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theinfinitedivides · 11 months

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listening to the PS:2 soundtrack again in an attempt to bite the bullet and psyche myself up to watch both films back to back in August(? that's the goal at least, if i get to watch it earlier even better) and i have been stuck on Veera Raja Veera for an hour and a half. i have also figured out my personal ranking for all versions of the song at last and it went about as well as i would have expected. it started to get too long for the f*cking tags tho so i decided to put in this post, we'll see how it goes from here—list is in order from least liked to most liked btw

5. going to start this off by saying i'm so so sorry to Gulzar but it's something about the rhythm for me. the lyrics are lovely but the way they are lining up with the music in the Hindi version,,,,,,, or failing to in certain parts,,,,,, it's not it. it's not it. it does well in the first minute or so and then heads downhill from there, and tbh it's not his fault i think it's just the sheer amount of syllables that they have to fit in compared to the original? and with that in mind it's not going to sound the same, obviously, but what salvages it from being a complete disappointment is the way we got both Shreya Ghoshal and Kavita Krishnamurthy as a duet in this year of our Lord 2023. Kavita, who still sounds the same as she did on the Dil Se soundtrack singing Satrangi Re and the Hum Dil De Chuke Sanam soundtrack and the Devdas soundtrack and the Yaara Dildaara soundtrack and the K3G soundtrack with Bole Chudiyan and Shreya Ghoshal who is a pleasure to listen to on practically everything she touches (Bajirao Mastani and Rab Ne Bana Di Jodi and that aalap just before her verse with Kavita here i'm looking at you) and— *inhales* *exhales* ok. do appreciate them letting Kavita take the 'चुन चुन चुन चुन / जाली रे जाली चिंगारी' portion in the Hindi translation bc she sounded beautiful there. (she always reminded me of Lata in that regard i think, and for some inexplicable reason i've by extension connected the two of them to Zohra Sehgal in some of her roles)

favorite line — 'दुश्मन पे टूटे जब | बिजलियों का वीर' / 'dushman pe toote jab | bijilyon ka vaar'. this is one of those times where the rhythm works in their favor and works well, and it leads perfectly into the rest of the verse imo. also @ that one guy going 'योद्धा~~' / 'yodhaa~~' at the very end of the song ty for your service

3. in contrast to the rhythm problems of the Hindi the Kannada recording is very smooth? i don't know if that makes sense as someone who doesn't speak the language but it's like water. like water in a stream just one after another going over the stones in the riverbed as it passes or the waves lapping against the side of the ship or the gentle sound wind chimes make when they hit against each other in the lightest breeze—the phrasing doesn't feel forced (ty Jayant Kaikini sir) and the syllables match the music as well as the original. ofc Rakshita Suresh and Sivasri Skandaprasad have a part to play with their solos in this sounding as good as it does, despite its ranking on my list (which will be explained in the next entry), and while i expected nothing less from Rakshita after Kirunage, this is the first i'm hearing from Sivasri and she blew me away. i had to listen to it several times to be able to tell them apart, and i might still be wrong bc their voice color is very, very similar, but they took what Rahman gave them and made it their own. (is it Rakshita that starts and Sivasri that continues? i'm thinking that it alternates between them with Sivasri ending that portion)

favorite line — 'ಮಳೆಗರೆವಾಗ ಬಾಣ | ಅಡಗಳು ಎಲ್ಲಿ ತಾಣಾ' / 'malegarevaaga baana | adagalu elli thaana'. this is where the river analysis stands out to me bc this feels like putting pebbles said river into a tumbler and rolling them over and over until they come out smooth and polished and just. right. (i am using the word smooth a lot to talk about the Kannada version sksksksk but can you blame me)

3. technically Malayalam and Kannada tie for third place on here (there is no fourth place. there is 4.75th place rounded up to fifth place and that belongs to the Hindi entry as previously stated) but Malayalam has the slightest edge for me. in terms of sound/pronunciation it's the closest to the original—i know most scholars believe that Malayalam descended from Tamil and split early on, so that might have something to do with it, but it sounds like a perfect cross between the flow of Kannada and the strength of the Tamil and ugh. pair that with Srinivas featuring and Shweta Mohan taking on that solo (by herself!!! and eating that sh*t like it was a duet!!!) and Rafeeq Ahamed as the lyricist and i play it almost as often as i play the original. (i was almost half expecting to hear the extension at the end in this version, that's how good it was)

favorite line — 'കടലിൽ ചുഴലി പോലെ | തവ നൗക കളിരമ്പി' / 'kadalil chuzhali pole | thava noukakalirambi'. i am in love with what Shweta does here, especially with the latter half of the line ('... നൗക കളിരമ്പി' / 'noukakalirambi') since she just heads straight into the 'വൻകടൽ...' and for some reason that is so auditorily pleasing to me. i don't have any rational thoughts behind that that's just how it is. her aalap before her verse is also breathier/softer than Shreya's if that makes sense but it fits her perfectly

2. Telugu. holy f*ck, Telugu. you put Shankar Mahadevan (i don't think i've ever heard him sing a bad song. ever. at least not what i've heard) and Chinmayi (Tere Bina???? Mayya Mayya???? Titli???? i'm still not over any of them from her????) in the same song you make every f*cking verse rhyme almost exactly courtesy of Chandrabose if Kannada is the sound of water then Telugu is pure silk and honey and the feel of something melting in your mouth and you expect me to stay alive? the actual f*ck? admittedly i may be biased bc one of my OCs is Telugu and i have been putting Telugu covers from my Bollywood playlist on loop for inspo but uh Rahman what the f*ck. what the f*ck am i supposed to do with that kind of genius

favorite line(s) — 'సమరం శ్రుతించైరా శిఖరం స్పృశించైర' / 'samaram shruthinchaira shikharam spushinchaira' & 'విధిగా తెగించైర | విధినే వదించైర | విలయం దరించైర | విజయం వరించైర' / 'vidhigaa thegincheyraa | vidhine vadhincheyraa | vilayam dharincheyraa | vijayam varincheyraa'. the f*cking alliteration? hello? also the 'veera raja veera' at the end of this version in particular gives me full body chills bc there is someone going up with the harmonization every time there's a new line. i don't know who it is but he's (they're? could be multiple vocals) going up and i am crying shaking throwing up on the floor having a spiritual experience etc etc

and finally 1. the top spot. the place where everything has been leading through this long ass piece that i have put you to suffer through

and ykw Tamil is pretty much self-explanatory i think: we bring Shankar back as we should but this time K.S Chithra (Asoka!!! Main Prem Ki Diwani Hoon!!! Bombay and Thoda Thoda from Indira/Priyanka and the live version of Jiya Jale that Rahman did in Dubai!!!) and Harini (also sang for Indira/Priyanka and featured on Varayo Thozhi from Jeans) are with him and Ilango Krishnan's lyrics take over and flatline me on the f*cking operating table. before it flatlines me however i break into goosebumps every time i hear it start, bc lbh it is impossible not to when you have the f*cking vocals coming in like 'காணீரோ? நீர் காண் | சோழ வெற்றி வாள் ஒன்றை காணீரோ? | ஓ அழகிய பூவே! செல்லுதியோ | மலரிடு போ சகி!' if you stay sane during that opening you are a liar get off my feed unfollow and block i don't want you anywhere near me for the next six years or however long it takes Mani Ratnam to make his next masterpiece. no coherent thoughts head empty MV playing on loop he and Rahman own me now they have the copyrights

favorite line (had to split everything into two blocks bc Tumblr was tryin to f*ck up my sh*t) — 'எம் தமிழ் வாழ்க வாழ்க! | வீர சோழம் வாழ்க! | நற்றமிழ் வாழ்க வாழ்க! | நல்லோர் தேசம் வாழ்க!' / 'em thamizh vaazhga vaazhga! | veera sozham vaazhga! | natramizh vaazhga vaazhga! | nallor thesam vaazhga!'. technically this isn't my favorite favorite line bc i have to do a seperate ranking for that below + it's exclusive to the Tamil version and i am trying to make this a wholistic review but. it's f*cking up there let's just say that. i think i mentioned in the tags of a different post of how i've been doing genealogy research and (in the process) tentatively confirmed the possibility of there being some South Asian descent from my dad's side, specifically Tamil or Telugu based on the stories/timeline of French occupation in the Caribbean and portions of the Indian subcontinent, and there's something in me that shifts every time we get down to the last twenty or so seconds and this hits. i don't know what it is, truly—maybe the remnants of the genes of my ancestors and their pride for their land, their language—but it's there and it's loud and if it's the right day at the right time i will start crying btw. full on sobbing like a little bitch. you didn't ask but i told you anyway

after all of *motions* that, i am also offering a bonus ranking of the section of VRV that makes me rewind every f*cking time it comes on in every language, bc it featured heavily in creating my eventual rankings and i would be remiss to not mention it. so here have this additional dive into my thought process during these trying times of hyperfixation rip

'आंधी से तेज़ | तूफ़ान से तेज़ | चुन चुन चुन चुन | जाली रे जाली चिंगारी | अंग अंग अंग अंग | लागे रे लागे अंगारे' / 'aandhi se tez | toofaan se tez | chun chun chun chun | jaali re jaali chingaari | ang ang ang ang | laagey re laagey angaare', Hindi — still at the bottom of the list here, but the inflection during the repetition ('chun chun chun chun' and 'ang ang ang ang') salvages it somewhat. nothing else to say it about it otherwise, since i already addressed Kavita's voice here earlier

'വാക്കാകെ നീ കാറ്റാക നീ | ശര ശര ശര ശരമേയ്ക | വേൽമഴ നെയ്തിട് | റ പറ പറ പറ വിറകൊൾക | പായട്ടെ പായ്വഞ്ചികൾ' / 'vaakkaaka nee kaattaaka nee | shara shara shara sharameyka | velmazha neythidu | para para para para virakolka | paayatte paayvanchikal', Malayalam — taking that third place as always, but its tied partner in the general rankings is higher up in this list for a change. i think the very last part ('പായട്ടെ പായ്വഞ്ചികൾ' / 'paayatte paayvanchikal') is what throws me off tho bc of the way they distributed the line, since on the first listen i was expecting them to go 'paayatte paayvan-chi-kal' and they chose 'paayatte pa-ay-van-chikal' instead. it's not like it decreases the overall quality of the song or anything it's just a very specific hang up i have. who knows maybe my preferred pronunciation would have f*cked with the meaning and we do not want that

'సుడిగాడ్పులా అడుగేయరా | సర సర సర సర | శరమే తనువే తాకగా | చర చర చర చర | చెలరేగాలి వేగంగా' / 'sudi gaadpulaa adugeyyaraa | sara sara sara sara | sharame thanuve thaakagaa | chara chara chara chara | chelaraegaali vegangaa', Telugu — this ties with Malayalam for third place and, much like it, my quirk is specfically with the last part ('చెలరేగాలి వేగంగా' / 'chelaregaali vegangaa'). my preferred is 'chelare-gaali ve-gan-gaa', they gave me 'chelare-gaa-li ve-gan-gaa'. again, not an issue, this is just me, i'm sure they knew what they were doing otherwise they wouldn't have recorded it like that in the first place

'ನೀ ಜ್ವಾಲೆಯು ನೀ ಗಾಳಿಯೂ | ಸರ ಸರ ಸುರಿವ | ಮಳೆಯಂತೆ ಶೂಲಗಳು | ಭರ ಭರ ಭರ ಭರನೆ | ಭೋರ್ಗರೆವ ಪಂಜುಗಳು' / 'nee jwaaleyu nee gaaliyuu | sara sara suriva | maleyanthe shoolagalu | bhara bhara bhara bharane | bhorgareva panjugalu', Kannada — there are at least two portions here that sound eerily similar to the original and that is why this version has moved up to spot two. it takes that water comparison i made and uses it to its advantage so much and it rotates in my mind like a rotisserie chicken at just at the right angle and it's just!!!! it's just!!!! God pls keep me from putting this in my mouth and biting it's too good

'கூற்றாகிச் செல்... | காற்றாகிச் செல்... | சர சர சர சரவெனவே | மழை தான் பெய்திட | பர பர பர பரவென | பாயட்டும் பாய்மரம்' / 'kootraagi sel... | kaatraagi sel... | sara sara sara saravena | velmazhai thaan peidhida | para para para paravena | paayattum paaimaram', Tamil — when this hits i blank out and come to at random intervals. cannot pinpoint the time the place etc but it happens and when it does i go f*cking feral. this one i am indeed putting in my mouth and biting bc the entire thing from 'para para...' onwards??? more alliteration more alliteration more f*cking alliteration. i remember someone making a post on here that said that certain parts of VRV sound like pearls bouncing off of the floor (was it @mizutaama? i apologize for the tag but i think that was you) and i think this is what they were referring to but my ears are that f*cking floor. i thank God every day for that

anyway mutuals (and non-mutuals who are just as obsessed about PS as i am) i'm sorry for clogging your feed with my opinions on a film i haven't even watched properly, pls feel free to roast me about my ranking choices. or agree but it doesn't really matter at this point bc even tho i could be talking out of my ass in terms of actually speaking said languages (i,,,,, do not unfortunately) i've said what i needed to say sksksksk

#film: ponniyin selvan ii #ponniyin selvan ii #ponniyin selvan: ii #ps:2 #ponniyin selvan #veera raja veera #jayam ravi #sobhita dhulipala #mani ratnam #a.r. rahman #kollywood #tl:dr: local gay takes that specific 'கூற்றாகிச் செல்... / காற்றாகிச் செல்...' section of Veera Raja Veera #and uses it as the base for their personal ranking of all five versions solely based on how it is translated and sung #writes an essay about it chooses their favorite lines from said versions that are not That One and posts it to tumblr.com .txt #look!!! i actually dragged myself away from streaming Shinee long enough to complete this thing that i've had #sitting in my drafts for weeks (the language analysis that is)!!!#it is f*cking hilarious at this point simply bc this is nowhere near the order of the rankings for Ponni Nadhi #like the list for that is upside down. dare i say inverted almost #i might do something for it as well in this same format idk but #doing this for VRV made me realize that every other language (except Hindi bc they have a diff version of the line)#pronounces 'soora' as 'shoora'. i think Malayalam's 'shoora' is the least pronounced and is almost ambiguous. almost not quite #you could mistake it for 'soora' but there's just enough aspiration(?) there to tell you that it's not. Telugu's 'shoora' too #the aspiration almost completely disappears when listening on Spotify it's much more prominent on Youtube #this feels like i should have posted it on my studyblr but i think i'll just reblog it there instead

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theji · 3 years

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我的世界守则 The Rules of My World: An Analysis

I came across this video while browsing Weibo last night. It was taken during Yibo's rehearsal for his 'The Rules of My World' performance. I've listened to the song countless times and I like it, the rhythm and all, and the dance. But as with many rap music, I don't pay attention to the lyrics. I suddenly realised I don't really know what the song is talking about, save for the few phrases that stood out. That sparked my interest and inspired today's post. I had previously done some analysis of Zhan's songs, so it's Yibo's turn.

Disclaimer: I am not a professional translator or lyricist. And obviously I'm not Yibo nor do I know him personally, so I can't say for sure what the song is really about. The following analysis is purely based on my personal interpretation. It has CPN components. Please skip if you don't believe that BJYXSZD.

'The Rules of My World' is the 2nd song that Yibo penned the lyrics to himself. The fact that he wrote the lyrics is significant and makes the song worth analysing. 2019's 'Wu Gan' was more 'inward-looking'; about Yibo expressing his own thoughts on navigating the entertainment industry. To me, 'The Rules of My World' is him making a statement, a stand, at the same time, he's sending a message to those he cares about - GG and his (real) fans. Yibo released this song on 30 Dec 2020. The timing is interesting cos it like he's summing up his sentiments based on the events that took place during the year. To outsiders, 2020 was a good year for Yibo. He had many endorsements, projects, high exposure, his commercial value rose. But in CPN reality, 2020 was terrible for so many reasons. GG's incident, him being overworked, crazy fan wars and antis etc etc..anyone who cares about Yibo would be delusional to think he had it good last year.

欢迎你们来加入我的世界 (You're welcome to join my world)

入场券上面有正义的光源 (There's a light of justice on the admission ticket)

DD is giving fans an open invitation to enter his world, to understand him as a person and not just an idol. And he also hopes that his world can bring some light to the fans' world, to bring some positivity, encouragement and guidance to them.

此生面对严厉又仁慈的一切 (In this life we'll face harshness but also kindness)

轻松一点，我们一起度过黑夜 (Just relax, together we'll overcome darkness)

In the entertainment world (or life in general), there will be ups and downs, criticisms and compliments. Regardless of what may come, we can overcome any challenges together. Darkness here could also refer to the antis who seem determined to bring GGDD down. This could be a message to fans - to tell them that they don't always have to rush to defend him, and they don't need to retaliate (aka fan wars). It could also be a message to GG, to make a stand of solidarity and to reassure GG that DD will face any challenges alongside him.

新的征途 (A new journey)

愚蠢的，不好相处 (These fools, they aren't easy to get along with)

愚蠢的，不会打住 (These fools, they won't stop)

但衬托明天更耀眼的路 (But they will set off a brighter path for tomorrow)

It was said that DD matured considerably after the 2*7 incident. Took up more responsibility, became more focused on his career and mindful of future advancements etc. Started to take on more serious acting projects and to shift his career trajectory towards something more sustainable and less 'idol'. The new journey could be a reference to this new path. The fools - the antis, those against GGDD - may have caused damage but their actions have also sparked off DD's desire to do better and to find his footing in the entertainment industry. He now has a clearer view of what he wants, the path he wants to take.

我是我的样子 (This is how I am)

我生来就固执 (I was born stubborn)

讲自己的故事 (I'll tell my own story)

活独特的气质 (Living my unique self)

Follow me, 找到自己的价值 (Follow me, find your own value)

不去迎合别人活才会觉得有意思 (Life is interesting if you don't cater to others)

我的世界不退让 (It's my world I won't give in)

Here, DD is being assertive. This is me, I follow my own rules, I'll make my own decisions, I'll forge my own path, I won't be influenced, I won't give up on my beliefs. So antis, capitalists etc can f*ck off.

It could also be seen as an advice to his fans - to follow his lead and live their own lives. This is also something that GG has repeatedly said to fans - to focus on their own lives, personal relationships, studies, careers etc. Don't devote so much time on chasing idols, online fan wars etc.

阳光耀眼 (The sun is dazzling)

乐观地，走向前 (Just move forward with optimism)

阳光耀眼 (The sun is dazzling)

无所谓，多危险 (Doesn't matter how dangerous it is)

阳光耀眼 (The sun is dazzling)

这是我的世界 (This is my world)

我世界的守则，不许你诡辩 (These are the rules of my world, I won't allow any sophistry)

I see this as DD's words of encouragement, to himself and to GG. Despite all the challenges and hardship, darkness will pass and the sun will come out eventually. And it's shining brightly, there is hope left in this world, there's is much to look forward to. So don't fear, be brave and forge ahead.

Sophistry: the use of clever but false arguments, especially with the intention of deceiving

Poor DD is always hit with industry rumours, about him dating his co-stars etc. Last year, someone even made a false police report against him. Just look at the number of statements his company had to put out. There have also always been ongoing rumours about rivalry between GGDD, tales of backstabbing etc, especially in 2020 at the height of the incident. DD is saying that this is his life, his world. No one knows better than the both of them. So to those who don't know better but continue to spew nonsense about his life and relationships and spread hate, know that I don't care about your antics, they don't hurt me but I won't tolerate them as well.

在我世界行走 (Walking in my world)

什么人生主题你透露 (What kind of life theme do you envisage)

是胆大勇猛所向披靡 (Is it to be bold, courageous and invincible)

或胆小逃避钻进壳里 (Or to be timid and escape into your shell)

喧闹倾诉众人party (Is it to pour out your troubles at a rowdy party)

寂寞相思不停地哭泣 (Or to cry silently non-stop out of loneliness and love-sickness)

都欢迎你来我这里 (All are welcome)

只要跟从自己的内心 (So long as you follow your heart)

跟限制和噪音说一声 bang bang (I'll say 'Bang Bang' to restriction and noises)

怪兽都退散 (Monsters, be gone)

What kind of person am I in your eyes? The cool guy or soft sweet babie Yibo? Here, DD is acknowledging that the public has many different perceptions of him, and fans love different personas of him and he's ok with that. But if you love him, then let him be. Don't try to restrict him, don't quarrel or force him into a certain mould of your preference. He won't hesitate to shoot the haters (monsters) down.

迈出轻盈的步伐 (Take a light step forward)

一声令下 (With a single command)

来宣布告别孤勇 (To announce a farewell to having to fight alone)

On this new path, with a new-found realisation of what he wants, DD is clear of what he wants to achieve and he is no longer burdened by fear, uncertainties etc. Both GGDD now have each other by their sides, they share a common purpose as they navigate the intricacies of the entertainment industry together and work their way to the top. And I think this is something that we're seeing more in the fandom since end 2020 - GGDD seemingly becoming more bold in their actions and messages they put out (silent or otherwise).

想要做盘旋的龙 (Wanna be a hovering dragon)

还想做懒散的虫 (Or a lazy worm)

别打扰我走开没空 (Don't bother me, go away, I have no time for that)

In public, DD is that proud and confident king. He's not a pushover. But behind the cameras, he just wants to chill and relax (and play games). Please don't bother me, give me some privacy to lead my own life, don't tell me what I can or cannot do.

Cue DD's message. He meant it.

Follow me, 找到自己的价值 (Follow me, find your own value)

不去迎合别人活才会觉得有意思 (Life is interesting if you don't cater to others)

我们永远不退让 (We will never give in)

This is a repetition of the earlier verse but what has changed is the last 2 lines. From <It's my world I won't give in>, DD now says <We will never give in>. This was actually the first thing that sparked off my CPN, and hinted to me that this song concerns GG in some ways. Who's We? We all know how GGDD almost always use the word 'we' in their CQL promo interviews and bts, as though they come as a package and all views represent both of them as a entity. This also echoes the earlier sentiments - both of them, after the 2020 incident, have developed a steely resolve. They won't let the antis or challenges or societal views hold them back anymore. Their world, their rules. They will fight for their rights and what they believe in, and they are determined to reach their goals.

阳光耀眼 (The sun is dazzling)

乐观地走向前 (Just move forward with optimism)

阳光耀眼 (The sun is dazzling)

无所谓多危险 (Doesn't matter how dangerous it is)

阳光耀眼 (The sun is dazzling)

这是我的世界 (This is my world)

我们的世界不会被改变 (Our world will never be changed)

Again, similar to the above 'we' example. From this part of the song onwards, DD is referring to them both. The last line could also be viewed as an affirmation of GGDD's commitment to each other. Whatever is it, our relationship will not change. We will go through it all together.

Don‘t stop, get it, get it

Let me see you work up on it

Don’t stop, get it, get it

Let me see you all up on it

Let me see you work up on it

Don‘t stop, get it, get it

Don't stop

Hey

I interpret this as DD's words of encouragement to GG. Like don't stop fighting, continue to work hard towards your (our) goals. Go for it, you can do it!

在我的世界 (In my world)

本能很关键 (Instinct is the key)

坚持自己 (Stay true to yourself)

就是你们的世界 (It is your world)

DD's parting words to fans: to stay true to oneself, to build and enrich your own worlds, to fight for your goals, like how he is trying.

Well, I had fun working on this. Maybe I'll do Wu Gan another time. Reminded me of literature class during my schooling days, although I never did Chinese literature back then. Feel free to share your thoughts on the song with me. =D

#wang yibo #bjyx #bjyxszd #yizhan #the ji's song of the moment

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phoneybeatlemania-bit-the-dust · 3 years

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I’d disagree with the anon that Paul was “incapable” of love, but I do agree he was very distanced, and pretty cruel (to women) when he was younger. (It was unfortunate they bought into the love at first sight myth, but he was also a charmer, and dropped affection and got colder after fucking them.)

But I just can’t see romantic interest on Paul’s end. I’m sure he loved John, but a lot of the “sexual/Romantic evidence” really can just be as construed as platonic love. I feel there may be some confirmation bias looking for “clues”. (Not an attack on anyone, but some of the analysises seem to try too hard, really).

He does make references, with the whole “calling him babe during concerts”, and “in bed” but that could just mean he’s not uncomfortable with coming off “gay”. He has a quote about it somewhere I think. He’s supportive of the community at any rate.

This is kind of my own bias, but at times I think he…plays it up a little during the present day? Again, I’m positive he did love John a lot, but with how he is, a charmer, good at manipulating his image, he knows there is a benefit to building up the “magical” Lennon McCartney dynamic. John’s dead, and the old conflicts have faded, so he has no reason not to. I don’t think he’s anti-social, or a psycho or anything, but he certainly does put a lot of thought into his image, especially now, with how he wants to leave his legacy.

I’m less knowledgeable about John, and the speculation about his mental illnesses, but on his end, I can certainly see it. Maybe he’s just blind, but the looks are very much…yeah. He does seem to rely Paul a lot, and hold him in very high regard (REGARDLESS of what those old male biographers might make of him). You just know he was suffering over Paul, poor bastard.

Not sure if anything happened. I think Paul knew though, and either ignored it, or was kind, knowing John wouldn’t act on it. OR he didn’t notice! With the whole “we shared beds A LOT. you would think he’d make a pass at me, darling~”

I guess that’s how I see it. I don’t really have strong feelings on the nature of their relationship, or want them to be “confirmed”, so I try to be as objective as possible! Not a shipper, but not a male biographer. In fact, I was very put off learning the ship was a thing at first! With every fan base “having to” ship the main male leads, that’s what I thought this was. But after three years, reading actual books, primary stuff, I’ve began to change my mind on its legitimacy, and this was my conclusion. But new information can always change!

(Sorry for the long long analysis, god! I just took my adderall and I should go eat! Feel free to block me for spam/harassment.)

Yeah, this is basically my big mclennon dilemma: did Paul love John?

Of course he loved him, but I mean did he harbour any homosexual feelings towards John - and I just go back and fourth on that a lot.

In my last response to an anon I wasn’t necessarily trying to argue that Paul was romantically/sexually attached to John, because all in all, I don’t believe he did - but it probably came off that way because I didn’t particularly like the way the anon had phrased some stuff (like calling him “a master manipulator” and “incapable of love”) and so I just sort of wanted to show that the relationship was more nuanced then just “john was simping for paul”. My overall point with that response was more so that whilst I think Paul struggles in showing real affection and emotions, I don’t think he was incapable of love prior to Linda. I think he did really love John (in whichever form of love you want to take it: romantically, platonically etc.)

And so my point I guess wasnt so much that Paul was always capable of love (because I think he did at least love his family, his close-friends, probably Jane etc.), but maybe more so that he was always capable of intimacy with another person, though he struggled with it.

But yeah, he was quite cruel to a lot of the girls he slept with in the 60s, but I wouldn’t say that suggests he was incapable of love (i know thats not what you’re saying but other people might interpret it through that lens) I would just say he was young, dumb, ridiculously rich and famous and not emotionally mature enough yet to really empathise with most of those girls. Not trying to completely excuse him, but like, i dunno, i always just try to view people from the most human perspective. Everyones an twat sometimes yknow

I also really struggle to see romance on Pauls behalf towards John - the only times I think “wait but maybe he did fancy john back” is when I read some of his lyrics (like in ‘Coming Up’, ‘Yvonne’s The One’, and to some extent ‘Here Today’ - though I think interpreting Here Today as strictly platonic love is still a valid interpretation). I mentioned this in a different post though, that analysing his lyrics just isnt particularly convincing for me, because it feels more like speculation - and also as someone who does write songs, I know that a lot of lyrics just arent as deep as we wish they were. It is really difficult to be truly introspective and honest in a song, without exaggerating or hyperbolising or fictionalising any autobiographical aspects.

I do see your point with Paul possibly playing up the “Lennon/McCartney m a g i c” - im not entirely sure how much I agree, but I do agree to some extent. I think he’s always been very image conscious, and being in what is probably the all-time most famous pop band definitely wouldve heightened that. Even as a teenager I think he’s always just had this natural charm about him, and that tends to stem I guess from a need to be liked; I think you can see it in every interview he’s ever done to be honest. Its not necessarily a bad thing, (because id take a charmer over a rude knobhead any day) but I guess it sort of just shows that Paul is flawed like everybody else. Also, just read @mothernatures-sons tags and I agree with her - Paul just knows when to be a nice person! Nothing wrong with that! It isnt manipulative like the last anon suggested, its just how most people are: polite :) Ive heard a lot of anecdotes from people who have worked with or met Paul and the majority of them say he was a just a nice guy. Not saying he was never an arsehole (cause yeah he was pretty cruel to those girls in the 60s) but I think overall, hes a pretty good guy 👍

On the other hand though, you could also say that superficial journalists are looking for superficial answers - and Paul knows what the people want to hear. But occasionally ill hear an interview that does seem more intimate then most - I havent listened to it in awhile, but the interview he did with Sean I remember felt more honest to me then most. And when he said he’d like to spend the day “in bed” with John, to me that felt like a genuine and fitting response. Because, whilst it has sexual connotations, it also just feels like he’s saying he’d just like to sit around, chat, dont chat, just whatever with John for a day. Like he would just like another moment of intimacy with him.

I think we are pretty much in agreement on most of this though! At first I was also like “nah, mclennon isnt real, teenage girls just love shipping guys!” (I am a teenaged girl and I can confirm this lol) but then it just sort of became apparent to me through reading more and more about their relationship that there probably was something more on Johns behalf. If John wasnt in love with Paul, then it feels as though a lot of things he said and did just dont add up (the big one for me is him marrying Yoko so soon after Paul married Linda - like I really cannot come up with a heterosexual explanation for that!)

But when it comes to Paul, though ill have moments of doubt, I dont think he was in love with John (homosexually) and I do think a lot of the evidence on Pauls behalf seems like a stretch (but like you, im not having a go at anyone, because I understand that it is easy to carried away, plus its fun - but realistically, most of Pauls evidence just is not convincing to me). He’s comfortable with his sexuality, and I really do try to respect that and not force a gay interpretation of quotes or songs from him, unless it is genuinely making me question his sexuality and mclennon.

PS dont worry, I didn’t take this is spam at all!! And also, I would never block someone just for disagreeing with me! I enjoy discussion and I think its good to engage with people who disagree with you! To be honest, id only block someone if they were purposely being a real arsehole <3

#mclennon #discussion

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howaminotinthestrokesyet · 3 years

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When It Started: Julian Casablancas

The Strokes lead singer was born on August 23, 1978 in New York City. His father John was the founder and owner of Elite Model Management, while his mother Jeanette worked as a Danish model and former Miss Denmark. At the age of eight, his parents would divorce. His mother would later marry painter Sam Adoquei, who heavily influenced the young Casablancas by introducing him to classic rock artists such as the Doors. Julian has several half brothers and half sisters through his father’s multiple marriages. The future frontman of the Strokes would attend a variety of schools throughout his early life, which led him to meet many of the future members of the band through schools such as Lycée Français de New York, the Institut Le Rosey boarding school in Switzerland, and the Dwight School in New York. At the latter, Julian would start to informally play music with Nick Valensi and Fab Moretti, which ultimately was the beginning of the Strokes. The singer would never finish high school, but did receive his GED in place of it. He would later attend music classes at Five Towns College, which became the very first time that Casablancas actually enjoyed going to school.

Throughout the history of the Strokes, Julian has served as the principal songwriter for the group. Some have said that he would insert a large measure of control over the music, but he and other members have said that does not seem to be the case anymore. Each member of the group brings their own ideas about future songs, then the band decides what to use and what to discard. Nick Valensi would say this about the singer. “His ear is so sharp. He's the one with the ear for detail in this band. Creatively, he is a force to be reckoned with." In 2009, Casablancas released his first solo album entitled Phrazes for the Young through RCA. He would talk about releasing music as a solo artist versus material from the Strokes. “It’s like touring with me or with five of me." The singer would also go on to say that as a solo artist he is able to experiment with his music and lyrics in ways that he would probably avoid in the Strokes. He has always been quite adamant the brand name that is the band should be protected. The title of the album had been inspired by the Oscar Wilde book, Phrases and Philosophies for the Use of the Young, while the album itself embraced a very 1980’s new wave sound that had a heavy emphasis on the use of synthesizers. He talked about this new direction in his music. “I would've gone weirder with the music, but I wanted to be smart. I didn't want people to say, 'Okay, this is his weird abstract thing,' and dismiss the album. I worked too hard on it for that to happen... I wanted to be crazy original and bridge the gap between traditional music and modern music." The LP would be recorded in New York and Omaha, Nebraska with producer Jason Lader and some additional assistance from Mike Mogis of Bright Eyes. A tour would follow the release with a backing band called the Sick Six including Jeff Kite (keyboard), Nelson London (synthesizer), JP Bowersock (guitar), Danielle Haim (percussion) and Alex Carapetis (drums). The first major shows in North America took place over the course of a month at the Downtown Palace Theater in Los Angeles. This venue had been previously used in the Michael Jackson “Thriller” music video.

In 2013, Julian began another side project called Julian Casablancas + the Voidz. Other members of this new band included Jeramy "Beardo" Gritter and Amir Yaghmai on guitar, Jacob "Jake" Bercovici on bass (as well as synthesizer), Alex Carapetis on drums and percussion, and Jeff Kite on keyboard. In 2017, the group wanting more recognition as a band rather than a side project changed its name to simply the Voidz. The goal of the group was to create music that represented a quality of being both very aggressive and quite complex. As lead vocalist and songwriter, Casablancas began to explore musical scales within Middle Eastern music, not any traditional Western scales. Jake Bercovici has said, they are interested in “exploring [music] from the margins.” The singer looked upon the group as a vehicle in which he could create music that embodied characteristics much more experimental than anything that the Strokes ever offered. Their debut album Tyranny was released in September 2014 through Casablancas’s own record label, Cult Records. The album would also feature an 11 minute single entitled “Human Sadness,” which Julian actually wrote originally for a short documentary film about his stepfather, painter Sam Adoquei. Their second album would be released in March 2018 entitled Virtue, which took on a much stronger political point of view emphasizing the paradox between truth and lies.

Over the years, Julian has collaborated on a number of tracks with other artists. In 2006, the Strokes teamed up with Eddie Vedder and Josh Homme for a cover of “Mercy Mercy (The Ecology)” by Marvin Gaye. On the track, Vedder sang backup vocals, while Homme would play drums. In 2008, he recorded a collaboration with Pharrell and Santigold for Converse on a track called “My Drive-thru.” In 2009, the singer lent his vocals to the comedy trio the Lonely Island for a parody song on their debut album Incredibad called “Boom Box.” The Strokes frontman would later record a cover of another Saturday Night Live parody, “I Wish It Was Christmas Today.” He would eventually perform the song live with Jimmy Fallon, Horacio Sanz, and the Roots on Fallon’s talk show. In 2010, Casablancas sang vocals for the track “Little Girl” on the 2010 Sparklehorse and Danger Mouse album Dark Night of the Soul. In 2011, Julian performed the song “Rave On” for the release of a Buddy Holly tribute record. In 2013, he would also provide vocals, lyrics, and guitar to the Daft Punk song instant crush on their 2013 record Random Access Memories. The album would go on the win the Grammy for Album of the Year, which he would receive recognition for his work on it. In 2015, Julian created a cover with Jehnny Beth of the 1983 song Boy/Girl, which would be released through Cult Records. In 2016, he would also provide covers for the soundtrack to the HBO series Vinyl performing three tracks by the Velvet Underground, “Venus in Furs,” “Run Run Run,” and “White Light/White Heat.” That same year, the singer would pen a song for Har Mar Superstar on his album Best Summer Ever entitled “Youth Without Love.”

In 2009, Casablancas started his own music label, Cult Records. The company currently includes a roster of The Growlers, Har Mar Superstar, Songhoy Blues, Rey Pila, Karen O, Promiseland, The Strokes, The Voidz, Exhibition and Cerebral Ballzy. Past artists were Albert Hammond Jr., The Virgins, Reputante, INHEAVEN, Exclamation Pony and Nelson London (C O L O R). The company first began as an imprint in order to release his first solo album Phrazes for the Young. As for his influences, the earliest ones were the Doors and Velvet Underground. He would say this about the latter group. “The way Lou Reed wrote and sang about drugs and sex, about the people around him — it was so matter-of-fact. He could be romantic in the way he portrayed these crazy situations, but he was also intensely real. It was poetry and journalism." Other influences include Bob Marley, Nirvana, and Pearl Jam. He would later say that the song “Yellow Ledbetter” inspired him to start making music. In his personal life, the singer would marry the Strokes assistant manager, Juliet Joslin in 2005. They have two sons together, but divorced in 2019. In the early days of the Strokes, Casablancas struggled with drinking, but he has been completely sober since 2009. Julian would say in an interview about trying to quit drinking, he was “hungover for five years.”

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mrs-dynamight · 3 years

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Be Nice To Me 5

Part 4.

*************************************************

Pairing: Katsuki Bakugou x fem!Reader, Denki Kaminari x fem!Reader

Warnings: Eventual mature content, angst, hurt/comfort, love triangle, the reader is lowkey toxic, everything will be adressed in every episode (:

Chapter warning: Swearing, steamy make out session (borderline porn but not really), mentions of other couples form 1A

Chapter: 5/?

Synopsis: You're in love with your best friend Bakugou, and you're cofessing to him but things get a lot more complicated when Denki starts to treat you different *wink wink*

Word count: 3.9k

Author's note: This is sooo long, but I loved writing it, I deeply suggest you listen to the song of the title (here). I'm honestly living my coming-of-age indie kid fantasy with this chapter, as always any suggestion is welcomed.

Chapter 5 First Day of my Life- Bright Eyes

Thank to every single Deity that my weekend was packed with internship work so I didn’t have a minute to think about the emotions bubbling up in my heart and my mind, I came to my room exhausted and directly to sleep.

I didn’t talk to any of my friends that weekend, I had a couple of texts from the groupchats, in one of them there were unresolved questions about my date with Katsuki, and on the other one were the flashes for the Fridays gig and good luck wishes to Bakugo who was going to leave the morning after the show, so they planned a goodbye party in the dorms after the gig, Aizawa surprisingly agreed but under any circumstances we were allowed to having alcohol or any other illicit activity inside the UA facilities, not like that could’ve stopped my favourite trio of dumbasses, Mina, Denki and Sero were already planning on smuggle some liquor to the dorms, that was going to be one epic night.

Monday morning finally came, and as much I would love to just spend the day in my bed sleeping and watching Tiktok I needed education, my muscles were sore of the whole weekend roaming the city with Mirko, who seemed unable to getting tired, but I stilled reunited the forces to get dressed, brush my teeth and tried to look like a decent human being, emphasis in the tried part.

As I climbed down the stairs to the common room for a bite of whatever was in the fridge, I saw a beautiful ash blonde guy drinking his usual morning juice with protein powder.

-Morning Draw, you look like shit-

-Well you look handsome as ever ‘Tsuki, thanks for the kind words of the day, you know how to make a woman start the week in the best way possible- I replied while heading to the kitchen

-But seriously what is that Bunny forcing you to do on weekends? Crack? -

I didn’t reply but instead I just blowed him a kiss and start munching on a toast with excessive amount of jam, Tsuyu and Ochako were eating cereal next to Deku, the three of them saw my whole interaction with Katsuki with those weird eyes that just screamed “marry him already”, I told them I had to talk to them, and they all agreed that lunch time with Tenya and Shoto were the gossip time of choice, I waited for the girls to finish eating and we headed class.

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-YOU TWO FINALLY KISSED?!?- Ochako screamed with excitement

-Is he a good kisser? - Asked Deku pulling out his notebook in the “Kachaan” section

-How’s that relevant to the hero notebook? – I asked Deku

-Wait, isn’t he going to another country on Saturday? –

-Well yes Tenya, that’s the other thing I wanted to talk you guys about-

Then I started to explain the whole predicament of waiting for him and his words about that.

-Wow did he really said that having a girlfriend would be a distraction? - said Tsuyu with a concerned look on her face

I didn’t really thought about that harsh phrase, but it was Bakugo, right? He always says things that hurt other people’s feelings, that’s just him

-He sounded honest, but he shouldn’t have hurt your feelings like that-

-It didn’t hurt my feelings, Shoto, I’m used to him saying things like that all the time-

-That can’t be good Y/N, you can’t just get used to people hurting you, especially if you want to have a relationship, and a long-distance one, where things usually get a little tougher- Said Ochako

-I would consider wait for him to return Y/N, so that way you can both be clear about what you expect for each other- Deku said hiding his face in the Katsudon plate in front of him

I wanted to talk to them about what happened with Denki, but I was afraid they just said that I was overthinking, we’ve always been very close friends; but so were they, why was I so reluctant to talk about me and Denki? Maybe saying it out loud could somehow make it more real.

We finished our lunch and headed to class, the rest of the day went pretty neutral, as well as the rest of the week, but the thought of Bakugo leaving haunted me, he didn’t said or did anything special, we didn’t talked about our kiss or our lovely words, it was like it didn’t happen at all, we came back to being just friends. Denki was purposely avoiding me, I could notice it, anytime I wanted to talk to him he just made up some excuse and leave quickly, the rest of the Bakusquad was busy with the whole party preparations and the Dekusquad was as lovely as always, they told me a million times in that week that they will be there for me no matter what I choose to do; as for me, I was just as confused as Monday morning.

I didn’t wanna go to the party, or the gig, I just wanted to go to my room, listen to sad music, and feel pity for myself until I ceased to exist, but it was definitely off limits, I promised Denki I would go with him to the soundcheck, there was only this last one class, but I wasn’t really in the mood for maths, so I decided the best for me was head back to the dorms and stop thinking so much about everything, missing a class wouldn’t kill me.

When my life crumbles down there is only one thing in the whole world that could make me feel better, and that is loud music, so there I was, headphones to the max, airplane mode on, eyes closed and mouthing every word like a prayer, I felt like every lyric was washing away my worries and doubts, reassuring me that everything was (not) okay, I was so concentrated in my music I didn’t heard the knocking on my door, and didn’t heard a certain blonde calling my name, it was until I felt a big hand in my shoulder that I realized that Bakugo wasn’t in class either, but in my dorm room, with a worried face.

-Fucking dumbass, why aren’t you in class? You’re going to fail math, again-

-I wasn’t feeling like going to class- I said with a bit of guilt, it probably sounded like a lame ass excuse, but at least it was the truth

-Not feeling like going to class? What the fuck do you think this is, a game? Math is your worst subject and if you fail I won’t be here to tutoring you, you can’t fail-

He was worried, I could tell, he just turned every emotion in pure acidic rage, not like knowing this would make his words hurt less, I didn’t want to admit that the thought of being far from him made my heart ache and my eyes water, and it didn’t help the lack of contact of the week, I was looking forward to another one of his tender kisses, or any sign that what happened last Friday was real

-I’m hurt Katsuki, a week ago it seemed like you wanted to be with me, despite everything and this past days you were acting like nothing happened, I don’t know what to think or what to do, I don’t know what's going on with you, how are you feeling, you don’t say anything, you don’t do anything, you just hide your feelings away in your cocoon of rage-

-See, that is exactly why I didn’t want to kiss you in the first place, I knew it would only lead to problems, that’s the reason I didn’t want to tell you I liked you before going away, I knew you would react like this, I told you the truth, I can’t be your Boyfriend, I’m sorry if that hurts your feelings-

And surprisingly I found myself inside his big arms in a tight hug, his face hiding in the crook of my neck, I put my arms around his slim waist and we just stayed there for a solid ten minutes before breaking the contact.

-I don’t want this to hurt you Y/N, I can’t be with you right now, I can’t give you what you need, and as I told you the other night, I don’t want you wasting your time waiting for me-

-I don’t wanna let you go ‘Tsuki- I said with tears in my eyes

-You won’t, think it like this, if this is meant to be, and I know it is, when we see each other again, in a better place, in a better time, it will happen. I don’t know where or when, but I promise you we will be together, but please don’t throw your life away waiting for me-

- That sounded as if we were breaking up-

-We aren’t, this is only the beginning, I promise-

I was being selfish, it was obvious that this was also hurting him, he was being mature and caring, thinking about what was good for the both of us, before the things we wanted, maybe he was right, this was meant to be, just not right now, right person wrong time troupe right, but with a happy ending, right?

That was one of the most bittersweets moments in my life, I was happy to know that Bakugo thought about us as endgame, just like I did, we were still young, we had plenty of time, all the time in the world, I shouldn’t have worried about his feelings, he told me I should never doubt that he liked me, and I was willing to make that compromise.

-Let’s have a good time tonight, ‘Tsuki, for what I know, tomorrow you could be kissing some European woman and forgetting our promise-

-You get jealous that easy, Draw? Already afraid you’d lose me, huh? - He said with a smirk on his face and getting closer to me

I swallowed with nervousness, but I didn’t break the visual contact

-Aren’t you afraid I fall for another guy in the meanwhile? -

-You’ll have to find someone better than me first, and we both know there isn’t such thing, and besides that, you’re not mine, I don’t owe you, I only own the feelings you have for me, and as long as those exist I’ll do everything to be with you. So, that’s a no, I don’t care about any other guy- He said with his lips softly brushing against mines -But right now, I want to be the only thing in your mind- And saying those words he kissed me.

He wasn’t being gentle like the last time we kissed, there was a hunger, a neediness within his kiss, he wasn’t being rough tho, but I could feel the burning intensity in his movements. He pulled apart and looked into my eyes for any sign of discomfort, but when he met my half lidded gaze filled with love, he slammed his lips against mines one more time, his tongue brushed my lips asking for consent to enter my mouth, to which I responded opening it just enough for him to start moving it, massaging it with my own with a rhythmic pace, his hands travelled down to my hips, it seemed like he wasn’t nervous at all, but I on the contrary was almost shaking, we broke the heated kiss with flushy cheeks and sweaty hands, I looked into his eyes and I could see the lust behind his crimson irises. A million questions started bubbling in my mind, does this means he want to have sex with me? Right here and now? He must have noticed the concerned look in my face because his next words were

-Hey, I didn’t mean to make you uncomfortable, sorry if it was too much-

-It wasn’t, it’s just I’ve never, I mean I haven’t… have you? – I asked with an obvious blush on my cheeks

-Just once, it wasn’t bad, but I figured out it could have been better if it was with someone I loved, like you. We don’t have to do anything tho, I just wanted to kiss you-

A strange relief passed my body, he didn’t want me to give myself to him in this exact moment, and I was glad for it, as much as I loved him I felt like this wasn’t the right moment for it, but I still wanted to do other things with him, I mean, this was his last day in the UA, and my first time making out with somebody, we still had a few of hours before the soundcheck. I lead him to my bed and pushed him into it so he could be sitting.

-Y/N are you sure you want to do this? – He wanted to be sure that there was no pressure in doing anything I didn’t want to

-We don’t have to go all the way in, I just want to make sure you feel loved and have fun on your last day, and besides, we already missed math class- And just as this last words escaped my lips I sat in his lap and started kissing his cheekbones softly, his hands went from his sides to my hips as he started to plant open mouth kisses in my neck, sending a shiver down my spine.

-And what about you? You want to feel loved too? – He said against my ear, nibbing at the lobe, I nodded softly, closing my eyes and giving myself in to the feeling of his strong hands in my body, his raspy voice in my ear and the feeling of his lust between my legs.

Our heated make out session made me forgot everything I had in my mind, I was only focused in Bakugo, I couldn’t even began to explain how loved he was making me feel in that moment.

-I have to go packing, but I really like your lips, see my problem here? – He said with a sigh, after a while -I’m actually not in the mood for a party tonight, I would rather having a good night of sleep-

-You’re so boring ‘Tsuki, you sound like an old man with two divorces who is starting to get bald-

-‘Tch, would you rather seeing me drunk and staying up late and doing dumb shit I’ll regret about when I sober up like the rest of those losers? –

-Yes! Only this one time, before you have to go away, let’s get drunk and watch the sunrise, then I could go on with my life in peace-

- Ugh and being hungover in a 7-hour fly? Really, that is your idea of a last night with me? –

I tried to make the best puppy eyes I could as I just said “pretty please” in the most dramatic way possible.

-UGH fine, but don’t you forget that you owe me something for being a fucking loser in Mario Kart-

-Anything for you ‘Tsuki- I said while planting a kiss on his cheek

With a smirk on his face he told me he would tell me what he wanted right before leaving, and I was okay with that, we said goodbye with one last kiss and he went to his dorm room to finish packing. Then I remembered I had my phone on Airplane mode, as I deactivated it I saw a bunch of unread messages, most of them were from my concerned friends asking if I were okay, I answered in the dekusquad groupchat that everything was fine, and immediately they began asking questions about Bakugo and me being both missing math class, I replied a single smiling emoji and they knew we were together. Denki messaged me about ten minutes ago “Hey Y/N I can’t wait for you to come to the soundcheck with me” followed by a cursed image of someone T-posing on top of a drumset, I couldn’t help but laugh, and I replied with an even more cursed image.

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I was in Denkis car, Katy Perry blasting through the speakers and Denki and I having a carpool karaoke singing Last Friday Night like our life depended on it, it felt like he hasn’t being avoiding me all week, there we were laughing and having a good time. The soundcheck was actually really funny, Jirou who is usually very quiet was obviously the leader, giving orders here and there, I wasn’t completely alone while the band was getting ready to perform, Momo was an official member of the band but she didn’t continue playing with them, but she never missed one of Jirous’ performances, they were obviously very much in love, I couldn’t help to notice the way she looked at Jirou the whole time, and I wondered if that was the same way I looked at Bakugo, I remembered the words that Tsuyu said to me, does everyone knew I was in love with Denki?...

Shit, my mind pictured Denki when my train of though was about Bakugo; it probably were because I was watching Denki plugging his guitar and waving at me at that exact same moment, or did I really thought of Denki when I was thinking about love? A feel of guilt started to build in my heart, just a few hours ago I was making out with Bakugo, and now I was watching Denki going different directions with cables and amplifiers and I couldn’t help but feel like I was in love with him. Momo probably noticed my worried expression because she asked me if everything was right, I just had to lie and tell her that I was okay when in reality I was panicking, I excused myself and went to the bathroom to splash some cold water in my face like the actresses do in every movie to calm themselves down, and apparently it worked, so with more confidence I walked out of the bathroom. When I came back to the table Momo and I were sharing I noticed that people were starting to arrive, I sat next to Momo again and tried to have a casual conversation about school, training, internships and just normal student stuff when I felt a well-known pair of hands covering my eyes.

-Hi Denki- I said as I chucked

-How did you knew it was me? – He genuinely asked

-How couldn’t I? -

-Hey Kaminari, we’re starting in ten- Said Jirou planting a kiss in her girlfriends’ lips

Bakugo arrived just in that exact same moment, I almost forgot he was also going to perform, I didn’t know how to act with other people around us, I wanted to kiss him, but I also didn’t want Denki to see it, I couldn’t help but feel like an awful person for my last thought.

-Hey Draw, long time no see you- Said Bakugo like his tongue wasn’t on my throat a few hours ago

I flipped him off with a smile and blowed him a kiss and continued talking with Denki about who would win in a fight between a bear and a shark, we were currently discussing how long the bear could hold his breath, I turned my head to look at Bakugo and he was already staring at us with the saddest expression I’ve ever seen, and as he noticed my eyes on him he changed it to his usual annoyed one

-You two are the dumbest persons I know- He said, giving us one of his angry looks

-Guys, we’re up- Said Tokoyami grabbing his guitar pick and heading to the stage

-Break a leg guys! - Said Momo giving Jirou one last good luck kiss

Bakugo winked an eye to me and went to the stage without saying anything, my eyes followed his figure to the stage when a sudden voice in my ear made me jump a little bit

-Keep your eyes on me- Whispered Denki in my ear before planting a kiss on my cheek

They started the show, the powerful voice of Jirou quickly caught everyone’s attention, they gotten better over the years, you could tell they were in their prime, usually my eyes were always fixed in the blonde drummer, but tonight they were mesmerized with Denkis fingers skilfully playing with his guitar chords, pearls of sweat in his forehead, a big smile on his face, and golden eyes all over me, he looked perfect.

Suddenly I began to notice everything the boy did, every time his voice intertwined with Jirous’ for a perfect harmony, every movement looked so natural and… sexy? I didn’t noticed I was holding my breath until I heard Shotos’ voice next to me, trying to be heard over the noise coming from stage

-Sorry we’re late, Tenya got lost-

I heard it, but my mind was somewhere else, it was in Denkis’ Kaminari palm. It was almost an hour of absolute bliss, without a single thought crossing my mind just the image of the boy in front of me. I heard the last song of their setlist and prepared for the usual announcement of the end of the show but instead they all waved and came down from stage, all except one, Denkis’ voice was a little shaky when he spoke on the microphone:

-Hi everybody! Thank you so much for coming today, hope you’re doing alright, now we don’t usually do this, but you’ll see, tonight is a very special night, the last one for a while because we’re going to be drummerless tomorrow morning, sooo anyways, I would like to sing a very special song for a very special someone who is here with us tonight, she’s just everything to me, Y/N this is for you-

I felt like I was on fire, the rush of blood went straight to my cheeks, I was suddenly shaking with nervousness, my palms were sweating and I swore everyone could hear my heartbeat, I didn’t wanted to look away from Denki, but I could feel my friends eyes on me. Was this actually happening? The first chords of Denkis’ acoustic guitar confirmed that it wasn’t a dream, his soft voice drowned every other sound, suddenly everything else went dark, it was only the two of us. I paid attention to the words he was saying, he was pouring his heart out, in front of everyone, for me

"Yours was the first face that I saw

I think I was blind before I met you"

This was a love song; Denki was telling me he loved me with every syllable coming out of his mouth and every note from his guitar

"And so I thought I'd let you know

Yeah, these things take forever, I especially am slow

But I realized that I need you

And I wondered if I could come home"

It was perfect, I couldn’t help but tearing up, nobody has ever done something remotely as romantic as this, he sounded so sincere, so drunk with affection, he was obviously nervous, but his eyes were fixed on me

"I'm glad I didn't die before I met you

But now I don't care, I could go anywhere with you

And I'd probably be happy

So if you wanna be with me

With these things there's no telling

We just have to wait and see

But I'd rather be working for a paycheck

Than waiting to win the lottery.

Besides, maybe this time is different

I mean, I really think you like me."

The last strumming of his guitar vanished in the air, and suddenly everything went back to normal, the people around us, the noises, the shocked faces in my friends faces, and the absence of Bakugo.

************************************************

Wowowow this was an emotional rollercoster, but what can I say I love drama, thanks to @warrior-princess1 for proof-reading this

Taglist: @mikasalt

#bakugou imagine #bakugou fic #bakugou headcanons #bakugou x fem!reader #bakugou x you #bakugou x y/n #bakugou x reader #denki imagine #denki x you #denki x y/n #denki angst #denki x reader #denki x female reader #mha x reader #mha fanfiction #mha smut #bnha fanfiction #bnha x y/n #bakugou smut

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one-more-fangirl · 3 years

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Hidden talent - Luke Patterson

(gif not mine! credits to owner)

AU: alive! luke patterson x oc

summary: in a world were none of the boys have died and instead live in the same timeline as julie, luke’s girlfriend has a hidden talent only her mother knows about

warnings: slight cursing, nothing much

a/n: this is the first thing that i publish, and i’m still trying to figure out how tumblr works, so if anyone reads this, please bear with me people

masterlist

***

Heather had been friends with Alex since they were in diapers. Every memory of her childhood she had, he was there too, since the beginning. The only ones she had he wasn’t in were the ones at family meetings. He was even there when she went to the dentist! That’s how tight these two were.

So it was kind of inevitable her meeting his band. Sunset Curve had been all he and Julie —her other best friend, along with Flynn— could talk about since they had started it. They had met the other members in the music program, something Heather had never even thought about joining, regardless of how many times her mother had told her she had an incredible voice and should definitely let the world listen to it. However, the raven haired girl preferred to keep her voice to herself, like her small little secret.

Meeting Luke and Reggie —she already knew Bobby— was easily one of the best things that could’ve happened to her. She hit it off with them instantly, as she had never really had any trouble with making friends —she was the sociable one out of the Heather-Alex duo, and the mom friend out of the “Triple Trouble” trio. Her and Flynn had denominated themselves as the band’s managers and marketing team, and the others had to admit, they were doing a pretty good job.

While Flynn took the social media part, promoting the band on every platform she could think of and posting stuff like teases of new songs, short rehearsal videos and performance dates and places; Heather had taken the people approach. She had recruited her cousin, Willie —who she suspected only wanted to help her because he had a massive crush on Alex, and not because he “wanted to help his favorite cousin”—, and they had both skated the streets of LA, putting up posters and throwing them around, telling people to “tell their friends!”, a catch phrase Reggie had come up with.

[...]

“I got us a night at The Hollywood Club!” Heather entered the Molina garage with a proud smile and arms on the air, getting immediate cheers “I know, I know, I’m awesome” she bowed.

“Hey, I was there too” Willie pushed her aside, leaving his skate on a corner and plopping on the piano seat “In fact, if it wasn’t for Caleb owing me one, you wouldn’t have gotten that gig. I’m his messenger boy”

“Okay, listen you little shit, it was me that had to offer herself to clean the place up after the show, so I don’t wanna hear any more lies coming out from you” she narrowed her eyes at her cousin, but the skater only rolled his eyes.

Luke, beaming, reached out to Heather’s arm, pulling her onto the couch with him. The two had been dating for nearly three months, and anyone that didn’t know that could’ve thought they’d been together for years, just by seeing how deeply they cared for each other. Alex had been a tad overprotective of the girl when Luke started to flirt with her, but Julie and Flynn made him realize that if anyone could match Heather’s adventurous and forward personality, it was Luke.

Heather came up with an idea, something to do, and most people —including Alex, who over the years earned experience in this kind of things— would disregard it immediately, because it sounded, and most likely was, crazy. Not Luke. Luke would just smile and do it with her. Hype her up even. They found in each other a safe to talk, the craziest ideas and dreams coming to life. Still, they knew when to draw the line, and realize that maybe cliff diving in the middle of November wasn’t the best thing to do.

Luke liked to get the things he planned, make them real, and with Heather he felt like it was possible. Sure, he had the band to make his music dreams come true, but —and this can come out as shocking— he wasn’t just music. There were so many other things he wanted, and Heather was the first person that encouraged him to let them all out, the first person that listened to all the things he wasn’t as good at but he still liked, and forced him to get out of the studio to do them.

They were basically perfect for each other.

“Besides,” Flynn had pointed out with a teasing smirk and a knowing look that was also in Julie’s eyes “you’re going to end up dating her cousin, so it’ll be fair in no time” Alex had left that conversation blushing like a fool and with his mind a little more at peace.

“You’re incredible, babe” the lead guitarist kissed her cheek “When is it?”

“This Friday night” she answered, making herself comfortable in his arms “That gives you two days to rehearse some songs, maybe even come up with a new one. How’s my musical genius doing with that, Jules?”

“We have a few lyrics left on Finally Free, but I’m sure that we can have it done and perfected by Friday” she smiled, showing her adorable tooth gap “I’m gonna need to borrow your boyfriend for that, though”

“Sure, two musical geniuses work better than one. Meanwhile, Reggie and I have a date”

“Huh?” Luke’s head turned so fast, Heather thought for a second it would snap from his neck.

“Yeah, we’re going to watch the last Star Wars movie. We told you guys to come and you didn’t wanna, so we’re going by ourselves” Reggie could barely contain his excitement, the smile on his face making it impossible for Heather not to copy him.

“Speaking of which... if we don’t leave now, we’ll be late. Let’s go!” the girl pecked her boyfriend as a goodbye, ruffling Bobby’s hair after and blew a kiss to both girls and her best friend.

“I don’t get a kiss?” Willie pouted, but Heather only kissed her middle finger and flipped him off “Love you too, cuz!” he called, but Reggie and her were already out and the only response he got was his light laugh.

[...]

The two friends were meeting Carrie Wilson at the theatre. Nobody would’ve guessed that the lead of Dirty Candy liked Star Wars, but Heather had known her since kindergarten, and she knew the girl.

They all technically knew her, being Bobby’s fraternal twin and all, but the boys didn’t consider her an actual friend until the girls started inviting her to their hang outs, seeing as they were all friends. Luke and her often had friendly bickering of which band was better, Reggie discovered that she could be a wonderful addition to the mischievous duo Heather and him had formed, and Alex found his perfect dance partner one night playing Just Dance. It was safe to say that she had been welcomed into the group.

“You guys are playing at The Hollywood Club?!” was the first thing he strawberry blond said when they arrived.

“Tell your friends!” Reggie winked, then turned to Heather “Damn, Flynn is fast. We have good managers”

“That you do, Reg” she passed her arm over his shoulders. It was a little awkward, because she stood on her tippy toes, but they made it work.

“Can you get me a performance too?” Carrie pouted and made puppy eyes “I need a marketing team like yours”

“C’mon Care, it’s literally my cousin and I in his skate and my roller skates and Flynn with a phone and Wi-Fi. You could do that too” Heather waved it off “Plus, you can have daddy make a call and you’ll be able to play at the Madison Square Garden. Shit, we could do that too, we have Bobby. Why am I putting so much effort into this?”

“You know I’m trying to earn my own spot, Heath. Being famous because my dad isn’t as satisfying as knowing I made a place sold out because they liked me and not the daughter of Trevor Wilson”

“You’re doing great, Carrie” Reggie encouraged “Your songs are good, and your dance moves are killer. People don’t just go to your shows to see if they can meet your dad”

“Thanks Reggie, but I’m pretty sure you only go to my shows to see Kayla” she smirked, and both girls watched their friend flush red.

“T-That’s not true!”

“Really? I guess I won’t give her your number then; she’ll be real disappointed”

“She asked for my number?”

But Carrie just chuckled and walked ahead with Heather by the arm, leaving the gaping boy behind for a few seconds before he snapped back into the real world and chased after them, asking the same question again.

“I’ll see what I can do for ya” Heather smiled “But you’ll have to fight Luke by yourself when he finds out I’m helping our rivals” she finished in a dark tone, laughing along with Carrie.

“Yes! You’re the best Heath!” she squeezed her in her arms.

[...]

Friday arrived sooner than planned, and that left Flynn and Heather to get the band’s asses to the place. Flynn was on the phone with Caleb, assuring him that they were just stuck in traffic and they’d be there soon. They were actually trying to calm Alex down.

“Hey, look at me. Bird, look at me” Heather had her hands on his shoulders, doing her best to get him to breathe with her “You’re the best drummer I know-”

“I’m the only drummer you know, Feathers!” the anxious boy stressed.

“You’re the best drummer I know!” she exclaimed over him “This isn’t any different from our other gigs. You’re gonna get up on that club’s stage, and you’re gonna kill it. I’m gonna be on the side of the stage like I always am, with Flynn. I’m there if you need anything, which you won’t because once you get into the song, you’ll be crazy amazing”

“Okay, I can do this” he nodded to himself, taking deep breaths along his best friend.

“Hell yeah you can” she laughed softly “You good?”

“Yeah, I think so”

“Great, then let’s go people! We have an audience to impress!” the others, behind them, cheered with her and started to go to Ray’s van, were the instruments were waiting.

“Hey” Alex took a hold of Heather’s wrist “Thanks, Feathers” he smiled at her, using the nickname he gave her when they were three.

“I’m always gonna be there for you, Alex. You know that. I’m the Feathers to your Bird, we’re a package deal” she smiled back, then wrapped her arms around him “I love you”

“I love you too”

[...]

Alex did amazing. Obviously.

The whole band was incredible, and the people in the club absolutely loved them. Heather had stayed at the side of the stage like she promised, but from where she stood she could spot Flynn with Carrie, Willie, Nick and Kayla all jamming and moving their bodies along to the song in their chairs. She clapped and hollered once the show was over, a huge smile adorning her face.

“You were right” the man himself, Caleb, clapped next to her “They are really good”

“I told you, dude. Any chance we’re able to play here again?”

“I’ll call you” he offered, and Heather didn’t think it twice before shaking hands with him “I’m closing in half an hour, and I want this place spotless for tomorrow” he smirked.

“I thought you were joking! You have people for that”

“A deal is a deal” and he left. Heather groaned and threw her head back.

“Why the frown, Princess?” at the voice of her boyfriend, the smile was back on her face.

Luke was a sweaty mess, not that she cared. She took a couple of seconds to admire his “after show” glow. Because yes, he was glowing —both literally, because sweat, and figuratively. After every performance, there was a glow to all of them, pure happiness radiating from them. You could see it in their smiles and heavy breaths, but Heather liked to see how their eyes glinted with the ecstasy of doing what they loved. It appeared while they were on stage, and it stayed for some time after performing in front of an audience. When they were rehearsing or jamming in the studio it was more relaxed, content, but on a show it was almost magical.

“What are you looking at?” Luke laughed after drinking some water, with his eyes squinting as he smiled out of pure glee.

Heather too his sweaty face in her hands and planted a firm kiss on his lips. She had never cared if the boy was sweaty and therefore by hugging or kissing him she’d get all dirty and smelly. If she wanted to show him affection, then she would.

“You guys killed it up there” she told him after a moment with a proud smile “Amazing, baby”

“Thanks, Heaths. Sang that solo for you” he added with a smirk, hand slipping around her waist.

“I saw” she answered as she passed her arms over his shoulders and around his neck “You looked really good while doing it too” the smirk widened and the hold tightened, bringing her closer to him to kiss her again.

“Take your lovey dovey acts somewhere else!” Bobby booed, nearing his friends.

“Hey, just because your sorry ass is alone doesn’t mean you have to hate on us” the raven haired girl replied with a teasing smile.

The boy scrunched his face and mocked her, which went back and forth between the two until Heather’s teasing and playful smile turned to a excited one.

“Wait! Oh, she’s looking again!” confused, the rhythm guitarist went to look behind him, but Heather shot her hand to stop him “Don’t look! Not yet... Okay now. See that pretty blond? She’s been eyeing you all night, dude!”

“For real? You think I should go talk to her?”

“Are you stupid? Of course you should go talk to her, did you not hear what I just said? Wait, here, clean some of this sweat” she took a towel and dabbed it over him, then pushed him forward when he didn’t move “Move, Bobs!”

“Thanks Heaths!”

The couple watched their friend jog over to the girl and introduce himself, saying something that she found funny. “I’m an amazing wing woman”

[...]

The club was officially closed. After a couple of Caleb’s songs, that Heather had danced to with Flynn —more like they made a fool of themselves, but at least they had fun— and then she helped them put their instruments back in the van. Now, she held a mope in her hands, swinging aimlessly from side to side, humming to the band’s songs.

“I believe, I believe that we’re just one dream...” she picked up the pace of the song, closing her eyes as she jumped on top of a chair, spinning on her spot and using the mope as a micro “And we’re standing on the edge of great!”

The girl continued to sing her heart out, unaware of the pair of eyes that followed her very movement, watching the private show she put up for herself. When she finished the song, she let out a content sigh and a small chuckle.

“Woah” the word escaped Luke’s mouth before he could stop himself, causing Heather to jump and turn around.

The boy stood just by the entrance, an awestruck expression on his face. Red flushed Heather’s face, and she opened her mouth to stutter out something, but Luke didn’t let her, taking long strides to her.

“Heather, that was incredible! Why didn’t you tell us you could sing like that?”

“I usually like to keep the singing to myself, when I jam with you guys it’s quiet”

“Babe, you could be the lead singer of Sunset Curve! I’ll retire if that means you get to show everyone your voice”

“No” she quickly dismissed “Do not give up your dreams, Luke Patterson, you’re not allowed to do that. Not for me, not for anyone”

“But, Heath, your voice!” Luke was making big gestures, trying to get his point through.

He couldn’t understand how his girlfriend didn’t let anyone know of her huge talent. When he walked inside of the club again to help her, he couldn’t have imagined the scene that was playing in front of him, how she looked so carefree. She sounded like a goddess. It was a pleasant surprise, to say the least.

“I don’t like to be in the spotlight, Luke” she explained “You guys were born to perform in front of people, but I like to keep it behind closed doors. You understand that, right?” she took his hands, looking up at him through her lashes. He sighed and nodded.

“Yeah, I get it. But I really hope it’s not the last time I hear you sing” Heather laughed and shook his head, as Luke’s face lit up with an idea “Oh! You could perform for all of us in the studio! You’re cool with that, right?”

“I’ll sing with you and perform with you at the studio” she agreed, squealing when he picked her up and twirled her around “But you have to promise that if you guys record it, it won’t end up on social media”

“Of course, anything you need” he nodded quickly, bringing her lips to his “If I get to hear that voice again, I’ll even sell my guitar”

“I told you not to joke with that!” she chastised, hitting him on the chest and getting out of his hold. She rolled her eyes at his laughter and smirked to herself, handing him a piece of cloth “Make yourself useful and clean those tables, Rockstar”

Luke frowned, but complied.

He made her sing along with him in his car all the way back to his house, and suddenly realized that he had been an idiot for a long time. Why hadn’t he made her sing with him before? It was his new favorite thing to do.

#jatp #luke patterson #reggie peters #alex mercer #julie molina #willie jatp #carrie wilson #sunset curve #willex #charlie gillespie #owen joyner #jeremy shada #netflix #au #julie and the phantoms imagine #julie and the phantoms #luke patterson imagine #madison reyes

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aibafiles · 3 years

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RWBY Score Breakdown - Midnight (V8C6)

Okay!! This is something I've wanted to do for quite a while this volume. What I’m hoping to do is a series of posts breaking down the musical score of each episode, looking at character themes & leitmotifs, their instrumentation, how they interact with each other, and how they’ve developed. I was going to start with the second half of the volume (and then maybe work my way back) but I decided I really wanted to cover 6 and 7 first, so here we go!

As a quick aside, I’m relatively new to RWBY and its music. I got caught up between volumes 6 and 7, and spent an even longer time trying to familiarize myself with RWBY’s huge backlog of music and dozens upon dozens of leitmotifs. I think I have a decent ear by now but there’s always stuff I want to go back and pick apart! I do have some experience studying theory & composition, but I am by no means an expert, and if anyone wants to chime in and correct me on something/point out a detail, please do so! Also, this is my own interpretation of the music and in no way a definitive statement on Alex Abraham or Jeff Williams’ intent. (Or any of the other new composers brought on this volume!)

(I don’t think I can work audio examples into this post so this is more of a “pull up the episode and listen along, if you want to” kind of deal. Or hopefully I’m descriptive enough that you can just read it if you’d prefer not to.)

So, Midnight starts us off with some slow strings that lead into Cinder’s leitmotif—but it cuts off before we can reach that last note. It’s still incomplete—put a pin in this; we’ll come back to it. We cut to Atlas, where we hear a really nice jazzy rendition of a piece from way back in Volume 2, when Cinder returns to the dance. (Alex actually responded to a Reddit post about this particular callback and described it as a “maybe? it could make sense in a meta way” decision. I think it’s fitting for another place with a fateful stroke of midnight.)

And then...the new song! I'm mostly here to talk about the score so I won't dwell on it for long, but it is worth noting that this song's melody borrows heavily from Sacrifice (here’s a quick comparison!). It's almost an exact match save for one interval. I’m unreasonably excited for the full version of this song. I can feel the guitars begging to kick in after the episode version cuts off. But I digress...

The next music we hear is a piano variation of Cinder's leitmotif during her training montage with Rhodes. Cinder’s theme is one of the most abundant and easily recognizable in the series. Her leitmotif, as we’re used to hearing it, is typically a perfect fifth up, major second down, and a tritone down. The tritone is a very dissonant interval that is rarely used to end a phrase because of its unresolved sound. That sound is perfect for someone like Cinder (see also: Raven) because it makes her feel harsh and sinister. But in this episode, she hasn't become that person yet, so we get this variation. Instead of her usual tritone, the last note is a step lower, making it another perfect fifth. She’s landed on that last note she didn’t reach at the start of the episode. It’s a friendlier, more hopeful sound that hasn’t had the chance to warp into something twisted yet.

This Cinder variation moves to the strings, and the piano changes to something else: a version of the music from the beginning of Chapter 1 this volume, when we saw young Cinder scrubbing the floor. We can associate that piano with her old life in Mistral, trapped and toiling away endlessly. In a sense, Cinder is still in a very similar position here—but she has some kind of hope now, and this piano line has moved into a major key. Both her established leitmotif and this new idea are coming together, her past meeting her future. And both of them are the sweetest we may ever hear them.

And then it all crashes down. As far as I can tell, Casey’s vocal line when Rhodes walks in on Cinder isn’t based on any established idea. But it does sound sick as hell, as does Awake, which you should absolutely listen to the full version of if you haven’t already.

Back to the present with Hazel and Oscar! The bulk of this scene uses some musical ideas for Hazel established back in Volume 5 in the low brass and strings. There's also the slightest hint of Ozpin in the bells (? I think? it’s tricky to pick out the instruments here) around "I know how you see me."

When Salem gathers everyone, we hear a few different ideas associated with her—her slow, menacing leitmotif in the low strings, and a creepy choir chant. This phrase the choir sings has actually been around since the very end of Volume 3, but hasn’t had much use until the Atlas arc. It was subtle back in the confrontation in Ironwood’s office last volume, and over the course of Volume 8 it’s grown more and more prevalent as we get face-to-face with Salem. To me, this theme feels like it represents the immediate threat of Salem’s presence. She’s right here, and she’s about to do her worst.

But before that, she turns to Cinder, and her eerie choir morphs into something else. It's a bit tricky to make out over all the dialogue and sound effects, but this is Cinder's new song. Salem's own choir is turning these lyrics on her, all the while manipulating Cinder back into her good graces. The music builds and builds, and as Salem takes Cinder’s hand, the melody of "no one's ever loved you" echoes behind them. The scene finishes with Salem in the low strings/brass again.

Salem strikes Atlas. The melody the choir sings appears to be based on the piano from Chapters 4 & 5 when the Grimm rivers appears in the tundra, but now it’s loud and out in full force. (Interestingly, this melody shares some similarities with Lusus Naturae and Cinder’s new leitmotif from Volume 5, both of which are four-note, dissonant descending phrases. While the latter was simply intended to be an additional idea for Cinder to add variation, there was some past speculation about it representing her Grimm arm. All three of these ideas would have an association with Grimm of some kind, although I can’t say that’s necessarily intentional. But it is neat!)

The episode ends with one last version of Salem's leitmotif on a haunting piano, accompanied by the massive low strings that signify Monstra's presence.

Next up: War! There’s a lot going on in there so it may be some time, but thank you for reading!

#rwby #rwby8 #rwby music #rwby score #cinder fall #salem #salem rwby #maybe i'll add images or something later... uh #rwby score breakdown #rwbyposting

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perfectharmonyloveschaos · 3 years

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TUA S3 Episode Titles

Basic ideas of what each episode title could entail, but FYI I suck at these since every single one I made for the last season were wrong lmao so one thing we’ve gotta take into consideration is how the titles affected the episodes in the previous seasons.

[1] Meet The Family:

Pretty self-explanatory in that it will introduce both the Umbrella Academy and the audience to the Sparrow Academy, while also vice-versa in introducing the Sparrows in their own way to the Umbrella Academy with a sense of irony using such a casual term. Also adds an ironic twist to the phrase Klaus used in S2 ‘Family barbeques are about to get real weird’ (Klaus back at it again with his underestimated clairvoyance maaaaaaammmm).

[2] World’s Biggest Ball of Twine:

I know a lot of people want a family road trip—me too lads me too—but I honestly think this’ll be referencing the timeline after all the Hargreeves’ shenanigans. I can only assume that this may be said at some point by Five while explaining why they can’t just use the briefcase again, assuming they still have it, to just go back immediately to fix things. Their actions causes too much chaos and they need time to figure things out, potentially hide out (although I’d love to have them stay at the Academy in order to make things easier and cause friction with the Sparrows) while Five tries to figure things and the others try to find a sense of stability amongst the destruction they’ve caused. They fucked up, plain and simple, and now poor Five needs time to fix it.

[3] Pocket Full Of Lightning:

I went about looking for anything this could be referring to in terms of song lyrics or reference and couldn’t find anything yet, but something that did come to mind was that of the nursey rhyme containing the words ‘pocket full of posies’. While not the same, the nursey rhyme uses a pocket full of posies, or herbs, to ward off disease and death so my first thought was that they used this to show that flowers could be seen as innocent, but a pocket full of lightning could be something that is quick and sudden and hurts someone? I’m not sure to be honest. But the symbolism of having something in your pockets comes from having something readily available, or easy to use. Meanwhile, lightning symbolizes the destruction of ignorance or marking people to remind them of what they barely survived. So many, much like the supper in Season 2, this episode may go into the actual power Reginald still holds—even if he isn’t their original father—over the Umbrella Academy and maybe the Sparrows as well?

[4]Kugelblitz:

This one is meant to be looked up and according to google means “a black hole formed from radiation as opposed to matter” and “a concentration of heat, light or radiation so intense that its energy forms an event horizon and becomes self-trapped”. So basically—something super dangerous and wild. But it does also mean “ball lightning” in German which could mean something more considering that there is another title in German and is an anti-aircraft tank made by Germany for WWII and was an operation by the Germans in 1943 against anti-Partisan in Yukoslavia. This title has so many means connected to German that I have to think may connect to Klaus or even allude to Five, due to the idea of black holes and time travel, also being German and potentially Klaus’ twin but it’s nothing concrete.

[5] Kindest Cut:

This seems to be a parody of the Julius Caesar phrase “This was the unkindest cut of all” upon his betrayal and murder at the hands of his fellow politicians, so I can only assume that this title may allude to another betrayal but one that was either seen coming or a murder that was asked. Maybe a mercy kill? I’m not sure to be honest. But I think that perhaps at this point one of the Sparrows, perhaps Sloane who due to the character profiles released seems to be the most likely to try and break away from the Sparrows, but it could also be Five joining the Sparrows to save his siblings being the kindest betrayal? Not sure.

[6] Marigold:

Due to the fact that the golden orbs of light we saw Reginald release in S1 and that Vanya both gave and took from Harlan, this episode may go more into detail of Reginald’s connections and potential experiments with the children’s powers. There are so many questions to be answered, especially about his link to the children and how his alien-ness may tie into things. Perhaps through flashbacks or experiments he does with the Sparrows and Umbrellas themselves? Due to the fact that the original Reginald seemed aware of what the children themselves were capable of power-wise with that of Klaus’ potential, having a vague awareness of time-travel in terms of how it affects people in connection to knowing Five wasn’t ready to do it yet and even how dangerous Vanya was and why he chose to lock her powers away. Reginald definitely knew more in the original timeline and I feel like now he is going to go more in-depth with the Umbrellas this season as adults rather than the rudimentary “superhero” training we saw them go through that suited the collective rather than showing individual training aside from Vanya with her glasses and Klaus’ exposure training with the mausoleum. I hope this episode will actually address the supposed “potential” Klaus had and why Reginald saw him as his “greatest disappointment” compared to Five who was MIA and Vanya who he seemingly gave up on, especially since the next episode definitely seems to be a Klaus-centric one that could finally address his power-arc started in S1 that was basically abandoned last season in favor of giving Ben more screen time.

[7] Auf Wirdersehen:

Translated from German to mean “Goodbye” in the sense of not a forever goodbye but rather a momentary one (“until we see each other again” —potential symbolism connected to the pilot “We Only See Each Other At Weddings and Funerals”?? The next episode is called “Wedding At The End of The World”??), it is ironic that this was also the name of a show from 1983 about seven people struggling through adversity and growing closer together which may also hint at the relationships within the Umbrella family/Team Zero getting better throughout the season. Anyways, this title definitely suggests to have a large connection to Klaus specifically due to his identity as being from Germany mainly due to speaking German throughout the first season, establishing that Reginald most likely bought Klaus from a German woman in 1989 like how he bought Vanya from a Russian woman the same way in the pilot. Now, I doubt that this would be a literal goodbye due to the fact that neither any of the showrunners/cast or even Robert Sheehan himself have come close to suggesting that Klaus may leave this season and due to the popularity of Klaus within the fandom, that wouldn’t be a smart move unless Sheehan expressly wanted to leave and said as much. They simply wouldn’t kill Klaus off around half-way through the season. But I doubt this sort of title would warrant being connected to anyone but Klaus. But I definitely could see this being a sort of rebirth for Klaus through an act of sacrifice and the introduction of his immortally into the main plot. I see this as hinting at Klaus sacrificing himself like Ben did in order to save his siblings but not staying dead like in S1 when he seemingly died saving Luther at the club, and coming back to life with a new resolve and completing his arc with him accepting Dave and Ben’s deaths and letting him finally find his potential that Reginald hinting at in S1. However, I think that would happen over time and rather he may die and either the others don’t know and only find out after he comes back or he dies and stays “dead” for this episode and we explore Klaus like Vanya was explored in S1 and S2 before he is revived for the next episode like how we saw him vanish with the briefcase in one episode in S1 and appear back on the bus visibly changed in the middle of the next episode.

[8] Wedding At The End of The World:

This one seems to also be very symbolic due to the fact that I doubt any couple within the show are close to be wed, but rather it being a symbolic coming-together of the Sparrow and Umbrella Academy in order to stop the coming Apocalypse (honestly, I don’t mind another apocalypse as long as it isn’t Vanya again). A “wedding” doesn’t have to be the marriage between two people, and according to Collins Dictionary can also be “the combination or blending of two separate elements” or a “joining together” which I think is the two Academies coming together. They are becoming one, or simply ‘Team Zero’.

[9] Six Bells:

This title I believe connects to that of Hotel Oblivion and the idea of a bell hop bell when someone enters a hotel and are checked in, but the fact that it is only “Six” bells makes me think of either two possibilities; one is that Five only at this point has joined the Sparrows and so is not included with the Umbrellas being forced into Hotel Oblivion, or that Klaus who I and many theorize will die two episodes prior to this will finally wake up revived only to find that his other siblings have been locked away leading to the irony of him, who was always seen as the “useless” one being forced to team up with the Sparrows against Reginald to save his siblings. As well as this, we also can point to that of a funeral in which a bell is rung 6 times potentially hinting at a death or connecting to death in terms of Klaus being presumed dead by his siblings? Death is often signaled by the ringing of a bell and something to note is also the ringing of a bell happening at both a wedding and a funeral (tying back into the pilot title?) so I think this may tie into both Klaus’ “death” and the “marriage” of Team Zero. I doubt they would go through with hyping and building the characters of the Sparrow Academy only to kill them before the finale, and we’ve seen from the S2 finale that killing the Umbrella Academy both makes no sense and would make the idea of including Hotel Oblivion in the finale useless due to the fact that they would be dead and so why would they be sent there. So I definitely think only six of the Umbrellas will be sent there and the one left behind will either be Five or Klaus.

[10] Oblivion:

The finale title is self-explanatory in tying into Hotel Oblivion, and I don’t really have much to theorize on it based solely on the fact that there is such a high probability that my previous theories could be wrong. All we know for certain is that Hotel Oblivion will definitely be making some sort of appearance this season, whether through threat of the actual team being taken there as seen by the set pictures leaked showing cars with the emblem of the Hotel. However, the word “oblivion” also has several meanings and could have a double meaning along with connecting to that of the hotel. Oblivion came mean “destruction”/”extinction” or “unaware” or “forgotten” and I think depending on what happens in terms of potential hints of other episode titles could definitely vary. If “Kugelblitz” ends up referring to a black-hole causing the new apocalypse then it could definitely connect to the destruction meaning, but if the likes of Klaus is revealed to be alive with his siblings in this episode after being assumed dead then it would definitely add to the meaning of his siblings being “unaware” or that Klaus has to save them or face being potentially “forgotten” and alone like the ghosts.

#tua #the umbrella academy #tua s3 #tua season 3 #tua season 3 speculation #tua s3 speculation #tua s3 theory #tua s3 theories #tua season 3 theories

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anchorandrope · 3 years

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MISS YOU

miss you is a song with many interpretations, you will see many blogs that say it’s a stunt song but you will also see many that say that isn’t.

in this post i want to explain several interpretations of this song so that you can judge for yourself what it is about.

1) it’s a stunt song

in this case, the interpretation of the song is literal therefore it would speak of a break up. as we know miss you was released in 2017, the same year eleanor returned with louis so it would fit with the narrative.

louis wrote that song while they were separated and now that they are together he doesn’t want to sing it anymore because that would bring back bad memories, it fits perfectly right?

however the real reason why he doesn’t want to sing it would be because it doesn’t represent him.

2) talks about the closet

in this option the song is not interpreted literally but in a more metaphorical way and it is thought that the structure of the song is to fit into the elounor narrative but the meaning is different.

is this option there is a relation with habit, always you and too young so i recommend reading this post first.

“is it my imagination? is it something that i’m taking? all the smiles that i’m faking “everything is great everything is fucking great” going out every weekend staring at the stars on the ceiling hollywood friends, gotta see them such a good time i believe it this time”

first he talks about how he isn’t happy in that situation, he says that he fake his smiles and that he shows himself in front of everyone as if everything is fine, he clearly talks about how he shows himself in front of the public. then he talks about his “friends” who tell him that he has to go out and is “such a good time”. those “friends” are actually a metaphor for the people who put him in the closet. the people who put him in the closet (as mentioned in too young) told him that he would be better without harry and that they wouldn’t last, that’s why they were happy and they told him that while he is away from him, it would be his best moment and as he mentions in too young, at one point he believed that story that’s why he said “i believe it this time”

“tuesday night glazed over eyes just one more pint or five does it even matter anyway?”

“we’re dancing on tables and i’m off my face with all of my people and it couldn’t get better they say we’re singing ‘til last call and it’s all out of tune should be laughing, but there’s something wrong and it hits me when the lights go on shit, maybe i miss you”

after the fight he tried to drown his problems in alcohol, “should be laughing but is something wrong” as he believed the story, he thought that being mad with harry should be happier, but he loves him and that is not the case, he missed him.

“just like that and i’m sober i’m asking myself, “is it over?” maybe i was lying when i told you “everything is great everything is fucking great” and all of these thoughts and the feelings cheers to that if you don’t need them i’ve been checking my phone all evening such a good time i believe it this time”

he hides and lies about how he feels, which leads to more fights. he waits to be able to talk to him and fix things (with “checking my phone” he doesn’t mean the literal phone but at the moment of talking).

“now i’m asking my friends how to say, “i’m sorry” they say, “lad, give it time, there’s no need to worry” and we can’t even be on the phone now and i can’t even be with you alone now oh, how shit changes we were in love, now we’re strangers when i feel it coming up, i just throw it all away get another two shots ‘cause it doesn’t matter anyway”

first he mentions his “friends” again, he regrets but his “friends” want to stop him from solving things. then he talks about how difficult it’s to fix things completely because between the fact that their relationship was in a tense stage and they couldn’t even look at each other, everything is worse. the phrase that most identifies the iron closet is “now we are strangers” because it talks about how publicly they had to act like strangers and finally it talks about how they drown his problems in alcohol again.

in this case louis doesn’t want to sing the song because it brings back bad memories or because he just doesn’t want to.

[see also]

3) talks about the party boy image

in this option it’s also interpreted metaphorically (although more literal than the previous one) and with a structure that serves to fit in with the elounor narrative.

this option doesn’t need much explanation, the whole song talks about partying and missing someone. that “someone” would be the louis of the past. (there are some lyrics that don’t fit 100% such as “and i can’t even be with you alone now” or the “we were in love now we're strangers”).

i want to clarify that option 2 and 3 are just as valid as 1 (and just as valid as other interpretations), that there are people who interpret it in a more metaphorical way isn’t wrong. artists often want to write one thing but have to make it fit with another because they are forced to do so, so it would be no surprise if this is the case.

finally i want to say that no interpretation is right or wrong, just because someone thinks differently from you doesn’t make your opinion less valid. it doesn’t matter if you see big accounts with a different opinion than yours, that you have it doesn’t mean that you are wrong or that you are “less larrie” for it, draw your own conclusions, don’t repeat without thinking what the rest says.

—————————————————

MISS YOU

miss you es una canción con muchas interpretaciones, vas a ver muchísimos blogs que dicen que es una stunt song pero también vas a ver muchos que dicen que no.

en este post quiero explicar varias interpretaciones de esta canción para que ustedes juzguen por ustedes mismos de que se trata.

1) es una stunt song

en este caso, la interpretación de la canción es literal por ende hablaría de una ruptura. como sabemos miss you fue lanzada en 2017, el mismo año que eleanor volvió con louis por lo que encajaría con la narrativa.

louis escribió esa canción mientras estaban separados y ahora que estan juntos no la quiere cantar mas porque eso les traería malos recuerdos, encaja perfecto no?

sin embargo la verdadera razon por la que no la quiere cantar sería porque no lo representa.

2) habla del closet

en esta opción la canción no es interpretada literal sino de manera mas metafórica y se piensa que la estructura de la canción es para encajar en la narrativa elounor pero el significado es otro.

es esta opción hay una relación con habit, always you y too young así que recomiendo leer este post primero.

original

traducción

“¿es mi imaginación? ¿es algo que yo estoy tomando? todas las sonrisas que estoy fingiendo “todo está genial todo está jodidamente genial” saliendo todos los fines de semana mirando las estrellas en el techo amigos de hollywood, tengo que verlos es un buen momento lo creo esta vez”

primero habla de como no es feliz en esa situación, dice que finge sus sonrisas y que se muestra frente a todos como si todo estuviera bien, claramente habla de como se muestra frente al público. después habla de sus “amigos” que le dicen que tiene que salir y que “es un buen momento”. esos “amigos” en realidad es una metafora para las personas que lo ponen en el closet, los enclosetadores (como menciona en too young) le dijeron que iba a estar mejor sin harry y que no iban a durar por eso ellos se ponen felices y le dicen que mientras este lejos de el iba a ser su mejor momento y como menciona en too young, el en un momento se creyó ese cuento por eso “i believe it this time”

original

“tuesday night glazed over eyes just one more pint or five does it even matter anyway?”

traducción

“noche de martes ojos vidriosos sólo un trago más o cinco ¿de todos modos, importa?”

“estamos bailando sobre las mesas y estoy borracho con toda mi gente y “no podría ser mejor” ellos dicen, nosotros cantamos hasta el último momento y todo está fuera de tono debería estar riendo, pero hay algo que está mal y me golpea cuando las luces se encienden mierda, tal vez te extraño”

después de la pelea intentó ahogar sus penas en alcohol, “debería estar riendo pero algo esta mal” como se creyó el cuento, el pensaba que estando mal con harry debería estar mas feliz, pero el lo ama y no es asi por eso lo extraña.

original

traducción

“sólo eso y estoy sobrio estoy preguntándome, “¿ya se terminó?” tal vez estaba mintiendo cuando te dije “todo está genial todo está jodidamente genial” y todos estos pensamientos y sentimientos celebremos por eso si no los necesitas he estado revisando mi teléfono toda la tarde es un buen momento lo creo esta vez”

oculta y miente sobre como se siente, lo que genera más peleas. espera para poder hablar con el y arreglar las cosas (con “revisando mi teléfono” no se refiere al teléfono literal sino al momento de hablar).

original

traducción

“ahora les estoy preguntando a mis amigos cómo decir “lo siento” ellos dicen: “amigo, dale tiempo, no hay de qué preocuparse” y ni siquiera podemos hablar por teléfono ahora y ni siquiera puedo estar contigo a solas oh, cómo la mierda cambia estábamos enamorados, ahora somos extraños cuando lo siento venir, simplemente lancé todo lejos búscate otros dos shots, porque ya no importa más”

primero vuelve con el tema de “los amigos”, el se arrepiente pero sus “amigos” lo quieren frenar para que no resuelva las cosas. después habla de lo difícil que es arreglar al 100% las cosas porque entre que su relación esta en una etapa tensa y encima no se pueden ni mirar es todo peor. la frase que mas identifica al closeting de hierro es “ahora somos extraños” porque habla de que públicamente ellos tenían que actuar así y por último habla de que vuelve a ahogar sus problemas en alcohol.

en este caso louis no quiere cantar la canción porque le trae malos recuerdo o porque simplemente no quiere.

[vean también]

3) habla de la imagen de party boy

en esta opción también se interpreta de forma metafórica (aunque mas literal que la anterior) y con una estructura que sirve para encajar con la narrativa elounor.

la verdad esta opción no necesita mucha explicación, toda la canción habla sobre estar de fiesta y extrañando a alguien. ese “alguien” sería el louis del pasado. (hay algunos lyrics que no encajan al 100% como por ej “and i cant even be with you alone now” o el “we were in love now we’re strangers”).

quiero aclarar que la opción 2 y 3 son igual de válidas que la 1 (e igual de validas que otras interpretaciones), que haya gente que la interprete de manera mas metaforiaca no esta mal. los artistas muchas veces quieren escribir una cosa pero lo tienen que hacer encajar con otra porque los obligan asi que no sería ninguna sorpresa que ese sea el caso.

por último quiero decir que ninguna interpretación esta bien o mal, porque alguien piense distinto a vos no hace tu opinión menos válida. no importa si ves a cuentas grandes con otra opinión distinta a la tuya, que la tengas no significa que estes mal o que seas “menos larrie” por ello, saca tus propias conclusiones, no repitas sin pensar lo que dice el resto.

#songs #stunt songs

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puckyess · 4 years

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Love Her Like I Didn’t | Owen Lindmark

See if you can pick out which paragraph @penaltbox wrote! & In case y’all didn’t know, I hate angst.

** FEEDBACK IS APPRECIATED **

Words: 1.9k

Owen leaned against his headboard with his head tilted up, staring at the ceiling. He wondered how he had gotten to this point and whether or not it was the right move to do what he was about to do. He switched apps to look at the photo once more, sucking in a breath just like he had the first time he’d seen the picture of you with your bright smile and his arms wrapped around your shoulders from behind. Sure, he’d assumed you’d move on from him eventually, to some douchebag guy who he could hate, but he’d never expected it to be with his teammate. He closed his eyes and tried to level his breathing out, feeling like he’d been sucker punched. It was a Friday night, they had a bye week, he should be out with the boys and not wallowing. And yet here he was, feeling like he had the first day of the breakup, if he could even call it that. Technically you two had never officially been together.

Shay was a good teammate and all, but Owen wasn’t sold on you not being with himself. Shay didn’t know you like he did. He’d buy you food and expect you to eat it, not knowing that you were picky as hell, but you also wouldn’t want to make him feel bad so you’d force yourself to eat it anyway. He wouldn’t appreciate the way you mumble, he’d just tell you to speak up instead. He wouldn’t think the baseline between your neck and face is beautiful the way Owen always did. Shay sees the many knots in your hair and thinks ‘my god she’s a mess’ whereas O would say ‘my god she’s perfect’. He’ll notice that you wear the same 5 tshirts and sweats and chirp you for it but Owen always loved it, especially when they were his. He should have told you it more often, too. Owen hates the thought of Shay getting to put his lips where O first let his own drift and explore across your soft skin. He doesn’t like that he won’t get to hear you singing all around the apartment anymore or in the car, which he adored even when it was off key. He’ll miss the playlists you always made and hearing you rap all the songs from middle school. He won’t hear Morgan Wallen the same again after all those times you belted the lyrics every chance you could. He won’t get to see you at 8am all grumpy over being up that early or grinning over a stack of pancakes at brunch. Shay won’t know where your scars came from or why it is that you flinch when he’ll spread his hand out on your stomach. How long will it take him to notice that you smile even when you need to break down because you’re always so strong for everyone? Owen can tell with one glance these days. Is he going to wipe the corner of your mouth or your shirt every time you two go out to eat? You’re clumsy, that was no secret, but Owen always just helped with a soft, ‘it’s okay, baby; it happens’. Owen hates the thought that one day Shay could know you that well, or worse, better than he does. You were his girl, his person. He could go on and on about things he doesn’t want Shay to know, ways he doesn’t want Shay understanding the real you. Every thought that rolls through his mind is like a knife twisting in his heart.

He’d done this to himself though. He told you from the beginning that he hadn’t wanted anything serious & you were fine with that, never really expecting to tie down a college hockey player turned future NHL’er anyway. He’d repeated the phrase every time he felt himself getting butterflies. The first time was when he was having a conversation with the boys in the middle of the bar and he’d known you’d just arrived because he instantly felt warm. Turning around, his intuition would be right. He was drawn to you and your presence. He’d say it when he was around the boys playing video games and you’d be in between his legs and he’d lose track of the game, watching you. He’d repeat it when his eyes searched for you in the hall after every home game and when he made it a point to call or FaceTime you on the way home from every roadie, even the bad ones. No, especially on the bad ones. And he’d really repeat it when he couldn’t sleep because you weren’t there curled up next to him. He’d repeat it to his mom and brothers and cousins and anyone who would listen because if he said it enough times, then maybe he would believe it.

You could tell things were getting to be different, a little more than just friends. The looks he’d give you, the nights you’d spend in each other’s arms just talking, and the amount of time you would spend together. But you didn’t push for more and he was appreciative of that.

The final straw had been when he’d drunkenly almost told you he loved you after you forced him to go out with his team. A decision they had regretted when they spent their night consoling him for you not being there, only made better by FaceTiming you. They delivered him back to you in one very drunken piece and he’d almost let it slip past his lips after you had washed his face, claiming he’d thank you for it in the morning, and tucked him into bed. He got as far as “I lo-“ and even in his drunken state, he could see what it did to you. How hopeful you’d looked. He’d gotten too comfortable and leading you on wasn’t fair. He was leaving soon and you were going to go back to your life, to achieve all of your goals and forget about him. He was doing this for you, or at least that’s what he kept telling himself. Never mind the fact that he’d let himself for a split second think about what he was feeling and how real and terrifying it was. He couldn’t give you what you deserved and he knew that. So he closed out of the picture and reopened his notes app, hoping that he could give some words of advice to his teammate so that he could. He didn’t even know where to begin; you deserved the world and then some.

Shay, I’m writing this because I need you to give Y/N the very best and if you can benefit from my fuck up then so be it. She doesn’t deserve to be broken again and though I know she’s strong enough to pick herself back up, she shouldn’t have to. Please love her the way I never showed her.

Don’t make her pick the restaurant, it stresses her out because she doesn’t want to choose something that you won’t be happy with.

She’s not herself when she’s hangry. She doesn’t know what she wants to eat and she doesn’t mean whatever insult she throws your way. Just make a list of her favorite foods and offer them to her, even if it’s all the way across town. You’ll thank me later.

Let her control the music. The songs she picks will often be a sign of what she’s feeling. If you’re lucky, you’ll see a whole new side of her.

Don’t make fun of her singing, she’ll never sing for you again

Family is important to her, make sure you earn her mother’s respect

Don’t let her go to bed without washing her face, no matter how many times she tells you she’s tired or it’s fine. It’s not fine, she’ll thank you the next day.

Compliment her all the time, even when she doesn’t accept them. She really needs to get better at that

Take her out of her comfort zone every once in a while. She loves to try new things but rarely does so on her own

She loves to have her hair played with, especially when she’s stressed or can’t fall asleep

Don’t make her feel second to hockey. Ever.

Don’t make the age gap a big deal, because it’s not.

Defend her especially when she’s not around. Don’t you dare let anyone speak bad on her name. She doesn’t deserve that.

Talk hockey with her, she loves that but doesn’t want to bother you with that in case you’re tired of it

Don’t entertain any of the girls that slide in your DMs. Don’t even like the picture. You can let her know or even show her your DMs but don’t rub it in her face either.

Trust her. There will be other guys that try to steal her. She’s a catch, but you can’t let that get to your head. She’s loyal to a fault.

She’s going to doubt herself, that’s just how it is. You just have to do everything in your power to let her know you only want her.

Really let her get to know you. All your hockey stories, why you got into hockey, what that guy on the ice was saying. Not the bullshit “it started at a really young age “stuff either. She won’t judge you. Open up to her.

Chirp her. She can handle it.

Treat her right, I mean it. Don’t fuck this up. She’s the best thing that will ever happen to you. I mean that.

Tell her you love her. Say it 100 times over and say it with purpose. Tell her the second that you realize you love her. Don’t make her wait for it like I did. Don’t make her ever question whether or not you love her like I did. Don’t be too proud to say it because she deserves to hear it and I was stupid enough to think it didn’t mean anything, that it wasn’t a big deal and I lost her. Maybe this should be #1 but I didn’t want you to fucking forget it.

Finishing his list, he took another deep, steadying breath & lightly chuckled to himself. This was it. He was really giving his teammate advice on how to keep his girl. He cursed himself. This wasn’t about him and you weren’t his girl anymore. You deserved more and if this is what his part was now, then to hell with his own happiness.

His thumb hit send as he shared the list with Shay. He threw his phone across the room, his hands running through his hair and pulling in frustration, a pained groan falling from his lips. Minutes later his phone was playing Whiskey Glasses, your ringtone and your picture flashing across his screen. He hadn’t heard from you since your ”breakup”, much to his disappointment. He flew across the room to retrieve the phone and immediately picked up.

“Hello?” He answered breathless, craving the sound of your voice.

“What the hell, Owen?! You can’t just...what am I supposed to…” your voice was raw and you were at a loss for words besides the burning question in your mind. Even though you were terrified of the answer, you forced the question past your lips.

“Did you— Do you mean it?”

There was a pause on the other end of the line and your breath hitched in your throat.

“Ohmygod”, he said in realization. Putting you on speaker he opened his notes app and looked at who he’d shared the list with.

Shared with one person: “Y/N”.

#Owen Lindmark #Shay Donovan #Kind of #Mine #my writing

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frozenmikan · 4 years

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We’ll make sure to keep our activities going, to tell everyone about how Aqours is doing, about where Aqours is from - Inami Anju, Aida Rikako, and Saito Shuka’s unwavering resolve

First years interview: https://aikyan.dyreatic.moe/post/624225195452940288/before-a-new-departurekobayashi-aika-takatsuki

Third years interview: https://ganbaramen.tumblr.com/post/625147563563204608/their-intention-is-always-to-be-by-your-side-the

If I gave up, Chika-chan would stop growing too

Love Live! Sunshine!!’s school idol group, Aqours, has just celebrated its 5th anniversary. The “Aqours 5th Anniversary Jimo Ai! Take Me Higher Project”, which includes the franchise’s first dome tour, has also been announced.

Inami: I expected quite a few big things to happen, since it is our 5th anniversary. But even I was surprised at how huge the entire thing turned out to be.

Saito: There really is quite a lot happening, huh?

Aida: We have Aqours CLUB 2020 too, and…

Saito: There are so many things happening that I can’t wrap my head around them!

Inami: Since the phrase “Jimo Ai” is in the title itself, it’d be nice if I could shout out to everyone that we’ve come all the way from Numazu, loud and clear!

What did you think of “Fantastic Departure”, the theme song of the dome tour, when you first heard it?

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Aida: I feel like our songs have gotten more and more mature over the years.

Saito: Yeah, totally! It feels like our songs are growing alongside us.

Aida: Yeah, they’re songs from a genre that Aqours could never touch in the past.

Inami: It does seem like the melody was written to conform to current trends.

Aida: You’re right, it does sound pretty stylish. It also makes you want to dance to the beat.

Inami: As an artist, I feel like we’ve managed to establish exactly what it means to be Aqours. Of course, that includes the lyrics too!

Aida: You can just feel Hata Aki-san in every phrase!

Inami: Yeah, yeah! Especially the “dolphin” and “whale” lines.

Saito: Having words related to the ocean in the lyrics makes it feel really Aqours-like. I think it’s pretty interesting how there’s a gap between the mature-sounding melody and the lyrics.

How was the recording?

Inami: It was really tough…!

Aida: If I focus too much on singing in my character voice, my sense of rhythm goes haywire!

Inami: Yeah, that! When I first heard “Fantastic Departure!”, the first thing I worried about was how I’d sing it!

Aida: Our songs started becoming really difficult around “Jump up HIGH!”.

Saito: No matter the song, the first thing I think about is how You-chan would sing it, but you’re right, it was quite difficult at the start.

Inami: So what do you do?

Saito: I just sing the entire thing as You-chan.

Aida: For me, I let my character voice out when I can, and pay more attention to the rhythm when I need to. That leads to the up-and-downs in my voice, I guess?

Inami: For me, I try singing it once with my own voice, paying attention to the syllables I’d stress. This expands my horizons and gives me more ideas. After that, I try to think of even more ideas as Chika-chan, and that makes my singing more expressive, I guess?

Aida: I think it’s amazing how Chika-chan sounds like Chika-chan whenever she sings.

Inami: I’m so glad to hear that! I’m sure all of us feel the same way, but if there was something I couldn’t do and I gave up on it without trying, Chika-chan would stop growing too. Because I feel very strongly about not wanting to stop Chika-chan from growing and developing, I challenge myself and do my best in everything I do.

Everyone in Aqours is the type to just go for it instead of worrying about it

How about the coupling song, “Aqours Pirate Desire”?

Aida: The lyrics certainly are very forceful. Our lyrics used to be things like “Got it!” and “Heave-ho!” after all, so they’ve definitely have gotten a lot more forceful compared to back then. There’s that, and how the pitch has become really low. It’s almost a full octave lower, so I was certainly a little flustered at the start.

Saito: The first thing I thought after hearing it was, “It’s so low!”

Inami: Yeah, I was like, “Dang, this is gonna be a tough one” (laughs).

Saito: I couldn’t help but wonder whether You-chan would be able to do it. That’s why I asked them to let me listen to my own singing over and over again during the recording.

The song’s atmosphere gives off the impression of a rather wild Aqours.

Inami: You’re right. It’s the first time we’ve had “pirates” as the theme of a song, after all.

Saito: They told us to go all out with the coolness during the recording!

Aida: It is a rather cool song, after all.

Inami: Maybe it’d be nice for Aqours to appear on stage while showing off our cool side. Up until now, we’ve always had a refreshing, cheerful, or straightforward look, so I think it’d be pretty fun to show off Aqours’ unyielding and firm side too.

Aida: The atmosphere Aqours gives off has changed quite a bit too, huh?

Inami: Yeah. Personally, I want to show off even more different sides of Aqours!

Tell us about your favorite parts of each song.

Aida: I like how the lyrics of “Fantastic Departure!” tells a story of us not knowing what’s in store for us in the future. But after seeing many, many things on our way here, we still want to continue discovering what’s ahead of us, and that there are still places for us to go. That made me really happy, and they’re all phrases I really love.

Inami: I’m really glad that the lyrics strongly convey how Aqours will keep pushing forward while also giving off the feeling that this is a new start for us. For “Aqours Pirates Desire”, I like the phrases like “Snatch it for ourselves!”, phrases that Aqours has never really had before. What about you, You-chan (Saito-san)?

Saito: I guess I like the lyrics in the chorus of “Aqours Pirates Desire”. I feel like it really gives off the feeling that Aqours will do anything, that we want to be given the opportunity to do anything and everything.

Inami: All nine of us are the type of people to just go for it rather than worrying about it, and maybe that personality of ours got through to Hata-san as well. For “Aqours Pirates Desire”, I find the part where we say we’ll “sail the seven seas” and “go beyond even that” interesting. We don’t usually end our sentences so forcefully too, and the word “crossbones” really packs a punch… The song is just packed with the new Aqours.

Saito: Though Riko-chan’s a part of Guilty Kiss, so I guess she’s already used to the “crossbones” part.

Aida: I wonder… Though you have to admit that there’s something about how all nine of us can now perform a song like “Aqours Pirate Desire” together, and not just as our subunits.

Inami: Yeah. Most of the Aqours members already like cool songs, and that’s being put to good use here. Maybe we’ll be able to go even further with this concept now that we’ve sung this song, and that gets me really excited.

Aida: It’s quite interesting how although the song is quite stylish, it still feels undoubtedly like a “Love Live!” song when the nine of us sing it.

The entire arena dyed in orange: “Memories never fade”

This January, you performed at Love Live! Fest together with μ’s and the Nijigasaki School Idol Club, breaking the walls between the franchise’s groups. What left the deepest impression on you at Love Live! Fest?

Aida: Can I talk about something that happened when we were off-stage? It’s got to be μ’s “Snow halation”.

Inami & Saito: That really was something!

Inami: We were waiting on the ship for our turn to perform, and because we just enjoy ourselves fully once we’re on stage, the wait before we go on stage leaves the strongest impression on us.

Saito: Yeah, that. The peak of our emotions happened when we were waiting. At that moment, I just felt really glad that I was part of Aqours.

Aida: Seeing the arena glow orange during μ’s “Snow halation” made me realize that memories truly never fade. It’d be nice if we could make the people watching one of our lives feel the same way one day.

Inami: Maybe this dome tour is our first step to achieving that. I’m also really glad that we’ve become capable of considering “sometime in the future”.

Any memories of your own performance during Love Live! Fest?

Inami: When we appeared on stage on our ship, I was really thankful that we were here as Aqours. When I first heard that we’d be appearing on the ship, we talked it out and agreed that we wanted to dance. We acutely felt the meaning behind us having to live up to the animation, as well as the power the nine of us have together, so we wanted to put that in our dance on stage.

After our performance, what we saw from the ship felt really special, and that made me really glad that we performed on the ship. Realizing that made me emotional once again.

How about you, Aida-san, Saito-san?

Aida: We were the opening act for both days, kicking the performance off with “Mitaiken Horizon”. That left a very deep impression.

Saito: Love Live! Fest was our first time performing “Mitaiken Horizon”. Also, it had been quite some time since our last concert, so I was really nervous.

Inami: I knew that I’d be frustrated if we didn’t manage to capture the attention of the people in the audience who were seeing us for the first time. I really gave it my all to make sure that we fulfilled the role of being the opening act and passing the baton on to the next performers.

How were the performances by the members of the Nijigasaki School Idol Club? They even put on some solo performances, right?

Inami: It’s really amazing how they performed on stage alone!

Aida: Fest was right after their 1st Live (Love Live! Nijigasaki School Idol Club First Live “with You”) too. Adding on to that, they even performed on the same stage as μ’s did. So that’s quite something.

Saito: If that were me back when I first debuted, I’d probably be terrified.

Aida: Yeah. Just having the courage to perform solo on that stage is already really amazing.

Inami: Amidst an audience that’s focused on them, and only them, I could tell that they really wanted to dye the entire venue in each and every one of their colors. That was just really emotional.

“We’ve started communicating with just our eyes”: The second years are the balancers

After five years, do you feel like you’ve grown?

Saito: I guess I now know how to look better in photos?

Inami: That’s really important!

Saito: I used to look terrible in photos! But now, I realize that I'm at the point where if I spot the camera cranes during a concert, I'll be like “C'MON LOOK OVER HERE" (laughs).

Inami: I used to be bad with photos too… I really wish I could change my artist photo I took way back then.

Saito: Yeah! Seeing that photo being used for some TV performance just makes me want to scream: “Just change it already!”

Inami: Exactly. Also, I used to be a very negative person, but I’ve definitely become overwhelmingly more positive over the years. Chika-chan is cheerful no matter what, and nothing can break her. She has so many ideas that it’s almost funny, and she still influences me to this day!

Chika-chan is so positive that sometimes I wonder whether she even knows the meaning of the phrase “giving up”. She’s been pulling me along, in a good way. Even now, I still have a lot to learn from her actions.

Aida: For me, it’s definitely my stamina. I really had no stamina at the start. I think I was the worst among everyone in Aqours. Especially during our 1st Live (Love Live! Sunshine!! Aqours First LoveLive! ~Step! ZERO to ONE~), I’d lose my breath halfway through a song, and just singing my solo part was pure suffering.

But I could feel myself slowly becoming more fit, day by day. There are still times when I feel like it’s too much, but it doesn’t show on my face anymore, so I guess I’ve grown in that regard.

Inami: Yeah, I get you! I’m really glad that I can now perform “Kimi no Kokoro wa Kagayaiteru kai?” with a smile on my face the entire time (laughs).

Saito: “KimiKoko” is still pretty tough, even now…

Aida: Other than that, I feel like I’ve changed in lots of ways, so many that I can’t even begin to count.

Inami: During these five years as Aqours, every one of us has managed to take on and overcome different challenges, so I think about how much we’ve grown almost every day.

What do you think about the bond between the second years?

Aida: If we’re talking about the anime, the bond between the second years really solidified around “Aye-aye, My Friend” (episode 11 of the first season of the anime). I feel like after that, we took on the role of watching over the other year groups, with You-chan and Riko-chan supporting Chika-chan together.

Inami: And Chika-chan just throws her everything at anything she’s doing.

If I were to talk about myself, I’ve become much better at grasping Chika-chan’s emotions during our concerts. I’ve become able to find joy and perform songs alongside both of them with a smile on my face, even though they used to be songs where just singing and dancing took all my effort and concentration. I guess that’s when I feel the bond between us.

Aida: For me, because I know that their dances will definitely be perfect, I feel like I have no choice but to keep up with them.

Saito: Our songs as the second years are really energetic, so that shows how close we are.

What’s something that you’d never lose at versus the other year groups?

Inami: How we can be both playful and serious at the same time! That’s something I love about us too.

Saito: When push comes to shove, we’ll definitely get things done, but when we joke around, we go all out too.

Inami: Yup. We’ll mostly be fine, no matter what happens. We’re able to follow up on absolutely anything.

Aida: That’s also because of how much we trust each other.

Saito: We’ve started communicating by our gazes alone a lot more recently, right?

Inami: We can tell what the others are thinking just by looking at their eyes.

Aida: Working together as a year group feels really reassuring, in a different way from when we’re together as nine or in our subunits.

Inami: Even without talking it out, we’ll end up saying, “OK, we’ll give it a try, we’re fine!”. That’s why it’s really easy to be with this group.

Saito: The three of us as a group are pretty balanced, huh?

Inami: Yeah. Because the three of us often have to keep the conversation going during MCs and such, we have quite a lot in common. When my mind is completely occupied with reading the script in front of me, the two of them will follow up or respond to what I say with something appropriate. That’s something I can really count on, so I get to enjoy myself during livestreams and such with them around!

That, and our sense of time is pretty similar. Just when I start thinking that our MC segment during a concert has gotten a bit too long, and that now’s a good time to wrap things up, Riko-chan (Aida-san) will wrap up the conversation, and so on...

Aida: That’s something I tend to do… I’m the type to want to move on to the next thing right away. That, and to stop the first years from going on any longer (laughs).

Inami: It’s clear-cut, easy to understand, and interesting. I really like that part of you (laughs). You-chan is really good at following up when I pass the baton to her, so I can throw a topic at her without worrying too much. That’s why I feel like we’re balanced as a group. No matter what happens, our energy levels are just right, and I think that’s one of the second years’ strong points.

Be proud of the fact that you made our dome tour possible!

There’s still some time before we get the full details, but is there anything in particular that you’d like to do for your dome tour?

Aida: We’ve ridden on a ship and a steam locomotive, so I wonder what’s next.

Inami: If we’re going with the lyrics, it’s going to be a whale next. How about whales in our member colors?

Saito: I feel like people will just wonder what we’re riding on (laughs).

Aida: I guess I want to try all kinds of things without being constrained by what we’ve done up until now. Since being able to do a dome tour isn’t a given, I’d like to reflect on the fact that we’ve been given the chance to do this and leave no regrets behind.

Inami: Aside from our numbered lives, we’ve also been given the opportunity to perform an Asia tour and fan meetings. And now we have a country-wide dome tour; I think that’s really amazing. That’s why I’d like this tour to be one where we enchant everyone with Aqours’ radiance.

Saito: I wanna mess around during a concert…

Inami: Yeah, I do want to play around with some of the songs. Of course, there are songs with the choreography set in stone, so we’ll show that off when we can, and mess around when we can.

Aida: It’d be nice if the concert were something like a festival.

Inami: Yeah! I want the tour to be one that’d get everyone’s heart pumping, one that’ll make everyone in the audience realize their love for Aqours and the songs we perform!

Is there anything you’d like to be able to do by the time the dome tour starts?

Inami: There are quite a few songs that we haven’t performed yet, right?

Aida: I think there’s more than ten of them. Like “Bouken Type A, B, C!!”, “KOKORO Magic ‘A to Z’”, and “Dance with Minotaurus”.

Saito: Yeah! I can’t wait for “Dance with Minotaurus”.

Aida: That, and some more new songs, right?

Saito: The Aqours CLUB song too.

Inami: …Wow (laughs). They’re all songs with different styles and genres too, right?

Saito: Yeah. Especially the tour’s theme song.

Aida: The bridge seems pretty tough too.

Inami: Err… As soon as we can perform our new songs, I hope we can have fun while performing them! (laughs)

I’m sure your fans are looking forward to the 5th anniversary project too.

Saito: I was actually pretty surprised myself. We definitely only managed to make a dome tour happen thanks to everyone supporting us.

I’m really excited that we’ll be able to perform at huge venues, but I’ll make sure to not forget my roots too. To do that, I’m already thinking about re-watching the first and second seasons of the anime, as well as the movie before the tour kicks off. So, I hope everyone reading does the same too! Also, do watch over Aqours, who’ve surely leveled up since our 5th anniversary!

Aida: I never expected to be able to put on such a large-scale concert for our 5th anniversary. It's definitely thanks to all the fans who have been supporting us all this time that we're being given the opportunity to do this.

I think all of our fans should be proud of themselves because they’re the ones who brought Aqours all the way here to our dome tour. I hope to make this tour one where I get to express my gratitude to everyone, and I look forward to your support!

Inami: I hope even more people get to know about “Love Live! Sunshine!!” and Aqours through this interview, and I’d be glad if we left an impression on you. Aqours is in the process of challenging ourselves in all kinds of directions, and I think there are still many words and songs we can bring to everyone.

Although we already have an anime and a movie, personally, I want to start writing a new story with the nine of us in Aqours! With that desire in my heart, in order to tell everyone about how Aqours is doing, and about where Aqours lives, I’ll make sure to keep our activities going. I’d be grateful if you’d come along to witness Aqours’ world for yourself, and I’ll do my best to gain your support from now on as well!

What are the charm points of each of the second years?

Inami Anju -> Aida Rikako

Aqours is a group of voice actresses, actresses, singers, and many more, so all of us had different levels of experience when we first started out. Riko-chan (Aida-san) was never constrained by any of those roles, and she has a very clear idea of what she wants to do as “Aida Rikako”. I thought she seemed rather mature.

What’s more, Riko-chan really loves acting, and I myself love acting too. As we attended more recordings together, we gained the ability to throw all kinds of different lines at each other.

Throughout these five years, I think the person I’ve always talked with the most about “what I should do for Aqours” is Riko-chan. No matter what I talk to her about, she’ll definitely reply with a message or some idea that’s uniquely hers. What she says is very encouraging. We’ve been pouring out our love for acting and our characters together this entire time, so I think she’s the person I can open my heart to most easily.

Inami Anju -> Saito Shuka

You-chan (Saito-san) is very friendly, and since she’s the closest to me in age, from the very start our relationship was somewhat similar to that of childhood friends—just like our characters. Although she’s friendly, she knows where to draw the line, and she’s the type to take the feelings of the people around her into consideration without realizing it.

She never lets it show, but she’s really responsible. She’s really serious, and I believe she was given the leapfrog (in “Kimi no Kokoro wa Kagayaiteru kai?”) and the center position for the 2nd single, “Koi ni Naritai AQUARIUM”, because she always challenges herself to do her best.

All three of us second years are serious, and we’re all balancers, so we just grew closer naturally without needing to work ourselves up over it too much. In the end, I usually have the responsibility of wrapping the conversation up. But both of them always watch over me by my side, to share in that burden of mine. There are things that I’d only share with the two of them, and all three of us have worries that only the other two understand. But, even if we don’t put them explicitly into words, we somehow can understand each other, and our emotions resonate with one another. So, I really appreciate and trust both of them.

Aida Rikako -> Inami Anju

When Aqours was first formed, Anchan was still a teenager, but she was the perfect leader from the very start. She really has her life together, and she has no weaknesses whatsoever. I was actually quite worried for her at the start… To me, it looked as if she constantly had a huge weight on her shoulders. But, at some point, it looked like the weight was lifted off her shoulders, and she became better at depending on the people around her. So, I think she managed to strike a good balance.

That, and she cares the most about the other Aqours members. She’ll be the first to come to our rescue no matter what happens, and she’ll be the first to notice and follow up if someone is feeling down. She’s really mature and dependable, despite being three years younger than me (laughs). When we’re performing together, I feel like I can leave everything to her, and our performances only manage to happen because of her.

Aida Rikako -> Saito Shuka

She’s so capable that you wouldn’t think that she’s the youngest. She’s been hard-working ever since our 1st Live, and the professional attitude of the other two second years is something I really need to push myself to keep up with.

Shuka will never let her exhaustion show on her face; she’s always smiling. She’s usually the mood maker, the energetic one in the group, but she actually pays a lot of attention to her surroundings. She’s also a kind girl who’s capable of noticing the subtle changes in the facial expressions of the people around her.

Saito Shuka -> Inami Anju

Even among the nine of us, she pays a lot of attention to crafting her role. Since Anju’s the leader, I’m sure she felt a lot more pressure than the rest of us when we just started off. But, she managed to overcome that together with Chika-chan, and she’s now our dependable leader. Aqours would be nothing without Anju as our leader, and we can rest assured because she’s our leader.

Saito Shuka -> Aida Rikako

How she pays attention to her surroundings, and how she always has her life together. That, and I really like how she’s a little out of it (laughs). Because she’s serious, there are times when my jokes don’t get through to her, but that’s because she really values the franchise as a whole, and because she has a very strong will. I like the ups and downs in her personality.

Q&A with Inami Anju, the voice of Takami Chika

Q1) Tell us something you love about Takami Chika-chan!

There’s too many, so this is going to be hard… Among the many things, I really love how she’ll never break, and how she can continue chasing her own radiance for her entire life.

Q2) Is there something you want, or something you want to do right now?

I guess it’d be time.

That, and I really want to get a scuba-diving license someday. When I first experienced it through one of the interviews for “Love Live! Sunshine!!”, I was told that I had a knack for it. Seeing a sunfish in Numazu’s oceans is one of my dreams!

Q3) Is there a book or a game that you’ve been hooked on recently?

Because I’ve been casted in “Boku no Hero Academia” (as Toga Himiko in the stage play), I’ve been reading it recently. If it’s a game, it’s gotta be “Pokémon”.

Q4) What did you want to be when you were a child?

This is really embarrassing (laughs), but a pâtissier. Oh, that, and becoming a mermaid. That was a serious dream of mine.

Q5) What do you normally do on your days off?

Sleep, play games, work out, and go for chiropractic sessions. There are some days where I just spend the day taking care of my body.

Q&A with Aida Rikako, the voice of Sakurauchi Riko

Q1) Tell us what you like about Sakurauchi Riko-chan!

How she really cares for Chika-chan. She’s always the first to notice if Chika-chan’s feeling down. Of course, she loves everyone in Aqours, and she’s always caring for everyone. I like how she’s usually the support for all of the Aqours members.

Q2) Is there something you want, or something you want to do right now?

It’s not easy to do this at this point in time, but I want to go on a solo trip someday.

I’ve always wanted to visit France. I love “The Rose of Versailles”, and I really want to visit the Palace of Versailles. Also, visiting some hot springs would be nice.

Q3) Is there a book or a game that you’ve been hooked on recently?

“The Promised Neverland”. I’ve always liked the comics in “Young Jump”. I also have the complete set of “GIGANT”.

Q4) What did you want to be when you were a child?

A singer.

That was my first dream, though along the way I became open to more than just singing.

Q5) What do you normally do on your days off?

I don’t set an alarm and sleep in until midday. Then, I watch TV, and just laze around mostly. I usually don’t go anywhere except for places around my house, so if I had the entire day free, I’d like to visit a shopping mall or something a little further from where I live.

Q&A with Saito Shuka, the voice of Watanabe You

Q1) Tell us what you like about Watanabe You-chan!

Can I talk about something physical…? (laughs) Since she’s in the swimming club and the school idol club at the same time, I really admire her discipline, and I also really like how strongly she feels about wanting to do something together with Chika-chan, and how she really cares for her friends.

Recently, I’ve really taken a liking to her curves.

She’s not too fat but not too thin; her body is the epitome of a healthy high school girl, and that’s really great!

In episode eleven of the first season of the anime, “Aye-aye, My Friend”, there’s a scene where the camera focuses on her thighs; the thought that went through my mind was, “That’s perfect!”. Her face also looks really pretty from the side. I like how she’s so beautiful that I don’t even have the words to describe it (laughs).

Q2) Is there something you want, or something you want to do right now?

I wanna go to a grilled meat place for some beef tongue! If the beef tongue is sliced thinly, I could eat that forever. But, I’ve started asking for a larger portion of rice with my meals, like a high school boy, so I think it’s about time for me to start cutting down.

Q3) Is there a book or a game that you’ve been hooked on recently?

I’ve liked this for the longest time, but “Bokura ga Ita (We Were There)”. I really love the character Yano Motoharu from “Bokura ga Ita”, and I seriously wonder whether he’d appear in real life. My brain is infected with shoujo manga, so I really want the heart-throbbing scenes in shoujo mangas to happen to me too.

Q4) What did you want to be when you were a child?

I really wanted to say “an idol”, but that was embarrassing, so I said I wanted to become a preschool teacher. But, ever since I was a child, I was dancing in the center for the dances we did in preschool performances, and I often thought that someday I’d become someone who’d be performing on stage.

Q5) What do you normally do on your days off?

I guess I go shopping by myself most of the time. Recently, I’ve started using my days off to go for massages or to visit a beautician, to keep my body in top shape. Most of the time I end up shopping somewhere on the way back.

TL: xIceArcher

TLC: arbshortcake

QC: Cornsplosion, Yujacha

#love live #love live sunshine #aqours #inami anju #anchan #aida rikako #rikyako #saito shuka #shukashuu

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windstormwielding · 3 years

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{ ooc } Can I just say “thank you guys” for all the positive feedback I got from you all on Yumiko there-? Because seeing some of you getting smitten with her so fast got me feeling all warm and fuzzy in my inside parts.

As thanks, how about a not so teensy bit of trivia behind my creation process for her? Because guess what I am not done rambling about Kōta’s feral but doting mom. Dropping it all under the cut for length!

Goroawase! The Japanese language has an entire pun system dedicated to matching certain numbers together to create phrases, and you can find them in everything from phone numbers and advertisements to dates on the calendar. For Yumiko’s birthday, June 26 was not chosen at random, because with a minor tweak, the date itself can be read as “rotenburo-no-hi.” Translation? Open-air bath day. What was her zanpakutō’s special ability again? Steam!

Yūgiri! The zanpakutō shares its name with a few Japanese warships down to the Kanji, but relevantly I named it after a Fire Emblem Fates character. Hailing from Hoshido, Reina is a Kinshi Knight who serves Queen Mikoto. She is a bloodthirsty warrior who’s eager to indulge in the morbid pleasures of the battlefield, but in sharp contrast to her sadistic side, she also happens to be quite the motherly sort towards her allies! Reina was her English-localized name, but in the original Japanese release? It’s Yūgiri.

Steam! Reading Yūgiri as “Evening Mist,” I figured it would be fun if Yumiko had a zanpakutō power that leaned on the meaning, so I went hard with the steam concept since I don’t think there’s a Bleach character that works with such a power to an explicit extent? As for her ultimate attack, Jyōki Bakusatsu (蒸汽爆炸), the Chinese characters are pulled from the mythical Steam Pokémon Volcanion’s signature move “Steam Eruption” – while it works serviceably enough as Kanji, turns out Pokémon moves tend to use Katakana more over Kanji or Hiragana for their naming, in this case reading as “Steam Burst.” Who knew! I wonder if her own Pokémon team would consist of Fire and Water types...

Sukeban! I’m quite fond of delinquent/boss girl-type characters and realized Bleach had a distinct lack of exactly that sort of archetype amidst its cast of badass ladies, and the only real “delinquent” presence in the series were all the nameless banchō bullies Ichigo put up with. From there, my brain turned to the 11th Division and its own distinct lack of ladies; aside from Yachiru Kusajishi who is too adorable for words, and Retsu/Yachiru Unohana as Division founder and first Kenpachi, it’s a bit of a sausage fest. Isn’t that the kind of squad where a delinquent girl would be a perfect fit though? So, looking at Kōtarō’s mom who raised him a dangerous place like Kusajishi and taught him how to fight with a sword, I thought “Hey, but what if...” until I settled on Yumiko’s physical appearance!

Bleach itself! Regardless of however one may feel about some elements of the novels, I just plain love world-building (because it’s not like we’ve got much else to gush or theorize about since the series proper ended). I welcome further attempts to bring in elements from anime filler and other media into the main canon with Kubo’s seal of approval, because god damn I love me some added cohesion towards a bigger and more developed world. I’ve actually got full-on written notes with my own ideas at doing the same; including the premise of the Sealed Sword Frenzy OVA (plus elements of Spirits Are Always With You) as part of Yumiko’s own backstory, and headcanoning the OVA’s villain Baishin as a former Captain and Kenpachi, is just the tippy top of the iceberg of expanded concepts I jotted down for my own personal pleasure and use!

Undertale! To add to the above, one of my big inspirations in creating her was Undyne the Undying, the boss fight from the game’s Genocide route, hence Yumiko’s character theme being “Battle Against a True Hero.” Just as the Determination-fuelled Undyne defied her own death to take on the murder-happy player character in order to protect the world, leading to the hardest boss battle in Undertale shy of Sans himself, I like to play out a similar battle in my head between Yumiko and Baishin after he turned into a crazed shinigami-zanpakutō fusion. She would’ve been 64th to his kill count of seated officers, but—at the cost of her own powers—she would be the one to succeed in pushing him back and forcing him to flee to the world of the living. Yumiko doesn’t just got it going on; she’s a genuine, fiercely determined badass, and a true hero... though she’s one of Kōta’s biggest heroes above all else. Sidenote, I can’t even begin to tell you how many times I listened to BAaTH on loop for the past week, from the original to remixes and covers with lyrics, just to get a proper feel for Yumiko’s past self-

Kōtarō himself! I wanted to expand his own backstory a bit and really build on the woman who raised him, but going full ham in drawing more parallels between him and Yumiko than I initially counted on was so much fun. Similar doting and goofy personas towards those they care about! Parallels in their zanpakutō elements! Her teaching him how to fight like she used to! Wholesomeness just warms my heart so friggin’ much.

#{ beyond the sky ☁ ooc ☁ }#{ i’m falling free in the wind ☁ headcanon ☁ }#{ cut for length }#{ ooc: for real though thank you all for loving Yumiko- }#{ so have a little extra Yumiko! as a treat-! }

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filia-secunda · 4 years

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Notes from listening to the Zephyrus EP by the Oh Hellos

RIO GRANDE beginning instrumental sounds like "Hieroglyphs" "Somewhere south of here" - Mexico but also the general "global south" Bible references: Moses, faith the size of a mustard seed. Weren't there a lot of Old Testament passages that compared wisdom, or Israel, to a vineyard? (They can't be referencing the Last Supper.) Of course the camel thinks the needle's eye will be roomy and easy to go through. Does the "cable" mean anything Scriptural? the shout at 1:07, though quieted, sounds genuinely aggressive or pained "A seed of an idea, like mustard greens, like newborn fingers, stretched up and reached through the hardest part of me." An idea embodied in smallness/openness/vulnerability, like the Infant Jesus or Moses or the rabbit on the Zephyrus cover, will turn a heart sooner than an idea that incarnates as something violent/miilitant. "Tinfoil idols" jarred me at first because I'm still used to thinking of conspiracy theories as belittled minority ideas with no societal power and an anti-establishment bent. But with a US President suddenly promoting so many, maybe they are "established" enough to be called idols now. "Our pre-fab Mount Olympus / divided by the thousands" - YESS GO OFF. Our government is decided for us before we ever go to vote (you should still vote though, because maybe the mountain can be moved), capitalist industry has locked the poor around the world into pre-fabricated poverty, and I love to see a folk song fight it. I caught a whiff of the Malvina Reynolds or Woodie Guthrie spirit from this line. HOLDING ON WHERE I AM ABLE old-time-sounding fiddle gonna make me cry

THESEUS referencing the hymn "When peace like a river attendeth my way" "The slow trickling thaw that sets the banks in half / The sweet melody it makes when the canyons crack" - these lines show water as a force of good destruction like in New River, but I mostly just wanted to quote them because they're the most mellifluous stuff I've heard in a big week. "No single-use Ark to discard in an instant / Like Theseus's ship, we'll fix the busted bits / Till it's both nothing like and everything it's always been." I guess maybe the Heaths *do* consider themselves still Christian. They've replaced all the old planks of their Christianity - pruned all the feathers like leaves from a vine - but they do consider the replacement to be still Christianity, and claim we have to change it if we don't plan to discard it. "I want to mend what I've got instead of throwing away." Hm. "It's gonna hurt like hell to become well" - Soap before Soap! ZEPHYRUS Contrasting the first and last verses - wholeness not found in looking at the sky, but growing things from the ground? (Top-down vs. grassroots organization?) I really do not understand the next couple verses, but they're phrased extremely beautifully. "I want to spin something out of nothing / lead to gold" - alchemy but also writing with pencil-lead! I'm in love with the casual femininity of verse 6 - "I wanna help mother up an orchard / daughter phoenix rise" The gentleness of this song, and the joy the singer takes in giving life - here comes the spring! "Break the bonds I've been holding onto" - considering Soap, this is probably something about chemistry. I wouldn't have thought of this myself, but Genius Lyrics says the last verse is about death - specifically the part of the life cycle where your body (if buried) fertilizes the ground around you, like in Boreas - "let my body be a darker soil." I'm not sure I agree yet but am considering. MURMURATIONS Never noticed the laughter at the end before. No other substantial observations though.

SOAP Others have already pointed out most of the things I've noticed in this song. How do they make phrases like "molecular rift you can't fix" so flowing and fun to say? The two verses about softness, not toughness, being what's necessary for growth - connected with how the EPs' covers depict progressively softer animals? A cicada is hard-shelled and alien, a goose is at least a vertebrate but not a very relatable one, a bear is a soft mammal but big and dangerous, but a rabbit basically embodies and inspires gentleness.

Rounds

An epilogue kinda thing where they break the fourth wall to talk about the preceding songs. To say, "Wait, I'm still speaking? Well I'm gonna take a break," to apologize for not speaking as well as other "prophets," and to hope that their words lead to some good effect. It's a sweet, humble goodbye, like the end of a small friendly concert.

"I'll go on and on and on" (Boreas), "echoing hymn" (Passerine but with different connotations) "around again" (Torches, Hieroglyphs), "we start where I end" (Boreas again).

"Be the sun as my witness / Better prophets could pen / A thousand words for every chord / I ever could begin. / May their carbon given / Be an echoing hymn / That goes on and on and on again / So long as I live" - pencil-graphite is a form of carbon, so I think they're rephrasing the "lead into gold" line of Zephyrus, but they're also talking about the carbon we're made of ("we are matter and it matters"). Some of these "prophets" write, but others just live out/embody their own messages and use their own hands to mend what's broken around them. They let their bodies breathe life into the corners, be a darker soil, and water deep to the roots of something greener.

This whole EP is very Incarnational actually

#the oh hellos #zephyrus #ambiguously Christian folk music with synthesizers #sorry for inconsistent formatting!

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d6official · 4 years

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DAY6: ‘We’ve Always Wanted to Go to India’

The South Korean rock band open about their songwriting process, their aspirations for future records, the definition of authenticity in a world that often dismisses artistry in K-pop and India

I caught up with DAY6 a few months ago via Skype–I’m told the quintet are in the middle of shooting new content for their fans and are dressed in their looks for a video, so it has to be an audio call. I can’t see them and they can’t see me, so of course there’s a lot of giggling, whispering, and moments of ominous silence that then have us all breaking into laughter together. It’s awkward, hilarious and everything you’d imagine a call with DAY6 to be.

It’s towards the end of the year so there’s a lot going on in the band’s schedule, but they’re an unstoppable force, flying across the globe to complete performances in the U.S. and in Australia. It’s a pretty rare thing to have all five members be able to join in on a single call, so I’m happy to hear all their voices greet me. “We’ve just been on tour and we’re having a good tour so far,” says vocalist and guitarist Jae. “Everyone’s been really welcoming in their countries and really just turning up for us, so we’re happy.”

DAY6 debuted in September 2015 with leader and guitarist Sungjin, bassist Young K, guitarist Jae, keyboardist Wonpil and drummer Dowoon. All members are trained vocalists, with Young K also doubling as main rapper, and every member contributes to songwriting and production. (The group did have a sixth member, a keyboardist named Junhyeok, but he left in 2016.) Young K also leads the songwriting process, with lyrical contribution in every single track on most of DAY6’s albums.

The beauty of DAY6’s artistry lies in how versatile they are able to make each track within a single album–in one moment you’re listening to a stadium anthem that’s reminiscent of a young U2, and in the next there’s a segue into Killers-esque post-punk revival. If you’ve been a long-time fan, you probably already know this thanks to their genius ‘Every DAY6’ project through 2017, which saw the band release two songs on the sixth day of almost every month. The result? An expansive, experimentative discography which built two powerful albums– Sunrise and Moonrise–with B-sides that shine just as much as a lead single. Jae explains that there usually isn’t a set idea when they begin an album–a lot of the music is born through songwriting sessions with various producers, where each member gets to go explore any genre they want on their own. It’s a power they’re exercising more and more, especially all through the Book of Us series. “We didn’t really discuss a direction when we started,” Jae says. “Everyone just kind of did what we wanted, which is why the album is a jumble of this and that from everywhere.” In fact songs have a tendency to switch genres in between verses–a great example of this is DAY6’s 2017 single “I Wait.”

The group also credit the genius of JYP Entertainment producer Hong Jisang as a key factor in their creative process. “I think definitely one of our main influences is probably gonna be one of our main producers and that’s Hong Jisang,” says Jae when I ask the band about their musical influences. “He’s a writer that works with us very frequently. For most of our title tracks–actually all of them I think so far. But yeah, he’s definitely one of the main influences because he’s always been kind of our mentor since the beginning of our debut dates… even before that. So he’s been teaching us about songwriting, you know, tracking or melody writing. We have a little bit of a flow just because we’ve grown so close to him as a group.”

“Just one of the reasons why we try any kind of genre or any music is because people do have different tastes in music,” explains Young K. “So if they like at least one of them, then it’s a success for us. Another reason is because we do get to play almost all of them, almost all [their songs] at the concert. So, we do have a chance to show it to the MyDays and the crowd and you get a chance to have fun with it. And I guess it’s just what we aim for as a group.” They’ve stood strong and stuck to their guns when it comes to this process of songwriting and it’s the fuel that expands their creative process, ensuring they don’t stick to one particular sound or vibe.

I remember back in 2016 when DAY6 began to get more popular, a lot of the attention around them was built of curiosity. As the first band under JYP Entertainment and the one of the first in the third generation of K-pop, both fans and industry professionals were curious to see where the Hallyu Wave would take them. The idea of an ‘idol rock band’ was new to the thousands of fans who had discovered K-pop after the 2016 boom of the genre, and DAY6 didn’t fit any existing stereotype–idol or band. They still don’t, and it’s a powerful statement.

This particular artistic evolution that we’ve seen with DAY6 isn’t easy to achieve in the K-pop idol-sphere of it all; our discussion about artistry in the glittering world of idol culture brings us to the topic of what it’s like to exist as what people believe to be a ‘traditional’ band in the middle of the ‘boy band narrative.’ I ask because it’s something I see often even in India–there’s this idea of authenticity always being tied to the more ‘conventional’ format of a band: artists with their instruments are deemed more ‘legit’ than pop acts. There is an unfortunate tendency among the general public to dismiss artistry created by pop stars and K-pop idols. DAY6 walk the line between the two worlds, and their path to finding that balance often demands a seesaw from one side to another. Have they ever faced a dismissal of their artistry because they’re idols who are also a band?

“That’s a very deep question,” says Sungjin. There’s a long pause as he gathers his words and then continues, “I personally haven’t seen that big of a difference. We, as a team that emphasizes on writing songs and writing music to appeal to other people, feel that everyone who writes songs or does music has the same objective and goal, therefore [artistry] is the same thing [for every musician.] So we’re not trying to focus on those kinds of factors but just try to focus instead on our music and our creation process so that we could become more authentic artists that appeal to more people.”

And what is DAY6’s definition of authenticity?

“When the person who’s creating the music legitimately feels like it’s good music,” says Sungjin firmly.

Right now the authenticity in their songwriting comes from the ordinary. Lead lyricist Young K explains the members draw from everyday experiences and conversations to write songs that are relatable, raw and honest. “Lyrics wise, I could say, we got very cleaned up and very neat. During the times of Every DAY6 project, we were out of time all the time throughout the year,” he says with a laugh. “So, it gave me the lesson of like, always being prepared to write lyrics so that I could pick out a way to find motivation or inspiration. I don’t wait for that inspiration, I gotta always go look for it. For example during everyday conversation, if there’s something or if there’s a word if there’s a phrase that I like, I write it down on my phone.” He pauses for a moment and then sheepishly admits, “To be really honest, I haven’t been doing that for months now. I need to get back on it.” He also says rather than listening to new music, skimming through lyrics is always his go-to move when it comes to evolving his style of storytelling. “So I guess it’s just continuous experiences that helped me to grow and, like you said, evolve.”

I ask the band which of their songs they would recommend to a new listener to help them understand DAY6’s artistry, and there’s a collective hum as they contemplate. “That’s a really difficult question,” says Wonpil. “Maybe ‘You Were Beautiful?’” The rest of the band agree wholeheartedly, and feel the 2017 rock ballad does a great job of summing up who DAY6 are. It’s certainly a fantastic example of the band’s powerful songwriting and their uncanny ability to to delve into topics that are at times a little too real, a little too familiar.

DAY6’s complex Book of Us series of albums have dealt mainly with the various levels of human interactions, emotions and relationships, each volume diving deeper into the complexities of what makes us who we are. The ‘Us’ in the titles can refer to DAY6 themselves, the relationship between them and their fandom MyDay as well as various other relationships the members might have in their lives. It’s also a general reference to the relationships we as human beings cultivate in our lives. The first album in the series The Book of Us: Gravity was one of their brightest releases, exploring youth and young love. The Book of Us: Entropy was a little heavier, a little more mature, exploring the beginning and end of relationships and how it changes a person.

The band’s upcoming release of The Book of Us: The Demon is perhaps their most anticipated release yet. Set to drop tomorrow, May 11th, the eight-track EP already hints at a slightly darker route than its predecessors with its title, promising a deeper look into the core meaning of the series. The teaser for the lead single “Zombie” which dropped on May 8th shows the band wandering dazed through crowds while the track itself seems to build on angsty alt rock. DAY6 also dropped an album sampler that hints The Demon cruises through pop rock (“Day and Night”), blues (“Tick Tock”), post-punk revival (“Stop”), acoustic pop (“Afraid”) and more.

In true DAY6 style however, the tracks can change direction in-between, crossing genres from one verse to another. It’s all a surprise right up until we hear the record, which is one of the best things about listening to a new release from this band. While I’m not told any specifics, I’m assured that DAY6 plan to go bigger than ever before when it comes to future releases. “We want to go to space!” exclaims Dowoon and the band agree enthusiastically. How does space translate sonically? “We want to go for a larger scale of music,” he explains. It’s about dreaming bigger and looking at ways to elevate DAY6’s musicianship. Jae adds, “Yeah, maybe going from just one acoustic guitar to like a full brass band or something.” We discuss possibilities of DAY6 working with an orchestra someday and it’s a pretty fantastic vision.

Speaking of future plans, I decide to put them on the spot and ask about when we’re getting an India tour. “Whenever you guys call us, we are definitely there!” Jae assures me immediately. Young K and Wonpil explain they are familiar with Bollywood and eager to learn more about it. “I am aware it’s huge there. And recently Katy Perry did something with Bollywood?” asks Young K. We realize he’s referring to the pop diva’s massive November concert in Mumbai with Dua Lipa and he shares that it’s one of the reasons DAY6 are more eager to check out India’s concert scene. “Yeah, I actually heard it from my friend. They were telling me, ‘Yo, you should go to India’ and like wherever it is, we always want to go. If there are people who are willing to listen to us and enjoy with us at the concert, we want to go.” Jae adds, “You guys have a lot of people and for us it’s a new culture and we are always interested in going to different places and seeing new things, trying different foods… naturally the food! So yes, we’ve always wanted to go to India, so call us!”

We spend the rest of our allotted time together talking planning a show in India for 2020 and although COVID-19 has postponed these plans for now, it’s something the band believe needs to happen. “We definitely wanna see you guys,” says Young K. “It’s always great to go to new places. Until the time that we meet, we want you guys to stay healthy and happy.”

By Riddhi Chakraborty

#day6 #t: article #t: interview #200510 #rolling stone india

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