You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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chewing on big 3 kids being capable of absolutely devastating natural disasters and apocalypse-level outbursts of power.
Percy who creates hurricanes complete with lightning that pummel titans and flooding and whirlpools that can trap god-powered crocodile kaijus. Earthquakes that erupt volcanoes. Hazel who sunk an entire small island entirely on her own with her final breath, against giants and a primordial goddess of the earth.
If Nico dramatically wilts plants and cracks the ground when he's mildly stressed, and disintegrates enemies down to their skeletons with a single touch or rips their souls out of their still-living bodies, and can command armies of the undead, what happens if he tries to cause destruction? Even outside of total zombie apocalypse or insta-killing a crowd, he's shown enough geokinesis to absolutely be capable of the same destruction Percy and Hazel can manifest.
What about Jason? He can control the winds and storms. There's no way he can't create the most destructive tornadoes with casual effort that he can never justify using for the collateral damage they'd cause. With a single thought he can rip up a town and launch the remnants 50 miles out. (Jason in the center of a Dead Man Walking tornado, vortexes responding to his movements like an avatar...)
And what can anyone do to combat it? How can you fight the wind lifting everything you know and love into the sky, or floods sweeping you away, or the ground giving way beneath you? The Big 3 kids are scary because they are forces of nature, and their whims are the only thing preventing you from witnessing that at any given moment.
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If I Should Stay
Part 1 | . . . | Part 7 | Part 8 | Part 9
After pizza—and after El wakes up and eats her own pizza—everyone gathers around again to listen to Steve and Robin. “So I think by now we’ve proven we’re from the future,” Steve says. “We’re here, four years in the past, because a lot of bad things happen, and if we can, we’d like to stop those things from happening. The big one, and really the recurring problem, is a guy named Henry Creel who essentially took control of an alternate plane of existence we call the Upside Down.” He motions El over beside him, and she goes gladly, tucking her feet up onto the couch as she leans into his side, trusting him to hold her up. He does, sliding a protective arm around her shoulders as he says, “He’s also One.”
He watches as one by one the lightbulbs come on. “Oh, shit,” Dustin whispers, and Steve doesn’t even call him on it, just nods.
“Beyond Henry, though, there are creatures in the Upside Down that can and will kill you.” He rolls his eyes fondly at the boys. “For some inexplicable reason, you came up the names, so they’re called demogorgons, demodogs, and demobats. Demogorgons are what took Barb and Will, but they both got away. That doesn’t mean they’re safe, though. Like El said earlier, Barb was safe in the moment, but it’s still a very dangerous place. There are vines everywhere that are connected to a hive mind. You step on one, and Henry knows you’re there.”
He continues telling the story, Robin interrupting when there’s a detail he misses. It’s silent when they finish. Finally, El speaks up. “So, it is… my fault?”
“No, El,” Steve says softly. “None of this is your fault. Things out of your control happened that made you who you are. Those same things created all of this.”
El frowns. “So I am bad? Like One? Like the Upside Down?”
“No,” Mike says sharply. “You’re good, El.”
“He’s right,” Steve murmurs. “You made yourself good.” He pokes her arm teasingly, and she smiles, leaning back into him.
Steve looks around, catches Nancy’s eye, and sighs. “Nance? A word?”
“Steve?” Robin asks.
He shakes his head. “I’ll yell if I need you,” he promises, rubbing her head as he passes. She squawks and bats his hand away.
“Asshole,” she mutters, and he laughs as he disappears down the hallway, Nancy in tow.
They end up in a room Steve thinks was meant to be a study. “You have questions.”
“Understatement of the century. There’s just one that’s really bugging me, though.”
“Us?”
“Yeah.”
Steve sighs and leans against the wall. “On Halloween, Tina throws a party. We didn’t know what we do now, about the Upside Down, and you were still looking for her. I was an asshole, self-centered and unhelpful.” He blows out a breath, crosses his arms, and looks away. “You got drunk, called me, and my love for you, bullshit. Left. I tried to talk to you the next day at school about it and you couldn’t say you loved me. I was still hopeful. I’m a romantic at heart, y’know? I thought maybe if I could be everything you needed, if I changed enough, if, if, if…” he shakes his head. “So we stayed together. I tried. You slept with Jonathan Byers, then broke up with me.”
Nancy looks horrified. “Steve-”
He shakes his head. “I made my peace with it. And maybe this makes me an asshole, I dunno, but Nance, I can’t go back. We’re okay, we’re friends, but I can’t pretend I still have feelings for you. I’m sorry, but we both know I was just convenient for you.”
Nancy takes a breath. “So that’s it?”
Steve shrugs helplessly. “I don’t know what you want me to do. I tried and got my heart broken for it. I moved on, found someone I think I can really be happy with, without changing who I am. And for the record? It gets rocky for a second, but I think you and Byers are it, too.” He smirks. “Plus Mike likes him better than me.”
Nancy rolls her eyes. “Oh, well, if Mike likes him better…” they both laugh, and she looks at him. “No more feelings?”
He shakes his head. “We make much better friends.”
Nancy grins lopsidedly. “And Robin?”
Steve snorts. “Purely platonic, I promise. Neither of us want anything else with each other.”
Nancy looks at him then. Studies him. “You’ve been through some shit,” she decides. “But you look happy.”
He smiles. “I am, for the most part. I know who I am.”
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