So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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I know this is old hat to just about everyone, but I'm more and more enjoying Imogen and Laudna as not just a mirror of the Briarwoods but also, and perhaps even more so, as a foil.
Laudna may be the death magic goth with a necromancer in her head, but out of the two of them, Imogen is the stronger mirror of Delilah. She’s the one with the undead lover, the one prepared to break the world by risking Delilah's return as long as it got her Laudna back, the one with the drive and the thirst for power and knowledge. Laudna meanwhile, while also tempted by power, is mostly just along for the ride, deeply devoted to Imogen over anything or anyone, alive only because Imogen found a way to resurrect her. They have looked each other in the eye, recognised the same seeds of darkness and the possibility of giving in, and said 'Together either way'.
But they are also in many ways a direct subversion of the Briarwoods. Delilah and Sylas both seemed perfectly happy to have made a pact with Vecna and revelled in the power he granted them, even knowing the disaster he would bring and the horrific acts he asked of them. Imogen and Laudna meanwhile, while tempted by power and openly voicing said temptation to each other, actively fight against it. Imogen was prepared to risk Delilah's return for the sake of Laudna's resurrection, but she would've fought her every step of the way. She's tempted by the power and knowledge of Ruidus, but also prepared to give all of it up if it means saving the world, because unlike Delilah she chooses to care about people other than herself and her lover. Laudna may be prepared to follow Imogen into hell itself, but she may also be what would lead her back out, because unlike Sylas she doesn’t just recognise darkness in her lover, she wants to fight it alongside her.
This is what I mean when I say these two hold the potential for great darkness. They wouldn’t function as a mirror and a foil of the most romantically iconic critical role villain duo if they didn't. But holding the potential for darkness and corruption also means holding the potential to resist and fight said darkness at every turn. It gives them the potential to choose kindness and struggle while still keeping a little bit of that darkness in their hearts, because without it, they never would have found each other.
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I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
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I’m feral for subby Bucky. I need him on the floor crying and begging for my pussy, a babbling bitch of a mess.
Okay love youuu💜
Maybe I've got too soft recently but I'm so into the thought of being sweet and gentle and encouraging with subby Bucky?
I can't stop thinking about how pretty he could look on his knees in dim bedroom lighting and the way it would accentuate those muscular thighs. He's naked, watching you, stroking his cock a little more frantically than you'd usually allow.
"Please." He sounds more composed than he looks and he's not afraid to keep eye contact with you while he begs.
"I need to feel you." He watches as you trail your finger gently across your own glistening sex, spreading your legs nice and wide so he's got a perfect view from the floor.
You don't respond. There's no sense in breaking a silence that heavy. Not when you know his mouth is watering, imagining the way you'll feel when you engulf his cock and then the way you'll taste while he licks his cum out of your freshly fucked pussy.
"I need you." He whispers, his mouth running faster than his brain. His dick throbs in his hand, precum dribbling down his shaft, over his fingers, making each stroke a little more slick.
"Then have me, sweetheart. I'm all yours." He didn't expect the softness in your voice or the way you tenderly hold his chin to pull him in for a kiss.
He's slipping just a little faster than he wants to but it feels lovely. He's safe, he's loved, he's free to explore interests he's never given much time to and it's all starting to feel quite comfortable and natural to him.
"I love you, I hope you know that." You whisper, kissing his forehead while you line his tip up to your entrance.
"Oh God." He whimpers, his head falling onto your shoulder because he can't look at you now. Not as he's pressing into you and you're being so gentle with him. It'll be overwhelming and he simply can't have that.
"I love how you make me feel. I love getting to see you like this." You coo softly, stroking the back of his head, enjoying his hot, erratic breathing on your neck.
Inch by inch, he slides inside you. It's slow and reverent and considerate and downright perfect.
"You don't need to last, sweetheart. Let me take care of you for now and we can go a little bit longer later." Your offer isn't one he can turn down. He's been too aroused for too long and taking the edge off is exactly what he needs so he can focus on your pleasure.
His thrusts from then on are much faster, his tip rubbing your sweet spot delightfully and while it's not enough to get you off, it leaves you arching yourself closer to him.
It doesn't take long for him to become a babbling mess, panting and moaning against your neck, begging to be allowed to cum inside you.
"I'm so proud of you." You remind him, holding him as close as you can. There is no closer than this; not with him inside you but it still feels important to be unreserved in how much you want him. "I'm so proud of you. It's okay sweetheart, I've got you. You're okay, I've got you."
You feel his hips stutter, his shaft pulsing and throbbing as he shoots his first load into you, buried as deep inside you as he can manage. There are a few tender moments where you just hold him, kissing his broad shoulders while he catches his breath, letting him get comfortable on your chest.
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when you watch promising young woman for the first time and see the ending, and as a woman your BRAIN SCREAMS, 'why do woman have to die to get justice?????'
and then you take deep breaths and realise.... that's the point...that women HAVE to die get justice. they won't believe you until you are fucking dead in a ditch and they have no choice but to believe you.
the ending this cold harsh reminder that oh, you thought this was a feminist revenge fantasy, where everything will work out.
well, here's the cold harsh truth. that the man you might love will be complicit in your worst nightmare. and he will show no remorse unless his career is at stake.
that the men will KILL you and burn your body and enjoy their weddings and escape because they CAN. because the world is built to protect them.
you thought this movie will find escapism here, that oh I Can Win.
well, no. no you can't. they won't let you.
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biblically accurate middle aged p.cakes (post-divorce) in which they:
1. don't have a child to solve their marital problems
2. both come to terms with what they really want in life
bob, a husband & a peaceful domestic life
eliza, no spouse or children, simply money and steamy one night stands with hot mediterranean men
3. only remain in contact with each other because they formed some kind of weird fucked up bond by marrying so young and being so miserable together.. they also split custody for their cats
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