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#Listen Notes
fox-guardian · 8 months
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"maybe if i dress more boring i'll get gendered correctly by strangers" that's the devil talking
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desiresign · 8 months
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I want to live like this image
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[image id: 5 colorful dinosaur clay figures depicting a green sauropod, blue triceratops, red t-rex, yellow stegosaurus, and pink pterodactyl. end id]
artist credit
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martyrbat · 1 month
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hate when a batman artist isn't committed to bruce's lame bat schtick... give that man a bat insignia on the bottom of his boots rn
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yeehawpim · 8 months
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a comic with some norse mythology
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mangozic · 30 days
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archivist be upon ye
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frengers · 3 months
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a personal favourite bit of dialogue
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wu-does-art · 2 months
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coming out as a "Will snores obnoxiously loud" and "Nico breaths so quietly you can barely tell hes alive" truther
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whetstonefires · 11 months
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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sealskin · 7 months
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https://www.dropbox.com/sh/41pu2j0alrvmmqq/AADcNEo2K-fsdlacFfuXnKtva?dl=0
Above is the link to an audio file with Palestinian music, read-aloud poetry, storytelling, and excerpts from speeches on history and liberation. It was gathered by Radio Al Hara, an internet radio station broadcast from Ramallah, Bethlehem, and Amman in Jordan, founded during the pandemic as a way to connect during isolation. “Al Hara” means ​“the neighbourhood” in Arabic. From the river to the sea! 🇵🇸
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shigayokagayama · 8 months
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happy one year anniversary to the most insane week in internet history
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writeouswriter · 1 year
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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thrill-kill-kult · 6 months
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beescake · 1 month
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ik ur the sollux and karkat blog but would you ever draws a nepeta ? if not thats perfectly fine :)) (also!!! ur probably in my top ten favorite artists ever. you just . do em so good!!!!!)
🫴 a nepeta
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chattematsu · 8 months
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[4.0 archon quest spoilers]
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danielnelsen · 5 months
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while i get where this comes from and it’s true to an extent, i reeeaaaally don’t like how people try to explain “trans men don’t [necessarily] have male privilege” with things like “some trans men don’t pass”.
like sure that’s the most obvious example (someone who is seen as a woman won’t have the privilege that comes with being seen a man) but you’re still acting like being a passing trans man is just a free opt-in to male privilege which is………kinda the issue.
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taohs · 9 months
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(some) Balalaika moments that lives in my head rent free
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