Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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Father had personally asked Feanor to stand for this portrait, so he was. Father had quietly suggested that perhaps this could be a painless exercise, which did not actually mean ‘painless’ but rather ‘silent’ for Feanor, but he agreed. Father told him this painting did not symbolize anything but his own desire to have a record of all his available loved ones around him, and Feanor was trying to see it that way- for the sake of his own sanity.
Because his stomach was roiling, and there was a heaviness in his chest, a great emptiness which his heart was pounding against, echoing, echoing, echoing.
Father had one hand on Feanor’s shoulder and the other was upon Indis’s. She was sat in front of them, smiling beautifully, little golden-haired Arafinwe in her lap. Around them, her three dark-haired children were gathered. Findis on Father’s other side, Nolofinwe with her, and Lalwen in front of Feanor.
To the unaware eye, Feanor knew, they must all look like they matched. Like they went together correctly. Like a family.
When the portrait was complete and those dark haired children were gathered around the mother and father, who would guess that one child was out of place? Who might glance at all that paint representing their faces and think anything but-
You could almost be her son, Feanor thought, and then his mind replied, But you’re not.
He was so still and he dared not move, because if he did, he’d never get back in place. If Feanor flinched once, the sharp, jagged pieces of him that never fit right in this puzzle would scratch one of them. They’d be annoyed and that would be it: he’d combust in anger, he’d shatter across the floor, snapping and snarling at everyone unnecessarily until he ruined their perfect little scene. Father said this might be a painless exercise. No, no; this was to be a silent, still exercise.
You could almost be her son. But you’re not.
How good a painter was this person Father hired? How varied his faces? Would he capture that Feanor’s nose resembled that of none of the people here? Could he represent that his frame was already different from his father and little half-brother’s?
Would he lie and throw a pleased smile on Feanor’s face? Not even Father had asked him to smile.
You could almost be her son. But you’re not.
Feanor’s presence made them fit together so symmetrically, maybe that was pleasing enough to hide the wrongness of this scene. Maybe that’s why Father made him come here today, the pretty scene. Why he asked him to suffer, even as the longer he stood here, the more and more Feanor felt like he was about to be sick all over the floor.
A ghost, a ghost, there was a ghost looming over their shoulders ruining this perfectly symmetrical scene. Couldn’t they feel her breathing down their necks, icy chill against sweat? Didn’t their perfectly posed heads feel her long, clever fingers wrapped lovingly around their necks?
You could almost be her son. But you’re not.
Feanor’s gaze slipped down to the back of Indis’s head. Her beautiful golden hair. She didn’t wear a crown, this was a family portrait, and that felt worse. So much worse.
If he let his eyes unfocus and his mind wander, he could try to lie to himself that her hair was much lighter and the faces of the children around them more closely resembled his own. The woman in front of him loved him, and she fussed over his hair before they sat for this portrait, and he’d let her do it.
The worst part was Feanor did know that Indis would help him with the ties of his robes, if only he let her.
You could almost be her son. But you’re not.
She’s not, she’s not, she’s not. It was a simple statement of fact. It was scandal enough that the father replaced the wife, when one at least chose a wife, but what freak replaced his own mother?
What would the people who saw this portrait think? Would they see Finwe’s happy family or would they see Feanor’s blaring, uncomfortable intrusion upon what gods and men declared to be a better order of things? Father wanted him to belong here, but he didn’t.
He just didn’t.
You could almost be her son. But you’re not.
A painless exercise. Painless, painless, painless, for them. Silent, still Feanor, a happy accessory to the triumphant union of Finwe and Indis, a grateful stray dog permitted to drink from the bowls provided by Indis’s family.
This exercise was just meant to capture the image of all Finwe loved, nothing more. Don’t think too hard about it, Feanor. You might make the children unhappy.
You could almost be her son. But you’re not.
You should pretend you are, though. That’ll make them like you.
Because they did so disdain him, most of the time. They disliked how he glared at their mother and started fights at family dinners and ignored them in the hallways. Why shouldn’t they? Feanor would hate a person who did those things to his family, too.
He just couldn’t stop, though. He wanted to, sometimes, when the exhaustion and loneliness caught up, and then he remembered that he wasn’t Indis’s son and never would be, and remembering that made him angry. Wouldn’t it just be so damn convenient for them all if he was almost her son?
But he wasn’t.
He was Miriel’s son. That was her name. He had no portrait with her. He loved her.
He loved Miriel, but it was Indis he posed with and-
When the session was done, Feanor jerked away from his father and shoved his way past Lalwen. As he went, Indis looked up at him, caught his eye, and he couldn’t help the sneer that crossed his face.
He hoped that was painless enough for her.
When he returned to his chamber, he went to the wash room and heaved in the pot there. The gagging and retching made wetness prick his eyes, and the sudden tightness of throat made him choke all the harder. The sickness and heaving stayed long past when there was anything in his stomach to lose.
No one came. Feanor hoped maybe Father would, but really, why would he? Feanor had been mostly good, just a little rudeness wasn’t worth either reprimand or comfort.
No, they were together. Maybe admiring their portrait, happy and pleased, or complaining about his behavior again. Really, why couldnt that Curufinwe just accept nice things?
I need to get out of here, Feanor thought, face and body wet with both sweat and tears. I need to leave this place.
He was a good son, and he could do anything else his father wanted but betray his mother any more.
Feanor couldn’t pose as Indis’s son even a second longer. He would destroy himself, if he had to think one more time-
You could almost be her son. But you’re not.
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More fic ideas that I have absolutely no intention of writing.
Knight Bakugou who’s positioned to guard you. The King wants the best to protect his Princess, and Bakugou is the best. Besides, it’s not like the man had a choice, he doesn’t want to lose his job— or his life.
You hate to admit that Bakugou is good at his job, much better than the men that had tried to guard you before. Making it difficult for you to sneak out into the gardens in the evening to watch the stars, or to sneak into town for the weekend festivities.
You should hate him for ruining the routine you’d managed to work yourself into over the years, for stealing away the freedom that you’d rewarded yourself when no one else would offer you the same luxury. But somehow you can’t force yourself to dislike him, there’s something behind his cold and brash personality that has you inquisitive to find out more. Enjoying trying your best to rile him up or push his buttons— spilling your evening tea over his pristine boots, or dropping your towel in front of him when you prepare for your evening bath.
Knight Bakugou knows exactly what you’re trying to do, and he’s determined he won’t fall for your tricks— which is why he’s just as surprised as you are when he finds himself outside with you past curfew in the castle grounds watching the stars. But instead of staring up at the gorgeous night sky, he finds himself turning his head to the side to see how the moonlight glows against your skin. It’s just another thing that has now woven its way into your daily routine together, and as he walks you back to your quarters each night you like to fool yourself that it’s because he wants to, not because his life depends on it.
It isn’t long before the King begins to bring in suitors from neighbouring towns to vie for your hand in marriage. None of which are out of love, but a necessity to strengthen alliances between armies. Which is why it doesn’t matter if you even like any of them, because the choice won’t be yours. The men are scheduled to fight for your hand, and as you sit and wait for them to joust you notice Bakugou clad in full metal armour across the field.
The King positioned him as his strongest guard— because he is.
A man worthy enough to beat his strongest soldier is a man worthy enough to take his daughters hand in marriage. And yet as you watch every man come head to head with Bakugou he beats every single one.
And you think Bakugou has just beat these men because he wants to show how strong and powerful he is, but secretly it’s because he’s so in love with you.
You can’t tell whether your father is proud or annoyed at the fact, especially when Bakugou knocks the son, young Midoriya, off his horse. The man that you believed the King wanted to you marry, the most suitable alliance available.
It’s a few weeks later when Bakugou is sent away on a mission by the King. The head of an army sent out to pillage a neighbouring village who threaten to compromise the power of you’ve forged.
The morning he’s scheduled to leave is the first time he lets you kiss him, he lets you get that close. As though he’s wondering whether he’ll even return home himself. Standing in his quarters in the lower part of the castle, clad in your pyjamas and your feet freezing against the cold stone as he cradles you in his arms. Pouring every ounce of emotion into the kiss as he finally allows himself to have you, even if just for a few selfish moments. Bakugou reckons it’s worth the risk of dying, to feel your lips on his again. A fellow guard, Kirishima catches you both as he takes Bakugou away from you— watching them ride off on horseback as you still feel the warmth of him surrounding you.
You stay awake each night wondering whether he’s even still alive too— whether you’ll ever see him again. The new guards are just as useless as before and you find yourself longing for his safe return.
It’s two months before your father has another man lined up as a potential suitor. Wondering who might fight for your honour now that Bakugou is gone, but you’re shocked when the King says there’s no need for such friviolity. That the wedding is scheduled, and it’s the right reason to strengthen the Kingdom. It’s not for love, it could never be when your heart belongs to Bakugou.
And even if you told your father about your feelings for his guard, it would be issuing Bakugou his own death sentence if he even managed to make it home at all.
But fate really can be a cruel, fickle thing— and as fate would have it Bakugou returns home the day you’re standing at the altar wearing a pretty wedding dress like you’d dreamed about, while you’re waiting to be betrothed to another man.
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Neil as a team captain is positively delightful, because making him captain is both absolutely insane and absolutely brilliant. It capitalizes on the passive effect of having one (1) Neil Josten (god knows the world couldn’t handle if there were more of him) on the team in the most efficient way. Like. I’m 90% sure that after spending some time around him on the same team, most people will look up to him completely awestruck for how much he has impacted their lives, but that’s just not what is actually happening here. I feel like what’s going on is this:
Neil is a terribly amazing choice for team captain entirely because Neil is a meddlesome little asshole who will forcibly fix all of his teammates’ personal problems and improve their entire lives for literally no other reason than that he needs them to be able to focus on fucking ball so he can win at sports. It’s not even that he genuinely cares about people and their well-being (apart from his original foxes). He just gets pissed when things aren’t working properly because it makes Exy annoying when the lineup can’t communicate. Exy isn’t supposed to be annoying. Exy is life. He’d meddle whether he is captain or not, but by making him captain, he has so much more official executive power at his hands. It’s like people are explicitly asking for him to do his worst. So, fueled by his own competitiveness and love for the sport, off he goes.
Neil is just as bad as Kevin when it comes to his Exy obsession. The major difference between them is that Kevin is endlessly tactical and he runs Exy with a focus on a technical and physical level entirely, whereas Neil’s approach is to look beyond a lack of practice and basically psychoanalyzing people on why they are not doing 110% for Exy. Kevin says “let’s run this drill 500 times, then we will inevitably be better”. Meanwhile Neil is scheming how to coerce and bribe people into life-changing decisions and long-needed healing, entirely because he wants to optimize playing a sport. Exy is a team sport, which is why this is the most logical approach his little Exy brain comes up with rather than minding his own fucking business. He looks at the team and is like “is anyone gonna whip this into shape? No?? I’ll fucking do it then cowards” and goes and does exactly that. It’s like he’s fixing the equipment so he can play.
I don’t think anyone except for Andrew is really aware that Neil really isn’t doing this out of the innate goodness of his heart, but because his personal brand of practicality involves the most convoluted and creative kind of scheming. I feel like Neil is a lot more selfish than people give him credit for. Sure, there’s people he cares deeply and unconditionally for, but that’s really not everyone. It’s fascinating to watch, especially because it’s not like he ever hides that he doesn’t particularly care, but people kinda assume he does, because why else would he put in this much effort?
Exy. The answer is Exy.
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