Re-listened to TAZ Balance recently and I’m still in awe that Griffin McElroy somehow managed to introduce a “long-lost twin of protagonist who had selective amnesia about them” character so late in the story, so successfully that she not only featured in some of the most thrilling and emotional moments of the series, but immediately became wildly popular and caused most of the fanbase to spontaneously develop crushes on her
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"RIP Jonathan Harker but I'm different" really??? are you really though?
You, a new hire, loaded with student debt, upcoming wedding to pay for, been given a huge opportunity at work, employer paying all your travel costs. you're telling me that you, exploited corporate lackey that you are, you would actually be self-empowered enough to turn back last minute? after spending all that time and money traveling to the rich client's megamansion? because of what--BAD VIBES? how precisely the fuck do you plan on explaining that to your boss??? bitch your credit score can't AFFORD to avoid red flags, you're going into a possible life-or-death situation whether you like it or not, that's capitalism baby!!!
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a really defining moment of aang and sokka’s relationship is that sokka literally lets himself get beat up for aang’s amusement and entertainment like a day into knowing him. like he is literally letting aang drop him onto the ground from a not insignificant height over and over again just to see aang smile and laugh. he is putting his own safety and physical wellbeing at risk because it makes aang happy. and there’s a lot we could get into here about how sokka fundamentally views himself and his body as a vessel through which to provide services to others instead of a whole human being in his own right, but what matters for the purposes of this post is that it’s very immediately established that sokka will do anything to see aang enjoy himself, to the point that he will quite literally put up with physical abuse without complaint to make aang happy. so when people are like “it’s crazy how sokka is so smart and yet loses all his braincells whenever he’s around aang,” it’s like yeah, teenage boy adhd2adhd communication will do that, but also a large part of it is sokka contorting himself into an image that he thinks aang will appreciate, because he knows just how valuable preserving aang’s childhood joy and laughter is.
and what’s beautiful is that through actively becoming this person for aang’s benefit, he also actually starts to internalize the sentiment. through the process of letting himself be silly and goofy for the sake of making aang happy, he also absorbs some of that sillygoofy happiness and regains some of his own childhood joy and laughter and sense of wonder he truly thought he had lost forever. he’s not just helping aang retain his childhood, but aang is also helping sokka regain his sense of humanity. the sokka of book 3 is someone who enjoys “wacky, time wasting nonsense” and throws beach parties, a far cry from the sokka of book 1 who thought fun and joy were luxuries no one could afford. his selfless love for aang is also self-affirming, helps him to embrace aang’s point of view, to love himself slightly more than he otherwise would have. because to love aang is to necessarily let kindness into your life; it’s to learn how to be free.
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You know if Han can appear as a force ghost, then padme can appear as a force ghost, Luke needs a hug
PADME SHOULD ABSOLUTELY APPEAR AS A FORCE GHOST HEAR ME OUT HERE. okay first of all because #feminism SECOND OF ALL she was literally pregnant with TWO whole eldritch skywalkers before she died. that should TOTALLY give her enough force to show up as a ghost. anyway here's this bc lucasfilm r cowards and i'm not
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Im just gonna say this...ive been loving the whole PJO series but them already knowing Crusty's plan was ...not good.
They have not been truly trapped and then forced into figuring out the mythology ...while struggling to stay alive in the whole series.
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I've been thinking about tolkien lately, and i know this must've happened to many fathers and mothers across europe in the 1940s, but
do you ever think about how tolkien was sent to fight in a pointless, brutal, terrible war, from which only he and one of his friends returned? a war that promised young british men that they would find glory, only to find death and trauma and suffering? and when he returned, stricken with trench fever, he told his children stories of the adventures of a humble hobbit - a simple tale, that maybe purposefully didn't reflect just how awful his own "adventure" was.
And then just 20 years later, those children, his children who had heard those stories of a humble hobbit, got sent to fight in another brutal, devastating war, and he had to watch them go without him, knowing what they would go through because it had happened to him.
and this time, after that second war was over, and his sons had returned to him safely, he wrote another tale. This one not as simple. This one not for children, but for the grown men and soldiers his sons had been forced to become. This one centered the brutalities of war but also the hope of friendship and love.
i just. do you ever think about john ronald reuel tolkien???
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really need everyone to hold out for a partner you don’t need to handhold through the bare minimum of what’s required for your care and handling
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