#continuity in (some) characters ofc but not so much in plot | Explore Tumblr Posts and Blogs

tohsri · 1 year

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3some 💀

so this is my first fic, on tumblr, so i don't know how things work. however i have read some fanfiction in the past, so i guess i have a bit of experience. warnings ig: reader is described as a female/self insert, porn with plot, fingering, virginity loss (even though reader has the dirtiest mind), cough coug implied 4some, it makes no sense (it's a dream ofc it don't), characters may (will) be ooc (hmph) minors dni!! 18+

we only had a week before the big project. while i could hear satoru's voice happily chattering with a friend of his downstairs. it slightly bothered me that he wasn't up here studying with us.

"geto, is the presentation okay?" i leaned against the hard wooden chair, peeking at the unfinished presentation.

"mhm. i think satoru should be able to remember most of this, without looking at the screen too often." he replied, lifting his hands off the keyboard and putting them behind his head. "by the way, where's toji?"

"hey, zenin, ya gonna help?" toji only scowled, muttering a "why should i" as he walked away grumbling.

toji was part of one of the most feared gang of this school, always rebelling against the teachers, never attending events, getting into fights in between the school buildings, and the scar that were plastered on his lips had pretty much proven a point.

you were genuinely taken aback on how geto talked to him so carelessly, as if toji couldn't beat the shit out of him with full force. toji looked like he didn't care anyway.

you focused your mind back to the presentation, helping geto point out mistakes.

"here, you spelled this wrong. lemme help." you leaned further, pushing geto to the side a little bit as your hands moves all around the keyboard. "maybe you can rephrase this to sound more formal."

"anyways, you continue working on the presentation, i'll go make some drinks for both of us. what do you want?"

"just some water please, thank you." he smiled softly, nodding his head as another thanks.

you went downstairs, dragging your hands down the railings to see satoru still smiling and staring at his phone.

"gojo, at least come help with the last bits of research.." you said in a whiny tone, making a cup of hot chocolate and pouring a glass of water for geto. "you've been on your phone this entire time, can't you spare a minute studying?"

"no can do~" he giggled, eyes still glued to the screen. "maybe if you stop giving me the longest parts of the presentation whenever we're in a group together."

"fine. study the last part and i'll give you the 2nd shortest." you grumbled. "but you have to edit your own part, save me and geto some work."

"now that's way too much to ask from me. you know what, i'll edit half my part." he gave you a shit-eating grin, knowing you couldn't help but give in to his words.

"half. that's the limit, now come upstairs and do research."

--------

"there are other ways to protect the environment, like reduce wasting plastic, participate in cleaning up beaches- uhh, whatever that's called, and other stuff. we'll search it up online."

"pff, nerd." geto teased, placing his arm on gojo's shoulder like an armrest.

"hey- get your hand off me!" gojo smacked it off, crossing his arms. you couldn't help but laugh at his puffed-out cheeks. unfortunately, he noticed. "what's so funny?!"

"n-nothing." you tried to calm yourself down, putting a hand over your mouth.

"i look that cute, don't i?~"

"you look like shit."

before gojo could say something, toji interrupted. "hey enough you two, let's just focus on the project so we can get it over with."

"let's decide on the roles first. of course, i get the introduction and conclusion, geto you get the 2nd shortest, toji 3rd shortest and gojo gets the longest."

"why's it always me who gets the longest? come on, give me a break for once~ you said i could switch with geto if i studied!"

geto glared at you. "what did you tell him?"

"exactly what he said." you laid back, with hands behind your head on the floor.

"alright, but you better repay me for switching." geto smirked.

"wh- why?! gojo never asked for anything!" you sighed. "fine. if you want me to pay," you whispered as you leaned closer to his ear.

"i'll pay with my body~"

geto looked as if he were about to explode right there, his face completely turning a tint of red. even the tip of his ears were burning with embarrassment.

"wait, what did you tell him?! i got to get this on camera!!-"

"shush gojo, it'll only work for her." he muttered, not enough for you to hear (or so he thought).

"anyways, how about a sleepover? so after a proper breakfast we can continue the project immediately." gojo suggested. "i already asked my parents, so i guess you're sort of obliged to let me stay."

you rolled your eyes. "you're lucky my parents aren't home, they would kick you out." you couldn't help but giggle at your own words.

"alright, we finish this topic up and then tomorrow we finish the rest."

-------- "alright, it's late. who's sleeping in the guest room?"

"me." toji grumbled, tugging onto his sweatshirt.

"there's only a bed and mattress in there, so one of you sleep in my room." you spoke up, putting both hands on the ground.

"i will." gojo and geto said in unison, as they both turned to each other.

you sighed, facepalming yourself. "you know what, sorry, one of you will sleep with toji-san. no offense."

toji just grumbled, avoiding eye contact with everyone.

"geto, is it okay if you sleep in the guest room?" you looked at him with the most adorable puppy eyes, and he was dragged away by your looks. he had no choice but to give in or else you'll (fake) cry.

he sighed, heading downstairs with toji to the guest room as gojo smiled excitedly.

"rest in peace, suguru." he laughed and you swore you could hear geto say 'shut up' halfway down the stairs. it made you giggle.

"i'm gonna get changed. i'm not sleeping in jeans. you aren't gonna sleep in your uniform either, so i hope you brought clothes."

after you and gojo had changed, you turned on the air conditioner and slept next to the window. despite the air conditioner being turned on, it never reached your spot which made you basically sweat while gojo got the enjoy the cool air.

you waited for a couple of minutes until it was dead silent, and removed the blanket above you. tiptoeing across the room, you had finally got snuggled in your cold bed. you sighed contently, but then realised gojo was right next to you, thankfully asleep.

until you felt a hand wrap around your waist and bring you closer.

"hey, stay on your side..~" he whispered teasingly, hugging you as if you were a plush.

"gojo, let me g-go. i'm just hot."

"mm, being here with me will only make you hotter." he muttered, pressing against your body. his warmth combined with the cold air felt perfect.

you just laid down in silence, enjoying being held in his embrace. however, tension was growing between the two of you. you two barely even knew each other in school (except for the projects you were partnered up with), and it was getting awkward.

eventually, you had managed to doze off into a deep slumber. you felt uncomfortable between your thighs, and it was making you wet.

you had opened your eyes, feeling gojo's cock slide inbetween your thighs, followed with his irregular panting. your panties and short pants were down at knee level, and the whole thing caught you off guard.

"sorry princess," he gasped out the name, and for a second it felt like you two were dating. "i got hard from you, is it okay if i use your thighs? or maybe even that sweet pussy.." he licked his lips at the thought of it.

flustered and basically paralysed, you could only let out a nod as his tip rubbed at your clit. all you could do was moan and whimper as he used your body to his heart's content.

his thrusts only got faster and sloppy, and without warning he came on your bedsheets.

"sorry again. i couldn't handle it," he chuckled, grabbing his cock. "i'll wash it in the morning. that okay with you?"

you had no idea what came over you that second, but your two fingers scooped up a part of his cum, sticking it into your mouth.

"oh fuck, that's hot." he nibbled on your earlobe, licking the back of it.

"can't help it, 'toru."

"call me that one more time and you won't be getting an ounce of sleep tonight."

"alright alright, just.. sleep. i'm tired."

--------

fuck, i'm thirsty.

you quietly walked downstairs, carefully not to wake anyone, grabbing the water bottle that was conveniently placed at the side, taking one big sip as you quenched your thirst.

you didn't feel sleepy. at all. i guess the only thing you could resort to was watching anime on the tv. unfortunately, the only tvs that were available was the one right next to your room, or the one right next to the guest room.

eh, too late to go back upstairs.

you turned on the tv, lowering the volume all the way to 0. how boring it was, watching your show with only subtitles. whatever, it wouldn't hurt to increase the volume a bit.

careful not to wake the two sleeping boys in the room next to you, you increased the volume by 2. well, better than nothing. only the chances of their waking up to you watching anime at 2am.

you watched for a good 15 minutes, trying (struggling) not to talk in the middle of the show, or fangirl whenever your favourite character came on.

you were interrupted by the sound of the guest room door clicking. toji.

"hm? what are you doing up this late?" he said in a softer, yet a raspy voice.

"watching anime. couldn't sleep."

"i get that too." he mumbled. "do you have a lighter?"

"brown box on the counter."

"thanks." toji headed outside, shutting the door as he lit his cigarette on fire.

you opened the glass door, taking a sip of your water bottle. "i've never smoked before. have you burned your mouth on the inside?"

your question made him chuckle. "no. never done it before. i only smoke when i'm stressed or feeling like shit."

"had a nightmare?" he only nodded, blowing out the smoke from his cigarette.

you just continued watching your anime while toji stared into the sky, dropping the cigarette butt on the ground and crushing it.

"do you want one?" he spoke up.

"no, i don't think i want to." you smiled, sighing. you closed your eyes for a while, until you felt an arm around you.

"is satoru awake?" you recognised it. geto.

"no. he's sleeping.." your memories with him a few hours ago came back, causing your cheeks to flush red.

"i heard that zenin go out, woke me up from that dream."

"what dream were you having?"

"maybe a dream about you."

you blinked, processing the information. "w- wha?"

"speaking of which, you still haven't repaid me yet.. what was it? your body, hmm?" he smirked, pushing his knee against your covered clit, causing you to let out a small moan.

"it w-was a joke, geto!" you couldn't help but moan as his touch, as he continued to grind his knee on your sensitive bud of nerves.

"oh? so you don't want this?" he stopped almost immediately. "but you're so wet~"

"n-no, please geto, want m-more.."

he hungrily pulled off the shorts and panties, revealing your already wet pussy. "lemme have a taste, good girl."

his tongue repeatedly lapped at your juices, pushing his tongue into your hole. he swears even the slightest movement of his tongue made you clench around him so tight.

the thought of the lewd act only make your bundle of nerves twitch, and you were so close to release because of how talented geto's tongue was.

"are you close?" he pulled away, breaking the string of mixed saliva and cum. "i wanna hear you beg for it. aren't you a good girl?"

you merely nodded. gathering the words stuck in your throat, you finally spoke. "p-please geto-kun.. w'nna cum, needa cum, i'm a good girl.."

"mm, you're quite obedient." he grinned, sucking on your bud gently. you bit your lip, trying to hold in your moans. "mmn, g'nna cum! g'nna cum- ah!"

geto placed his mouth on your pussy, letting him taste your cum. he swallowed it all, but you were too tired to notice. you rested your head against back, panting heavily.

you were too tired to even notice toji standing right behind the couch.

"geto. got room for another?"

--------

you suddenly found yourself manhandled by toji, on your hands and knees, sucking geto's cock as toji thrusted into you from behind.

"fuck, this pussy is tight." he grunted, balls slapping against your sensitive clit. "squeezing my cock so well, huh?"

you couldn't even respond properly. you just nodded and let out muffled whimpers, moaning into geto's cock from toji basically slamming into your cervix so often. his thrusts was kept at a sloppy pace, only stopping to give a harsh slap to your red and glowing ass. "fuck, you don't know how long i've kept staring at his plump ass. your tits are fucking amazing too, built to be just like a whore." he kept degrading you, maybe even squeezing your tits playfully.

"but she's such a good one, isn't she? taking our cocks so well just like a slut." he ran his fingers through your hair so affectionately, pushing your head further down his cock. "c'mon, c'mon. just like tha- fuck!"

without warning geto had already sent spurts of sticky cum down your throat, filling up your mouth. he pulled his cock out, admiring the sticky mess. "swallow." one word was all he needed for you to do so. "good girl. zenin, mind changing positions? let me see her tits."

toji flipped you over, your pussy still wrapped around his throbbing cock. after all, why wouldn't toji want to see the view? the next thing he knew he was completely focused on how geto pinched your erect nipples, making you whimper from the overwhelming sensitivity.

geto pulled out his phone, taking a good photo of your fucked out expression lying on his lap. "god, imagine how much satoru would pay for this. this fucking beauty right here. hey, maybe you should call him down so we could enjoy this beautiful body for ourselves."

oh, one more person joining this would only make it hell for you. you couldn't imagine the damage that they would leave you with for days. as much as you didn't want that to happen, you could care less about the consequences when you were this needy. the thoughts you had were so fucking lewd but you couldn't handle it.

"fuck, gonna cum, let me cum inside?" toji interrupted, letting you regain your consciousness back for a second.

"'m not on p-pill, wait!-"

"don't w- fuck!! don't worry, i- ain't gonna. just lemme fuck your pussy a lil' longer, alright?" he panted, thrusting a few more times into your pussy before pulling out, cumming all over your stomach and chest. "fuck, he's right. you're such a good girl. liked being praised huh?"

you only nodded before you finally passed out from exhaustion.

AFTERMATH

"fffuck, what a fucking headache. what was that-.." you glided your hand over the leather, realising you were still on the couch. you removed the soft and fluffy blanket above you.

"geto-kun." your voice softened at the thought, blushing at the possibility of it being toji too who gave you this blanket. you noticed you didn't feel sticky at all either.

how nice of them. words: 2.6k hooray

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notsofriendlyfriendlyreminder · 2 months

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I've been thinking about rdr2 atla au and just mkay hear me out:

RDR2 AS THE PLOT OF ATLA (+ A ROUGH PLOT)

John: The fucking Avatar, left the temple when he realised, walked the land, when he realised war was about to start he wanted to fly back to the air temple, the storm caught him on his way. Very mad that he is the avatar but also really wants to kick firelords ass, just doesn't know if he is capable enough.

Arthur: The adoptive son of the southern water tribe chief, a firebender but keeps it a secret bcs FUCK FIRE NATION. Knows the ways of the water tribe and is pretty mad the chief left him and Charles here. At the beginning of the series he only knows basic firebending- his technique is very much akin to waterbending (WHICH ALSO MEANS eventually mf will have no problem with lightning bending wink wink) Finds John with Charles while fishing.

Charles: Biological son of the southern water tribe chief and will soon be the new one, with Arthur they are true brothers ALSO he knows Arthur is a firebender. Takes him out to fish regularly to calm both their minds, is also frustrated their father didn't take them with but also understands someone has to protect their tribe. Waterbender, knows basic healing. (The idea is that their father had Charles quite young therefore while he is old, that man is STRONG AF like yes grey hair but also just an incredible water bender, he took in Arthur as a young child/toddler).

Dutch: Zuko and Azula in one. A firebender and a firenation ex-general, kicked out because he spoke out of line. His punishment is looking for the avatar because the firelord knows it's a goose chase. At this point he wants to find an avatar AND overthrow the firelord. (Don't worry Hosea I have a plan).

Hosea: You know he is the uncle Iroh, firebender ofc. Dutchs bestfriend, goes to look for avatar with him, because of that he is no longer a general. Did attack Ba Sing Se, failed and his wife died during. Conflicted on the war, connected with spirit world, taught Dutch his techniques, protective over his and Dutchs soldiers.

Mary Linton: Princess of the northern water tribe, TURNS INTO THE MOON, poor Arthur.

Sadie Adler: Firenation killed her husband, earthbender and is the one to teach John earthbending.

Javier Esquella and Bill Williamson: Send after avatar by firelord, their tactic is to befriend John, end up being conflicted if they want to turn him in or let him kill the firelord

Micah: the firelord- no, I'm kidding, but the guy that got appointed into Dutchs place. When the word spreads that avatar is back and the firelord realises Javier and Bill aren't as efficient as he thought, he hires Micah to find and catch the avatar. At some point teams up with Dutch.

THE ROUGH STORY (i choose to age down the rdr2 characters and subsequently age up their character forms in atla)

Young John is raised at the temple by the air nomads. He is pretty fiesty and overall not a great student, but the monks know he is the avatar. When John finds out, he is very conflicted and unsure of himself. He gets intense airbending training, but because he is not a very well mannered student, they decide to send him away to continue his training (they know war is in the air). John, overwhelmed, runs away and walks the land for few years, somehow managing to never be found. As a young adult, he realises how bad everything is and goes back. He finds his sky bison still waiting, surviving in a cave. Guilt sets in and he flies off, but gets caught in a storm AND FROZEN.

100 years later, Arthur and Charles are the only two men who didn't go with the others to war. They go out fishing and because Arthur is frustrated (they didn't get a message from their father for a long time), Charles suggest him trying some firebending to "blow out steam". It gets out of hand and their ship burns, melting some of the ice. And so they see John and get him and his bison out of the ice. The explosion alerts nearby Dutch and Hosea. But worry not, John kicks their asses.

John, Charles and Arthur start their way to the northern water tribe. Arthur tags along because he thinks that when John finds a firebending master, he could finally learn something new. In the north, Arthur has a romance with Mary, but who turns into the moon while saving the moon spirit. Dutch and Hosea do catch John for a while, but he gets saved by the others. In the end, he and Charles learn new waterbending from the waterbending master.

In a village near Omashu they find Sadie, a strong earthbender and a widow whose husband was killed by the firenation. She agrees to teach John earthbending. They also find the kyoshi island, where Susan, Karen, Tilly and Mary-Beth promise to help if the avatar ever needs it.

During their time they have Dutch and Hosea on their tails but also Javier and Bill. Their tactic on befriending them ends up causing Javier (because he is a way stronger firebender than Bill) to teach John firebending. But the learning is not finished when a huge fight happens between them all AND Micah, who starts it. Javier and Bill show their true colours, so it's Dutch, Micah, Bill and Javier againts Arthur, Charles, John and Sadie. Hosea (at that point againts firelord), gets killed by John when he is in the avatr state. It ends with John being hurt while in avatar state.

Now on the run, John, Charles, Arthur and Sadie end up on a small island in the sea around the north. There he gets healed by a waterbender aka Abigail.

Sozins commet is close and so the final fight comes. John againts the firelord, Arthur and Charles againts Dutch (agni kai, Arthur is able to send back Dutchs lightning), Sadie and Charles againts Micah (they find out Javier and Bill never came back to the firenation, instead they deserted).

In the end John comes back to the island and finds out Abigail is pregnant (cough cough they had a one night stand) and so he spends most of his time there. ALSO PLOT TWIST WHY WAS ARTHUR SUCH A POWERFUL FIREBENDER WELL HE IS RELATED TO THE ROYAL FAMILY and so by some paperwork lies he becomes the new king (during their travels they find more firebenders who helo him with ruling + his father helps). Sadie stays with Arthur mainly just to look for excuses to kill- I mean be mean to ex-firenation soldiers. Charles is now the chief of the southern water tribe and when he and John have time, they look for any airbenders that could leave the temples and survive in hiding.

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temporarilyunstable · 9 months

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it's a monster of a ppp essay

Finally writing about this film I’ve pretty much obsessed over for months! Hopefully I can put some order into this but in case I ramble you have been warned lol. Spoilers will be discussed.

I first saw this film in Japan on opening day— prior to that I tried to gather as much information as I could via JP tweets and impressions, especially those of the pre-golden week screening on April 29, then adding more info as soon as spoilers were lifted to increase my understanding. And now a couple of months later, I finally have full context, but really happy that most of the information I got was accurate, and the only details that I had to clear up were related to the more complex elements of the plot, plus the ever-important talk-no-jutsus (tnj) in the film.

If I were to give this film a score, it’s a 9/10. Prior to this, my fave iteration was case 3, being the ever-economic-just-over-an-hour-but-does-everything-right entry to the series. Maybe it’s my Akane bias but PPP just knocked that one right out of the park. The animation was great (I am not well-versed in this so you won’t hear me talk about it much), even if wonky Arata took me out despite the emotion in the scene. Voice acting, no one does it better than the JP actors, I will not be convinced otherwise. It’s my preference and frankly if you’ve never watched this in sub I do think you missed out. The music was TOP-TIER. I’ve not stopped listening to this OST ever since it came out, blessdt Ennio-Morricone-esque Is this your choice, Akane Tsunemori? track #27 CD2?!!?!??! *INHALE*

I can’t actually use technical film critic jargon here so in short, I LOVE this film so much.

A bit of background info from the recent interviews Director Shiotani participated during the roundtables/live stages in JP - the “switching” of the timelines were at the behest of the producers (Fuji TV), including the introduction of new characters, in order to continue the story indefinitely from a TV perspective (link). It was a ballsy move, and in hindsight it paid off, but not without its pitfalls which I will touch on later. PP3/FI was developed during PPSS, and PPP was developed during PP3/FI, so you can imagine the difficulty of making sure the creative team have crossed their t’s and dotted their i’s. That being said, apart from telling the story it wishes to tell, the purpose of this film was to tie the past to the present, and I think that they did it very well.

My thoughts are still evolving, but interestingly enough, most of my impressions haven’t changed. So I’ll talk about some elements of the plot that interest me, then I’ll go to specific characters, and ofc I’ll talk about the ship (not the Grootslang 😉).

There’s a clear three-parts to this film: up to Saiga’s death, up to Atsushi’s death, and Akane’s career death (if it is to be said, so it is lol). Each part had their pros and cons, but it’s quite a feat managing to squeeze all the information in. There was no dull moment for me.

I think the deaths here (especially of the characters we were supposed to care about)— the manner and speed in which they perished, and at a certain point in the film, all for nothing— were part of the point.

Before I watched this with subs I actually thought that it would be more difficult to understand, but I have to say that the nolan-esque expositions were well executed and nicely placed, for example the talk about possession between Kogami and Shion was a good prep for the audience for when we actually get to hear about how it works from Akira. Also a great way to show both Kogami’s detective skills that have not dulled the slightest, and his and Shion’s closeness(?/familiarity? Call it what you want). Another example is the Mika-team essentially telling the audience what’s about to happen prior to us seeing Sugo get things done in the sky (also I forgot he was just flying a drone and was out of harm’s way ehehe). I would say that the hardest parts to piece together have to do with the elements related to PP3, including the involvement of Bifrost. I’ll touch on this later.

I’ve talked about Saiga’s death to my friends way before the first trailer ever released. Him not being present in PP3 was the biggest clue, and not that I wanted it to happen, but it was necessary to raise the stakes and make it personal. As a fic writer, admittedly I’ve never been happier to be right 😅. His scenes with Akane and Kogami at the beginning of the film were standouts. I particularly love how Saiga and Akane are so at ease with having a simple conversation— they’re talking about work but he could so easily talk about his doubts regarding Atsushi, for example. I love how he’s the same with Kogami, how he clearly states his allegiance to Akane, and ofc reminding Kogami to apologize (and something else I picked up that I will discuss later).

I can say that despite the initial ridiculousness of the Divider/possession, the way it was explained was quite convincing to me compared to how they brushed over how Arata’s mentalist skills worked in PP3. Also, there’s kind soul from the JP fandom who attempted to explain how it could probably work irl (link). It’s creepy, if you think about it, and well-documented too. Have a read if you’re interested.

Action scenes, definitely a strong suit of this film - you just know they can’t help themselves sometimes LOL. Kogami v Akira is definitely the best one (RIP Kogami’s balls hihi), and I’ve said this before but they definitely have perfected Kogami’s animation when it comes to fighting, and he is always the most flawlessly animated, however I think they did Gino really well here too. There’s this other really wonky one where Sugo falls down the escalator and it just looks like he’s a solid object and not a human body asdlfkjaskldfj. Honestly I finally understood the critique that the Sugo drone scenes were definitely way too long (I didn’t notice this bec it was hella entertaining when you don’t have subs plus it was super fun if you watch it in 4dx/mx4d).

Really dropped the ball on the Stronskaya Papers imo. I think, for something that was meant to be so important, the exposition regarding its use was really a lazy excuse. “SEAUn essentially proved its value” ain’t gonna cut it. If this is something so important people choose to kill/die for, then the implications of it should have been shown to the audience, not told.

I only noticed after the third subbed rewatch, but to me, everyone is being measured against Akane in this film. I will elaborate later.

Sibyl as an AI

Finally, the little complication about using the term "AI" when describing the Sibyl System. When the first impressions of this came out, there were a LOT of dissatisfied JP fans. Until it was described as such in the film, since the system constitutes actual human brains, then the interpretation is that it is human. I’m not sure if this was a general interpretation btw, but since this is the first time the term “AI” was used to describe Sibyl, ofc it rubbed people the wrong way, especially bec it feels like the whole concept of Sibyl was retconned.

I somewhat agreed with this interpretation— I had always considered the Sibyl System as an independent character in this series, who was meant to be impartial but somehow acts/reacts as a human would— and it's not hard to think so, when you look at the way the system has acted and evolved throughout the show. At times, the system is shown to be curious, greedy, and even cruel. I am ofc talking about them as a whole and not their androids (Kasei, Misako, Chuan Han, Hosorogi, even the dude in Case 2, etc)— individual brains act as human with a CA constitution (so still slightly different from a normal human), that’s clearly shown in the series.

When I read about this through interviews of Director Shiotani, I didn’t quite get the full context as it was used in the film. My initial interpretation was that the system was human, but the mechanisms that make it work (the claws swapping brains supposedly without human intervention, the city/country-wide whole network/surveillance system, the immediate reaction to process a Dominator’s request, etc) were powered by AI. I thought that they used the term AI to update the terminology, since this technology is quickly becoming commonplace irl. Now I've seen PPP with subs and thought a bit more about it, I still somehow think this is the case but also, all things considered, the term AI also makes sense.

Bear with me as I try to break it down. The Sibyl System is a system that is bound by its raison d'être: the greatest happiness for the greatest number of people (very important: not all). To achieve this, it has taken over control of the lives of its citizens via the Psycho- Pass, a quantified measure of mental states/psychological tendencies and aptitudes— a supposedly objective measure. This includes law enforcement, as the system is able to predict an individual’s tendency to commit crime. We also know that the Sibyl system has auxiliary functions, like planning citizens’ lives or recommending the best option for the individual’s happiness, matchmaking, art/cultural/historical/religious control. Its role is very simple: assign the best possible job that one is most capable of (essentially eliminating non-productivity as a society), and through psycho-pass measurements, maintain/execute (criminal) law and order under the PSB. It can be implied that other non-criminal laws can’t be divorced from Sibyl, since its functions make all these possible within the confines of what Sibyl constitutes as “right” (and is implied,) based on the rule of law. Sorta like a chicken and egg situation, but the law, being at the base of it all. Sibyl came into legal force - it is, first and foremost, lawful.

Applying that to the definition of AI, we could say that at its inception, the law would be Sibyl’s code/algorithm, prior research (be it criminal/non-criminal data/aptitude/psychology/physio etc etc) and eventually its actual application is its data set, and the use of human brains as its processing mechanism. If we review how the system has "acted" so far, it's all consistent with the fulfillment of their purpose, EVEN if exceptions, limitations and anomalies exist.

A key concept that has been repeated in the show’s run is Sibyl’s “evolution”, which coincides with the same concept of AI “developing/learning automatically”. If I still have your attention, you will probably know that the main driver of Sibyl’s evolution has always been Akane, be it directly (S1, PP movie, PPP), or indirectly (PP2, PP3). This has been introduced from the start, with Sibyl itself acknowledging its imperfection, but insisting on the need to maintain its perceived perception in the interests of a peaceful society.

What makes it a bit contentious is the fact that the individual brains ARE very obviously still human - so I think that the “the Sibyl System is an AI” really feels off somehow, or at least conceptually feels like it should have been carefully defined rather than left up for interpretation, given what we’ve seen in the series thus far. In any case, here are some references to help you think about it and make your own interpretation.

World Affairs (OffiPro)

Genesis 1-2

Genesis 3-4

Characters - I’m just gonna put this disclaimer, basically if I quote something from the film please just understand that it’s mostly paraphrased.

Akira

Definitely one of my favorite additions to this massive cast. Not the first one to say it but what a shame (he’s so sexy UwU). He’s probably less complex of a character than Atsushi (oh we’ll get to him), since his motivations are not “heavy” enough for me to believe such a sacrifice. He volunteered to be a double agent, burned his face to prevent identification, took on the mental (physical, actually) load of the chips in his brain and for what? For the greater good? Where did we see that anywhere? It is implied that as an immigrant he’s had his fair share of exposure to wars/conflict - we all know this was the same case with characters like Kei and Maiko, for example, but if we’re simply relying on the context of this film, I got the impression that he was merely doing it for his brother.

Things I love:

Dropping the machine gun post shootout with Kogami, signaling that he has no intention to go that far (gonna talk about the other side of this coin in a bit)

RECITING THE GREAT ASO on top of that holo cliff *chills*

In the JP version, his very VERY noticeable voice change when he surrendered to Kogami and Gino

His “please take care of Kei” never fails to make my heart ache T-T AKIRAAAAAAAAAAA

Atsushi (& a bit of Yabuki)

One of the best characters in this film (who no one will invite in their wedding— oh the irony lol). I think that a good baseline from watching PP3/FI really helps appreciate him, though I didn’t actually care much if not for Niki making me notice in PP3 that there are conflicting accounts about him (a malicious one c/ o Obata in her testimony, vs Arata’s POV of him as a good and loving father), plus the more I learned about the complexities of Bifrost the more I got interested in him, too. Atsushi is clearly a morally grey character, and in this film it both comes out of his mouth (as a form of admittance in his speech), and shows in his actions. His speech: "The right choice can be wrong in a different time, that’s because righteousness is relative, but the truth is absolute. What we need is the truth, the means to accept that truth and choose the path where no one gets hurt." is clearly directed at only four people in that room. The speech also served as an admission of his guilt— and once again, the theme “he did what he had to/someone had to do it”.

There’s a line during his interview with Akane where she says “you don’t make mistakes. Everything you do puts you a step further in your career, as if you’re following a path laid out before you.” When she seems to have hit the right line of questioning, he was clearly about to confess, but alas, it was not to be. I remember reading an interview where Director Shiotani said “he doesn’t get to have it easy” and you know what, ok fine.

Atsushi and Yabuki’s approach is, in a nutshell, big picture thinking, the end justifies the means. They make difficult decisions, get things done and can’t avoid people from getting hurt. This is also driven home by Yabuki’s words to Frede “ideals are not enough to bring about change”. (He also said something good about needing that kind of power to exact justice and being prepared for the infamy that would result - help me if you remember this was my takeaway from it). To me, they both represent the kind of people who are about to become obsolete in Sibyl society IF it is heading towards the path people like Akane and eventually, Arata, are aiming for (put a pin on that).

We know that he was a Bifrost Inspector, and interestingly enough, it seems that Yabuki is too since they’re communicating via the terminal we saw Kei use. As is on trend for anything related to Bifrost, you do not see the hands of these guys getting dirty despite all the dirty work they actually do. That said, Akira, Milcia and most likely Saiga, are probably foxes.

Things I love:

I think that he and Tonami, while they must have believed there was no other way at the time, acknowledged that there was no excuse, and as a result are inspired (or in Tonami’s case, persuaded though begrudgingly) to trust the newer generation to do it better than they could. I feel like Atsushi already knew his time was coming the moment the deaths of those he had personal ties with started piling at his door.

His conversation with Kasei/Sibyl: “we’ve been watching you for a while”, implying Sibyl being complicit in all the dirty work he’s had to do. “Do you believe in the potential of humans?” and the response “of course. this is the reason why we exist” — really rubs the god/religious themes here, handing him the gun that will take his life as their parting gift, as if to say “this is your judgment”. I’m gonna touch on this again with Akane.

I’m not the first person to say this but with the exception of Yabuki, who was killed, at the end, Milcia, Akira and Atsushi’s acts were extreme, and I’m just not gonna gloss over this, cowardly. Choosing to die instead of living. Choosing to be absent instead of being present (in his brother’s life, in her daughter’s life). Atsushi preached it to his son (“do not dive without a lifeline”) but not only failed to act on his teachings but continued his approach. You could say it was the only choice at the moment, but all their previous choices led them there, and it’s even worse that they got someone else involved and killed, even if that wasn’t their intention.

HOWEVER, and this is going to be brought up again: someone has to do it, and therein lies the nuance in the other main character in PPP we’ll talk about later.

Saiga

I don’t really have much to add except they made him especially handsome in this film… 😳 And ofc I love that he picked up the lack of people in the building, he really said you can’t hide anything from my keen observation skillz. I loved that he was pretty chill about it too, maybe he was trying to cool down his favorite student 🤗

Things I love:

Akane visited him at 23:41 in the evening, I am assuming on that same day (it’s the time stamp on his laptop, also confirmed by Director Shiotani). I guess the concept of after office hours does not exist bec it looks like they left for Dejima immediately after.

“People aspire for comfort and find themselves unable to escape it, like me” and Akane immediately saying that’s not the case 🥹

Coffee on the lips. Leaning back on the couch. The toast and the chuckle RIP

“She’s not a saint/bodhisattva”: I’ve understood this to mean that she WILL enforce Kogami if it comes down to, hence he better apologize to her while he can.

His very meme-able criticism of Kogami before they got on the elevator

“Well, that was crazy!”

HIM BEING PEAK HANDSOME WHEN HE HAD A KNIFE ON HIS THROAT LIKE?!?!

The desperation and VERY obvious there is no other way here when Akane’s whole body is about to fall just trying to hang onto him

That they muted Akane’s scream when he fell

That she went straight down to him without so much as looking back at the fighting still happening

That she fixed his body 😭

I’m really gonna miss him. I always used to hc that Akane and Kogami would have a moment with him at some point in the future, calling back to their visit to his house in s1 but alas… we can’t have everything we want, huh?

Tonami

AHHHH old man, old man.

My favorite part about Tonami is that they clearly improved on making sure they don’t paint him as an evil guy. They tried to do this with Garcia, but frankly the novel did a better job at making him look more nuanced than the movie did— and that’s saying a lot since like I said, I love case 3. This is probably because they had the benefit of time, of course, and we’re gonna touch on this again later, they spend less time making Kogami look good (i mean, not physically) in this film.

They were very economic with how they portrayed his character, too. With just that one scene of him and the kid, you immediately empathize and are forced to listen to what he’s actually saying. My favorite scenes of any iteration is the “reckoning”/tnj that Akane has towards the end, basically summarizing the thesis of the story, and the questions it poses to the audience. This film is probably the best at presenting the most nuanced argument of the series so far between two sides. Very simple, very straightforward, and the movie’s prior scenes have done the legwork for the viewer to connect the points each is trying to make, like neat little puzzle pieces that make you go oh.

Things I love:

“Don’t forget you were the ones who made me this way.” (mic drop).

Akio Otsuka’s voice acting, especially when Akane was crawling to grab the Dominator. THE FRUSTRATION IS REAL.

This was pretty much confirmed and I’ll touch on it again later: he was not going to kill Akane (link) . I thought this was up for debate at first, but actually after seeing the subbed version I am convinced this was actually not up for debate due to the following:

It was him talking to Kai when he killed Milcia, he asked “You killed her?” and said “You messed up, Kai”

We do not actually see him kill unless there is a purpose. Killing the SAD guys to get to Milcia, killing the SAD guys to get to Saiga. He revived Bokamoso because he needed to get the papers (wasn’t convinced that Saiga really didn’t have it, as already established by Saiga a few scenes prior), and was biding their time when he engaged with Frede & Gino after Kai confirmed the papers were not there, probably waiting for Kai to finish with Kogami (“time is up”). Decided the ops team (Ko, Gino, Frede) needed to die after they were exposed and the safety of the General and Raphael were put in jeopardy.

He shot Akane in the same place he shot Kogami a few scenes prior— this is also why I do not believe this is random, but rather just a means to incapacitate them while he needed to do what he needed to do: possess Kai bec he now knows where the General is and needed him out of there, (unclear whether he knew at the time that Kai had the papers but likely he did since he referred to the memory chip during his first meeting with Akane), and have Akane not bother him while he possesses the peacebreakers in battle).

Shooting Akane again, not fatally wounding her.

Akane’s line “why don’t you just kill me?”. Like, really, why didn’t he? The link above sheds some light on the creator’s vision on this and it’s delicious, lol. IMO, if he had wanted her dead they’d not have even talked. Very simple.

This is not to justify his actions btw, in fact, Akane even called him out “the same wars you helped perpetrate”, and her lichrally saying “I promise to expose the truth about the peacebreakers, but this doesn’t excuse what you’ve done”. Madame Justice said YOU WILL BE JUDGED BY THE POWER VESTED IN ME AS AN INSPECTOR OF THE PUBLIC SAFETY BUREAU ETC ETC

He cares about Kai/Akira (the line to Atsushi “so Kai is your pawn, too?” at the helipad, and his concern about the divider overloading and his reaction that Kai is choosing to die). He clearly cares about the peacebreakers, too. Nuance, man. Delicious.

“You can’t stop what you started here” CHILLS. Definitely reminds me of Kamui’s tnj in S2.

Frede

I have a soft spot for her. She’s clearly more loyal to Yabuki & the MFA than to Saiga, and, judging by her character we’ve seen so far, she’s taking after Yabuki as well 😉

The reason why? #21 in Director Shiotani’s Q&A space last June 15 (link).

So pretty when she was conflicted about not telling Saiga/Kogami about le grand ̶f̶a̶i̶l̶ plan

I like how she calls Yabuki “boss” 🥹

Fave scene when Kogami calls her out for lying to Saiga LOL, I just love that he can just do that and that she doesn’t even bat an eye, I like that about them.

Gino

He’s not my fave, but I’ve grown a bit soft on him here I have to admit. Love that they gave his devotion to Akane more context, and that this whole system of trust between them (and the rest of Div 1) is shown.

He is right, it’s his ego talking (the boat convo). Akane didn’t and isn’t staying/tied to the CID bec of them (Ko & Gino) jeez man. It’s not about YOU. LMFAOOoOOOOooo

Little Ginomika moment, I loved that. Speaking of…

Mika

“This is no time to be playing politician” sis— did anyone ever tell you that you have an aptitude for it? The whole plan about selling them out if they all die so she could save their asses, then actually coming to their aid when it truly mattered? Does your fave ever?!?!?!

While she’s probably the one who has one of the best charadevs in the show, I fear a little that she’s starting to become a gag character, ALTHOUGH i’m arguing that she’s clearly still a writer’s fave with the way they give her critical hero moments when it counts (the whole rock star raid at heaven’s leap in PP3, then this “I got it covered” in PPP). I think Mika best displays the balance required to stay (sane) in this job. She’s able to take on what she needs to, and accomplish the role she’s set out to play, and at the end of the day she probably goes home and has a boba, binges netflix and has a good night’s sleep.

I dunno where I read this - but there are main characters, and there are main side characters. This is Gino and Mika’s fate in the grander story, with their arcs pretty much over since Case 1.

Finally, the good stuff. If this ain’t much of an overly long essay already.

Kogami

Before I go off, my experience is as follows:

When the first trailer of PPP came out, his words “I have no regrets” were so jarring to me. I didn’t quite understand how that was supposed to add up to the Kogami in my head, the hopeful man who was ready to come home at the end of Case 3, and the guy who said sorry at the end of PPFI. This led me to find some answers by machine translating the PP3/FI novels, and the case 3 novel.

In a nutshell, I had thought that the ending of case 3 meant that he was going to turn a new leaf and fight for the same justice Akane was (in short, no killing). Guess what? I forgot that he did kill Jackdaw in PPFI, and the novel pretty much confirmed his actions and thoughts around it (aka, he was really going to kill the guy— I mean, he came into the scene guns blazing, you know? AND I FORGOT ABOUT IT (I call this my akane-tinted glasses 😉).

Another line in Akane’s monologue that cemented my reinterpretation of Kogami, and I was immediately reminded of this passage when Akane sadly spoke to him right after he shot Tonami:

“Believing in the meaning of the stars was something only she herself held, and it was as if she was being told that the stars were just stars by the others she believed to be her comrades. When she began to consider that perhaps it was not the incomprehensible others who were truly isolated, but rather herself, true loneliness arrived. The moment of being cast into the sea of true loneliness, without even the stars or the sound of waves.” (the stars here was implied to be either law, or justice)

It’s been confirmed by Ryo Yoshigami that Akane’s monologues in the PP3/FI novels were written with the plot of PPP in mind— so you all know, this was intentional. The novels really helped me take a step back and assess what I was really looking at as a character, and Kogami’s role in the overall story. I thought he was someone who was on his way to change, I was wrong. I thought that his values have aligned with Akane, again, wrong. Now I know what some of yall are gonna say, that you didn’t misinterpret him. Sure, this statement isn’t for you then. BUT don’t lie to me, those who DID. 🤪

As for the rest, go read and form your own opinion (PP3 Novels)

Kogami’s sense of justice

As a main character of the series, Kogami’s journey has been up and down, but one thing that’s consistent about him, in the simplest terms: his justice is personal. Whether it’s one of revenge, which he had closed the door on post case 3, his inability to turn away from injustice, and in PPP, his acceptance and taking responsibility of what he stands for, and what he can do.

In the beginning of Case 3, he was making an effort to avoid killing— even using it as a condition for cooperating with Kinrei on the raid in the train station. This was during a time when he was clearly at a loss of what to do, still swimming in his regrets and just letting himself go in whichever direction life takes him. Come the end of Case 3, we see his hopeful decision to return, and, in PPP, clearly stated during his convo on the boat, his reasons. He did not come back to die, but to help people. This is essentially an explanation of his choice and lack of regret that he failed to explain properly to Akane, but if it wasn’t clear yet, this is also where the lines have been drawn between the two protagonists, interestingly enough, since the beginning of the series. Akane’s sense of justice is directly tied to the law, whereas Kogami’s does not (and, I think a moot point to argue now, will never).

He does what he does because it’s what he can do. The difference between Kogami S1 and Kogami PPP/PP3 is that he’s found a purpose/place that aligns with his sense of justice. He owns it, and takes full responsibility for it. It’s a facet of growth, though probably not in a direction that would bode well for him if he fails to look from above, as was Saiga's last words to Akane. I can take this apart in a few ways, firstly, and especially towards his “belief” in Akane, he’s a hypocrite (LOL). Says one thing, does another. Wanting to be judged after the fact is like, are you kidding me, man? Right in front of the blood of someone she just tnj’d “you will be judged according to the law”?!?!?!!

Let's take a break, I’ll throw him a bone.

He simply cannot turn away from injustice and would rather get his hands dirty than allow others to get away with their crimes

This is a great callback to his time with Garcia “you hesitated, and now someone’s dead.” See? Charadev. (I’m being sarcastic). It must suck for him that though he didn’t hesitate, Saiga is still dead.

To me, he’s started walking forwards post case 3, and while he still regrets everything he did before that, he’s left that behind to fulfill a new purpose in his life

In this scene specifically, he would rather kill than have Akane be killed.

Very personal, very short-sighted, very impulsive, reactive sense of justice. That he agreed with what Tonami had said, for all that talk of his belief in Akane, he’s a funny ̶l̶i̶t̶t̶l̶e̶ guy, isn’t he?

I’ve always argued that if his aim was that good (and again, Tenzing commented on this, he CAN shoot to disarm someone), then why didn’t he? Kogami in PPP, in every scene, operates on a shoot to kill. I’m no longer here to apologize for the guy, even if he did, three years too late. I think that it helped me come to terms with their differences, and this is fundamental. Don’t get me wrong, I still like his character, maybe even more now that we’ve learned quite a few things about his… shortcomings (lol), but I’m not gonna make excuses for him in the same way he doesn’t make excuses for himself. He chose. He still chooses to. Cool motive, still murder.

Where this will lead him, it’s been alluded to in the film. Tonami is what a misguided Kogami could become, and even Saiga clearly reminded him of it. That’s a matter for his future, but know that this movie is sowing seeds the creators may decide to reap someday.

Things I love :

He got his balls kicked!!! Love that for him 🤣

Used to complain about how lousy his shirt looked is in pp3 and whoooaa he took the jacket off and I'm sweating

WET HAIR

TACTICAL GEAR

The PP OST and the dominator UI, before he takes his first shot *chills*

Despite all my beef about him, I still really do love the guy. Now I just dunk on him every chance I get, it's fun. And ofc, I still have a tiny bit of hope about his future, and I’ll be holding him to that standard, otherwise yeah, he can die in a ditch (or if we’re going there, he can die whilst leading an uprising to destroy Sibyl) 😉

Akane

So when I said earlier that everyone is being measured against Akane, I really meant it. She had taken a back seat since the PPSS films, and in PP3/FI the whole mystery surrounding her imprisonment was an invisible hand driving many elements of the show. PPP is HER film, and as a character, her continued relevance to the series' thesis cannot be discounted.

“The law doesn’t protect people. People protect the law.”

If Kogami was consistent about his sense of justice, she is even more so. What makes her leagues above him is that she’s driving change, and change DOES happen in the manner that does not allow her to break her principles… that is, until the end of PPP 😉. I’m not going to elaborate on her sense of justice, it’s pretty straightforward even if the series likes to throw stones at it as if following it is the hardest thing in the world. What makes Akane stand out is that it's actually not hard. Look, ask yourself whether it’s easier to kill another human being or not— I’m not talking about exceptional circumstances, but even then, I think you know the answer— there’s a moral and ethical basis here that she shares with a great number of people. Killing is wrong, it’s against the law to take another life. To me, the point of each iteration is to keep stacking odds against her through characters, each with their own complexities and nuance that the audience is made to empathize with and contrasted to her sense of justice, resulting in making it look like her principles are ideal and impossible to achieve, when actually, they're not.

One of my favorite lines of the film, when Tonami says to Akane, “these are the facts that lie in the shadow of the peace that you enjoy”. Let’s be real. Akane is privileged. She’s not had to fire a gun to defend herself in a war torn land— but the argument against this is the same argument for it— it’s because she doesn’t have to. Kogami is back in Japan, it stands to reason that he must adhere to its laws, because despite his experiences abroad, he is not and will never be above the law.

I’m gonna touch on something I already discussed on twitter, because there’s a difference between the way Kogami has killed, versus the way Gino and Sugo have.

As far as the series has shown, the following are Sibyl-sanctioned “killing”, the last one specifically relates to PPP:

As judged by the Dominator (LE/DD)

In cases of national defense/during the execution of duties as members of the NDF

In cases of self-defense in the course of an official operation

It stands to reason that just because they are sanctioned does not save the person from their hue deteriorating, because that part is directly related to a person’s view of guilt. Throughout the show, the audience is constantly reminded that the act of (indirectly) killing does not necessarily impact one's hue (e.g. the PP of the person who manufactured the gun is not the same as the person who fired it, the whole premise of the foxes in PP3, etc), hence the "guilt" associated with the act falls on the person who does it, which may result in a higher cc. A person is able to absolve themselves precisely bec they know they're doing it within the confines of the law, but this doesn’t always follow (e.g. Sugo’s hue deteriorating in Case 2). There's a good example of this in action during Akane's operation in PPP, when Tonami issues the order to kill, and the team, who had been disarming/arresting everyone a few minutes before, was left with no choice but to defend themselves, often resulting in a kill.

While the Peacebreakers were able to hand over this guilt to Tonami via the Divider, Gino and Sugo could not. At the start of the film, they only used the guns when the Dominator was not functioning. The difference with their actions in the last third of the film is they participated in an unsanctioned operation with Akane, have killed as a result and are now likely above regulation. Had no idea the words “once the hounds have thrown away their collars, public safety will never tame them again” also served as foreshadowing as this is probably why Sugo and Gino were requested for transfer to the SAD. And if you’ve been paying attention, you’ll notice that Gino actually gets the job done with fewer bullets than Kogami does. Kogami, from the start, comes into the scene, kills all his enemies on sight without hesitation. This is a huge difference, and this is what Akane is trying to keep him from defaulting to. Violence to fight violence was not the answer, but they clearly do not align on this. It’s a perspective thing. 😉

So why did she do what she did?

In principle, she made herself an anomaly, directly challenging the decision to repeal the law, by committing a crime in public while not having her PP deteriorate. In short, she pretty much broke the law to protect the law. So how did she objectively know that her plan would work?

I had a few discussions on twitter surrounding this, and frankly the “she knows she’s doing the right thing, not for herself but for the greater good” doesn’t cut it for me, nor does the premise of “leap of faith”. To do this, she HAD to have known with certainty that her hue would not deteriorate because if the dominator suddenly activates for her, then it was a pointless act, and more importantly, she was fully aware (as stated in the PP3 novels) that she was committing a crime.

There are cases to be made of course, the first being she knew that Kasei is merely an android and that Akane avoided shooting the brain (effectively keeping Kasei alive), but that still doesn’t establish the fact that Akane does not absolve herself of the act, and again, that she needed to objectively know this would work. This is theory time, but the only thing I can think about are two specific things, one in the film, one not.

Defying Sibyl orders to enact her own operation in the Kuril Islands - this is directly disobeying Sibyl, using her Chief Inspector authority to assign temporary roles to Kogami and Frede so they could participate, loading the Stronskaya Docs to her Dominator and giving it to the General, all these, unsanctioned and should have at least raised her PP. My guess is, in the aftermath, she noticed that it had not, despite the scale and the effort and potential losses had things gone wrong, and decided that was enough to go ahead with the “answer” she found for herself.

She had to have procured a gun. This was not in the film - but procuring the gun establishes her intent/motive, and should have also raised her PP - my guess is it did not. This would have been sufficient, but you can imagine, until the point of carrying the gun to the venue (probably hidden inside her hat), the fact that she wasn’t flagged basically made it certain her plan would not fail.

In the June 25 roundtable (link) , Director Shiotani wished that if he had 3 more minutes to add, he would have added a scene right after Atsushi’s death where the men in the roundtable ultimately decided to proceed with the abolition of the law. In hindsight, I think adding this scene would have been better, because it takes away room for interpretation that Akane was actually in a desperate situation, and not just frustrated at the close of the case. In the movie, this was supplemented by Kogami’s line “what Tonami said is probably going to come true, the law will likely be abolished.” Not as desperate, if you ask me.

Deviants

The difference between Akane and Atsushi is that, Atsushi, in his capacity as a double agent and methodology as a Bifrost inspector, is like a puppet master holding the strings, indirectly enabling change and leaving mere traces of his impact while others either take full credit (or fall) from it, whereas Akane pushes change by directly challenging Sibyl head-on. We have yet to clarify Atsushi’s motivations in rising the ranks of Bifrost (he was alluded to be on the way to being a congressman or that he had the talents for it), and the fact that he’s played double agent for so long with his methods steadily growing shady over time just goes to show that there was clearly a better way (and he ofc acknowledges it).

In the same way a CA can only be recognized by Sibyl by committing crimes OR if a Dominator was wrongly pointed at them, Sibyl becomes aware of these deviants (I’m gonna call them that) the moment they start defying Sibyl while being able to keep their hues clear. Perhaps Atsushi would be an imperfect version of a deviant, Akane the better one, and Arata probably the ideal despite being CA, sort of like Genesis 3-4’s Makami Sou. It would be interesting if Akane becomes APA, let’s see (read the Genesis links above 🙂).

“Do you believe in the potential of humans?”

Post-op Akane was forcibly promoted to Atsushi’s role (iirc, a Department Head of Statistics in the Ministry of Welfare c/ o Steohsama's translation). I think it can be read two ways: one, in the context of the recently closed case, to get her fully out of the way and busy with other, bigger stuff that she was already dipping her toes in prior to Atsushi’s death (referred to during their convo, about her not “making a fuss”). Two, that she really did have the aptitude to be someone like Atsushi— only that her methods would clearly be different. Now that she’s back in the CID, there’s obviously a question of Akane’s future as a statutory enforcer (fun fact, the creators pretty much confirmed that it’s just a name for someone judged according to the law but whose PP did not deteriorate / someone who was appointed as an enforcer whose PP is below regulation ( link / link ). If Hinakawa will be promoted to an Analyst, then there’s a spot open for her in Division 1, assuming she’ll be playing detective. While I think this is likely to happen, I think it’s a boring outcome for her. Like Atsushi, I want her to move up in the world, especially if the world is gearing towards Sibyl going public. It’s going to be interesting what role she’ll play in the future, especially because, as Niki had so nicely put, “she can’t do this alone”.

Oh, Koaka.

Objectively, I no longer think the ship is romantic in canon. I’m gonna copy-paste some thoughts I already shared at length in discord and edit parts of it, but if you’ve seen me the last few months, this isn’t new.

This is nitpicking, because I'm a writer and facts like they don't know each other, not really (they spent not more than 100 days in s1, maybe a few days in PPP) are things that are at the back of my mind always. I have yet to see Kogami and Akane treat each other more than the pedestals they put each other on (arguable for Akane but I think this is also why she keeps getting disappointed that their sense of justice doesn't align).

This divide between their sense of justice is their biggest flaw as a potential couple, and one that is too fundamental. I do not see compromise here, especially after the events of PPP. If Kogami were to gear towards a positive change, then there’s hope, but I leave very little room for that now. I don’t think it’s necessarily a bad thing, either. I see it as a potential stance that the show is trying to make. “You murdered someone, you can’t go back.” If he had been heading towards change it should have been on the way for a while, not a “possibility” that he keeps failing to live up to. Getting over this hopeful assumption took me a while, but I think that it also helped me appreciate the wider story being told.

That being said, I think that romance in stories is important and I would like to see the writing team go there, not just from a shipping perspective but from a storytelling/amping up stakes perspective. In PPP I felt how Gino was much, much closer to Akane, and I didn't see this previously. In the past he was more like a controlling dad esp in s2, undermining Akane's POV, improved a bit in the pp movie though he still felt a bit on the overprotective i know better than you side (nicely resolved in ppp where we see a piece of his mind btw)— there's a whole lot of trust there. With Kogami and Akane, while they cleared the air after the infirmary scene, once again I saw that trust shaken when he shot Tonami.

These characters are depicted as human beings, and I think that entails grounding. While meaningful connections can be made through short moments (destiny, if you will), relationships built over time like literally and not let's have a nice moment in a film i'll see you next movie kind of thing, is something that, to me, means more. That said, Kogami was separated for a long time and it's lichrally impossible, but they're in the same place now. Where does that lead them? This is where part of my hope lies, small as it may be. Granted, this is not that kind of show and I'm fully aware of that, which is also why I'm happy to get what we get and that artists/fic writers are there to fill those gaps.

I still ship them but a lot less— I find it funny because even before PPP, I was always looking for more (I'm greedy haha!). I always saw the PPFI scene as just the beginning of their relationship— I wasn't convinced that scene was enough, despite the romantic undertones. And let me tell you the betrayal I felt when I found out the reason why they did the whole back to back thing in PP0308 was because... IT WAS AWKWARD FOR HIM TO CROUCH DOWN THE LITTLE WINDOW OF HER CELL and not the little romantic shit I had going on in my head— I just ( ╯°□°)╯ ┻━━┻

I went through the five stages of grief but at the same time it's not as bad since it's not like I didn't think that way from the start (it's just me being anal about it all, really. Because I would end up writing whatever I wanted anyway and canon didn't really matter in the grand scheme of things).

I do like their dynamic now given the recent developments, Kogami especially being particularly unskilled in the romance department just makes it all the more funny (I'm not capable of writing him that way though so I guess all my fics are ooc now 🤣). If they don't develop past the Arguably Platonic™️ way they treat each other then I won't be surprised if I stop creating for the ship, likely bec it will no longer satisfy my enjoyment of it.

Final Thoughts

I think it’s pretty much confirmed we’re getting more, it’s just a matter of when (can’t believe I’m staying here forever, huh?). Director Shiotani wishes that he will be making PP in the next 30 years, gotta love him for that.

As the series progresses, there was a clear tonal shift and hopeful direction it seems to be heading towards. To me this is partially because in a practical sense, this benefits the prolonging of the show (which we already know is true), but in a thematic sense, destroying Sibyl means the end of the series overall. No Psycho Pass without the Psycho Pass. And to this I give credit where it’s due. This is not the kind of progress you’ll see if Urobuchi is still in the writer’s room, and frankly, the complexity and depth of the show ever since he left has pretty much taken off in great strides. I had wished they were heading towards a natural conclusion (Sibyl going public) and leave it alone for a decade before they pick it up again, but I guess the producers have other plans. After all, they don’t have any other IP that has withstood the test of time, is ahead of its time and continued to remain relevant as time went on. While not perfect, this is an amazing feat of a series, and this movie is a stellar addition to it.

They’ve got a dilemma of course, because until now it seems they went with a serialized format (with a definite ending) versus an episodic one (criminal of the week). By choosing to expand the world and explore other facets of society, all the while connecting the threads in an overarching plot, they have to complete the “passing of the torch" before going back to an episodic format, which means they MUST give the new kids their time of day,̶ a̶n̶d̶ ̶e̶x̶c̶u̶s̶e̶ ̶m̶y̶ ̶a̶s̶s̶ ̶f̶o̶r̶ ̶a̶ ̶s̶e̶c̶,̶ ̶b̶u̶t̶ ̶t̶h̶e̶y̶ ̶h̶a̶v̶e̶ ̶t̶o̶ ̶c̶o̶m̶p̶l̶e̶t̶e̶ ̶t̶h̶e̶ ̶l̶i̶n̶k̶s̶ ̶b̶y̶ ̶e̶x̶p̶l̶a̶i̶n̶i̶n̶g̶ ̶w̶h̶a̶t̶ ̶t̶h̶e̶ ̶h̶e̶l̶l̶ ̶i̶s̶ ̶t̶h̶e̶ ̶d̶e̶a̶l̶ ̶w̶i̶t̶h̶ ̶S̶h̶i̶z̶u̶k̶a̶. Shifting the timelines allowed them to usher in the new cast, but now they’re marketing the legacy cast and have to contend with their obvious popularity compared to the new, fully knowing that the legacy cast is returning to the back seat once we kick things off again. This is a problem that can be solved if a spinoff is decided for SAD, because at least a chunky (huehue) part of the cast will be cordoned off doing their business in Dejima, while the CID with its usual players can stay where they are. I think if you’ve been following Director Shiotani though, this is not happening without him in the driver’s seat, so it’s like… if they’re smart he will delegate this task to someone he trusts and we’ll get both a main and a spinoff, then a converging point somewhere in the form of a movie. 🎶Psycho-pass forever!🎶 (to the tune of Emilia Clarke "best season ever" GOT S8 interview, iykyk).

Finally, I’m just gonna say that I love Akane so much, I’m glad she got the spotlight on her in this film. To be able to experience this film is unforgettable, I’m so grateful that it was possible for me. I’m training myself to expect she’ll take a step back next time I see her, but more than anything, I hope to see her happiness fulfilled, no matter what that entails. Once more, I just can’t thank these creators enough. They’ve made a series and a world I’m obsessed with, makes me think and makes me evaluate its implications in real life, makes me create!!!!! I’m so happy that they continue to believe in the stories they want to tell. I hope they are all healthy and resting now (until the next one, eheh!)

I’ve talked way too much and it’s really just because I want this out of my plate so I can start writing my fics now lololol. If you made it this far, thanks for reading! Always happy to discuss!

#psycho pass #psycho pass providence #pp #akane tsunemori #kogami shinya #ginoza nobuchika

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thefirstknife · 11 months

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THOUGHTS

My thoughts are that I am insane right now!!!!!!!!

I was in a raid when this happened and then just like a few friends alerted us to come see the channel and we straight up did not believe them. TFS teaser THIS EARLY?? And then they also ofc said "Cayde is there" so we were convinced that they're messing with us.

But then we watched it and like, Cayde being there is the least of my concerns tbh. THE ENVIRONMENT???? It's the other side of the portal! It means we go through at some point in the next two seasons! This was expected of course, but I didn't think we would see anything about it until the actual campaign, definitely not this early. Like, seeing what it looks like on the other side is a huge teaser. I genuinely did not think we'll see a single glimpse before TFS, not even maybe during reveals and trailers later.

But Cayde being there is actually also important. He's not looking right! He has a weird glow on his eyes and other places, including the way Ace of Spades looks; some sort of weird gashes of light-ish tint, almost Taken in nature? But brighter. Kinda reminds me of the way time rifts look on Mars.

The fact that he has Ace in the first place is also suspect; we have Ace. Like, that was very much a huge plot. He can't have it back, not broken up like this, unless some truly WILD shit goes down in the next two seasons and YW like... dies or something. This, alongside the weird lights on him and the gun, seems to be indicating that he's not real. Like, he's obviously him and he is corporeal in some form and he speaks the same and knows who he is, but I think he's a memory that Ikora can access. (more under for length)

Which ties into the place they're at. Me and others have speculated before that what lies on the other side of the portal is the original garden from Unveiling, or some sort of a similar place outside of space and time. This can be neatly tied in with what we know about the Darkness and what has been the most important plot thread since Lightfall: Darkness is memory, emotions, psychic. It's history and time. I've spoken a lot about this recently. Lore has been focusing on it as well, most notably with Inspiral lore book from the raid that showed us two different ancient species that were capable of using the Darkness to access the collective consciousness and the memory of their civilisation, but this has also been brought up before, for example with the Psions who communicate in a psychic way and have an ancient religion that allowed them to contact their ancestors.

This is also heavily reiterated this season with Ahsa who has a similar power, as well as the Pyramid ships, the portal and the Veil who can all affect people's consciousness and give them access to their memories. One particular interesting bit is the ship from this season called Akashic Revelation. In it, we see the Titan, Joxer, making an attempt to pass through the portal. As he gets near, he goes through a massive whiplash of spacetime distortion and ends up having flashes of memories of his life before being a Guardian. The memories continue as he passes through, but we know what happens to him later. He is found outside, bent and broken, fused with his ship and dead. But the portal triggered a flash of memories of his past. Not only that, but the name of the ship is important as well: it refers to something called akashic records, an occult concept of there existing a compendium of everything that ever happened in the universe: all of past, present, future, all memories, events, emotions and people. Joxer seemingly accessed it as he touched and passed through the portal. This is absolutely a wild word to use here, given what we know of the Veil being the "mind and memory of the universe" and everything else I've mentioned.

What I'm trying to say is that the best way to tease about us gaining access to the source of the history of the universe is by showing Ikora speaking to a dead character who only exists as an imprint in the history of the universe. The potential here, if we're on the right track is huge. Not only is this super exciting on its own (a connection to everything that ever happened!), but it also brings the potential that other dead characters might also appear in some shape or form, to help us or tell us more.

It's also wild that this is a teaser. Meaning this is the least spoilery they could get and it's already so wild that it's making me lose my mind. I would definitely advise people not to expect Cayde (or other dead characters) to suddenly "come back" in the sense they expect them to. I don't think he or anyone else will be properly "alive." So in that sense, I don't think he's "back" the way people may think. He'll obviously have a presence in the story, and that makes sense if the story is focused on Ikora. Ikora has never truly recovered from his death and if there was a memory she would access (consciously or not), it would probably be his. She has already involuntarily accessed him as a nightmare.

But given how much we're focusing on the psychic aspects of the Darkness, including right now in this season which is pretty much all about the psychic bond between an ancient creature that has the power to show people visions of the past and the future and Sloane, a bond we have to strengthen to learn more about what's coming and what our enemy really is... The fact that the whole campaign and post-campaign and all lore and quests were focused on explaining the metaphysical properties of Darkness and its connection to the mind, the psychic, the consciousness, the emotions and the mind of the entire universe... Well. It's building up to something. And us being able to communicate with people long dead is not only useful, but might be necessary to understand how to defeat our enemy.

All of this is ofc purely wild speculation. It's way too early to say anything conclusive, outside of just trying to gauge which aspects of the lore Bungie wants us to pay attention to and which aspects of the lore are being focused on. The Veil and the memory of the universe seems to be this year's theme leading us into the Final Shape so for now, that's the direction to go into.

Full reveal will be on 22nd of August, which is the start of the next season. We'll definitely know more then, especially since Deep will be done and most of the new Ligthfall quest audio logs will likely be done too. Until then, I know people will go into wild directions and speculation, mostly because it's Cayde. In the same way that I advise people not to think that he'll suddenly be alive, I'd also ask people not to be too negative about what may happen because we literally don't know. Cayde's presence is not an indicator of either good or bad. I'd also like for people to focus more on the actual important background stuff rather than zero in on a single character, but I know that won't happen lmao.

In a way, I wish Cayde didn't overshadow the completely insane scene of Ikora sitting in a garden-like place on the other side of the portal that nobody has been able to go through before (and those that tried suffered violent deaths after being having visions of everything that ever happened). Because to me, that's the true teaser here. I can't wait to find out more and I'll definitely be looking at the upcoming lore from Deep in a different light. Things are building up and I hope people will pay attention to the background stuff that's been going on about the Veil, memory, history and consciousness.

#destiny 2 #destiny 2 spoilers #season of the deep #season of the deep spoilers #the final shape #cayde-6 #ikora #the veil #lore vibing #long post #long ass ramble about 50 seconds of a teaser #but i know what the major takeaway will be and i want to mention some of this stuff before people hype themselves into oblivion #about cayde being alive somehow. which is like. i'm 99% sure he's a memory in the fabric of the universe as everyone else is #if that's wrong then it's wrong in such a spectacular plot twist way that i am genuinely at the edge of my seat to find out #i definitely would've loved if ikora was more of a focus though. she should be #i feel like this is such a huge tease to drop this early but then again they KNOW what hype it will generate #ask

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laprimera · 6 months

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alrighty so after some reflection and getting some outside stuff prioritized Im done some blog housework so I can get comfortable here again.

im still gonna continue my hiatus until november cause the rest of October still has a lot of rl appointments and stuff going on. ill be nuking my ask and drafts to get into maximum turtle plot overdrive and just start things clean, but here's the skinny under cut:

. Ive went and cleaned up my followers list. mostly of inactive blogs, non-mutual or blogs that haven't reached out or interacted at all. I use to think I liked a busier dash but I think trying to keep up with it had been giving me anxiety even if my muses weren't involved in anything plot wise. FOMO has been really killing my vibe more then anything and I need to cut that habit out.

you're a-okay to refollow though! I'll do the same. none of this was done out of malice or a personal dislike, and I get being so busy w/ life and personal plots that you cant interact with everyone in a convenient moment. but if you see this as an opportunity to reach out then by all means! that and I might've accidentally unfollowed one or two of you cause side-blog deal, clumbsy thumbs, and uuh, dont mind me realizing that later down the line-my bad!

. unless carefully plotted otherwise, anything outside my own canons, affiliated blogs/mains or plots is no longer canon to my own. any interaction or thread initiated towards my muses will default fall into my lore/verse unless vice versa or its plotted and etc etc. It's no longer just hanging there in the void so to speak. I need to feel more in control of my own narrative I think and trying to puzzle a lot of contradicting outside plots, dash events, etc has been mentally taxing when rp shouldn't be occupying so much space or anxiety to begin with lol.

this isn't to say everything thats happening in the dash or w/ other characters isn't important ofc! and I still want to participate; it'll just fall under a crack/non-canon tag. if things end up lining up p' well with whats going on here then I might take it into canon. This is p' much what I've been doing to begin with, it's just more concrete now and Im being more careful of what Im willing to accept now. Im ofc open to discussing stuff! DMs and disco for those who have it are open always even if I take a moment to get to it!

. Im no longer answering anon asks that are personal in some way, ie, around subject matters that aren't general headcanons asks or 'hey how do you feel about-' sorta deal. I dont feel comfortable taking it to public and while I understand having the fear of being identified, it's not fair if I'm the only one bearing the subject so to speak. If you want to talk to me through DMs you can either tell me your UN (no burners either) so I can bypass permissions here to chat or you can reach me at @shiny-miltank where my IMs are not barred to mutuals only. I don't bite really! and my discord is not public. tbh Im still very anxious about being on disco to begin w/ cause social anxiety flare ups. idk tumblr dms always seemed easier to chat until I know you on a personal basis-its just worked that way.

. making it more strict that you dont? put my geeta in place of plots, events, etc that I havent participated or plotted with, nor can you make assumptions for them based on said events. as slapped on every piece on my about/rules/pinned/etc shes heavily canon-divergent to begin with so no one knows her intentions/actions (save for me ofc) and wont act in what presumed canon-geeta would do or your own version so to speak. easy enough to slap me an IM for "is it okay to-", plotting, or just make a nebulous npc stand-in.

. things that havent changed are the use of my lore and headcanons into your own! I love seeing it integrated or adapted into other lore and seeing just how much it inspires and changes over time!

this all seems rigid but really it's just reiterating whats already in my rules and no one here has been a huge offender at all :' ) this is more for me to follow and I cant thank everyone enough for their patience and creativity for as long as I've been here. Im loosey goosey and go with the flow 90 out of 100 times.

this goes for the rest of my muses, which Ill probably clean up when Im back-but yeah! miss ya'll! hope you've been doin' good! the terrapagos plot will continue then and Ill resume reaching out and leaving details! hopefully in time for dlc ; >

#ooc. ･ﾟ ✹#queue. ･ﾟ ✹#importante and stuff #sorry this is at 3 AM gdfgfd-this is like the only time Im awake ironically #but again ill be really back in november! see ya then!

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anogete · 8 months

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Oh my goodness

Hello to anyone who remembers me. Real life and mental health both sank their claws into me. I've been avoiding social media because... well, many reasons but most because I feel like I'm a big ol' disappointment.

But today, I've come here like the humble whore I am to ask for a beta. Before you get excited, I have to warn you that it's not for Marvel, which (if you remember me) is what you likely know me for writing. Read on for an explanation about where the fuck I've been and what fandom I've spiraled down into lately.

In 2019-2020, I had a lot of grieving to do for some close loved ones who passed on. This led to a really shitty space for my mental health where I went into a functioning depression. I was doing things, but only the bare minimum required to exist without people catching on that I was in a bad mental space. I can't say I've completely kicked that, but I'm trying to do better. At the same time, I had a bunch of stuff going on a work. Specifically, I work for a team of advisors who provide financial planning services to individuals/families. I was promoted to an associate in 2020 and then we went through a merger with a larger firm in 2022. So, work has been crazy with me taking on additional responsibilities and working to build new processes after the merger. In addition, I managed to finish my bachelor's (20 years after I dropped out of college!) and take classes toward getting a CFP designation over the past 2 years. I'm scheduled to take the CFP exam in November. It's a 6-hour bear of a test covering pretty much all aspects of personal financial planning. And then next year I'll be continuing with my team as an advisor myself. Do I have anxiety? Fuck, yes. But I'm trying to stop cockblocking myself on the career front.

ANYWAY, enough with the boring stuff. I've been drowning in material for classes and studies with so little fun in my life. Somehow I got on CODTok (Call of Duty) and my little imagination ran wild as I watched these absolutely filthy edits of those boys. And for the first time in a long time, I felt that itch to write. I really should be focusing on studying for this exam, but all work and no play isn't fun. It's taken me 3 years to learn that lesson, but it has managed to finally sink into my thick skull.

My problem is that I know virtually nothing about Call of Duty because I don't like video games. As for the characters--I only know minimal info (mostly from YouTube videos and a COD wiki). It would be nice to have someone more knowledgeable than me to look over what I've written. And if not that, then it would be nice to have anyone other than me give it a beta read to point out my stupid mistakes or plot holes. I have about 16 pages of a Ghost/OFC written. It's my usual--heavy on the dialogue and sexual tension with a side of plot/action. I don't know how fast I'll be at writing this. Work is kicking my ass and I still need to dedicate my weekends to studying for this test. But if you're willing to take a little ride with me, I'd love some input. Send me a message or email me at [email protected] if you're interested. I miss and love ya'll.

#beta help #call of duty

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andydrysdalerogers · 4 days

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Undercover ~ Nine ~ Princess

Pairings: Jake Jensen and OFC Samantha Matthews

The Losers have made it back to their families and are out. Well, almost. A threat against the British crown needs to be handled and the CIA has tapped the Losers for one final mission. And they are sending in Jensen.

Jake Jensen hasn't been a civilian in years but now he's undercover to find out why his target is where he is and who he's after.

Enter Sam, someone who Jake doesn't expect and well, he didn't know he was looking for.

Can Jake handle his mission and falling in love? Especially when the truth leads to a bigger mission than expected?

*~* A Jake Jensen Story *~*

Author's note: this story continues after the events of the Losers. I may weave other characters into it but they are all minor. THE TAGLIST IS OPEN.

The playlist is available on Spotify.

cover photo by me! Dividers by @firefly-graphics

Warnings: angst, death, smut, and a bunch of stuff a can’t say because it gives away the plot!

Previous: Eight - One Hell of a Coincidence

Story Masterlist // Main Masterlist

Jacob David Jensen is smart. He may act like an idiot but it’s a ruse. Because he’s smart. Degree and everything.

He’s never felt dumber.

He is staring at his girlfriend like she is an alien from outer space. Because she’s not just his girlfriend. Nope, it can’t be that simple.

His girlfriend is the heiress to the throne of England.

A country.

A Fucking country.

Her father is a king. What does that make her mother? Was he supposed to bow to Sam now? Oh god, does he now have to refer to her title? A million questions are now running through his head.

“JJ, please look at me.” His head snapped back to her face. Her beautiful face was turned sad and some tears are in her eyes. “Please don’t look at me differently.”

“Princess, I, shit, I’ve been calling you that the whole time. Princess, you’re a princess.”

Sam nods. “Jake, what are you thinking?”

Jake swallows. “I... I don’t know. You’re my girl and you’re royalty and I feel like your brother is going to have me beheaded or something for... shit, your dad is a king!” He starts to pace. “I don’t know what this means for us.”

“It means nothing JJ. Its still just you and me.” Sam looked at her man, wishing he would stop and just kiss her so he can ground himself. But she can see his panic, his anxiety, his uncertainty in his eyes and she knows she needs to stop him. She tugs his arm and pulls him towards her. She kisses him hard, and Jake deepens it, letting the familiar pull of desire take over. As she slowly pulls back to breath, his eyes remain closed. “JJ?”

His eyes flutter open. “Sorry, I just... I don’t want to lose you Sam.”

“You won’t.”

“How do you know that?”

“Because I’m not that important.”

“Why do you say that? Of course you’re important. You’re important to me.”

Sam smiles softly. “I know that. Its why I love you. But to my brother, I’m not. Can I explain?” Jake nods and the sit on the couch. “Tony is the king, yes but my position is only mine until he starts a family.”

“So does he have kids?”

“No. Not yet. But they are working towards announcing his engagement. See, my mother didn’t want me to be brought up with all of the royal stuff. Her and my father had hit a rough patch when I was born and they decided to separate. My father visited as much as he could while we lived in England but when we moved to New York, that became harder. When I was ten, my father discovered that he could no longer have children. So, it was just me and Tony. Tony was going to inherit, and I was the spare.”

“Ok, but you’re still important.”

“I guess so. When Tony has kids, they will unseat me as the heir to the throne, which suits me just fine. I don’t want to be queen of anything. I just want to be Sam Matthews. Or maybe...” she stops. “Anyways, the Duchy was set up so I would never want anything from Tony. I rarely touch it but that is where my title comes from.”

“So, you are what Fitzgerald is after?”

“I guess so. The real question is why. My mother never made waves when she separated from my father. She was never crowned queen or anything because they never got married. But because my father recognized me to the Prime Minister but kept it hush, not a lot of people know about me.”

“Ok,” Jake smiled, “ok. Then we just need to figure out who is bankrolling Fitzgerald and expose them. When does your brother plan on announcing his engagement?”

“Three months.” Sam leaned into Jake. “This is so weird to tell someone else my secret.”

After their conversation, Jake held Sam as she slept, finding comfort in her warmth. Her soft breathing as she slept formed a lullaby that sent him to sleep.

Waking up alone he panics slightly until he heard her speaking on the phone.

“Papa, I don’t know what happened. Fitzgerald just... no, Jake made me get into the panic room... yes he built one... he’s in the military... papa, please... no I don’t want to go... in a safe house, Jake’s team is taking care of us... no they don’t know who... is mama ok?... ok... no I promise to give you updates, I’m sure inspector Hart will always update you and Tony... is he mad at me... ok... yes papa... love you too.”

Jake watches as Sam puts the phone down and wipes a tear from her eyes. “Princess?”

“Hi Jakey.” She barely holds it for him to cross the room before she crumples in his arms. She sobs uncontrollably for a bit, Jake stroking her hair, whispering sweet nothings. After a few minutes, she calms to a small hiccup.

“Wanna tell me what these tears are about, my princess?”

“My dad is angry. Very angry that I was found and that I was so close to being taken away. He wants me to come home.” Another tear falls. “I don’t want to go.”

“But, if it keeps your safe...”

“Without you Jake. They want me to leave without you.” She sobs again and leans into him.

Jake hurts. He doesn't want to lose Sam. He kisses her head. “Listen to me Sam. We are going to get through this, and we will be together on the other side, ok? I love you and nothing will change that, you hear me?”

She nods but Jake can see she is still scared. He cradles her face before kissing her gently. When he feels her kiss him back, he moves to deepen it a little more. She moans into the kiss and it's like a hot wire to his cock. Without breaking the kiss, he moves her to straddle him. They pull back and he can see her sparkling eyes and kiss-swollen lips. “God, you are so beautiful,” he whispers. He pulls her back into another kiss and then lifts her up, wrapping her legs around his slim hips. He walks them back into their room and lays her down. He sits up slightly and she whimpers from the loss of his heat on her body.

No words. Jake pulls her camisole off, leaving her top bare to him. Sam reaches to pull his shirt off as well, drinking in the few tattoos on his body. Jake lays over her, nipping at the spot behind her ear and down her neck as Sam plays with his hair. He kisses a path down her body, tasting every inch of skin. He gets to her panties and he kisses around the lace edge. “Jakey, please,” she whispers.

He grabbed the sides and pulled, guides down her legs. He inhales at the apex of her thighs, enjoying her unique scent. He places kitten kisses and licks, enough to rile her up, begging for more in whines and cries. He finds her little nub and licks it deep. She wails at the sensation. Jake doesn’t stop until he can feel with his tongue that she’s close. “Let go Sam. Let me drink you, princess.”

She denotes around his tongue, crying out in a rush of pleasure. Jake works her through it before pulling away and sliding his boxers off. He gently cages Sam in to look into her eyes. “I love you.”

“I love you,” she gasps as he pushes into her. Jake groans as her warmth surrounds him.

“God baby, I love being inside you.” He moves his hips softly, not wanting to just fuck his girl but make love to her. Make her feel how he feels. He made love to her, making sure she felt good. Her eyes floated close. “Open them, princess. I want to watch you fall apart.”

Sam slowly opened her eyes as she stared in this pool of blue looking back at her. “Jake,” she mewled.

“Let go, my princess. Take me with you.” Sam felt the desire about to overflow and she squeezed Jake so hard that he choked with satisfaction. She cried out as her orgasm washed through her. She barely registered Jake meeting his own end, slowing to make sure every drop stayed inside but not wanting to overwhelm her.

As Sam drifted off to sleep, Jake continued to hold her. His phone beeped with a message.

“We need to talk.”

John Fitzgerald was fuming. He completely missed his chance at snatching Sam from her home. She had gotten into the pantry and then the door didn’t move. “A fucking panic room,” he growled. “That fucking IT nerd asshat built a fucking panic room!”

The man sitting with Fitzgerald swirled amber liquor in his glass. “Did you even do recon on the prick?”

“I didn’t think I had to. He was just some IT shit.”

“An IT shit that outsmarted you. Have you found them?”

“No, their last signal was some neighborhood 50 miles out of town. I sent some men to scout the area but so far no luck.”

The man stood up and looked out to the river behind his home. “You had one job to do! I need her to complete this part of my legacy. She is the only one who is in the way!”

“I understand, sir...”

“No you don’t. And you will address me as Your Royal Highness from now on.” Edward Davenport spun around and looked at Fitzgerald. “I am still the son of a King. My brother may have been King and I should have been if not for his ungrateful brats.” He began to pace.

“Yes, your royal highness.”

Edward took a breath. “Find the girl. Bring her to me. The assassination should be executed in the next month or so.” He looked at John. “Don’t fuck this up. Otherwise, it is your head that takes her place.”

Taglist:

@patzammit

@texmexdarling

@slutforchrisjamalevans

@firephotogrl74

@tinkerbelle67

@before-we-get-started

@bunnyforhim

@alexakeyloveloki

@sunnyhummingbee

@whiskeytangofoxtrot555

@peaceinourtime82

@saucy-sassy-sparkly

@kmc1989

@kandis-mom

@lokislady82

#andy's shenanigans #andy's hea #chris evans #chris evans fanfiction #Jake jensen #jake jensen smut #jake jensen fic #the losers #the losers au #chris evans fic #ofc Samantha matthews #British royalty au #Jake jensen au #Jake jensen x Samantha matthews #undercover

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incorrectcapsicle · 2 years

Text

incorrectcapsicle recommendation list

hello guys, i know this is not my typical incorrect post but i've been wanting to do this. here are my all time favorite Chris Evans characters x Reader fics. this masterlist is full of my all time favorite ficd and writers and i hope you'll give this a chance and praise these wonderful writers for their work. enjoy everyone! 💜

This AU is my forever all time favorite SR x Reader AU:

Baptized In Dirty Water by @itsanerdlife

chapter 1

please click this to view the rest of the chapter. don't forget to check the rest of her work.

Sweet Home Georgia Peach by @marvelcriminalhoe

masterlist

this series is one of my favorite fics. 11/10 would recommend. love this series so so much 💜

Desperate Affairs by @georgiapeach30513

masterlist

this fic not only intrigued the hell out of me but also gave me a emotional rollercoaster. there's so much going on but you'll get curious as you continue to read. 11/10 would recommend 👌

Gone, Baby by @wayward-blonde

masterlist

i never expect that i will need a dark chris evans character. like i didn't know i had this kink to a psycho son a bitch hottie. and god doing his very good work cos Llyod Hansen exist. amen to that and yes, 11/10 would recommend so read it! 🤣

(SHE MOVES WITH) SHAMELESS WONDER by @ussgallifrey

masterlist

one thing about me, is i LOVE long series. although this series still on chap 16, this series is on my reading list bc i love the story goes. and yes, definitely worth to recommend 👌

The Vampire Kings Religion by @marvelcriminalhoe

masterlist

vampire!steve is a yes for me! i haven't read it yet but the plot is good so would definitely recommend 👌

Stumblin' In by @swan-of-sunrise

book 1 (completed)

book 2 (completed)

book 3 (completed)

book 4 (completed)

book 5 (completed)

i still haven't read this but soon when i'm not busy. but i still added it here cos y'know, it's a long series with a good plot so yes, give it a try and check out the writer's other work 👌

The Demigod From Asgard by @secretswiftymarvelfan

masterlist (wip)

this still on going but this is one of my favorite fic. the storyline is so good that i'm re-reading it again soon coz i just can't get enough. and as always, definitely would recommend it yo you guys, so give it a try. kudos to the writer!

His New Partner by @star-spangled-steve

masterlist (wip)

another one with on going series and yes, i added it here coz i'm so obsessed with long series. like who doesn't right? i'll probably start reading this soon and yes, please give it a shot and give some love to the author 🫶

Welcome To The Pack by @sweater-daddiesdumbdork

masterlist (completed)

okay okay omg omg i finally found a wholeass series of alpha!steve! and yes ofc it went straight here coz why not?! omg i can't wait to read this akdhsajajd 🫣😍🥰🫶

Attack Of The Winter Wolf by @sweater-daddiesdumbdork

masterlist (completed)

thank heavens for having authors writing this wonderful stories. alpha!steve will always be the death of me, especially to be called 'Little One' by him 🫣😍 can't wait to read this too! and for forget to check it too~

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wibzenadarksiderwithasoftheart · 16 days

Note

For the fanfic writer ask game, I’m curious about E, U and ofc always N!

Thank you for asking dear @prahacat 💜

Okay here we go...

E: What character do you identify with most? Is there a certain fic of yours that captures these qualities particularly well?

This is a really good and interesting question for several reasons. First, let me talk a bit about identifying with characters in general, as I see it, mind you, and I'm no expert.

To write believable characters, you need to be able to identify with them, or part of them, which begs the question, so when we write unpleasant, amoral and evil characters, what does that say about us? Or when we work with pure, moral and good characters that have few flaws (a character must have flaws or they are unreal) that can be just as hard to identify with. Well that's where our imagination and creativity comes in, or just our twisted brain that is capable of imagining both good and evil.

Okay, sorry back to me. Which character I identify myself with varies a lot, but many of the characters I write I can partially relate some of my own character traits to.

There are parts of Obi-Wan's character that I can identify with, his persistence, his willingness to keep going to the bitter end if it's the right thing to do.

Anakin I can identify with even more. His anger and fear of losing what he loves, fuck that can be a hard emotion to deal with, possessiveness, something else I identify with is his sense of justice.

I identify with both Mace and Anakin's characters in that I sometimes, like them, hide a kind and vulnerable heart behind hard unapproachable appearances. They clearly do it for different reasons and to make a long lecture about character and how we identify with them short, it's COMPLICATED! But wonderfully exciting to speculate and discuss because it's something that we never agree on, everyone reads and writes them in different variations.

U: Is there a pairing you would like to write, but haven't tried yet.

There are several. I will definitely work more with JinnObi (I've only hinted at them for now). An exciting one is Sheev and Mace, they would make a great couple, just saying, and then there's Maul and Obi, I already have an idea for that story. There are many, many more, but well time and the Muse will decide which ones I will write.

N: Any fic ideas brewing that you'd care to share?

Too many, way, way, way too many. 😅 Damn plot bunnies.

I can share two very briefly because I don't have much of them yet.

Five first. This one came up in conversation with a friend, so it's not all my idea and fault. Obi-Wan is everyone's first, Padmé, Anakin, Ahsoka, Leia and Luke's… I'm still working out how it happens, but somehow he ends up being their first.

Child's play, or the story of how Maul and Obi-Wan meet as younglings by accident and become friends unaware of what and who they are to each other, how they continue their friendship over the years without revealing what they are, until they eventually face each other on Naboo. Let's just say it has a different ending.

#fanfiction #ask and answer #ask game #fanfiction ask game #writing #fanfic writing #thank you for asking!

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phoenixtakaramono · 3 months

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Fanfiction Tropes Tier List (Reader Edition)

Thank you for the tag, @deliciouskeys! (Here's their tier list!)

I tag: @fuckingpajamas, @phtalate, @tzeentchs-secretary-tea-time, @digitalbath1988, @vanshoundd, @tocadoguara, and anyone who wants to do this! I’d be very interested to see how y’all would rank ‘em :) but ofc no pressure if you don’t want to or have already done this!

…So I feel like I need to give some context🧍🏻‍♀️🙈 The tl;dr is: I will read almost anything, but I have certain standards/ expectations that must be met in order for me to continue.

I tried to organize these tropes from top ➡️ bottom, have strong feelings about (would more likely read) ➡️ am less passionate about going from left ➡️ right. For the bottom tiers with asterisks, I arranged them from “this specific trope represents the tier description” ➡️ “eh, it fits here but I don’t really hold strong opinions about these” from left ➡️ right.

⬇️Expand for a detailed breakdown below the line break ⬇️

My Tier List for fanfic tropes I consume as a Reader differ in some areas from tropes I’d like to write or would be open to writing as a Writer. As a reader, I usually give almost every fanfic a chance with my own arbitary criteria—although what I read is very ship dependent according to their canon dynamic (for example, I will devour Enemies to Lovers for one specific OTP in one fandom, but would NEVER read that trope applied to a different fav ship of mine in a different fandom). I also tossed in some danmei BL tropes, for funsies and because I want more people to know about them <3.

And remember, if you like any of these that I personally don’t, that’s great! Everyone has their own preferences. Please don’t take offense. These are just how I view these tropes specifically according to me, haha. It says less about you and more about me being picky with what I like to read and gives context about what kind of bibliophile (person who likes reading) I am.

Tier 1 (SSS Level)

Slowburn: Just as context, I regularly read light novels (hetero, danmei, and baihe) which can easily range from 100ch-300ch each. So slowburns is the quintessential demisexual experience for me, and I love it when they’re long fics where we get to see characters grow and relationships develop, with worldbuilding and an interesting plot. I think the longest I’ve ever read was +2.8K chapters of a story I was addicted to. Typically if I see it’s a slowburn, I know I’m gonna have a good time.

Fix-It Fic: As much as I love canon of the original source material, there are certain canon story decisions and/or plotholes that hurt me—so it’s always great to see someone write their own interpretation to try to “fix it.” You get banger fics and it’s just so creative and a nice catharsis.

Canon Divergence: Same as how I regard a Fix-It.

Dark Fic: Irl I obviously do not condone any of the things that typically happen in Dark Fics. But as someone who has consumed your usual wholesome healthy Lifetime Original style romance stories for a loooooong time, that type of milquetoast wholesomeness has become bland and predictable for me—which is why the wild and crazy shenanigans that happen in Dark Fics spices things up for me and I like that it keeps me guessing. I don’t want to read about things from my life. I think screwed up characters can offer so much more interesting stakes than a Good Guy. I like the tension and uncertainty. Ex. this is why I tend to prefer the protag/villain ships over the protag/childhood friend ships; it’s why a princely character who is secretly yandere is so much more interesting than a sidekick character with a bland and forgettable personality. The writers of Dark Fics, 9/10 times, produce something so interesting that I can’t put my phone down and I just have to binge through their entire fic because the suspense is k*lling me.

Conspiracy & Schemes: Mysteries? Political intrigue? Palace drama? Yes, please, inject it into my veins.

Strong Protagonist & Strong Love Interest: It’s similar to how I’ve come to prefer reading Dark Fics. The market’s too oversaturated with the damsel in distress trope being saved by his/her prince charming. I’ve read too many novels and fanfics about that dynamic, it’s gotten a little stale for me, haha. Give me the clever, scheming, morally grey or villainous MC with a strong backbone. I like badasses. As for the ML or FL, I also prefer them to be strong or scheming as well so they can be a power couple with the MC—and curb-stomp the world and their enemies. …*holds face like a blushing maiden* Don’t they sound like the equivalent of a fairytale couple?

Mutual Pining: Yes, yes, yes. It’ll never be not good.

Revenge-Rebirth: I love underdog characters plotting their secret machinations and getting their revenge. Pair it with a rebirth, where a previous villain(ess) or cannon fodder who’d suffered before learns from the mistakes of their previous life and uses their second life to faceslap their enemies and turn their destiny around? Yes, yes, yes.

Survival Game: I love the Infinite Flow (survival horror/ death game) genre, what can I say? If you’ve read the famous ones, you know why. The writing is almost always superb and so interesting (seeing all the unique horror instances that the MC has to figure out in order to survive). It’s just so imaginative.

Obsessive Love: Same as how I regard a Dark Fic. I do not condone it irl, but an unhealthily codependent partner in my fictional romances? Yes. I want them to be even more obsessed with my favorite character and fall deeper and deeper in love.

Misunderstanding: There is a difference between how I view misunderstandings versus how I view miscommunication (which can grate on my nerves if not executed well). I believe you fundamentally cannot have a good long fic without some misunderstandings that the MC or Love Interest has to clear up, and it’s always so good once the cat is out of the bag and the truth is revealed.

Isekai/ Transmigration (World-Hopping): Yes. Gimme. It’s like 10 stories in one. I like it when your ordinary layperson gets transported into a different fantastical world or pseudohistorical world or into a different modern world of much different circumstances depending on their new identity. I like these duck out of water stories.

Historical AU & Royalty AU: There’s just something about pseudo-medieval settings that can be so charming and interesting to read. If you’ve got royalty thrown in, there’s the additional seasoning of power struggles between members of royalty and aristocracy, and political intrigue, and seeing how a kingdom is run. Writers tend to do a good job worldbuilding these types of stories with characters I like moved into this new setting.

Established Relationship: The domesticity and PDA of it all can make my heart go dokidoki (especially if they’re a powerhouse couple). It can fall into the danger of coming across as bland, so this depends on the plot and writer’s execution of their relationship. I gotta have some stakes.

Enemies to Lovers: I love it for certain pairings.

Forbidden Love: It’s the tabooness of it that makes it interesting to read.

Friends to Lovers: As long as it’s not milquetoast or bland, I think most of the time this is executed well. It’s a step below an Established Relationship, so they’ve got wiggle room to develop into that.

Soulmate AU: It’s inherently romantic, what can I say? I will REALLY LOVE it though if the writer gives it a unique twist.

First Kiss & Sharing a Bed: It’s tender and sweet (or hot) and I will never get tired of it. You can’t go wrong with it.

Magic AU & Fairytale AU: It’s a fantasy world. As long as it’s not bland and there is a serviceable magic system, I will generally like it. (One caveat: it cannot be a HP AU. C’mon. As much as I like HP, you can do better as a writer than transporting these characters into the HP universe. Come up with your own magic system.) For fairytale AUs, it’s basically your Hans Christian Andersen/ Disney fairytale with your favorite characters. I don’t think you can go wrong with it. I just love any AUs in general.

Huddle for Warmth: Same as First Kiss & Sharing a Bed & PWP.

Tier 2 (A Level)

Fluff: Oftentimes reading cute fluff (like sneaking quick kisses or holding hands) can make me blush and giggle more than reading p0rn or smut on my phone in public. HOWEVER, unlike a oneshot where I can tolerate it, for me fluff has be spread sporadically throughout if it’s a long fic. If the long fic is just too fluffy and sweet all the way throughout (force-feeding me “meng” and “dog food” (PDA)), I get the equivalent of a sugary overdose and any interest I have for the fic dries up into “ugh, that’s enough”—which usually ends up with me dropping the fic if the fluff had oversaturated everything (all sugar/ fluff, no real meaty substance). There’s only so much cutesy uwu, descriptions of someone’s soft coquettish voice scratching the Love Interest’s heart like a cat’s paw, etc that I can stomach at a time. It’s like junk food; I can’t eat too much of it.

PWP: As a connoisseur of all things slowburn and a demisexual irl, I have to be in the mood to read a PWP. It’s p0rn without plot; I don’t expect to be reading much plot (although it’d be a pleasant surprise if the p0rn came with some serviceable-enough plot 👌). It is what’s written on the tin. I’m not here expecting a Shakespearean masterpiece. A writer was gripped by the h0rny and decided to share, and this was the result. I’m here to turn my brain off, have fun, and read about two of my favorite fictional characters banging each other stupid.

Im Vino Veritas (Drunken Confessions): Yes, gimme. I’m picky about the execution and the follow-up scene that comes after the drunken confession though (after the drunk character sobers up). The writer has to be skilled enough for me to root for the character and not cringe (unless the whole point is to cringe at the drunk confessing because it’s established they’re a cannon fodder character who won’t get together with the MC or Love Interest).

Missing Scenes: I generally like it when writers come up with a What-If scenario that happens between Point A and Point C of canon. It can be fun and believable—especially if they get the characterization right. Then it’s like reading a little bonus content (like, you know it’s a person’s headcanon but, dang, it’s written so well I could almost believe it was canon).

Office AU: I love me my rich Sugar Daddy AUs and doting CEO husbands pampering and spoiling their lovers. I enjoy reading about a business expanding into a powerful corporation and the power struggles that come with. It’s a guilty pleasure. (I do have to try not to think about HR though.)

Showbiz AU: It’s a guilty pleasure. Sometimes I learn something new about the acting or modeling or fashion industry, and it’s interesting. I also like seeing the journey of the unknown underdog MC rising like a phoenix from a nobody to a well-respected powerhouse of their industry.

Reincarnation: Same as how I regard almost other AUs here (inject it into my veins). With reincarnation though, I usually like to see the rebirth have an affect on the story. It’s an important plot device after all. If it seems like the whole rebirth part could be omitted and it wouldn’t even impact the story with that aspect removed, then…well, sorry, the story didn’t execute it well.

Cold Love Interest: Depends on the execution, but I like it when you have this character who’s known to be cold slowly be thawed out the more and more they start opening up to the Main Character—until they inevitably fall in love. It’s essentially reading about an ice cube that has melted into warm spring water. The transformation can be so beautiful and moving, because you’ve been following them on their journey of self-discovery and finding happiness. (However, my tolerance toward Cold Characters does have a limit; they can’t be irredeemable at the start. Because if it’s the equivalent of the Wife Chasing Crematorium trope, where the Love Interest is a cheating (?) murderous (?) selfish abusive assh0le who has essentially traumatized the MC and still gets together with them at the end…….ugh, 9/10 times I will dislike it even if the ML or FL realizes how much their actions have hurt the MC and tries their best to make up to it for the rest of their lives.)

Dense Protagonist: A protagonist who is oblivious to the Love Interest character pining and simping hardcore after them can be hilarious. However, I am generally picky about its execution. It can teeter the fine line between endearing and dumb/ annoying. At some point, their denseness can become too much (to the point where it’s no longer funny or amusing) that my suspension of disbelief drops and it’s no longer fun to read the story for me personally.

Unrequited Love: Depends on the context. Is it the writer’s intention to make it bittersweet and unresolved? Is the character pining after their unrequited love, and it’s the early stage of the story where the MC or ML/FL have yet to reciprocate? Is the intention to make me cry? For all of these, I usually like to know before I jump into a fic—because I’m a sappy woman who gets easily teary-eyed and I easily get touched by moving depictions of the human connection. So I don’t want my young glass maiden heart to be hurt too much, haha; there’s only so much abuse my heart can handle.

Crossover: At some point, I run out of fics (the good ones) to read for the specific ship I like. So I turn to crossovers, to see how my favorite MC can be shipped with someone else. If the writer’s good, they can blend the worlds and these cast of characters together seamlessly. It’s like a brain puzzle—so I have countless admiration for those who can execute crossovers well.

Time Loop: This is your usual Nicholas Sparks’ (a romance writer) type of story; a time loop is basically Groundhog Day where the MC has to figure out how to break the time loop—and I’m usually invested in the mystery of how they’re gonna pull it off. I’d like to say when I’m in the mood to read this, writers tend to execute the trope well (my logic: if you’re going to introduce a plot device, make it relevant to the story; if it can be omitted and it doesn’t detract from the experience, then it doesn’t need to be there).

Hurt/ Comfort: To an extent. It’s the same as Fluff or Angst for me. Moderation is key.

Sex Pollen & Bang or Die: Similar to how I regard PWPs.

Arranged Marriage: Generally I will like if executed well. I almost put this in Tier 3, because I more often than not don’t usually click on a fic if I see this trope tagged (because my brain thinks about the irl implications). BUT…it is the premise of almost every transmigration (isekai) light novel or manhua/manhwa I read—and they work because it’s a fish out of water story where the MC finds out there they have an arranged marriage to a king, prince, duke, noble, knight, etc with a certain cruel or perfect reputation, and you get to read about them learning about their real selves and falling in love over time with their fiancée/fiancé. And it’s so cute. This is my expectation when I read fics with this trope: a fairytale-like romance, where the arranged marriage managed to work out in this couple’s favor instead of it being loveless.

Baby Fic & Pregnancy Fic: I would not go out of my way to read oneshots where the whole premise is specifically only about either of this. It has to be just one of the ingredients in the whole long fic. Writing children is tougher than you think (you have to be so careful writing about them because you can toe the line between making them precocious and making them annoying), and some people are unable to respectfully write pregnancy characters, choosing instead to focus on the humor of pregnancy stereotypes—but the gags can come across as shallow writing than giving it the proper respect it deserves. So it depends on 1) the execution and 2) my mood. I’ve read a couple good ones, but that’s because the writer is good at delivering the concept that is easily digestible and frames the whole process of birth and child rearing as a beautiful process of nature and life.

Tier 3 (B Level)

A/B/O: I will not intentionally go out of my way 99/100 times to read Omegaverse stories. Shocker, I know. It’s just, for me, I tend to find a majority of these general A/B/O fics…shallow and of little substance. Most of the time, I find the writing can also be a bit distasteful, especially when it comes to the omega and alpha dynamic in this kinda story (in the wrong hands, the writer can make their story come across as r@pey and sexist/ misogynistic, especially if an alpha’s being aggressive and forceful with the MC because they’ve been affected by the smell of an omega’s heat—and now I’m reading descriptions of the omega character sobbing and crying out “no, no, no” and “please stop” and I’m in disbelief why people find this hot). I also don’t like the submissiveness of the omega character where it’s like I’m reading about a milquetoast wet rag who has all their fight drained out and has no personality other than being a hole that produces slick and blushes constantly. Also, for me, predictability is not something I like; if I can predict everything that’s going to happen in a fic, I will become bored. I need some kinda serviceable plot for me to be emotionally invested in an A/B/O fic or there’s some kinda hook that keeps me coming back. I can enjoy the rare one A/B/O fic out of one hundred similar A/B/O fics, but I am INCREDIBLY PICKY about what I choose. The premise itself is also very important to what makes or breaks an A/B/O fic experience for me (for example, if it’s a Dark fic, then I can be more forgiving because it’s expected for there to be dark themes).

Miscommunication: For me there’s no in-between. I will either hate or love this trope, depending on its execution in the fic. On the extreme end of hatred, I am ticked off when a conflict in the story can be easily resolved had the character(s) communicated properly—and it’s just so incredibly dumb. On the opposite end, miscommunication can be done well as a funny gag or a plot device that shows how differently characters can interpret a situation or words. So depending on which one of these the fic delivers, it determines how much I can enjoy a fic.

Love Triangle: See my opinion on Harem Fics, and now make my aversion less strong. I’m a wee more forgiving on this trope because it’s a love triangle where you start off with the MC, the ML/FL, and the love rival—and the story is about the MC choosing one of them. The other Love Triangle I’m okay with is if it’s obviously a poly ship where the MC ends up with two people—but it has to be executed well (I generally have to like both options for the MC). I’m more of a monogamous soulmate type of gal, so I’m kinda picky on the execution when a story focuses on the love triangle. It can’t drag on to the point where I find it to be insufferable. The danger with a love triangle is I, your reader, might come to like the Second Male Lead or Second Female Lead—and think they were a better fit for the MC than the actual Fe/Male Lead that was chosen just because this character was the writer’s favorite. In this case, the moment the wrong candidate is chosen, my interest in the fic dwindles and I feel like I’m reading a lesser version of what initially drew me to the fic in the first place. So now it’s the writer’s responsibility to show me why their choice is the correct one.

Angst: It’s like junk food; the key is moderation. I can’t have too much of it—otherwise it’s too angsty and the poignant emotional knives become laughable.

Humor: Humor is subjective, and differs for each person. What the writer finds funny might not be what I find funny. I’m more of a subtle gal. So if a fic’s meant to be funny throughout, it runs the risk of teetering towards me feeling secondhand embarrassment and cringing—because it’s too much and unfunny. But if a writer genuinely writes something surprising that makes me laugh, I do appreciate their talent at grasping the opportunity and having the know-how to effectively inject some lighthearted humor.

Fake Relationship: …My enjoyment level HEAVILY depends on its execution. It’s the characterization, their chemistry, and plot that have to save it for me.

Amnesia Fic: See, I understand it’s a plot device—which is why I’m a lil more forgiving. But don’t you hate it when all of a sudden a character gets memory wiped after all that progress? (I feel like I wasted my time just as the story was turning good, and now they have to start over? Kinda feels like unnecessary filler and it can drag on, and I feel like banging my head against the wall.) On a lesser extent of my pickiness, I don’t like it as much when it’s used as an exposition framing device, with the MC or Love Interest having no recollection of anything—and they’re lied to at the start about who they’re supposed to be…because you know there will be a dramatic fallout happening when they inevitably find out and that predictability (they fall out, and then you know sometime later something will bring them back together…the fakeout dramatic “breakup” is just so contrived and mechanical and formulaic) is what turns me off. (I don’t mind the amnesia trope as much if it’s used in a psychological horror/ thriller story though.)

Shizun F*cker: It’s your master (teacher) x disciple Chinese classic. I went through a phase of binging these stories and I find they’re generally all very good, but there does come a point where you start seeing similarities and not enough freshness with this trope and they all blend together (especially if it feels like it’s a pale imitation inferior copycat version of certain shizun f*cker classics). Nowadays this kinda premise has to be accompanied by something fresh and unique in order for me to keep reading—and turn my brain off from thinking about the irl teacher-student implications.

Secret Identities: If executed well, I like the reveal of their true identity in the story. It’s like you have this lowkey cute crush who has been helping you all this time—and you find out he’s, like, a mafia don or the CEO of a conglomerate or an international spy. It’s the gap moe contrast of who they pretend to be versus the secret badass they really are. It does come with the risk of some predictability for me though which can ruin my immersion (y’know…the typical MC’s outrage when finding out their Love Interest’s real identity: “You lied to me?! How can I believe you now when all you’ve done is lie to me?!” ➡️ A genuine apology ➡️ Fallout ➡️ Some sort of dramatic reconciliation after the MC or ML/FL was kidnapped).

Tier 4 (C Level)

Dubcon: It’s teetering on the verge between what I find tolerable and what I find unacceptable. As long as it does not fall into the Non-Con territory and isn’t written distastefully, I can read dubcon stories where the consent is a blurry line between these two characters.

Major Character Death: I usually don’t seek this out—because I’m a big weepy baby and I don’t want to grow attached to these characters and bawl at the end when the inevitable happens. But on the super rare instances where I do click on a fic despite this warning tag, it means I have mentally and emotionally prepared myself to get knifed in the heart.

Mary Sue Fic: As much as I love power scaling fics and OP MCs, it does get boring if there’s no setback or conflict for the MC to learn from. I mean, sure, it’s fine for them to steamroll over everyone but if I’m reading +1K chapters of them just steamrolling, they’ve become a Mary Sue. I want flaws. I want setbacks. There’s only so much chuunibyou I can tolerate. There’s only so much descriptions of how ungodly beautiful or how shockingly genius the MC is at everything before I start rolling my eyes. Fatigue has set in and the OP character has become an insufferable milquetoast Mary Sue/ Gary Stu who can do no wrong. My suspension of disbelief has finally been worn away into nothingness. This can also apply to the Love Interest character (I understand their role in the story is to satisfy the ideal dream lover trope—but please give dimension to the character). I want three-dimensional characters with backstory and flaws and an interesting personality, not Mary Sues or Gary Stus.

Y/N (OC Fic): If I’m reading fanfic about my favorite character(s), I don’t want to spend my time reading about a writer’s Original Character or Self-Insert character being shipped with my favorite. I went in to read stories with my fav ship—and only that. There have been the few exceptions to this—but me liking a Y/N or a fic with OCs is ultra rare.

Breakup: Similar to my thoughts on Unrequited Love. But taken up to a hundred. If there’s been a breakup between the main couple in the fic—and it’s not in the beginning exposition chapter where we don’t yet know enough information about these characters—in the middle or near the end, chances are I think the relationship is f*cked anyway and therefore lose interest in the main ship itself in the fic. Even if they get back together at the end, I just think, “Honey…you can do so much better than him/her.” Which is why I usually don’t like reading breakups between the main couple in my fics. (And if the breakup is because the MC or Love Interest is in a precarious situation and they think pushing them away is the best way to protect them, it’s a cliché that makes me roll my eyes because it’s been so overdone and ugh, why pretend to be awful INSTEAD OF COMMUNICATING?)

Body Swap: …It depends SO MUCH on the execution. I cringe so hard if a character (usually the guy in the body of a girl) is feeling up their developed chest like a perv. There’s only a handful of Body Swap stories that do this trope well. If two characters are swapping bodies, I want to read about how they’re trying not to OOC (lol) and see how this body swap impacts the story and cast of characters in any meaningful way.

College AU: I’ve long since graduated from college. Nuff said. Might give a fic a try if it’s well-written or a short PWP (it is what’s written on the tin) but, as a working adult, reading about petty school drama wears on my patience. There has to be plot to keep me invested. Might also read if it dives into college controversies or campus scandals—but the suspense has to be executed well. Most of the time, it works if there’s some kinda big mystery like there’s been a crime committed. Because now you have a whodunnit mystery. And that’s so much more interesting than reading about students studying and doing homework, going to parties, crushing on the professor (also, here, yikes…if you want me to turn my brain off and not think about the real life implications (the teacher’s immediate suspension (hopefully) and losing their teaching privileges and license), you gotta reel me in with the plot or characters), or the typical student college experience.

Gen Fic: It’s bland, milquetoast, mid and forgettable. It’s like sucking out all the fun elements out of a fic—and that’s not my idea of a good time. I think the only way to pull this off is if it’s a Character Study fic.

Tier 5 (F Level)

High School AU: Give me real men or women; get out of here with the kiddy stuff. I’m outside the age range to be able to enjoy this. As a working career-woman, I really don’t want to spend my free time reading about minors and teen romance and teen drama. And if there’s adult content, sorry, just—no. My brain more often than not associates it to underage s3x—and it squicks me out. It’s also so much harder for me to suspend my disbelief that this inexperienced kid from high school is like this super genius hacker or ultra cover model beauty whom grown wo/men salivate over. (Because…god no, I DON’T want to read about a minor’s “milky thighs” or “coquettish voice.” They’re, like, 14-16 y/o. Who wants to read about a predator who has designs on a teenager?) Also, unless it is at the hilarious peak levels of highschool romcom like Kaguya-sama: Love is War but in fanfiction form, reading about two high school students crushing on each other is 99/100 times so boring and milquetoast to me. I am not the target audience for this trope.

Non-Con: The real life implications ruin any chance for me to want to do anything with this trope. Consent is king, y’all. Non-con is a personal squick—and therefore I will not read if it’s what’s gonna happen between the main couple no matter how sweet and regretful the ML or FL acts after the act. It’s r@pe; I do not find SA and being forced sexy in any way. The moment I see that there’s non-con between the main couple, that’s ruined any chances of me enjoying that ship in the fic. (The only exception I can think of for this is if the ML/FL was mind-controlled or didn’t have autonomy over their body due to some kinda magic shenanigans. Or if it’s non-con framed as a horrifying traumatic experience between a character and the unimportant cannon fodder who’s there in the story to be punished as a villain and won’t be forgiven in any way.) I will not seek it out if I see a fic’s been tagged with this. And if I encounter surprise non-con in my reading, I will immediately drop the fic.

Unhappy Ending: I have a glass maiden heart. I tear up easily when characters die or suffer in a book. I don’t want to get emotionally invested in a story and its characters, only to end up with an Unhappy Ending at the end. It just feels so unsatisfactory, like I’d wasted my time on this long fic when I could’ve spent that time productively reading something else that has a much happier and better conclusion.

Crack Fic: Now, the one exception to this is if a writer jokingly says their story revolves around a crackship, but the writing’s so dang unbelievably good you don’t even think it’s a crackship in a crack fic (it’s a bonafide good story). But aside from that, 99 out of 100 times, I will not read crack fics. A crack fic is a writer’s attempt at humor. And humor is so subjective. What they find funny or entertaining might not be what I find funny or entertaining. Most of the time, it’s also of little substance and random and the writing is all over the place (which…y’know, I get it; I notice a lot of people mention they had a wild dream about this and that’s the reason why they’re writing a crack fic.) I’m happy that they’re writing what they find funny and I’m hoping it’s fun for them, but crack fics are not my cuppa tea.

Coffeeshop AU: It’s so mid and blah to me. It’s the most milquetoast Meet Cute out of all the Meet Cutes they could have chosen. I think the only one I recently read in, like, years, is because of a Art & Fic Exchange Bang I’d participated in. It’s so long ago. Basically unless it’s a stalker or secret identity or psychological horror story to make it interesting, I’d rather read anything else than a bland Coffeeshop AU.

Next Generation: Similar to how I regard OC Fics or OCs in general. I’m here to read fanfiction to read about canon characters of a show or book. I did not come here to read about a writer’s cast of Original Characters or Self-Insert characters. If 99% of the fanfic is about the OCs who are the sons and daughters of the canon characters, I just won’t read it. Won’t touch it. Won’t come anywhere near it. They might as well have written an original story of their own instead of a fanfic. (But 99/100 times, it’s poorly written and you can tell it’s written by a younger writer…eeesh. The good thing is, the more they write, the more practice they’re getting, so the better their writing will be.)

Bonus (F Level)

Cheating/ NTR: my brain automatically associates irl with this—and I find it despicable. The 1% chance I would read this trope is if the MC/ Love Interest is shown the consequences of their actions and the story promises that the person who’s been cheated on breaks up with them. Or if it’s a Mindlessly Self-Indulgent PWP oneshot—so I know to turn my brain off and lower my usual standards coming in.

Harem Fic: It’s Love Triangle—but taken up a notch. It’s so hard to write stallion (er0tica) protags that come across as endearing and not a playboy scummy f*ckboi. It annoys me if I’ve developed attachment to a ship or character and am interested in their relationship development (my waifu or husbando), but the story suddenly shifts to Side Character No.50 whom I couldn’t give two hoots about. The only exceptions to this, for me to keep reading a harem fic, is 1) if I like the storytelling, worldbuilding, and/or protagonist or main ship that makes it worth it. It’s very rare but there have been handful of writers who have actually made a harem where I care for and like ALL of the waifus. 2) I also enjoy harem dramas where the MC face-slaps every love rival, evil concubines, white lotus conniving mistresses, jealous queen/ mother, etc—and gets The Wo/Man.

Fanfiction Tropes (Writer Edition)

I’m much more open-minded writer usually 😅, so I’m usually open to try almost anything—but my criteria of tropes I will write for the story depends on my mood and the story’s premise. They usually have to pose some relevancy to the fic (which depends on its premise and characters) and satisfy my want to contribute something fresh/ interesting to the fandom if I decide to write that trope.

The biggest two changes are: 1) I’d move most of these tropes up into Always Down to Write and a few into If the Plot Calls for It. I’d also probably reorder a couple tropes if I look at them from a writer’s perspective (left ➡️ right, arranged from tropes I feel strongly about ➡️ the tropes I consider mid and don’t hold much strong opinions about). 2) I’d change the categories to:

Always Down to Write tier (probably 90% of these)

If the Plot Calls for It, or if I’m Curious and Want to Try Experimenting with It tier (I typically don’t go out of my way to read these, but would be willing to challenge myself and see what the writing experience would be like)

You’d Never Catch Me with My Pants Down Writing It tier (fun fact: there’s only maybe 4 or 5 of these I’d put here)

If you happen to be a writer whose tropes fall into ones I do not like and you know I’ve gushed about your fic before, know that you were one of the rare exceptions and I hope knowing this makes you happy. ╰(*´︶`*)╯♡

#phoenix talks #fanfiction #fanfiction tropes #reading #writing #fanfiction tropes tier list #ask #deliciouskeys #thanks for tagging me!

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