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#ROMANCE BECAUSE ITS WHAT I BELIEVED I NEEDED TO BE A REAL ADULT WITH A FUFILLING LIFE NOT BECAUSE OF ANYTHING ABOUT HIM
termagax · 9 months
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i hate to make the cr thing sound like a dumb ship war but they canonically had beauregard confess to being in love with her best friend, the party member she was objectively closest to and had the best chemistry with, to whom she was the turning point for her entire major character arc, and then immediately walked it back to pair them up with the characters they flirted with in episode 1 and had no chemistry with. and then spent the rest of the series making arguably lesbiphobic jokes about it.
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neerons · 9 days
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Some of Clavis Lelouch’s best quotes + Cyran's bonus quotes
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"Tell me, Emma, what do you think is the best way to wake someone who's really bad at waking up? (...) That's right, you stab them." (—Clavis talking about Chevalier to Emma)
"Finding such a handsome man in your room is enough to leave anyone breathless. Take your time. I know I'm easy on the eyes. (...) Oh, nice reaction! There's nothing like a good AHHHHH to get me in the mood."
“I didn’t do anything. But next time, don’t be intimidated by these status-crazed nobles. You don’t owe them anything—not even a smile. If someone looks down on you, look down on them in return. Otherwise, your self-worth will start to plummet. Never abandon your self-respect just to calm the situation. I know you’re a wonderful person—I wouldn’t have chosen you as my wife if not.”
"You succumbed to delusion."
"You weren't paying any attention to me at all. I got so lonely, I almost died!"
"...I want to make love to you."
"I'll tell you a secret about Chevalier. You want to know right? I bet you do. (...) He likes romance novels, but the reason for that is... Me. (...) One day, I secretly added to his pile of books... I put a book that boasted its dewy, spicy romance in the pile."
"Haha! When you're as handsome as I am, you look good no matter what state you're in. You just need better understanding of aesthetics." (—Clavis to the "Obsidianite soldier")
"Haha! You don't need to apologize. Who says only kids are allowed to be bouncy? What's wrong with adults being genuine about loving the things they love?"
"Oh, the things you say! Don't you realize you threaten to unleash the beast that hides behind this gentleman's visage?" (—Clavis' thoughts about Emma)
"What a fool I was to think I was done falling in love with you. The depths I could fall for you seem endless."
“We can do it on the table, or by the windowsill again, if you like. Ah, but I don’t recommend the floor—not unless you’re into that.”
"Wait, wait, wait! (...) Chevalier, you cannot possibly be trying to replace the words 'I love you' with that one kiss. (...) Why else would Emma have dressed up so beautifully? It's all so she can hear you say those three words! (...) Yes, not all things need to be said, but there is a purpose in giving words to feelings. That's how you can bring them into the real world. Chev, you can't let Emma guess how you truly feel forever. Just tell her. (...) The average person can't read minds like you do. Don't assume that Emma knows everything just because you do." (—Clavis to Chevalier, in Chevalier's route)
"I would never allow my lovely fiancee to live a life of fear. And so I must take it upon myself to indulge her in a life of joy." (—Clavis' thoughts about Emma)
"I'm charming, aren't I?"
"Here you are, alone in a secret room with a handsome prince. Why are you only interested in those lifeless husks? (...) That's a little offensive, you know."
"Haha! Go to hell." (—Clavis to Chevalier)
"Goodness, I've never visited that bookstore, and to think it was hiding a gem all this time..." (—Clavis' thoughts about Emma)
"Dear me, it looks like they started running the second they spotted me. Haha! That's optimistic of them. " (—Clavis talking about Yves and Licht to Emma)
"You could at least call it artistic. My handwriting conceals talent that would surpass that of a genius artist. (...) It's readable. So long as you take the time to decode it! Haha!" (—Clavis to Jin)
"Ah... Hahaha! I can't believe you headbutted me! You should've slapped me, at least."
"There's no rule that says you have to drink alcohol once you come of age. That said, it might be more romantic to let you get drunk and then take care of you until you sober up. Wait here, I'll just get some—"
"Of course, I'm not trying to criticize your own personal standards for good and evil. But throughout our lives, we're constantly being confronted by our perceptions of good and evil. And there are times when we might regret it later, if we decide to be critical of something simply because 'it's evil'. Our own individual standards for good and evil may not always be aligned with the kingdom's standards for good and evil. And if that happens, wouldn't you want to remain true to your own standards? To what you believe is good and right?"
"So you're comfortable drinking. I'll keep that in mind." (—Clavis' thoughts about Emma)
"(...) I'm well aware that of all the princes, I was the one most loved by his mother. Although I suppose it's not really a surprise, given how adorable and cute I was. (...) Haha! Why are you apologizing? There's no rule that says we can't talk about the deceased. And there's no need to feel guilty, either. I'm not some silly child who gets all worked up just from thinking about her." (—Clavis talking about his mother to Emma)
"I love drawing attention to myself, you know that. I wanted everyone in the palace talking about me, so I made it seem as if I'd gone missing." (—Clavis to Sariel)
"...You're surprisingly sweet on Emma, aren't you?" (—Clavis to Chevalier)
"Well obviously, because I like rabbits. And from what I know of rabbits... They may seem aloof, but they're actually very sweet and loving, and if you're lucky, they'll even let you see that side of them. I think they're adorable. And despite being delicate and easily frightened, they won't run from anything—they'll stand their ground and put on a brave face. I can't think of any other creature that instills in me such an urge to protect them. You see? Everything about them is lovable." (—Clavis talking about Emma secretly)
"But that's why Rhodolite is so well-balanced. If we all agreed with Leon, the kingdom would constantly be in danger from outside. If we all agreed with Chevalier, it would end up a dictatorship."
"You're about the only person who willingly visits the brutal beast's lair."
"Just so we're clear, this doesn't even count as a setback to me. I've tasted defeat countless times at the hands of a brother more beastly than anyone in Obsidian. I've never once made the right choice. I'm a loser, constantly making mistakes, and constantly being laughed at for them. (...) When you fail, it's easy to give up. It's easy to think your ideas are wrong, and yield to the right choice. But this is what I do. Every time I fail, I get up again, and I fight even harder, so that next time, maybe I won't fail. I don't care about what's right for the kingdom. I stay true to what's right for me, and that's the only way I've found any meaning in my life. Even if what I believe to be right and true is actually wrong, and even if I'm called evil and wicked for doing what I do... I'll fight against the brutal beast's methods with everything I have in me. And I'm not going to die until I've made him kneel before me, and accepted that my beliefs are just as righteous as his are. (...) And since I've spent my life tasting nothing but defeat, I think I can declare this with some certainty. So long as you go on living, you'll never really be a loser. Because there is no such thing. Even if you lost this time, you just have to win next time to be the winner. And if nothing else, you'd be able to die a prouder man than you will now. (...) Today's failures will lead you to tomorrow's hope. Always, as long as you don't give up. And that's why I'm going to get up and try again. What about you? Are you going to die a dog's death here?" (—Clavis to the "Obsidianite soldier")
"What a shame... Were my hands not bound right now... I'd already be making love to you."
"Haha! Not a chance. I adore her." (—Clavis denying disliking Emma to Gilbert)
Cyran's bonus quotes:
"(...) Prince Clavis lies incessantly, so feel free to ignore everything he says. (...) Everything. You've no need to be worried about his feelings, or even keep him company. And it might be in your best interests to refuse to eat any of this." (—Cyran talking about Clavis and his cooking to Emma, in front of Clavis)
"You're still half-asleep, aren't you? You're a disgrace." (—Cyran to Clavis)
"When we finally catch up to him, I think we should team up and give him a good scolding!" (—Cyran talking about Clavis to Emma)
"Since you left me behind like that, I've decided to hold a grudge against you forever. (...) Do it again and I'll throttle you, master or no. Just so you know." (—Cyran to Clavis)
"My Lady, I'm afraid that Prince Clavis's plan is truly stupid. A prince in his right mind would never even plan such a thing, and the average person would recoil in shock at the very idea of it."
"Prince Clavis, you can't just go casually tossing your head in her lap like that. My Lady, you're more than welcome to slap him awake at this point."
"(...) despite all that, there was one fool prince who stormed into the camp where the prisoners were being held. Yep, I'm talking about the idiot prince currently sleeping like a babe in your lap."
"From the way he acts, it's easy to mistake him for a fool and a scoundrel, but... at heart, he's the kindest, most compassionate man I've ever met." (—Cyran talking about Clavis to Emma)
"...So where is he, this handsome man? (...) ...You're a total mess right now, you realize. You look dreadful. Want me to get you a mirror?" (—Cyran to Clavis)
"My Lady, I truly am sorry, but... I've been ordered to inform you that, and I quote, 'your prince is in grave danger and needs you to rescue him! Ahaha'! (...) ...He insisted I include the 'ahaha' at the end." (—Cyran delivering a message from Clavis to Emma)
"Very well. I'll inform him that you said to die in pain and agony." (—Cyran talking about Clavis to Chevalier)
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dracodazaii · 16 days
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im sorry but i can never be a lyanna stan guys.
just lemme explain.
obviously this is only if she willingly went w rhaegar
To begin with, the situation in its simplest form is that Rhaegar and Elia are married, amicable yet not in love, and Rhaegar runs off with Lyanna, causing chaos to ensue amongst the realm.
Even if no war occured and everything was fine, how can Lyanna try to justify running away with a married man, especially on the way to her brothers wedding which feels very selfish, even if Brandon didn’t want to marry Cat, like she still ruined their wedding day.
Not to mention, that running with Rhaegar meant that shes inserted herself into his marriage which is Elia’s place. How nonsensical it is to run away with a married man and somehow marry him!
There’s two routes people go to justify it, and I’ll explain why I think they suck:
1) E-R-L is a polygamous marriage: This is not appeasable to the realm at all! Nobody will accept that. The only reason Aegon+Rhaenys+Visenya were accepted was because they were conquering Westeros, and like you can’t say shit about the guys conquering you!! Also the Targs were on thin ice then, and Maegor also tried, and look what happened afterwards!
2) E-R was annulled and R-L are married: I don’t think this is reasonable at all. Considering that Rhaegar is only HEIR, just like Daemon, for example. Both wanted annulments and both need the permission from the King and/or High Septon, but also considering how the likes of Aegon IV couldn’t annul his own marriage, do you really think a measly heir could?! At least in Daemon’s situation, he had no children, but as Aegon IV and Rhaegar both had kids (Elia giving birth twice in 3 years) theres no grounds for annulment, and it would disinherit his children potentially anyway, or even start a second Dance. As soon as you have a second wife, whether polygamous, annulled or dead first wife, war will be almost inevitable between the potential heirs.
Also Ik its not possible.. but can we stop with the E/R/L shipping in a serious manner (crackship is fine but in canon is 😐)
Like genuinely thinking mid-20s Elia would want to romance a 14 year old girl, would be fine with her husband romancing said 14 year old, or join in together, is so crazy to me. Like, yes Rhaegar is very much in the pedo-realm but why would Elia also follow suit??!
And like not to be a huge Robert Baratheon stan here (i hate GOT era him) but you can’t deny that it is the rebellion+it’s repercussions on his life, that change him so heavily into this twisted abusive, pedo man. He was not a great guy pre-rebellion, he slept around, was loud and rowdy, but I feel like you can’t really say that Lyanna somehow predicted that he would be this abusive evil man, tbh it seems like she just disliked his promiscuity which is valid, but in doing the same to Elia, her point gets invalidated in my eyes.
Also next point is the age-situation.
Now i know that obviously in a real life situation, a 14 year old girl is at no blame for the groomer actions of the adult…. however just look at how GRRM perceives this. like not as an “oh medieval girls married at 14, its fine” because they were still mentally children… but i mean how GRRM perceives relationships akin to R-L and characters by Lyannas age in ASOIAF-verse.
Ok so GRRM thinks R-L is romantic, which means that the groomer undertones aren’t necessarily meant to be there, and its meant to be more of a Romeo-Juliet situation (which heavily fucked over Romeos girl Rosaline ie Elia). He also believes Dany-Drogo and San-San is healthy, so I don’t think age heavily affects characters romantic feeling and actions much then.
Then if we see character Lyanna’s age, they’re treated as adults (yes some do have child impulses but overall adults). You have Robb acting impulsively like a kid, but ultimately being treated as an adult and being killed. I feel like even though they have kid impulses, they’re meant to get adult consequences for their actions.
Also ages as a whole is fucked up in ASOIAF in comparison to real world, like you have baby Rickon Stark going feral in Skagos, you have 3 year old Joffrey Velaryon/Strong squaring up to Aemond, and you even have 11 year old Benjicott Blackwood being an absolute beast of a warrior when in the real-world, he’d be just a kid, useless in defence.
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romantichomicide95 · 4 months
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SHIPPING DISCOURSE UNDER THE CUT:
listen. i don’t understand shipping, everyone knows that. that said, i do understand its part of fandom culture and thats totally fine. people are allowed to like what they like without anyone being mean about it…as long as it doesn’t harm anyone.
a lot of these ships aren’t canon. there’s no way around saying that, just because you want to see them that way doesn’t make it so and that’s fine. things don’t have to be canon for you to enjoy them. you can write fanfic, make fanart etc etc and it doesn’t have to be canon.
it genuinely doesn’t compute in my brain why everyone is going around fighting and harassing people over the insistence that a fictional character is gay/bi/in love with so and so. these animes are shonen anime. they are geared towards young men…they are not supposed to be romantic or about romance. most of the time they don’t have any romance and if they do it’s generally not at the forefront. there are however romantic animes, there are animes geared toward gay relationships, there are animes for what you’re looking for…so why is it so hard to go watch those instead of pushing it into animes where it’s not there.
i watch anime for the action and the fantastic storylines/themes. do i simp over the boys? sure. but that’s not why i started watching it and there’s plenty of animes i watch where i don’t simp over anyone. i don’t like romance which is why i don’t normally watch romantic anime, there’s a whole subgenre i steer clear of for that reason.
so because of that i’m confused why people need to come into these anime spaces that aren’t about romance and push that onto canon? again it’s fine for you to ship if you separate the fanon from canon. plenty of my tumblr friends/moots do so and they do so respectfully and i love those people and i have no problems with them shipping at all. it’s just frustrating to keep seeing people getting harassed and called names by faceless people who are getting mad over the fact two pixels aren’t in love. it’s crazy. please please think before you start sending hate. we are all for the most part grown adults here and yall are acting like children on a playground.
and even if after all this you still want to believe it’s canon than whatever…do you believe whatever you want nobody is stopping you. but stop harassing people who point out that it’s not canon because we all should be coming together appreciating these stories together and being kind to one another instead of sending hate messages over something that isn’t real.
and before anyone comes at me saying i’m only talking about gay male ships the ONLY reason is because i haven’t seen one person who ships lesbian ships come after anyone over their ship, they enjoy it in peace.
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mermaidsirennikita · 2 months
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I think what's often missed in the "why can't we play with genre and not write romance with an HEA?" conversation is that a lot of people defending the HEA are heavy romance readers who are very aware of the amount of money involved, and how the authors who pop off about wanting to be able to label their non-romance books romance are in fact... thinking of money.
Not solely money, of course. And that's not meant to be a critique--I'm a writer, I'd love to write books for a living someday. Money is important. I'm all about getting money for your work, and I've never begrudged anyone for writing to market, writing to catch a trend, whatever. Sometimes it can turn out badly, but if you want to make money it does have to happen (and often writers write to market, get big, and then write what they want... see Ali Hazelwood's Bride) and as long as you are writing a good product and enjoying yourself... I don't see the issue.
BUT. Romance is extremely commercially viable, and it has been especially for the last few years (though that hype has to die down at some point, dude--and I think the shift to romantasy is probably like, the last breath of the current boom, and romance will go back to its normal levels of popularity, which are still more commercially viable than many other genres). So when people (like me) see writers going "but why CAN'T I label my love story that doesn't have an HEA 'romance?"...
I mean. We know why lol. We aren't idiots. Why is it so important that your fantasy novel is placed on the romance shelves, in the romance categories on Amazon? Is it because these authors have a deep and abiding love of romance and just want to sit with the cool kids? Is it because their hearts beat for romance, and even though they wrote something that is not a romance (the thing their hearts beat for) they just are desperate for it to be there? Is it because they are SO DEDICATED TO THE CRAFT OF WRITING and SO EDGY that they MUST change genres, they MUST break CHAINS!!!!
No lol. It's because when you write a romance, you are much more likely to be recommended by the BookTok girlies reading ACOTAR (and say what you will.... those books do by and large, I believe, have HEAs for pretty much all of the core couples). You want that Fourth Wing bread. You are more likely to have access to an audience that spends more than other audiences do. You want access to an audience that also is, let us be real, less likely to be real misogynistic about your book than certain subsets of the fantasy readership.
And the thing is--sure. A lot of readers sincerely don't care. And good for you, why did your book need to be labeled a romance the--oh, wait. I see!
But the readers who do care and spend like, anywhere from $1.99-$35.00 on your book (look dude, I'm thinking about preordering a pretty copy of the next Kerri Mansicalco, and I feel a LOT BETTER about spending that money because she specifically referencing HEA's when announcing her adult titles, and I APPRECIATE THAT A LOT ACTUALLY) only to find out that it's not the thing they expected... It doesn't follow the ONE RULE you expected it to follow because of how it was marketed...
The only time I've kinda come close to having that happen is actually when I read that book the new Anne Hathaway Harry Styles fanfic movie is based on. I was verrrry new to going back into the romance genre, and I read it expecting, based off the premise, that this was a fun, maybe a little silly, sexy book about a woman falling in love with fake Harry Styles. And she does. And guess what? At the end they rather randomly and suddenly break up.
And it kinda sucked.
It's also going to suck to see that book marketed as a romance as the movie comes out, but there you go, I've spoiled you, HORROR OF HORRORS I let you know that the thing you think is gonna be a fun little romance with a happy ending.... is not.
But yeah dude, imagine if I'd spent ACOTAR or Fourth Wing or Princes of Envy money on that book. I already felt kinda dumb for spending what was probably $8ish? It was a kindle copy. I could've gotten a fry-less sandwich with that money, back then!
So yeah. I just think that a lot of people want to be very condescendingly high-minded about PUSHING GENRE BOUNDARIES. And it's like... dude. Do you not think I would get my head bitten off if I went "well, I want to write a fantasy novel, but I don't want there to be magic... I actually want it to be revealed that everything is just run by computers the whole time, and the magical spell was actually a hologram, and I want that to be shelved and sold as fantasy"?
Yeah. Because I'm basically tricking people out of their money, lmao.
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werewolf-cuddles · 1 year
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so, i found a post on your blog talking about anti shippers and the people who age up their fave character to self ship. i find it to be pretty scary when people age up characters so they can self ship. i used to have the biggest crush on leonardo from tmnt when i was 16. i didnt ship myself with him, but it was still a crush. then i grew up and he didnt. hes still important to me, but he will forever be 15-16 years old. aging him up to justify a crush when im an adult feels like one step away from pedophilia. its not the same as shipping him with another teen because they are in the same age range, and romance can happen between two teenagers. i just feel like if people justify aging up (or aging down) characters for their personal gratification, what's stopping them from "aging up" an actual teen? or leading others to believe its okay to "age down" to get with teenagers? fiction and fandom do have effects in reality and how we approach either can have real consequences. shipping is fine, it can even be fun within certain boundaries- but thats the important part i feel is missing from fandom and this website in general: boundaries.
You seem confused anon, so let me clearly explain the difference to you between fictional characters and real people.
Fictional characters aren't real. Their age is literally just an arbitrary number given to them by a creative team, and some characters don't even get that much. Their age is just left ambiguous. (e.g. pretty much every Danganronpa character aside from the Warriors of Hope)
Basically, a fictional character can be however young or old you want them to be, because there's no rule that this arbitrary number attached to them can't be changed. Hell, if there was, next-generation sequels would not be a thing.
This is not the case with real people. Real people cannot be aged up or aged down, because they age in real time. A real person's age is not an arbitrary number, but an objective measure of how much time has passed since their birth.
You asked the question of what's stopping people from "aging up" an actual teen, or "aging themselves down"? The answer is reality itself.
You're right, boundaries are very important in online spaces. Which is why I now feel the need to ask why you completely disregarded whatever boundaries I might have in order to send me this completely unsolicited rant about self-shipping?
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TW: Sexualization of (fictional) minors discussion/CSA mentions
Mod: Batch post 2 to help people avoid the topic if needed.
1. Idc, people who don’t dress and photograph YOSDs like children are creepy af. If you’re dressing your YOSD in lingerie that’s weird as hell and gross.
~Anonymous
2. "child sex sells" what the fuck is wrong with you? shut the fuck up. touch grass. see light. no the hell it does not. can you be fucking normal for five goddamn minutes? god just delete tumblr and get the fuck away from this and all other hobbies you are the worst sort of human being and i hope you get the help you desperately need because you are seeing child abuse in everything and that, i promise you, is a freakass problem to have. why are you like this???
~Anonymous
3. did NOT want to read the vomitous take of "ch*ld s*x sells" on the doll blog today!!!
~Anonymous
4. fandoms full of """child abuse"""
hi mod it's me again, i'm sorry in advance but this fucking topic makes me actually furious and as long as the most sheltered infants on earth continue to submit brain-dead takes on this subject, i'm going to keep showing up in your dms. CW for discussion of actual abuse, hard subjects in general, etc.
(i would put the read more here) [Mod: I hope you don't mind this format instead Anon, this confession deserves its own post but I want to shield readers from the topic if possible with the batchposting 💜]
ok but that's just it, as a fucking csa survivor, most of the "fandoms full of CSA" literally! have none of that! whatsoever! in any capacity! you shitty godforsaken little heathens call sfw romance between two fictional teenagers in a tv show incest-coded, you call grown ass-adults in animated works "child-coded" and justify that as the same as goddamn ABUSE OF REAL LIFE HUMAN BEINGS, and you doxx creators and send them death threats and clog up report lines for real life actual human victims about your fictional bullshit. you are the worst and i want you and anyone who reads this and feels offended by this description to know that you are helping no one and annoying everyone.
do you know what real victims are victimized by? not fiction. not any fiction. not inanimate objects! literally write a story about fictional children being victimized for the plot, and it will not hurt me. if it hurts you, fair! stop reading it. go outside. your Personal Discomfort is not you being abused. learn the fucking difference perhaps! it will not make me... do you have any idea how hard it is to talk about this without getting so extremely goddamn personal? do you have any idea how much it sucks to have to have this discussion over and over and over? do you realize that roughly 10 years ago everyone with a braincell agreed on this point and it's only the last decade that people have been so radicalized to think that wrongthink is real? no, of course not, because most of the people who believe that fiction and reality are 1:1 in how one affects the other have no practical experience with any of the subjects upon which they have the audacity to speak.
listen. i am not going to go into my upbringing. i am not going to tell you what it was like to be raised in a household like mine where actual abuse was genuinely normalized. all i will say is that i was raised in a culture where this sort of abuse was normal and certain types of relationships between adults and minors were considered... sanctioned by the powers that be. are you picking up what i'm laying down? do not talk to me about your good intentions. the fucking argument that fictional content, drawings and toys and all that other inconsequential shit, that it's tantamount to a crime? buddy. bestie! amigo! compadre! that's the same logic that was used to make sure my upbringing was as sheltered and controlled as possible so that the "corrupting influences" of the outside world didn't give us the "wrong ideas". like i truly don't know how you did it but you've reinvented the toxic mindset i grew up hearing! and you are completely blind to it. boggles my fucking brain.
i just want to shake the people who say this shit with a straight face. "wow so violent op maybe you're the toxic one" yeah boy i'm toxic i've been in therapy for most of my life and will continue to be until i am dead. the fucking DRAWING CARTOON PORN IS INDOCTRINATING MINORS WRITING StORIES WHERE BAD THINGS HAPPEN IS THE SAME AS HARMING A REAL HUMAN crowd are just the same religious wrongthink crowd with a more recent birth-year and a rainbow hat. "anyone can say anything online i don't believe you" cool i don't give a shit. how do you want me to prove it, doxxing myself? you wanna see the fucking recordings anon? think before you speak. first time for everything.
i like this hobby. i enjoy my dumb little dolls and their stupid little faces, i enjoy the peace in changing their style and redoing their faceups, i enjoy being able to represent a diversity of appearances, identities, to make everyone queer and slutty because i'm making up for the lost time in my life where that was not on the table for me. i do Not fucking relish seeing the braindead anti arguments creeping into this hobby and shitting up another thing that myself and other survivors would like to enjoy in peace and quiet.
so let me tell you, from the bottom of my heart, even though no one who needs to hear it will bother to listen to the words of a survivor because it goes against your superiority complex against those nasty fiction enjoyers:
shut the fuck up.
sincerely, god, everyone, and especially survivors of CSA and other abuse against minors.
~Anonymous
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I'm gonna keep slogging through the new Contrapoints video on Twilight on the hope that it improves, because I really am a big fan generally, but I'm an hour and change in and it feels really weirdly misguided to me.
Most of it has been about what psychological needs sexual fantasies, especially "darker" sexual fantasies, fulfill for readers and how it smacks of moral panic to say that silly women can't distinguish between fake fictional danger that exists for narrative (and sexual) tension and real danger, which -- okay, is true and I agree, and it might even be reasonable to say that Twilight, a chaste story about the pure fulfillment of marrying a righteous Mormon man, served the same psychosexual needs as, like, fuck-or-die smut for its original audience of Youths, idk. But it's inconceivable to me that a grown-ass person would be as hellbent as Natalie apparently is on making the case that the Twilight series is a compelling depiction of taut, passionate, erotic yearning. Like -- it's just actually -- not. It's not any of that. It's slow and repetitive and flat-footed, and if what you like to read is taut, passionate, erotic yearning, I genuinely cannot believe that these are your go-to romantic fantasy novels. Like, she's right in theory about the drivers of sexual fantasies, but how does a grown adult say with a straight face that she loves these particular books because they are so uniquely good at fulfilling these extremely common sexual fantasies? Is your video is about erotic longing or is it about Twilight, because nothing you're saying about one subject seems to me to be relevant to the other.
And I'd put this down to a matter of taste, I guess, except that it strikes me as a little disingenuous to suggest that people who find Twilight off-putting do so exclusively because they don't like or don't get the idea of women being into erotic fantasies at all, or because they only like the most sanitized versions of romance. It grinds my gears a little bit to see decades of hard work by the sex-positive feminists, kinksters, and pervert intellectuals who came up with all this theory about desire being used to defend these aggressively sublimated, anodyne books that in no way added to the Conversation, and on many levels would not be caught dead attending the Conversation. As a weird pervert of long standing, Twilight would have to be a hell of a lot juicier for me to ride to its defense on pervert grounds.
I don't know, there's a lot of video left, but so much of it so far has seemed to be discussing some entirely alternate, theoretical erotic novel about vampires that I feel like Natalie and I just fundamentally are not going to get each other on this one. Also, she's apparently a Gaylor now? Which maybe was a joke, but it kind of didn't sound like it, and only contributes to my sneaking suspicion that Natalie's brain is finally starting to unravel under pressure.
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ganymedesclock · 2 years
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Okay so here's the take.
I don't trust people who hate kids, but I also don't trust people who refuse to believe that you can be bad with kids or incompatible with parents.
I don't trust people who hate kids, but I understand that on a root societal level people don't properly respect childcare as anything that can be difficult or kids as something you're allowed to not want to have or spend time with.
I don't trust people who hate kids, but I have patience and forgiveness for people who come to the point of saying they hate kids because they're not allowed to say "kids are fine, but not for me" because unless they turn this answer uglier and uglier people will keep trying to talk them out of it because having children is treated much like romance- nobody is allowed to think "that hard" about it or practice it in any sort of """aberrant""" manner but also everyone has to always do it because otherwise we'd have to independently negotiate our relationship with it and that's scary, so it gets turned into a norm that its most enthusiastic defenders all joke about hating anyway.
Kids cannot help but need you. They are not monsters. They're just humans at their most vulnerable. I think everybody should work to gain the skills to make cohabitation with children as mutually painless as possible. That's the baseline I think you can reasonably require as other people. Kids are in society, that's where they should be, and if you are driven to fury by this notion you may be exhibiting an intolerance of vulnerability that probably bleeds over into other areas of your life, maybe examine that.
Nobody is ever obligated to have kids, nobody is ever obligated to like being around kids, nobody is ever obligated to want kids. If someone doesn't think they'd be a good parent it is not your job to talk over this.
Producing a child isn't a badge that you're a real grown-up. (also, holy hell, fathers should have a meaningful stake in their kids' lives, but that's a different issue)
Nobody should have kids unless they earnestly and wholeheartedly commit to it and nobody should take it upon themselves to get on their friends', neighbors', relatives', acquaintances' case about So When Are You Gonna Change Your Mind And Have Kids
but don't take that out on the kids themselves, guys? Kids live in the same reality as adults but they have less experience, less control over where they're going or what they experience, and less ability to separate what's happening right now from what is true of all reality forever. This can be super frustrating to deal with from the outside but I guarantee it is worse from the inside.
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bythenineshards · 1 year
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i think the reason which makes me angry about acotar & its fandom as a whole is the double standard that exists in the fanbase. rhysand sexually assaulted feyre? 'it's a dark romance so you should go read your vanilla stories & also he did it for her own good'. but when someone says 'well, if it's a dark romance, surely we can have a tamlin redemption arc 'cause he & rhys are the same 'cause he was also protecting feyre 'for her own good'', they'll come at you with pitchforks about how feyre needs someone who is 'feminist' to have a 'healthy relationship' with. like WHICH ONE IS IT??
i am in the hannibal, killing eve & interview with the vampire fandoms. i do like me some mutually toxic relationships that makes you look through characters psyches & pick apart motives & themes.
but acotar goes for this weird stance in its own morality that it doesn't make an ounce of sense. it would've made sense if feyre had left tamlin even if they had a healthy relationship to go join rhysand & then the story could've had a darker turn there. that could've been the basis of a dark romance. or feyre & tamlin's relationship being built on the same lines of toxicity & feyre betraying/hurting tamlin to join rhysand because she wants more power. & tamlin be an equal adversary for them (not antagonist). then the story be continued from there. give me moral ambiguity so that i don't know who to root for. these kinds of things happen in adult high fantasies all the time.
but sjm chooses to compare two equally bad (or 'morally gray', as the stans love to call it) characters and be like 'see, this one is better!!' but if someone points out that they're equally bad you have to watch them do all kinds of unnecessary mental gymnastics & say 'b-but it is a dark romance with dark themes & it's adult!! and rhysand is MORALLY GREY!!! if you can't handle it don't read it!' or the argument of 'it's fiction & they're fae!! you can't apply real world morals to it!!' like sure but where is the CONSISTENCY???
Hey Anon! I could've sworn I answered this. But apparently I didn't.
I can't stand the justifying of Rhys' deeds. Dark Romance books don't feel the need to do that. The guy doesn't need the justifications and hero framing. The books are thrown around as feminist or empowering. The point is that the relationship is a toxic dynamic. Maas has said in interviews that she writes healthy romances. She views this as a healthy relationship.
You know what's funny? The road to hell is paved with what? Good. Intentions. The best villains are people who meant well but had evil methods to achieve that goal. Rhys did x______ because it was for....? Doesn't matter, still did it. Thanos (in the movies) killed half the universe because it would create more resources for those left. Good intention. Horrible idea considering he had the power to create more resources.
You're right that there were so many other angles this could've gone to make it better. Personally I believe the best idea would've been to just have them grow apart. Cuz that happens and it wouldn't have taken Tamlin being abusive to do. Feyre could've fallen for Rhys knowing what he did was wrong. I'm sorry but there was no excuse or justification for working for Amarantha. Rhys should've been punished. However that would mean more work than comparing a retconned Tamlin to Rhys and made Feyre actually flawed.
Ugh... this series... so glad I'm not buying anymore of her books. You know, it's so weird how easily impressed I am with books that do the bare minimum effort to be decent after reading these.
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olderthannetfic · 1 year
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Have you read a matter of oaths by Helen Wright? I've seen you talking about lbgt fiction and it's a space opera I stumbled across which is wonderfully written, has a intriguing storyline and which I was not in the slightest expecting to be lbgt. I was even more surprised when I realised it was written in 1988. Think it's had a recent reprint but I'm always surprised more people aren't talking about it, it's got the kind of real life representation people are always saying they want in fan spaces while actually being well written and about the story.
Whereas a lot of lbgt books I find that seem to be more about being an lbgt book rather than I'm gonna write a story and while I'm at it, make it as diverse as the real world. I'm not trying to bash that type of book at all (if that's your thing go for it, you do you.) but I am lbgt and find it frustrating that when looking for good books that happen to be about lbgt people, I can only ever find books where its clear the authors focus is on those characters being lbgt rather than them being characters in their own right who are also lbgt? A lot of books especially those on lbgt booklists feel to me like they are more worried about scoring points and getting the representation in than just telling a story and that's not really what I'm looking for.
This is completely diverging lol but do you or any of your followers have any tips on finding that kind of lbgt fiction? Representation without it being * representation * . I go for most genres tbh, depending on what I'm feeling at the time, but i like things to be telling a story rather than slice of life (ppl always talk about this like its a fanfic thing but it's the best term I can come up for for the kind of 'mid 40s married and having marriage difficulties' that always seem to get lent to me lol. I'm partial to a bit of romance if it isn't too tropey and i like things i read to have a bit of conflict, sickly sweet puts me off a bit. I'm never sure where to go for non literary book recommendations as tumblr spaces and following on from that, booktok, are very focused on young adult esque books which I'm not really in to and sites like goodreads don't go in to enough detail for you to know that person doesn't just have terrible taste (sorry. I don't actually believe bad taste is a thing. Different strokes for different folks and all but please. Goodreads reviewers, you do you, somewhere away from me. Every book recommendation I've had from there has been rancid.) Are there sites/spaces I should be looking in that I just don't know about yet? (I'm thinking if they are they are probably focused on particular genres? That's cool, I can do multiple places.)
I want to be able to find more recommendations for easy to read books that are still well written. I know these books exist because that's 90% of my non fic reading lol but I have to just stumble across them and in doing so rarely get to target my aim at all so I don't find many with non straight characters. I feel like if i work more off recommendations from other lbgt readers i could read more of these kinds of books with characters that are lbgt like me, but I need to find my kind of readers I guess? All the lbgt reading spaces I come across are very young adult aligned/ are running parallel with fanfic spaces which is great, but I read fanfic for fanfic! I want a different flavour from books. The frustrating thing is, I know these books are out there! And I know there are readers like me I just can't find them. The kind of lbgt fiction I'm looking for feels like finding diamonds in silt and I just don't know where to look.
--
It sounds vaguely familiar, but no, I haven't read it. Hilariously, the first thing I found on googling was an obnoxious review by KJ Charles.
"Not too tropey" is the main sticking point here. While people may say they want this or that type of representation, what a lot of fandomy people actually pay money for is tropey romance. I prefer it as a B-plot to a mystery or adventure story, but I'm still looking for it.
I share your experience with goodreads and with everything everywhere being YA City. I don't know of a social space for discussions of queer sff. There are some sites that list books with the specific content tagged. I can never remember the one people always rec to me.
I have not found "lgbt" to be a helpful descriptor for the type of queer genre fiction I'm seeking for myself. The presence of alphabet soup tends to go along with punctilious attempts to include everyone and with books that don't feature the kinds of relationships I like to read about. I'll read tropey f/f on occasion, but I'm usually in the mood for m/m, so I look for things with BL-like labeling, including the predominant niche in originally-in-English indie m/m, "M/M Romance". (It's presenting quite a problem as some of those authors transition to writing mystery-with-romance instead of romance-with-mystery though.)
Can you describe the kind of book you're looking for more? "Good" or even "easy to read" plus "not like fanfic" don't really tell me anything. Does this mean nothing that has been released by an independent author and labeled as "m/m romance"? Does it mean nothing in a coffee shop? Does it mean nothing without a proofreader?
I've run across queer fans of space opera hungry for... something, but I don't know if there's really a huge block who are on the same page about what that something is.
The last queer sf book I read was Earth Fathers are Weird, which is about a guy who signs on to be a surrogate for a tentacle monster due to translation issues. It's pretty fluffy and slight. Most of the stuff I actually care about is mystery or mystery plus sff elements, like The Plumber's Mate series.
I tend to read a lot more in the urban fantasy mystery space, which is also what I write in. I like Knives Out-y golden age detective novel pastiche, so I may not be a great source of recs for you.
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messiah-girl · 6 months
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Notice by Heather Lewis
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It's funny how people find comfort and familiarity in reading what is often touted as the "most disturbing book ever written." Whether or not it really deserves that title, I'm not sure. Truth is, I'm only half way through the book myself, but it's gripped me in a way, sucked me in through the main character's incoherent and meandering way of navigating her emotional landscape. It's often not a pleasant read. Why, then? What is it about me that draws me to such a miserable, bleak story? What's so enthralling about literal trauma porn?
Perhaps, if you're anything like me, you've preferred unhappy endings since you could remember. In elementary and middler school, I hardly read the assigned books because, unconsciously then, I was frustrated with how sugar coated and sanitized they often were. I needed the pain, sex, suffering, and romance to be more intense, more true to life as I'd known it.
But life was cruel to me. It'd tossed me unmercilessly throughout my adolescence, and, having grown used to the dramatic ups and downs, the difficultly and the pain, I would in my adult life attempt to manufacture an outer world that matched the deep, darkness that existed within me. In my self hatred and nihilism, I would seek out thrills much the way our narrator in Notice did.
I was hyper-sexual, a term introduced to me by my first therapist at eighteen, when I went to rehab, and deeply masochistic, and I'd often find myself in situations wondering if I'd walk away alive. One night stands met on seedy parts of the internet; my offering myself up on a platter, they would salivate and threaten me with all I'd begged for. More than once, a partner claimed to have a knife, claimed he would stab me. It didn't happened, but it's moments like that that open your eyes to how vulnerable you really are.
Anyway, the narrator in Notice navigates all of this with a detachment. She does everything she can to not notice, to distract herself, for whatever is happening within her. Some force unnamed and unknown to the reader has compelled her into sex work, has entangled her with a murderer and his wife, who was complicit in the rape and slaying of their own daughter, has lead her to yearn for pain and suffering, has caused her to avert her eyes in moments that could yield an intimate glance. Her tone throughout the text is not one of anger or fear, it's one born out of dissociation. In one moment, she stares into the distance at an illuminated pool through the window as the murderer violently rapes his wife Ingrid. Later, after he's left and Ingrid muses about draining the pool, our narrator wonders what she'll have to look at when it inevitably happens again.
She is not trapped, though. She is a prostitute hired for the weekend, not their daughter, and has stayed beyond the expectation. Why does she stay? I believe the reasons for her staying and the enjoying of this book are rooted from the same thing. Whatever it is, the narrator has failed to articulate and the reader must deduce what it is through her cloudy and indirect recollections. It's likely much easier to understand if you have some basis of what that feels like in the real world, and perhaps that's why this book is so polarizing. Perhaps, to the people who enjoy it, it's validating at the least and perversely comforting at its best. Because if you've ever struggled to put words to your feelings, ones that felt like a death sentence, ever struggled to understand how or why you've done something abhorrent to yourself, the narrator's inexact way of relating the story speaks so clearly.
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sleepy-vix · 9 days
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okkk just finished legendary
i- wow
i definitely liked this ALOT better than caraval.
i found that tella was a far more interesting narrator and i was truly rooting for her every step of the way.
i REALLY want to read finale now. like im invested in dante and jacks' characters and i wanna know what happens next
but i have to wait till monday so i can go to school and borrow it :( (i might have to even wait longer than monday bc when i borrowed legendary on friday, finale wasnt there- somebody had borrowed it. i hope that somebody returns it on monday so i can read it)
ok so here are my thoughts on legendary:
-overall it's a 3.5 stars. i feel like 4/5 is too generous, but i did like it alot more than caraval (which i rated 3/5. i think i might actually change caraval's rating to 2/5 and then legendary can be 3/5 bc i dont rlly believe in using 0.5 ratings.... but for now i'll just keep legendary's rating as 3.5)
-the writing was nothing phenomonal. it was still very young adult, just like caraval's was, and i cringed alot from the way that the characters spoke. tella, i like you, but saying "i'm going to pray for the angels to come and cut his tongue" made me want to vomit
-the descriptions were basic as always. i could imagine things, but it wasnt 4/5 star good, hence why i refuse to label legendary as a 4/5 read
-tella was definitely more interesting to read than scarlet. her goals felt more believable, she was more cunning and determined, she was more confident, and she did so much to drive the plot along
-i felt like dante and tella's romance was more believable. they do not need to kiss and touch and flirt everytime they meet but i give them a pass for it because its part of their personalities ig
-the whole storyline overall was more interesting. there was alot of mystery and manipulation and i had no idea what is real or not which is what made it so good :)
thats all i have to say for now
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saiorse-irvyne · 5 months
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Looking for Beta-readers!
Hello, you beautiful people <3
I'm looking for beta readers for an a/b/o AU I just finished writing the other day! All I need is people who are willing to read and give me their honest thoughts and opinions about it, as well as answer a few questions for me after they’re done.
The story is edited to the best of my abilities and my best friend can to help me with any grammar or spelling mistakes I've missed if i find no one whos interested in that. so no worries about any work in that regard, if youre just here for reading, thats already enough!
What I need is people that can tell me if the story does what I intended it to do.
If it is well paced, if the character progression makes sense, if the romance is believable, if the emotional beats hit right, all that stuff.
(And I have one story beat that I'm not sure work in general, aswell as general uncertainty about the humor i tried infusing this with from time to time)   
About the story: 
You’re looking at 69k words (nice), so it's kind of a slow burn, but not really. Once things get moving, they move fast. It’s a ‘strangers to friends to lovers’- romance situation, with the added caveat of alpha/alpha.
We have Dean and Castiel as the mc’s with both their POV's (and Sam on the side), but apart from that, every additional character is original. 
I really focused on the aspect of how to navigate the struggles of adult love life, with themes like self love, overcoming your fears, dealing with internalized homophobia, emotional maturity, and learning to deal with, and love again after, major heartbreak. 
Although this is Omegaverse, I wanted to approach it from a mature and real angle, hence why the whole alpha/alpha-homophobia setting. It’s really just the a/b/o-equivalent of our current day homophobia, in that regard. 
I made a point about not deriving conflict and tension from anything but real world issues and the problems that come from interhuman connection, because being a person with trauma and issues living alongside other humans with their own, individual struggles is hard. 
So, no misunderstandings in this one. In this house, we talk about our feelings and learn to face our fears when we discover them!
Although the vocal point is all of that, this story IS explicit and has two detailed sex scenes that tie into the development of the plot and are important for character growth. So if that isn’t your cup of tea, this story isn’t for you. 
Additionally, as this is alpha/alpha, the smut has minor sub/dom characteristics. It's very tame and mostly psychological, but I loved exploring the whole dominance/submission angle such a pairing would logically bring about. (On that note, its top Dean/bottom Castiel, just fyi) 
We got a healthy pinch of angst in the beginning and will end with fluff and a happy ending. And a metric fuck-ton of hurt/comfort, so if youre into that, there you go. (Seriously though, i made my lonely ass fucking depressed with this shit. Imagine having someone love you unequivocally for who you are, what a concept) 
I’ll wordvomit some more things here in no particluar order so you can get more of an idea of what you’re working with, as well as the very start of the story as a lil’ sumthin' to get you hooked.
If you are interested in helping me out, send me a DM with your email address and I'll give you access to the google doc! 
All the love!
Sarcastic Castiel, Booksmart Castiel, Angsty Castiel, Dean is an asshole at the start, He will do better, Character growth, Dean is a typical man, Dean is everything i want in a man by the end, Factually not very sound descriptions of working as a mechanic, All the smut tags, Seriously all of them, Sam is significantly younger than Dean, Emotional deepcuts, leaning onto friends, Hurt/Comfort, Writing this was a bit like therapy for me, Unspecified big city, Bitter Exes, Falling out of love, Unhealthy relationships with love, Toxic relationships, Explanations of A/B/O biology, The doctor does doctor things, I can’t think of more things right now, it's late, okay?
Heres the snippet:
Dean threw back the whiskey and sharply sucked in air as the liquid amber burned its way down his throat. The shiver running up his spine while the heat swirled downwards and pooled in his stomach was just what he needed. The confirmation that he could escape from himself, if just for a few hours. 
Usually, he didn’t run from his problems. He had always been the kind of man who pushed ahead, despite any and all obstacles obstructing his way. 
No matter what it was, nothing couldn’t be solved by simply running it over. Even if the resulting chaos kind of hurt.
But that was just how life was- in all its horrific and beautiful glory. It wasn't merciful with the blows it dealt, but it wasn't cruel with it either. A mostly neutral state of affairs, to be dealt with however one could or pleased. 
Which was healthy aggression in Dean's case.
At the end of the day, he'd rather do things that way than sulk in a corner, getting lost in the would haves, could haves, and should haves. Overthinking was the enemy of progress, and he hated nothing more than feeling stuck. 
He lifted his hand and signalled the barkeeper for a refill, not even bothering to call for the man. The music in this joint was cranked up way too high to verbally communicate with anyone who wasn’t literally right in front of you anyway. 
Although rather small, the establishment was positively drowning in people. It had startled him a bit, as this was a bar at the edge of town, and it wasn’t even the weekend or any holiday that would prompt this kind of crowd, but it was exactly what he had been searching for. 
Strangely, the building it was housed inside looked expensive as hell. Sleek and modern, like it had been built by some rich landlord to be rented out for ludicrous prizes. Which was why Dean had expected a relaxed lounge bar or something of the like. Not this madness. 
Well, under different circumstances, this probably was said lounge bar.
Right now though, every single table and booth was occupied, with lots more people standing around with drinks in their hands, making idle chatter that could only consist of short utterances at best. 
A dancefloor had established itself in the middle of the room where a shapeless amalgamation of bodies, clothes and hair moved along to the pumping music. 
From the few words he had been able to decipher as he had asked the barkeep about the occasion, it was some kind of motto-party. Something about 80s and 90s music-night that happened once a month. 
Most likely for the less city inclined folks to get their freak on, without having to go downtown and into an actual club. 
Dean didn’t really care, all he needed right now was to be around people. Be in the presence of other humans, be just one more face in the crowd. The feeling of overwhelming loneliness that had taken hold of him on his drive home had just been too much for him to spend the evening by himself. 
The houses and people had shot by, made to look flat and strangely lifeless in the mellow twilight of countless street lamps lining the road, when it had sunk its claws into him out of nowhere. 
So all encompassing, so vicious. As if it had waited for him to be worn out enough, skulked for the moment of weakness where he would not be able to restrain it anymore. 
Given how he had been living in the past year (and the years before that, if he was honest with himself), it wasn’t a complete surprise why he felt this way. But its intensity was still strange. 
It had quickly grown to be so unbearable that he had pulled over at the first opportunity and had fled into the night, searching for anything to distract himself with. Anything to not feel it anymore. 
Technically, he should really go home and sleep. There was an awful lot of work waiting for him tomorrow, and he would need to get to it as early as possible if he didn’t want to fall behind. But even knowing that, he couldn’t be bothered to care for the problems of his future-self right now. 
Another glass of whiskey appeared in front of him, and Dean picked it up with a thankful nod towards the barkeeper. It met the same fate as the first one immediately. Before the man could turn away to tend to the other people at the bar, Dean shoved the empty glass across the counter and motioned for another refill. 
The feeling of loneliness and anxiousness still circled his mind from the shadows he had forcefully banished it to. Prowling. Waiting for him to let down his guard just enough to pounce and sink its teeth into his neck again. He needed more to shut it out for good. 
“Someone’s motivated tonight,” the man laughed and poured more whiskey into the glass in a trained motion. 
“You know how it is, life’s a bitch and she’s not yet pretty enough for my taste,” Dean said with a crooked grin. He finally started feeling the buzz of the alcohol, and he was delighted by the sensation. It promised freedom. 
Dean chuckled along as the barkeeper laughed at his crude comment and took another sip of his whiskey. This time he savoured the taste while he turned and let his gaze wander over the crowd. Maybe he would find himself a pretty omega to distract himself with. It hadn’t felt like that kind of night at first, but the idea actually didn’t sound all too bad right now. 
What better way to get rid of pent up stress than to pound it away into a willing victim? It was what he did best, actually. Not that that was be anything to be proud of, really. 
Thankfully, that kind of relief wasn't exactly hard to get for him. If there was one thing Dean could count on, it was his looks to make anything of the like to happen, whenever he so pleased.
He didn’t think of himself as vain. But he knew that, objectively, he looked good. Apart from the plentiful statements from others that had echoed the notion over the years, the effect that a friendly smile combined with a flirtatious comment alone had on omega’s was proof enough. 
It wasn’t like he had an ego about it. A little one maybe. But he wasn’t about to complain about the fact that the genetic lottery had blessed him with good looks. And he wasn’t above taking advantage of the luck of the draw to satisfy his desires either.
Closing his eyes, he took a deep breath to get a general idea of what he had to work with. As much as he appreciated what his own looks did for him, he couldn’t give less of a fuck about those of others. It was a nice bonus at best, but what really counted was their scent. 
Anyone could be beautiful, but only few omega’s managed to entice his alpha on a deeper level. And if he was going to do this, he wouldn’t just take anyone with a pretty face. 
He would seek out someone who made his instincts rattle. Someone who triggered his primal urges to run away with him. 
Someone who would bring salvation from the melancholic maelstrom that still faintly threatened to pull him down into its depths. 
The flourish of odours and fragrances that hit his palette was a lot to take in. With so many people stuffed into this cramped space, the room was positively overflowing with airborne aromas. 
The sweet, flowery scents of omegas, the harsh, earthy scents of other alphas and the mellow, flat ones of betas. All of it, fused into the general smell of sweat, perfume and spent air. 
Dean let the concoction rest on the back of his tongue, searching. In this first breath, there wasn’t anything that piqued his interest.
Scent compatibility was technically not required for a hook-up, because there was nothing really wrong with any omega’s scent. None had ever been as boring as those of betas, or as passively acrid as those of most other alphas. 
But in Dean’s personal experience, only the owners of scents who truly stirred his alpha were the ones that he didn’t feel kind of empty with after the deed was done. 
If someone only met the basic requirement of being an omega, it would just be flesh on flesh, meaningless and depressing when the post nut clarity set in. And few things were less enjoyable than being knotted to someone for an hour, who painfully reminded him of the escapism he had just partaken in by merely existing. 
Dean kept searching, growing more disheartened with each breath. Of all of these people, no one smelled enticing at all. Was there truly not one omega here who suited his taste? 
He was about to give up and just accept that it wasn’t supposed to happen for him tonight, when something entirely different hit his palate. 
Something unique. And intoxicating. 
It had concealed itself behind the translucent curtain of scents, almost like it had been hiding from him. 
It was like one of those ludicrously expensive perfumes that didn't smell like much in passing, but revealed a deep and layered complexity once you really focused in on it.
A few more drags, and he was sure. It seemed like he was about to get lucky after all. 
Dean emptied his whiskey and pushed himself off the barstool, ready to track down whoever smelled this delectable, and make them his for the night.
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gorgojijijijito · 2 years
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thoughts on daughter of discord?
oh boy do i have thoughts
i only watched the full thing once with a friend so i dont remember all of it, but of what i do remember, 1. rarity was done even dirtier than BOD; 2. they were so mean to rarity's daughter for literally no reason???? she literally didnt do anything and they always called her a spoiled brat or smth??? i feel so bad for her; 3. yes most of my problems have to do with rarity - i hate that shes encouraged to stay with fancypants bc it was changelings making him look like he was cheating on rarity. like yeah girl you should talk to him abt it like an adult but YOU CAN STILL LEAVE HIM FOR BEING A SHITTY DAD TO JEWEL 😭; 4. hey dick cordddd ur still manipulative af; 5. YOURE TELLING ME THERES ONE QUEER RELATIONSHIP IN THE ENTIRE SERIES AND THEY DIDNT EVEN GET TOGETHER??? FOR A SUPER SMALL REASON COMPARED TO WHY OTHERS SHOULDNT BE TOGETHER???????? come on now; 6. get all the baby filler away from me rn why the FUCK did literally ALL of them have to bang except for ONE; 7. fuck outta here applespike
i think thats mostly all of my qualms with it, but other than that i think it was a good watch. it doesnt stay with me as long as BOD did (prob bc i wasnt able to watch all of it as a child) but i think romance-wise, this love story was LEAGUES better than the last one. also i like how it kind of repeats the same moral of the last one, but in a different circumstance that poses new pros and cons.
with BOD, discord was only one person. he was an all-powerful, godly person, but he was still one mind. the changelings in DOD, on the other hand, are an entire nation. this isnt the same "misunderstood outsider" trope that we see with zecora or discord, this is an entire species; one that even themselves believe is physically incapable of loving.
mothball(which is literally the cutest name for a bug-themed character ever) is first in line to lead his species, so you can imagine the expectations and resentment that come with that; he has barely any real support on either side, queen chrysalis being the only adult he can really emotionally rely on. this is what makes his inner conflict so interesting, his empathy constantly at odds with his mother's ideology and his own biological needs.
screwball is also interesting, considering her dad is the lord of chaos and ex-tyrant, and her mom is an element of harmony, kindness incarnate. it's a classic nature/nuture debate kind of plot, but with a twist in that both sides are her nature AND nurture, the only turmulous factor in her life being her environment only percieving the chaotic side; some of it isn’t unfounded either, as she obviously tends to gravitate towards discord more (which is normal, considering most kids tend to have a favorite parent anyway). even if i really dont like the enabling nature of dick cord and how fluttershy is a punching bag again, i find screwball’s concept endearing.
also she and mothball are like, actually adorable. i find it ironic that the canon characters were altered to make an insufferable couple and the basically OCs were the outstanding romance. unlike fluttercord’s REALLY disturbing power dynamic and coercion, screw and moth managed to balance each other out, and (lemme yell it for the ponies in the back) WERE BOTH WILLING TO BE TOGETHER 💥💥💥💥
theres also smth strangely nostalgic about their dynamic. screwball has been the outcast her entire life, her lineage and connection to discord subjecting her to a lot of emotional turmoil. the only reason she has a group of friends is because of her mom’s rank and social circle as well, i dont think she’s had very much room for change or fantasy when her parents were trying to heal the damage the circumstance of their meeting caused for equestria. falling in love with the prince of an enemy nation is cliche and basically copied off of the lion king 2, but i love it in that sense because its probably one of her first instances of living through what seems to be a fairytale. it’s a kind of yearn for teenage rebellion and unpredictability that she’s had to keep trapped within a swamp in the everfree for most of her life, but even though it brings her so much happiness to be with mothball, it also leads her into great danger that her upbringing didn’t prepare her for. she’s scolded for standing up to her bullies and scrutinized for the nature of her character, so what can she do when faced with her very own romeo & juliet tale while entire nations seethe above them?
oh also i love how they incorporated the changelings’ presences in the story before the mane six are aware of their threat, even calling back to mentioned conflicts in BOD. they really use their shapeshifting powers to the most in this installment, and i think the instance that hit me in the gut most is the romantic isolation of twilight. especially with the context that this series was created specifically for shipping; what an insidious thing to keep her from finding love along with her friends to keep her alone as everyone else creates families. i, as an aromantic person, also feel a form of anxiety knowing most of the important people in my life may drift away in the event of marriage and forming roots while i probably wont. so yeah imagine that but with a newly-immortal princess who actually WANTS a romantic relationship, with people who are revealed to be actively keeping one from her - thats gut wrenching for me to think about.
when it comes to the music, i appreciate the effort they put into making original songs, but i also am just. unable to appreciate them bc the changelings voice filter just diesnt translate well to music at aaaaaaallllll. which is a shame bc it stood out so much that i cant remember anything ABOUT the original music. im prob gonna try to see if theres any normal renditions of the ost after i post this but yeah
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hatecharred · 2 months
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since you posted about it what are your headcanons about dabi and bisexuality? has he ever had a boyfriend? how/when did he find out about his sexuality? that kind of thing 🐱
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I'm sure I made some sort of HC post about it at some point but I'm too lazy to go looking so like I'll just ramble about it shall I ? ; For Dabi he doesn't really "know" hes bisexual based on experience with men and woman as much as he suspects he just is and hes chill with that. While he doesn't have the "drive" to go out and attempt to get real life experience with sex and romance, he'd personally describe it as not really "caring" and thus that makes him Bi, y'know ? If that wasn't enough and he was asked why he thinks he could be bi if he's never been with a guy before ( provided he was forced to answer and someone knew to ask such a question in the first place ) he'd only have porn to go off so he'd probably explain it as something like he's seen girls get fucked and he's seen guys get fucked by other guys and he feels around about the same way about both things therefore hes gotta be bi. He's also come across guys he thinks are attractive. He wouldn't really try to make moves on them but if they made a move on him he wouldn't be upset about it, he'd just be awkward.
His preference is pretty boys because he does have some toxic masculinity issues from being someone who raised himself on the street and had to make sure he was always confident and strong and so projecting and protecting an idea of masculinity was important aspect of that and the threat to that was always being perceived as not masculine. Like its not a hard no on other types of men, he'd just need to know/trust them to actually acknowledge he's attracted to them if they were on the more masc side. He does not have the same issue with women, obviously. They can be as masc as they like, if they're hot they're hot, this said, though, he is not making moves. And he'd feel awkward if they did because he wouldn't fully believe its genuine. IDK CONTEXT would matter but in general Dabi's not looking and if a random person flirted with him of any gender he'd probably miss it or feel very confused and wouldn't believe they're serious. On another way weirder note: Dabi kinda finds anyone he could burn hot... ( Pun intended ) The more flammable someone is the better and I know this is really funny and insane because most humans are flammable, especially when it comes to Dabi, which in some weird way might contribute to his idea of sexuality and the perception that he's def bi. But sexuality and exploring it has been a really low priority in Dabi's life. Like, his living situation and his mental and physical health has kept this way out of his line of priorities. This being said if he had the chance to indulge his suspicion in a safe/comfortable way he'd probably take it, just for the sake of it, just for the new experience and the fact he's a sucker for feeling loved and wanted and desirable as an abandoned child who was victim of extreme emotional abuse and neglect and thus continually forced to feel like he was never any of these things to the point he was there contemplating suicide as young as 8, along with being disabled and disfigured as an adult so he is not immune to the fantasy of being wanted but he does have severe issues with shit like having kind of an anxious / avoidant attachment style so he'd be a real pain in the ass to deal with in a traditional relationship probably. Keeping in mind most people probably wouldn't expect their boyfriend/lover to have the issues Dabi has. Then theres the radical ideology, the suicidal ideation, the pyromania. Lots of fun if you're into fcked up little freaks but yeah, no, I think Dabi is kind of aware he could never have a "traditional" relationship with anyone, man or woman, regardless to being "interested" in both ( at least at this point in his life anyway, AUs/future verses might be different ) which is generally a bit discouraging on top of it all since "whats the point" but if he stumbled into something as weird and non-conformist as he is, and it got a chance to get off the ground he might not be so against the idea and it might alter his view of whether or not having a "relationship" is "worth" the "effort".
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