just watched the V is for Vendetta movie (after only reading the comic). They de-objectum'd him. Comic V had a crush on the concepts of justice and anarchy. He fucked an omniscient supercomputer! And the movie had none of that!
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Something I think about a lot is how Rick Riordan very rarely uses "girlfriend/boyfriend" to refer to Percy and Annabeth within their perspectives. They're so intertwined, even Annabeth says in hoh that the word boyfriend isn't strong enough, because Percy was a part of her. They are a singular soul, too wrapped around each others' fates that regular labels are far too weak for them. But, Rick Riordan uses "boyfriend" a lot in Nico and Wills perspectives, not because they love each other less than percabeth, but to show how much the word means to them. Nico uses it any chance he gets- "his boyfriend," "he actually had a boyfriend," because Nico has never been able to say that before. Their struggle with their queer identities mixed with Nico's catholic guilt and chronic everyone-hates-me disease makes the fact that he has someone to call his actual boyfriend so much more important to his character development.
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He cares very much about his elemental just look at this man
He raised this bubble monster since it was a baby and worries about her getting mixed with other water things... Dad behaviour...
It's like he asks her to come out to fight.
He can't ask her that, he alredy sent her to battle. Is it either them or the quimera and he knows it damn well, that's why he looks at Marcille with something close to pity. He can't ask the undine to stop. He needs, they all need, the monster to be dead.
And then his baby droplet gets obliterated by this monster. He's not recovering up emotionally from this anytime soon. He freezes a few seconds in absolute shock.
"I even find it cute now". His baby is dead. It's gotta be something akin to adopt a stray cat since baby and then he gets run over. He starts tearing up. Look at this man's poor face, he's destroyed.
Here he's mourning the loss of his undine possibly, all sad faced. He is, at the end, the only one that lost someone there (many died but revived, and Falin doesnt count because she's alive). Either that or he managed to, somehow, save a bit of her and put it on the bottle and it's feeling sorry for his elemental or saying sorry.
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If you are a person who doesn't like Frodo Baggins I am taking you by the shoulders. I am shaking you gently. I am asking you if you've ever had to try to do something overwhelming. I am asking you if you've ever had to carry on in the face of insurmountable despair. I am asking if you've ever carried burdens no one else could know of. I am asking if you've never seen yourself in the monstrous. I'm asking you if you've ever been unable to trust your own mind. I am asking if your mental health has ever made you unreasonable. I'm asking if you've ever been too weak to take care of yourself, too weak to do the right thing in the end, too weak to do what, in your heart of hearts, you want to do. I'm asking if you've ever been too small to make a significant difference and if you tried anyway. I'm asking if you've ever faltered under something heavy placed on your shoulders. I'm asking if you've ever taken the next step despite never wanting to move again.
If you haven't yet, you will.
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nobody even bats an eye at all the misogyny and all the hatred towards women in classic literature and nobody mentions it when you discuss it in class and you slowly start to become familiar with it and it becomes something so casual and so regular to you that you don't even bat an eye when it happens again and again and again and the cycle goes on
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As an eligible young noble of no small fame, Ambroys had a number of arranged courtships and suitresses in his youth, but any nascent marriages always fell through.
It's not that he didn't try; he certainly knew how to court a lady (perhaps too well, according to many fathers and husbands), and when he lacked knowledge on the affairs of womens' hearts, he sought counsel from a young woman who was a dear friend of his (perhaps too much counsel, according to his own father). Nonetheless, all he garnered for his efforts was separation after separation.
Ah, well. Maybe it was for the best.
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
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