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gazkamurocho · 3 days

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“The year is 1988. The young Goro Majima is a prisoner in Sotenbori and is forcefully working as the manager at the biggest and most successful cabaret in the city: The Grand.

During his captivity he discovers a way to momentarily forget his predicament. By freeing himself as ‘The Queen of The Night’, Goromi.

Together with his new-found love, Kazuma Kiryu, the two of them have fun and enjoy each other’s company as much as they can because their time together is limited and it’s almost coming to an end.

Kiryu will make sure to give Goromi and Majima a night they will never forget.”

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It's finally here! The first look on the opening sequence of 80s Goromi doujinshi ❤ (title still in the works~)

More info about this project under the cut!

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Different from my usual comic strips, this is a long doujinshi and the total page count will be something around 40~50 pages. Besides Kiryu and Majima, we will also have characters like Sagawa, Yuki-chan, Youda and the Sunshine Club girls making an appearance. The plot, script and scenes are all ready and I’m storyboarding and drawing the pages as I progress through the script!

This is also a R-18 adult doujinshi. There’s a lot of fluff, angst and fun interaction with the other characters but a good chunk (mostly half) of the comic will be dedicated to hentai (so rejoice you horny ones fdsjkfhdj). (For those who are curious about the spicy parts, it’s my established 80s Goromi and Y0 Kiryu’s dynamic: Goromi is the top and dominant one and, as a good and obedient boy, Kiryu will obey all of her orders and will do anything to please his queen. 👀 So basically, Goromi will destroy Kiryu dhsfksd)

I’ll be sharing the first 4 pages and then some random ones to the public, but after those, all new pages will be exclusive to my patrons on Patreon! I’m gradually posting over there WIPs, behind-the-scenes and new pages as I make them. I’ll always let you guys know on my social media when I post a new finished page on my Patreon!

I expect half a year or a year for the whole doujinshi to be finished. But the more support I have on Patreon, the faster I can make this doujinshi!

Once finished, I’ll make the complete doujinshi available for purchase in one of my online shops! Yes, this will be a paid comic. I’m pouring all my love for Kazumaji and 80s Goromi in this doujinshi but it also takes a lot of time and dedication to give life to this project so I hope you guys understand that decision. ❤ Of course, all the patrons who support the comic on Patreon will have the whole doujinshi available to them from the get-go.

It will first be available as a digital PDF but I’m also planning to release it in physical format down the road.

Making long comics has always been my true passion, ever since I was a little kid. And I also have other long adult doujinshi planned. If everything goes smoothly, this comic will be the first one of a series of Kazumaji doujinshis! ^^

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bloos-bloo · 5 months

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Guys- Today’s stream had me in shambles- IM SORRY BUT I LOVE 4HALO MORE THAN FOOLHALO- PLEEAAASSEE-

I have the poem below- And yeah, this was the zine I turned in for an assignment lmao- I just changed one panel

#bloo’s art :)#qsmp 4halo #qsmp fanart #qsmp badboyhalo #qsmp forever #they are gay your honor #they deserve to be happy #daily flowers? come onnn theyre so ment to be #im rewatching bad’s pov rn and im dying to see these two first interactions #also this is my first time drawing a comic in this format?#i love it ngl

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westywallowing · 3 months

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my favorite scene redraw from S5E13: "Migration"

#miraculous ladybug #miraculous fanart #miraculoustalesofladybugandcatnoir #ladybug #marinette dupain cheng #ml ladybug #luka couffaine #westy doodles #comic #tales of ladybug and cat noir #ladybug and chat noir #YEAH SCENE REDRQW #i dunno this is just one of my favorite episodes!! and i love this scene so much #i love how it plays out and i love marinettes expressions #and just wanted to draw it in comic format!#first time drawing luka as well??? howd i do????#also everybody lets PLEASE collectively ignore my gradeschool handwriting okay #i hate fiddling with text adder so i just write and i kind of hate it but we're dealing with it!!#mlb redraws

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velvetwyrme · 9 months

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🗞️💥💥!!!

A little comic based on my initial response to @wave-nine's post ;3c

#my art #fun fact you can see that they did remove Some of his clothes :^)#they were 'nice' enough to leave his singlet on #there is also More to this comic but ehhhh we'll see if i actually have the time to draw it #hint. look at my tags in the reblogs of that post.#ACTUALLY. DON'T.#kjskajkkknfkjd i just remembered what i wrote there oh god #yeah don't. percieve me thank u #Definitely go check out the post though its very good and funny #DOUBLE fun fact.#in the second panel before gettin hit. speechbubble!money is actually looking at the other money getting hit #whereas mutt is lookin at the first money going 'eh-?! what-'#formatting is fun!#hjhrjjhdkjhhf i have more stuff to post soonish but. i wanted to post this first :]#wait oh no i forgot all the important tags #swapfell!papyrus #sf!papyrus #undertale au #asmjkjfjjhfd its FINE #im not going to re-type everything. so if you see this you see it!#BACK TO THE THINGS IM SUPPOSED TO BE DOING

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mako-ink · 17 days

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Leon WIPS I miss my wife

#dislyte #digital art #art #digital artist #original art #fanart #anime #dislyte fanart #dislyte leon #bringing back my Leon definitely has battle scars no way he’s been doing this for 9+ years and is scarless #first one is gonna be an illustration inspired by the album/divination format art :3 #also just some random Leon sketches #chop suey smooth operator and eyes without a face on replay for this one…#I don’t think I’ll ever get tired of drawing him Leon I’m your number one fan forever #I wish we could get an animated series or comic with him…. maybe I’ll make one myself (the voices)#I had a glass of wine while drawing this when I should’ve had a glass of milk to embody Leon fully… I don’t think he drinks alcohol #time to lock in #sorry I’m yapping so much about my pookie…

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dog-wood-tree · 1 year

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I made a little comic for a scene from “I’m Still Here, At The Swing Sets” by @mrhalloween2ficpage!! It’s a really good fic and l liked this scene!

#this is my first time doing something like a comic format #so I didn’t really know what I was doing but it was fun #also mike is supposed to be like 5 and I know he doesn’t look it but this was the best I could do #drawing children is hard #mike wheeler #henry creel #vecna #stranger things #byler #stranger things fanart #my art #mine

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chillbean3210 · 6 months

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Day 21 of Lotftober!

Yes, I know that’s it’s over now but I was planning on posting this for Day 21 a while back (I even posted a WIP a while back) but due to me being constantly busy, I couldn’t post it in time 😭 So I figured that I’d post it now

When I first read Lord of the Flies, I found this scene to be really sweet. Before, I wasn’t really understanding the book (it’s way too descriptive at times 😅) but when I read this scene, I really liked it. Ralph and Simon were the characters I liked the most, so I figured I’d draw this scene for the day

I really wish I could have finished this in time but it’s here now and that’s all that matters I suppose

I'm writing this because I just wanted to say that I truly appreciated being able to have the opportunity to post my art <3

I don’t have a problem with my artstyle but I always think it’s too cutesy and I get shy whenever sharing it with people I don’t know. So sharing a piece of art of the boys was definitely a big step (especially since I had drawn the 4 boys in one go)

But people actually liked it, so it made me want to create more and the more I created, the more people liked it. It was a bit of a surprise for me. I know that 15 or 21 likes isn’t a lot to others but for a small blogger like me, it’s huge. I’m pretty sure the gender bent one I made is the one that has the most likes thus far

Even though I was constantly busy, I still had so much fun drawing the boys and participating in this event. I just wish I could have participated more! It was nice seeing the official lotftober account reblogging the artwork I made. Even one of my favorite artists reblogged my art! (When I got the notification that they reblogged my genderbent artwork, I was so happy!)

It really helped me gain more confidence in my cutesy artstyle and made me see that people do indeed like it. I want to improve of course, but I’m now more content with the way I draw

I don’t know if I’ll ever post more art soon, but I’d definitely love to post more in the future!

From the bottom of my heart, thank you to everyone who liked my art and gave this little blogger some attention 🩷🩷

Also shoutout to my recent followers who came in during the lotftober event, you guys are awesome! Also shoutout to the people behind lotftober, you guys are awesome as well!

Once again, thank you all ❤️

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hiveworks · 8 months

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Interview with Mad Rupert, author of Sakana

September 2023

Sakana, the story of life and love in a fish market, is coming back from its hiatus soon! The strip comic style webcomic began in 2010 and follows Jiro, Taisei, Yuudai, and Chie as they navigate their relationships and learn to face their feelings. We asked creator Mad Rupert, author of Robber Robert and artist of Bunt!, for an interview to celebrate the series return.

Read Sakana | Shop books & merch | Read more Hiveworks comics

Sakana has been your baby for 13 years. What has the webcomic journey been like for you over the past decade?

It really has been over a decade, hasn’t it! There have certainly been ups and downs, periods where I was updating as much as I could, and also long hiatuses. I feel like webcomics have always been an amazing space to practice my craft and stretch my writing and drawing skills alike. You can kind of do anything you like with webcomics, and oftentimes people come up with wackier, and imho more interesting concepts than if they were beholden to a large publisher. Not that I haven’t made my fair share of traditionally-published comics and graphic novels… but there’s just something so gratifying about coming up with your own wild story and working towards its end on your own time. Webcomics are incredibly tough and time consuming, but also the ultimate form of self expression.

What is the origin of Sakana? What made you want to tell this story?

Sakana actually started as a class project when I was a junior at the Savannah College of Art and Design. I had been accepted into the Sequential Art department’s yearly Japan trip to study comics and cartooning in Tokyo for a few weeks, and our final project was to create 11 comic strips based off of something that made a strong impact on us during the trip. We had visited the old inner market (now demolished) of the Tsukiji Fish Market at 4am one morning, and it was the most incredible place I’d ever been, so I decided to craft a short story that took place in the market. Beyond the first 11 strips, I decided to continue the story for as long as I could as a way to practice the comic techniques I was learning in class. That was over a decade and 600 strips ago! It really has become the most ambitious project I’ve ever undertaken.

Do you have the ending already written? Do you see a conclusion in sight?

Yes! I’ve always had something at least resembling an end in mind throughout most of the comic’s lifespan. For a long-format comic like SAKANA, I think it’s very important to have a rough ending planned out as early as possible, otherwise it becomes difficult to keep the narrative moving in a satisfying direction, drop little tidbits of plot that will pay off later, or even maintain your enthusiasm for the project. To be clear, the details of Sakana's “end” have changed many times, which is only natural with a very long project like this. But I’ve always kept crucial details the same: basically certain characters in a certain place at a certain time doing certain things (to keep from getting too spoilery haha.) HOW they get there, WHY they’re there, and WHAT exactly they’re doing will ebb and flow as the years go by and I myself get older and older. But having a general sense of the end in mind has kept things moving all this time. The story’s got one more volume to go, and then I’ll be done!

Your hiatus is a result of working on a traditionally published graphic novel, coming in 2024. Is there anything you can tell us about your book?

My new graphic novel is called Bunt! and it’s a collaborative effort between myself and my dear pal, Ngozi Ukazu (author of popular webcomic Check, Please!) Ngozi wrote the book and I drew it, and we’re both really proud of what we’ve made! It’s already available for preorder all over the place and it will officially be out in stores in February 2024. We’re really looking forward to getting out there this fall and winter and spreading the word about it!

You recently successfully completed a Kickstarter for an 18+ comic, Robber Robert, as well. What is it like balancing these different narratives, genres, and mediums of publishing comics?

It’s definitely been a struggle at times to balance everything, and I definitely don’t recommend working on 3 giant projects at the same time! I finally had to admit that I couldn’t do it all at once, which led to me putting Sakana and RR on hiatus to finish Bunt!, and then keeping Sakana on hiatus while I finished up RR. I really burned myself out on comics for a while, and it’s been a huge struggle to get myself back to a good place with my work. Finishing Bunt! and RR Chapter 1 has really helped reenergize me, but I can always feel myself trying to overload my work schedule again and again. It’s my greatest weakness as a professional artist.

What keeps you inspired?

Making something for myself, practicing my craft, and putting my own stories out there are all huge driving forces in my life. Learning to stop overwhelming myself with work has also helped a lot. Looking back on all the art I’ve made and all the different things I’ve tried makes me feel like I can do anything I put my mind to, so long as I give myself the time and space to enjoy the process.

Do you have any webcomic or graphic novel recommendations?

I’m a big fan of anything fantasy or sci-fi, especially if the narrative approaches the fantastical elements in a weird, unique, and kind of gay way haha. My favorite manga is currently Delicious in Dungeon, but I’m also a fan of historical series like Golden Kamuy and Bride’s Story. For webcomics, I love anything by Evan Dahm, like his long-format series Rice Boy and Vattu. As for Hiveworks comics, there’s too many to list individually but my current favorites are Fairmeadow by KP, and Tiger, Tiger by Petra Nordlund.

Any advice for new readers of Sakana?

I would say…despite its high page count, it’s not that long of a read! The strip format keeps it moving at a pretty quick clip when read all at once (but it certainly didn’t feel like that over the last 13 years updating one page at a time!) I know that the format and the black and white rendering might feel a little dated in the current era of Webtoons and full-color stories, but I’m too stubborn to change now, and I really appreciate anybody giving it a shot! Also, no matter who you are, or how much you dislike him in the beginning, Yuudai will probably be your favorite character.

You can read Sakana for free at sakana-comic.com and print books are available at hivemill.com

#sakana #webcomic #comic #webtoon #hiveworks #blog #interview

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kbspangler · 1 month

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This is the public statement from @alepresser and myself which went up at Webtoons tonight.

Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.

This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)

And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?

Well, these days, A Girl and Her Fed has pages like this:

I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.

The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.

So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.

This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.

For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!

But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.

Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.

Do the thing yourself.

If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.

Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.

...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.

#webcomic #webcomics #side quested #comic #comics #indie comics #webtoon #webtoons #AI #ai art #ai generated #ai image #ai artwork #artificial intelligence

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deoidesign · 3 months

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if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?

on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3

I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!

I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!

How I prepared from the beginning for this transition:

1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)

2: My layers are organized: Text, FX, Foreground, Characters, Background

3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.

These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.

So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.

Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!

Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.

(original panel vs an expanded version)

Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.

examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!

Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.

For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)

And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.

(examples in order)

So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.

I hope this helps!

And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!

Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!

#asks #anon #art tips #comic tips #web comics #comic books #comic advice #also this is just my own experience obviously everyone works differently and I cant promise this will work for you too #but doing things this way I've been able to finish about an episode (15 pages or so) every day #so it's been extremely swift (though also of course a ton of work)#thank you past me for making this so easy!!!#it'd easily take 5x as long without the prep I did!!!

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pixiestickie · 10 months

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so . i did something ^}*#*}*%+%

(more parts might come and if that happens this post will be the masterlist)

ramble ⏬

so . ok here goes nothing. first things first.

this is like the “fisherman meets mermaid and they are in love” AU trope but jamil isnt a fisherman: he pretty much retained his canon life, aka he is a servant and one day he found a merman and he just hangs around him to escape from his shitty life situation (and the merman is completey enamoured).

so, apart of NRC not happening, more details about the canon divergence should be revealed at a later date

thiat is the info about the au out of the way. ill just do personal rambling here esp bevause im insecure about some things about this so you can stop reading if you want.

this is a trope ive seen around a lot, especially on twitter, so ive had this idea since a bunch of months ago. i then proceeded to forget about it until i saw a twitter post about this same exact trope again except it was with fucking miguel o’hara but thats besides the point. the original post that made me get the idea were 2 ocs (they had the blood-cut-to-call-merman idea. I completely stole it from that. im coming clean) and i was like “wow do you know who else is a mermaid? azul fucking ashengrotto”

ok so no the art style i used. i started using it really recently to doodle stuff, since 2 days ago actually im so serious. i tried using it here as well bevause its an easy art style, really quick to draw with it and also looks good. or so i thought. because im now having doubts about wether it looks good or not and i fear it might just look weird. i kinda wanna hear if people prefer this art style or my “actual” one from my other posts

this style looked way better when i used it to doodle stuff, but i dont think im capable of using it in comic format. the style i was going for is mostly evident in the colored “poster” because ive actually redrawn the comic sequence a bunch of times so the style was lost there. I do like how the “poster” looks but im not sure if y’all would agree so id love to hear wyt

now the biggest part. ive never made comics in my life!! so these are going to look so damn akward. u can already notice it here!!!!! crowd starts booing

also i cant draw water and also i dont know how to draw azuls octo patterns bc the material we have of his design are so vague and fragmented but his patterns are not easy to draw so im struggling and i need to make a reference of him for myself 😭😭

#what…. tag do i give this au?#it doesnt even have a name #i genuinely have no idea but ill have to add a tag for this au later #azujami mermaid au??? that sounds lame #suggestions r apprecieated #twst #twisted wonderland #u can tell im fucking sturggling #azujami #jamiazu #ashenviper #azul ashengrotto #jamil viper #art tag #posting this and throwing my phone across the room and never picking it up again for the next 48 hours

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unofficial-underfell · 1 month

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Hey guys, I've been thinking about making this post for a long time and I think its finally time I do so. After realizing that some of my last work was done over a year ago, I don't think I can really ignore it anymore. While I haven't quite thrown in the towel on this quite yet, it's pretty evident to me and I'm sure to everyone who still follows this blog that my fervor for the project has drastically decreased. And has been kind of dead for a while. The comic has not been a priority to me, or posting online much at all actually. I did some soul searching and found that I'd started relying on outside approval for my art instead of doing art for the sake of wanting to tell a story and express myself throughout my work. I have limited energy and depression and sometimes it feels like i get such little progress done even though it takes all of my energy. While I'm trying to go to the gym more and build better habits my energy levels and mood still have a lot to be desired, and I'd rather use the limited energy I have to work on something I'm more passionate about.

I've been trying to grow my skills and absorb more stories and I've moved around a lot and started to listen to what I really felt, and I found that a lot of the art I want to focus on deals with heavier and more mature topics. I do love this story, and all of the characters and I feel like I could make a really clever subversion of what is expected from an Underfell comic. But I feel like in these uncertain times with the world and with all of the stuff going on right now, I'd like to use my energy to work on stories that hit closer to the things that I feel are important. So that's why I've not been posting much.

I'm working on a book, and I've actually got quite a lot of progress done on it, but because of all the horror stories online about people stealing author's original works, I'm kind of holding off on publishing any chapters before I can copyright the first draft of the novel. So my online activity will still be pretty scarce for a bit, though I'll still post occasionally on my @cosmicpixel01 account. I'll try better to not be so radio silent though lol. Even if that means I'll post something boring about my dog or books I'm reading just so everyone knows I'm still alive.

I don't want to call it quits on the story. But I also feel like you guys have been kept waiting to see what happens for a really long time, and that makes me feel so guilty. I will try to finish up the pages I have in the works, and I'm probably going to switch to a different format that is some drawings, some writing to finish the story. I'm sorry that I wasn't able to finish it the way I intended for you guys, even with all of the support and kind words and even the fanart that I've kept in a folder on my desktop. I am letting a lot of you down, but I feel like the radio silence is probably more irresponsible than just going out and saying something. And I'm sorry I've kept you all waiting for a not-so-happy update on the blog.

I hope that some of you will continue to follow me for some of my other exploits and see whatever other things I have going on, but I understand that you all followed me for Undertale so I don't want you to feel any sort of guilt if you decide not to. I'm just happy you all supported me for so long.

I'll try to work on this blog again soon, and if anyone has any questions, my asks are open, though I'll probably keep the asks private. Until then I hope everyone stays safe out there. And from the bottom of my heart, thank you.

-Avery

#not pages #unofficial-underfell #this was so hard to write i dont want to be a quitter but I'm tired #avery speaks

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jccatstudios · 7 months

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SoC Comic Adaptation and General FAQ

General

Who are you?

Hi, I'm Claire (she/they)! I'm currently studying to become a professional comic creator. I love drawing fashion, expressive characters, and anti-hero action.

Where else can I find your work?

You can find all my work on my website! I'm also on Instagram, Twitter, Tumblr, and Tiktok (sometimes...). You can find my fan art under the handle jccatstudios, and my original art under jcscottart (only on Instagram and Twitter).

How can I support your work?

Besides supporting my work through your lovely comments and reblogs, you can help monetarily support me on Ko-Fi. Your support helps fund my college education.

Six of Crows: A Comic Adaptation

Why are you doing this?

Ever since I read the duology, I always thought it would make a great graphic novel series. When my professor encouraged me to start a webcomic, I took the opportunity to make the comic I imagined into reality. I want to see the whole series illustrated through comics one day. If I got the chance to make the official adaptation, that would be one of my biggest dream projects. I'm also using this project as an opportunity to improve my skills before I graduate.

Will you post it on (insert webcomic platform)?

Probably not. Most online comic platforms are meant for scroll format, and I'm making a traditional format comic. Plus, I post on so many sites already, so I think adding another would take too much time out of actually creating the comic.

Will you draw the whole book/series?

I wish I could! Since I'm not doing this full-time or professionally, that's quite unlikely. It would take years to complete it full-time, who knows how long as a hobby. I'd love to add a six-volume SoC graphic novel series to my shelf, but that of course can't be done without some serious backing. I'm currently working on adapting Chapter 3.

Where's Chapter 1: Joost?

I never drew it! I started with Chapter 2: Inej because I wanted to draw the main characters first. The first chapter of the comic is the second chapter of the book. I name the comic chapters after the book chapters just to make it clear which part of the book they correspond to.

Can I repost your art, use your art for layouts/edits, etc?

Yes, you may with visible credit. If you use it for your profile layout, put my handle in your bio. If you're reposting it or using my art for edits/collages, put my handle in the description. As long as it's for personal use, you can use my art. Do not sell copies of my art, use it in merch, or use it for any sort of monetary gain. Do not use my art for prompting or generating images.

Can I use your character designs and headcanons in fanart, fanfic, etc?

Absolutely! Please tag me if you do. I don't need credit since I didn't create any of these characters, but I definitely want to see what you create. :D

How do you make the comic?

The comic is made with mostly traditional methods with some digital editing. I pencil and ink all of the pages on bristol board. I mainly use the G-pen nib for characters and technical pens for the backgrounds. Once I scan the pages, I do light adjustments to the line art and correct any mistakes. The gray tones come from a single sheet of ink wash adjusted to be lighter or darker. The bubbles and lettering are all digital.

If anything else comes up, I'll add it here! Feel free to send me an ask if you have a question that isn't on this post.

#faq #soc comic adaptation

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cerealforkart · 23 days

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Closing Manga Thoughts

I just deleted a long vent post about every single one of my feelings about the end of the podcast and the manga being over. Except not really over because it looks like there's a lot more interest in a physical edition than I was expecting. Hopefully I'll see y'all in the preorders in a couple weeks once I figure out how expensive this will be to make and from there how much I want to charge.

Anyways. Please humour me for a quick moment while I make a big deal out of my thing because it might look like sixteen goofy little drawings in boxes every other week, but it's been a really big deal for me over the last year and a half. I've decided all I really want to say about the end of the manga is thank you for being a fandom I was comfortable sharing something like this with. When I first got into DnDads I had never shared fanart anywhere and I had been fallen off the creative train for a while. So thank you for being here, for engaging with the manga because without that engagement I wouldn't have bothered to see this through to the end. Thank you for allowing me to foster an interest in making comics.

I feel really peaceful now that it's over. It's hard to explain, but I was always very anxious about if people would still be interested in the next pages, if I was wasting my time, if I had phoned it in and should have tried harder. But now that it's over, now that it's complete, and I'm proud of every single page, even the ones I was kind of lazy with, I'm just very content and grateful that I was able to share this very special project, and I don't care so much about if they'll be looked back on fondly, or laughed at, or ignored anymore. It's done, and I'm happy.

Now that the manga is over, if you're ever wondering what I'm going to be doing next, I'll still be here. I have more DnDads ideas, some comics that will escape the four panel format I've been locked into for so long, and I draw One Piece stuff too sometimes, and that won't be going anywhere for a while still haha. I also have an original fantasy comic about a magic that kills you that just entered it's third chapter and you can check it out starting here on Tumblr, or on it's own website here. And if you ever want to request art from me or just support me financially, I have a ko-fi, I take requests for the low price of literally any money.

Once more, thank you. This project has been so special to me, and I'm so unspeakably grateful that it was this fandom I was able to share it with, I don't think it would have lasted, or even started anywhere else, for anything else.

#noodly #thank you everyone #this still turned out pretty long #so I'm sure you can imagine how annoying the original draft was haha #god I'm making such a big deal out of this as if I'm not going to be back here tomorrow lmao #just got lots of feelings tonight #this was a really special chapter of my life #but I'm kind of glad to see it go

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anime-grimmy-art · 4 months

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It’s this time of the year again, folks. Time to wrap up the art Ive made in the last 12 months in another Year in Review! I’ve noticed that this is my fifth Year in Review in a row, so I’ll be making an extra post looking back on the progress in those last 5 years!

I've got a lot to say about this year, but purely art wise, I've gone all when it comes to comics, damn! I've kinda found a format that is messy, and therefore more time efficient, yet still looks good. I even made 2 animatics and lotsa shorts/reels! All that on top of opening coms twice, and, oh yeah, MAKING A WHOLE ASS 4MIN ANIMATION ON MY OWN.

How is my hand still alive.

2023 has been….interesting, to say the least. The first half year I was working on my thesis project, aka making an animated short all on my own (in the art department), which makes it honestly surprising how much I managed to churn out between animating. Trigun rly did have me in a choke hold.

Summer was a bit more spotty, esp. with me not being able to draw anything during August as I was writing my thesis (and doing commissions). And towards the end of the year, Kingdom Hearts tried to save me, but alas, Genshin Impact has finally sunk its teeth into me and dragged me to the bottom of the rabbit hole. It all started with me watching a story summary and lore videos while I was sick after my thesis and I was too intrigued to not dig deeper and well, first I fell in love with Kaeya and then the ships started dropping in left and right.

I’m not gonna lie, the last few months have been weird. I finished my masters in October, and have been on job hunt since, sadly without success so far. I’m existing in this weird limbo of still not grasping I’m not a student anymore after 18 years in education, not really being able to accept I’m an adult, yet desperately trying to find something so I can make a routine, cos rn Im too scared to build a rhythm as I know I’ll have a so much harder time readjusting again. It’s left me in a weird emotional state, where most of the time I feel fine, but when it counts, there’s just, nothing. No joy at getting my diploma, no anticipation to finally go to a convention again, neither any sadness hearing my grandfather died. It frustrates me that it extends to my art as well, there’s excitement over ideas and concepts, but no motivation to pick up the pencil, which makes me either not finish art at all or making so many shortcuts and just ending up with sth not satisfactory to me since it’s not the idea I sought after.

Tho, not everything is doom and gloom. I DID finish a whole ass short animation and got my masters degree, that IS sth to be proud of. Also, while Im struggling at drawing, I’ve also kinda started integrating my shortcuts into my style and some stuff I’ve thrown together actually turns out real good nowadays. Also, and this might be a bit of a weird one, I’m so fucking happy to know I can still enjoy gay ships. I’ve been a bit uncertain over the last few years because when I was around 16-18, I had a real big yaoi phase, which mostly came from the fact so much stuff came out that tickled my brain in the right way (Free, Haikyuu, etc.). But over the years, my enthusiasm died down, and I even started to resent some ships because it’s all some fandoms produced. I often found myself liking a hetero ship more than the popular gay ship, which really made me not wanna stick around because I did not care for most fanart and you can only go through a tag with art you don’t care about so long before you lose interest. I think in retrospect that it rly had nothing to do with the ships being gay ships but rather cos the fans just shoved it in your face when you didn’t care (and shipping culture nowadays also can get real scary). But I’m so happy to see I can still get obsessed with a ship and it’s all thanks to Haikaveh/Kavetham. It really just needed the right flavour for me to dig in again. And oh my god, I FINALLY like a ship with a SHIT TON of art and fanfictions, no more scrounging the crumbs from the bottom of the barrel.

Anyways, enough lamenting. Here’s to hoping I can bite my tongue and get shit started properly in 2024, and that my brainrots may make me obsessed enough to churn out an obscene amount of fanart again.

#art year in review #anime-grimmy #fanart #sketch #comic #animatic #undertale #trigun #legend of zelda #monster hunter #kingdom hearts #undead unluck #genshin impact

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just-null-cult · 5 months

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Dear noritoshi cult leader!!!!!! I wanted to know if you have any recommendations for other artists or content creators that post for our boy noritoshi?

my devout cult member!!!!!!

I don't know many artists who are still active or still draw Noritoshi stuff. I mostly get my content from pixiv or pinterest even if it's.... severely rare.... and even then, they've only drawn him once, and that's all but it's something!

btw when I say some aren't active, I mean they haven't posted in a while. fingers crossed they cOME BACK PLEASE GOD I MISS YOU.

My list is in no particular order unless you count who came to mind first?? nonetheless, here are some Noritoshi artists that I know of/taken inspiration from

kamo_sympathy [Twitter] haven't been active for a while, but I still enjoy the stuff they have there. Very good!!

getou_0203_ [Twitter] also semi inactive. they're a Getou, Gojo, and Choso enjoyer too. how they drew Noritoshi is smth I inject in my soul.

ohayo_akachan [Twitter] again... kinda inactive, but still. I enjoy their content a lot while I can't really understand what they're saying. DeepL my saving grace.. their style is v similar to the anime style, which I find super cool!!

Gotharcheologist or @/alegnace [Twitter and Tumblr] They're a chosonori shipper and active! I really like how they draw Noritoshi and Choso. how they draw blood is so good, how they draw faces is so good, THEIR ARTSTYLE IS SO FUCKING GOOD

magical_candy15 [Twitter] They didn't post a lot, nor are they active as of now, but the few scenarios were really good and fed me in my drought for a while. I love u..

rin5su0605 [Twitter] A Todo×Noritoshi account with some love to the rest of the Kyoto group too! This person was active as of June 2023, but I'm using copium. I really like how they draw.. and the color choices oh my fuck.

mecuru_MECU (?) [Twitter] I'm a bit iffy on this one. They look to not be doing jjk anymore, but they were once into Noritoshi if you go to their earlier posts. Their linework is beautiful, like their colors! there's something about their work I really like.

and that's all I have, I think? I know there are others out there that i don't know or don't remember, but I'll probably add them over time if i find more or if anyone else has someone in mind to recommend in the comments of this post!

yoshida_jyu [Twitter] They mainly post in a comic format! theres also some Megumi×Noritoshi shipping so if thats your thing, this dude's your dude. i have no idea what theyre saying but they draw cute expressions. also draws mainly Noritoshi, Kokichi, and Megumi

16shelter [Twitter} also a Megumi×Noritoshi shipper. Little warning: their art can be nsfw/suggestive at times, so be careful w that if its not your thing. Their anatomy is good AND POSING im grabbing my pen.. also, this person finds Arata cute, so theres some art with him too!

#noritoshi #kamo noritoshi #noritoshi kamo #jjk #jujutsu kaisen #cult leader cameo #i had to scrape the bottom of the barrel and go through so many rabbit holes to find these artists bro #the rest of the content i get is fr just from my delusions #there are more really cool artists out there but theyve only drawn him once or twice so i omitted them #theres also some who DELETED ALL THEIR OLD SHIT OF HIM PLEASE COME BACK I DONT CARE WHAT HAPPENED I MISS YOU #AND THEN THERES SOME IN MY HEAD WHO I CANT REMEMBER THE NAME OF OR HOW I FOUND THEM FOR THE LIFE OF ME #I KNOW THEY EXIST BUT I CANT FUCKING FIND THEM RN #if some links dont work/you dont trust links try looking up the username!

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