Tumgik
#and i guess in a way you can still see it as glorifying that because it's meant to be
literaila · 3 months
Text
emotions
gojo satoru x fem!reader
summary: you and megumi discuss how terrible satoru is
warnings: little spat between gojo and megumi, reader is the only sane one, lil fluff, and pining ofc
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*
year three.
you're used to the door slamming open every day when they get home--and you've given up on scolding all of your family members about it--but what you're not used to is megumi storming through the door, his aura a dark and stormy color as he walks by you, not even bothering to look your way, and slamming the door to his room. all within a good three seconds. 
and, okay. you blink, trying to comprehend him, or what just happened. 
satoru comes in next, slower, more peaceful, shutting the front door softly like it'll make up for megumi's actions. for whatever he probably did. 
you immediately turn towards him, frowning. "what'd you do?" 
"why did i have to do something?" satoru asks, scoffing. "the kid is a glorified teenager. or an old man. he's moody." 
"yeah, but he didn't even say hi to me," you cross your arms, trying to analyze his body language and the twitch of his lips. 
satoru waves a hand at you. "join the club." 
"seriously. is he okay?" 
satoru kicks at the floor, mumbling something indecipherable under his breath. 
"satoru." 
he looks up, almost pouting. 
"what happened?" 
"i was just teasing him--" he's already pleading for mercy, taking a step towards you with his arms out. "i didn't even say anything bad. i just said something about his attitude, and he told me to leave him alone, and i... i didn't do anything!" he swears. 
and you both know that he's lying. you sigh, shaking your head at him. 
"did you listen when he told you to stop?" 
"no," satoru says, with a fake smile. 
"then you did something," you take a step away from him, watching as he slides off his jacket, then his glasses. "what were you teasing him about?" 
"he was telling me about some kids at school. i guess they're scared of him, or something." 
you raise a brow. 
his hand gestures to megumi's room, helplessly. "you know him and i like to mess with each other, i didn't think that he would... get upset." 
you almost laugh, because he looks so guilty, unknowing, and childish. and you can tell--by a mere glance--that satoru feels bad, and doesn't want to admit that. 
you snort, still shaking your head. this man is the sole cause of all of your problems. "okay, well you should apologize to him, and listen when he asks you to do something--" 
"no." 
"excuse me?" 
"will you talk to him instead?" he pleads, tilting his head at you. "you're so much better with him, and he'll listen to you." 
"satoru," you frown. "i didn't do anything. megumi doesn't need an apology from me." 
"but he's just going to yell at me," he whines, body flailing pathetically as he emphasizes this point. "and he's scary when he yells." 
"he's nine." 
satoru shakes his head. 
you flick his forehead. "honestly, all you have to do is say that you were wrong. easy." 
"i don't wanna say that," he mumbles, feebly, crossing his arms like a toddler.
you groan. "satoru--" 
"i have to go pick up tsumiki anyway. please? just talk to him? do you really want him to sit in his room all alone and be all gloomy?" 
satoru's lip twitches because he knows that he's got you there. just the idea of megumi brooding alone is enough to break you. 
you scowl at him, crossing your arms with a knowing glance. "i'm going to let megumi punch you, and then i'm going to do it myself." 
"we're not supposed to encourage violence." 
you roll your eyes. "go get tsumiki. do not be late again. i'll see how he's feeling, but we're going to talk trash about you, just so you know." 
"see? this is why i love you." satoru grins, then pecks your cheek. "okay, got to go! good luck," he says and swings himself out the door. 
and honestly, how did you get stuck with him? 
*
you give him a couple of minutes before you knock on the door, assuming that any space he has to cool off is probably good. but you can only wait so long. 
there's a worry somewhere in your chest, the fear that you won't know how to mend the rift between the two boys. but the other part of you feels easy, simple. 
kind of how you assume satoru feels about most things. 
if you can't fix it, you think, he probably can. 
"hey," you whisper, peeking into his room. the lights are off. "can i come in?" 
megumi shrugs. he's sitting on the bed, staring at the floor, looking like a forlorn statue. 
so you go in anyway, stepping over the backpack he threw on the floor and the books cascading out of it to sit next to him on his bed. 
it's actually a little hard not to laugh because even though he's grumpy, megumi is so cute. his little scrunched-up eyebrows and his pout make you want to squeeze him forever. you want to coo over him, or say something inappropriate, but you refrain. because you are not satoru, and you will never be. 
"how was school?" you ask, after you've settled in on his dinosaur sheets, watching him pick at something on his pants. 
he shrugs again. 
"wow. glowing remarks." 
megumi doesn't even smirk a little. 
you tilt your head, trying to meet his eyes. "do you want to talk?" you ask softly, trying so hard not to prod. even though you will.  
"no." 
you smile, a little. "too bad," you tell him, rolling your eyes for show, "you didn't say hello or give me my hug when you came in. talking is your punishment." 
"sorry," he mumbles. 
"i'll let it slide this time--only this time--okay, kid?" you give him a hard look and he nods immediately. you smile at him again, leaning up. "what happened with satoru?"
"nothing." 
"unforunately for you, he's a gossip so..." 
he rolls his eyes. "he was just being annoying."
"naturally. did he make you mad?" 
megumi nods. 
"did you tell him that?" 
he shakes his head. 
"okay. what'd you say when he started annoying you?" 
"to stop." 
"and then he didn't, so..." you hint, nudging him.
"i told him to leave me alone." 
"what'd he say to that?" 
megumi sighs. "he just said that i'm adorable when i'm mad." 
because of course he would. satoru is probably the worst person in the world. the sole cultivator of everything terrible. 
and, for some reason, you're kinda obsessed with him. 
"yeah," you shake your head, grumbling internally. "i'd expect nothing less from him. i'm sorry he didn't listen, though." 
megumi finally looks at you. "you are?" 
you raise your brows. "well, yeah. if you want to be left alone, then he should leave you alone." 
megumi looks at you skeptically. "you're not going to tell me that i shouldn't have gotten mad at him?" 
"um," you frown. "no. you're entitled to your emotions, megs. you can feel whatever you want." 
he frowns, too, but doesn't say anything. he's stuck somewhere you'll probably never reach. 
but you try to meet his eyes anyway. "and satoru'll be getting a lecture from me, don't worry," megumi smiles a little at that, looking a little more like the boy you're used to. "but i just wanted to tell you that you can talk about it with me, if you want. nobody understands being angry with satoru like i do." 
he looks away again. his fists clench, briefly, and he makes a sound at the back of his throat. "i just--why doesn't he leave me alone? he always teases me, even when i'm trying to be serious, or when i tell him to stop." 
you nod in agreement, letting the words sit for a moment. and then you say, "i think that satoru thinks if he never takes anything seriously, then the negative emotions and all of the things he doesn't want to think about won't matter to him. or as much."
"but they do matter." 
"they do. and if he's irritating you, you should tell him that." 
"i try." 
your lip twitches. "satoru's not the easiest person to talk to. but he's a lot like you, you know? in that way." 
megumi frowns. "how?" 
"you don't really like to talk about these things do you?" you ask, seriously. 
megumi thinks for a moment, fingers messing with the bedsheets, and then shakes his head, slowly, like he doesn't want to admit it. 
"satoru doesn't like it either. and he feels things the same way you do--very deeply, and seriously. that's why he always messes around. and why he frustrates you." you stop, thinking about how to explain this to a kid. how to explain it to yourself. "well, you know how when there's only one melon soda left and you give it to tsumiki, or when you let her pick the movie?" 
megumi nods. 
"that's your way of putting her first. because you love her. but it's different then the way that she loves you, right?"
"yeah. she says it, a lot," he rolls his eyes, familiar with the antics of tsumiki.
you smile. "and she gives those hugs where she tries to crack your ribs," you emphasize it by squeezing his shoulder, making him laugh. 
you swallow, shrugging. "you both show your love differently. everyone does. but tsumiki isn't afraid to let anyone know that she loves them, and satoru is, i think. and you're like that." 
he looks down at his lap, contemplating this. satoru might think that you understand megumi better than he does, that the two of you are easy, but you feel like you're standing on uneven ground. 
everything is so clear in your head. but you can't clarify the interworkings of someone as complicated as satoru for megumi. you can barely clarify him for yourself. 
"i don't know if that's the right way to put it..." you sigh. "well, i like to talk things out. like right now. i want to talk about how i feel, and why. that's how i process everything. but satoru doesn't do that. usually, he'll refuse to." you nudge megumi. "and that's okay, sometimes. but i think he's taught you to do the same, on accident." 
"that's not bad, though," he mutters, frowning. 
"no, not all of the time. but it also means that his emotions come out in his actions. like teasing you, or when he tries to get all of us to sleep in his room." 
megumi rolls his eyes again and you laugh. 
"there's no bad way to show the people that you love that you love them, but when you don't talk about things, or you try not to show those emotions, they get stuck." you poke his chest. "and then they break out, like today, and it's too many feelings all at once." 
megumi nods. 
"so when he's annoying you, you have to tell him. or if you need a break from him, or me, or tsumiki, you should say that." 
it's advice for all of you. some secret that you don't want megumi to know about--the part of you that's lying to him. the unspoken things you don't say--emotions buried so deep beneath your surface that they'll never see the sun. 
you can see the thoughts as they pass over his face, still dark, still stormy, but lighter now. 
eventually, he nods, meeting your eyes. "okay."
you give him a half smirk, leaning down just a little. "but you can't be mean about it, alright? i know today was hard, and satoru was pushing you, but it's still not okay to snap at him." 
megumi curls in a little. "i'm sorry." 
"i'm not mad, buddy," you assure him, ruffling his hair. "and neither is satoru. we're just here to help you, you know? but you have to let us in so we can. you can depend on us, i promise. and you have to be nice, because i can't deal with another satoru." 
he laughs, just a little. you rest your head on his. "i'm here if you want to talk about it," you tell him, "today, or anything else that's bothering you." 
"i know." 
and you feel like he does, just a little bit. he's a very smart kid, and you know that when you leave he'll think about it some more--put it into words that work for him. 
honestly, most of the time his intelligence frightens you--like you'll never be able to slow him down, or make sure that you're on the same page. but at least there's some use for it. 
you sit up. "good. now i'm going to leave you alone, but when satoru gets home and he apologizes, try not to yell at him?" you plead, only partly joking. "he's sensitive." 
megumi scowls, but nods anyway. 
you stand up, nudging his leg with your foot and then you step back over the maze of his things, turning the doorknob. 
"y/n?" 
you turn back, brows raised. "yeah, bud?" 
"do you want to... play cards, or something?" 
and finally, you laugh. just a little. 
*
"how'd it go?" 
"megumi said that he didn't like my haircut, and that i needed to review my wardrobe situation." 
"and?" 
"he's okay." 
you sigh out in relief. "good," you say, looking back down at the paperwork you're supposed to be filling out. the teaching courses, and jujutsu regulations, course handbooks, and bills... 
satoru sits down next to you, looking over all of the papers with a frown. "this is disgusting," he says, nudging your hand away from the pen you're lingering on. 
"true."
"take a break," he hooks his leg around yours. "let's talk." 
you sigh again. "we really need to get this stuff done, satoru." 
he shrugs. "we'll do it tomorrow." 
"you said that yesterday, too." 
"and i was right..." 
but you relent, and you turn so that you're sitting facing him on the couch, your legs crossed in front of you. 
"hey," he whispers, softly, grinning. 
"hi." 
"how was your day?" 
"boring. all i did was clean the house and wait for you and the kids to get home." 
he leans in, eyes crinkled. "can you imagine what your life would be like without me?" 
"not even a little bit. you take up all of my time."
satoru smiles, adoringly. he leans his forehead against yours. 
you want to push him away, or roll your eyes, or ask him more about his talk with megumi, or if he checked on tsumiki, but you don't. 
you just let a small, tired smile rest upon your lips and close your eyes. 
satoru is close enough to smell. his warmth is almost mechanical, unmoving. and everything about him feels sort of unbelievable. he's so close. close enough to touch and taste, if you were that daring. 
but you're not. 
"you okay?" you whisper to him, feeling his breath against your cupid's bow. you refrain a shiver. 
"i'm good," he says, voice soft and low. "you okay?" 
"i'm good." 
satoru nods against you. there's a whole minute where the two of you sit just like that, no need for words or movements. 
it's nice like this, you think. with him and nothing else. you don't get a break very often nowadays--and you don't mind it, really--but sitting with him is enough to not care. who needs a break when you've got your best friend, curled against you like a vice you'll never ever touch?
and then satoru asks, "do you think i mess with megumi too much?" 
"yes," you say, immediately, opening your eyes to meet his glorious blue ones. satoru is pouting, so you continue. "but he loves you anyway." 
just like i do, you think, so brief there's no time to push it away in your mind. 
"yeah?" 
"god knows why," you say, rolling your eyes, laughing when he bends down to tickle your neck with his nose, sniffing against you like a dog. 
but you do know why. and the paperwork can wait until tomorrow. 
*
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idkfitememate · 3 months
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Pt. 1 (That’s where you’re at!)
Now, you wouldn’t say you were a greedy person… which would be a huge lie because holy shit you were compared to a dragon by your friends more times than your own mother said she loved you-
When you got your paycheck - which was a very handsome paycheck mind you - you hoarded that to the best of your abilities, but when you saw something you had to have? Bought. Spent all your cash on it.
… You have to many plushies-
You weren’t exactly an avid believer in the whole “money makes the world go around!” thing, but it certainly helped. Like, have you seen how happy Elon Musk is? That bitch living the life and you want that too.
But despite your adoration to money…
THAT DID NOT MEAN YOU WANTED TO BE IT!!
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
When you woke up from a nice nap after a long day of hard labor- I mean work, you couldn’t see. You also couldn’t feel your arms or legs or… well anything in general that one would say when describing their body.
You did have your five core senses though, which is nice. Well… minus sight-
You couldn’t move, and whenever you would scream the people you heard around you - their voices were muffled… were you in a pouch?? - did nothing to help.
You continued for what you assumed to be hours, never once paying mind to the fact that you never got hungry or thirsty or ran out of breath. Then you felt warmth.
Something large and warm wrapped around your form which scared the shit out of you because as far as you were concerned, you were still very human sized. You continued to scream into the darkness as you listened to the… transaction (???) going on above you and-
Wait a minute. You recognized that voice.
A lot of your money went to Genshin Impact in your day, you were what was known in the fandom as a “whale”, did I mention you got payed handsomely?
Yeah it was enough the basically be a sugar parent for all your friends.
So you heavily related to a certain character who was constantly characterized as helping another with his money problems.
Can you guess who it is?
I’ll give you five seconds to guess!
5…
4…
3…
2… fuck it I hate the suspense-
It was Childe!
And hearing his voice above you shattered what you may have thought was happening to you. Yes you may or may not have thought you were being kidnapped-
You then felt yourself get placed on another warm surface and oh god-
“All repairs will be made in a timely manner! Thank you for the patronage!”
You flipped through the air with a small ‘whoosh’ and landed back in the hand.
… WERE YOU FUCKING MORA?????
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﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
Being merged to a weapon wasn’t fun.
Well at the very least you weren’t “merged” with a weapon. For some reason the blacksmith couldn’t find a way to use your specific mora body to upgrade Childe’s bow.
So there you sat as a glorified decoration. Right on the front of the bow.
But you did find something out, the second you felt yourself attach to the bow, you could suddenly see! And you could very tell that you were in Liyue, which made sense. And when you coughed on accident, the blacksmith jumped and looked around, before shrugging and turning back to her work, which meant you could now be heard as well!
All five senses back baby!
Only shitty thing was that you couldn’t move on your own, and you now noticed you were no longer hungry nor need to breathe, as well as sleep.
So you were stuck.
For four days.
Unable to speak or move.
I mean, you were still figuring out your existence yourself, no need to get anyone else involved with the process since you were beyond confused.
You’ve read the Isekai stories - and fanfics - but you had never read one personally about being isekaied as money. Yes, you have seen the vending machine one. And the one where he gets turned into a dummy ASMR head mic-
Not the point!
You were just trying to figure out how to… exist (?) like this. Which was pretty hard when coming to terms with the fact that you’d never eat your favorite foods again.
Never again…
“Thank you so much for choosing our services sir! Have a nice day!”
You were suddenly picked up and placed in the gentle care of Childe - ironic sentence I know - and off you both went.
You want to know what a weird sensation is?
Being a bow and feeling someone pluck your string.
Now yeah, that sounds super sensual but it felt more like someone… pulling your hair?? You couldn’t really place it but that was honestly the closest equivalent. Feeling him rub his hands all up and down your… body (?????) was a new experience to. Again, not sensual, just ticklish? And it sucked trying not to giggle-
God this was weird and confusing.
“Well I’m free for some time… I’m sure a little practice won’t hurt…”
Oh good god you could not catch a break.
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
A new fear had been unlocked within you.
You, a piece of mora crudely attached to a psychopathic killers bow, had just been de-summoned.
And it hurt.
BAD.
No one will ever know what that was like, the feel yourself fading, every atom slowly falling away into nothingness, and then the silence. That cursed silence. Deep dark blackness was what you felt for what appeared to be thousands of years to your still human brain.
Never again would allow yourself to feel that pain.
As you were summoned, you continued to stare off into the distance, coming to terms with what you had just witnessed while ignoring every word that came out of Childe’s mouth.
Something or other about practicing you couldn’t give a shit.
You only watched the changing scenery around you as you and Childe wandered aimlessly through a forest.
Then he dropped to his knees suddenly, which cause you to silently curse and sputter in shock.
Did you mention you got good at that? Being silent? Because you did.
Being that you were placed on the front of the bow, you could see perfectly where he was aiming, that being a small bird that you had to squint - how you squinted? You don’t know - to see.
It was ridiculously far away, covered in leaves. You were also slightly scared because Childe was being silent.
Childe. Silent.
Not two words you ever expected to put into the same sentence - again - but here you were.
You felt the bow string being pulled back, and him lining up the shot.
Then, you felt something course through you.
Obviously it was the Hydro infused arrow he knocked onto the string, but something else flowed through you.
You could feel yourself reaching, trying to connect with something to better control this sudden power flow, and then you found a great source.
His Hydro Vision.
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
Childe was a seasoned soldier and fighter, literally anyone who met him could tell you that.
He kept that fact near and dear to his heart, that fact being why he fought so hard, to become stronger and finally find that fight that would be the end of him.
He longed for the day where he would be strong enough to fight his mentor, and weak enough to die at someone who he saw worthy enough to end his stories and legacy.
… Legacy was such a funny word to the man as all he could think of when it was spoken was his second, stronger form, Foul Legacy. Ironically, that’s what he though historians would call his stories in the far future - he would never admit how close it was due to the Electro Delusion that sapped away at his life, slower due to his strength but sucking away his soul nonetheless - would call it, a Foul Legacy.
He was self-aware enough to understand that people hated him, yet oblivious enough to leave his family in the hands of The Rooster, a man known for leveling cites before they even had the chance to riot against himself and the Tsaritsa.
He was complex in the same way he was so easy to understand.
Just as how he allowed the world to see his Vision but kept his Delusion hidden.
Just recently he had gotten his bow repaired after a… well not a hard mission more so than it was annoying.
And by the Archons it was beautiful! Any and all scratches and marks had been repaired, a new layer of pain was an added, a stronger string was restrung into it and just… mmm she was beautiful.~
The finishing touch was the little golden emblem stuck directly on the front. So shiny and pretty…
He just had to take it for a test run!
Nothing too big or anything, just a little hunting as he hadn’t indulged himself recently. Just a couple small birds or mammals nothing anyone would notice.
… No that isn’t a human corpse nu uh ya stupid-
Besides that wasn’t with his bow! That was with his blades it doesn’t count!
But anyway, he quickly spotted his first target of the day, a little finch, and aimed.
He noted that his bow, while still heavy, felt much more sturdy and the current string was stronger than his last, most likely due to the whole “new string” thing rather than being better because that old string had weathered a lot.
He quickly knocked his first arrow and took a silent breath in, calming his shaking hands and the butterflies in his stomach. Of course neither were from fear or nervousness rather than they were from excitement and dare I say ecstasy. A smile forceably carved itself into him skin as he watched how easily Hydro infused itself with his arrow.
Though almost immediately after, he felt a sudden surge of power coming from not him nor the arrow, but the bow itself.
Specifically the small golden piece sitting front and center.
This was either an unknown or well known fact depending on who you asked, but the bow was Childe’s worst used weapon. He was much more skilled with a blade - like his duel Hydro blades or the duel-bladed polearm he wielded as Foul Legacy - and he even had some experience with a catalyst, but bows just seemed so.. cowardly. Even with his catalyst he was near to his opponents as its attacks were based on his fighting style, but he personally believed that bows were for the cowardly.
Those who wanted to fight but were too weak to even dare step foot onto a battlefield.
At least that’s what he thought before Capitano shoved a bow into his arms as he complained about needing something more to do. A new challenge.
And it opened his eyes.
Bows were not for the weak rather that they were for the stealthy. Something Childe was not the best at.
He was honestly more of a ‘punch more and talk later’ kind of guy. But the bow was forcing him to learn and grow, which was more than welcome in his book.
But this power was not something he had accessed yet. Hell, he’s barely felt anything like it with any other of his weapons. Closest he has ever gotten to this kind of power would be with Foul Legacy, and even then it’d be a stretch.
He’d even have the gall to say he could never feel this kind of power from his Master.
He watched as the area he sat in was bathed in a blue glow was his Vision and the arrow he still held grew brighter and brighter. With that, a gold shined through as the small golden piece on his bow - which now that he looked closer looked almost exactly like a piece of mora, just with the details buffered out - also glowed.
He couldn’t remember picking up any kind of ‘enchanted’ mora, just one random one he found on the roads right outside of Liyue.
It didn’t seem off in anyway-
His thoughts were cut off as Hydro swirled faster and stronger around him, knocking him off his knees and onto his ass, his grip on the arrow and bow tightening.
All the animals ran - of course including the small finch he was aiming for - from the sounds and lights, and something deep and primal inside of him wanted to run as well.
Something screamed that he wasn’t supposed to see this, to feel this.
Something was wrong.
Soon enough he couldn’t keep his grip on the arrow.
He let go.
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﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
Everything was a blur to you.
All you knew was that you had to let go of this build up of power.
You had to.
Something bad would happen if you didn’t and god damn it you weren’t about to find out.
You truly, desperately, just wanted to go home.
The songs of narwhals and whales comforted you.
‘You will be okay’ they sang.
You would be okay.
Just let go.
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
People in the city watched in shock as a forest not too far from the harbor became a light show of Hydro and golden light.
Small animals and creatures ran towards the city, this including monsters, but nothing stopped to attack. In fact, it seemed like everything was too scared to even consider attacking.
Ningguang and her guards quickly ran outside to asses the situation, meeting up with fellow Vision Holders on the edge of the city.
However, Xingqiu and Yelan seemed… out of it. And on top of that, Childe - though he wasn’t her favorite he was strong and could be of help - was no where to be found.
“Does anyone have a grasp on the situation?” Nigguang asked, only to receive shaken heads and no’s.
“I tried to get close,” started Xiao, “But something knocked me back. I was able to hear the Harbinger’s screams from inside, and from what I could gather, he doesn’t seem to be the… direct cause.” Despite what he said, Xiao seemed a bit upset at the fact that Childe wasn’t the true cause, likely just wanting an excuse to beat him up a little.
The Geo ridden Lady huffed befit finally turning her attention to the two Hydro users who seemed entranced by the lights.
“What are you-“
“They call to us.” Xingqiu cut her off.
“They sing for us.” Yelan finished.
Nigguang looked back to everyone else who simply shrugged, before noticing Zhongli also looked out of it, though before she could get a word out, he also spoke.
“It’s so calming… I have not felt true peace like this in…”
He didn’t even finish his sentence. His eyes, unlike the two Hydro users, were entranced by the golden lights that highlighted the light show.
Nigguang’s face was filled with confusion. Though she shook it off.
And again, before she could give out any orders, she was interrupted.
Though not by anyone, but by the lights themselves.
A flash of blue light blinded the group.
Then, the song of a group of narwhals and whales filled the sky.
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
Blue and gold light enveloped near all of Liyue, the show being noticeable by all surrounding nations, Mondstadt especially.
And the air filled with the song of Narwhal and Whale alike.
A miracle of All-Devouring Narwhals and All-Encompassing Whales swam into the sky, dancing through the clouds.
They flew gently over Liyue, the nation having been stunned into shock and stillness over the whole situation.
Nigguang watched with bated breath as they sailed by the Jade Palace, only exhaling when they passed with not problem.
Keqing watched from beside Nigguang, mesmerized at the trail of celestial power flowing behind them.
Xiao rushed up buildings in order to get closer, but was knocked back by the sheer force of their power, though he was caught by a worried Ganyu. Both landed by an armed-and-ready Shenhe, who was more than ready to attack if need be.
Xingqiu and Yelan simply stared up at the miracle, their Visions resonating with Hydro energy they released. They felt empowered, and could feel the pure raw and unfiltered strength rolling off them in waves. They wanted to be close to that power. Wanted to feel that power.
Something deep inside them wanted that power.
Everyone in the city watched as the miracle flew just above their homes and businesses, making their presence all the more apparent as they bathed the golden city in royal blue.
This continued until a small bird was dumb enough to try and take flight to get away.
This bird being the one Childe had targeted- not that anyone knew.
The Whales and Narwhals corralled the bird, forcing it to fly higher and higher into the clouds, and it wasn’t long before all ginormous creatures followed behind it.
Then an even brighter flash of blue echoed across the skyline, small star-like glitters falling to Teyvat then fading from existence before they could touch its surface. A small amount of feathers followed after.
Nigguang could feel her jaw drop.
All that… to kill a bird?????
… She was going to need a week off just to comprehend what had just happened.
Keqing pat the woman on the back, sighing in tiredness as well.
She had a sneaking suspicion that Childe may have had something to do with this… event. Gods the paperwork she was about to be loaded with…
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
Childe had figured out what primal instinct had led him to hide in the cave he was currently tucked in.
Foul Legacy.
He had yet to really tell anyone, but due to his time in the Abyss and its creation, it was safe to say it pretty much had a mind of its own. Which wasn’t bad as it would help him to doge attacks or alert him of presences he may not have noticed himself, but the shrieking and crying he heard from it deep in his soul was enough to tell him that this whole situation was wrong.
Nothing about what just happened should have been… well it shouldn’t have happened to say anything.
He could still hear it, resonating deep inside his soul, Electro cracking out whenever he heard a noise he couldn’t identify.
It was protecting him.
As he would for it.
He didn’t dare draw another arrow from the bow in his grasp, not until he learned what the fuck just happened. Including the fact that for some odd reason, he desperately wanted to just… stare(?) at the Narwhals and Whales until they disappeared, luckily Foul Legacy snapped him right out of that and told him to find shelter.
He did have his Hydro blades out, however, patiently waiting till he - and Foul Legacy - felt safe enough to exit.
A sudden loud caw of a bird made him flinch - not his proudest moment - and kick the bow to the side. What he wasn’t expecting was the loud string of curses that came from… the… bow..?
So now it was pinned to the wall by one blade and a foot, the other blade pointed directly at… it? There were no weak points on a bow..?
…Were there..?
₊‧ʚ・︵︵ ₊˚๑ ᕱᕱ ꒱✦ ₊ ︵︵・₊﹆ɞ‧₊
﹒˚ ₊ ︵﹒⊹ ๑ ︵︵ ๑ ⊹﹒︵
This is not what you wanted.
First, you get isekaied against your will; you didn’t even remember how you supposedly DIED… if you DID die anyway…
Two, you were reincarnated as MONEY. FUCKING MONEY. How does that… who comes up with that??? A fucking high schooler who has nothing better to do than write shitty fanfiction????
And finally, three… HE KICKED YOU!!! WHO GAVE HIM THE RIGHT TO THREATEN YOU?!?
You didn’t understand your powers, what the FUCK just happened, why Hydro just… became?? you??? And why on gods green earth you had to be MORA. You’re never gonna get over that you became MORA???? Like??? Really??????? Money????? You mean, you love the stuff but COME ON-
Jesus fuckin’-
Huffing at the man before you, you finally decided speak to this bitch before you because how dare he.
“Listen here-“
You were cut off by the blade moving closer to your body(??????) and Childe growling - yes. Growling - at you.
“No you listen. I don’t know what you are but what in the name of the Tsaritsa was that?”
If only this man could see your eye twitch.
“No how about YOU listen? I don’t know what the fuck that was, but I plan on figuring it out now could you PLEASE MOVE YOUR DAMN BLADES FROM MY FACE?!?!? God…”
The Hydro blades slowly removed themselves from your face, as did the boot. But you were then picked up by the man, held shockingly gently in his grip.
“What… are you?” He asked hesitantly.
“I… I honestly don’t know how to answer that question. But I’m pretty sure I’m that little Mira piece on the front.” You answered. You forced yourself to calm down. This wasn’t his fault, just so happened to be the guy who picked you up… this was going to be a mantra for a while…
“Oh… so your this little thing right here?” You felt his fingers wrap around you - and you mean your real body - and pull. Fear immediately filled your being.
“Wait! WAIT!-“ He tugged you right out, rendering you silent.
When he pulled you out, your body glowed and you reverted back to looking like a regular piece of mora. Engravings and all.
You, meanwhile, were screaming your head off, as you now knew that if removed from a weapon, you’d just be a regular ass piece of money again. Immediately you mind started racing, wondering as to way, and the only thing you could come up with was the Elemental Energy, but lore wasn’t really your strong suit… you just liked the pretty women and men…
You felt yourself gently being pressed into the slot carved for you in his bow, and started talking again.
“NEVER! Do that again, please. Unless absolutely necessary, don’t do that. You know how terrifying it is to be able to see and speak then move a couple inches and no longer be able to see or have others hear you? Fucking horrifying I’ll tell you that…” you watched the man shiver before sighing.
“Noted. Um… anything else I should be made aware of before I ask anymore questions?”
You jumped on the opportunity.
“Whenever I am apart of your weapons. Don’t. De. Summon. Them. Hurts like hell. Ever felt your molecules beings torn apart bit by bit? Not fun, don’t recommend it.” Again, Childe shivered.
“Now… you really don’t know what that was out there?” He asked again, and you sighed.
“I wish I did. I’ll admit, I was thinking of that one move you use as Foul Legacy where you summon a Whale… and a bit of your master…”
You watched as Childe’s eyes lit up.
“You know of Foul Legacy? And of my Master?” Then his eyes darkened.
“How do you know of them..?” You shivered… as well as money can shiver anyway.
“Uhm… magic?” You asked, a noticeable tilt in your voice.
His glare then lightened up.
“Oh! Like… when you attach to a weapon, you suddenly gain a bunch of knowledge on that person?” Holy shit he just gave you a way out!
“Uh… yeah! Yeah that’s exactly what it is! You figured it out! Sorry I was uh… hesitant. Just didn’t want to reveal all my secrets, you know?” Holy shit. Holy fuck. Please work please work-
“That’s really amazing! A magical piece of mora… with the ability to make your attacks beyond that of a God’s… heheheh…”
Oop. Shit. That was not good.
“Listen. I’m not going to do anything for you without my consent, you got that? I’m not even here of my own free will mind you. Just gained sentience in your bag and all of a sudden I’m a bow. This is going to be a symbiotic relationship or I’m finding someone else, alright?” You spoke up, not even hiding the fact that you were… well a little more than concerned with what he just said.
“… What are you going to do if I don’t respect your wishes?” Shit fuck shit fuck-
“… I will scream next time you use me.”
And into a standstill you both sat.
He stared at you and he could feel you glaring into him. It was probably weird feeling a bow glare into him. New feeling he never thought he’d feel before.
“… Alright. Taking someone’s free will isn’t really something I do anyway. So don’t be fearful… comrade?” Was he asking your name..?.. Eh. Comrade is nice and you don’t feel like giving it out so meh.
“Comrade works. And uhm… yeah.” Welp that was awkward. Good job 👍🏾!
The two of you continued to stare at each other in silence for a few moments.
“So… what’s your favorite dish?”
“I can’t eat asshole-“
“Childe!”
The mentioned man whipped his head in the direction of the call, honestly scaring you with how fast it moved - you are a hundred percent sure you heard a crack.
By the covered entrance of the cave stood Nigguang, Keqing, Zhongli and both Hydro Vision users. Nigguang was the one to call him.
“What are enough doing out here? Do you have any idea was caused… whatever that was?? And - as much as I hate to ask - are you alright?” She was firing questions out at an extreme speed, making both you and Childe dizzy.
“Uhm… I was hunting, I… haven’t the foggiest idea what you’re talking about! And yes , I am okay. Thank you for asking?” You knew he sucked ass a lying but like… how did that sound convincing in anyway?? The hesitation just made it worse!-
“You haven’t the foggiest clue, you say…” Keqing asked while glaring at the ginger. Ed She Ran lookin’ headass-
“Yep! No idea, not the slightest idea, definitely wasn’t my bow or the enchanted mora on it! Nope not at all.”
The group looked at him, and he looked at them.
They looked at him, and he looked at them.
They looked at him, and he looked at them.
And this went on for several minutes before this super smart man said:
“Yep, not me at all.”
And before anyone coup ask questions you groaned, forcing all attention into yourself before tearing him a new one.
“You dumb motherfucker! “I haven’t the foggiest idea😢” my ass!”
“How did you say that?-“
“Shut your bitchass up before I see it shut. I should beat your ass for that. How they fuck you gonna say some shit like that and expect them to just go “Oh okay!😚” like some dumbass?”
“No really how-“
“I will slap the stupid outta you don’t fucking test me ginger bitch. Fatherless. That’s why your father sold you ass off it’s cause you so DAMN stupid, Jesus.”
“Mora?”
“What do you fucking want you cunt.”
“… We’re still in front of people.”
“… I will not hesitate to shoot all of you-“
… Nigguang was going to have so much paperwork tonight.
MORA!READER MORA!READER MORA!READER MORA!READER MORA!READER LETS GIVE IT UP FOR MORA!READER!!!!! ૮꒰˶ᵔ ᗜ ᵔ˶꒱ა˖⁺‧₊˚
They’re here you guys!!!! Get happy get wild!!!! Holy shit that ending was mild!!! I hate it!!! Anyway-
This is gonna SAGAU because… meh. But that doesn’t matter! Their here! But I’m not done yet, next thing on my checklist is humanizing the animals (Main ones) so I’ll be be radio silent for a bit again lmao (unless I choose to post shit which is very likely-) ໒꒰ྀི´ ˘ ` ꒱ྀིა
Hope you enjoyed the first chapter of Mora!Reader! More is, of course, on the way! ૮꒰ྀི∩´ ᵕ `∩꒱ྀིა
Have a magnificent day/night my dears!~
/)/)
( . .)
c( づ♡ Loves you guys!! <3
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yamujiburo · 4 months
Note
Some of this might sound intentionally hostile in text and I apologize.
I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.
I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.
Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.
What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?
Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.
What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.
I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.
What the fuck got her there tho.
Anyways I've been watching a lot of Bojack Horseman lately -
I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.
I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.
I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.
This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.
From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.
I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!
I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is
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adventuringblind · 5 months
Text
Joint Coping
Lestappen x Reader
Genre: Angst
Dialouge: "Help me understand."
Summary: Max helps his partners learn to cope in healthy ways
Warnings: Selh-harm, unhealthy Coping, blood, Ferrari, Max being the sane one of the group
Notes: I would like to emphasize that this is a thing that does happen. I know because I've done it. This specifically is not something to be glorified at all. Self-harm done in groups can become competitive. This is a pretty toned down version of things I've experienced and it's less toxic. THIS IS NOT REACHING OUT. Just wanted to clarify :)
This is part of my 1000 follower celebration! Requests are still open if you'd like to participate (the link will take you to the request form).
Masterlist
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Max knows something is wrong with his partners. It's like an itch in his brain he can't scratch. A sixth sense, if you will.
The two Ferrari drivers are struggling with their team. Every problem is their fault. They have become the Ferrari scapegoats. When they do poor, it's the driver. When they do good, it's the team and the car.
He's coming to the end of his patience. If he has to hear them self deprecate one more time he might actually consider making them stand in the mirror and say nice things about themselves. Can he fuck it out of them? Is that a possibility? He really doesn't know but is desperate and willing to try anything.
They both DNF at the next race. Max is a man on a mission through media and debrief. He needs to see that they are okay. At the very least not sitting through some kind of lecture a parent gives to a child.
He sprints to the Ferrari garage and runs into Carlos. Despite his injury that took him out of the season, he still comes to support his team and teammates.
"Carlos!" The Spainard spins around to face him. "Have you seen-?"
"They already left over an hour ago. Did they not text you?"
There are warning bells going off inside of his head. Something is clearly wrong and they aren't telling him about it. He's about to sprint away when Carlos stops him.
"Before you go, you should that there were some awful things said by their engineers and they looked really upset about it."
"Thanks Carlos."
Max is back at the hotel as fast as he can manage. He tried both their cells with no answer. It's killing him from the inside out with anxiety. He's probably just overthinking, but it'll feel better when he sees they are okay.
He keys the door open and doesn't bother taking off his shoes. The lights are off aside from the one in the bathroom. Maybe they decided a nice relaxing bath would do the trick. Max could also go for one. He pushes that thought aside for now.
He knocks gently on the door. "You two in there?" No response. Or at least - not one to him directly. There are a few hushed whispers, but nothing loud enough for him to hear.
He waits Aproximatley ten seconds before he can't handle it anymore and swings the door open. He expects to see fogged mirror and water on the floor. Instead he's met with the sight red wrists and thighs.
He's lost. Max Verstappen has no idea what to do.
They are stripped down to undergarments. Legs dangling over the side of tub. A switchblade in the hands of Charles. They both look teary eyed and doped out. Are they enjoying this?
God, he feels so stupid. Weeks of having Sex with no lights on, sweatshirts in hot weather, no swimming and doing private ice bathes away from trainers. He should've noticed. Max could've stopped this sooner. He wants to rewind and tell them to come to him instead of relying on this to get the through.
"Guess you caught us." Charles let's out a half assed laugh. "You gonna stare at us all night? Or can we get the yelling part over with? Last three partners left us when they caught it. I understand if it's to much. Not your burden."
Max had been a later addition. The two in the bathtub had been together since their teenage years. Had they been Coping like this for so long?
"Sorry about the mess. Relapses are hard. We made it all season until a month ago." She leans her head onto Charles' shoulder. How can they make this type of environment endearing? This is unreal and they need serious help. Which Max will eventually get them when he can get his act together.
He kneels on the floor in between them. Max is just now registering the tears on his cheeks. They'd been in pain for so long. It hurts him just thinking about it.
"I'm not going to yell-" he looks at one. "-I'm not going to leave-" he looks at the other. "But help me understand. I want to help."
"It's easier to do with someone else around. It's more therapeutic." The lopsided smile on the female's face is not helping Max. He has to many questions.
First, he gets them cleaned up. Neither of them flinch when he disenfects the wounds. They don't look at him as he wraps them in whatever gauz is in the first aid kit. They look ashamed as he puts the knife in his bag and rinses the tub.
The one that gets him, however, is the look of pure confusion when Max hugs them both so tightly. It's like they don't know how to respond.
They sit in a circle on the bed. It's comfortable and Max can see both their expressions clearly.
"I know the struggle." He starts. "Punishing yourself is better then someone else doing it, right? But I had Daniel there reminding me to reach out."
"It's just easier this way."
"Easier isn't better. Look at the state you're in. I'm not leaving, but I am getting the both of you help."
He followed through with this the next morning. Then looked supposed to see him when they woke up. He, and his childish mind, kissed all the cuts and scars. Every single one of them received proper treatment.
The female cried and thre her arms around Max. Charles had looked away in shame. The reasons they started this are still foreign to him, but that's not his priority.
He gets them help. All of them, mind you. They do group sessions as the three of them to find healthier ways to cope with each other.
Reasons seem to fade into the background because they don't matter as much. The important thing is that Max caught it in time. That he didn't lose them to their own minds. They are partners, and Max would be devistated to lost someone he loves to those dark places.
He rests easier now that the itch has been scratched. His partners are doing better. They smile and laugh at his stupid jokes again. A bit of confidence regained.
And Max reminds them daily that nothing is worth it if you have to destroy yourself for it. Drivers or not, he loves them regardless.
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hot-take-tournament · 8 months
Text
HOT TAKE TOURNAMENT!
GREATEST HITS!
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Submission 474
vocaloids (and all similar non-Yamaha-owned vocal synths) are bad. all of them.
It's a mockery of the human voice. Frye from Splatoon 3 of all things is the closest we will ever get to having any interesting vocal technique in a voice synth bank. Singing styles around the world are so interesting and take so much skill and you abandon them for a glorified MIDI file? I also blame them for the rise of AI-generated covers, because they first started the devaluing of the human voice and the usage of it as an instrument - a really boring one that will never know advanced or diverse technique. Congrats, Miku made Minecraft, now all of SpongeBob has sang Billie Jean by Michael Jackson. At least the SpongeBob characters have distinct and interesting voices.
[from follow up asks]
hello. vocaloid take submitter here.
i didn't expect my submission to gain as much traction as it did, i thought it was lukewarm at best. i thought there were more vocaloid haters out there. this is tumblr, though, so i guess not. still think vocaloid is ass though.
i will say, it might add context to my take that i myself am a singer and have natural perfect pitch. while i haven't sang in any professional capacity, i've still done some voice training and lots of lower level performances. i have very strong feelings about singing, and hold what the human voice can do in high regard.
i also have a better ear for picking up smaller things in the human voice (re: natural perfect pitch) and the difference between humans and vocaloid is extremely striking to me. no amount of tuning can make a vocaloid not sound lifeless to me, because i will never, ever hear a human voice, and instead of letting the lead of the song Not Be Vocals - which has never been a novel concept - they HAVE to put the voice bank in.
also, re: "frye isn't a voice bank dumbass", congrats! you took away something i felt was actually interesting! god i wish more people knew about more singing styles that they couldn't easily replicate!
while now i know that AI voices are not a continuation of vocaloid, sorry, still think it's bad, go to hell and learn to compose a song without lyrics.
also - still the vocaloid take submitter - to continue:
i will eventually send a link to a playlist of all of the Vocaloid songs i have ever listened to, because i am sure most of the people who think i submitted that think that i do not even know what Defoko is, or that i've heard exactly two Hatsune Miku songs. i know what Defoko is. i know she's entirely computer generated. i've listened to her voice. i still think it's bad. have any of you big shots heard of Big Al? i've listened to him. also bad. it's bad.
Submission 111
I think chicken breast is disgusting and I would rather blend it up into a shake than eat it with my teeth
It’s fast, it’s efficient, it’s nutritious if you add fruits and vegetables. It’s easy to prepare and you can drink it on the go. I need the protein but chicken breast tastes disgusting either way, and I’m tired of putting in so much effort to make the joyless rubbery meat taste good.
My friends and family are wrong, this is the future.
I see some of you not voting! That's cheating!
It's ok if you agree with neither take! Just choose the take you agree with slightly more!
Think of it like choosing the lesser of two evils!
Propaganda is always encouraged, and remember to reblog your favourite polls for exposure!
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IOTA Reviews: Collusion and Revolution
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Well, the final confrontation with Lila was a bust, but maybe Chloe's swan song will be bett----HAHAHAHAHAHA! Sorry, I couldn't even finish that sentence without laughing.
Let's get into the twenty-second and twenty-third episodes of Miraculous Ladybug's fifth season: Collusion and Revolution
“Collusion” starts off with... oh, for God's sake... Gabriel monologuing to Emilie's body for the umpteenth time, only now, we see just how bad his Cataclysm wound has gotten, now making his entire hand black.
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Marinette and Adrien wake up and we get a pretty cute scene of them talking on the phone while getting ready for their respective days. Afterwards, Gabriel talks with Adrien about being sent to London, and is somehow aware that Adrien hasn't told Marinette yet. Even when Gabriel tries to use his ring to keep Adrien under his control, Adrien still shows signs of resistance.
Later at school, Chloe walks up to insult Marinette and Adrien as usual, but Marinette has a little rebuttal of her own.
Marinette: Be mean while you still can, Chloe. I'm gonna let you in on a secret. Remember your friend Lila who used to hurt everyone with her lies? See her anywhere in this classroom? No, because I put a stop to her nastiness and I'll do the same with you!
Yeah, and you were only able to do so because one of Lila's minions decided they didn't like being evil, and had no plan of your own prior to that.
It's revealed that not only is Lila (I'm not calling her Cerise to make things easier for myself) still in contact with Chloe through their Alliance rings, she also somehow got her own supervillain lair. How did she set up here, much less find the resources to do so? You guessed it, never explained!
And yeah, let's just get this out of the way. I hate what they're doing with Lila here. For reasons I'll get to in a later review, it's clear that there had to be some changes made so Lila remains a key player, even after the events of “Confrontation”, so they decided to make Lila manipulate Chloe as part of her plans. For a pair of episodes that are meant to show Chloe at her absolute worst, it devalues her status as a villain if she's just going to be used as a glorified attack dog for bigger threats like Lila. Remember, we've seen Chloe come up with her own plans before (Mr. Pigeon, Dark Cupid, Darkblade, Kung Food, Antibug, Despair Bear, Zombizou, Frightningale, Queen Wasp, Queen Banana, Gabriel Agreste, Penalteam, Determination, Derision), and we know she's not a complete idiot. She doesn't need Lila to hold her hand and tell her what to do to get what she wants. I get that it's supposed to be ironic that Chloe, for all her bluster, is ultimately a pawn in a larger scheme, but it just doesn't gel with the whole “irredeemable monster” stuff the show has been going with whenever Chloe has been on screen for the past two seasons. You could easily take Lila out of these episodes and not much would really change.
During class, Chloe makes a scene by blasting some music and dancing on her desk, and we get what has to be the most unrealistic thing this entire show has done for the past five seasons: Assuming kids still care about school when the year is almost over.
Rose: Chloe, quit it! We wanna hear the lesson, we care!
When Ms. Bustier tries to send Chloe to the principal's office, Chloe calls Ms. Mendeleiev (who is the new principal after Mr. Damocles resigned), and essentially forces her to change the rules to music is allowed. After Chloe taunts Ivan, just as Marinette tries to stop Ivan from hurting her, she uses the opportunity to frame Marinette for hitting her. Oh, sorry. I mean Lila uses the opportunity to tell Chloe to frame Marinette for hitting her.
In the principal's office, Ms. Bustier tries to reason with Chloe by showing her the present she got her all the way back in Season 2's “Zombizou”.
Ms. Bustier: Chloe, do you remember this gift you gave me on my birthday? To me, that is proof that you're a fragile teenager who doesn't know love and is simply looking for attention. And... we all tried to help you. So, please, whatever it is you want, ask yourself if it's worth all the suffering you're causing.
Chloe: Did you hear that? A homeroom teacher using a student's feelings to blackmail her. This is inappropriate, utterly inappropriate! My father, the mayor, would never tolerate this in a school.
Remember kids, FUCK showing compassion to your enemies! Everyone knows Gandhi was a loser anyway.
The negative emotions attract an Akuma to Ms. Bustier, but she manages to resist Monarch's influence for now. Monarch transforms back into Gabriel, who has a meeting with Tomoe and Andre to discuss the state of Paris' law enforcement.
Tomoe: Your policemen mostly get paid for doing nothing. It seems that Ladybug and Cat Noir are the ones who have been enforcing the law in Paris the last few months, wouldn't you agree?
Because I guess Ladybug and Cat Noir have also been stopping drug rings off-screen or something.
Chloe storms into the office, and even though Lila has no idea what's going on, she tells Chloe to record the conversation. Once again, Lila has to tell Chloe just how to be mean and selfish while she chews out Andre, and that if she was the mayor, she'd ban superheroes, right before Chloe learns Adrien is going to London next year.
After a scene that's only there to remind the audience that Adrien hasn't told Marinette about London yet, we see Gabriel talking with Andre about replacing Paris' police force with robots... even though this should really be more a discussion for the commissioner. I guess the writers didn't have enough money for a commissioner model because they had to allocate resources for Ms. Bustier's baby bump.
Andre: Seriously, Gabriel, what's this whole police robot idea all about?
Gabriel: Have I ever offered a single bad idea to you, Andre? We've always helped each other, haven't we?
Andre: Remember when we were young and penniless? When Emilie, you and I would make the world right from our little attic room? You made me my very first suit so I'd feel confident and Audrey, whom I'd fallen in love with, would finally notice me? Don't you think we were much happier back then? That our lives were more beautiful, more fair?
Gabriel: Come on, you have everything to be happy, Andre. Your wife, your daughter, Paris City Hall...
Andre: A woman who barely respects me, a selfish, heartless daughter, and a City Hall that I never wanted. I only got into politics like dad to impress Audrey, you know that.
Gabriel: I have no idea what you're talking about.
Andre: Look at me, Gabe. All my life I've lied, I've cheated and I've abused my power. I used to be a dreamer, an artist, I wanted to make movies! Now I've become a tyrant in servitude to my family and friends...
Aw, poor baby. Did someone condition their daughter to develop an entitlement complex while refusing to divorce your abusive wife?
I'm sorry, but I don't feel bad for Andre at all here. While I'm happy to see that the show is trying to teach kids that male mental health is important too, it doesn't really earn him a lot of sympathy considering a lot of this is his own fault. Sure, we don't know what Audrey was like when they were younger, and she could have gotten worse as time went on, but considering how rich he is coupled with the fact that Audrey spends most of her time in New York, he doesn't really have much of an excuse to not divorce her. As for Chloe, he has even less of an excuse, since he was responsible for her upbringing. He spoiled her rotten, he refused to properly discipline her, and he failed to teach her the slightest bit of humility. I'm willing to accept that Chloe is a lost cause by the show's standards, but I can't accept the fact that Andre had nothing to do with how she turned out. He's as much of a failure as a parent as Gabriel is.
As Lila somehow finds where the two are talking so she can overhear their conversation, Gabriel secretly records Andre, altering what he says to make him look bad. While I can't exactly describe it through text, this clip from The Simpsons should summarize it.
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Ms. Bustier sees the video of Andre, and this time, she fails to resist an Akuma, turning into Wonder Woman—I mean, Miss Sans-Culotte.
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Miss Sans-Culotte has a okay design. I like how it's meant to have a more patriotic theme with the color scheme, and the fact that it's based off some of the people in the French Revolution, aptly named the Sans-Culotte, is a nice way to teach kids about history. The problems I have are the golden armor, which goes against the fact that was previously mentioned in this very episode that the Sans-Culotte wore more simple clothing. That, and the guillotine blade for a weapon, which gives off some uncomfortable implications. The Miraculous power this time involves the Pig Miraculous' Gift, which somehow allows her to transform anyone her blade touches into balloons... even though the Pig never had that ability, and we saw what it really did just earlier this season (Jubilation).
Right when it seems like Adrien is about to tell Marinette about London, the two learn about Miss Sans-Culotte, and split up to transform into Cat Noir and Ladybug respectively. Meanwhile, Chloe hears the news about Andre before getting a call from Gabriel, who offers to “give her Andre's power”. Even though Chloe always uses her dad's power to get what she wants, she literally has to be told to accept the offer from Lila because she didn't think of the political ramifications. You see what I mean about Lila adding nothing to this episode? It'd be like if Thanos kept in contact with someone who had to tell him how to get the Infinity Stones at every step. As for Gabriel, I'll talk about his plan next episode.
Ladybug and Cat Noir confront Miss Sans-Culotte, demanding to know what she's doing.
Ladybug: Terror isn't a solution!
Cat Noir: There are elections to make your voice heard.
Miss Sans-Culotte: Or a revolution when everyone is corrupt. Nothing can stop freedom!
Because it's not like the video of Andre confessing to abusing his power, tampered or not, is an open and shut impeachment case, right?
Ladybug summons her Lucky Charm and gets a crown. After focusing on Miss Sans-Culotte and City Hall, she gets an idea.
Ladybug: Mayor Bourgeois is acting like the king of Paris, and maybe he should be removed from office after all.
Cat Noir: Are you saying we should give this villain free reign?
Ladybug: I don't know... I feel like that's what the Lucky Charm means. You're right, it's not up to us to decide who gets to be the mayor and who doesn't. An akumatized villain just needs to be deakumatized.
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Yeah, remember how Ladybug said it was too risky to forge a temporary alliance with Matagi Gozen in order to stop the person who stole almost every Miraculous she had last season? Well now, she's saying they should essentially let this Akuma force the sitting Mayor of Paris out of power, which is all kinds of illegal. Now this might just be because I'm not French, and don't understand how politics work over there, but here in America, the last time some people stormed a major government establishment to protest a fair election, they were seen as fucking lunatics.
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Zoe tries to reason with Miss Sans-Culotte, but she's still in favor of using that guillotine blade in ways that don't involve balloons. They try to reason with her and convince her to reason with Andre... right as Andre is about to resign himself, so this whole conflict was pointless. Still glad to know Ladybug and Cat Noir are now willing to let Akumas use their powers to get what they want when that was almost always seen as taboo.
Miss Sans-Culotte once again rejects the Akuma with ease, Ladybug uses Miraculous Ladybug to fix the damage... only to be cornered by several police robots, and ones that look really stupid at that.
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Remember, Gabriel and Tomoe wanted taxpayers to pay for these.
Yeah, somehow, the Lucky Charm was actually meant for Chloe, because, well...
Cat Noir: A crown for the queen of brats, of course!
What, did calling her the literal Antichrist not do well with test audiences?
Yeah, this makes no goddamn sense. Why was the Lucky Charm prioritizing Chloe of all people instead of the Akuma as usual? What was Ladybug even supposed to do here? Yeah, she really should have stopped Miss Sans-Culotte, but was she expected to know about the police robots or something?
Chloe tells the press that Ladybug and Cat Noir helped an Akuma force the current mayor out of office. This is all part of Gabriel and Tomoe's plan, but once again, she's not wrong. The two still helped a dangerous supervillain force a major political shift, and the resulting power vacuum that allowed Chloe to rise to power is really their fault. After Cat Noir uses his Cataclysm to free himself and Ladybug from the nets the robots used to trap them with, we get the start of a running gag where Chloe struggles to say the word “democratic”, because remember, she's blonde, and therefore stupid. This happens several times across both episodes, and none of them are actually funny.
The episode ends with Chloe unlawfully taking control of Paris as the new mayor, which is totally different from Miss Sans-Culotte unlawfully forcing Andre to resign. The last time I saw double standards this blatant, I was watching RWBY.
THE BIGGEST IDIOT OF THE EPISODE IS... CHLOE
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If there's one thing I love about my irredeemable villains, it's that they're so stupid, it's impossible to take them seriously. Not only did Chloe need Lila to hold her hand through every major decision she made throughout this episode (and by extension, the next), she failed to understand her dad's political career falling apart and needed to be told to take an opportunity to own an army of advanced robots, and couldn't even say the word “democratic”, which isn't that hard of a word to say even if you're borderline illiterate.
“Revolution” starts off with Chloe essentially declaring martial law in Paris for the time being. Once again, Cat Noir says the sane thing for once and suggests they go and beat up Chloe themselves. Well, I say that, but somehow, Cat Noir contradicts himself in his very next line.
Cat Noir: We can't let Chloe make up the rules.
Ladybug: If she were akumatized, it'd be easy. Find the object, break it, de-evilize her.
Cat Noir: But there is no object, and we can't attack someone who isn't akumatized, or we'd look like the supervillains.
I think you forgot something, guys...
THE ENTIRE FUCKING REASON SHE'S MAKING THE RULES IN THE FIRST PLACE IS BECAUSE YOU HELPED A SUPERVILLAIN IN THE LAST EPISODE! HOW DID YOU FORGET THIS VITAL INFORMATION?!
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What the hell is with the sudden change of pace? They were willing to let Miss Sans-Culotte have her way by making Andre resign, so why can't they stop Chloe when she's already taken over Paris by force? I don't think you'd really look like supervillains if you stopped a tyrant instead of a democratically elected mayor. All you need to do is stop Chloe from controlling the robots, and you're golden.
In fact, where the hell is the rest of the Parisian government during all this, much less the French government? Why aren't they doing anything about this? We don't even get a throwaway line that explains it like Chloe bribed some politicians to keep quiet about the whole thing. Instead, despite an obvious violation of democratic rights, nobody outside of Paris is even bothering to stop this.
After a brief scene where some citizens are interviewed about Chloe, we see Adrien once again angsting about going to London. Like what Lila did with Chloe last episode, Plagg has to outright tell Adrien to talk to Marinette about this, because I guess this show has a really low opinion on the intelligence of people with blond hair. Also, good to know that even though Chloe is currently ruling over the city with an iron fist, she's still allowing air traffic to flow normally. Good thing too, as it's almost tourist season. Adrien tries to tell Marinette through a call, but she talks to him about Chloe, and how they can protest her regime.
Meanwhile, at City Hall, Chloe has already gone mad with power, as she orders her new box robots around, while Gabriel calls her to praise her for how she's been doing. Afterwards, Gabriel transforms into Monarch and absorbs the powers from a few Kwamis before Voyaging to City Hall. Chloe orders her robots to arrest Monarch, unaware than Tomoe is the one actually controlling them, only for Monarch to offer a deal... which Lila once again has to tell Chloe to listen to even though Chloe has worked with him in the past. Monarch offers to akumatize Chloe in a way that makes it look like she's not working for him. She accepts, and becomes Queen Mayor.
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Queen Mayor's design is pretty simple, but I guess it works for the plan. It's just Chloe in an admittedly nice-looking jacket. Not sure if she can actually take it off like her other clothes or not, though. As for the Miraculous powers, Monarch transfers five of them to her robots, the Turtle Miraculous' Shelter, the Horse Miraculous' Voyage, the Ox Miraculous' Resistance, the Bee Miraculous' Venom, and the Rooster Miraculous' Sublimation, which gives her an unclear power. Given what she subjects her victims to later on, I guess it's the torture chamber she creates? I also don't get how the robots are capable of using the Miraculous powers when earlier episodes established you needed to have multiple Alliance rings to use them (Transmission, Pretension).
But now's as good a time as any to discuss Gabriel and Tomoe's plan, and why is makes absolutely no sense. In case you got confused, here's a quick summary: Tomoe created an army of robots designed to replace the police, and when Andre refused to use them, Gabriel recorded a private conversation so he could edit it, then transform into Monarch to akumatize someone and hope Ladybug and Cat Noir would let her force Andre to resign, then talk to Chloe about taking over as mayor, hope she says yes while Ladybug and Cat Noir do nothing to stop her, then pretend to give her control over Tomoe's robots before akumatizing Chloe so she can actually control the robots, all while praying that Chloe doesn't find out the truth, much the government doesn't get involved with this.
Gabriel and Tomoe did all of this instead of just, you know, akumatizing Chloe like usual. If the plan was to akumatize her all along while making it look like she's not akumatized, why didn't Gabriel just do that from the start as soon as Andre resigned and Miss Sans-Culotte rejected her Akuma? Also, why the hell is Chloe so crucial to the plan anyway? Yeah, they plan to throw her under the bus once they win, but wouldn't it make more sense if Tomoe, the one whose company made the robots, was the one who took over as Mayor?
It feels like the show is trying to recreate the plan from “Miracle Queen” where Chloe teams up with Monarch, but that plan at least made sense, as Chloe was crucial because of her connection to Ladybug. Here, it just feels like the writers needed an excuse to actually make Chloe a threat, but just like when Felix gave Gabriel all of the other Miraculous last season, it's forced. I'm not really seeing Chloe as a threat when she needed Gabriel to hand her the keys to an army of robots, and I don't care if that's the point. If the show wants us to take Chloe seriously as a villain, it needs her actions to speak for themselves instead of turning her into a glorified attack dog for Gabriel, Tomoe, and even Lila to an extent.
But here's my biggest problem with this plan. Consider the fact that Gabriel put Chloe in a major political position, presumably in order to bank on the fact that Ladybug and Cat Noir wouldn't use their powers to beat up a civilian. Gabriel then transformed into Monarch and akumatized Chloe into a form that would make it look like nobody would even tell she was akumatized in the first place. So let me ask this: If Gabriel's plan involves making it look like Chloe isn't akumatized, how is this going to actually attract Ladybug and Cat Noir so you can get their Miraculous?!
Yeah, Ladybug and Cat Noir eventually decide to fight Chloe anyway, but they don't learn she's akumatized until she blurts it out, and that's well into their fight. The plan is to turn the local government against Ladybug and Cat Noir and discredit in a way that prevents them from taking action against an obvious threat, but that just doesn't gel with Monarch's goal of getting their Miraculous. Did Gabriel and Tomoe assume that Ladybug and Cat Noir would just have no qualms with presumably beating up a civilian? If so, why even bother hiding the fact that Chloe was akumatized? This is a problem the plan faces no matter who the mayor is. Hell, if anything, it would be better if Chloe was akumatized from the start, as no matter how long she hides it for, she still has control over an army of robots armed with Miraculous powers, which wouldn't decrease the threat she poses in the slightest. This isn't even the first time an Akuma has hijacked the position of mayor (Rogercop), so it's even less excusable!
The next day, the students stage a protest at their school to get Ms. Bustier her job back, where Chloe (I'm calling her that instead because nobody else calls her Queen Mayor) questions why they're using their right to protest. She also plans to tell Marinette that Adrien is moving to London (something Gabriel told her earlier), but once again, Lila tells her not to. Also, you want to know how stupid the whole “Chloe can't say the word 'democracy' right” gag is? In the same scene where she struggles to say the D-word, Chloe uses the words “Libertarian”, “negative”, and “influence” correctly. It's hard to really buy Chloe as this illiterate moron while you still have her use words like this.
We get what can barely be considered a montage of Chloe abusing her power, but it's only like, three scenes before the plot kicks back in. We get a scene of Chloe screwing around in a private one-on-one class, an admittedly funny bit where she had a golden statue of herself commissioned to rest on the Arc de Triomphe, and then a scene where she shows Andre the ice cream man just how unfair her rule is.
Chloe: Did you pay the permit fee to sell your ice cream?!
Ice Cream Man Andre: I don't need a permit to sell love in Paris!
Chloe: Well, now you do! Otherwise, you'll end up in detention!
I mean, she reasonably calls out Andre for not having a permit to sell ice cream. How... evil of her?
Marinette goes back to her place, only to learn Chloe abducted her parents and placed them in “detention”, before doing the same to her thanks to one of her robots using a combination of Venom and Voyage. We do get an admittedly decent scene of Chloe threatening to tell Marinette about Adrien moving if Adrien doesn't become her deputy mayor, only for Adrien to vow to tell Marinette himself... even though he kept trying to tell her earlier in the episode, so this moment feels a little hollow. But hey, it's not like the finale will make this scene seem even worse in retrospect, right?
Adrien is sent to detention, a torture chamber where footage of Chloe mentally conditions the prisoners into believing that they're ridiculous or that they can always count on her, all while the prisoners are told to find a chair in an endless maze. Again, another decent visual I'll give the episode credit for. After Adrien, Marinette, and Alya escape detention, the former two transform into Cat Noir and Ladybug respectively and get ready to finally do something about Chloe.
Ladybug summons her Lucky Charm, a bikini bottom, and gets ready to stop Chloe alongside Cat Noir. Okay, Chloe has an army of robots on her side alongside the public's favor, so they'll need to come up with a really clever plan in order to—they're just going in guns blazing even though that's a terrible plan in a situation like this. Unsurprisingly, the two heroes immediately get trapped by a combination of Shelter and Resistance, nullifying the Lucky Charm and Cataclysm. Only now do they figure out Monarch is behind this, even though both of them saw the robots use Venom and Voyage to send them to detention, yet when Chloe actually says it, Ladybug is still shocked by this.
As Ladybug and Cat Noir start to detransform, they encourage the public to take action once they lose their Miraculous, even though Monarch will have won by then. As they do this, somehow, they stop detransforming until they manage to recharge their Miraculous by the power of because the plot says so. How did they do this?
Gabriel: I am an adult! Not transforming back is a power belonging to grown-ups!
Nooroo: I guess they must have grown up, Master.
Yes. Seriously. Even though there's been nothing else to signify that Ladybug and Cat Noir have matured this season, they now have the full power of their Miraculous at their disposal because now, they're adults. If you have to tell the audience that your characters have developed, then you've done a poor job at writing character development. Ms. Bustier takes the sash containing Chloe's Akuma while Cat Noir uses multiple Cataclysms to destroy the rest of her robots.
Ladybug de-evilizes the Akuma, oddly enough, doesn't use Miraculous Ladybug to fix the damage, doesn't give Chloe a useless Magical Charm because Andre says he's going to “correct his own errors”, and after being convinced by her students, Ms. Bustier decides to run for mayor.
We then cut to a private jet where Audrey is chewing her daughter out for failing, even though she supported her earlier when she was mayor. Yeah, you know how it seemed like Andre was finally going to properly discipline his daughter. Dream on! Instead, he just decided to send her away with Audrey, someone who he knows is a terrible person, and lets her deal with Chloe in a way that heavily implies she's going to put Chloe through hell when she isn't at school.
Audrey: Because of you, we've lost face! You've ruined our name and our reputation! You had all the powers in your hands and you foolishly lost them! Bourgeois do not raise losers. You think you're going to London on vacation? Dream on! I'm going to take control of your life again, starting with your education.
This is seriously meant to be an appropriate punishment for Chloe while Andre gets absolutely no consequences for being responsible for his daughter turning out the way she did. I have only one thing to ask.
WHAT THE FUCK, ASTRUC?!
How the fuck did anyone involved with this show think any of this was okay?! How did Andre think this was okay when in the previous episode, he pointed out how awful Audrey was?! Why the fuckare both Andre and Audrey, the two people who helped make Chloe the person she is, getting away scot-free while Chloe gets condemned for everything?! Why the fuck are we supposed to be happy Audrey is diciplining Chloe when we know she's worse than she is?! WHO THE FUCK THOUGHT THIS WOULD BE OKAY TO GREENLIGHT?!
I can either interpret this scene in two ways.
The first way is that, like he's said for a few years now, Astruc still doesn't see this as child abuse, and that Chloe is being punished like any other misbehaving child is.
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THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.
The second way, and I consider this to be the worse option, is that Astruc's team is fully aware that this now qualifies as child abuse, and that Chloe deserves this treatment. Put aside the fact that a common mentality of abusive parents is that they believe they're helping their children by “toughing them up”, this is still a demented way to punish any character, no matter how bad they are.
“But IOTA! Chloe needs to be punished for what she did!” Yeah, she does, but not like this. Hell, you don't need to do a lot to change the ending and avoid the harmful implications. Just have Andre be the one to move out of Paris with Chloe with the intent to send her to boarding school. Also, rather than say he's “going to take control of Chloe's life again”, have him explain that while he still loves Chloe, he isn't mayor anymore, so she can't use his name to get out of trouble, meaning that like it or not, Chloe will have to grow out of her bratty attitude or else she'll get in even more trouble. That way, we see Andre actually taking responsibility for how bad of a parent he was, Chloe realizes her old tricks won't work anymore while the door is open for a redemption should you choose to bring her back next season, and most importantly, there's no implications of child abuse here.
But believe it or not, things were even worse for these episodes initially. As detailed in the Season 5 scripts, there was originally a scene in “Collusion” where Andre used his powers as mayor to divorce Audrey and steal custody of Zoe while leaving her to deal with Chloe herself, officially joining Jagged Stone in the Rich Deadbeat Dads Club.
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And Astruc wasn't even aware it was taken out, not being told this until he found out on Twitter.
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Because somehow, he considered Andre walking out on his family and leaving his biological daughter in the hands of an abusive bitch crucial to the story.
And do you want to know the worst part? No matter how you view this scene, either way, it's portrayed as Chloe getting punished, but the next scene plays Gabriel abusing Adrien straight, ordering him to pack his things as he'll be heading to London that night. The show literally can't make up its mind on whether child abuse is bad or not. Why is it okay for Chloe to be mistreated by her parents while we're supposed to sympathize with Adrien? No matter who the victim is, CHILD ABUSE IS STILL CHILD ABUSE.
I don't care how bad Chloe is, child abuse is NEVER justifiable, and it's disgusting that the show seems to take that stance, whether they intended to or not.
Let's just get the last few minutes out of the way so I can end this. Adrien is forced to pack for London, Nathalie does nothing to stop Gabriel from doing this, Lila steals one of Tomoe's computers, Gabriel tells Tomoe about keeping Adrien and Kagami safe in London while they execute “Operation: Perfect Alliance”, Marinette and Adrien have their first kiss for the third time in five seasons, Chloe calls Marinette to tell her about Adrien, but Marinette tells her to piss off, and Chloe ends the episode crying because Astruc thinks she deserves to suffer. THERE. I'M DONE.
THE BIGGEST IDIOT OF THE EPISODE IS... GABRIEL
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Gabriel joins Marinette in earning the Biggest Idiot Award for the third time this season. He had no reason to include Chloe in his stupid plan, he was essentially banking on Ladybug and Cat Noir choosing to do nothing, and tried to create a scenario were Ladybug and Cat Noir wouldn't be able to lose their Miraculous. At least you could argue that Ladybug and Cat Noir needed to stay on the down low at first. Gabriel doesn't get that excuse.
These episodes sucked, but I honestly thought they were slightly better than the last two.
Yeah, all joking aside, I thought these episodes had more positives to them than “Revelation” and “Confrontation”. Where those two episodes were insulting and confusing respectively, these two episodes were the kind of bad I've come to expect from the show. There's plotholes, bad morals, and characters acting like idiots, but it's par for the course. I was far from a fan of these two episodes, but other than the ending of “Revolution”, I was nowhere near as angry I was with “Revelation” and “Confrontation”.
Surprisingly, I was more upset rewatching “Collusion” than I did “Revolution”. Yeah, “Revolution” was bad, but at least Chloe was supposed to be a bad example of how lead a city, unlike what Andre and Ms. Bustier were doing. Those characters both taught bad morals, intentional or not, and just like Ladybug and Cat Noir, were never called out for unintentionally leading to Chloe's rise to power. With Andre, we were supposed to just be expected to be okay with all the times he abused his power as mayor while cheering when he quit with no negative repercussions, and with Ms. Bustier, we were supposed to be okay with her attempting to stage a violent coup against Andre, the character the episode is already trying to make us sympathize with.
Between these two characters, along with Sabrina and Felix, the show really loves operating on the “There's Always a Bigger Fish” rule. It doesn't matter how many bad things you do, if someone else is pulling the strings, you won't get in trouble at all... unless you're Chloe, so, in that case, BURN IN HELL. Like I mentioned earlier, you can acknowledge someone only did bad things because they were pressured to while saying they should at least be held accountable for their actions in some way that doesn't involve kicking them out of the country.
The moral of when it's okay to use violence was pretty confusing, and not just because this is a superhero show where almost every problem is solved by fighting it. Ladybug tries to convince Miss Sans-Culotte that political conflicts shouldn't be solved with violence, but even if she didn't convince her to change her mind, Andre was already ready to resign as mayor, and Miss Sans-Culotte still angrily demanded he resign in a way that sounded like a violent threat. There's also the fact that despite saying that violence isn't always the answer, the conflict that was sort of resolved with no violence ended up making things worse as Chloe was able to seize power once Andre resigned.
Also, it's pretty funny how absolutely nobody ever tried to reason with Chloe after she became mayor, not even Ms. Bustier. In that case, violence was obviously the answer, but the show never really tells us what makes Miss Sans-Culotte better than Chloe. You can't teach an anti-violence moral in one episode and then lead into an episode where violence solves the problem instead of diplomacy. And I'm not one of those saints who believes that every conflict should be handled nonviolently. Sometimes, people won't listen to words, but will at least hear you out if you use your fists. I'd personally argue the conflict of “Revolution” would have worked if had this kind of lesson. Just have Ladybug and Cat Noir tried to solve things with Chloe diplomatically during the first act, only to realize that Chloe won't budge, so they have no choice but to take her out of power themselves. It'd make a hell of a lot more sense than having Marinette and Adrien do nothing while Chloe makes everyone's life miserable because the writers need to pad the runtime.
I already mentioned this, but for an episode that tries to show how awful Chloe is, she barely does anything on her own. She needs Lila to tell her to go along with Gabriel's plan, she needs Gabriel and Tomoe to pretend to give her an army of robots, and she needs Monarch to akumatize her to make the robots even more dangerous. If you need another character to do something to make Chloe a threat, why should we only see Chloe as the threat? These two episodes keep going back and forth on whether Chloe is the worst or not. When they're not showing her taking control of Paris on her own like should be doing, the writers take the time to remind the audience that Lila and Gabriel are pulling Chloe around by telling her what to do, all while they each muse about how this is all going according to keikaku. If you want to make Chloe a threat and have her live up to her reputation as a terrible human being, she should actually have agency and should be cunning enough to be a dangerous villain in her own right.
Unlike with “Confrontation”, which gave more focus to side characters for some reason, “Revolution” actually focused on the main characters and their conflict with Chloe, like we should have gotten with Lila. Yeah, Ladybug and Cat Noir wait far too long to stop her, but unlike with Lila last episode, they at least had a semblance of a reason for hesitating to beat up a civilian. Either way, it felt like an obstacle that Ladybug and Cat Noir actually overcame together instead of someone else helping them out at the last second. Yeah, the Miraculous boost was a glorified deus ex machina, but it was at least a thing established in the show since Season 3.
Even the stuff with Chloe actually felt like stuff she would do, unlike in Season 4, which tried to give her an interest in bananas and soccer for the sake of giving her screentime as a villain (Queen Banana, Penalteam). When Chloe had free reign of the city, she actually did stuff on her own that was clever, like the detention setup. We really needed more of this Chloe for the past two seasons if the writers wanted to make her work as a villain, yet they waited until the end of the fifth season to actually do something interesting, and that was after she was told what to do for most of the episode.
And then there's how the conflict was resolved. It's really hard to buy Ladybug and Cat Noir “growing up” and unlocking the full power of their Miraculous, because just like when it was first established in Season 3, it's such a vague term, and only leaves you asking more questions. Neither Marinette or Adrien really had a big moment of personal growth this episode. Yeah, Adrien wanted to tell Marinette about London, but he had been trying to do that since Chloe first took over as mayor. While it's a decent piece of character development after keeping it secret for the past few episodes, it doesn't really do a lot to justify Adrien “growing up”.
Then again, at least Adrien actually got a moment to show his growth compared to Marinette. All she did before she “grew up” was tell the citizens of Paris to keep fighting, but it was such a vague speech and doesn't really scream becoming an adult. If she was going to sacrifice her identity or do something dangerous in order to stop Chloe, that could have worked. Instead, what I can assume was her big moment came after she defeated Chloe, the call at the end, and even then, it was just her telling Chloe how much she sucks, something she's never been afraid to say since the show started. Once again, if you need to tell the audience your show has character development, you're not good at writing character development.
Overall, while these episodes were both really bad, I still think they're at least more tolerable than the previous two.
And with that, I am officially done with the poorly written Chloe episodes. Sure, I still have three more episodes until I finish Season 5, but least this means Astruc will hopefully stop using her in the show, or at least ranting about her on Twitter. Maybe I'll make a character analysis post about her or talk about her during the overview post, but for now...
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hufflegruff · 11 months
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Chapter 3: A Knowing Look
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Pairing: Sebastian x F!Reader Summary: In which Sebastian is whipped and literally everyone can see from a mile away that this is more than friendship.
“I have it on good authority that Andrew Larson is after your girl.” Sebastian wanted to laugh, because he must have misheard. And if not, surely that was just a jest. Also, his girl? Hearing it (even out of Leander’s slimy mouth) was both thrilling and petrifying. But before he could reply, Leander continued. “Made a big scene about how he’s going to ask her out today.” Sebastian swore he could feel the Earth’s rotation come to a halt and his head spin. “But I guess if she’s not your girl - it’s no bother, is it?”
Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 AO3 link
Chapter 3: Leander
“Distracted Sallow? Never took you for a bumbling love sick fool.”
Sebastian couldn’t help the groan that crawled out his throat. 
Sebastian had his suspicions, but Leander’s snivelling face confirmed it. 
The universe was out to destroy him. 
His day had already been bad enough. Leander had bested him in a duel in Defence Against the Dark Arts— which only fed his gargantuan ego. Even Professor Hecat was surprised at how atrocious Sebastian’s form had been. Every misstep and poorly spellcast, she made sure to let him know. 
So it was safe to say that Sebastian did not have the patience nor the energy to humour any of Leander’s buffoonery.
He didn’t even really know how it happened. It was all a blur once he stepped onto the duelling platform. Then all of a sudden he was face flat on the ground. His robes haphazardly flung over his head. His legs strewn across the floor. 
Merlin, how atrociously humiliating. 
Especially when he was still trying to recover from his last humiliating incident in the library.
His last conversation with Poppy had made a total and utter mess of him. He felt like mush. All sentimental flesh and no bones. His mind and heart was still in disarray from their last conversation. When she had so brazenly implied that it was only obvious to assume he was courting the Hero of Hogwarts, the thought of actually courting her was the only thing that ran laps around his cluttered mind. 
That was probably why he lost to Leander in the first place. 
Ever since their encounter in the library, his eyes felt like they were moving constantly in conflict. Half of the time, they couldn’t stop searching every hallway and every nook and every corner of the castle in search of her. The other half of the time (when they finally found her), his eyes could never quite meet hers.
How did he end up becoming this silly bundle of nerves and contradictions?
That was how Sebastian found himself moping in the Transfiguration courtyard, with only the idle castle pigeons in his company. He had spent the past hour glaring daggers at any mythical statues that deigned to throw pitiful looks his way. He even ignored Ominis’ owls. He had been perfectly content brooding by his lonesome. 
That was until Leander-the-knobhead-Prewett showed up. 
“Piss off Prewett,” a migraine brewed above the bridge of Sebastian’s nose, “Go spew your nonsense to someone who cares.”
Leander ignored his protests, and perched himself comfortably on the bench next to Sebastian instead. All Sebastian had wanted today was a quiet afternoon to sulk in peace. He wanted to claw his hair out at how he had even been robbed of that. By Leander of all people. He was probably the last person on the bloody planet Sebastian wanted to share this afternoon in the courtyard with.
“Shame. It seems without your girlfriend around, your duelling skills turn poorly.”
“What are you on about?” Sebastian bristled. 
Poorly? How dare he. 
Tough talk from a glorified overgrown ginger twig.
Also, not this again. Not today. It was one thing from Ominis and Poppy. But Leander? If even one other nosy Gryffindor came up to him to imply that he was courting the girl wonder, Sebastian was going to throw himself off the edge of the Astronomy tower. 
(But complicated feelings aside... Sebastian was grateful that she hadn’t been around to see his sorry arse get obliterated in class.)
“Come on. No need to be shy about it, Sallow. The whole school knows you’re soft on the new girl.” 
Leander gave him a terribly patronising pat on the back. Instinctually, Sebastian shoved him off.
Him? Soft? That was utterly ridiculous. Softness was for babies. For defenceless maidens. And Sebastian Sallow was not any of those things. He was smart as a whip. Tough as nails. Sharp as a blade. Softness was not in his repertoire. 
“Well then, you’re even dumber than you look, cause I’m not soft on anyone.” Sebastian replied snarkily.
Leander snorted, “Half of the year’s got bets on when you’ll finally be caught snogging in the hallways.”
Great. Just fucking wonderful. Of all the things Sebastian needed today, he definitely did not need the mental picture of him snogging his friend senseless wreaking havoc in his restless mind. And fuck off. Snogging in the hallways? Give him a little more credit. Sebastian was a raging flirt, but he wasn’t an exhibitionist. He was more romantic than that. If he was going to snog her it sure as hell wouldn’t be in plain view for the entire student body to see. 
Not that he was going to snog her of course. Not that he wanted to snog her.
It was just hypothetical. Scientific even.
But bets? Snogging? God this was probably karmic justice. For that one time in fourth year when he had spread a rumour that Duncan Hobhouse and Constance Dagworth had a romantic tryst in the broom closet in the clock tower. It wasn’t true of course. Which is why Constance was furious, and why Duncan (unsurprisingly) loved it. 
“It’s all good and well if other people want to waste their own money. Doesn’t bother me.” Sebastian replied, trying his best to sound aloof.
“Really?” Leander asked coyly, “Come on. We’ve all seen the sappy looks you give her.”
Sebastian was itching to hex the arrogant look off his face.
Genuinely, Sebastian couldn’t believe how many times he had to defend the status of their friendship this week alone. What business was it of others to speculate on such things anyway? Had Hogwarts, with its endless puzzles and mysteries, become so boring that Sebastian’s private life was now the talk of the town? 
“Oh relax. Don’t get your knickers in a twist Sallow,” Leander snickered, elated by Sebastian’s foul mood, “I was trying to do you a favour. I have information that might be of interest to you.”
Sebastian leant back further on the bench as his posture gave up. He was tired. He’d spent the better half of the week overthinking. He didn’t want to talk to Leander. He just wanted to laze in the sun and wallow. 
“I can’t for the life of me imagine you telling me anything of use.” 
He was positive that Leander had not a single wisdom to impart onto him.
“Oh, I can think of a thing or two.” Leander said, as if he’d just said something utterly hilarious but he wouldn’t say why.
“I’d be surprised if you could even string a sentence that could impress me.” Sebastian retorted. He might’ve lost their duel, but he wasn’t about to lose this battle of words.
But then Leander pulled a fast one on him and said her name.
“It’s about her.” 
Of course it was about her. How could it not be about her? But simultaneously, how could it be about her? There was nothing that Leander could know about her that Sebastian already didn’t. The Gryffindor was more than likely baiting him, trying to rile him up. 
Which is why he should’ve obviously left it — curiosity never did no cats any good. (But Sebastian wasn’t a cat. And never knowing would’ve likely killed him just the same.)
“Enlighten me,” Sebastian said dryly.
He could tell that pleased Leander immensely.
Haughtily, Leander leaned towards Sebastian and whispered, “I have it on good authority that Andrew Larson is after your girl.”
Sebastian wanted to laugh, because he must have misheard. And if not, surely that was just a jest. Also, his girl? Hearing it (even out of Leander’s slimy mouth) was both thrilling and petrifying.
But before he could reply, Leander continued.
“Made a big scene about how he’s going to ask her out today.”
Sebastian swore he could feel the Earth’s rotation come to a halt and his head spin. 
Predictably, Leander was looking at Sebastian awfully smug. Like he had spent years since their first day at Hogwarts mining into the depths of Sebastian’s subconscious with cheap insults and backhanded duelling tactics and finally struck gold. He had found the thing that unnerved him most. Unravelled him into a mess of emotions. 
Her. 
“But I guess if she’s not your girl - it’s no bother, is it?”
It was no bother. Logically, emotionally, in actuality — no bother at all. Not a single fucking one. 
So why did it feel like someone had just flung him mercilessly into the black lake? Tied to an anchor pulling him down into a cavern of endless despair? Like someone had grabbed him by the throat and was choking him with intent to kill? And why did he have this sudden, insatiable urge to beat Andrew Larson into a miserable pulp?
She was not his girl, by any means or definition. And as Sebastian had previously clarified, he was not soft on her either. So logically, if some guy wanted to throw their hat into the ring to court her, there was no issue. 
But when Sebastian genuinely tried to picture it: Larson making her laugh; putting his gangly arms around her shoulders; staring deeply into her eyes - it just felt wrong. It felt unnatural. It felt like the ground was flipped on its head. It flooded bile in the back of his throat. It didn’t make sense. None of it. And what could a simpleton like Andrew Larson even offer the girl wonder anyways? 
Sebastian had never thought much of Andrew Larson before. And that was exactly it. He wasn’t much to think about at all. No redeeming qualities of note. So what made him think that he was worthy of her? She was the Hero of Hogwarts for Merlin’s sake. She was strong and lovely and unyielding and a tempest and way out of his league.
Sebastian was definitely angrier than rationality called for. But even just the thought of Larson’s weasley little hands touching her made his blood boil. 
And when blood boiled, it eviscerated everything.
“It’s none of my business.” Sebastian practically spat with his fists clenched.
The words came out more brusquely than he intended (but less than he truly felt).
To his credit, Leander was surprised, “What? Don’t you want to know where and when he’s going to do it?”
“What fucking for?” 
Leander looked at him condescendingly, “Well I don’t know, to save her from Larson’s grubby hands or something?” 
“You and I both know she doesn’t need saving,” Sebastian affirmed with an eye roll.
“Come on Sallow. You’re having me on. I know you’re just dying to put that Ravenclaw in his place.”
Sebastian would love nothing more. But he didn’t want to give Leander the upper hand.
Leander scoffed, “Fine whatever. Don’t say I didn’t try to warn you. I was trying to help you out of the goodness of my heart. Don’t come crying to me when you find out that she’s decided to try going out with Larson.”
Almost dramatically, Leander made his move to stand up and go. But it was all for show of course. He just wanted Sebastian to beg for his help. 
But Sebastian wasn’t paying him any mind. Too busy caught in the storm of his own emotions.
Because the more he thought about it — the more he took a mental magnifying glass and really, really scrutinised the damn feeling — the more he was inclined to believe that perhaps he was soft on her. 
For starters, he was always worrying about her. Whether she was safe on her adventures. Whether she’d eaten breakfast. Whether she was tired from the weight of being so depended on. Was that softness? Whenever she looked at him, he felt terrified. Like his heart would race out of his chest from the sight of her. Was that softness? 
Was softness meant to feel this anxious? That didn’t sound right. 
It didn’t sound at all like the romances that maidens sang in their folk songs. They made it sound so easy. Nothing about his feelings for her ever felt easy to understand. For Sebastian, there were no butterflies or angel songs or clouds parting or hippogriff rides off into sunset. It was nothing like that. It always felt urgent. It always felt like endless running and scalding fire and falling off the edge of the universe all at once. 
Like she was her own blinding force of magnetism pulling him towards her, off the edge of an unknown precipice. And Sebastian didn’t mind at all. Hell, even if she didn’t tug him, even if she protested — he would’ve marched right up to her, grabbed her hand and jumped off the edge with her without a second thought. 
Maybe… in its own complex and twisted way, that meant that he was soft on her.
(And maybe that was the most terrifying thing about it all.)
God. That meant that he couldn’t let Andrew anywhere near her.
With renowned vigour, Sebastian pulled Leander by his robe and demanded.
“Tell me.” Sebastian finally.
Leander stopped his pacing. Check and mate. Hook, line and sinker. He knew that he would cave; Leander had him right where he wanted him — and the fucker had never looked so delighted with himself.
“I knew that you’d need my help.”
Like they had a mind of his own, his legs moved first. 
First they walked briskly, and then suddenly they were sprinting at reckless speeds towards her. God knows why, because he surely didn’t. Sebastian was so single-minded in his run that he didn’t hear the complaints of the castles sleepy paintings, nor Imelda Reyes yells to slow the fuck down, nor the screeches from the gaggle of first years running from the madman he must have appeared to be.
He was running headfirst into … god knows what. On the precarious word of Leander Prewett. On the word that some other guy had thought he was foolishly worthy to ask for even a slither of her attention.
The running was endless. It was stairs and narrow arches and stretches of hallways. But he wasn’t going to stop. Not even a radical force of nature could stop him in his path. Tunnel vision would get him to that greenhouse; Sebastian’s blind faith would make sure of it. 
Because now that he finally could admit to himself that maybe he was soft on her. That maybe their friendship was dearer to him than most other friendships. That maybe all of this was (at most) a crush — he couldn’t let Andrew Larson derail everything before he even started.
Not that he had a solid plan or anything. 
Which was abundantly clear to him now that he found himself standing in front of the towering doors that led into the greenhouse. He was out of breath and logical reasoning. If he did see them... What would he do about it? 
What could he do about it?
But with no time to waste, Sebastian guessed he would just have to find out.
So he pushed open the doors.
And once he stepped into the greenhouse, Sebastian couldn’t help but grimace. Of course someone as mediocre as Andrew Larson would pick somewhere as basic as the Greenhouse to try to court the girl wonder. He probably thought that he could woo her with a flower or two. That if she didn’t have any feelings for him to begin with, she was a simple enough girl that a bouquet was enough to sway her with his affection.
But he would be wrong. Because she wasn’t the kind of girl that would go on a romantic dalliance with a boy she hardly knew. With a Ravenclaw no less. She was too smart, too witty, too compelling to be wasted on someone like him. 
She had always been better suited with Slytherins anyway. At least they had the cunningness to match her endless ferocity.
(Or — as Sebastian tried his best to avoid saying — she was better suited with him.)
From a distance, he could hear quiet chatter. 
And when he looked, between the restricted view of foliage, Sebastian felt a pang in his heart at the sight of them.
They were standing in a secluded alcove of the greenhouse light. She was drenched in sunlight and surrounded by all things flora — and even in these distressing times, he couldn’t help but think that she looked bewitching. 
… And beside her was Andrew.
All he wanted to do was run up to her and pull her out of his orbit. The itch in his fingers to reach out to touch her was stronger than ever; her gravitational pull was overwhelming. But she would’ve probably hated him for it. The girl wonder would never fancy herself a damsel in distress.
But maybe she would forgive him if he said that he was saving himself. From the grief of watching someone try to claim her as their own. 
Nevertheless, Sebastian refrained and casted a quick disillusionment charm. Staying stealthily behind this fern planter would have to suffice.
As he tip-toed closer, Sebastian heard Andrew’s pompous voice ring out:
“... I mean, it’s no secret. I think you’re absolutely incredible. And stunning. So I was wondering if you would do me the honour of accompanying me to Hogsmeade next weekend?”
When he heard Andrew speak, all Sebastian could see was blinding red. Gone were the lacewing flies in his chest. They were replaced with a feeling more feral and bitter and grotesque.
In the air sat a thick, heavy pause. It was silent. With fear and anticipation frothing at the base of his throat, Sebastian gripped his own hands in wait. So hard that bruises were probably blooming.
Surely she was going to reject him… Right?
“I’m…” She began tentatively. 
Just as Andrew leaned in expectantly (patronisingly even), Sebastian leaned in uneasiness. The tension was palpable. Sebastian could taste it in the air, weighing on the crease of his brow, splitting cuts into the skin of his lips.
Surely she was going to say no… Right?
Finally, she replied, “That’s a very lovely offer Andrew, but I’m afraid that I can’t take you up on it. Thank you for thinking of me though.”
After she had spoken, Sebastian let go of the shaky breath he hadn’t even realised he was holding in. 
The world wasn’t in peril anymore, he wasn’t seeing red. Her words were like oxygen to his battered lungs; he could finally breathe again. 
Her voice had sounded perfectly diplomatic. Polite and wonderfully neutral. No hint of derision, with just the right amount of compassion. And Sebastian couldn’t thank the heavens enough for it.
Thank Merlin. Thank Salazar. Thank any and all of the Gods that looked down upon him.
But almost comically, Andrew’s face quickly sour. Just a second ago, the Ravenclaw had been brimming with bravado. Now he looked like an embittered spoiled child who didn’t know how to take no for an answer. Sebastian could tell that this was clearly not the way that Andrew had hoped that this would go — and he had never been more ecstatic for someone’s flagrant misery.
Sebastian had a feeling that he wouldn’t take the rejection with grace, but he hoped that the Ravenclaw would have the sense to not make a scene.
“Come on. It’s just one butterbeer. Can’t hurt, can it?” Andrew sounded almost annoyed. 
From his hiding spot, Sebastian almost laughed. What nerve did this dunce have to be annoyed? It seemed that the girl wonder felt the same.
She forgoed diplomacy, and raised her brow disapprovingly.
“Well, I’m sorry. But I’m simply not interested.”
“Well you’re not taken are you?” Andrew had the gall to retort.
She hesitated. Only for a brief moment, but significant enough for Sebastian to catch it. He couldn’t help but wonder — why did she stop?
 “No. I’m not.”
Andrew went to grab her wrist, “Well then the least you could do is not reject a man’s kind offer to take you out.”
Sebastian bristled through gritted teeth. Watching Andrew touch her was the last straw. He never thought twice about him until today, and now Sebastian hated him with every agitated fibre in his being. The nerve of this idiot. How dare he. Adrenaline spiked into his veins and before his brain had time to think, he was ready to punch the living daylights out of him—
But then she wrung her hand out of his grasp, and raises her wand at the ready as an act of defiance. When she glared at him, her eyes were ice cold and pure venom. Sebastian had never seen her so furious, it was almost impressive what Andrew managed to incite out of her. 
“I don’t need to do anything. I don’t owe anyone anything. Especially boys who refuse to take a lady’s refusal with grace,” She snapped back.
Sebastian retreated, and stood down. She was comfortably standing her ground and he wanted to jump for joy. He had never been more enthralled by her than in this moment.
Andrew snorted. Which Sebastian could tell displeased the girl wonder even more.
“I think I should go.” She said brusquely.
But before she could, Andrew rudely brushed past her shoulders, and muttered indignantly, “Whatever. Don’t bother. I’ll leave.”
When Andrew began to storm off, she was left in the lurch to watch the belligerent boy walk off in bewilderment. She stared agape, as if she was unsure whether or not to dignify his rude behaviour with a response. 
But Sebastian wasn’t about to let him off this easily. 
Just as Andrew started to stomp his way up the steps past the pond garden. A wicked idea struck Sebastian. As quickly as the idea came to him, he lifted his wand and pointed at the Ravenclaw’s feet.
“Impedimenta,” Sebastian whispered.
And almost as if he was moving in slow motion, Sebastian savoured every delectably humiliating expression that flickered on Andrew Larson’s face as he fell off the cobbled staircase; face first into the depths of the greenhouse pond.
Splash!
In less than five hours, the entire school had heard all about Andrew Larson’s failed attempt to court the girl wonder. The highlight of the tale was of course, his ungraceful dive head-first into the greenhouse pond.
The rumours first started when the Ravenclaw was seen storming out of the greenhouse annex drenched silly, with a nest of foliage poking out of his unruly hair. He had left a squelchy trail of footsteps behind him, and a flock of Gryffindors girls in speculating hushed whispers.
But then the details became public knowledge; and how that came to be would forever be a mystery.
When Ominis had first found out, he asked Sebastian if had heard the news. Ominis eyed him suspiciously, but said nothing more when Sebastian shrugged in response. He clearly suspected that Sebastian knew more than he was letting on.
At the dinner table, Ominis mused, “I wonder how they found out.”
Sebastian replied, “Yeah. I wonder.”
After expertly deflecting all of Ominis’ questions. He excused and made his way On his way back to the Slytherin common room, just on a corner leading up towards the grand staircase, he bumped into her.
“Oh, Sebastian!” She said warmly.
Hearing his own name come out of her mouth, Sebastian felt his heart literally skip a beat. Which was preposterous, because what business did hearts have skipping at all? Vital functions shouldn’t malfunction at the mere mention of a name.
Sebastian had thought about nothing but her in the last five hours; it felt like he had experienced a lifetime of emotions in that short span of time alone. There were so many words and feelings that he wanted to say to her. So many revelations and just as many answered questions.
“Hi.” Sebastian said.
But that was the only thing that he managed to get out. 
“I feel like… I haven’t seen you in a while,” She said.
It had been ages, Sebastian wanted to scream. It had been a week since they had properly spent any time together; since the last time they were in the library. It had been disgustingly too long — but how could he tell her that without sounding like an utter desperate fool?
“It has been a while. I imagine you’ve been busy.”
“Mmhm,” She said absentmindedly. 
Her eyes briefly glazed over, as if she was contemplating saying more to him. Sebastian had a feeling he already knew what was weighing on her conscience.
“I heard about Larson.” Sebastian said.
A light blush dusted on her cheeks. 
“Oh… You heard about that?” She chucked slightly nervously. In an attempt to hide her discomfort, she tucked a stray lock of hair behind her ear, which stubbornly kept falling loose. Sebastian had to tell himself not to reach out and tuck it out of the way for her.  
“It’s all anyone can talk about.” Sebastian conveniently left out the part that he had actually been there to witness it all.
She grimaced. 
“Oh, it’s nothing newsworthy, I just told him that I wasn’t interested—”
“Good.” Sebastian interrupted (much too) abruptly.
Her eyes shot up to his, startled by the suddenness of his reply. Like a deer in headlights, he looked just as bewildered by the sound of his own voice. Fuck, did he really just say good? He cursed himself for how overly eager that must have sounded, and hoped that she didn’t read too much into it.
“I mean… it’s good you spoke your mind.” Sebastian clarified quickly.
She looked at him dubiously, with inquisitive eyes. Sebastian felt a chill run down his spine. He must have said too much with so little, because she was looking at him rather intensely. He couldn't help but wonder if she could now see through him, peering into his mess of his thoughts and emotions. 
Was she looking for an answer to something in particular? And did she find it?
But if she did, she didn’t reveal it.
“Right.” She finally said.
Then slowly, but surely, a smile grew on the edges of her lips. Like a soft patch of shade on a blistering summer day, it soothed his temperamental chest.
When Sebastian had tried to picture her and Andrew together, it all felt wrong. But right here, in this moment just between them, when she was looking straight at him, all felt right in the world. Like peace was at his footbed. Like his contentment was in the palm of her delicate hands. 
Sebastian couldn’t believe that he ever denied being soft on her. 
And he couldn’t believe it took so many people — including Leander for fucks sake — to see it.
“Join me tomorrow at dinner?” Sebastian said, before hurriedly adding, “And Ominis of course. Feels like it’s been a while”
She smiled and said, “Sure.”
This time, Sebastian didn’t fight the smile on his face, “Great.”
And in that moment, Sebastian did genuinely believe all was great. ——
Notes
This chapter was so fun to write but also it took me WAY longer than I thought it was going to. It's also wayyyy longer than chapter 1 and 2, so I hope you guys enjoyed it.
I apologise for the Leander slander. But tbh in some ways he's team SebxMc! So maybe we're all actually pro Leander
I also apologise for the Andrew Larson slander. tbh don't know a thing about him, so he probs doesn't deserve such hate. But oh well, the things we do for romance.
Shoutout to @wt-fxck @ithinkweallsing @mysticrose1210 @eleanorstaghart @deliciouslyferal @oliviajdjarin @80strashbag @radical-ghostface @tlnyjoong @fall727 @lololpiz @ssimpy for all your lovely comments and reblogs!!!!
THANK YOU SO MUCH FOR READING!!! IT MAKES ME SO HAPPY!!!!
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azgfggf · 15 days
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For a while I’ve been trying to articulate why XWP means so much to me, and I think I’ve figured it out. It seems to come from a bizzaro world where everything is just. Equal. It feels like a real feminist show because the women are so respected.
I realized this when watching episode 6 (or seven maybe?) there was a scene where Xena was imprisoned, feet chained to the floor and hands to the ceiling. A group of men came in with the express purpose to harm, and in a moment of clarity I realized that I didn’t fear for Xena in the way I did for every other female in fantasy. Fantasy (as a male dominated genre) is full of sexual violence towards women, often used as story beats or just shock. It permeates women’s real lives and bleeds into what they read for escapist fantasy. For a long time I’ve felt as if nowhere is truly safe, because most fantasy media eventually has a scene or two where a woman is violated, or a costume that’s glorified lingerie, and I have to remind myself that this genre was never made with women in mind. But that scene ended with Xena beating the shit out of them, because they tried to beat her. Not assault or grab, just punches and kicks, like men would fight in fantasy. And she fucking won because she’s Xena and she’s awesome.
Again, in many episodes men want her. But they’re never violent towards her. In the show she is treated like a man would be treated in any fantasy setting. With respect. That’s true escapism for me, some world where that kind of violence either doesn’t exist or isnt prevalent. A world so easy to make, and yet so often thrown aside because of “historical accuracy”. In fiction. The specifically not historically accurate genre where you can pull anything out of your ass and people just kinda have to vibe with that.
I’ve also mentioned this before, but it’s so rare in fantasy for women to be…carefree I guess? Most of them are jaded from past violence, or future survivors, or meek healers, or old wise women. None of which are very allowed to be silly like their male counterparts. They’re always serious, always the voice of reason. Always so reigned in from what male characters are allowed to be. Xena has a dark past, but she’s still kind. The story is still light. Women are allowed to be happy without being victimized.
XWP is fantasy first and foremost, and it works wonders. There are POC everywhere, and nobody calls attention to it because, well, that’s just how it is in Xena-land. There’s no sexual violence toward any strong women, because, well, that’s just how it is in Xena land. People fight on bamboo poles and race chariots in rivers and the steaks only go up to “Ooooo she has to marry the big bad” which never goes anywhere because we all know Xena is gonna stop them.
Xena Warrior Princess is always gonna be my favorite fantasy show, because it’s fantasy that’s finally geared towards women. A fantasy where women are safe, are capable, are treated in the same regard as men with no quippy girl-power one-liners because nobody needs to quip about the status quo. In a genre where women are so often demeaned and violated for minor story beats or shock value, seeing a work that actually feeds into a more female fantasy is what I’m obsessed with. It’s wonderful to see a magical world where women don’t have to live in fear. Or they do, like because cyclops’s n shit but everybody else does that too.
PS: this mostly applies to modern fantasy. Tolkien and Lewis were two authors I grew up on who I largely blame for my fantasy obsession today.
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i think Helaena can be autistic but also a happy and joyful girl , autism ≠ depression. the way the portrayed the only neurodivergent character on screen as unstable, shunned depressed, and with no importance to the plot feel very ableist and weird , but then they're the ones who made the guy with a foot disability a feet fetishist 🫠
Hi OP, finally answering this because the trailer dropped and still the only Helaena shots we have are from her Jaehaerys' funeral. There is also one still photo of her. If you haven't seen it, here she is, apparently sewing the funeral shroud for her little boy:
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So it seems like season 2 is going to continue on this trajectory for Helaena as a character who exists in order to suffer beautifully.
Don't get me wrong. I am glad that the show is going to wring the full emotional effect from Blood and Cheese, not just shock value. The audience will feel the real horror of a six year old child brutally murdered in his own home and the psychological torment of Helaena. It should be terrible, it should be devastating, and I hope they do not pull any punches.
What's disappointing about how the show has handled Helaena is that they didn't really put any effort into building up her character before her tragedy. It's all well and good that she likes bugs and she's touch averse, but what are her opinions? Who is she closest to? How did she react to becoming a mother so young? To what extent does she understand her visions? What does she value? She can be happy and cheerful, or she can be frustrated and angry, and hell, she can be depressed too, but I need to know why. It's telling that I can describe the basic internal motivations for each of the male children, including Luke who was a glorified plot device, but I cannot for Helaena. Aegon wants to feel loved, Jace wants to prove he's as worthy as any trueborn heir, Aemond wants what his brother has, Luke wants to be free from his family's expectations. Helaena? Fuck if I know. I guess she wants not to die horribly.
The ableism is an issue. F&B is full of women who were deemed "simple" -- Gael, Daella, Jaehaera-- without being given much else to define them, and HotD adds another (there's something, I think, to the way the "simple" Targaryens are always women and how disability kind of used as a way to remove them from the narrative and shunt them aside, often tragically). And while it's great to see an autistic person represented on screen, the show consistently has an issue with treating representation as characterization. "Autistic girl who likes bugs" is not a personality. Autistic people, (even those with horrifying prophesies I assume), do have hopes and dreams and feelings about things. The one peek we get into Helaena's life is at the in episode 8 when she roasts Aegon and even that scene is open to interpretation (and gets taken wildly out of context). Now, I can read a lot into the actor performances, but ultimately, lines that could have given a glimpse Helaena personality were cut. It's as if they're afraid that if they give her an opinion on anything she would lose that (frankly kind of infantilizing) "pure cinnamon roll too good for this world" "i would die for her" sympathy from people who are not inclined to be sympathetic for her family as a whole.
(And anon, you're right about Larys. And let me say, turning Larys' clubfoot into the punchline of an OnlyFeet joke also does not inspire confidence that they'll handle Aegon II's eventual disability with any sensitivity either, especially when Mushroom's accounts of his last few months are incredibly mean spirited. We need to start that discourse now so they get the memo).
Sadly, I don't think the show really has any intention of course correcting with Helaena in season 2. I imagine at most we'll have her try to warn Aegon and/or Aemond about Blood & Cheese but they won't understand her warning, and then this will be a vehicle to further their guilt and grief. And while we do need to see Aegon's guilt and his grief, I also want to know if Helaena blames herself, if she wishes they'd run away when they had the chance, if she thinks Aegon could have done something, if she is angry at Aemond for killing Luke, if she wants revenge. I do think, with the public funeral for Jaehaerys, they are going to show that the smallfolk are fond of Helaena, and hopefully that will be expanded upon this season and in season 3 because her death is the catalyst for the revolt that sees Rhaenyra driven from the city, and we should understand why her death has such an impact before she actually dies.
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sebastianswallows · 8 days
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I want to talk a little bit about Frank Herbert and the Bene Gesserits, because it's something that's been on my mind for a while and I haven't seen anyone looking at these characters from this perspective yet (not that I looked very hard, but I check the tags occasionally and just haven't seen it, and this would be the first place I'd expect to).
It's strange in a good way seeing Dune become popular, and people actually reading the books, and it being cool to do so, not it being a niche and nerdy thing. But what's equally weird is to see all the praise Frank Herbert's getting, especially from women readers 😂
Because at any point between, I think, the 80s and the 2000s, if a guy said he liked Frank Herbert that was considered by women to be a red flag. I remember women chatting about this in online forums back in the day. It was the equivalent of a guy saying he likes Jordan Peterson now.
It's an analysis of Dune that doesn't seem to have come through again. Audiences have caught on to the homophobia inherent in how the Baron was represented, but nobody is talking anymore about the blatant sexism of the books.
And I say this as a long time fan, because I was super inspired by most of the female characters in the novels and in particular the Bene Gesserits, so to hear that Herbert was supposed to be a misogynist took me by surprise. "What do you mean it's sexist? This is great!" The idea of a group of women who fully dedicate themselves to their own intergalactic girl gang, who follow their own plans, who use their femininity to their own ends, who live through discipline and self control and are fully empowered to face down any threat, that was so inspiring to teenage me.
But I guess the sort of women I most admired were the ones who were terrifying to men.
I mean, the only "good" female characters are either not Bene Gesserits, like Chani, or are Bene Gesserits who go against the order, like Jessica. Moreover, the only "good" female characters are those who betray their group for the sake of men. Like Jessica going against the word of the Reverend Mother because Leto wanted a boy.
Irulan's only redeeming features are her complete dedication to Paul and being basically in love with him and being the author of glorifying history books about him in spite of the fact that he deposed her father and is keeping her in a loveless marriage and constantly publicly humiliates her by treating Chani as his wife.
Even Chani, an otherwise bland and marginal character compared to the film, is at her most poignant when dying in child birth for the sake of giving birth to Paul's children. A death which happens because Irulan had been secretly poisoning her out of jealousy. Frank Herbert just has women clawing each other's eyes out for the sake of Paul's affection. I don't care how good that dick is, it's not worth poisoning another woman over. Poison him instead and take the throne, girl.
But oh yeah, in this intergalactic empire tens of thousands of years in the future, they seem to have discovered neither the concept of divorce nor of female inheritance of titles and property. It can only be a man inheriting the throne, not the Emperor's biological daughter. And once Irulan is married, well she's just stuck there. Pretty incredible.
And however great the Bene Gesserits are, they still need a man to "see where they can not see". No matter how empowered a group of women becomes, they still need a man. Only a man can see into the future. Women can only see into the past. Therefore, only a man can save the world.
I get that they tried to conceal some of this in the recent film, and they managed to do so to some extent, but it's mostly been with Chani. You still have the problem of Jessica and Irulan being just servants for the whims of the men in their lives, a fact which gets them into a lot of trouble. And you have the Bene Gesserits portrayed as scheming witches who are evil to have their own plots and designs, and are dependent on a man to see into that place which terrifies them.
I mean, enjoy the books by all means. I always did in spite of all of this, and I still like the story and the world. I still love the characters too. But man if the author didn't have some unflattering ideas about us 😂
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maxwellatoms · 1 year
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as a person on the inside of the animation industry, are there signs that we might be heading to another dark age of animation like the 1980s (e.g. animation is regulated to just glorified toy commercials or dark fantasy movies)?
"Kid Vid" regulations mean you can't advertise for stuff kids might buy from within a show anymore. Generally, you can't even have (say) Yogi Bear wearing a shirt with his best friend BooBoo's face on it as a gag, because "what if someone made that shirt one day?" Then it would be a retroactive ad, I guess? I'm not schooled in reverse-time law like studio lawyers, so I can't really say. Still, it's almost impossible to get even a fictional product into a kid's show these days, so I think the 1980s will probably stay in their timeline. At least in that way.
I do think a bit of a "Dark Age" is upon us, though. Maybe just a small one. Just a wee little snip of a Dark Age is all.
As far as I can glean, there are going to be precious few animated shows coming out over the next couple of years because not much was picked up during the pandemic. There are only a few things being developed here and there, and I'd wager that those properties "win" simply by existing in a competition-free environment. It takes a long time to produce animation, so almost anything greenlit right now is looking at a full year for turnaround. If you talk to people in the industry right now about jobs, they use words like "wastelend" and "ramen noodles".
Then you've got A.I., of course. The other night I was having dinner with a friend and I found myself in the A.I. conversation I always imagined myself having one day-- the one where we're talking with some immediacy about what the rest of our futures look like as artists, because we know they're not going to look the same ever again. It was pretty cool in a William Gibson sort of way, but I honestly didn't expect to be having that conversation for another decade. Turns out A.I. is becoming a problem right now.
I've already talked about the "art theft" angle, and that's not the problem I'm speaking about here. The problem I'm talking about is the "what do I do when what I do becomes trivial?" problem. If anyone can make a TV show or movie in a week or a day using AI assistance, who determines what gets seen? Networks, I'd imagine, would become redundant. You don't need to fork over $15 a month for Netflix if you can make Netflix-quality content yourself. And if you can't make anything decent even with A.I. assistance, surely someone on the internet can. There would be an incredible glut of content to choose from, so again... who decides what gets seen? An algorithm, probably. Who owns the algorithm?
Peak Dark Age will be the time period when the networks realize that they're going to die, and sink all of their resources into forcing their own survival on the rest of us. I imagine massive layoffs (you don't need multiple writers or artists or support staff when you've got the right tools.) Studios will want to own the tools (of course) and/or suppress the use of those tools by anyone who might want to cut into their profits. Expect to see "A.I. is just too dangerous for the public to utilize, so it needs to be left in the capable hands of corporations". Expect to see customizable Batmans, the ability to put your mom in any Star Wars, and the serialized fever-dreams of billionaires.
I think that's the next 5-10 years. And while that's happening, the tools will keep getting better and better until literally anyone can sit down, ask for an Oscar-worthy part-rom-com/part action movie starring a twenty-five year old Steve McQueen and and eighty year old Daniel Radcliffe rescuing Air Bud from the Death Star, and then watch the resulting film with some degree of satisfaction. There'll come a point when content of any visual, auditory, and written complexity can be generated on-the-fly, and the traditional limits of budgets and schedules will just be gone.
It's easy to spin off into fantasy and try to guess exactly what's coming. I could probably spin on that all day. But what I know is that the future of the animation industry won't look anything like what I've become accustomed to. And maybe that's okay because what I've become accustomed to looks nothing like the industry I started in. Things change, and you roll with the punches. Thanks to the self-fulfilling dystopian prophecy we find ourselves in, just about everyone on the planet is finding themselves rolling with the punches coming from the Powerful Greedy. That's less a "me problem" and more a planet-wide problem we should probably all sit down and hash out, like, yesterday.
My immediate problem as an artist (and yours if you're an artist too) is figuring out how to get your ideas seen in a world where the amount of entertainment content is exploding exponentially. Especially if you're the sort of artist who needs to eat and live somewhere.
So yeah, I think there's going to be just a little peppering of Dark Age coming up. But in every time of change, there are opportunities. Hey, I'm down for an animated Dark Fantasy movie. Let's do this!
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gyuletters · 7 months
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🔪 𖥔 ݁ ˖ lovesick | beomgyu slasher fic.
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♡ gn!reader ، wc: 3.5k ، genre: horror, gore, slasher, (maybe) angst ، tw: murder, blood, very toxic relationship, sexual innuendo.
♡ note: in no way i'm glorifying the themes below. this is a work of pure entertainment based on pre existent horror movies. if you don't feel comfortable, please, do not read it.
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he looks at you mortified. as if he is not a ghost himself.
maybe he thought you are so pathetic, that you were so miserable, to the point you had to wash yourself in blood to prove how much you love him. but it didn’t matter. you finally have his attention back. you finally made him remember that you could, in fact, kill anything and anyone if it meant to keep his love.
“don’t you see, baby? i’m just like you.” a sweet and calm voice comes out, matching with your psychotic smile.
“y/n, stop.” beomgyu said, trying to take the knife out of your hands.
can’t he see how much you need him? how desperately you crave him to be yours?
“you don’t get it, do you? urgh! what else do i have to do to prove i need you back, baby?” the knife following your uncontrolled movements, making more blood drip from it.
he acted like you didn’t have a clue about everything. like you didn’t see him take off that stupid mask. like you didn’t know that he is the one responsible for the slashing killing of the last 6 months.
“you don’t know what you’re doing right now, y/n. let me take you out of here. you need help.” this last sentence made your own blood come to your skin. the sound of your heartbeat forming an unrhythmic marching band.
“i need help?” - a historical laugh bubbling in your mouth. - “baby… if i didn’t know you better, i’d probably believe that.” you drag the sentences whining.
“what are you talking about, y/n?”
“seems like you need your memories to be refreshed. so lemme help you.” - you said, getting closer to him. - “where were you that night? you know, that 19th january night that you said you were ‘oh, so fucking tired’ from working. were you at home? because if i remember it well, and excuse my miserable memory, you were seeing in the dawson’s house, weren’t you?”
beomgyu had a straight face all along but you can read him in the palm of your hands: he knew what you meant.
“you know i was sleeping in billy’s house that night, y/n. you even called me.”
“right, it wasn’t you that tatum saw! she saw a black veil, ghost faced guy with a knife in his hands. but, oh my god! what a coincidence, don’t you think? two weeks after her attempted of murder, i found that same mask in your basement.”
he looked you deadly in the eyes. “and, of course. let’s not forget that black veil. i guess you didn’t have enough time to wash it, right? there wasn’t blood in it but it smelled so fucking bad.” you laugh again.
“so what, y/n? i’m the serial killer now?” he arched one of his eyebrows, throwing a disgusted smirk at you.
you take the knife and point it at him. “i never said you were. i’m just… pointing out facts, baby.” you get closer to him, still with the knife directed towards him. “aren’t you turned on by it? that i did all of this for you? that i can be just like you? so crazy like you? and so, so, so psychotic just for you?”
you get on your tiptoes and place your lips close to his. “come on, baby… quit the action… lemme show you what i can do for you. don’t you miss me?” an innocent pout appears in your lips.
beomgyu’s expression changed. he looks primal, savage, just like a sweet bambi prey just passed by him. you know the truth and you’re still trying to stay?
“you’re so fucking crazy, y/n…” he laughs. “doing all of this for me? what are your plans, y/n?” his hand comes in touch with your neck.
your free bloody hand leaves traces in chests until it tangles in his hair. “stop saying my name like that. call me love again.”
beomgyu doesn’t know what type of poison you get through his veins or how you can make him so easily fall on his knees for you. it has always been like that. but now, looking at how far you went for him, proving how good you could be, it pushed the right buttons inside him: you have always been just as psychotically crazy as him.
“oh, love… you have no idea how much i’ve wanted to see you like this. all mine and so fucking disturbing. did you make all of this for me- ARGH.”
beomgyu drops on the floor with his left thigh stinging like hell. blood comes out at the freshly red stained wound.
you just stabbed him. but he was somewhat relieved inside - you didn’t want to kill him, no. as far as he got to know the new you, he knew you wouldn’t do that to him. this is a proof of your love. how much it hurted when he left and how much your love will hurt him. 
"i’m gonna make you never want to leave me again, baby. i’m gonna make you love me again, beomgyu.”
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★ taglist: @impureperhaps @sunoooism @itgirlgyu @mazeinthemoon
★ status: taglist and requests currently open! send me an ask or comment to be added.
© gyuletters, 2023 - do not repost, copy, or translate. // my first halloween fic! it was heavily inspired by the first scream movie, my insane crush on billy loomis (lmao) and my undying love for jennifer's body movie. i know that this fic isn’t my usual style and is very different from what i’ve been “““known””” for. but i reaaalllyyy hope you love this as much as i do. anywaysies lol always remember that love you all and tysm for all the love and support!! ♡
with love,
star. xoxo
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Maybe some nsfw hc with angel or aki form chainsaw man? I haven’t seen you write anything for them so idk if you do write for aki and angel. Top Male reader pls.
-🧀anon
Sorry this took so long to get around to besides me just being lazy as shit it also takes me like three days to make a post after I'm done doing drafts, re-reading, finalising, etc. but whatevs enough excuses! I hope you still enjoy! 💙💙
Angel and Aki NSFW Headcannons
Contains: manhandling/borderline dub-con, belly bulging, mention of mirror sex, exhibitionism/chance of getting caught, Aki being touch starved?
° I wish I could have more nsfw headcannons for these pretty boys but I can't help but see them as vanilla as fuck, but they've still got some things that they like to do and that turn them on
° Angel likes it if his partner is bigger than him (which luckily for him is most people)
° This leads to Angel really being into being manhandled, like full on pick him up and throw him on the bed
° Angel is really into you forcing him to do things in whichever way you see fit, whether it be forcing his head up and down on your cock grabbing onto his hair while you do so, or using him as a glorified fleshlight by just holding onto his waist and forcing his body to move in any way you want on your dick
° Pretty much anything else you could think of that forces Angel to pleasure you in some way where you have all the control and there's nothing he can do about it he's probably down for it
° Angel especially loves positions where you have to pick him up and hold him in place, lifting his legs up wrapping them around your waist and fucking him like that? mmm✨delicious✨
° You can definitely expect some belly bulging with this one (maaaybe Angel wouldn't mind if you spread him out in front of a mirror so he could see the bulge you were making in his stomach too...just a thought 👀)
° Angel likes to be tied up
° I don't know why, I guess I just like the thought of Angel being tied up, whenever I think of him in shibari he's just so cute~
° Angel doesn't mind loves getting called pretty boy AND pretty girl
° I like to think that Angel, as a devil, doesn't care too much about gender or presenting as one particular gender so using either or works for him, so please don't hesitate to call him a good girl as you fuck him against the wall
° In between Angel's moans you can hear him cursing in a foreign language, probably latin
° I know I said Angel is pretty vanilla but just because of his nature as a demon I could imagine he's seen and/or is into some pretty freaky stuff that he'll want to divulge in with you in from time to time, but he doesn't want it to become a staple, Angel believes that sex should be quick and easy why complicate it with all the extra kinky stuff?
° Speaking of quick and easy I believe with my whole chest that Aki is into quickies
° Honestly just the thought of you pulling him into some unused office at work bending him over the table and taking him right there and then turns him on enough, imagine if you actually did it? He'd be over the moon
° Aki won't tell you this but he does get off on almost getting caught or being right out of sight or ear shot of someone seeing or hearing you both
° Aki's moans are pretty damn loud and noticeable he tries to hold them back but he's terrible at it, if you two did decide to do it in public somewhere it would be very ovbious what you were doing even if it was behind closed doors
° Two words (well maybe three): Househusband Aki. Need I say more
° Aki really enjoys foreplay, he likes having and knowing that all your attention is on him even if that sounds a little selfish to him
° Having your hands all over his body as you prep him, fingering him, playing with his nipples, kissing him, it doesn't matter
° Pretty much any sort of touch between the two of you is nice for Aki it's reassuring and comforting to him, he's a bit of a softie in the bedroom because of this, he doesn't like to be all rough and forced like Angel
° Aftercare with Aki is spectacular, you already know he's super sweet about it
° He gets both of you all cleaned up afterwards, taking a shower telling you how good you made him feel, rubbing, massaging, cuddling, you name it your doing it!
° Aki for sure enjoys cuddling the most though, being able to run his hands on your body
° Aki also most definitely expects you to do the same, he wants your hands on him as much as possible, running them up and down his sides, putting your fingers in his hair, etc.
° And this doesn't just apply to aftercare but during sex too, wrapping one of your arms around his waist while you thrust into him, letting Aki hold onto your biceps or even putting his arms around your neck, it doesn't matter as long as Aki gets to touch you
° Both of them aren't very good with dirty talk, Aki isn't good at hearing dirty talk and Angel isn't good at speaking dirty
° When Angel tries to dirty talk it usually comes in the form of him trying to decribe all the dirty stuff he wants you to do to him, but it normally comes out like a confused mess, he'll hesitate once with what to say next and then it goes off the rails from there
° Ironically in the spur of the moment when Angel is half out of his mind from overstimulation he might actually say something really sexy that turns you on, he doesn't even know he's doing it, it will just start to happen naturally, guess he needed your help :)
° Aki on the other hand just gets easily flustered so hearing dirty talk will make him turn bright red almoat instantly, it would be a really nice way to tease him
° Aki's way of blushing is also super adorable, it's one of those blushes that reaches all over there face and down their neck, you can even see him get red on other parts of his body like his shoulders, chest, knuckles, all in all Aki just lights up if you can find a way to fluster him (which shouldn't be too hard)
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coffinbrotherr · 5 months
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Istg I keep seeing videos in my recommend that have either Andrew or Ashley sprites in the thumbnail and it's always in the lines of "shock storytelling is BAD" or "this needs to STOP" (I'm not providing examples as to not install a witchhunt but if youve seen them, you know EXACTLY who im talking about.) and I dont...I don't get why? Like, ok genuinely I'm having an actual hard time understanding why because being disturbed and being made uncomfortable is quite literally the definition of horror, so why is it a problem now.
To I guess throw my hat into the ring, I'd like to explain why i personally think incest integral to Tcoaal not only because I'm just fucking tired of seeing people not like the game just because of that aspect and I'm not knocking those people because of it because people can not like things for specific reasons, for example I am not one for horror involving teeth or the mouth so I tend to ignore horror media that prominently use those as setpieces. I'm mainly talking about people that bash it without actually playing it and people that see it at surface level and just make a Baseless assumption because to me and obviously a lot of other people as it still has great reviews, Tcoaal is wonderfully written and that IS thanks to its incest themes.
We see that throughout the game, Ashley obviously loves her brother, not only in the romantic sense but also in the power dynamic. While some aspects have yet to be revealed about thier relationship as we still only have two chapters, Ashley obviously manipulates Andrew and has since they were little as evident by the hide and seek flashback. It's incredibly obvious that Ashley likes control over people and since she doesn't really have anyone else that's closer to her, she uses Andrew exclusively as he's always been there with her figuratively and literally. While this behavior definitely comes from a sense of loneliness and fear of losing the one person that tolerates her as not even thier own parents wanted to stay around them let alone her, I think it also comes down to enjoying the control. Genuinely think about the story of the game for a sec, could you imagine being in that exact situation we see the siblings in. The closest thing we can even relate it to is covid, and we could at least still leave the house to an extent and have things sent to us that we wanted. Imagine going through all that not being able to leave, literally having the bare minimum of food being dropped off to you and being FORCED to stay inside not with a slap on the wrist but with active threats of death even though you know other people get to freely live outside peacefully. Not only is that terrifying but it gives a lot more insight to Ashley's character as she's literally stuck in a place she cannot control in an unfounded situation that is positively awful, but she does have one thing she can control, she has one person she can make exclusively hers and make him do whatever she wants through manipulation and the connection with love. The same goes for Andrew as we know Andrew was at least a bit more popular with people to the point where he even had a girlfriend (Julia) and to have literally all that stripped away from him is tragic, however for him there's one more person he can interact with, one person that cares about him and truly does love him in a way only they can share. It's a beautifully horrific way of telling a story because on the outside, it just looks like "oh hah hah, that's the incest cannibalism game" but if you actually played it you would see not only is the writing genuinely funny but also incredibly smart with its subtle meaning and player interpretation. It's NOT glorifying incest, it is actively showing an incredibly toxic relationship that was made through the circumstances and actions taken with both characters and to say it's just "shock storytelling" or "it's just trying to glorify incest" is just wrong, it's using the incest to further the narrative and that's why I personally find this game to be my favorite work of horror.
But that was just my interpretation, I'd love to hear your guy's views on it because I'd love to further the discussion and potentially add to my analysis as this was just something I wrote at 12:30 AM in bed. I could go on and on about my personal analysis but a lot of it would just be me being genuinely pretty annoyed with the games detractors and overall just make for a poor reading experience.
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mediocre-daydreams · 2 years
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peter parker x avenger!reader who can speak to flowers and plants, EXCEPT peter parker is oblivious to the way flowers just seem to grow at his feet and how daisies just lean towards him every time he smiles at r, and when r starts giving everyone in the compound flowers from their hand with a shimmering smile, peter can’t help but wonder why he hasn’t been given one yet, and why his heart seems to hurt when r spends a little bit too much time in thor’s arms.
— 🏄🏻‍♀️
ughhh this was such a cute, fluffy req and i ended up turning it into a mess of angst and insecurities and isabella madrigal but thank u 🏄🏻‍♀️ for sending this in! maybe i'll make some happier follow ups?
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𝐝𝐚𝐢𝐬𝐢𝐞𝐬
peter parker x plant powered! reader
summary: you feel useless; you grow flowers while the other avengers fight battles. peter sees so much more in you, but it seems like you only have eyes for thor.
w/c: 3.0k
notes: gn! reader, angst w/ a happy ending, insecurities (feeling inadequate/reduced to looks/underestimated, etc.), jealous!peter, bestie!thor, flower symbolism that i spent a long time researching and i'm hoping it's accurate
.・。.・゜✭・.・✫・゜・。.
being a superpowered avenger with a crush on another superpowered avenger while living in a multimillion-dollar compound that had its own walk-in ice cream fridge was pretty damn awesome. the only thing that could ruin the experience is if your aforementioned superpowers were absolutely useless and thus subject to constant (yet creative) mockery.
(hint: your aforementioned superpower was, in fact, stupid and ridiculed.)
“i feel stupid and ridiculed,” you huffed dejectedly. you and thor were sitting in front of a beautiful picnic spread complete with cucumber finger sandwiches and flasks of asgardian liquor.
“it is alright, midgardian. my brother, loki, is also stupid and ridiculed, but he is a god.” thor paused. “well, you are not a god, but you are—what is it that you little ones say these days? ah, you are W.”
you chuckled sadly, digging your toes into the soft tufts of grass that had sprouted when you’d laid down your picnic blanket. you were grateful for your gift, you really were, but compared to earth’s most powerful, dangerous, and influential people (and also aliens and gods), you were more like a glorified family pet.
“you contribute greatly to the avenging family,” thor reassured, placing one large hand on your shoulder with unintentionally strong force. you felt your body tilt under his strength. you sighed; you must’ve voiced your thoughts out loud.
“if by contribute, you mean reviving sam’s succulents every two months and supplying tony with emergency flower bouquets when he’s upset pepper, then yeah, i guess.”
“do not distress! you are also capable of growing poisonous mushrooms! my brother, loki, enjoys them. they are cute but deadly, like him. and you are sometimes an exterminator! the venus flytrap you gifted me remains in my asgardian throne room. it is very effective. i have not seen a single fly since.”
“that’s because there are no flies in asgard, thor.”
thor patted you on the back twice, forcing you to bend forward with each heavy-handed tap. you looked up at him, watching the man with long, golden hair and piercing eyes look down on you sympathetically. despite him being literally all-powerful and worthy of wielding a crazy magical thunder hammer, you had formed an unexpected bond with thor.
“you know, there was a time in my life when i was unsure of if i was worthy of mjolnir. i only played video games and drank asgardian hard lemonade. however, just because you may not see your worth at the moment does not mean it is not there. i was still as worthy and devilishly handsome. i just needed to shower.” thor looked up at the sky wistfully.
you smiled fondly, recalling the old pictures of thor with a beer belly and untamed beard. even when the team had poked fun at his ragged appearance, thor knew it was superficial and not a determinant of his character. the jokes were not a determinant of your worth or importance.
“thank you, thor.” your eyes crinkled and you blinked back your emotions, never having felt so understood. you looked shyly at your toes, admiring how the grass swayed and danced to the beat of your heart. “i never expected to relate to you so much.”
thor laughed heartily, slinging an arm around your shoulder and for the third time, crushing you with his inhuman strength. he pulled you close to his side, and for a moment, you let yourself enjoy the comforting pressure that grounded you.
unbeknownst to the two of you, a sneaky and jealous spider had come searching for you with a certain question in mind. peter knew how much you enjoyed spending days rooted in nature and connecting with your element, so after searching the compound, he figured you’d be in your favorite spot.
but when he reached the rolling bluff at the edge of the compound property, his heart sank at the sight of you and thor cuddled up on a romantic outdoor lunch. and when you pointed to something and giggled, followed by thor pressing a sweet kiss to your head, peter’s heart fully shattered. he left wordlessly, dropping the stop ‘n shop bouquet. it was pointless; you could grow your own flowers anyway.
“orange chrysanthemums,” you nodded towards the small patch you’d summoned, “for you. they symbolize friendship and clarity of mind. thank you, thor, for being here for me and allowing me to see my worth.”
thor gasped with childish delight. “the young spiderling bestowed upon me incredible knowledge the other day!” with deft fingers, thor plucked the flowers by their stems and wove them into a haphazard flower crown. “the five-minute crafts ‘tube film is truly revolutionary.”
“you’re a genius!” you squealed, jumping to your feet and giving thor a hug which ended up being you squishing his head into your torso. “how come i’ve never thought to make flower crowns before?”
the rest of the day was spent closer to the main compound grounds, lounging in the sun with thor as you flipped through a farmer’s almanac for flower meanings and growing them. thor proved to be a talented flower crown crafter, weaving intricate patterns and structures with flower steams and leafy vines. a couple of your teammates stopped to say hello, but nobody was particularly interested in your mindless, trivial afternoon activity. they had more pressing meetings and missions, after all.
“so,” tony said, walking around the counter to set down a luscious chocolate cake that he’d custom ordered on the dining table. “i know we just got back from a mission and two of our agents are in like, critical condition, but that’s booooring. let’s think halloween costumes,” tony announced, rubbing his hands together excitedly. “i was thinking the madrigal family; like, i’m obviously the house, since you’re all living on my compound and in my tower, etcetera… pepper can be pepa—duh—also because she’s always stressed… ooo, we could loop strange in and have him be bruno; plus, nobody likes him anyway so it fits…”
you and thor entered the dining room giggling maniacally, holding your completed flower crowns behind your back. thor was on his tippy toes, pretending to sneak around silently, as you tried (and failed) to stifle your chortles. when you came into view of the entire team sitting around the table with tony rambling about animated movies, the two of you silenced.
tony pointed at you excitedly. “perfect timing! you can be isabella, the one that’s really boring and makes all the eldest daughters cry because they relate to trying too hard but never being enough.” tony grinned proudly. “oh, and you both do the whole flowers thing, so that works.”
the air froze momentarily as you furrowed your brows, laughing breathily in disbelief. the table of avengers—tony, bruce, wanda, natasha, and steve—didn’t even notice. peter, lounging nearby, was the only one who seemed to have noticed your reaction.
“but has anyone watched she-ra?” wanda interjected. “i could totally see perfuma. she’s like this princess that… talks to plants or something.”
bruce raised a finger as if he’d just had a eureka moment. “snow white! doesn’t she grow flowers?”
natasha slapped her forehead. “she picks flowers to distract her from the executioner sent by the evil queen, duh.”
as natasha and bruce bickered about the magical limits of the snow white universe and wanda and steve argued over the coolest character in she-ra, peter just sat there, disengaged in conversation, watching as thor bent down to whisper something in your ear. you nodded, moving away from him, and peter jumped from his seat at the opportunity to catch you alone.
you caught peter’s eye and he smiled nervously at you, wondering if you intended to approach him first. instead, you ungracefully scrubbed at your eyes with your arm, presumably to wipe away tears, and then ran off, the sound of your footsteps bouncing off the empty hallway.
peter shuffled uncomfortably. the person he liked took one look at him, started crying, and then literally ran away from him. way to go, romeo.
“what happened to flower power?” tony stopped his brainstorming at the sound of a sob followed by the meek closing of a door. “are they like, okay?”
“they didn’t even stay for cake,” steve worried. “and it’s chocolate.”
peter cracked his knuckles, a habit he’d picked up whenever he was anxious. he opened his mouth to speak but was interrupted by another barrage of theories.
“maybe they were weeding the lawn and got tired?”
“nah, we have a robotic gardner for that-”
“did sam land in one of the flowerbeds again?”
“sam’s not even here right now-”
“stung by a bee?”
“foot run over by a tractor?”
“found a corpse in the fertilizer-”
“ENOUGH!” thor boomed, his usual joviality turned into fuming eyes and deep, angry breaths. “you midgardians are pathetically shallow-minded and incompetent. was it not evident that your hapless conversation was—how do you midgardians say it—creating uncomfortable energy in the studio?”
the table of avengers looked at thor, confused.
thor moved his hands from behind his back and displayed them. on his arms hung the flower crowns you and thor had spent all afternoon creating. thor carefully laid them on the table, smoothing out any wrinkles in the petals and fluffing the leaves.
“in asgard, we revere nature and its gifts. flowers, plants, trees: they are sacred. we could not breathe, nor eat, nor survive or exist without greenery—without powers like theirs. you foolish midgardians… have you not considered the unlimited power that your superfriend wields? the power of life, creation, and growth. to manipulate the natural land, which is what holds up this very building and the entirety of human creation.” thor sighed, shaking his head like he was scolding a classroom of silly kindergarteners.
thor pointed to the flower crowns, distributing them to the person they were meant for.
“for tony: dark, blood orange tiger lilies and golden yellow jasmines to represent wealth, pride, and elegance”
“for bruce: a circlet of green to celebrate the part of him that he tries to hide. green hellebore and envy zinnia, symbolizing peace, serenity, and endurance.
“for wanda: a crown of purple, made of verbena, crocus, and clematis. to attract butterflies and honor her youthfulness, creativity, and limitless capability.
“for natasha: white and yellow, because she deserves softness; chamomile for her patience in adversity, black-eyed susans for her sense of justice, and edelweiss, for her courage and devotion.”
there was only one more crown on the table, but two avengers left. red, white, and blue flowers—it was clearly meant for steve.
“they put their heart into these, and for steve especially. bluebell, for his humility. white gladiolus, for his integrity and strength. finally, red nasturtium, which they spent hours searching for, to represent his victory and patriotism.”
thor watched as each avenger admired their respective crown before noticing peter, hands empty, standing in the corner looking despondent. thor bit back a knowing smile, approached the frowning boy, and beckoned him closer. peter grimaced as he caught sight of thor’s subtle amusement, scoffing bitterly. was the god here to rub it in further; that he’d won over the object of peter’s affection who he’d been pining over for months?
“they are in their room,” thor whispered loudly. “they will probably want to see you, small and short arachnid child.”
peter elected not to ignore thor’s passive-aggressive insults and nodded determinedly, making his way to your door with his mind racing. thor had said you’d wanted to see him, yet you’d barely acknowledged him and hadn’t bothered making him a crown. he’d be fine with sticks hot glued together, if it meant you’d thought of him. which, he supposed, you hadn’t.
he didn’t get the chance to knock before your door swung open and you waved him inside. “sorry i got all dramatic back there,” you sniffed. “i didn’t mean to ruin the moment.”
“what? you didn’t- no, what everyone was saying was just… wrong. cruel. you’re- well, you’re incredible.” peter cracked his knuckles, the bones popping loudly and drawing your attention. he shook his hands out and looked at you bashfully. “sorry. nervous habit.”
“don’t be nervous,” you smiled sadly. “i’m harmless. literally.”
“y’know, thor showed us those crowns you made. i thought they were really cool, really beautiful.” peter hesitated. “beautiful like you. a-and i don’t want to push anything, ‘cause i know you’re upset and stuff, but i just… thought you should know.”
you clicked your tongue against the roof of your mouth and let out a dark chuckle. “yeah, they are quite pretty. thanks for saying that. i get it a lot, but it’s nice to hear it from- from you.”
“i hope you know that beauty isn’t all there is to you. you’re thoughtful—thor explained all the meanings behind the flowers and you even matched the colors up for everyone… you’re crazy smart—you read a farmer’s almanac and i don’t know anyone as good as biology as you; i suck at bio. and you’re really, really strong.”
you looked up at peter, bewildered.
peter’s face fell when he saw your expression of confusion. how could you not see your own power and endurance? timidly, he stepped forward until his chest was a foot from yours and brought his hand up to straighten your tightened eyebrows. 
“don’t look at me like that. don’t look at me like you can’t comprehend your own capability.” peter’s thumb traced down your face—starting at your eyebrows, down to your eyes, where he wiped the remnants of your tears, gently circling over the curves of your cheeks, down to your jawline and trailing to your chin, where he took it between two fingers and tilted your face upwards so he could admire you properly.
“the rest of the team might make jokes, but they’re being close-minded. they talked about isabella, right? well, she grew these stems that encircled the entire house; so strong that they could carry both her and mirabel and it was like they were flying, y’know? a-and perfuma was like, a warrior princess that could choke people out with her vines and whipped them unconscious and could stab people with thorns—i’m kidding, it’s a kid’s animated series. but you get the point. there are possibilities, and just because you can create beautiful, delicate masterpieces doesn’t mean you’re shallow and fragile.”
as peter rambled, you had to bite your lip to stop the beam that was fighting to escape. you wanted him to talk forever, and you were scared that if you looked like you felt better, he’d stop with his words. admittedly, you loved the praise. but you loved the sound of peter’s voice and his loving caress and the way he seemed to believe in you—maybe even more so than yourself. 
“peter,” you whispered hoarsely, letting yourself smile. “thank you, peter.”
peter swallowed thickly, having not thought ahead to what would happen after he spilled his guts out about his admiration of you. “uh, you’re welcome?” his voice cracked embarrassingly.
you gave no reaction. instead, your eyes seemed to soften. “i’m sorry i didn’t make a crown for you. i didn’t mean for it to seem like- like i didn’t care.”
peter’s eyes flickered across your face, looking for any sign of a lie. he didn’t want you to reassure you out of pity or because you felt obligated to after he’d complimented you. he cracked his knuckles, feeling the confidence he’d exuded a minute ago begin to die.
you grabbed his hands and forced his fingers to unclench from his palms, your own fingers running over his skin. your fingers were calloused from the time you spent outdoors, tending to your variety of plants, and it only heightened his belief that you were more than just pretty, that you were just as durable and strong.
“i didn’t know what flowers to use,” you said lowly, unable to meet his eye. “‘cause red roses are cliché; well, roses in general, and tulips and lilies have been overused, and baby’s breath seemed kind of bridesmaid-y, and- and carnations remind me of mother’s day, and you’re not my mother, so i just-”
“hey, it’s okay,” peter reassured. “i won’t lie, i was worried at first. i thought you just completely forgot about me, which is ouch. but it means a lot that you cared… so much.”
you squeezed his hands tighter. peter felt something tickle the fleshy inside of his palms and looked down curiously. slowly, your hands moved away from his and he watched in amazement as little buds began sprouting from your hands and falling as they made their way into full bloom.
daisies and their stray petals littered the floor beneath him, and peter tried his best not to move in fear of crushing one of the flowers. you looked equally surprised, but quickly caught your bearings, and when peter looked back up at you, you were holding a little bouquet of misshapen, droopy daises with a shy smile. 
“so you don’t crack your knuckles,” you explained. “and because they represent new beginnings and, um, true love.”
peter’s face contorted as he took the flowers from you, fingers brushing over yours. you examined peter’s expression intensely, heartbeat skipping as you followed the way his face seemed to twist and morph into something similar to disgust.
but when peter held the daisies up to his nose and made a big show of smelling them, bringing them down from his face to reveal a huge, bright grin, you allowed yourself to indulge in one of your own.
“i take it you like it?” you muttered, shuffling closer as petals shifted beneath your shoes.
peter nodded, wrapping the arm that held his flowers around your back to pull you even closer. it was like you could feel the warmth emanating off him. he was like sun.
“i like it a lot. not as much as i like you, though.”
“i gave you a gift, didn’t i?” you breathed, eyes bright with anticipation. “do i get anything in return?”
peter hummed. “well, what would you like?”
you rolled your eyes at his game. “surprise me.”
neither of you was surprised when your lips met, initially brushing against each other like hesitant spring sprouts, before exploding into colorful, passionate blooms.
.・。.・゜✭・.・✫・゜・。.
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blackjack-15 · 4 months
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okay i'm back 6 hours of sleep later
i'm still galled at claire having her friend say "we were together for 5 years and he never even cooked me dinner" and claire's response being "you deserve better. no one's ever made me dinner before"
no one -- i think it's gelled by getting more sleep than i have all week, so i'm a little more normal now -- no one talks like this in the show. the bear prides itself on very naturalistic dialogue. hesitation markers, people talking over each other, misspeaking, correcting themselves -- it's an intensely naturalistic approach to dialogue, and it makes the world feel very cohesive. it's worldbuilding in the most integral way. it's not there for "realism", it's there to create the world that the characters operate within
claire does not talk like this.
claire says stuff like "because you're the bear, and i remember you" in a supermarket at night. claire says stuff like "speaking of dead brothers, do you want to go to a party?" when a man is talking about how he enjoys talking about his brother's memory. claire says stuff like "you deserve better. no one's ever made me dinner before" when her friend is sobbing over a 5-year relationship ending.
claire speaks like she's on a CW show and has no idea that she's not.
and since the writers and directors are good and purposeful and consistent? this is on purpose. she's supposed to feel Outside of the show, and it's not because she's Exceptional. it's because she's a distraction.
anyway.
tina's killing it, she looks great, she sounds great
and gee i wonder why the song is about supporting and loving someone who needs them by their side...it's ebra, yes, most texturally, but...syd's sitting there at the bear, trying to do plates and menu, and she needs her partner
it's character work, and carmy's going through it. but i'm gonna love seeing those two come back together. it feels like a string stretched too tight for comfort
oh carmy...he is not logan but he's gonna pretend!
CARM'S PERFORMER SIDE COMES OUT
"that's the thing about logan. he doesn't give a f//k"
it's amazing how much easier he finds it to talk -- and how much charisma he has -- when he's not buried under the weight of being Carmen Berzatto. if there's one thing i've noticed over and over throughout this show, it's that carmy's at his best when there's no spotlight shining over him -- when he's not mikey's not-dead brother, or 'the bear', or Chef Carmen, or anything else; those quiet moments he's cooking with syd in the kitchen and no one else is around, when he's talking with marcus outside behind the beef, when he can finally hash things out with sugar on the floor of the office, when he's sitting in the car or basement with richie talking about life
"i got really good at managing sad, drunk people" "yeah i know that feeling" "i know you do" if this girl could have one EFFING emotional beat without making it all about herself, i would cheer.
"guess i missed this college thing, huh" AND THE SUBTEXT BECOMES TEXT. this whole thing is a glorified high school/college party. fireworks, drinking, i'm guessing a handful of drugs in the mix, crying drunks, the whole nine yards
carmy in a lot of ways skipped from kid brother to executive chef, emotionally, and what he's missing is, like in the last episode, being out in the world. he's technically speaking the best, the most impressive, and he has a lot of heart in what he cooks, because it's the only language he can reliably use to express what he's feeling.
the result is that he has very little middle ground. he's either spending hours scrubbing a single spot on the floor of the kitchen or he's using a fake identity to entertain at a party. he either comes back to the bear after a long day there to keep working or he disappears from it entirely. he needs balance. and he's not finding it here just yet -- especially not so long as he keeps up this all-or-nothing approach that has let him 1) become one of the best chefs in the world 2) become such an isolated and repressed person that it takes a case of mistaken identity to get him to smile at a party
oh. okay fake number thing? we're going onto another post for this holy crap
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