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inkskinned · 4 months
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i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".
it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.
do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.
but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.
do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).
you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.
walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.
no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.
do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."
you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.
there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.
i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.
he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."
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adriles · 6 months
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when we’re done with our overwhelming grief we’ll eat i guess
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ao3-crack · 1 year
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littlelightfish · 24 days
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This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.
Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.
Idk, I love this man so much...
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aslyran · 4 months
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Visions
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stevebabey · 4 months
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have sum steddie! maybe modern!au, no upside down!au & a meet cute <3
Steve sits in the booth, his foot tapping away mindlessly under the table, with half a mind to abandon the table entirely.
In fact, the only reason he hadn’t yet was because of the $20 he was hanging out for at the end. And the bragging rights, of course.
Robin had set him up on this blind date, plied him with all the promises in the world that he would enjoy it — said she’d spent a decent amount of time hunting for the right first gay date for Steve.
She also conceded that if he, for whatever reason, didn’t enjoy it, she would cough up 20 whole bucks for his wasted time. But he had to actually see the date through for the prize to be claimed.
And the bragging rights were so that Robin — with her uppity, healthy, and happy relationship that Steve was only a little bit envious of — could ease onto the breaks when it came to Steve’s love life.
So it was looking a little bleak at the moment, so what? Every stallion or… lion or whatever had their moments, right? Moments where their mane is a little uncouth and food is low and…. Where was he going with this?
The point was, that Robin got into one relationship and suddenly decided she was fit to become a high and mighty matchmaker. Never mind that Steve had reminded her numerous times that he had dated a lot more than she had.
So, for 20 bucks and the right to stick his tongue out at his best friend when she tried to meddle, Steve could stick one night out.
Besides, she was right about one thing. They weren’t in Hawkins anymore — and San Francisco had a hell of a larger dating pool than his hometown.
Still, that didn’t make people anymore for prompt for dates though, apparently. Steve’s foot taps incessantly under the table, his knee bouncing up and down in his nerves. He runs a hand through his hair and checks his watch again.
7 o’clock, Harvey’s Diner, a cute little Italian place that Steve had begun to frequent since they moved to the city, and a date with a dude called Daniel whom Steve had no idea what he looked like.
This was his Friday night plans.
His watch reads 7:12pm and Steve sighs, his fingers beginning to fiddle with the strap of his watch just for something to do. Great. He had gotten all dressed up for this? To be stood up? How was this any better than his usual Friday night plans that Robin claimed were so pathe—
“Hi.”
Someone sits down in the booth across from Steve, landing with a thump loud enough to give him a fright.
Steve’s head whips up from its focus on fiddling with his watch and— woah. Steve blinks once, twice, and feels his jaw unhinge a little, his lips parting an inch as he gazes at the stranger across from him.
Holy shit, this dude was hot.
He’s got curls for days, dark chocolate ringlets all messy and unkept spilling over his shoulders— long and probably perfect for burying your hands into. Steve flushes a little at the unexpected thought.
He has beautiful brown eyes, widened with a smudge of eyeliner and framed with long lashes. Steve thinks he can spy a smattering of freckles across his forehead. His nose is long and his lips are plush and pink and holy shit, this dude was pretty.
“Oh— hi.” Steve manages to remember his manners. Only after he fully checked this dude out, of course.
God, couldn’t Robin have given him a better warning than just ‘he’s probably your type’? Couldn’t she have warned him that this dude was ‘do-a-double-take-on-the-street type hot?’ What the fuck Robin?
The man across from him grins, wicked and alluring all at once, and shucks off his heavy leather jacket. His eyes do a once-over on Steve, taking his time to check him out— which is great because Steve is stuck on all the glorious tattoos that have just been revealed. So much skin shown in his roughly chopped muscle-tee, swirling ink all down his arms. This dude is hot.
Silently, Steve curses Robin and the 20 dollars that is totally slipping away from him. Why did she have to be right all the time?
“Been waiting long?” The man, Daniel, asks as he makes himself comfortable across the table. He pushes his hair back with both hands, using one hand to gather it into a ponytail, holding it up to air out his neck and Steve now realises he is slightly puffed.
He must’ve run part of the way here, to avoid being later than he was. Steve can’t help but be slightly endeared by that fact.
The man grins again, “Promise I was trying to be on time but, you know how the subway is.”
Steve huffs out a laugh, any annoyance at being kept waiting melting away at his date’s sincerity.
“Not too long,” Steve admits, smiling to ease Daniel’s apparent concern. Across the table, Daniel slumps a little and releases his hair, his curls pooling back around his shoulders. Steve watches, entranced.
“Well, that’s good,” Daniel smiles, eyes bright like he really means it, and his hand darts out to steal the drinks menu from the edge of the table. He looks back over to Steve, a furrow in his brows. “You didn’t order anything?”
“I thought I should wait,” Steve says with a shrug. No point paying for food if your date never shows up.
Daniel looks up from the menu through his lashes and smiles, placing his elbow on the table and dropping his chin in the palm of his hand. “Aw, you’re sweet.”
Steve is a little embarrassed by how easily the compliment makes him blush, feeling his cheeks glow lightly. Across the table, Daniel seems to revel in it, drinking in the way Steve’s face filled with colour with a cheeky smile. His eyes flick back down to the menu.
“You know,” Daniel begins, keeping his eyes on the menu, scanning it with a hum. “Chrissy said you were good looking but I think she seriously undersold you.”
He takes his eyes off the menu to trail up Steve’s body, his gaze heavy. Steve feels a delighted zing go up his spine, feels the way he preens at Daniel’s attraction. Steve opens his mouth to respond, more than ready to return the flirt when—
“Can I get you two started with anything?”
The waitress interrupts. She’s poised with her notepad, standing at the edge of the booth. Daniel perks up and nods.
“Can I get a chocolate milkshake please?” He asks with a polite smile. Steve laughs lightly at his selection and Daniel’s gaze cuts from the waitress to Steve.
“What? Not a milkshake man?”
Steve tries to contain his grin, all too endeared by the man before him. He shakes his head and raises his hand in defense. “Nothing against milkshakes just… for dinner?”
Daniel gasps theatrically and his head snaps back to the waitress. “This man has never had the delight of a Harvey’s milkshake with his dinner. Please bring us two chocolate milkshakes!”
Steve watches as the waitress dutifully writes down the order and turns on her heel, heading for the kitchen. He turns back to his date and gapes, taken aback by the forwardness.
“Did you just order for me?”
“Did you just diss milkshakes?”
Steve scoffs, but even then he can’t stop his lips from curling up into a smile. He can’t believe it but he’s genuinely glad he waited this date out. It's not at all like he was expecting. Even Robin's short description of this dude pales in comparison to the real thing. Steve nudges his foot forward into Daniel’s shin lightly.
“I did not diss milkshakes,” Steve argues, his smile widening at how Daniel’s eyes dart to the table before back up at Steve with a grin.
“Uh huh,” Daniel nods, his voice sarcastic and 100% unbelieving of Steve’s insistence. “Just wait, okay? You’ll be changing your tune soon enough. Harvey’s milkshakes are class. I’ve had a thousand of my best ideas in here, sipping on a chocolate milkshake.”
Steve grins and leans back in his seat, crossing his arms over his chest. Under the table, he feels Daniel’s boot nudge against his leg gently— and he laughs to himself. This has gotta be the most teenage way of flirting and he’s fucking loving it.
“You know,” Steve begins hesitantly, letting his forearms lean up against the table. “You’re not quite what I expected, Daniel.”
Across the table, Daniel scrunches up his face, his expression one of pure befuddlement. He puts his hands flat on the table and leans forward.
“Wait, you think my name is Daniel?”
Steve splutters for a moment because even though the answer is duh, yes, it’s become increasingly apparent that the man across from him is not who he was expecting. But if he’s not Daniel, who is he?
Suddenly, the door chimes and someone else is entering the diner. It’s a man dressed like Steve — on the preppy side with hair that must’ve taken at least an hour. He scans the booth and spots Steve’s booth, wandering over, his eyes fixed on the man across from Steve.
“Hey, are you Eddie?” He asks confidently, ignoring Steve’s presence on the other side of the booth.
The man — Eddie — freezes as he glances up at the newcomer and then back down to Steve ahead of him. Steve deflates a little inside as he realises abruptly what’s happened— a mix-up of wrong dates that was completely warranted because this dude dresses exactly like Steve. Steve doesn't stare too long to see if he's any hotter.
Instead, he tries to give Eddie the all-clear with his eyes. He smiles polite as he can and gives a little nod to let him know it was alright to abandon him for the date he was supposed to go on. Not to get stuck with Steve.
Eddie clears his throat and smiles, not cheeky like he had with Steve, but stiff and polite. “Ah sorry man, I think you’ve got the wrong guy. My name's Daniel.”
Huh? Steve takes his eyes off the table to steal a glimpse at Eddie (is his name even Eddie?) and something inside him burns hotly when the man glances across at Steve and winks.
The man standing by the booth wavers for a moment, glancing between them in the booth as Steve schools his expression to neutral. After a moment of silence, there's a half-assed apology as the man retreats, heading back out the door he had just come through. The door chimes again on his way out.
Steve straightens up and peers over his shoulder, watching the door slowly swing shut. He turns back to the man across the booth and squints at him. The waitress returns briefly, dropping two large chocolate shakes onto the table, topped with a mountain of cream. She murmurs something about coming back to take their order in a moment.
"Wait, so who are you?" Steve asks, gently sliding his shake closer to him. "Daniel or Eddie?"
His date —well, his new date— has already begun taking a big long sip from his own milkshake, so enamored with it that when he pulls away there's a dot of cream on the end of his nose. He swallows with a satisfied ah and grins across the table at Steve, not noticing the dairy on his face.
"I'm whoever gets me talking with you a little bit longer."
Steve grins, an endeared roll of his eye at the blatant flirting but he can't deny how it makes his chest warm. He grabs one of the napkins and reaches forward, adoring how Eddie goes cross-eyed as he watches Steve smudge away the cream on his nose. He laughs sheepishly, giving his nose a little wipe with his own hand.
"I'm Eddie." He says, finally introducing himself. He doesn't offer his hand, just gives Steve a little nudge under the table and a grin over his milkshake. "And I think you just saved me from a terrible date."
Steve laughs, giving a little shake of his head. He finally goes in for a sip of his own milkshake— and it's just as heavenly as Eddie had promised, glorious chocolate dancing over his taste buds.
Steve groans quietly, eyes bright when he glances at the other man over his glass, entirely amused by how wide-eyed Eddie has become. He releases the straw and sits back, more invested in this date than he has been in... years. Stallion's got its mojo back. Or lion. Whatever.
"I'm Steve," He responds, giving a little nudge back under the table and a grin of his own. "And I think you saved me from being stood up."
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poorly-drawn-mdzs · 9 months
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Game night results (from this poll)
Character selection inspired from extraterezi's post!
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heartorbit · 1 month
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revstar emu save me
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specialgrades · 10 months
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Not really a request but what are your headcanons on the JJK men's dick sizes?
OHOHO cracks knuckles i can do that. going full in like nanami should be in me rn dick-scriptions time
characters: gojo satoru, geto suguru, nanami kento, toji fushiguro, sukuna, choso, atsuya kusakabe
GOJO SATORU : a bit above average, a good 6.5 ~ 7in. slight curve upwards. a good 2.5 ~ 3.5in thick. pretty pink flush on the tip, shaft a few shades darker than his skin tone. cut. carpets match the drapes of course, he keeps it trimmed. fun trail tell me i'm wrong (i'm not). super sensitive vein on the underside. sensitive thighs too. grower.
GETO SUGURU : honestly, average cock size. he rounds up to five inches but we all know it's 4 3/4. two inches thick. like gojo, a nice pink flush and a few shades darker. no curve. for sure has a piercing, prince albert probably; silver jewelry. uncut. not a jungle, mildly maintained. sensitive head, especially with the piercing. shower.
NANAMi KENTO : nothing overwhelming, though still impressive. 7.5in long, 3in thick. cut, duel toned because of it. top half is more pink than the rest. short trim. curve to the left. right under the head is the key, he'll bite back a really embarrassing noise if you focus there. grower.
TOJi FUSHiGURO : i pray for y'all toji simps for real, cause fuck. 8.5in easy. 4 inches thick minimum. man built like a tripod. uncut, darker with red undertones. upwards curve. jacob's ladder. three of 'em. this man doesn't shower i'm so sorry. two prominent veins when you pull back the foreskin, sensitive but he'll never show it. shower.
SUKUNA : i pray for y'all as well. find a pringles can. it's bigger. ten inches long, four inches thick. curves upwards and a tad to the right. cut, pale so it gets a nice flush. his tattoos make an appearance, wrapping around the shaft a few times. grower thank god.
CHOSO : average length, 5.5in but thick. four inches. curve to the right, uncut. darker than his skin tone by around four shades. not super trimmed, a delicious fun trail leading to a mild bush. mildly sensitive head, though go for his navel and you'll get a lovely show of him getting all breathy and twitching. shower.
ATSUYA KUSAKABE : i've only just met this man but i want him. carnally. so... six inches in length and 2.5 in width. cut, duel toned though you can't really tell until he's flushed and the top half goes a pretty dark pink. like choso, tasteful amount of hair with the fun trail. one prominent vein that's sensitive, under the head too. grower.
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howlonomy · 2 months
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Monster Clover, like this is so awesomecool.
They're such a little beast and it is amazing and please i need more, like written text even i just need the juicy lore and emotional moments that are circling in ur brain.
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HAT: RETRIEVED!!
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idyllcy · 4 months
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pink - jinshi x reader
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Jinshi groans, soul slipping past his lips as he rests his head in his hand on the table, grumbling. Mushrooms are growing on his head, and at this rate, and it would interfere with the banquet. One of the courtesans push for you to attend to him, and you blink at how familiar he looks.
You hold the teapot, getting onto your knees as you blink. "More tea?"
"Leave me be." He grumbles.
You reach to brush his hair to the side. "...Master Jinshi?"
Jinshi looks up at you, eyes wide.
"...servant."
"Okay, for starters, I'm not—"
His hand reaches for your wrist as you pull back.
"You won't... let me touch you?"
"Kind customer, please refrain from touching the courtesans." You smile, eyes closed.
"You're giving me a customer service smile." He pauses. "Wait. Courtesan? Are you..."
"Yeah. What about it?" You lie without blinking, and you yelp as he falls backward, eyes spinning.
You catch him, eyes going wide as he reaches for you, thumb brushing your bottom lip, smearing your lipstick. He smiles up at you, his thumb brushing his own lip now, the pink from your lips smudging on his. Your neck snaps to look to the side, ears burning.
"Want me to buy you?" He hums, fingers playing with your hair.
"Wow, master." You tilt your head to look at him again, smirking. "you would do that for me?"
"Only for you." He winks, charm flying off of his face as your friends all gasp behind you. Jinshi has a face that could kill thousands.
You shudder. "Gonna buy me as a wife or as a courtesan?"
Jinshi pretends to think, tapping his chin as he looks to the side.
"Wife or courtesan... I wonder." He hums.
"Anything below wife would warrant a death sentence from them." You point back at the other courtesans.
"Well, of course it would to be to buy you as my wife." He sits up, holding your face in place as his lips brush yours. "I love you too much to make you a courtesan."
"Love is a heavy word, Jinshi-sama." You deadpan.
"Which weighs perfectly into this situation." He hums. "Can I have a—"
You push yourself off of him, stepping back and standing up. "Please make the payment as soon as possible. Much honor, master."
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
---
I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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melonalemonade · 3 months
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the man, the myth, the legend ✨
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harbingersglory · 4 months
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hii could i req an soft dom arlecchino x sub/fem reader?? something w a really needy whiny reader n maybe like a mommy kink or thigh riding IDK tysm for ur time !
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{☆} characters arlecchino {☆} notes drabble, fem reader, sub reader {☆} warnings 18+ content
"Slowly, doll. We're not in a rush." Arlecchino reprimands lightly, squeezing your hips with just enough force to keep you unmoving on her thigh– she was still being gentle, but the subtle warning in her tone spoke to how easily she could push you against the desk and turn you into such a mess that you couldn't even remember your own name..just that you were hers.
But the barest hint of stimulation from her slacks pressed against your throbbing cunt had you twitching, barely able to form words. All you could think about was the scorching, twisting need building in your stomach, desperation for relief slowly climbing until you'd think she was doing this on purpose to drive you mad.
"Please– 'm a good girl, right? I've been good.." You choked out, only to be met with the rough, husky laugh echoing in your ear that made you feel dizzy with a rush of need, her nails gliding along the skin of your hips as she pressed you down even more firmly– you couldn't see her face but it was easy to imagine the crooked smile twisting her lips at the way you inhaled sharply and tried to buck against her thigh.
"Shh. I know, doll. I've got you, just relax." She murmured in that sickly sweet tone that always had your knees buckling, the raspiness of her voice sending shivers down your spine. It was almost impossible to relax with her so close, the notes of metal lingering on her skin despite how well she presents herself– but you trusted her, despite how you know you shouldn't.
"There we go. Good girl." Arlecchino's grip on your hips loosened just enough for you to move if you so wished, and oh did it take every ounce of restraint to not do just that..she hadn't said you were allowed to, and you weren't about to spoil her good mood by being a brat. Not tonight, anyway. "Do you want to cum, doll?"
The fervent nod you offer in place of words draws a laugh from her lips, one that is almost mocking, making your face flush in embarrassment– but the sudden tap against your hip makes your mind go blank to the point you forget it all together, focused only on the feeling of her thigh rubbing against your cunt as you bucked against her thigh, the fabric slick and wet against your inner thighs. You'd have half the heart to be embarrassed about that, too, if not for the sudden brush of her thumb against your aching, neglected clit. Just that small touch has you speeding up your movements, practically drooling as you whimpered like a dog in heat.
"That's more like it, doll. Such a pretty girl." Arlecchino hummed, her other hand trailing up your stomach, between the valley of your breasts and ghosting across your throat before settling on grabbing your jaw in a firm, yet almost tender touch as she tilted your head to the side just enough for her to pull you into a burning kiss. It left you lightheaded, grinding down against her thigh as she claimed your mouth as her own, her thumb still ghosting over your clit sporadically.
She'd spent so long teasing you, constantly touching you but never where you needed her, that you already felt like you were going to snap like a wire. She must've been in a really good mood, then, when she pulled away from the kiss with an almost predatory lick of her lips, yet she settled on pressing kisses to your skin rather then the usual sharp bite of her teeth as they sunk into the curve of your shoulder.
"Are you close? Go on. I want to see your face when you cum– you look the prettiest when you finally break apart, doll." Arlecchino mused idly– as if she wasn't talking to you while you continued to rub your aching cunt against her thigh, chasing your own release through shaky, strained breaths. Her thumb swiped over your lips, brushing strands of hair stuck to your skin from your face– at the same time as she swiped her thumb more firmly against your clit, creating a vicious contrast that had you both melting at the barest hint of almost softness from her and the touch of her hand between your legs, dragging you into an orgasm that leaves you trembling and, had she not shoved her fingers into your mouth, screaming, tears pooling in the corners of your eyes.
"All done, little doll. Take it easy." She murmured, voice so quiet you almost didn't hear it, thumb swiping across your cheek to wipe away the stray tear, her hands pulling away to settle on your sides. "You did well– good girl. Let me take it from here."
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bonchobrick · 9 months
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Duke and Danny bestie fic im co-authoring with some cool people for Patrol Partners! :D
A fic where Duke knows a lot about Gotham’s new problem, ghosts. The Waynes think the worst and assume he’s had some terrible experience with ghosts in the past (in reality is just very happy to talk about his best friends culture and doesnt realize how odd it is that he knows all this stuff)
Or
Duke is pretty much just vibing, the bats are having a meltdown, and Danny is having a blast!
—-
Then Duke pops the question
“So, what are you guys researching?” He asks raising a brow to the papers littered all over the room
Collectively the entire room groans as Duke absentmindedly picks up a paper on the table with the failed, static over-run image.
“We don't know!” Steph bemoans frustrated
Tim starts, “There are new entities–”
“Creatures.” Bruce corrects
Tim casts a piercing glance at his father, “I am pretty sure those are entities. Eye witness reports state that they look fairly human-like–”
Bruce challenges him right back, “Eye witness reports were also very likely to be unfactual, they seemed partially intoxicated. It’s more likely they are some kind of mutated animal.”
His son’s teeth grit, “Even so we still can’t rule out–”
“Oh right, the ghosts are back in town,” Duke's comments, gaze absorbed in the static image
Silence drowns the room as their weary eyes blink at Duke, processing what he had just said.
Then it clicks
“R-repeat that?” Tim stares intensely at Duke
“Um, the ghosts are back? That's what these are.” Duke nervously replies confused, “It’s been a bit since they visited Gotham
Tim opens and closes his mouth, immensely struggling to find any words to say. It seems like the rest of his family is fairing no better, some of them letting out noises of surprise and shock with others trying to hear if they heard that sentence right.
“There used to be ghosts in Gotham?” Bruce says incredulously
“Yeah?” Duke tilts his head, “I mean they don’t like living here with the corrupt ectoplasm but I’m friends with a few ghosts?”
Jason springs on him with wide eyes, “What are ghosts like, personality-wise?”
Duke thinks and responds with the first thought that comes to mind, “Fickle, they can be super friendly or super destructive. They do whatever they’re in the mood to.”
“Are they aggressive?”
“Sure? Sometimes?” Duke blinks at them bewildered before a petty smile crosses his lips, “They can be, hmm, commanding.”
Dicks eyes turn cold and protective, “What–”
“Listen guys,” Duke backs away from the discussion going with his internal task list in mind, “I gotta go wrap up putting together all my documents for my topic on my science fair project so uh, see-ya!”
The second youngest bounces out of the cave and the rest of the family stare dumbstruck at him.
New entities (ghosts?) pop up in Gotham + Duke describes them as fickle and commanding =
Duke is being made to do things for Ghosts who can be kind and cruel which =
= Duke is being bullied by Ghosts?!
Not on their Bat-watch!
Damian is already sharpening his ‘not murder tools’, Tim has sprung into research on the bat computer and the rest of the family have already dipped into Gotham ready to search for these perps!
Paranoid Family #1 will help Duke’s ghost problem starting now!
( pssst heres the fic :)
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ghosty-bat-enthusiast · 8 months
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Jarchivist s3 design lol.
I’ve actually seen a lot of ppl drawing s3 Jon recently but oh well, I never claimed to be original. I really want to draw my takes on the whole archive crew + Georgie but my brain has been fixated on this guy for like a year now and it stops me from drawing literally anything else lmao (rip to my ocs, I miss them dearly).
[ID: A page of Magnus Archives fanart of Jon Sims, titled "Jarchivist S3" and appended with a doodle of a cat plus the caption "I headcanon him as being super normal about cats." Jon is a thin brown man with chin-length hair.
•The left shows a full-body of Jon, shown wearing a What the Ghost hoodie with a long red skirt and brown loafers labeled as "boring ppl shoes." The hoodie has an arrow pointing out the full design of the WTG hoodie, which features a cat ghost and is captioned "epic logo." Jon has bandages around his neck and right hand, and he's holding a tape recorder with a suspicious expression.
•The right shows a more cartoony full-body of him wearing a bright pink hoodie with purple cats along the bottom. His eyes are comically big and round, and he's labeled "About to meet unspeakable horrors" and "The narrative's favorite guy."
•The bottom left shows Jon from the chest-up, wearing a jack-o-lantern long-sleeved shirt and looking pensive as the Admiral sits on his arm. End ID]
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