)

• Highly interested in combat/training. Most likely has training in some sort of combat. Loves any form of physical combat < UFC,MMA, Boxing, any type of martial arts>

• Absolute proper gentlemen / clearly has the utmost charm/cunning

I.e holds the door open & will slap yo ass on the way in, moves you away from street side when walking, pulls chairs, defends your honor, etc.

• Takes A . L . O . T to truly capture his attention- but once you have it ..%100

• With his person; protective/obsessives/ possessive/ sensual/ affectionate .

< mine is mine. me no share -like absolutely not at all>

“ You want the moon? Just say the word and I'll throw a lasso around it and pull it down for ya“

• RP'er on DeviantArt/chats had his own OC. (also prob had his fav person to RP with)

• Watched mostly nothing by anime/cartoons (nick/CN) as a kid & also mostly watched certain shows/movies as a kid well into his teens

(could recite quotes/scenes as second nature)

• Not a major musical theatre type of kid. But musical movies/shows was 1 of his favs- but still highly interested/ in love with theatre/musicals/preforming arts none the less.

-EYES DON’T LIE

•’staring problem’ he’d just stare at you -deep in his head (both good & bad) you’d have to bring him back to you ..”babe- eh, come *snap*back to me. What’s on your mind my love?’

• Genuinely a really warm person- but only to certain people, but comes across cold & distance

• Grew up in the internet & knows the way around the 'business' & 'faceless' YouTubers/celebrities

• His teens/ late adolescents consisted & grew up on YouTube O.G videos/ video game commentary/content;

Cry.. <Cry was a huge part of my life & still hold a special place in my heart. Corspe just like I was most likely devastated with the shit that went down>

Jack

Nova

Sp00n

Jontron

Smosh

Nigahiga

Shane

Jenna

Hanna Hart

Phil/Dan

KevJumba

Ray William Johnson

Pewds

Machinima

EMT

ERB

Wassabi Prod.

VlogBros,

-etc

• Has an oral fixating (lovebites indefinitely <like dead ass ya’ll be chillan/ out & he’d attack you> & just needs something in his mouth always)

• Fidgety af, always need to be playing with something in his hands/playing with

• Is a goddamn absolute certified freak--but also super soft bean boi. (can't stress how this boi needs& deserves to be protected)

• Constant hand/arm touching/stroking for comfort.

• Daddy{papi} / Mommy(mamá) . Master . Sir kink - hard control kinks- but highly sub.

hard(er) kinks

• Lovebites = M I N E

obvs fishnets/ crossbody straps/ lingerie

lace

collars/ restraints

toys

•RP

degrading/praising

sub/dom switch

showing/proving your actually/completely & utterly his/ he’s completely & utterly yours..

& of course you know it's go time when 1 - if not both of you has kitty ears on.

over stim

*no touchy/ don’t let me go*

“look at what I’ve done to you”

“you kno only I can do this to you”

“look how greedy you are for me”

“look at the mess you’ve made because of me’

“cum on my face”/’cum for me”

“who do you belong to” / “you belong to me & only me”

100% all black clothing 🖤

*that once we get home / I swear I’ll deal with you right here, right now* look

primal play “when you run from me, it only makes me want you more” “you know imma find you kitten”

pet names (beast< i feel like you call this man “ (a) beast”-he about to lose his absolute fucking mind> , “oh Corpse/______, you absolute fuckin’ beast- my God” kitten, babyboy/girl, baby(e), bae, my love, lover boy, my darling, slut, needy little bitch, cum slut, lil’ whore, master/mistress, king/queen”

“only yours” “just ______” “ no-one but _____” “only____” “only you”

‘I’ll keep you so no one can find you or bother us’

“that’s my girl” / “that's my boy”

“would you like to/ I saw----”

“look at me” “don’t look away from me”

GROWLING / talking through clenched jaw

not breaking eye contact

• his name & ‘Corspe’ being cried out

“cry out my name for me baby. know who you belong to”

video/sexing/teasing

breeding kink

voyeurism

abrasions

aftercare af

impact play

24/7

edging

accidental stim; “holy fuck- I’m so turned on by you rn”

rope bondage

begging

worships

• But also soft kinks;

MEME SENDING

head on lap/chest

naps

playing with hair

matching outfits

voice messages

always touching (somehow)

no space between bodies

picture taking together/ just of you

body rubs, head rubs

massages

competition

play fighting

“this reminded me of you”

“I remember you said” “I know you...”

“you know I love you”

“I can tell by your eyes”

“ugh- I swear to shit imma marry you 1 day”

“nothing really made sense until you”

“do you wanna watch”/ “WAIT!? YOU HAVEN’T SEEN?!”

“damn- you really do love/like me, eh?”/ “you are SO fucking mine”

“that’s my girl”/ “that's my boy”

pet names/ “MY_______” “YOURS”

long stares

dates- stay at home dates are his fav, as your attention/focus is just on him

choker/necklace/ jewelry (that 1 of you bought- NOT LIKE HIGH PRICE TAG, but like seen it & was like ‘omg ____ would so wear...’)

cuddles with movies /anime watching time

just being in the same room/on call- even in silence

* emojis*- just some sort of communication

inside jokes/ puns/dark humor

seeing 1 another with kids

future kink (family, travel, etc)

playing video games

dancing/ singing with 1 another

Sitting on the ground, wrapped around his leg when he streams/edits

Nerf gun fights

Watching him record (tracks/editing/streaming)

• Loves- loves surprises <like dead ass would set up a surprise date/ do a scavenger hunt for you/ surprise you with your fav thing>

• Loyalty is everything & his best attribute (& pride)

• The music that he make is from the soul/heart. He pit everything has has/what he has left into his art

• No one has seen the real him - a side he truly hides

• He's both book & street smart

Taught himself through YouTube/Reedit/online

• Fav actors; Jim Carrey/Robbin Williams/Will Smith (?)

• Man’s straight up dangerous. we only know like a quarter of him & people fall at his feet. ( h e . i s . n o t . t o . b e. F U C K E D . w i t h)

• Hates silence

( constantly needs background noise) <also can't fight me on this babyboi cuddles pillows/blankets for night-night time>

• People don't understand the pain he is in every day, unless they have fibromyalgia/GERD/high functioning (sever social)anxiety/depression/ agoraphobia

(my mom suffers with fibro/depression <I myself have GERD/ sever social amenity/depression>& I wouldn't wish those illness on my worse enemy...)

• Over all pain has changed him

• Has dealt with self harm since a young age- most likely 9- 11 yrs old. (as someone else who’s suffered with SH for years- when you become so numb it 1 of the only ways to feel some sort of anything/makes you feel like you’re alive)

• Addiction (drugs/people/things)

• Wrote & read a lot of fanfiction

(most likely his main source of reading in pre/teenage years)

• Is a hopeless romantic but has his guard way up

• Obsessed with Japan / Studio Ghibli

• Doesn't think he deserves any of the recognition/ fame he's gotten--but definitely deserves it all as he's creative & inspirational as fuck. Also he’s worked so hard for it & had put himself through so much

Contrary is highly appreciative of those that are supporting

• Doesn't do it for the fame but for the fact he know how he's gotten people through hard time (just like those on the internet got him through)

• Was a scene boy that vibe’d of myspace/ listens to a lot of ‘scene’ pop-punk, emo/ scene band shit (band?)

• Also is/was a major tumblr boy

• Would be a phenomenal father

• His love language: physical touch & words of affirmation

• He would flinch at touch movement but would melt in your hands

• Face caresses would trigger anxiety/ tears.. but once he’s calmed/comfortable would burry his face in your touch. neck & chest

• Still caught up in daydreams

• A part of him is still never satisfied even if it’s exactly to the pin point detail of what he wanted

• Has at least 40/50(ish) songs he hasn't released

• Mommy & daddy issues (not saying his home life was really- really fucked - but non the less- it certainly wasn't the best).. Also wants to protect/provide for his family (especially his sister) & was prob closer to a grandparent/aunt/uncle)

• Definitely prefers to be by himself, as every time people come around, it's like;‘"this is why I'm okay (ish)with being alone"

• lost an important person to him due to O.D/ suicided..

• Also most likely to of heard his "friends" shit talking 'Corpse' or something correlated with him

• His pride is his biggest sin (next to lust)

• Has single-handedly defined a huge part of 2020 ( in the best way)

• Went through a fighting stage where he was ready to fuck anyone up on a drop of a dime (middle/'high school'/street fights- possibly even under ground)

but also a stage where he cut absolutely everyone off for a solid couple years

• Most likely obsessed with 1 of 3 creatures; lion, dragon, wolf ( 5ish- possibly bear/fox)

• Dinosaur obsessed

• Internet & video games raised him

• He raised himself

Quick to adapt to surroundings/situations.

• Mighty Morphin Power Rangers was his shit ( I CAN SO SEE YOUNG BABYBOI RUNNIN AROUND THE HOUSE IN A POWER RANGER SUIT) "IT'S MORPHIN' TIME MOTHER FUCKER"

fav ranger- green

• Has up until next year planned out & is working on the next 'version of corpse' ( PR, vids, music, etc)

• Also med/high key this man was most likely in a physcward (more than once) ..

• This man deserves more than he'll ever give himself recognition for & knows in the back of his mind--people will hate just to hate

• Rose is his fav flower 🌹

•⛈️🌧️. >🌞. Loves storms/ rain & prefers them over sunny days

• Loves the moon/stars/space (?) < observatorium dates = fuckin mint>

• Pixar/Disney lover

• Fav Pixar movie.. either Wall.E or Toy Story

• Pixar > Disney

• But fav Disney movie- Beauty & the Beast (?)

• Most likely had a Jackass obsession's (doing dumb hoodshit)

• Fall is his fav season (?)

• Horror/ thriller movies/shows over everything (obvs)

• Had an escape place in town where he’d hide from the world- that absolutely no one knew about.

• Was really into graffiti/ street art

• Arested as a youth - but charges dropped- or was still considered a mirror (either fighting/ possession/ trespassing/ vandalisms)

• Arrested on heavier charges (also same as above - but not tried as an minor)

• also-ALSO ... thou he feels like he owes people something. HE DOESN’T OWE ANYTHING TO A N Y O N E . His mental & well being is the most important.

• On a side & major note. You can't deny that this man single handily is a (in my opinion) the 2nd biggest “C” that define 2020.

• Was most likely really into skateboarding/BMX

• Late night drives/impulsive road trips & playlist/ sitting at lookouts, just in silence & touching 1 another.

• Clingy af-.. but could also be distance & cold af- especially on high pain days. stormy brain days. PTSD episodes.

• Slow dancing/ dancing around the apartments. with or without music.

• Rocking out with each other- screaming lyrics in each other face.

• “hey baby- how you feelin”

*grunting* *shuffles over & lays on chest*

• Huge comforts for 1 another;

Especially when going out, being wrapped around him for comfort & reassurance. Even being at home alone together- panic attacks are shit, PTSD episodes are even more shit. helping each other with bathing & caring

When he’d be hiding from his reflection- or stares just a little too long. Going up behind him & worship him (vise versa)

• He’d be your biggest hypeman/ #1 fan (vise versa)

• Would LOVE you wearing his clothes/jewelry & would love to wear you things.

Was probably engaged to his ex (that's why he gets offt when people mention "corpse wife"

There'd be days where he'd be so distance & cold.. & tell you to leave but wouldn't let you.

He'd sit in the bathroom with you when you shower/have a bath.

As he doesn't sleep most night. He'd be up just watching you sleep & caressing you.

Lil spoon > big spoon.

I love you... genuinely . turly. madly. deeply.

#dear cropse #if youre seeing this #i kno youll be okay #im sorry for everything you've had to go through #plz kno #to me #you are my brightest star in a universe of supernovas #you make everything okay for me #till fate do us part #i kno 1 day we'll meet #the universe will bring me to you & you to me

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zai-doodles · 5 years

Text

Podcats recs

The adventure zone - brother play dnd with their dad and its funny as hell, story picks up around the 3rd arc but it maintains it humor throughout and it's just fucking amazing

Wolf 359 - these r the audio diaries of doug eiffle on the USS hephaestus, hes a lazy communication officer who is bffs with the ships ai, hera, and I love her sm. Podcast is super funny and light hearted then it kicks u in the feels bc fuck u. Its amazing though and I would holy heartedly reccomend it

The bright sessions- ok soooo imagine the x men in therapy??? So these r the audio logs of dr. Bright, shes a therapist who specializes in kids and adults with powers trying to live normal live by helping them cope with their abilities and teaching them to control them. This one is super cute and funny and great and one of the leading romances is a gay couple and I'm here for it. Plot is amazing and yes

The penumbra podcast - ok so imagine a detective noire black and white style film... on mars.... and gender doesnt exist... and everyone is bi.... and its amazing. Ok so u follow juno steel, a independent detective on mars who's a fucking bisexual disaster who cant catch a break. This one is a bit on the heavier side but still has its moments and its story and characters r so amazing and yes

Deadly manners - this one is short, its basically a who done it murder mystery thing and while cheesy it's very entertaining and funny throughout! Also very very gay

Archive 81- Ahh hhh ok ok so I have no idea how to explain this but basically it's a horror podcast that starts out following the recordings of this dude named Dave who is tasked with archiving some sketchy tapes for this sketchy company and the tapes have some really fucked up shit on them and then things happen and magic is real and it sucks cuz now u gotta give this payphone ur left hand.... it's really good but very dark and a lil confusing but the third season is so amazing and the ending of the second season is a trip and I love it sm

Girl in space - this girl has been left alone on a giant ship with nothing but an AI to keep her company for years, then all of a sudden she has guest and she must adapt and it's funny as hell and I love all of them so much ah

Bombarded - this is a dnd podcast abt 3 bards attending board school and it's super silly and fun and the music is awesome, the plot is still in the works since it's just sorta picking up but it's a fun listen!

Directive - this one is short, it's a man who loses his job and is unable to find a new one so he takes a job as a care taker for rich ppl on a ship who r all taking a virtual vacation, the only problem being that he cant have any human physical interaction with anyone during his time on the ship. This one just made me cry oops, it's funny as hell at the beginning and then crying

Time bombs - another short one, 3 eps of just some bomb squad peeps doing their job on new years eve, this one is super funny and great and I love it so much and I need more of it now

The strange case of starship iris - ok ok lesbians in space. Yes. So violet liu is in a very shitty situation on a ship in space all by herself with little chance of survival until a woman on another ship makes contact with her and helps her out big time... but is she helping???? This one is super funny and all the characters r super fun and just ahh, it's short and updated whenever it wants but it's worth a listen! And also the government is watching ur every move. It's also gay

The far meridian- the story of peri, an agoraphobic woman who's home one day starts moving some where new every day when she wakes up. She has no control where she winds up but sees it as a chance to search for her brother. She makes friends along the way and slowly learns to understand people and learn their stories then fucking some mind thing shows up and starts fucking with her and it makes me so sad. And more gay

The blood crow stories- in its third season on going, this show is split in three separate stories. Season one focuses on a college student working on his final paper by doing an analysis of some old tapes he found of a boat that sunk in the early 1900s and also demons exist somehow and things take a turn so fast I just ahh. It's also super gay. Season two follows sheriff isaac of blackwell, set in American wild west, hes hunting a killer that seems to be targeting men in his town but things get complicated when they realized the killer has an army. This one is also gay. Season three is in a futuristic syfy setting following a hacker who works at an emergency hotline service, she starts getting freaked out by calls she gets at work and other strange happenings in her life. This too, is gay.

The message- NASA found an indecipherable message, determined to be from space, and assigns a team of scientists to figure out what it means. You follow a woman whose documenting the whole thing on her weekly podcast but things get complicated when they find out the reason no one could decipher the message

Life after- a man who's wife recently died is obsessed with her old social media, voice tree. He listens to all of her posts on loop and has memorized most of them. So what happens when it goes off script. This show is incredibly chilling and amazing, its incredibly sad yet impactful and made me cry help

Arcs pod- a dnd podcast in that's very similar in humor and style to taz with the production and editing of the bright sessions. The show centers around 3 idiots trying to get to this school. The npcs r all wonderful and then dm does an amazing job of setting up scenes and making each npc feel like a well rounded character. And gay

The Amelia project- hey ever wanna fake ur own death??? Well then Amelia project has got u covered as long as u can pay and have a good story to tell. This show is recordings of interviews with people explaining why they want to fake their own death and the explanations range from crazy cults to feeling like a background character! This show is extremely light hearted and fun. Fairly easy listen and its over the top humor and concepts are incredibly entertaining.

#podcasts #the adventure zone balance #the adventure zone #taz #the bright sessions #wolf 359 #the penumbra podcast #deadly manners podcast #the strange case of starship iris #time bombs podcast #the far meridian #the blood crow stories #the message podcast #life after podcast #arcs podcast #the amelia project

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deadcactuswalking · 4 years

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REVIEWING THE CHARTS: 31/10/2020 (Ariana Grande, KSI, Little Mix)

I haven’t heard that Ariana Grande album yet as of writing this but the lead single – and title track – “positions” has just debuted at #1 on the UK Singles Chart, her seventh song to hit the top and second this year after “Rain on Me” with Lady Gaga. Hence, that’s today’s #1 and we have a busy and pretty chaotic week of new arrivals. Welcome to REVIEWING THE CHARTS.

Dropouts & Returning Entries

A lot of their debuts from last week were completely wiped out on this week’s chart which surprises me, especially for songs I thought would hit it big like “One More Time” by Not3s and AJ Tracey. Our notable dropouts here range from bonafide smash hits like “Roses” by SAINt JHN and remixed by Imanbek, which hit #1, although I always preferred “Swoosh” from the same album, to pretty easy and quick fall outs from songs I’ve reviewed in the past few weeks. We’ve got songs that peaked in the top 10 like “Rover” by S1mba and DTG and “I Dunno” by Dutchavelli, Tion Wayne and Stormzy but otherwise that’s mostly it as a lot of these drop-outs are just songs that didn’t really reach their charting potential or have mostly had their day in streaming, like the surprisingly quick drop for “my ex’s best friend” by Machine Gun Kelly and blackbear, as well as “Destiny” by D-Block Europe, “Tap In” by Saweetie, “FRANCHISE” by Travis Scott, Young Thug and M.I.A., “OK Not to Be OK” by Marshmello and Demi Lovato, “Airplane Mode” by Nines and NSG and even “Outta Time” by Bryson Tiller and Drake. If you’re worried about the loss of MGK’s song being too soon for whatever reason, don’t fret as “forget me too” with Halsey, a much better song, is here at #72, our only returning entry for the week. I might as well run through the biggest gains and falls, those both being last week’s debuts. “Train Wreck” by James Arthur absolutely surged up to #24 whilst “Hold” by Chunkz and Young Filly absolutely purged down to #59. To be fair to the general public, I think I’d rather listen to something from four years ago than that song as well. Anyway, let’s start our new arrivals with a couple really interesting choices...

NEW ARRIVALS

#75 – “Sofia” – Clairo

Produced by Rostam

Clairo is one of those artists where I feel completely out of the loop on, especially with all the recent buzz from TikTok, and I was not checking for that album last year, and whilst I didn’t mind her feature on Wallows’ “Are You Bored Yet”, I’d never been intrigued enough to check out the solo work until I guess here we see it on the chart, which is big for the genre of bedroom pop, which again I know next to nothing about. Now, I like lo-fi indie rock fine, but I’ve never really tried to look into the bedroom pop micro-genre – if anyone has any recommendations, that would be appreciated – so this will pretty much be a first gaze into not just Clairo but the entire scene surrounding her. I’m not a Vampire Weekend fan by any means but Rostam on production just give me hope, even if the mix here is a bit too drowned in reverb and echo to give the guitars any more impact when they really should have, at least I think so, they’re pushed back in a way that makes an already pretty calm, fleeting indie single even more lacking sonically. Clairo sounds great on this instrumentation, admittedly, albeit kind of uninterested, but it really is about that fuzzy distortion in the drop that feels... oddly anti-climactic and seemingly pointless considering how little progression is made before or after it. Maybe this genre just isn’t for me, but I feel myself turned off from how Clairo’s pretty beautiful vocal harmonies are not reflected by the production here, whether it be the stiff percussion, abrupt ending or overall lack of substance. This is kind of disappointing as I really wanted to like this. The song is a pretty vague but longing ballad mostly revolving around her crushes on people she saw in the mind, particularly Sofia Vergara and Sofia Coppola, hence the name, and I think it’s actually really well-written. I especially love how the chorus seems to acknowledge that not only are these crushes clearly out of her reach as a teenage girl just discovering her sexuality but also mentioning how afraid she is to really develop on any of these feelings because of how it’s prejudiced against and in some countries outlawed, but the song easily works as just a confession of love without really realising the statement, so it doesn’t feel forced or unnecessary. Sadly, I guess Rostam had to put his prints on this one, but the song itself isn’t bad at all. Hey, I’m not going to complain about a song where I can look at pictures of Sofia Coppola for “research”.

#74 – “All Girls are the Same” – Juice WRLD

Produced by Nick Mira

It’s so odd and kind of heartbreaking to see the Genius comments for this track where they say Juice is “up next for 2018”. It’s also pretty amusing to see some of these annotations...

God, I love Genius.com. This is a 2017 Juice WRLD track from the late rapper that was released as a single from his debut album, Goodbye & Good Riddance. I don’t really understand why this had a resurgence – again, I’m going to assume TikTok or some kind of remix – but it is funny to see a bitter, immature and sloppily-written song about heartbreak and how “all girls are the same” next to a lesbian love ballad on the chart... and above said ballad because we clearly live in a society. I’m not going to mince words here: this is a pretty bad song, at least in my opinion. All respect to Juice but he’s clearly not on top form here, with an uninterested and badly-mixed vocal delivery over a really dull, jingly trap beat with awful bass mastering. In fact, the whole song is mixed awfully and sounds really muddy which may have been the point but it doesn’t complement Juice at all. The lyrics here are purposefully immature and at times stupid, especially when he compares himself to John Lennon and is so desperate for a rhyme the dude says this unnamed girl is from Colorado. I’m not going to deny some of the lyrics here are kind of haunting now due to tragic circumstances but I still get a chuckle out of the vocoder on his voice after massive empty spaces in both the beat and vocal track that makes the song sound clearly amateurish (to be fair to Juice, he clearly didn’t have access to the best studio equipment but it doesn’t excuse the major-label streaming release sounding this sloppy), as well as that opening line.

Broke my heart, oh, no, you didn’t!

Yeah, I’ll take “Robbery” over this any day, or even “Righteous”. Sorry.

#73 – “Martin & Gina” – Polo G

Produced by Hagan, Lilkdubb and Tahj Money

It seems we have two melancholy trap-rappers from Chicago appear consecutively on the chart. I love those types of oddities. If you don’t know Polo G, you probably should, at least from his hit “Pop Out” with Lil Tjay last year, and this is his most recent hit. I typically find his brand of mournful Auto-Tuned crooning about life on the streets remarkably genuine in comparison to most rappers but also admittedly really boring, at least for now. I can see this guy becoming a lot bigger and better but as of now he releases so much music and the quality and effort seems to fall by the wayside more often than not. In typical 2000s bling-rap fashion, this hardcore street rapper’s biggest hit from the album The GOAT (perhaps a bit early to call there, Mr. G) is a guitar-based R&B love jam for the ladies, except it’s not a sex jam...

Girl, I can’t wait ‘til I get home to f*** the s*** out of you

Okay, well, that’s one line.

Man, I’m tryin’ to get to know you sexually

Okay, but at least he’s trying to get to know her. The song’s lyrics do have a genuine heartfelt sense of love and companionship with his unnamed woman, and some of these lyrics are pretty funny and pleasant, albeit shallow. I love how in the first verse he says that even on her worst days she still looks “kind of cute”, in a way that makes this song more down to Earth than other thugs-need-love-too songs, especially when he acknowledges the troubles in their relationship, which may be undermined by the unfortunate implications that come with that “Martin & Gina” comparison but that’s really not the focus of the song, even if it is the title. He may talk about the shopping sprees now but there is evidence here that Polo G genuinely wants to live his life with this woman, especially when he says he wants them to move out to California and live in a mansion. There’s flexing there for sure but it’s less out of a desire to sound “cooler” than the other rappers or the audience, and more out of a desire to make the most out of this relationship in case, as he knows he might have to, he should “pull the stick out and shoot” to protect her. It helps that this is a damn good song with Polo’s catchy flow in both the verses and that infectious chorus, as well as a really slick guitar lick behind that trap knock. Yeah, this is pretty great. Check it out.

#71 – “Spicy” – Ty Dolla $ign featuring Post Malone

Produced by Ty Dolla $ign, Westen Weiss and damn james!

It seems that Ty Dolla $ign has finally clocked that people like him for his features and not his solo work as he has released his most recent album fittingly named Featuring Ty Dolla $ign, following a trend of recent massive collaborative albums in pop music. This particular album features the likes of Kid Cudi, Kanye West (twice), Anderson .Paak, Nicki Minaj, Big Sean, Future, Young Thug, FKA twigs because, well, sure, and obviously, Post Malone. I haven’t listened to the album yet, I mean it sounds exhausting but I don’t necessarily like what I’ve heard. “Expensive” with Nicki Minaj is soulless, “Ego Death” with Skrillex, Kanye and FKA twigs is chaotically misguided and a massive disappointment, “Track 6” with Kanye, .Paak and Thundercat is way too boring for these four artists, and that’s all I’ve heard, except that “Dr. Sebi” interlude with Young Thug that I thought was actually pretty damn good for a one minute snippet. I did brief through some songs on the album right now as I was writing this and I wasn’t really a fan of any of it, not even the songs with Future and Young Thug, artists I actually really like. The song with Kid Cudi was pretty amazing though, which I pretty much expected, I mean it is Cudi after all and he’s really felt revived this year, even if he feels out of place on a sex song. The serpentwithfeet interlude definitely adds to that song though, and it actually leads into this track with Post Malone. This is their second collaboration after their #1 hit “Psycho”, but it’s a lot less interesting, replacing the serenity and smooth flows with more fast-paced trap skitters, hit-and-miss flows that only make Ty$ sound all that great in the tail-end of his verse. Post’s verse is out of place and feels like a regression for him, with the verse sounding like it was taken straight out of the Stoney sessions. The guys have no chemistry and Post doesn’t even contribute to a final chorus, which feels particularly odd as there’s not a bridge to round any of this out properly as it just transitions awkwardly to the sixth track, titled “Track 6”. At least Ty$ isn’t facing 15 years in jail for cocaine possession now, which is something I brought up a disproportionate amount of times in older episodes of this show, because, well, sure.

#69 – “Whoopty” – CJ

Produced by Pxcoyo

CJ is an “up-and-coming” rapper with only one song that pretty quickly went viral. There’s something fishy about this. The only other song by CJ on Spotify and I assume other streaming services is this CashmoneyAP-produced trap song called “On Me” that is completely garbage. It does sound pretty odd that while he doesn’t sound dissimilar in “Whoopty”, this uninterested Auto-Tuned mumbler took three years to get another song on streaming and now he’s an energetic New York rapper using a beat that was literally uploaded to the producer’s website as a “Pop Smoke type beat” weeks before “Whoopty” was released, which, by the way, was an immediate viral hit on YouTube. Very strange, very unusual but not very worth talking about as the one thing “On Me” and “Whoopty” have in common is lack of quality. Sure, I like the Indian sample but it’s quickly drowned out by the booming 808s and pretty rote drill beat. Somehow, CJ sounds too energetic and excited to the point where he’s out of place on a beat this menacing. He sounds like a joke made by a record label to create some kind of popular generic drill track and it does not help that there’s a single verse, with part of it repeated as a bridge, and two repetitions of the same over-long chorus. When Pop Smoke rapped over beats, he was aggressive, sure, but had a smoky voice and a lot more charisma than this flat tonal sandpaper CJ brings to the table. It’s almost offensive to Pop Smoke’s legacy that this was rapped over his “type beat”.

#57 – “SO DONE” – The Kid LAROI

Produced by Omar Fedi and Khaled Rohaim

I figured I’d have to talk about this guy at some point, well, what better time than in the midst of a lot of mediocre American hip hop, although this isn’t American, rather it’s actually an Aussie at it this time, with this 17-year-old kid propped up by Internet Money and Lyrical Lemonade and mentored by the late Juice WRLD. This kid really likes capital letters, and naturally I listened to his last hit “GO!” with his mentor Juice... and, yeah, it’s not good. That hook is stupidly infectious – and the pre-chorus is actually more so – but his delivery is obnoxious and unconvincing, especially in comparison to Juice on the same song. Man, I wish that entire song was as good as its pre-chorus. Anyway, this is a new song, not taken from his debut mixtape aptly and rather politely titled F*** LOVE. It uses an unorthodox ukulele loop as its main sample but once again I’m not a fan of this guy’s immature delivery. Maybe in a few years this Kid LAROI will sound less like a Kid LAROI and more like a genuine rapper but right now he is just barely keeping on beat with a jangly pop beat that would sound really interested if accentuated by the right rapper but here it doesn’t work at all. I do actually appreciate some of the lyrics here, even if they are repetitive and vague. Hey, at least they’re family-friendly PG clean for the most part so he’ll get that radio push, but it’s not like it’s matters here in the UK. I’m sure this lad is the hottest thing to come from Australia this year... okay, well, maybe the second hottest – but I’m not a fan, even if some of these melodies are promising. In fact, I really like some of his ideas, especially in the chorus, I just think that tragically, Juice could have done them more justice than this Kid LAROI ever could. Sorry.

#47 – “Bad Guy” – Morrisson and Loski

Produced by BKay and Harry James

Duh. Okay, so these are both UK drill rappers who I’m not very familiar with although I’ve heard of Loski before. Morrisson is a complete unknown to me. They’re both from London, as one would expect. Is the song any good? Well, I do like that chopped violin sample but Morrisson is only vaguely convincing when he claims to know Vinnie Jones and to be Stone Cold Steve Austin, and when he mentions getting “white-boy wasted” with a woman sniffing coke, it leaves a bad taste in my mouth, but that’s actually the point. I mean, the chorus says this:

You need people like me so you can point your f***ing fingers and say, “That’s the bad guy”

The issue here is I’m not convinced. Morrisson’s double-tracked vocals aren’t intimidating or menacing and are mostly overshadowed by a pretty great beat. His delivery is also something I’m not a fan of and while I can’t say he’s uninterested or not putting his all into it, it just sounds weak, especially when pitted against this beat. Loski is here too, but he doesn’t add much to the “bad guy” idea, especially when he starts talking about The Simpsons and Family Guy. Not Mr. Burns or even that angry chicken that fights Peter, just Stewie, Brian, Bart and Homer. Admittedly, “shell out the whip like Mario Kart” is a pretty fun line and I appreciate his flow more than Morrisson’s... but, yeah, I’m not really a fan. I like the concept but it misses the mark on execution.

#44 – “Golden” – Harry Styles

Produced by Kid Harpoon and Tyler Johnson

So this is the opening track to Styles’ sophomore effort, Fine Line, an album I thought was mildly entertaining pop rock at best and lazy, absolutely worthless trite at worst. I don’t mind Styles’ take on classic 70’s pop and glam rock but I’ve also never found it interesting, and the songs are at times disjointed and at most times just plain boring. I understand I’m probably alone in this but I really disliked this album and I’m not excited that he’s pushing yet another single. The beeping keys that start the song are immediately met with the crash of a drum beat that sounds as flat as Harry’s singing in that obnoxious, sloppy intro refrain. The verse is equally as awkward, with the song lacking in any kind of substance other than that one line of “You’re so golden” which has been overly annotated by fans on Genius to mean a lot more than it does and should. It’s a confession of love but unlike “Sofia”, there’s very little to grab onto in terms of compassion for the singer and I quickly lose interest in what little story there is to the track. The bridge with the high-pitched guitar squealing and squeaky pitch-shifted murmuring is over and done with as slowly as possible and that refrain of nonsense vocalisations just continues without fear or even self-awareness of how annoying it is. This is probably ultimately harmless but it annoys the hell out of me and whilst I predict success for the track, I really hope against it as I absolutely do not like this at all.

#39 – “Teadrops” – Bring Me the Horizon

Produced by Jordan Fish and Oliver Sykes

Yes, that Bring Me that Horizon. Yes, the metalcore band. At least they used to be metalcore and definitely on that heavier side of Kerrang!-core, but what I’m more amazed by is how they continue to ditch the sound and continue to get bigger as they do so. After 14 years, you’d think these guys would stop getting Top 40 hits – hell, the only other hit they had before 2020 was “Drown” – but this is their third this year! I’ll admit I’m not really up to speed on Bring Me the Horizon – I listened to their last record (which was just fine but honestly probably worth listening to for “wonderful life” alone) but not this EP that the singles have been from, and definitely not their older stuff. For the sake of REVIEWING THE CHARTS, however, I did listen to their earlier singles – you can’t say I don’t do much for this show – and I’m overall not really sure on how to feel about this stuff. I still like “Drown” – and always have – but I’ve never been too big on metalcore so I’m actually surprised how much I really enjoyed the Linkin Park rip on “Sleepwalking” (which I’m impressed I remembered the chorus for). I remember liking the practically nightcore track “ouch” and, yeah, it still slaps. Some tracks are very heavy on the electronic, and “Can You Feel My Heart” is reliant on that vocaloid drop, about two years before that became the norm in pop. Just from a skim of their biggest singles, I’m honestly kind of a fan, especially “Throne”, even if I feel like the EDM influences just kind of go nowhere. Also, none of this screams “metalcore” to me but I don’t know, these guys seem to change their style a lot with the only thing staying consistent being Oliver Sykes, and his tone that shifts between nasal pop-punk-style crooning and chopped-up Auto-Tune growling. I talked to a friend about them and they like their earlier stuff mostly, although he “wouldn’t recommend” their debut album to anybody at all. Another friend said he refuses to listen to their music based on the pretentious title of their third record and honestly I think that’s a pretty fair decision. This song sounds like pretty standard BMTH, or at least from what I can gather from the singles and the formula they follow. It starts with a funky and cute, chirpy electronic groove before it’s drowned out by heavier drums and heavy metal guitar riffs, but this time said electronic groove is less integral to the instrumental and the shift to a funkier bassline in the verse might honestly be for the best, although I do love the way the instrumental is chopped up a bit at the end of each repetition of the chorus. It makes the song sound a lot more unique and even if it sounds just as 2012 as their 2012 stuff, I honestly think that’s fine, especially with that abrupt sharp contrast of his raspy yelling over breakbeats quickly followed by some crooning with light piano backing, which may make the song feel messy or structurally disjointed but honestly it works for the chaotic tone of the track and the angst that is presented in the lyrics. Also, although I haven’t evaluated this band since I watched a couple videos on Kerrang!, this feels oddly nostalgic. Huh. Some additional musings: That falsetto Sykes hits in the chorus is great. My friend said that he couldn’t finish the last album they put out which isn’t a good sign but to be fair to them it was an hour-long IDM record, because, well, sure. I’ve written way too much about Bring Me the bloody Horizon at this point so I’ll just move on but I’ll make sure to check out some of their stuff after this.

#37 – “Loading” – Central Cee

Produced by HARGO

Now back to normality, at least I think so. This is another UK drill artist I’ve never heard of. I like this beat, especially that sample of the horns that I’m surprised wasn’t found by crate-digging but it works pretty well under the drill beat; it sounds like a menacing “gangster” song, especially because of how that sample reminds me of 1930s Chicago. I’m not good on my American (or gang) history so that might be nonsense but you know what I mean, right? Black-and-white footage of men in suits gambling whilst women surround them and they all got their money from drug trafficking and they send out hits. Something like that, I don’t know. The song is kind of boring though, this Cee guy has zero charisma and the references to COVID make this immediately dated (not that this song is lyrically all that interesting anyway), and by two minutes the beat has run its course and just starts getting annoying. Yeah, not much to say about this one at all, but it could have been better.

#8 – “Sweet Melody” – Little Mix

Produced by Peoples, MNEK, Morten “Rissi” Ristorp, Oliver Frid and Tayla Parx

I wonder if now that I listened to Bring Me the Horizon for half an hour straight that the last four songs all sound worse, or at least less interesting, in comparison. Well, I doubt that really, I think these songs will just end up being less interesting. I mean, five separate producers on a simple three-minute pop track? This’ll be as market-tested and manufactured as possible, as one would expect from Little Mix. I didn’t mind their last couple promo singles but this song seems to have some actual traction and even a high-budget video behind it and hence it debuted as high as #8. Well, is it any good? Well, it’s no 2013 Bring Me the Horizon, that’s for sure. Jokes aside, the nonsense vocal refrain is kind of awkward and the R&B production here is kind of minimal and just... off, particularly in the first verse and refrain, where the singing and hard 808 is met with only accompaniment from one stray snare that is just... there? The drop doesn’t feel like it has a proper build-up either, and doesn’t even feel like it lives up to that non-existent tension. I do love the harmonies towards the end of the track and the “he would lie, he would cheat over syncopated beats” line is kind of a bar, I suppose, but yeah, this production is awkward and I’m not sure if it really does the girls’ talent justice. I would have preferred something more dramatic and with more of a climax than the skittering hi-hats and vaguely dancehall-inspired bass grooves, but alas, here we are with a pretty mediocre, uninteresting track, which wasn’t exactly unexpected.

#3 – “Really Love” – KSI featuring Craig David and Digital Farm Animals

Produced by Digital Farm Animals and Mojam

Ah, the trio we all didn’t know we wanted but definitely deserved(?): YouTuber KSI, legendary R&B singer Craig David and a couple virtual elephants. KSI is more than a YouTuber or prankster now to be fair to the guy, with songs like “Lighter” he has cemented himself as a genuine pop star and not in the way that songs used to get viral or even back in 2017 with Jake Paul. KSI is taking this stuff seriously and having fun with it, and, hey, he beat up Logan Paul once or twice so I guess I respect the man to some extent. I’m honestly surprised he got Craig David to be on the song with him. I mean KSI may be popular but I never put much thought into his music or even think it’s any good although the song has clearly debuted this high for a reason. Craig David has a janky hook that just plopped onto the track for a chorus and bridge, with pretty generic lyrics about love, which KSI develops on in some oddly specific ways. He’ll buy this woman Amazon Prime – I hope you enjoy the Borat sequel, guys – and she’ll “wreck his balls like Miley”. Classy. Honestly, the song is mostly fine – KSI’s flow is kind of awkward and stiff still but it’s a lot smoother than it usually is and he does deliver a pretty convincing performance here, as does Craig David, who sounds as great as he did 20 years ago over this groovy house instrumental, with a great bassline that really does fit Craig David more than it does KSI. The trap breakdown is pretty well done as well, which surprised me as I assumed the song would lose all momentum afterwards but, no, it keeps on chugging. This is listenable and far from bad but it’s mostly just a serviceable pop tune. I have no issue with this sticking around as it probably will. Now for the big one:

#1 – “positions” – Ariana Grande

Produced by TBHits, Mr. Frank and London on da Track

Man, I’ve just reviewed 12 songs, I do not feel like talking about the biggest and most important one now. Well, maybe it’s not that and instead the fact that I have this conflict with Grande’s music where someone so unbelievably and obviously talented sounds so incredibly disinterested in the songwriting and production, to the point where her performance is irrelevant. Sure, sweetener and thank u, next had their highs but the former is a complete mess and the latter feels so dull and oddly characterless. Again, these albums aren’t all bad but I feel like they’re still so rushed and infuriatingly so, with Grande having very little involvement, or at least it sounds like that in these albums. Regardless of how much she contributes to each record, it always comes out the other end sounding impersonal, so I’m actually glad she dropped the pretence and is now just doing purely sexy R&B stuff. I haven’t listened to the full album yet but with song titles like “34+35”, I can kind of expect what I’m going into here. That said, I’m not really a big fan of the title track and lead single here, although I can understand why it debuted at #1. Firstly, the video where she becomes the President of the United States for practically no reason is great. Secondly, the beat is pretty good and produced by London on da Track, who I’m kind of disappointed didn’t put his producer tag here. It would have at least been kind of funny hearing it transition into Grande’s sweet whispery vocal tone. I like the slick trap percussion, cricket sound effects and that chirpy guitar pluck, and especially those strings in the second pre-chorus which sound genuinely awesome. Ariana’s a great performer but the chorus is kind of weak, especially lyrically – I don’t mind the opening and main line about switching positions, hell, it’s kind of clever, but “I’m in the Olympics the way I’m jumping through hoops”? Really? The bridge is also pretty short and lazy; I feel like it could have actually been done away with or put as an intro and would have worked just as well replacing the second chorus with that final chorus, background whistle notes and all. That said, the song is a solid lead single and I am kind of excited to hear the rest of the album, even if this is at least somewhat of a retread.

Conclusion

What a mixed bag. I’m generally pleased with what we have here though and I am going to give Best of the Week to “Teadrops” by Bring Me the Horizon with an Honourable Mention to Polo G for “Martin & Gina”, although Clairo would have gotten close without Rostam on the boards. There’s nothing all that bad here except “Golden” by Harry Styles which does get an easy Worst of the Week, with a Dishonourable Mention to CJ’s “Whoopty” for just being lazy. Here’s this week’s “spooky” top 10 – it is Halloween after all:

You can follow me on Twitter @cactusinthebank for political ramblings if you so wish but I wouldn’t recommend it, especially if you like Keir Starmer, but all politics aside, thank you for reading this far and I’ll see you next week.

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johannesviii · 4 years

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Top 10 Personal Favorite Hit Songs from 2004

15 to 16 years old. A chaotic year for sure, but with a high quality soundtrack. So here’s a top ten list in which, as usual for that decade, several painful cuts had to be made.

Disclaimers:

Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.

Of course there will be stuff in French. We suck. I know. It’s my list. Deal with it.

My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.

I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.

To provide the usual personal context, that year, being that-weirdo-in-the-back-of-the-class suddenly became great when OTHER people were also considered weirdos-in-the-back-of-the-class, and together, with a guy who kept falling asleep in class because he had insomnia, another guy who had elocution problems, and a girl who arrived directly from Cameroun in the middle of winter and was kinda depressed, we formed some sort of losers club and suddenly things weren’t so bad anymore. Unfortunately I completely lost contact with these people after highschool and that’s one of the biggest regrets of my life.

And then in September I once again ended in a completely different class in Terminale (equivalent of Senior Year in the US unless I’m mistaken) and made another great friend. So while life at home was still pretty bad, at least it was much better at school.

At this point my parents also stopped checking what kind of singles I was buying, which means that instead of this madness from 2003 where I had to hide some purchases with other ones...

...I only bought this in 2004 and the rest were actual albums.

Also, I found some old tapes and oh my goodness look at the label on this one. Late 2002/early 2003 at its finest right there. Kyo written with a typo, next to Eminem, next to Mylène Farmer. Love it.

With all of that out of the way, here’s a list of honorable mentions first. A very, very long list.

Yeah (Usher feat Lil Jon & Ludacris) - Thank goodness I thought this song was pretty cool, otherwise I’d have been miserable while listening to the radio in 2004.

Milkshake (Kelis) - Ooooooh daaaaangerously close to the So Bad It’s Good category.

Let’s Get It Started (Black Eyed Peas) - Don’t have anything to say, it’s a lot of fun.

Dragosta Din Tei (O-Zone) - This took like four more years to chart in the US but we heard it all summer here. And it wasn’t unpleasant at all to be honest?

Heaven (remix) (DJ Sammy) - Hang on, wasn’t this on the 2002 honorable mentions? Yeah but it took two years to chart here so it was elligible for 2004 as well.

Turn Me On (Kevin Lyttle) - A quality earworm that somehow isn’t annoying? Sign me up.

Call On Me (Eric Prydz) - Hey, look, another repetitive dance track in my collection of repetitive dance tracks!

What You Waiting For? (Gwen Stefani) - I think this is the only Gwen Stefani song that never made me turn the radio off after a minute. Pretty good.

It’s My Life (No Doubt) - Love the original. This version, not so much.

Parce Qu’on Vient de Loin (Corneille) - Favorite artist of my best friend that year. That song was so moving and well-written. Never got tired of it but never actively listened to it either. If I had better taste it would probably make the list.

The Reason (Hoobastank) - I thought this was ok and pretty nice if a bit bland, and didn’t deserve the success nor the hatred it got. However, thanks to the rock journal I was buying at the time which was like “hey, please listen to the album itself, it’s great!”, I followed that advice, listened to the album at the cd store and bought it instantly. If you dislike this song, please listen to the rest of the album, I swear you’ll enjoy it. Here’s the first track, Same Direction, to get a general idea!

Don’t Tell Me (Avril Lavigne) - Her second album was very good, wasn’t it? What happened to her in recent years?

Je Saigne Encore (Kyo) - This was the last cut (HA, get it? cut?? ok sorry that was terrible) from the list. While I loved it back in the day and while I’m willing to ignore how cringy some stuff I loved as a teenager can be now, I'm not willing to ignore how this is basically a song about a white boy being dumped for the first time and hurting himself because he can’t deal with the mere concept of jealousy. And I’m like “holy shit calm down dude and please drop that knife”.

And now, the actual list.

10 - Hey Ya! (Outkast)

US: #8 / FR: #41

Who’s surprised. Come on. Everyone loved it. I even bought the single! And to think I almost considered leaving it out of the top 10 to put friggin Kyo on it, of all things. The indignity. But yeah, I genuinely loved this. The only thing I can say against it is that it’s a bit too exhausting to be listened to on a loop.

9 - 100 Years (Five For Fighting)

US: #77 / FR: Not on the list

I only heard this a couple of times that year and never paid much attention.

Then I heard it again in 2018 right in the middle of a very, very bad year, after losing my grandfather, and it absolutely destroyed me.

It’s very, very good.

8 - Face à la Mer (Passy & Calogero)

US: Not on the list / FR: #11

Very overplayed that year. A delight every single time it was on the radio, though. Don’t have anything else to say about it.

7 - Modern Times (J-Five)

US: Not on the list / FR: #26

A hiphop song sampling a scene from Modern Times with Charlie Chaplin. It peaked at number 1 here! Not kidding! I bought the single after hearing it exactly once. It’s fantastic and I’m really sad time buried it like it did. If you’ve forgotten about it or simply never heard it before, please give it a listen, it needs more love.

6 - Hit My Heart (Benassi Bros)

US: Not on the list / FR: #74

Remember last time when I said I was a major sucker for Benassi Bros? Well this isn’t an exception. That is a killer drop right there. It looks great and dark and glittery all at once and, by the way, the sunny and summer-y music video completely contradicted how the song looked like in my ears, haha.

5 - My Happy Ending (Avril Lavigne)

US: #54 / FR: Not on the list

I’m not entirely sure what went wrong and when in Avril Lavigne’s career the shift happened, but a couple of years after that song her music got a lot less interesting. I may have enjoyed her first album Let Go a lot, but this song might just be her best one ever.

The sudden shift from “YOU WERE everything” to “HE WAS everything” near the end, in particular, is great writing. Love that.

4 - Left Outside Alone (Anastacia)

US: Not on the list / FR: #76

Usually, voices, good or bad, have zero impact on me except when they border on unlistenable, or when they are physically painful to hear/look at. The guy from Muse for example has a voice that looks like the equivalent of a flashlight in the dark and it hurts, and I’m like dude. Can you please tune that down a little bit. Please.

This lady’s voice right there is fascinating though. Her voice is green and dark and it’s such a strange, rare voice I’m charmed whenever I hear it, and in this song in particular. This was on SO MANY of my tapes it’s not even funny. And the chorus is fantastic and a joy to sing along with even if you don’t have a good voice yourself.

3 - Orchestra (The Servant)

US: Not on the list / FR: #97

So we were on vacation, and they were giving away free cds at one stop. And I put the one I got in my portable cd player, and wasn’t that excited by the first tracks.

And then the fifth one started. And I was instantly captivated.

You already know I absolutely adored Placebo at the time (sadly, Protect Me isn’t elligible here either), and that guy from The Servant had a similar voice and the song was roughly in the same ballpark, and the lyrics were so, so weird.

There's an orchestra in me, Playing endlessly I even hear it now They play in the devil's key, An endless symphony I even hear it now And I listen to the music, Beautiful music Yes I listen to the music, Beautiful music

And, again, I’m terrible at describing sounds but the colors are so disquieting and there’s an unpleasant vibe except the song itself isn’t unpleasant? It’s so damn weird. And that band never struck gold again after that.

I still don’t know what happened or how all of this works. It’s a mystery. A very beautiful and curious mystery. This would have had a good shot at winning the #1 spot if it hadn’t been for [shakes fist] these other guys.

2 - Breaking the Habit (Linkin Park)

US: #79 / FR: #89

Only #2? Does... does that mean Linkin Park isn’t going to top my lists three years in a row? Holy shit, dodged a bullet there.

Should I really repeat my whole speech about Meteora. Should I really. Come on. It starts with the sound of a closing door, then broken glass, and then guitars explode in your face. The first line of the album is “sometimes I need to remember just to breathe”! Somewhere I Belong is one of my favorite songs from the band! I was trying to match the flow of Faint even if my English was still extremely shaky and my accent terrible!

And then there’s Breaking the Habit, which sounds almost pleasant compared to the levels of aggression displayed by the other songs. But it’s weirdly tense and stressful for that exact reason, because this relative calm sounds like a menace.

It works even better out of the context of the album, where it sounded a tad more aggressive than the average pop song, but still tense and stressful. And the music video is fantastic. I had it on a giant poster. I know I’ve kept it folded somewhere. If I only knew where it was, I’d show it to you. Covering up the (bright pink) walls in my room back then was a lot of work.

Edit: Nevermind. Found it:

Gotta say one thing though. At least they aren’t #1 for the third year in a row. What’s left of my dignity has been saved.

1 - Enjoy the Silence 2004 (Depeche Mode, Mike Shinoda remix)

US: Not on the list / FR: #89

Waiiiit a second. This was remixed by Mike Shinoda, wasn’t it. Mike Shinoda. From Linkin Park.

I guess Linkin Park IS topping my lists three years in a row in the end sdfghjhgfdfghjkjhg end me

But yeah. So. Enjoy the Silence tops a second list of mine, then. 14 years after the first one. I’m not gonna repeat what I’ve already said about that song. It simply got a brand new coat of paint, but still, even if it’s basically street art painted over a framed painting, what a masterpiece. Was genuinely gawking the first time I heard it on the radio.

And then Depeche Mode released one of their best albums ever the very next year, and it was the album of the year for me, and I became a big fan. So yeah, thanks for introducing me to their music, Mike Shinoda.

Bonus: I noticed my trusty old radio/cd player was in the background of a pic my brother took around that time! I miss that radio. It was pearl-colored and I had added stickers of birds and insects on it. So everytime I say “on the radio” in these posts, just picture this round little thing which was at the center of my universe back then.

Next up: Not the best song of the decade but pretty close

#Johannes’ bad not good pretty terrible music lists #music #long post #eye contact tw

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