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#broad way
False and True Discipleship
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13 “Go in through the narrow gate; for the gate that leads to destruction is wide and the road broad, and many travel it; 14 but it is a narrow gate and a hard road that leads to life, and only a few find it.
15 “Beware of the false prophets! They come to you wearing sheep’s clothing, but underneath they are hungry wolves! 16 You will recognize them by their fruit. Can people pick grapes from thorn bushes, or figs from thistles? 17 Likewise, every healthy tree produces good fruit, but a poor tree produces bad fruit. 18 A healthy tree cannot bear bad fruit, or a poor tree good fruit. 19 Any tree that does not produce good fruit is cut down and thrown in the fire! 20 So you will recognize them by their fruit.
21 “Not everyone who says to me, ‘Lord, Lord!’ will enter the Kingdom of Heaven, only those who do what my Father in heaven wants. 22 On that Day, many will say to me, ‘Lord, Lord! Didn’t we prophesy in your name? Didn’t we expel demons in your name? Didn’t we perform many miracles in your name?’ 23 Then I will tell them to their faces, ‘I never knew you! Get away from me, you workers of lawlessness!’
24 “So, everyone who hears these words of mine and acts on them will be like a sensible man who built his house on bedrock. 25 The rain fell, the rivers flooded, the winds blew and beat against that house, but it didn’t collapse, because its foundation was on rock. 26 But everyone who hears these words of mine and does not act on them will be like a stupid man who built his house on sand. 27 The rain fell, the rivers flooded, the wind blew and beat against that house, and it collapsed — and its collapse was horrendous!”
28 When Yeshua had finished saying these things, the crowds were amazed at the way he taught, 29 for he was not instructing them like their Torah-teachers but as one who had authority himself. — Matthew 7:13-29 | Complete Jewish Bible (CJB) Complete Jewish Bible Copyright © 1998 by David H. Stern. All rights reserved. Cross References: 1 Samuel 24:13; 1 Kings 13:18; Job 22:16; Psalm 6:8; Psalm 16:11; Psalm 119:115; Proverbs 10:8; Proverbs 10:25; Proverbs 20:11; Isaiah 35:8; Jeremiah 23:16; Daniel 4:14; Matthew 3:10; Matthew 8:1; Matthew 10:15; Matthew 11:1; Matthew 12:33; Matthew 12:35; Matthew 13:53-54; Matthew 25:10-11; Luke 6:43-44; Luke 13:24-25; Romans 6:46; 1 Corinthians 13:2; James 3:12
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bluegiragi · 2 months
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human.
early access + nsfw on patreon
more backstory that i wrote up for patreon heh:
Simon and Tommy had a complicated relationship as brothers. 
At a young age, Simon basically wrote himself off as a lost cause, and did the best he could to make sure at least Tommy had a chance to be a functioning human being. After all, Tommy was the gentler brother, the dreamer, the one who looked like their mother (who'd walked out on them years ago to escape their father). But Tommy got bitter, got sick of the one always being protected, being babied. He lost respect for Simon, for the way he wouldn't fight back, and in a twisted way, grew closer to his father as a way to learn how to be powerful, strong. It backfired, and Tommy got wrapped up in some bad business.
Simon's kid brother died while he was deployed. He got the news in the letter, and it broke him in a big way. In the story timeline, it was years and years ago but it still hurts like hell whenever Simon thinks about him. 
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ryssbelle · 10 days
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Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!
Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎
#my art#marinette dupain cheng#miraculous ladybug#miraculous fanart#style mimic#sorry for the @s btw#yall should go follow those artists if you dont already also#this was sort of inspired by a post the three artists on the top row made#i think they all got together and drew with one another#which is really cool#but i was genuinely confused because i mimic styles a lot#and ive seen others do it too so i was just like#wow they really know each others styles really well#until i thought about it and read their posts some more#style mimicking is really freaking fun and i think its really good practice#and a good way to explore other ways of doing things#like you really have to learn new techniques and get out of your comfort zone#also anna scribbles i could not find a recent pic of marinette in her main outfit#so thats the only marinette i drew in different clothes cuz i couldnt find a more recent ref of you drawing it#anna scribble marinette has privileges thats the others dont#but ye#i also threw my own style in there as a frame of reference to what me draw like#ive drawn marinette before just not in a loooong while#sabertooth walrus was the hardest for me to mimic cuz they have a broad range in their style#so its like which sabertooth do i wanna be in this pic#Buggachat has such a distinct style thats very clean and consistent which is amazing so they were easy#being easy or hard arent bad things either it also has to do with like styles meeting up with one another#buggachats and mine arent too too different in some shapes and aspects#so yeah itd be easier plus they drew marinette like 3 sec ago so i have more recent of a ref#as opposed to sabertooth who i have a recent ref of ladybug but not marinette so we got two diff styles in one
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uncanny-tranny · 10 months
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It's always, like, mildly annoying when people see a het trans couple and go "all that work just to be straight?" like... one, you don't know if they're straight and two, trans people don't owe you a queer sexuality to "make up" for the fact we're trans. Transhet people aren't a subtype of trans people, they're members of the trans community, and the queer one if they so desire!
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shivroy · 3 months
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connor 😋
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crazyw3irdo · 10 months
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okay, i think any time anyone asks what superpower we’d like to have most everyone on this website would say shapeshifting but what kind of shapeshifting would you like
type 1- wild shape, you can turn into any animal, real or fictional
type 2- mystique, you can turn into any real person
type 3- cosplay, you can turn into any humanoid fictional character
type 4- jake the dog, you’re super stretchy
type 5- character creator, you can alter your own appearance- like changing voice hair length texture color, changing height and weight, transing gender, etc, but you can’t add anything non-human (ie horns, wings, claws, etc)
type 6- additional features, you can add things like snake eyes, horns, cat ears, tail, claws, wings, mermaid tail, but you remain humanoid overall and can’t change things like height or gender presentation or hair color. you can still change your voice tho
type 7- were-wolf, we all know what a werewolf is, lads. can be any kind of animal. can be straight up wolf or more monstrous wolf form that’s up to you.
type 8- furry, you just become your fursona. or any kind of fursona really you can change between them
type 9- antman, can become small or big
type 10- other, say what kind ya want
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softiedingo · 5 months
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*looking disrespectfully* god have mercy on me, I'm not that strong
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kiwifie · 6 months
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Why are the others INNOCENT? I won’t forgive, won’t forgive
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haunted-xander · 2 months
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Shadowbringers is about learning how to live.
Your enemy is stasis- everything and everyone is stagnant, they wait and wait for something to happen, but don't do anything to make it so (because the ones who tried before failed, because they don't know what to do/how to do it). People don't change, they don't try, not really. The crystarium is doing well, it's independent and sustainable, but it doesn't have the reach or power to do much outside of Lakeland. The Exarch is more-or-less confined to the city (because of the tower, because he's waiting for you), so even if he had power elsewhere, he'd be limited with how much he, personally, can do.
Eulemore is filled with mindless indulgence, there's no hardships or labour or anything but luxury for the free citizens, and the bonded only have to worry about fulfilling the task(s) they were brought for. The outside world doesn't matter, hard work doesn't matter, personal fulfillment beyond indulgence doesn't matter, everything exist solely in the moment. The people out in Kholusia have pretty much given up, they stay close to the city in the hopes that this time they will be picked, this time they will be saved. They wait and wait and do nothing but wait. The ones who try to live on are dying out or eventually give up and join the rest in waiting.
Ahm Areang, Rak'tika, even Il Mheg are all just waiting for something, anything to happen. They go day to day, surviving simply because it's all they can. Nothing changes.
Until, of course, you should up. You, who causes a ripple of change simply by existing, who can move the immovable by sheer will. You showed them that things can change, that things can, and will happen, if they just try. You show them that they can make things better, that there is an option besides waiting for a slow death, if they'd just grab fate by the neck and tell it "No. We are doing this my way".
And they do. They rally up together and do what they thought impossible. Not all their efforts succeed(not immediately), but they tried. They tried, they failed, and they got up and tried again and again until it did work. They take the chances, not knowing how it'll turn out (because it's not about whether it fails or succeeds, it's about having tried).
They learn how to try, little by little, and every step they learn what it means to really live.
Endwalker is about learning how to love life.
Your enemy is nihilism- the idea that nothing matters, that there is no real joy to be found that isn't snuffed out by misery. A concept that denounces greys in favor of a black-and-white view where black is all encompassing. Everywhere you go, people are doing what they can to survive, but refuses (or maybe are afraid to, or maybe never knew they could) try to actually save themselves. The Forum plans for escape, to leave their homeworld behind and take whatever they can afford. They will live on, but they won't be saved, no one is saved(and even with escape they aren't safe, Despair is everywhere and She will not stop until all has become Nothing).
The Loporrits love Etheirys, but in the way Winter loves Spring. They know about it, they are so close to it, but they are distant. They're strangers, they've never met. It's love, and it's pure and true, but it's also just love. It's surface-level(because the surface is all they had). Their love is pure but it's instinctual. Programmed. They love because they don't know how to not love. They want to save it's people, save us, but they don't know what it really means to save, so they create refuge instead(because that's what She told them to, because this is how love works for them).
The people of Garlemald are terrified, they are victims of extreme indoctrination, the (deserved) push-back their army got proved them "right"(that we are savage beasts to fear, that they are but prey in the maws of rabid dogs). They want to be build-up again, but what's left for them now? The world hates them(and it's all their fault, the ones who see past the propaganda know this, but who will listen to them?) and they are dying. It's so cold and the fuel is running out. They won't accept help, because they've been filled with the idea that there is no such thing as pure kindness from "savages"(and they are too prideful to question it, to break apart from the illusion that they are surperior, because they're terrified to face the truth).
The sky screams, the earth wheeps and the foundation of existence is overtaken by Despair, misery is around every corner and who knows what will happen now? Where do we go? What do we do? We live and live but for what?
What's the point of it all?
That's the question, and the answer is everything. We live because there is joy to be found. Because there is beauty in the world. Because there are stars in the sky. Because flowers bloom in spring. Because cats purr. Because waves crash against the shore. Because of every single little thing we can see, hear or feel. Because we love and are loved. Because there are things to do and discover. Because why not?
And you tell them this, by letting them see that there is more to life than the little they have seen. The Forum has closed it's eyes to anything but it's own kith and kin, everything outside of Old Sharlayan is irrelevant(non-intervention, always non-intervention) and it takes the entire world coming and telling them "We are here. We are alive, and we will make tomorrow happen." for them to realize they have slowly been killing themselves and what they stand for(you pride yourself on knowledge, but where is your wisdom? What do you truly know of things outside your own bubble? You do not know that which is lived because you refuse to aknowledge anything but the written word).
The Loporrits see Etheirys itself, they experience it's corners and valleys and learn what love can really be. They want to save it, truly save it, because they love and this time it's informed, it's personal(I love you, I love you, and I want you to know I love your loves too).
In Garlemald everything is slow, unsteady and complicated, but it's changing. They're changing. With every person who accepts help the illusion of supremacy and "purity" melts away just a bit, and the wall standing between them and us breaks a little(it will never vanish completely, years upon years of oppression and subjugation and conquest don't disappear like that, but it's a start).
Shadobringers is about learning how to live, but Endwalker is about learning how to love life.
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moodlesmain · 11 months
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Hi. Look at this.
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I just spent two days straight making a digital conspiracy board trying to piece together my favourite genre that isn't really a genre and more just a very particular niche which doesn't really have a name.
If you want to look I reccomend downloading and zooming in on the image to read everything LMAO, I want to try and convert it to a page on my neocities at some point so its easier to view but for now you guys just get a big ol' jpeg. You're welcome :)
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badolmen · 2 years
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RIP to all of the British people who have to deal with the BBC/national officials shutting the country down the next few weeks that’s gonna be rough.
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fromtheseventhhell · 1 month
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I have a question for people who fervently argue that Arya has no potential for politics but think that Sansa will be one of the main political characters, and I'm asking this seriously.
If Arya learning multiple languages, how to tell + detect lies, how to rule her face so she doesn't reveal her emotions, being able to blend into different situations, thinking quick on her feet, knowing the importance of gathering information, being someone who makes friends wherever she goes, convincing a FM to help free Northern prisoners and participating in a coup, etc. don't make Arya capable of participating in politics...what exactly is it that you think Sansa will be doing as a political figure?
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bearsbeetsbeskar · 1 year
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Anyone else go feral seeing Din on his knees, with two men struggling to hold him down?
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CORRECTION
It was actually 4 men, two holding him down, and two others holding the cables attached to him, cause Din is a big boy.
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🫠🫠🫠🫠🫠🫠🫠🫠
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uncanny-tranny · 6 months
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Something I notice is the idea with transmasculinity and transmalehood is almost this idea that we had beauty that transition has vanquished, and I honestly never related to this pretransition.
Beauty was never afforded to me as somebody who was obviously neurodivergent and traumatized and weird. I was never seen as beautiful pretransition, and I knew that. Conversations about how desirable we "used to be" never rang true for me personally because I wasn't even given the opportunity to be "beautiful." I was never going to be included in that even if I were not trans, you know? Since transition, I know I'm desirable now, even if it is not in a conventional way. It's interesting how my masculine features are now embraced because people can actually register my maleness, when before, they would never.
Desirability is often used as a tool and a weapon on trans people. The idea of not being "desirable" is a punishment. It's just weird when you're the trans person who was never desired in the first place, and you know it.
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there's so much utena discourse around certain aesthetic signatures of the show (in particular, scenes and shots like the sword pulls, the transformations and outfits, etc.) and, like, surface-level discussions over whether these things are "Actually Beautiful" or "Actually Bad."
and i totally get it, especially with regards to some scenes---like the ways in which people have taken the ending scene of episode 33 and turned into weird pastel-pretty aesthetic boards lmao----but i do feel like a lot of the discussion is over-simplistic, and disconnected from the actual framing and themes of the series
utena and anthy's world is full of beauty. it is also full of horror and pain. there is often no clear delineation between the two, and we are forced (quite generously!) to recognize both sides of this.
the sword pulls oftentimes carry feelings of manipulation, hurt, subservience. anthy summoning the sword drives in the repetitive, obedient actions she is forced to repeat time and time again for others as the rose bride. in the black rose arc, they're violent and terrifying. in the third arc, they're stand-ins of the dysfunctions the characters have with the person drawing them, the ways in which their emotions are being twisted and ignored.
and yet! they're beautiful.
they're incredibly intimate moments, in which the two characters---who, generally speaking, are either emotionally or physically estranged from one another---cradle or hold one another, pull out a culmination of that person's essence, as a heavenly light frames the two of them together. the first time anthy does it to utena, it is out of genuine fear for her, her voice quivering with fear as she tries to do anything to help her! it's love! it's an act of beautiful love!
when pressed on how it felt to have their sword drawn, the duelists are flustered---they can't say it was just painful, because it was more than just painful. the screams of the black rose arc turn into something more quiet, ethereal, pretty---and yet still uneasy, unsettling.
a similar conversation can be had about utena and anthy's outfits. they're symbols of their roles as duelist and rose bride, and for anthy in particular it's an outfit emblematic of her status as a static, never-moving prize to be won. the outfits are as ugly as the entire dueling system, and yet---while recognizing this---the show doesn't stray away from associating the dress and the duels with delightful, beautiful imagery. the rose imagery in general is very beautiful and striking, even at some of the more dark moments!
there is an aesthetically pleasing contrast between anthy's dress and utena's uniform---one that goes back ages in terms of our understandings of gender and social status. why is that beauty there? well, for a lot of reasons! one is definitely making us question what we think of as beautiful, particularly in the contexts of gender roles and society (why did we have that gut impulse to see anthy in that dress as beautiful to begin with?) but, for the sake of this post, i think the most satisfying answer is because horror and beauty are usually intertwined in our actual lives.
so much of the show is dedicated to both finding beauty in horrifying situations and seeing how beautiful things are oftentimes pretty horrifying. anthy and utena's relationship is beautiful, but grows out of abuse, sexism, queerphobia, and hurt.
when utena and anthy dance in front of everyone at the ball, how do we interpret that? well, our first instinct is as a beautiful scene of budding love and care between the two of them; our second instinct (especially after watching the show) is that it's another example of the way in which they've both been boxed into these roles of prince and bride---and all as hundreds of eyes are staring at them. when does the line between gender as choice and performance begin, and when does it become oppressive gender roles? when does anthy's performance as the meek rose bride become her real self? when do the two's relationship become loving, and when do they stop hurting each other? when do the ugly things at ohtori become beautiful, and when do all of the beautiful things become ugly?
and there's not really one point, always, although sometimes there are---and sometimes there's multiple points, and sometimes there was no transformation at all, and sometimes things never stopped oscillating between good and bad, ugly and beautiful, scary and hopeful.
and like, even beyond the really radical ways this impacts the queer and feminist readings of the show, i just think that's also very nice. so much of utena is built on recognizing the beauty in the world. the main characters live in a shitty world while leading shitty lives. and they find beauty in it still.
(i will here also add here at the end that when the show wants to make a very clear definitive statement on one of its aesthetics being basically entirely bad with no beauty behind it, it's very frank in its framing. see: any shot with utena in a dress or her girl's uniform)
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rebel-moons · 4 months
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I think it can be easy to overlook in the midst of all the other stuff Snyder tackles in his movies, but I love the way he writes romantic relationships.
Kora seeing kindness as a virtue worth dying for, and Gunnar being shown to be kind above all.
Kora resisting a deeper relationship with Den - who is described with attributes the villagers admire such as the best hunter and a loyal friend. Gunnar is shown to be just a simple farmer, trusting and honest to a fault, but it is him she wants is drawn to.
Kora believes she is incapable of loving and being loved. But it’s Gunnar’s love for Kora that saves her in the end.
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