Angela Sarafyan at the 2017 Emmy Awards in ELIZABETH KENNEDY: a canary yellow gown with a wide v off-shoulder neckline, bell sleeves with smocking detail, and a front slit in the skirt.
photo by john shearer
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who's who I demand to know
Okay, so, Mask is the lad holding, Jack is the lad leaning back while absolutely and utterly bombed, and of course, Elizabeth is the third wheel who's unhappy to be there
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Elizabeth Kennedy resort 2018
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@perioddramasource: PERIOD DRAMA APPRECIATION WEEK
Day One: Favourite Adaptation - The White Queen
Adapted from the following works of Philippa Gregory:
The White Queen
The Red Queen
The Kingmaker's Daughter
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Lesbian feminism’s negative valuation of butch-fem communities also seems to be a response to the explicit sexuality these communities expressed through butchfem roles. From the beginning, lesbian feminists tended to downplay sexuality between women in an attempt to free lesbians from the stigma of sexual deviance. They separated lesbians from gay men, primarily with respect to the place of sexual expression in men’s and women’s lives. This trend, which became fully elaborated in the 1980s, was central to the identity around which lesbian-feminist politics was built and to the debates that developed around sexuality throughout the entire feminist movement.
In 1980 and 1981, the publication of two works had a powerful impact on the shape of lesbian feminism and on research about lesbian history, Adrienne Rich’s “Compulsory Heterosexuality and Lesbian Existence” and Lillian Faderman’s Surpassing the Love of Men. Both works privileged passionate and loving relationships over specifically sexual relationships in defining lesbianism and explicitly separated lesbian history from gay-male history. Rich’s work is not intended to be an historical study; nevertheless, it proposes a framework for lesbian history. She establishes a “lesbian continuum” that consists of woman-identified resistance to patriarchal oppression throughout history. The lesbian transcends time periods and cultures in her common links to all women who have dared to affirm themselves as activists, warriors, or passionate friends. The place of sexuality in this resistance is not specified and the butch-fem lesbian communities of the twentieth century, because of their use of gender roles, are considered, at best, marginal to women’s long history of resistance to patriarchy. Thus, in this formative work for lesbian feminism, the only group of women in history willing to explicitly acknowledge their erotic interest in women are not central to the definition of lesbian.
from Boots of Leather, Slippers of Gold: The History of a Lesbian Community by Elizabeth Lapovsky Kennedy & Madeline D. Davis (2nd ed, 2014; originally published 1994)
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Meet Nugget, my FNAF animatronic oc. He has the size, power, & high IQ of a real pomeranian. He is in charge of all chicken nugget responsibilities.
There are only 2 realities with Nugget in them. One where he blows away Afton before he hurts a child, & one where the mere presence of Nugget makes it impossible to desire murder. Nugget is so cute, nobody around him wants to kill or bully anyone. Nugget's cuteness instead encourages siblings to bond while caring for him, & inspires nothing but love between two dads who have never been proven to have psuedo-8-bit wives, after all, so why not?
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Jacqueline Kennedy at the unveiling of a JFK memorial in Runnymede, Surrey near London. The memorial was inaugurated by Queen Elizabeth II. May 14th, 1965.
Also photographed are Robert F. Kennedy and Caroline Kennedy.
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An African Fine Press Friday
As we continue to celebrate Black History Month, I was introduced to this handmade, hand-printed little book by noted African American book artist and letterpress printer Amos Paul Kennedy Jr. (b. 1948),entitled How Wisdom Came to the World, printed in Oak Park, Illinois at Kennedy’s Jubilee Press in 1992 in an edition of 50 copies.
The piece is an adaptation of a Yoruba folktale about a man named Ijapa who tried to keep all the wisdom of the world to himself and, with the help of his son, comes to realize that wisdom is for everyone. Ijapa literally means “That which moves around awkwardly” in reference to a turtle or tortoise, which is an animal trickster of Yoruba legend. Therefore, this accordion book is printed on pages that are hand-cut in the shape of a turtle. Although the pages are unnumbered, each page has has a different number of small, printed turtles to indicate the order it should be read. The accordion folds down into a 10 x 13 cm square that is housed in a handmade, four-fold amate “paper” enclosure with a turtle motif on the outside.
View more posts on the work of Amos Paul Kennedy, Jr.
View more Black History Month posts.
View more Fine Press Friday posts.
- Elizabeth V., Special Collections Undergraduate Writing Intern
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Elizabeth Kennedy resort 2018
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elizabeth afton fnaf vs dee kennedy dsaf who's the better ginger child with a pink shirt who dies at a freddys aligned location
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