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#the way i would fucking kill for this.
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who’s gonna take one for the team and write a byler community au where mike and will do a classic troy and abed plot while the rest of the party features as a the study group??
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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earl-of-221b · 6 months
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I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?
On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.
I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.
And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.
And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.
So she can get revenge on her father, for revenge on herself.
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spectral-honey · 2 years
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AU where Jason gets his revenge by becoming a lawyer and getting joker sentenced to the death penalty
Bruce is conflicted about it but any time he tries to say anything on the subject Alfred just talks over him like "oh we're so proud of you master Jason you finished college and you didn't even use your father's extensive resources that could've easily gotten someone in this family a degree aren't we so proud master Bruce that Jason got himself a respectable profession--"
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relaxxattack · 22 days
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people will really write rose as a badass girlboss as if her main character trait isn’t hubris. as if her main story arc wasn’t her fucking things over for everyone time and time again by assuming she was better and wiser. oh you think rose is a girlboss? rose who intentionally allowed herself to be corrupted by morally ambiguous terrors because she thought it might give her a slight mental advantage on the game? rose who willingly went along with the manipulation of a groomer because she thought his idea of putting a tumor into the universe was smart? THAT rose? that rose??? why don’t you ask her where the green sun is. since she’s such a competent and intelligent boss bitch
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gotalottalegs · 2 years
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The fact that Gerard went “this stupid fucking nostalgia bait festival is bullshit, and half the people coming to see us HERE instead of our own shows don’t care who we are now and only want to dig up the shitty miserable corpse of what we were” and was RIGHT !!!!!
Half the crowd leaving after Black Parade would’ve been such a kick in the face if they were dressed & playing it genuine like a real MCR show. Instead it just proved their point
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snurtle · 4 months
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I've been thinking about the templars lately. they were promised honor, virtue, told that they would be charged with protection of the innocent... And then those same people are systemically exploited and abused, abuse others because they're taught to regard everyone else as either sheep who need to be lead or potential threats. Never equals, except in their brothers/sisters-in-arms. They act as the guard-dogs and military arm of an entirely different organization that they're only a functionary member of but have no governing say in. Even the chantry aren't their equals- they function as the templar order's supervisors! And all this isolation and closing of ranks ends in disability, addiction, death, and abandonment by the system they spent their bodies in service of.
To top that off, retaliations against them just confirm the paranoia they were taught to embrace. It's probably a long hard road to get out of that hole.
Like, listen. the dichotomy of mage vs templars is a satisfying and easy one, but the system is tearing them apart too. have you ever heard of a retired templar?
at the end of it, mages and templars need to unite against the real threat. the chantry.
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eggy-the-boy · 1 year
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*poking my blorbos with a stick* 
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vaguely-concerned · 1 month
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there are a lot of daddy issues to go around on DS9 in general, but odo, bashir and garak are really in their own special little fucked up 'what am I but wrought in my father's image' club
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mumblesplash · 1 year
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can the ear snail tell u to draw more gay fish 👉👈
ok normally i don’t do requests but i will make an exception bc i was given actual money! here u go :D (the sequel to this)
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+bonus
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he wasn’t ready
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guqin-and-flute · 1 month
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Something about the fact that these shots are all grouped together, one after another, visually giving them equal weight just gets me. The narrative knows what's going to happen between JGY and Huaisang at this point, knows how it's going to treat JGY at the end of everything. And it still takes time to show Meng Yao instinctively and immediately going in front of Huaisang and Huaisang instinctively and immediately hiding behind him. It takes the time--literally, showed it in the background and focused on it with the same general amount of time as the other shots--to show that this act of protection and trust are just as real and true as Jiang Cheng defending his sister, as Wen Qing defending her younger brother.
Like, I dunno! There are other Nie juniors there! They have swords and shit! Huaisang could have gone and hid behind the wall, but he hid behind Meng Yao! And Meng Yao could have moved back with Huaisang, but he steps directly in front of him!
There's a lot CQL did to JGY's character and narrative that I don't like and that flatten or just straight up erase his full complexity. But I really appreciate the lengths that it went to in Episode 4 to explicitly tell us that he does not hesitate to protect Huaisang, even though at this point he does not have a sword and definitely does not have anywhere near the same cultivation power (if any) as any of the rest of the people in the room.
Right now, after being publicly humiliated, unarmed and definitely outclassed, he is brave. Along with the rest of the characters, he's allowed to be uncomplicatedly young and loyal and just as innocent as any of the other students there.
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hecksupremechips · 2 months
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Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you
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treasureplcnet · 6 months
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btw i love revenge stories i dont think anyone should ever move on peacefully. a bit obsessed with the way weissman went to the synagogue and rabbi and asks, "my choices killed a child. would god take mercy on someone like me?" and the rabbi says "it's not god's mercy you should look for. its the child's" and like you think that would spur this man into charitable activities and to maybe look out for orphans but instead he goes on a 24 hour revenge bender that ultimately ends in two revenge killings and his own death. what's better than righteous anger and wrath and love twisting someone into the worst but also a truer version of themselves <3
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blurry sketchy puppets in a lime. line. limelight line
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bahoreal · 4 months
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Yonderland 3x04 Boo
Cake Bake Lady Edith the woman of my dreams
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cozylittleartblog · 3 months
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you guys know the 1920s and 30s existed before v*vziepop right
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