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#boy do i know
mobydyke · 1 month
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harry du bois steps up to the lectern in front of the crowd. "as a lesbian...." he pauses, looks at kim questioningly. kim shakes his head imperceptibly. harry looks back at the audience "...supporter"
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autumn-may · 4 months
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Mostly spoiler free summary of my viewing experience
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lazylittledragon · 1 month
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if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about
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FNAF movie Mike meets Jeremy Fitzgerald
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thefrsers · 1 month
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#when you know your kids so well
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machinerot · 4 months
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roydeezed · 5 months
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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hamable · 5 months
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I’m thinking about Mahito’s great great uncle maintaining and preserving a peaceful and beautiful thing in a way that to an outside observer looks tedious and unimportant, hoping to pass the duty off to a successor but ultimately he cannot find one and dies with it.
I’m thinking about the specificity of the blocks being made and handled with care, not with malice or ill intent.
I’m thinking about Hayao Miyazaki, a bastion of beautiful 2d hand drawn animation who refuses to retire.
I’m thinking about a world where animation is so rarely made with love over profit and efficiency.
I’m thinking about how, though the old man didn’t see it, the next generation still hangs onto a piece of that beautiful, tedious thing and takes it with them because it feels important.
I’m thinking about Mahito being told he should forget, but no. He shouldn’t.
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proxycrit · 3 months
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(I point. Gently, in the voice of somebody who’s mind touched by the outer gods, i whisper truth in your ears:
Your honor the horses are now lesbians
(Anyways here’s the designs)
#mlp#based off my mlp redesigns (no i will not be taking criticism)#mlp redesign#fluttershy is now a giant jacked carnivorous shire horse with anxiety#rarity is a trans queen and she’s carrying the plot on her back#applejack’s been bequeethed the oldest child syndrome after the traumatic death of her parents and learned to do taxes at the tender age of#13?? how do horses age#and rainbow dash is both loved and reviled by her pegasi foundry because she has ‘too much gryphon in her’#(but she FAST AS FUC BOI.)#anyways pinky’s my favorite. we don’t know whats up with pinky but she smiles a lot and the world distorts around her at exactly 1014 am.#twilight is celestia’s favored pupil prophet and is trying her best to figure out what the hell is up with pinkie and failing spectacularly#twilight also hatched a dragon from an inert stone and people have opinions about that#mostly ‘what are you feeding her’#(holds rarity and applejack) i think they’re neat together#they bond over growing up too quickly and have a vi-caitlynn thing goin on#(squints) didnt draw the cute mark crusaders but they’d be like. the batmen of the town. and it was fun and games until twilight heard#and gave them ACTUAL weapons#rarity#applejack#rainbow dash#twilight sparkle#fluttershy#pinkie pie#spike the dragon#I FORGOT SPIKE#spike’s a stone dragon that hatched from a stone egg. he is not meant to exist. he’s an elderitch horror and a baby boy and we love#and cherish his adorable little face#art#critdraws#Rest your Weary Hooves in our New Found Home
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astraltrickster · 7 months
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ngl I'm not a fan of how the very necessary discussion of how autistic girls (and many poc for that matter, not that we usually remember this) often end up masking hard due to the pressure to "be ladylike" or "not be too angry" and therefore end up being seen as "very polite" and "mature for your age" and so on and so forth is morphing into being less about how social pressures may impact how autism presents and more about saying "so there's Girl Autism and there's Boy Autism and Girl Autism makes you nice and polite and pleasant but Boy Autism makes you gross and annoying and rude and offputting and no it's not ableist at all to say that being overly excitable or trying to get a turn to talk when you don't know when your turn is or struggling with arbitrary rules is rude and annoying because Girl Autism exists uwu"
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aeide-thea · 1 year
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on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance
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hyuckonia · 6 months
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deuce fucking dies dot jpg
bonus:
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old man breaks back laughing at lame joke too hard 😂😂😂😔
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inkydiamonds · 26 days
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I HAVE REALIZED SOMETHING.
So. For people who are not Ethoslab watchers, in his most recent episode he showed off these beautiful statues Joel supposedly made of Etho in front of his house.
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I figured Joel built them, and it seems Etho did too, because he sent Joel a message via mail about them.
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This note... honestly surprised me a bit? I didn't think much of it at first, but the tone of it felt out of place. Obviously these two have this ongoing bit of being obsessed with each other, and they've done nothing recently but yes-and to the sun about it. This note seems to almost shut this bit down, saying "this bit hasn't gone too far yet, because I'm showing this on camera, but it's getting there." Which is a possible explanation for this note! But considering all they've done recently it feels very sudden.
And then. Joel claimed to not have built the statues. "Oh," I thought. "Joel is claiming not to have built the statues because he doesn't want to seem obsessed." Makes sense. Or maybe he *didn't* build the statues and someone is pranking them. That also makes sense.
But it was only when watching Joel talk about it on Impulse's stream, when I heard Joel say "honestly, I think Etho might have done it," that it clicked.
Oh.
This motherfucker.
He 100% did. That's why the message is so weird. Ethoslab built statues of himself outside Joel's base, messaged him via mail saying "that's kinda weird bro" and then DIDN'T EVER REVEAL THAT HE BUILT THEM. Oh my god THIS MAN...
From Etho's audience's perspective it just looks like Joel was continuing being obsessed with Etho, as usual, just another example in a long list. But *Joel* knows he didn't do that and *Etho* knows Joel will figure out who did. This mischievous motherfucker. Oh my godddd I hate them. Listening to him read back the note with that little smile in his voice. I am unwell. Why are they LIKE this
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fabian is such a sweetie and he will not convince me otherwise. genuinely there’s no reason for him to make up with gertie bc the rest of them have enough good standing with her to work with her, he fully did that for kristen. the way he approached it too, wasn’t like “oh im gonna get her off my back so we can deal with the honey thing” no it was pure good soul lou wilson shining through fabian going “hey if there’s even a BUMP on this road to love for my friend because of me? i’m repaving the entire fucking street lets go”
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Will the real FNAF Helpy please stand up?..
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So I'm reading for an art history class, and Baudrillard is talking about the trends in colour usage from generation to generation (mostly in interior design, but there's definite spillover into fashion, architecture, etc.), and how every new colour movement is a direct rebellion against the previous one, like how the bright colours of the 60s/70s were a direct response to the austerity and seriousness of the WWII/postwar era, and how a shift back to organized, moralistic neutrals were a direct rejection of 60s/70s gaudiness, etc., and that all makes sense, people find their parent's style tacky, sure
But he goes on to observe how we've now been stuck in a lull of pasty tones and naturalistic finishes for some time, and I'm thinking yes, he's so right, but that's weird, because its been hanging around for so long, like what is it rebelling against anymore? What is it answering to? Well all I had to do was be patient because lo and behold, Baudrillard provides the following sentence, which caused me to completely wig out:
"...except of course, for the spheres of advertising and commerce, where colour's power to corrupt enjoys full rein"
And I'm like ooohhhhHHHHHH, so this colourless minimalist wasteland of a design principle:
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Is maybe hanging on so stubbornly because this corporate hellscape:
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is assaulting all of our eyes, inside and outside of our homes, every waking second, and is tainting the very concept of colour into something we can't relax around in our living spaces.
EDIT: The reading was The System of Objects by Jean Baudrillard, 1996 Ed., Part A, Section II, Subheading "Atmospheric Values: Colour" (p. 30-36 in my copy). Even if this was a passionate spur-of-the-moment post, omitting this was pretty silly; my bad.
EDIT 2: I was trying to be chill and leave this one alone, cuz I know most people in the notes are talking to themselves and their followers and not actually me, but 11,000 notes in it's starting to get to me - yes, I am aware that decreased homeownerhship/increased renting/landlord specials/hyperfocus on resale values, are all very direct causes of this too. I totally agree. For me, those were the obvious answers; I think we all get why the owning class is serving this to us. My epiphany moment was about understanding the flip side, the psychology of the consumers who keep accepting it, and even seem to enjoy it. That's what I couldn't understand before, but now I suddenly do. (And for those of you saying such people don't exist, no one actually wants to live without colour - check the notes, bb, they're everywhere. Not everyone has the same brain as you. We all deal with the horrors of capitalism differently.)
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