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#did you see the announcement of mappa adapting it
fategoflatass · 1 year
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final thoughts · fall 2022
since i know there're people who like to read my opinions on the different seasons, here you have my thoughts on this (HOLY SHIT OMG WHAT THE HELL IS GOING ON???????????) season.
akiba meido sensou (7.5/10)
so, i never meant to watch this show. i thought it would be just another CGDCT slice of life where maids do their maid stuff, and they have fun... I WASN'T EXPECTING THIS THO. this series is crazy, like, the first ep starts with a maid being shot in the head like ??????? and then ranko (best girl imo) starts shooting this rival maid group along with a cutsie song like ??????????????? i was both confused and charmed. this anime is such a blast, it's filled with twists and turns, random shit that it's bizarre but it also makes so much sense. i can't fully explain it, you need to watch it.
akuyaku reijou nano de last boss wo kattemimashita (4/10)
dear lord the toxicity here is astronomical. the way i was looking for a hamefura replacement and i ended up getting this... i feel scammed. this was meant to be a fantasy romance story, but it ended up being a contest to see who's the most toxic person in the relationship. between throwing someone out of a flying carriage just to see them cry and almost stabbing someone on the crotch because they want to break off their engagement with you... i don't know who's worse. they totally deserve each other.
blue lock (8.5-8/10)
i cannot decide myself on what rating i should give to it. while i do love bllk and think is one of the best sports series i've ever read, 8-bit's adaptation is... interesting. while i did think the first episode was amazing, the visual level just started dropping. some of the hand-drawn animation looks weird, and the cgi sometimes looks like it has been taken from a mobile game. i have mixed feelings with these series; while it's still fun and interesting, it just doesn't kick me as much in the chest as the manga does. if you wanna start bllk, please read the manga first.
bocchi the rock! (6.5/10)
as i said before, i'm not a big fan of CGDCT, and this series is just that. i was into the music part of the series and bocchi's social phobia (which, as someone who went through it, i think it's a pretty good representation), but it's still not my cup of tea. it bores me at times, and i'm the one to blame. it's not bad, it's just not my thing. if you're into this kinda stuff, i fully recommend it.
boku no hero academia 6 (8/10)
NOW THAT IS A GOOD SEASON. this one's adapting one of (if not the) best arcs in the series and hell yeah i'm hyped. in case someone hasn't started it, i won't spoil anything. i'll just tell you to please not worry about the quality: the art, animation and everything in general is being tretaed with so much thought and love. i'm just so happy to see all of them back!
boku no roboco (4/10)
(at this point, i've only watched two eps. my opinion on the series may change) i know the manga is popular, i know it makes a lot of anime references. i wanted to try giving it a chance and oh lord. first, it's difficult to find. second, it isn't even funny. if i'm not dropping it is because the episodes are short and fuck it. but not because you make a shit tone of anime references means that you're gonna be funny.
c danchi (1/10)
chainsaw man (9/10)
i'll just leave this here and go on with my life.
GUYS. GUYS. IT'S FINALLY HERE. BABE'S FINALLY HERE. AND OH LORD SHE'S LOOKING AMAZING. i've been waiting for this series for so long, (since it first got announced like holy fuck the feels). i have the entire part one on my bookshelf and it brings me so much joy (and tears and trauma and—) to finally see it animated. the animation, the art, the music, the voices— everything is just fantastic, perfect even. the op is a banger and each and every ed is just so good (some better than others imo). i'm so happy mappa were the ones that took the project like omg thanks mappa but fr fr. if i'm not giving it a higher note is because i'm afraid that would be my inner fangirl speaking so yeah. my children look perfect, that's enough for me. and fuck those who complain about the cgi istg—
cool doji danshi (7/10)
just a pretty chill slice of life short series about a bunch of dorks trying to survive in the wild. they're all so relatable and idk what to think about it. babe's also pretty absent-minded, so this is pretty comfy to me... is this how #representation feels like? besides that, there's not much to say about it since it's just... that. they exist, and i'm happy they do.
do it yourself!! (5/10)
how many times have i said i don't like CGDCT series? many times, but i still go and watch them. why? because i'm dumb ig. it's just a series about a bunch of girls doing bricolage, that's pretty much it.
fumetsu no anata e 2 (8/10)
second season of "don't get attached to the cast because they're all going to die". at this rate, i think i'm made of stone because i haven't shead a tear in the entire series. i'm also getting use to the show's formula (introduce new character → make you feel attached to them → kill them), so ig that's also why i don't feel that sad anymore? idk, i do feel sad but not that sad yk. anyway, is as good as the first season so you should give it a try.
fuufu ijou, koibito miman. (6.5/10)
i started not liking the series (the male mc was annoying to me and i felt like he would only see the girls by their "personality"), but i ended up getting attached in some sort of way? it's an easy to watch, funny romcom that, even if it's nothing special, will entertain you for the time being.
kage no jitsuryokusha ni naritakute! (5.5/10)
i like the idea, but not the execution. i mean, kinda. it started being a parody of isekai series, but i feel like isekai is slowly but surely eating the show alive. i'm not that interested on the plot and the ecchi scenes and comments are... something. to give you some example: there was this scene where these girls would pose in ways others could check their breasts better and perceive them as bigger than their opponent's. or maybe the many comments they do about the protagonist's dick being a fricking sword????? umm not thank you.
koukyuu no karasu (7/10)
a historical fantasy shoujo series with interesting plot points and a cute romance?? hell yeah, count me in! each and every character is lovable af and trust me when i tell you you'll never get bored. the art is so cute and comfortable (idk how to explain it), and the romance is just... i just want them to date already, am i asking too much? definitely give it a chance.
mairimashita! iruma-kun 3 (8/10)
new iruma season and the first one i'm watching as it's coming out. the children are back and more chaotic than ever in this new arc (the best one yet, from what i heard). i just can't stress enough how this series makes me feel, how comfy it makes me feel. i've connected with the characters in such a way it just makes me smile every time each and every single one of them just appears on the screen. i'm so excited to see who'll win! (no spoilers please)
mob psycho 100 III (8.5/10)
this isn't the last season. no, i refuse to accept it. even though many characters are getting their closures and all this chaos is going on and every wish of them to have a happy life has turned to ash. this is not the end. and that never happened. no. just. leave me alone.
mushikaburi-hime (6/10)
so, they're trying to bring historical shoujos back and while we did get some interesting results (koukuuu no karasu), we also got series like mushikaburi-hime. the series is about a girl who is obssesed with books and a dude that isn't, but because he likes her he's up to deal with that little trait of hers. and... that's pretty much it. the series revolves around their relationship (which sometimes turns a bit toxic due to the male mc). the female mc hasn't progressed in over ten episodes, she won't progress now. if you're interested, there it is. but it's not a series i would recommend.
renai flops (7/10)
i said it before: i love shitshows. this one seemed to be a parody on ecchi, harem series which caught my eye. i mean, the first ep involves the dog scene which is one of the most bizarre scenes i've seen on any romcom. at first, i was gonna watch it for the laughs from how bad it all was, but then the second half happened and it changed my view on the series. from a parody that makes things absurd on purpose to something else. i would recommend anyone who's interested to watch it and please, do not spoil yourself.
shinobi no itokki (4/10)
this show is about a dude who goes to high school and he gets confessed to by a girl he doesn't know. only that it wasn't a confession but a trap, because that girl was a ninja and was trying to kidnap him. but he's able to runaway because he has all these ninja abilities that his mother forced him to learn and never questioned why. and then his mum tell him they're actually ninjas and now he has to go to this ninja school that's literally a high school building in the middle of nowhere like ????? i thought ninjas were discreet???? except no one cares about the school because then someone (don't ask, don't remember) gets betrayed and blames the dude's clan and shit happens and wth is going on????
spy x family part 2 (8.5/10)
part two of this very wholesome but also very fake family! their shenanigans are as crazy as they were in part one, and we got introduced to our queen, fiona. also, the main fake couple are growing closer due to the mission and i think that's pretty cool now get married for real this time.
tensei shitara ken deshita (6/10)
just your average isekai with better than average animation and a wholesome bond between both leads. besides that, i have no much to say about it. i absolutely adore fran and amanda, but the whole idea of fran being op almost from the start is frustrating. i wanna see her grow, but this left me kinda cold.
urusei yatsura (6.5/10)
many people were hyping this show, and i do understand why. after all, it's pretty rough fighting against nostalgia. still, even though the visuals are so cute and the op and ed are pretty good, it just shows the series it's an old one. the comedy falls flat at times along with some characters, although it's still enjoyable. i don't know if i'll keep on watching the second season, but for now i don't feel like dropping it.
uzaki-chan wa asobitai! ω (6/10)
so, uzaki is back. the first season has never been one of my favorites, but i decided to give the second season a try and watch it as it was coming out and... well, it's uzaki. for some of y'all it may be hilarious, but to me it's just fine. it's boring most of the time, although i do like the idea of the mcs dating (please do so for fuck's sake). if you're into this kind of comedy, you should give it a try.
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violetsoju · 3 years
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hello miss lin!! <33 my reply got kinda long bc i rambled so much so i'm here with two song recs!!! hehe. i forgot what i've rec before so i'm sorry if there are any repeats T^T
get you the moon - kina
i can't hate you - kayou
well... those are kinda similar/same vibes so here are two more songs w different vibes :")
nightlight - illenium
uchiage hanabi - daoko, kenshi yonezu
sending lots of love and good vibes your way <333
hello miss mandy!! i love this 3-5 business days communication timeframe we have hahaha
no worries no worries, there's no repeats! i mean even if there are i don't mind it at all <3 these recs look so good alr omg can't wait to hit play ltr hehe (im always excited to check out your recs bc your taste is also, immaculate ✨)
aaaa thank you for the love and good vibes! im recharged with it now <33 stay hydrated and don't forget spf too!!
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pair-annoyed · 4 years
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Anime I Watched This Summer
Summer 2020 has officially come to a close. It’s fall in Animal Crossing and the trees are beginning to turn. Much like quarantine, I spent a lot of my free time watching anime when I wasn’t stressing over starting college. Now that the school year has begun, I thought it would be nice to reflect on everything I’ve watched! 
These Anime were seen between 6/14 - 8/31 (my Birthday!) and are listed in chronological order.
They will be rated on a 1-10 scale; 1 meaning complete garbage, 10 meaning masterpiece. I will offer my thoughts on what I did/didn't like about each show!
1. Bakemono no Ko - 8/10
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This was such a great way to start out the summer! I love the dynamic between Kumatetsu and Ren. Overall its a little cliche, but it’s also very wholesome. It’s by the same studio that made Wolf Children (which I loved!). so I knew it was going to be good. My favorite aspect of this movie was its backgrounds and world building! 
2. Wan Sheng Jie - 9/10
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Oh my gosh! I know that this is technically a donghua, but its on MAL, so it counts. This show quickly became my favorite slice of life of all time. I adore the art style and all of the characters. The comedy, plot, and design blends so well together. Everything in Wan Sheng Jie feels warm and comfy. It’s also confirmed for a second season! After seeing its cliff hanger ending, I’m so anxious for what comes next! 
3. Dororo - 7/10
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I’ll be honest, I’m a sucker for studio MAPPA. I really liked the historical aspects of Dororo. From the outfits to the ways characters behave, its grounded in the constraints of feudal Japan. I would have given this show a higher score if it was a little more grounded in science. I feel like more time should’ve been given to the demons and antagonists of the show. Our MC was so over powered, which made the final fights of the series more lack-luster. I think its less of the anime’s fault and more because the original source material is from the 60s. That being said, I loved this show! It was cute and action packed. Though it isn’t perfect, it holds its own.
4. Bungou Stray Dogs - 5/10
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The concepts and action are misconstrued in Bungou Stary Dogs. This is one of those shows that I chose to watch because it was all over Tumblr. The powers themselves are cool, but I can’t understand why this series is so praised. At it’s core its predictable and basic. The fights seemed low stakes and low energy. None of the humor really felt like it belonged. It tried too hard to be something it isn’t. I don’t think I’ll watch beyond this first season. 
5. Kami no Tou - 4.5/10
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First off, fuck Rachel, me and my homies hate Rachel. I really really had high hopes for Tower of God. It paves the way for Webtoon adaptations in the future. Its such a shame that this adaptation SUCKED. I have not read the source material, I’m going solely based on the anime. It wasn’t good? It was horrible. I hate Bam, I hate Rachel. I think all the characters expect Rak were awful. Please don’t make a season 2. Please. If you’re interesting in Tower of God, just read the webtoon. 
6. Gekkan Shoujo Nozaki-kun - 7/10
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Shoujo anime is my guilty pleasure. I especially liked the way Gekkan Shoujo tackled Sakura and Nozaki’s relationship. Besides just the main characters, even the side characters were enjoyable! It was a fun and creative show. My only complaint is how dense Nozaki is, but I also absolutely love that part of him.
7. Jojo no Kimyou no Bouken (Parts 1-2) - 6.5/10
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Jojo is not the saving grace of shounen anime. It isn’t something super revolutionary and it certainly will never be a 10/10. Part 1 was so slow and boring. Jonathan was just mediocre at best. I definitely liked Joseph a LOT more than Jonathan. Part 2 overall was much easier to watch than part 1. The fights are good, but there’s just something about Jojo that I can’t get behind. Although I’m completely bashing this series, I’m going to keep watching it. At this point, I wanna know what a stand is. 
8. Clannad - 5.5/10
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I was expecting Clannad to be sad, but instead I got a cute, slice of life, romance. It wasn’t unenjoyable, but it was also a pretty slow-burning show. I loved watching Nagisa and Okazaki slowly fall in love with each other. It was funny at times and sad at other points. I am currently watching Clannad: After Story (which I’ve heard is heartbreaking), so I’m hoping to get some catharsis out of that. 
9. Otome Game no Hametsu Flag shika Nai...  - 6/10
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This show is only 12 episodes, and yet it still has filler episodes for some reason? I’m a person who doesn’t typically watch isekai because the genre is so over done. However, when it’s done in a very specific way it’s really fun to watch! This show was definitely a lot of fun, it’s also cute and has so many interesting character-character interactions. The ending is painfully cliche, but I think it adds to this shows charm. 
10. Kaguya-sama wa Kokurasetai: Tensai-tachi no Renai Zunousen  - 8/10
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I loved Love is War so much! I love their weird romantic dynamic. I love the characters, and I love the animation. It’s over the top and executes it humor masterfully. The entire show fills you with anticipation for the two main characters. Kaguya is my favorite character. Although I haven’t seen season two yet, I most certainly will! I’m so upset I hadn’t seen this show sooner.
11. Great Pretender - 8.5/10
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This show is so colorful and bubbly. The animation is so smooth and they are able to tackle so many different kinds of things given its plot. The whole show itself just feels like summertime. It came out not to long ago, so some people may not be familiar with it. On top of the show itself, the music is great, with a Jazzy OP and and ED that features Freddie Mercury
12. Steins;Gate 0 - 8/10
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 I loved the original Stein;Gate so much! So it’s no surprise how much I liked the second season. It builds significantly off the first season in a sort of “off shot” OVA kind of way. The events of Steins;Gate 0 don’t actually happen, but that doesn’t stop it from being meaningful. The big “twist” was predictable and a bit of a let down, but I still enjoyed this. Granted, I’m bias. 
13. Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai - 9.5/10
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I sobbed. So much. This movie was phenomenal, it was such a trip. Having watched the original series, this tore my heart apart. It gets a high score for being able to take the characters I love and creating a wonderfully emotional experience. If you haven’t seen Bunny Girl Senpai, please watch it, and then watch this movie. You won’t regret it! 
14. Hotaru no Haka - 6/10
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Grave of the Fireflies made me stop watching anime for a while. Studio Ghibli created something grim, something that leaves the viewers feeling hollow. Its a movie about WWII from Japan’s perspective. As an American, all I could feel while watching this was immense guilt. I will say though, that some of the movies main plot could have easily been prevented if the main character had swallowed his pride. His younger sister was also my least favorite character. I get that she’s a kid and that kids are fussy, but you would think that during wartime, she’d be more understanding and at least try to eat the things she dislikes. 
15. Yagate Kimi ni Naru - 9/10
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This was a great way to end the summer. This is more that just GL romance, its a love story. Its about growing up and learning to understand your feelings. I related to Yuu so much, which made this more emotional than I expected. It’s really unlike another romance anime I’ve seen. I hope it gets confirmed for a second season. If not, I’ll be reading the manga. 
Seasonal Shows: (Things that are still airing as of 9/5/2020)
1. The God of High School  7.5/10
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Another thing done by studio MAPPA. Are you surprised? I absolutely love the action in GoH. The plot however, is all over the place. The story seems fragmented and hard to follow. Like Tower of God, it was poorly adapted. I’m giving it such a high score, because it’s SO much more enjoyable then Tower of God. 
2. Enen no Shouboutai: Ni no Shou - 4/10
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My thoughts on season 2 are about the same as my thoughts on season 1. The only difference is that this season has more Jojo references. I’ve rated it lower because its so repetitive. I’m so sick of watching it, but I’ve got to see it through the bitter end.   
3. Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season - 8.5/10 
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All I’m going to say about Re:Zero is that I love it. I can’t give an accurate review of it because I’ve been hyping this season since it was announced. If you’re into non-typical isekai, watch Re:Zero, its so enjoyable!
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sarahjtv · 3 years
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BNHA Chapter 313 Short Thoughts & Berserk
So, for anyone following me for my My Hero Academia analysis stuff, unfortunately, I don't think I’ll get one out this week.  The chapter was amazing, don’t get me wrong, but I just didn’t have time to really write anything big about it.  Blame the BNHA: The Strongest Hero mobile game that released this week.  Gatcha games really suck me in.  Bakugo was my first random pull amazingly, but I haven’t gotten my fave Shoto yet.  I want my man to come home 😭.  Anyway, I will point out a few things from this chapter:
Thank god All Might is alive!  I didn’t expect him to die, but I’m still afraid of that possibility someday.  That one panel of him declaring himself to those thugs was amazing and I can see why it gave people Stain vibes.  Where is that guy anyway?  Also, I want All Might to sign Izuku’s adoption papers already.  He really is Izuku’s father at this point.  
All Might warned the Top 3 (Endeavor, Best Jeanist, and Hawks) about Lady Nagant, so I expect them to pop up sometime soon.  Especially Hawks.  That’ll be an interesting reunion with his Senpai.
Lady Nagant is still beautiful and badass and I love this Queen 👑
Deku got shot in the stomach (or side?) and he’s fucking pissed!  This kid’s nuts for being so reckless right now, but it looks like he’ll do anything to get info on AFO and Shigaraki.  This arc is really doing things to Deku.  I got a bad feeling that his recklessness will bit him in the ass real soon.
I think En (the 6th Holder) is rising up the ranks of being one of my favorite OFA predecessors.  I like his design, his personality, and how he mentors Deku.  The faces he made this week are amazing!  This man is just done with Deku’s shit he wants to go back to Shoyo Hinata and play volleyball again 😂  Also, he said “Hey, Hey, Hey!” in the fan translations and I can’t unhear Bokuto from Haikyuu!! whenever someone says that DAMN YOU OWL🦉
Lady Nagant’s Quirk can make her a sniper scope out of what looks like muscle or tissue because of course it freaking can.
Finally, I’m still confused on what the 3rd Holder’s Quirk is:  Fa Jin.  I think everyone is.  Apparently research says that it’s a form of Chinese martial arts that unleashes kinetic energy.  That’s why Deku was doing all those squats with his legs before he jumped to grab Lady Nagant.  I’m thinking it’s like how Black Panther’s costume stored kinetic energy and unleashed it whenever he did a punch to the ground.  Or something like that.  Horikoshi really needs to explain this one next week.
So yeah, awesome chapter this week with some action, badass All Might, and big reckless brain energy from Deku.  
And finally (and this will be a long spiel), I really need to address the sudden death of Berserk’s mangaka, Kentaro Miura (age 54), that was announced to the public recently.  He died back in May 6th due to an Acute Aortic Dissection.  I’ll admit to never reading Berserk or watching the anime adaption.  I know about it, but I never got around to actually getting myself into the series.  I heard amazing things about it, but I also heard that is has every content warning under the sun (abuse, sexual assault, rape, torture, murder, etc.).  It’s like if manga had a rating, Berserk would be rated-R full stop.  Still, I would like to get around to reading it one day.  Even so, I have seen some panels from the manga and it is literally God-Tier art.  It’s so rare to see an artist put in so much work into their pieces.  Every little detail is drawn masterfully.  If you looked at his panels far away, you’d swear that it was a photo.  If you looked up closely, you could see every single line Miura drew.  Honestly, his work deserves its own museum.  His story and work were so influential to the pop culture we know.  There would be no Souls series without Berserk.  There wouldn’t be Cloud Strife.  Any buff character with a gigantic-ass sword was inspired by Berserk in some way shape or form.  Other mangaka both loved and were inspired by Berserk like our own Kohei Horikoshi.  Miura-san was a true legend in his own right and he will be deeply missed.
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I’m no doctor and I’m honestly not sure what really caused Miura-san’s untimely death, but I wouldn’t be surprised if the stress of mangakas’ absolutely brutal schedule was one of the causes.  In case you don’t know, mangakas pretty much literally put their lives into their works.  Their schedule is roughly like the one seen below.  Sleep and free-time are basically non-existent for them. The same goes for a lot of animators out there with Studio Mappa (despite their amazing animation) being one of the biggest causes of factory-like work in the industry lately.  I wish Miura’s death didn’t bring get this topic trending, but I do hope that both the manga and anime industry finally see what this work does to their artist and gives them a much more breathable schedule.  Shonen Jump+, Jump’s exclusive online manga is actually doing fairly well with their mangaka in terms of schedule.  Series like Spy X Family and Kaiju No. 8 have their mangakas release their chapters every 1-2 weeks.  They even let their mangaka take breaks if they need to with beautiful pieces of artwork as consolation.  God knows I had to wait a full month for a Spy X Family chapter to come out.  Regardless, I truly do hope this is a wake-up-call for the manga and anime industries.  I hope things get better for all the mangaka and animators.  They deserve all the praise, rest, and ease they can get.  Respect and love your mangaka and animators, my friends.  RIP, Kentaro Miura.
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snkpolls · 3 years
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SnK Episode 67 Poll Results (for Manga Readers)
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The poll closed with 254 responses. Thank you to everyone who participated!
Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.
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RATE THE EPISODE 246 Responses
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The response to this week’s episode remains overwhelmingly positive, with 97.6% of responses giving it a score of 3 or higher. 
This is the first episode where I have absolutely no criticisms, so im quite happy with how it turned out.
Voice acting was top tier
perfect
Emotional 
Great Job! I'm glad my favorite character's death was so emotionally misered.
Forget Attack on Titans, this episode was Attack on my Feelings ! 😭
I want to rate it a 1 because of Sasha but a 5 because of how well it was done... so 1.5
Absolutely loved it
Perfect
ASIDE FROM SASHA’S DEATH, WHICH MOMENT WAS THE MOST EMOTIONAL FOR YOU? 247 Responses
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Connie’s heartfelt admission to Jean seems to have stolen the hearts of the plurality of responders (36%). That is followed by a tie of 18.2% responses noting Eren’s breakdown or EMA’S tense reunion as the most emotional moment for them. In third place is Gabi’s tragic declaration about her struggles with 11.3%. Other responses were, in order, Jean lamenting all of the deaths occurring, Gabi and Falco realizing that Zeke betrayed them, Hange scolding Eren for forcing the SC to intervene in Marley and Levi and Eren’s confrontation.
Connie telling Sasha and Jean that they're special to him made my heart hurt knowing what was going to happen mere minutes after. I honestly saw me and my two best friends through them, and it was gut wrenching seeing Connie and Jean's reactions. Even Mikasa's reaction broke me, to be honest. They all lost a huge light in their lives.
WHICH MOMENT SURPRISED YOU THE MOST? 222 Responses
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So this question was meant to only go on the anime watchers poll and ended up here somehow. Thanks to the 222 who were good sports and responded anyway! :P The most shocking moments that took place in this chapter/episode was the revelation that Eren went rogue from the Survey Corps, that Zeke was collaborating with the Survey Corps, how the Survey Corps treated Eren, and that some Paradisians seemed to be turning to nationalism, in that order. 
Not sure why we're being asked as manga readers which moment shocked us the most since we already knew everything that was going to happen this week
HOW MUCH DID SASHA’S DEATH HURT YOU? 249 Responses
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When it came to Sasha’s death, it would appear that it broke the hearts of the overwhelming majority of responders, with 81.1% giving it a rating of either 4 or 5 on the tragic scale. 
Broke my heart and I'm still crying over it three days later. Honestly though, it was greatly done. 
3 years later it hit me, Sasha is dead ;_;
Cried my whole soul and body. Rip sweet Sasha
I thought Sasha's death would've been more emotional.
WHOSE REACTION TO SASHA’S DEATH AFFECTED YOU THE MOST? 250 Responses
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Sasha’s death elicited various reactions from the main cast. Two different responses tied at 36.4% noting Connie and Mikasa’s reactions to Sasha's death as the one affecting them the most. This was followed by Eren’s at 13.2%. The rest were, in order, Armin, Jean, Levi and Hange. 
I don’t cry at fiction much, but Sasha’s death got me more than I thought it would. I feel like seeing Armin and Mikasa’s reactions in particular is what got me.
The way they animated Armin and Mikasa bawling over Sasha's body and the inclusion of Call Your Name made it all the more emotional. I think by "Assassin's Bullet" they also meant a bullet through my heart because man did that hurt to watch. 😭🤧
WOULD YOU PISS YOUR PANTS IF LEVI WAS GLARING AT YOU WITH MURDEROUS INTENT? 248 Responses
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A bit of a joke question, but we wanted to know if Levi appeared as threatening as he seemed. 80.2% seems to think so, admitting their incentive to piss their pants. In contrast, 19.8% don’t think the Captain’s such a scary guy!
THE FULL VERSION OF “ASHES ON THE FIRE” BY KOHTA YAMAMOTO (THE PREVIEW SONG) IS NOW OUT. IF YOU’VE LISTENED TO IT, WHAT DO YOU THINK? 236 Responses
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“Ashes on the Fire” has been released to rave reviews, with 88.1% of responses giving it a 4 or a 5. Nobody gave it a 1, either. Yamamoto-san, thank you!
OVERALL, HOW WELL DO YOU THINK MAPPA ADAPTED THE MARLEY ARC? 251 Responses
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In spite of the relatively vocal complaints about the adaptation of certain elements of the Marley Arc, it would appear that the overwhelming majority of responders seemed pleased with it, with 51.4% giving it 5 and 37.1% giving it a 4. 1s not present. 
I've been a bit bothered how Mappa follows the Manga like a slave, using the panels as scenes and not adding anything in between. Sure it works for Manga, but it feels weird to me to watch in Anime how Eren grabs Armins hand and they don't give a transition where Armin pulls him in, but just show him inside the airship next. Just little things, but bothers me a bit. Overall I'm really enjoying their choices.
The show looks BETTER
I was fine with the episode. The quality of animation dropped but I understand that every scene cannot be animated on highest level. MAPPA has done a great job with the Marley arc. They shown the character development and bonds between the warriors perfectly. We had some cuts here and there but overally was okay: 8/10 for me. 
I’m so pleased that MAPPA has taken the anime. I’m still more of a fan of this particular series’ manga than anime though.
DID SASHA’S DEATH AFFECT YOU MORE WHEN YOU READ THE MANGA, OR SEEING IT ANIMATED WITH VOICES AND MUSIC? 249 Responses
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As noted above, Sasha’s death seemed to be a hard hitter for most. Comparison of the adaptation vs the original allows to discern which hit the readers/watchers the hardest. Just one percent shy of a majority (49%) thought that the anime made it much more tragic. 30.9% noted that the impact was roughly similar across both mediums. On the flip side, 10.4% thought that the initial depiction of it in the manga was the hardest hitter. There were also a couple of write-ins. 
I dont remember I sped run reading the manga, kinda regretting it
I knew it for the first time in the manga, so it had a more powerful impact (I cried for a whole week. Not kidding) and the anime managed to make me cry as hard as in the manga. Though, I already was aware and grieved so it wasn't as bad
Got Spoiled :( so kinda meh, saw it coming
When the music kicked in after Connie announced she was gone, my heart broke into a million pieces. 
Let's be honest, Sasha's role was over after she killed the titan in the village and saved Kaya. After that she was just there. She got zero development, zero important moments, zero depth. Her death effected many characters and helped them to develop. Sasha's death was sad but at least brought some important changes in others. 
Not a Sasha fan so I was not really that affected but having a death in the series always feels sour
I think for me, they're both even.....mostly. There's just something about having been waiting for the chapter leaks on reddit with a bunch of other people and most of us collectively grieving at the same time. Once bigger pages of the chapter started coming out, it made me cry. I didn't even cry during serumbowl when I first read it and that had plenty for me to be even more upset about.
Honestly while reading manga I hated that Sasha’s last word was „meat”, it seemed so ridiculous. I’m happy MAPPA made it look more serious with music. Actually everyone’s reaction for Sasha’s death had more impact on me than the death itself
HOW DID YOU FEEL WHEN YOU SAW GABI KILL SASHA IN THE MANGA? AND HOW DO YOU FEEL SEEING IT AGAIN NOW, KNOWING HOW GABI’S ARC DEVELOPS? 247 Responses
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Gabi is perhaps the most controversial character introduced post-time skip. Whether you’re a proud member of the Gabi Gang, proud hater of the 12 year old or just a neural party, everyone can admit that. With Sasha’s death at her hands, many seemed to offer up their opinion on the kid, back then and now. A slight plurality, 31.2%, stated that they did not hate her back when 105 first released and they don’t hate her now. 23.1% note that although they were rather upset with her back down, they are not (upset/angry) any longer. On the flipside, 25.5% state that they still hate the kid, as they did back then. Finally, some were simply neutral. Classic. 
Quite a few write-ins, as well.
I hated her in the manga but after watching the anime, I’m not happy about it but I understand why she did what she did and don’t hate her as much anymore.
I was extremely upset about it before and am still extremely upset about it now, but for different reasons. I hate her less but am not any less annoyed by her brainwashed hatred of the Paradisians, although I understand her much better and realize and empathize that she's just a kid who's been used by her country in the worst way.
Gabi Braun Must Die
Broke my heart and was upset, but understood where she was coming from (thought about her perspective only)
Sasha shoulda killed this cunt while she had the chance
It’s war, she did as she needed to.  Her arc is fantastic 
love hate relationship 
I didn't like her but not because of Sasha death (that's war consequence) and it's the same now
I really hated her with my whole heart and soul, but now that it has been all explained, that she had character development, I even like her now
I used to be angry about it but I understand why now, Gabi is just a victim of Marley’s control just like anyone else is, it’s a shame this is the results of it. She’s still at fault but I can’t hate her so much for it
I feel tired of Gabi hate. I disliked her in the manga back then but now I feel neutral towards her, because she has changed. Yet, I wish she took less screentime. 
SORRY for ranting! I don't understand the hate on Gabe. Yes, I know she killed a Paradise character which was present in series since its beginning and I understand Sasha's fans are upset Sasha is not here anymore because of her. but those people do not analyse Gabe as they should be. Every character belongs to a different side and each side is blinded by what heir belives in. It is okay to not like Gabe but I don't tolerate hate on her. I THINK THIS QUESTION SHOULD NOT HAVE BEEN INCLUDED AT ALL.
Initial hate, understanding after some thought
Understanding her situation I know I shouldn’t hate her, but I’m choosing to be petty and hate her anyway 
I liked her much more than I like her now. She was a much better character back then, her killing Sasha (a one-note comedic relief) was cool and brought some spice to the story. Now she just exists to spout themes and convenient exposition and to be an aimbot
i dislike her, even if i understand her
I dont like Gabi. Never did. It isnt because she killed Sasha tho. I just dont care for Gabi tbh BUT i can totally understand her actions and do not blame her for it after seeing the destruction and killings
I was and still am upset about Sasha's death, but from the start I blamed it more on the circumstances than Gabi.
I loved her then, I love her now and it probably wouldn’t change even if she killed my favourite characters. She’s my cinnamon roll
Gabi did nothing wrong, killing a soldier in the battlefield is not a crime.
See, I WANT to like Gabi since she's obviously changed, but knowing she killed Sasha nonetheless will ALWAYS prevent me from having any love or respect for her. She will always be my most hated character
MAPPA ADDED AN EXTENDED SCENE OF FLOCH AND OTHER SURVEY CORPS RECRUITS BEATING GABI AND FALCO. HOW DID YOU FEEL ABOUT IT? 240 Responses
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MAPPA added an extra scene of Floch and Friends raining down copious amounts of gratuitous violence upon two 12 year olds (MAPPA is pro-child violence???????? Find out when 111 is adapted). 48.8% seemed to think that it was a decent addition, even if just for the SC’s characterization (or perhaps you enjoyed seeing that?). 22.5% thought it was a bit over the top to feature. Finally, 16.7% did not care. 
I didn't like it. But, it was def a believable reaction from them.
I just wish it was enough to kill her
I liked the additional characterization of Floch & co.
Great addition, it was implied in the manga so the scene fitted well. Still, it was horrifying to see how vile the scouts were to two kids
How about an option where we're glad Gabi got beaten to a pulp but not when Falco was?
ORA ORA thing, but we viewers get hurt too. 
Didn't feel bad about Gabi getting beat up, but I did feel bad seeing Falco get beat up. Poor boy didn't deserve that
A nice addition 
I thought it was a great choice to highlight the continuing violence and feelings of vengeance from both sides even more. and I thought it contrasted really well with Jean's decision not to throw the kids out of the airship.
The people glorifying this scene annoy the shit out of me
It's a good way to hint the "Yaegerist" perspective to anime onlies
MUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDA
The Gold Experience memes are funny
It was an IC scene for people like Floch + I feel bad for the kids
The way they shot that scene made the recruits seem like mindless, gross-faced animals storming towards the kids to beat them up. I liked how they were dehumanised like that, considering that most faces amongst them belonged to the ones who support the rumbling. 
It hurt to see that but good scene though
Feel empathy for Gaby. Violence don't solve problems
Now THAT'S what I call fan service! Who needs big-boobed, big-ass females or shirtless guys with and when you can just have the most hated character get the tar beaten out of them xD
I can see why they did it. MAPPA's not dumb and I'm sure they anticipated a massive onslaught on hate towards Gabi specifically, so it was their way of trying to satisfy the haters. Falco didn't deserve it tho.
It was a good addition
GREAT JOB MAPPA
I hate Gabi too but that was too much beating up a child, yet it also showed how shit Floch and the others are.
Apparently some people never noticed that Gabi and Falco got beat up, probably because it happened in the background. So it was good for MAPPA to call attention to it.
I love Gabi but she had that coming. No need to hurt Falco though. :(
OVERALL, HOW WELL DO YOU FEEL MAPPA EXECUTED THE REVEAL THAT ZEKE IS A TRAITOR TO MARLEY? 240 Responses
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The reveal that ZOOK has been working against Marley for years on end is one of the most important ones in the series, really. So it was important to have it be executed in a rather decent manner. The vast majority of the fandom thought that MAPPA did a fine job. 52.1% gave it a rating of 4, 27.5% gave it a 5 and 17.1% gave it a 3. The couple of the other respnders gave it a 2, with no 1s.
IN THE END, DO YOU THINK EREN’S ACTIONS IN MARLEY WERE ULTIMATELY JUSTIFIED? 242 Responses
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A question to remember… Were Eren’s actions in Marley ultimately “justified”? A plurality, 44.6% seems to think so. In contrast, 24% disagree. And 31.4% still aren’t sure to this day.
SIMILARLY, DO YOU THINK THE SURVEY CORPS WAS ULTIMATELY JUSTIFIED IN TREATING EREN AS THEY DID? 244 Responses
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When it comes to the SC treating Eren as they did, the division is much less pronounced however. The majority, 60.7%, think that the SC had quite the justification for treating Eren as they did. On the flip side, 19.7% think that there was such justification for behaving in such a manner towards Eren. Finally, the same amount of responses stated that still can’t be sure to this day.
NOW THAT WE’VE GOTTEN A CLEAR SHOT OF YELENA, DID MAPPA DO HER JUSTICE? 243 Responses
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YELENA is here. Queen 👑. Or well, maybe not. Who am I to say? In any case, her appearance was received well. 52.7% thought MAPPA did very well and 33.7% went on to declare their love for her. Just shy of 10% noted that MAPPA could have done a little better though. 
Kinda wish her hair was like neon or something idk
Need more eps of her to decide, she didn't get much screentime and lines here. 
I don't like Yelena, but yeah I guess they did good.
In the manga she was a creepy-looking person. MAPPA made her unique, interesting and mysterious. I love her voice and her stoic, relaxed self. MAPPA did a good job.  
QUEEN!!!!!
Great adaptation but I still don't like her as a character
Don’t care about her 
don't really care
I hate her and I don't care about her.
WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 247 Responses
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Such a colorful chart for this one. It would appear that slightly over a quarter look most forward to seeing Crykasa at Sasha’s grace. Slightly less (21.9%) want to see Sasha enjoying Niccolo’s cuisine. In third place is the scene with Connie, Jean, Mikasa and Niccolo at Sasha’s grace. The rest are, in order from most to least, Onyankopon and Yelena teaching the Survey Corps about the Port, EMA talking at the shooting range and Hange and Armin learning about Marley’s technology.
HOW HYPED ARE YOU FOR THE UPCOMING TIMESKIP FLASHBACKS? 239 Responses
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The time skip flashbacks seem to be a hit. A little over 51% are super stoked about seeing them animated. Slightly under 24% state that they’ll enjoy them, but are looking forward to other things more. In contrast, 22.6% are ready to go crazy (from a positive standpoint)! Wooo! 
Enjoying AND dreading it at the same time
I just want the centipede
Boring. The only thing what interests me is Historia teasing Mikasa about her crush on Eren. The rest is too jolly. 
I'm looking forward to see Yelena's insane self be animated. That, and more Zeke.
THE MOST RECENT LIST OF FUTURE EPISODE TITLES SHOWS THAT EPISODE 12 WILL LIKELY END AROUND CHAPTERS 109-111, LEAVING CHAPTER 112 (EMA’S ARGUMENT) FOR EPISODE 13. EPISODE 67 WAS ALMOST ENTIRELY ADAPTED FROM CHAPTER 105, PROVING THAT ADAPTING DIALOGUE-HEAVY CHAPTERS FAITHFULLY CAN EASILY REQUIRE THE FULL 20 MINUTES. WITH ONLY 16 EPISODES - AND SO MANY WHICH ARE DIALOGUE-HEAVY - DO YOU THINK THINGS WILL END OFF WITH THE INITIATION OF THE RUMBLING (CH. 122), AS HAS BEEN SPECULATED BY MUCH OF THE FANDOM? 238 Responses
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The manner in which the Season will end is a mystery to even the manga readers. Where will it end? Will it have many cuts? These are the questions. 36.6% seem to think that MAPPA will somehow manage to both end it at Chapter 122 and cut as little as possible. 26.5% don't believe ending on 122 is possible. 12.2% do believe MAPPA will end the Season on 122, but only with many notable cuts. Finally, just a little under 20% are simply not sure. There were a few write-ins as well. 
I hope not, too many cuts would be required 
The is no way they're making it up to 122, at first I thought they were going to finish it off with Eren's head getting blown off in 119, but now that seems like a reach too. Now I think MAPPA is probably going to end this first half of the season with Eren and Pieck's "where is the enemy?" and the warriors arriving to Shiganshina 
I’m not sure right now so I’ll have to see for later episodes for the cut-off point, if it isn’t the Rumbling then it’ll be when Gabi shoots Eren
MOVIE
I'm conflicted. I'm sure they'll end at rumbling because it's the only reasonable point to cut it, but I feel like they're running out of episodes. Then again I'm feeling the same about the state of Manga, there's just too little chapters left to end things up well.
I don't really want to think too much about it, I just want to enjoy the anime lol
I fully expect 119 to be the end
What was the point of rushing Reiner's chapters if you are going to slow down later. Goddamn it MAPPA. 
It'll really depend on the pacing for the next couple episodes, but I'm with a bulk of the fandom that see Chapter 119 Two Brothers being the end point for The Final Season. IF they were to skip the opening and maybe the ending, I can see them transitioning from Eren's head getting blown off immediately into his transformation and the beginning of the Rumbling. But even that is quite farfetched. 
I have no idea, I'm a little worried now. Wouldn't be the first time a lot of content gets cut but if they insist on reaching ch. 122, I just don't see how you do that without butchering a lot. If that happens, it would probably lessen my enjoyment of the season.
Yeah, I think it will have a lot of cuts, but I believe that it will get there because Ymir falling in the tree was in the trailer
ADDITIONAL THOUGHTS ON THE EPISODE?
It's amazing seeing how each week, something with SnK trends! ^^
It still baffles me just how much people insist on hating Gabi, especially when her arc has shown tremendous growth in the manga. Reiner was no better than her when he was a child and continued to insist that Paradisians are devils and chose to further destroy their lives even after sleeping under the same roof as the 104th for 3 whole years and forming personal bonds with them. Yet, his actions are forgivable but Gabi's are not? Both characters have shown remorse for their former beliefs and misdeeds against Paradisians. Both realized that they were in the wrong. The characters have forgiven Gabi. Why can't y'all do the same? People who want Gabi to suffer are no better than they accuse her of being. 
Well done episode which managed to capture the emotions of sasha's death perfectly
monke
I really appreciate Gabi as a character. She has spunk and a strong character arc in which she changes and grows more than anyone in the last 30 chapters of the manga, save maybe Mikasa (ignoring how Eren, Reiner, Armin and maybe a few others changed during the timeskip). It makes me sad seeing people wishing for her to die and praising Floch and the others for kicking her.
Gabi absolutely deserves the hate she gets
I absolutely love to see the anime-onlies mass hate of GabBitch, does my heart good xD
Boring ,too much Gabi she is annoying
Time to strap in: wild ride ahead!
Gabi Braun is the WORST character, her arc was poorly written and the moment she kills Sasha solidifies her rightful place as most hated character
No development has made me stop hating Gabi. The wound of Sasha's death will ALWAYS overshadow any crocodile tears Gabi may cry.
Kudos to Jean's and Connie's voice actors. Emotions were so raw and natural.
so good! they're really nailing down the emotional beats so far!
Dialogue-heavy but still amazing! Also the music was great
I didn't felt anything when Sasha died. Even the first time, in the manga. She hasn't enough personnality for me to care. Erwin and Bertolt's death were more saddening for me. Stop hating Gabi. She was in grief and she did what Marley brainwashed her to. And Sasha killed people right in front of her, so…
1 chapter was too little to be adapted for an episode, you could tell some scenes were stretched to fit the runtime
The music they chose for the scene of Sasha passing was also the same music they used when the Survey Corps first donned their capes and Eren found out Marco was dead... man, that song is gonna hit harder than ever now
It didn’t help with the overwhelming amount of hate Gabi is getting. I hope Mappa does her justice because she’s a great character but the Anime only seem to hate her because its a “funny” “popular” thing but it really isn’t... shows who really is paying attention to the story and the people who are watching it because it’s popular and trendy 
People who are hating on Gabi do not understand the themes portrayed in AoT
Pretty solid overall. Wonderful bits of animation such as the ODM bits and the solid character acting from Sasha going down, Mikasa and Armin is distress, personal highlight being Gabi's reload animation. Good ost choices, nice addition of Samuel and Daz to foreshadow their conflict later on in the story, and great work from Connie, Gabi and Eren's VAs.
Friendly reminder that just because we hate Gabi does NOT mean we don't "understand" the story or themes. We just don't care because Gabi is a bad character.
U mad at Gabi for what she did ? Did she kill Potato girl for no reason? Imgine a kid, at least 3 years younger than the 104th, made fighting on WARS and praised for it, brainwashed by Marley that Paradisians are devils, and these devils came in her home, killing her friends and this WOMAN killed in front of her eyes two people who tried to protect her. Don't be mad at Gabi. Grieve for Sasha, okay, but stop hating Gabi. You're the worst when you do it
Hey Gabiatans: as long as you're not threatening the VA or other RL p olle, it's PERFECTLY fine to hate Gabi. Period. We don't have to like her, and it's not like we don't "understand" her just because we hate her. I "understand" a lot of Germans were forcibly coerced into joining the Nazi regime, but I don't have to pity then for any consequences that came for them.
Leviiiiiii
I was surprised that Mikasa and Armin crying over Sasha had no voice over. I thought it was still effective but I'm not sure if I prefer it. Other than that, the character animation was amazing this episode. Gabi's hands as she reloaded the rifle and Armin crying were my favorites. Overall, everything was pretty perfect and I love it when a chapter gets adapted in full with basically no cuts. One of the best episodes in the series and a proper send off for Sasha.
Wonderfully done episode! They truly did Gabi and Falco's perspectives justice. Also, seeing Eren's expressions and reactions in animated format was clarifying and super well done, too!
WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 227 Responses
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Thanks again to everyone who participated! 
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babyybitchhh · 2 years
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My thoughts on all the Shonen Jump announcements, potential spoilers:
One Piece movie Red is sure to be a real treat given all the obvious musical influences, Robin’s outfit is my favorite aesthetically but Brook is stealing the show for me. The pigtails, the clothes, the thought of him rapping. I’m here for the whole package tbh. 10/10 I saw someone asking if Usopp dressing like Gene Simmons means his tongue is as long as his nose and I said, sir … 😏 say less
Hori saying the series will end in a year, “if everything goes smooth” … I do have my doubts about that statement, ofc, but either way he’d better figure out how he’s going to bring Rody in during that time 👏😤
Oh, and Bakugou is absolutely going to fuck Ochako. I wasn’t convinced until now but I absolutely believe it. I’m leaning towards the idea that Deku might end up with Hatsume, if anyone, but that is neither here nor there
I don’t really understand why they’re handling Dr Stones adaption this way and it’s a little frustrating, I can’t believe I have to wait until 2023 to see the island arc animated? At the rate they’re going it’ll be 2026 by the time Luna finally shows up, I hate it here 😔
Rurouni Kenshin getting a new anime was the very last thing I expected, it should be interesting when we get more details about what it will cover
On the flip side the rumor that Bastard!! would be getting a new anime but there was no confirmation … I cry. I admit I was tentatively hopeful about it 🤡
Dragon Ball Super’s movie … I don’t like it one bit. The CGI itself isn’t necessarily bad, I guess, but it still looks so wrong. I’ll admit the shot of Vegeta swiping his nose was nice, but that’s not enough to make me accept this CGI bullshit. Tbh DB definitely reaches a point where it’s animation gets too updated and it looses a good chunk of its charm imo but this just really takes the cake, I tell you what
Jigokuraku’s trailer was pretty damn satisfying, I am looking forward to this one. I read a good chunk of the manga when it’s adaption was first announced and I’ve just been twiddling my thumbs ever since, so I’m just glad we finally got something lol
Spy x Family’s trailer was likewise promising, I never checked this one out but I might do it now. It certainly looks fun, and the little girl is super cute. Yes, I will be self inserting, look away ✋😭
JJK’s trailer was a blur for me that consisted entirely of Suguru and nothing but Suguru, and I’m just glad he’s finally getting treated properly. He’s so pretty??? The stark difference between movie Suguru and tv anime Suguru is night and day, idk why they did him like that, and no, I don’t think the brain worms are to blame in this case. Mappa just wanted to stroke Gojo’s cock too much to care about anyone else and it really shows. 😒
Finally, finding out how much control Kubo was given over the final Bleach arc is VERY promising imo. I just hope the animation quality stays somewhat consistent with what we saw in the trailer because one of the old anime’s biggest flaws was it’s obvious lack of a budget. Yes, it looked good at times but by and large it was always fighting for its life, which I think played a large part in its cancellation. And yes, I’m going to finish watching it before the last season airs 🙄 That long ass filler arc right after the Soul Society shit killed all of my interest, unfortunately, but I WILL complete it.
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bunneechan · 3 years
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Tiny rant from a tiny tumblr.
Back when I heard Attack on Titan was going to have a new animation studio, I wasn't very supportive of it. I was actually nervous that they will butcher the way the characters looked and that it will be bad overall. I really liked Wit's adaptation of Attack on Titan and it's definitely one we are so used to after 3 seasons. So maybe the idea of a change in animation studios was scary. Because we do not know what to expect.
December 07, 2020. The final season of Attack on Titan starts. The first episode is aired. I've read the manga by that point and I've watched the trailer. I should know what to expect, regardless of how it is going to look.
But damn. Mappa studios... really served. They DID NOT disappoint. The cinematography is so beautiful, the music is amazing, their added scenes really blend well with the show. Why were people so bitter about it? Why was I so scared before?
Is it the cuts? Yes. I do find it disappointing that so much was cut from Reiner's backstory. I love how he developed from the manga and I was really hoping to see it animated. BUT it doesn't make me hate it and I definitely understand given that they announced only 16 episodes for this season.
Is it the music? Is it the CGI? These were all so well-done by Mappa. They really nailed it.
I get it though, maybe some of these haters have been fucked over by change before and they are genuinely upset about this.
BUT THAT STILL DOESN'T GIVE THEM THE RIGHT TO HARASS THE STAFF AS IF THEY'RE THE ONES PAYING THEM.
You're upset? All right fine. It's up to you if wanna continue watching it or just stick to the manga or whatever.
You're upset so you decide to send hate and harass the animation staff for doing their jobs? You are a loser who needs to fuck off and use your free time to work on being a decent human being.
If Mappa studios can somehow see this, seriously, THANK YOU. Your adaptation of Attack on Titan is beautiful. Keep it up! We really look forward to the next episodes. I cannot speak for all, but it is definitely the highlight of my week.
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time-and-souvenir · 4 years
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My thoughts on “Connected Memories” episode 7 of Koi to Producer:
I’m just going to put everything under a read more for the moment, I know not everyone has seen it yet. So if you don’t want to know spoilers, you’ve been warned.
So chapter ten is arguably one of the best chapters in MLQC. I started playing this game at the end of September 2019 and by the end of October I was at chapter ten. I don’t think I have EVER played through ANY otome game as fast as I have with MLQC, lol. Playing through the first ten chapters I had no clue how big, serious and connected everything was.  Seriously, I still don’t know how I didn’t know or realize what was going on considering all the hints and foreshadowing but I truly had no idea. To be fair though, not knowing what was to come made chapter ten even more amazing for me. From the moment I encountered Victor and heard Ben as his voice (if you’ve been following me for a bit you should realize that I’m a fan of his, no matter how much it annoys me that he won’t talk about Victor or the game lol)  Victor became my favorite. I really liked Gavin, I fell for Kiro (which still shocks me to this day lol) during the hacker chapter and Lucien just frustrated me and something seemed off (glad I realized it from the beginning, didn’t hurt as bad when everything changed chapter eleven+) but even though he was mean, stuck up and said the stupidest things to MC...I continued to like and be drawn to Victor. 
After going through and finishing chapter ten, I became completely and uttered in love with him. Victor became my number one, PERIOD.  He had his faults but wow, what a freaking game changer. Literally. Getting tricked into the fake TV show together, running through the same place/scenario that Victor and MC did trying to escape Black Swan as children and MC again saving Victor from getting hurt. It was well done, explained things thoroughly, beautifully drawn and had me on the edge of my seat. So when the MLQC anime, AKA Koi to Producer was announced later last year, I got so excited because I was really excited to see the game in anime form. 
Now I’ve watched hundreds of animes; lots of manga to anime adaptations and after the first couple of times I made a promise to myself: I would not get overly too excited because not everything translates from manga to anime very well. So when Koi to Producer was announced, I was excited but didn’t get my hopes up that much. I was just thankful that we were even getting our game turned into an anime at all. Do you know how many wonderful mangas NEVER get the chance to become an anime? No matter what I was going to watch Koi to Producer and give it a chance.
Flash forward to now. Episode seven/Connected Memories/chapter ten of MLQC aired yesterday and honestly? It wasn’t bad, it wasn’t good...it just was. Since MAPPA Studios was doing the animation I had some higher expectations but it just wasn’t the best. What the heck MAPPA?! Were you too busy giving your time and energy to the trainwreck that is Attack on Titan?! Sheesh, lol! But yeah...I was disappointed with the animation AND some of the changes. 
I was most annoyed by the fact that they had some random Black Swan lackey hurt MC and not Shaw?! What the heck?! It was badass in the game with the storm rolling in the background and Victor using his powers and such..why would that be changed? Also....I am pretty sure Victor didn’t lose control of his evol either in the game? What the what? I get in saying that happened to him it helped move along information for future episodes, but still ugh. The pacing was also disappointed but hey, it’s an anime and they have a lot to put in there but still...the pacing was very up and down.
Overall, I was a bit disappointed and feeling meh about the episode because chapter ten has SUCH a special place in my heart. But again, I am just grateful that I get to see MLQC into an anime. Rushed or not, I’m seeing my favorite game play out as an anime. Maybe it’s not the MLQC we know and love, but it’s bits and pieces and that’s enough for me. What are your thoughts on this episode? Were you disappointed or happy with it?  
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x0401x · 4 years
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Have you watched Tsurune, by an chance? If yes, what do you think about it?
Finally managed to write down a reply for this! (Told y’all I was gonna do it and I did not give up, lmao.)
So this ask caught me off-guard for two reasons: one is that I never see it coming when people send me Tsurune asks now that the anime is long over and the fandom is inactive, and the other is that nobody has ever asked me this question so straightforwardly. Whenever I got asks about Tsurune, people would question me about the differences between anime and novel, the anime versions versus the canon versions of the characters, fanservice and ship tease, alterations in character relationships and my opinions on specific episodes, chapters or scenes. As far as I remember, no one has ever asked me what I think of the anime (or the novel) in general.
I won’t go into the novel since this ask is just about the anime (I can do that in another one if you like), but I’ll end up mentioning it every now and then because it’s pretty impossible to discuss about an adaptation without talking about its source material. Still, I promise this review won’t be centered on that.
This is actually a very condensed version of my thoughts, because the real thing would be a bible. It’s still a lot, though. Here comes a long-ass ride.
I guess I should start by making clear that I usually follow the history of KyoAni’s productions very closely as I’m a big fan of the studio. This includes reading the novels and mangas they adapt into anime as well. I had read volume 1 by the time the Tsurune anime came out, so I already knew what the canon was like. I must add that I was also familiar with Japanese archery to some degree and I was reading Zen in the Art of Archery when the anime was airing (it’s referenced early in the novel, so I decided to give it a try).
With all of this being said, when it was announced that Tsurune would get an anime, my first reaction was to worry. This surprised even me, because I usually have high hopes for any KyoAni adaptation, even the ones I end up not liking. I mean, it’s a studio filled with brilliant stars and holds the golden standards of the whole industry, so even when the content isn’t good, the quality of the animation itself is enough to make their shows worth anyone’s time. But the choice of director had me very concerned.
Now, this is Kyoto Animation that we’re talking about. In no moment did I fear for the animation’s quality. Most of Tsurune’s staff members, if not all, already had previous experience working on Violet Evergarden. And we all know that even newcomers freshly graduated from KyoAni’s preparatory school can make a stunning visual masterpiece. Yes, I am talking about Kyoukai no Kanata. And yes, I said visual masterpiece, because we also know that what these productions normally lack is the most essential part: the content.
In those cases, the one who actually makes a difference is the director. I’m a firm believer that the more inexperienced the staff is, the more competent a director they should be placed under. If not a senior animator, at least let it be a rising talent with the best prospects possible. But the schedules usually don’t help with that, so these hatchlings ended up under Yamamura Takuya’s wings.
To elaborate a bit further on why I think brighter animators should be the ones leading new packs (no, it’s not discrimination against the less accomplished, because you gotta start from somewhere), it’s because they usually have this knack for bringing the most out of the stories they’re working on. When the story is great by itself, that’s a different thing, but when it doesn’t quite reach its full potential with just the text, then the one to give it life has to be a person with more vision.
Am I saying that Tsurune is one of those stories? Absolutely. Tsurune is about archery, which is an art that is best appreciated when observed. You can’t get everything out of it just with words, and there are many things in it that people who don’t know much or know nothing about Japanese archery wouldn’t understand without actually seeing them, so the series obviously needed an anime in order to reach its full potential. But other than that, I’ll be honest: I love the Tsurune novel for its cultural baggage, the handling of its characters and its fairly innovative views in the repetitive and boring scene that sports animanga are nowadays, but I don’t consider it a well-written novel. Because it isn’t.
This might seem controvesial coming from someone who defends the canon with claws and teeth, but I’m aware of its flaws. I think Ayano Kotoko has a lot of room for improvement, and she’s evolved remarkably from volume 1 to volume 2. But volume 1 is what the anime was based off, so there was a deep need for a clinical eye in that production. One that could measure the original work’s strengths and weaknesses and balance them out by powering one up and overcoming the other. And also a certain level of knowledge about Japanese archery. Sadly, Yamamura Takuya didn’t have any of it.
As much as I admire Yamamura as a key animator and in-betweener, I believe he has a long way to go before he can be considered a good director, and I certainly don’t think he was ready for his debut when he was put in charge of Tsurune. I would rather, and I mean this in a good way, have seen him work as anything else for the rest of his career. Being a series director was too much for him. I say this taking into consideration not only the fiasco that the Tsurune anime was in sales but also Yamamura’s history in the studio before becoming a director.
This might sound funny, but Yamamura had no idea how big Animation Do and KyoAni were before he decided to join. He also was never very skilled. His in-betweening was actually not approved at first when he was trying to enter the company. He even once admitted that his knowledge of animation was extremely limited at the time, and what a time that was, because the studio was busy up to the neck with the making of Lucky Star back then. He didn’t know left and right, basically, and he recalled in an interview from last year that he is still surprised the studio actually hired him.
Despite all of this, Yamamura joined the company with the intention of becoming a director. While he did manage the feat in the end, it took him +10 years and a few frustrated attempts. Animators usually start out at in-betweening and earn other positions through passing exams. Yamamura failed his first exam to be key animator, only managing to pass half a year later. He also failed his first exam to become a director. At his second attempt, one of their colleagues even suggested that maybe he should stay a bit longer as a key animator, and I couldn’t agree more. While he did pass the test, I can only bring myself to think that he did so with an average score.
Now, I did say that this info came from a 2019 interview, when the Tsurune anime was already over. But they weren’t really what shaped my opinion on Yamamura regarding his direction. It was the anime itself. But this interview served to confirm something I had already noticed from his tragectory to series direction: with him being in the studio for so long and having worked on so many titles, it was weird to me that he was rarely an episode director in comparison to key animation and in-betweening. Episode direction is a step that I consider crucial for one to become either series director, animation supervisor or series composer. I do know that quite a few directors take just as long as he did or even longer to debut and actually do thrive in the end, but observing Yamamura’s work always gave me the impression that he was better off following decisions made by someone else rather than making his own.
Yamamura also loses points with me in that he’s backed up within the company by Kawanami Eisaku, another director who doesn’t get rave reviews on his works. He’s the one who replaced Utsumi Hiroko after she migrated to Mappa, and ever since he took over the Free! franchise, its sales decreased to less than 1/3 of each of the first two seasons separately. I personally don’t like that he seems to look down on Utsumi despite his lack of success in inheriting her legacy, but leaving this aside and focusing only on his skills, I’m not fond of directors who opt for simplistic approaches in general. I think animation is a medium that should be used to amplify the appeal of the source material, not water it down. It also feels like these kinds of directors are always trying to play safe, which (they don’t seem to realize) goes against the audience’s expectations and kills the hype. It strikes me as cowardly, to be frank. I also don’t like when they ignore what the characters had been building up and simply retool them to their own tastes. I was praying that Yamamura would be different from this bad example, but turns out he was actually worse.
I got a really bad feeling when the anime PVs of Tsurune were released. My very first impression was that Yamamura was still too much of a beginner and he wouldn’t be able to make Tsurune into a successful anime. I know this might seem like an exaggeration, but here’s the thing: ever since KyoAni started making its own titles, I’d never seen lack of hype for their upcoming works. Ever.
Until Tsurune.
Every time a PV of a KyoAni show comes out, people go crazy. It’s not always a frenzy like it was with Free! in its heyday or Violet Evergarden when the novel commercials were the only pieces of animation we had of it, but there’s usually lots of debate and speculations going on. With Tsurune, almost no one cared. You’d see next to nobody talking about it save from a few people on Reddit. And honestly, why should they bother? It didn’t seem promising at all. Didn’t show much of the characters or the story’s premise, didn’t highlight any particularly interest aspect of the plot and didn’t leave any impression animation-wise. It was very bland, to say the least. Unfortunately, so was the anime series.
It might be blunt of me, but my overall evaluation of Tsurune is that it was a really boring show. Nearly all elements that made the story and characters interesting were either taken out or squeezed into a cookie cutter mold, cliche version of what they looked like they were going to be at first but turned out not to be in the novel. And I say this because one of the things that make Tsurune a good novel is how it turns stereotypes upside-down. It introduces the readers into what seems like is going to be a typical sports shounen and starts out describing the character archetypes in the most common ways possible and puts them in the most common situations possible, then it reverses them all. That’s what’s most charismatic about the books. It’s what incites actual character development and gives us different sides of each relationship, yet the anime makes no use of it.
The anime also hardly makes any use of all the mystic, Zen and lowkey folklore-ish veils of the novel, which are supposed to add up to the archery elements. The Zen part is actually essential since Japanese archery is fundamentally a Zen form of art. Yes, art. Japanese archery is, in fact, not a sport. This is one of the aspects that elevate Tsurune above other works of the sports genre: it’s only categorized as such because it can’t fit anywhere else, but it’s not really a sports novel. That could have elevated the anime to the same status too, if only the studio hadn’t treated it like a sports one. But they made that mistake.
Still, I think the biggest sin in this adaptation was to try to cling to tropes that are considered successful and ignoring the characters’ personalities, which didn’t match these tropes at all, resulting in both characters and bonds being utterly destroyed and the flow of the story slowing down to a slug pace. By the second half of the anime, literally either nothing interesting happens or the things that were supposed to be interesting don’t hold the audience’s attention enough, which the animators attempt to cover up with queerbait. Everything is so tediously predictable that I’ve seen countless comments from the Japanese side of the fandom about how similar the Tsurune anime was to Free! and how “KyoAni only ever makes male characters like that, don’t they”. They were referring to Seiya and his weird jealousy, by the way. Even first-timers could tell that the characterization was a disaster.
The sad thing is, they were right. The Tsurune anime really did feel highkey like a Free! copycat in the characterization department. The main character is always getting swung about by everyone around him. The best friend is very clearly co-dependent. The deuteragonist is revealed to be bitter because of a deceased relative and is an asshole to the rest of the main cast for a good portion of the series. The rival from the other school is rude as hell for no reason and he’s got annoying groupies on his team who don’t exist outside of idolizing him. There are only four female characters and they have almost no screen time. And the list goes on.
As for the animation itself, I would like to say that it was perfect, but what really rang the alarm in my head was the many beginner mistakes so evident here and there, such as missing frames, the opening theme starting out of nowhere, the colors of the background often being too bland, lack of movement or scenes where the characters are too static, etc. I shit you not that when I saw the title splashing onto the screen all of a sudden in the initial ten seconds of episode one, the first thing I thought was, “This won’t sell well”. Sure enough, it didn’t.
So there you have it. I didn’t like the show. The only things I enjoyed were the archery scenes and the soundtrack. The rest simply didn’t do justice to the original work. I hope this summary has explained why, but if you want more info on it, maybe visit my Tsurune tag. You’ll find me elaborating more on particular topics in response to similar asks. Or you can send me other questions if you feel like.
That’s it!
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recentanimenews · 4 years
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The God of High School Script Writer Reveals the Challenges and Rewards of Writing for Action Shows
The God of High School, the newest project in the Crunchyroll Originals lineup, is easily one of the most anticipated titles this season. This action-packed martial arts anime based on the hit WEBTOON series by Yongje Park launching TODAY is for sure the show to check out this season for your shonen battle fix!
In anticipation of today’s launch, we took the time to sit down with the scriptwriter for The God of High School, Kiyoko Yoshimura! In the past, she’s written for anime titles such as GRANBLUE FANTASY: The Animation, GARO -VANISHING LINE-, Sonic X, and now The God of High School. She told us all about her job from her daily schedule as a scriptwriter to the challenges of writing action scenes and the many reasons why you should be watching The God of High School this season!
How did you get your start in writing for anime? I’ve always watched a lot of anime because I enjoy it, but I didn’t aspire to be a scriptwriter right from the beginning. I was an otaku who hoped to be a light novel author and submitted my writing to magazines all the time. I just happened to meet a certain famous scriptwriter on a certain anime fan site, and we started communicating by email. At the time, there was a shortage of anime production staff due to a sudden explosion in the number of anime series being broadcast, so that writer asked me if I wanted to try writing scripts for the project they were doing the series composition for. That project was Jibaku-kun, and I was already a fan of its author, Shibata-sensei, and I was able to dive right into the project since I had already read the manga. So that was my first success, and it was the starting point in getting to where I am now.
    What particular challenges do you face as a writer when adapting a script for anime from existing source material? When I’m in a creative role, I look for the things I personally enjoy and find appealing in the series, whether it’s the characters, the worldview, or the setting, and I focus on those positive feelings as I write. If I don’t feel anything positive toward a series as the writer working on it, then I can’t create something that other people will enjoy. From there, I write the scripts based on consideration of the visuals that the director wants, what everyone hopes the anime will be, and a web of other opinions.
  Are there any common challenges about writing for anime that fans might not realize? This connects to question 2, but I’m generally the type that prefers to write anime based on positive feelings toward it, whether it’s “This is fun,” “I like this,” “This is really interesting,” or “This is so cool.” It makes me happiest when viewers look at something I thought was awesome, and talk about how awesome it is.
  How did you come to work on The God of High School? I worked with Director Park on MAPPA’s VANISHING LINE, and Producer Otsuka asked me to work with them again on this project. VANISHING LINE was very well-received and showed me how amazing Director Park’s work is, so I accepted the job immediately. Also, I personally love battle stories and tales of young people growing up.
    How does adapting a WEBTOON series compare to adapting a manga? I didn’t really notice that many differences. As far as writing scripts goes, I think the best thing about shows based on manga is that the visual composition of each scene in the story already exists, and we can see the image we want to create right from the start. And in GOH’s case, the art and composition of the battle scenes look amazing, so those are the main benchmarks I use to write the scripts.
  What about The God of High School’s story drew you to it most when reading through the original source material? The fact that Mori, Daewi, and Mira start out so distant, but gradually grow closer and more bonded as teammates. Then, after Ilpyo comes into the picture, the scene where the four of them are seen walking away shoulder-to-shoulder really moved me. And also Jegal’s life of unanswered hopes ... He’s an antagonist, but just condemning him alone won’t fix things, and that really made me think about how harsh that kind of world is.
  Could you walk us through a day in the life of a scriptwriter? How do you manage your time throughout the day? An anime writer’s job basically consists of weekly meetings to read each other’s scripts, discussing problem points, going home and making corrections, then resubmitting them and meeting to read them again. It’s quite a mundane cycle. And working on GOH isn’t all that different from working on any other anime. Our meetings involved a lot of staff living in other countries, so we had a lot of remote meetings, but that’s about it. As for my home life, I’m also a mother with a son in elementary school, so I make his breakfast and send him to school in the mornings, help him with his homework, clean the house ... and do some writing in between. When things get really busy, I ask my own mother, who lives in my neighborhood, to help with some of my housework. I can’t express how grateful I am for my family.
  What is the process like for composing a script, from beginning the project to final delivery? The process varies a bit depending on the project, but generally, when I’m doing series composition, I start by coming up with a rough draft of the series as a whole, which is reviewed and discussed by the director and staff. Then we move on to each individual episode’s plot ... deciding what role the number of episodes will play in the series, determining the points where developments happen, and rationing out the work, and from there each writer starts working on their scripts. Occasionally, we’ll be working on a script for a later episode that ends up depicting some development that will require an earlier, not-yet-complete episode to be written in a certain way, so we make those adjustments as needed. When the scripts for all episodes are finished, we pass them along to the production and animation departments, and that concludes the writer’s role. From there, we look forward to seeing the finished product along with the fans!
  Could you tell us how exactly a fight scene looks when you script it? How much of the flow of the battle is in your script? I’ve heard that with things like live-action and tokusatsu series, the fight scenes aren’t written in detail in the scripts; instead, they’re composed right there on the scene by acting and filming specialists. But most anime projects call for fight scenes to be depicted in some degree of detail in the scripts. It directly connects to the time allotment and required number of drawings for the episode, so that needs to be controlled in the scriptwriting stage. At a bare minimum, the script needs to explain who does what, and what effects it has. I don’t usually write every single punch and kick in detail, but in a scene where, for example, a character who was thought to be right-handed suddenly uses their left hand and wins, those details need to be clearly written in the script. In the case of GOH, the battle scenes are composed in very fine detail in the original work, so I generally followed suit in the anime scripts. The most important thing was to make sure the changes in the characters’ feelings as they fought were in agreement with the visual highlights of the animation. If we focused only on the visual depiction, the characters’ emotional expressions would have been left out, and they’d all just be slamming into each other with flashy imagery. Portraying the emotions of a scene through monologues, flashbacks, other characters’ facial expressions, the announcer’s voice, etc., is the most important part of scriptwriting.
  South Korea is a fairly novel setting for an anime. Did writing for a real-world, non-Japanese setting affect how you approached your work at all? While most anime produced in Japan are also set in Japan, there are also many that aren’t, so I didn’t notice that much of a difference. VANISHING LINE, which I worked on with Director Park, was set in America! Still, even though Japan and Korea are geographically close, their languages are quite different (especially the pronunciation), so I did struggle a bit with things like proper nouns and place names.
  Action shows like The God of High School are never just action shows, they also have plenty of comedic and emotional aspects to them as well. Are there any specific tonal scenes you enjoy writing most? One is Mori’s birthday episode. It’s a scene where everything he’s accomplished comes together in the form of a strong bond. Murakoshi-san, the writer of that episode’s script, made that scene extremely emotional. Another is the final preliminary round between Mori and Daewi. It’s the first major climax in the series, and Daewi’s personal drama becomes deeply involved in it, so I tried my best to make it a really intense scene.
    Is there any character in The God of High School you’ve enjoyed writing the most? All the characters do have their own unique charms, but it’s hard to choose just one since it’s much more fun to see how they all bounce off of each other. They’re all strong, remarkable characters, but they have playful sides and even some cute weaknesses that are brought out so skillfully when they’re interacting. Mori and Daewi, Daewi and Mira, Ilpyo and Jegal, Commissioners Q and O, Commissioner Q and Daewi, Taejin and young Ilpyo ... yeah, I just can’t choose (lol)
  The God of High School is, of course, one of the newest Crunchyroll Original productions coming soon. How has working on this production compared to other standard ones you’ve been a part of? Director Park came up with several highly ambitious plans, and he was very passionate about making them into reality, so I couldn’t help feeling like this project was going to turn out well worth all the effort. It was very exciting to work on, and I’m excited to see it when it airs.
  Finally, do you have anything you’d like to say to fans eagerly anticipating the anime’s debut this summer? All of us on the anime staff devoted everything we had to faithfully recreating the intense developments of the original work in animated format. Unlike manga series that you take your time reading at your own pace, the animation will drag all of you into the world of God of High School with the speed and impact of a crashing wave. The action and drama are so fast-paced, you won’t have time to blink! I hope you all enjoy it!
  READ THE OFFICIAL GOD OF HIGH SCHOOL WEBTOON SERIES HERE AND WATCH THE GOD OF HIGH SCHOOL ON CRUNCHYROLL!
Danni Wilmoth is a Features writer for Crunchyroll and co-host of the video game podcast Indiecent. You can find more words from her on Twitter @NanamisEgg.
Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
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lia-nikiforov · 5 years
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Spring 2019 Anime Anticipation rundown
Whilst I finish writing my monstrous Fall-Winter review, let’s have a quick rundown of the new shows I’m looking forward to for the upcoming spring season.
Sequels: Attack on Titan 3 part 2, One Punch Man 2 (worried about the full staff rehaul though), and Bungo Stray Dogs 3. Nothing much to add in that regard, they’re all pretty high profile.
Must watch
Sarazanmai: I don’t know what’s the deal with MAPPA, ever since Yuri on Ice they’ve been pumping out unique stories one after the other, with great quality and visionary creators with strong points of view. Sayokan, Utsumi Hiroko and now they even got their paws on Ikuhara. I’m so excited to see a new original story from Ikuni, specially to see him for the first time addressing the male experience of which he’s always seemed to have a negative opinion. I’m seriously seriously super hyped about this one, the plot sounds cuckoo bananas and the style is vibrant and exciting. (First impressions of the pre-screening are coming out and everyone seems super hyped!!!)
Fruits Basket: Unlike American anime fans my age, I never watched the original Fruits Basket anime. I did however read the whole manga (and still own it) and I love it to pieces. Knowing how upset Takaya had been with how the first anime turned out, I’d never held hope of getting a readaptation, and I’m so happy and excited that it’s actually happening! I’m really happy that Takaya had this chance of seizing control of her own creation and having it adapted the way she wants to. Can’t wait to see it.
Carole & Tuesday: I guess this section is all about creators whose work I already like, this time at the hands of Shinichiro Watanabe and BONES, my other favorite studio. They also seemed to have gone out of their way to make interesting casting choices, specially the singing voices and I’m really looking forward to that. I also love the stylish production and character designs
Optimistic about:
Kimetsu no Yaiba: Although not as hyped as Neverland, I’ve heard good things about this series and the plot sounds interesting. I do tend to try out most Shonen Jump stuff anyway. I’m worried about ufotable’s involvement though, for all their visual pizzaz, all of their recent productions after Fate/Zero have been lacking in storytelling.
Namu Amida Butsu! Rendai Utena: It has fantasy elements mixed in with some sort of historical setting and I like the character designs. The plot sounds otherwise generic but giving it the additional dimension of making them characters from the Buddhist pantheon could make it interesting and educational. It’s a coin toss
number 24: This one was announced very recently and it looks like a quieter, softer take on rugby compared to All Out! Although I’m not against campy bombastic sports shows (hello I love Yowapeda and All Out), i think the trend of more thoughtful down-to-earth sports anime have given us real gems like KazeTsuyo and of course YOI, so i’m very intrigued by how it’ll turn out. Bonus points for being college-centric.
Curious about
Mix: So this one’s kind of a sequel of a classic and critically acclaimed baseball anime called Touch which I’ve never watched. It’s entirely possible it won’t be possible to watch it without knowledge of the previous series, but I want to give it a shot. Maybe this can be the anime that gets me into baseball, something many before have tried and failed at
Fairy Gone: On one hand the plot sounds like a cool fantasy concept, on the other for some reason it gives me Goblin Slayer vibes. I’ll check the first episode
Kono Oto Tomare!: I wasn’t initially interested in this one but i’ve seen a few blogs I follow showing hype about the series and it’s another music-themed anime -which tend to turn out really bad, with few exceptions. The designs remind me of Ao Haru Ride or Ore Monogatari. I’m also interested in hearing koto music and how much variety there may be for that instrument, as I’ve only ever heard a couple of pieces in my life and am not too familiar with its music
Mayonaka Occult Koumuin: I like anime about youkai and other supernatural beings *shrug*. The designs don’t look super interesting to me so far, but as you can see this list is quite short, so I may have time to check it out.
And that’s it for now, please let me know which shows you’re looking forward to in this upcoming season and if you think maybe i’m missing out on something!
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bananafishlovers · 6 years
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BF anime watcher and new time manga reader (almost finished but getting through this whirlwind of a manga is wooo) Do you think Studio Mappa will start faithful to the story? With the first two episodes, I think they did fairly well.
Welcome new BF fan. 
I had expectations for the anime since it was announced last year, I have been following every news update ever since. The fanbase was small and every piece of info we had was analyzed and discussed , we all loved the manga very much, we all had fears , so many fears. I had my blind faith in the anime team , they seemed all capable on paper , I wanted to believe that they would do a good job but the show wasn’t even out yet so anything was possible. 
When anime Ash was first reviled in the PV not everybody liked the hair , heck I hated his hair and when they said it was in a modern setting we the fanbase where upset …but Ash’s new hair grew on me and the idea of a modern setting seemed a interesting take for the story, I was curious but still afraid. ( this was in February of 2018. )
But now after two episodes I can happily say that Mappa has done a faithful job on the adaptation.
The different creative camera angles in some shots , the action , the directing, anime is a different medium then the manga they have a lot more freedom when it comes to animating movement and action and oh boy did they use all of it just so damn right. Every scene was used to its full potential and some scenes where even improved then how they where done in the manga.
I am so happy with the anime that I have no fears anymore going in. So much effort and love has been put into it and it really shows , I have a deep respect for the anime team of Banana Fish and I cant wait to see more.
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lovelylonelybrenda · 2 years
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March 2022 Reads
This month I decided to take my reading goals a lot more seriously and this was the result. According to Storygraph I went through 11 books this month. 
3 graphic novels, 3 manga and 5 books
Shadow of the Batgirl - Sarah Kuhn w/ Nicole Goux ( illustrator) 
Start & End: March 2nd 
When I first went to my local library to get a library card, I found this graphic novel displayed and instantly remembered I had been meaning to read it but never got a chance to. I think it was first announced or released during quarantine (when it was at its peak) and a lot of people I followed seemed excited about it. Honestly, I don’t know much about Cassandra Cain so I thought it was a very cute read as well as a simple enough introduction to her character. 
I was their American Dream: A Graphic Memoir - Malaka Gharib 
Start & End: March 7th 
This was a required reading I had for my English class, and when only the first two chapters were assigned, I ended up reading the wholething in one sitting. It's a very quick read, but it's not as light-hearted as it may seem. When you really sit down and read the book, and break it down like I had to do for a paper, you end up with this sad and relatable story of how it feels to grow up as a first-generation American. 
The Witch’s Heart - Genevieve Gorichec 
Start: February 28th 
End: March 13th 
I picked up this book when I went book shopping with my friends and I was very hesitant to buy it. I don’t know much about Norse mythology and the story revolves around one of Loki’s wives. But despite that, it wasn’t as hard to follow and the character list at the back of the book helped tremendously. Not very plot-based, more character-based. It did feel long at certain points because there wasn’t too much action. Also liked how Angrboda’s different forms of love shine throughout the novel 
Batman: Battle for the Cowl - Tony S. Daniel with Fabian Nicieza, Sandu Florea, Dustin Nguyen, Guillem March, ChrisCross, Jamie McKelvie, Alex Konat, Mark McKenna
Start: March 18th 
End: March 20th 
I never actually read the storyline but I did know how it was going to end. I love reading the beginnings of Dick and Damian's dynamics. I read it in two sittings. And Jason my beloved! Not the biggest fan of the art style I cannot lie. 
Annihilation - Jeff Vandermeer 
Start: March 14th 
End: March 19th
Ultimately a short book so I thought it was going to be a quick read, but I kept having to pause and really think about the content of the book. Even then I still want to do a deep dive on the book and hopefully be able to check out the other two books in the Southern Reach Trilogy. Maybe even watch the movie. 
Jujutsu Kaisen Vol: 0 - Gege Akutami 
Start & End: March 18th 
I decided to re-read volume 0 after the movie came out to kind of compare the two. MAPPA did very well adapting the manga and even added a little bit of fan service and I guess you could call it little easter eggs. But none of it was unnecessary and I think ultimately tied the movie together. I also am just a general fan of Akutami’s art style. 
Circe - Madeline Miller 
Start: March 20th
End: March 27th 
My friend recommended Circe to me if I enjoyed Millers' writing style in The Song Of Achilles, which I did. I enjoyed reading Circe and even found a new appreciation for it after hearing how it impacted others. Another character-driven read but this one was done so well, I honestly wasn’t bored throughout the book because Circe’s character was so well written and so raw. 
Attack on Titan: No Regrets Vol 1&2 - Gan Sunaaku, Hajime Isayama, Hikaru Suruga
Start & End: March 27th 
I actually got volume 2 for Christmas but didn’t want to read it until volume 1 was in my possession. I ended up watching the OVA first and then reading the manga, but I can’t complain I don’t think the order ruined the experience for me. But I did see someone say this was a glorified Eruri fanfiction so when I read it, that's all I could think about. 
Daredevil and the Punisher: Childs Play - Klaus Janson, Tom DeFalco, Frank Miller 
Start & End: March 27th 
A very short read, I can’t lie I rushed through this because I wanted to return it to the library the next day. But I did enjoy it, I always love seeing Frank and Matt interact, especially in their earlier days. I also do love how comics used to be colored in, the color palette is just so pleasing to me. 
Call Me By Your Name - André Aciman
Start: March 30th 
End: March 31st 
The same friend who had recommended Circe to me was very insistent I read CMBYN, and he knew I was very hesitant to do so because of the negative (and valid) stigma tied to it. But I will say it was very beautifully written and I think that's why it was so hard for me to put it down. Throughout reading it I kept repeating to myself what the actual fuck.
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uozlulu · 6 years
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I'm glad to know I wasn't the only one who thought Ash was so OOC in Banana Fish's ending. Do you know why he decided to lay there for hours until the end? And do you think the anime will carry this faithfully?
The ending always bothered me because we’d seen Ash fight and fight and fight some more ever step of the way for nineteen volumes, but since the anime was announced I’ve been thinking about that ending and what I’d like the anime to do with it, and it’s given me some insight into how it kind of fits narrative-wise, though there might have been better thematic endings.
I know that the story ends the way it does because it’s a product of the 80′s. In terms of how it makes sense in terms of Ash’s character arc and the overall narrative, I think it comes down to emotional exhaustion.
In an abusive situation  some people can go into a constant state of survival mode, maybe a constant state of fight. Ash has been fighting in one way or another since he was eight. Even though he’s gotten away from Dino for the most part and he’s entered the healing process it’s slow, but we can watch over the course of the series as Ash does quite a bit of healing. He’s got a lot of healing left in him, but we see in scenes like where he cries that whatever it was that got him through the experience of his abusive past is slowly unwinding little by little and he’s finally starting to process the scope of it.
When Ash gets to his end, he has opened a lot of wounds and still has more to open. He’s healing but he’s not healed. It’s overwhelming and honestly one of the best things he might have done for himself psychologically was to get the hell out of New York. Even if he didn’t go with Eiji to Japan, Ash needed to regroup somewhere. And in a sense that’s kind of what he chooses to do in his final moments. He can release everything. He can start over. He can let go of everything and control his own destiny. Because even though Ash does have quite a bit of control and power, he also lacked a lot of control and power over himself over the last eleven years of his life. He’s emotionally exhausted and when handed the chance to rest permanently, he takes it.
It’s tragic and very 80′s and it’s also kind of a shame that it had to go this way, but I can see how it can be somewhat justified by the narrative.
In terms of the anime, personally I’d like to see them give us a different ending. They wouldn’t have to give us the super duper ideal happy ending, but I could go for a bittersweet ending in which Ash and Eiji are separated but both survive. Also since we’re in the 2010′s now there’s a lot about LGBT+ storytelling and what editors think the public wants to see that’s changed. I say LGBT+ storytelling because the artbook makes it seem as though without the censorship that’s where things might have gone in the manga. I also think given that MAPPA is in charge of the adaptation and has been possibly trying to court Yuri on Ice!!! fans that could influence how the ending is handled.
If MAPPA does decide it wants to retain the anime ending, I think that the concept of Ash’s death will likely be retained though I’m not sure if we’ll get the sense of time passing or not. Since MAPPA has only 24 episodes to work with they’ve got to pack quite a lot into each episode depending on how they choose to adapt the story. Since an interview (it’s translated and a reblog on my blog) with the creators said that they did want to highlight Ash and Eiji’s relationship, I think that they’ll likely have enough to work with to establish that Ash has decided to stop fighting. I’m curious if they do go the route of Ash dying as an ending if they’ll try to clean it up a bit and make it seem to make more sense since the manga ending seems like such a sharp contrast to the rest of the manga.
I’m also curious what Yoshida has to say about the upcoming anime. I wonder if she had any input or not. I’ve not gone looking for any interviews on the subject but I’ve also not stumbled on any yet either. It’s also possible that such an interview might be released closer to the start of the anime. I think that if we could hear from her that might also clear up some of this.
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xtremedespair3d · 5 years
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Anime Winter 2019 Final Impressions + Plans for Spring 2019
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(I’ve seen Screen Rant and Crunchyroll using this shot as a thumbnail for news posts when the second trailer dropped, so I might as well use it too 😂)
The very first anime season of the year ends and we’re moving on to the next one, and it appears that this season is going to be the best one yet, before I discuss why with what shows I’m going to watch, let’s go back to the Winter season to rank every show I watched this season!
(Just don’t expect to see Kaguya-sama on this post, I haven’t really watched it at all, sorry. (but I will binge it eventually))
1.- Mob Psycho 100 II: Mob Psycho 100 continues to be a sakuga wonder and powerful storylines, I always thought the first season would be much more memorable for me, but I think this season definitely tops the character development and plotlines.
As for the sakuga wonder, this proves why Mob Psycho 100 is being held at better hands unlike One Punch Man, it went from Madhouse to JC Staff which is utterly disappointing, but Mob Psycho 100 being adapted by Bones and continuing to work on it is the best thing the series ever has.
I still haven’t read the manga but I can probably tell this is not the series finale, I wonder if there could still be a third and final season so it can adapt the final volumes of the manga, since it has ended recently, that third season would come in a quicker time, maybe like a year, a year and a half, or two, I don’t know, but it’s not impossible for that to happen anytime soon.
10/10 - Rank: S++ - 100% - AOTS #1.
2.- Kemurikusa: This all-new reboot has completely lived up to my expectations and it delivered some neat changes to the original and some big surprises.
Part of my experience was a bit dragged by the uncultured assholes that is 4chan with “Kemono Friends 2″ is better and such (Since it’s 4chan, some of them could be trolls, some of them could tell the truth, can’t really tell for sure), but it didn’t completely ruin my enjoyment of Kemurikusa, this is no big deal. And then there’s also the janky animation, but it’s Tatsuki’s quirk, so I’m not completely bothered by that and let him have it.
There are still some plot holes around the universe and everything else that raises questions after witnessing certain moments, but I think it’s best to leave things as it is, I wouldn’t expect Tatsuki to answer every single question, or even touch the world again.
I wonder what's next for Tatsuki now that Kemurikusa is finished when it comes to a new TV project, another remake of his classics or a completely original series? He would probably continue doing shorts for now. Either way, I totally need more Tatsuki TV projects since Kemono Friends. But for now, I would expect to see shorts being posted by parts on Twitter and then the full compilation on YouTube and NicoNico.
I almost forgot, I needed to address something: For the longest time I’ve been hyping up to watch the original 30 minute series before watching this reboot, I realized that you don’t really need to watch the original, but you should at least acknowledge its existence. But if you want to compare this to the original that badly, then you do need to watch the original. (We’re back in square one lol)
And for all the haters, please read this thread, and when you finish doing so, apologize and go take the L, conche tu madre, thank you.
10/10 - Rank: S++ - 100% - AOTS #2.
UPDATE - April 4th: Okay, a week after the finale’s release (Wednesday), Tatsuki out of the blue released a brand new 12.1 short video! (So far it raises so many questions)
I genuinely did not expect to see more Kemurikusa content, sequels even, but this is quite a surprise. I don’t know how long this is going to be but I’m sure it could be a weekly release. Anyways, this is really neat.
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Smiley Riku is best Riku.
3.- The Promised Neverland: This was a pretty solid adaptation and the suspense has kept me on the edge of my seat constantly.
I’m so happy to see that a second season got announced for 2020. I wonder if it’s going to be a My Hero Academia situation, where it started with 13 episodes (in TPN’s case, it was 12 episodes long) and later seasons have two-cours.
9/10 - Rank: S - 95%
4.- BanG Dream! season 2: The first season heavily focused on building Poppin’ Party, this season features all of the bands and some episodes were focused on each band, which I was really interested, definitely looking forward to the 3rd season in Fall. (which I genuinely forgot it was coming out too)
Speaking of season 3, I recently researched that Rokka is a member of RAISE A SUILEN, and I wonder if S3 might get a storyline with Rokka becoming a member of RAS.
This looks way better than Monster Strike, I like that the characters have more like shading/lighting than being pure cell-shaded anime-like, but my common complaint with Sanzigen, or maybe even CG anime in general, is that they tend to make some background characters completely hand drawn which doesn’t blend well with the CG characters, it’s just horribly noticeably bad and inconsistent. You can add hand drawn effects and such, but for the love of god, never do hand drawn background characters and even main characters in flashbacks. (like Lay and Tae)
The third season was originaly going to come out on Fall but it got delayed to Winter 2020, which is a bummer, it could have been like BBK/BRNK three years ago but time is always needed.
9/10 - Rank: S - 96% - AOTS #4
5.- Ikki Tousen: Western Wolves: After spending an entire week binging everything Ikki Tousen, I couldn’t wait to see what Western Wolves had in store given on what I last saw with Extravaganza Epoch (even though I kind of forgot already), with 3 episodes for 3 months, this was a solid series with good fan service.
I hope I won’t wait for another 5 years or so for another series.
8.5/10 - Rank: A+ - 88%
6.- Kakegurui XX: Now I’m worried if this was a worthy follow-up given MAPPA’s track record of making crappy second seasons, best example being Rage of Bahamut: Virgin Soul.
Occasionally I was less motivated to watch an episode when it came out raw and rewatch that episode with subtitles by whatever group and sometimes I also felt like this series was way over-the-top than I previously felt like the first season
Anyways, I thought it was a decent follow-up.
7.5/10 - Rank: A- - 76%
7.- Manaria Friends: Decent series, but the most important thing I want to talk about is, this was supposed to come out on April 1st, 2016, but it got on hold a month prior its release. Since CygamesPictures was founded in 2016, perhaps they took the series and reworked into what it is now, after 3 years of reproduction and release, I wonder if it was even worth the wait. I’m also surprised the show is 15 minutes long, I’m not sure if this was part of the original version, but it’s that kind of short.
For some strange reason, I wish any footage of the original version of Manaria Friends would be leaked somewhere. 😁
Now with Manaria Friends released, and with the upcoming Princess Connect! Re:Dive anime series (and maybe they even took Granblue Fantasy: The Animation (that’s right, it’s confirmed that it’ll get a second season) away from A-1, that’s my theory), let’s see what does CygamesPictures have in store when it comes to anime based on their IP and maybe even original projects of their own (which has gotten me more curious since I’m an original anime fanboy).
Also, the show’s English title is called “Mysteria Friends” for some reason. (Well, not really “for some reason”, there’s definitely a reason why, but I’m not that big of a Rage of Bahamut person)
I never knew the show was going to be 10 episodes long, since it premiered late in January, I thought it would run for 12 episodes which it could be in April, which is way late to the Anime Winter 2019 closing party, but closing the series at episode 10 feels like a good time.
7/10 - Rank: A- - 74%
8.- Boogiepop wa Waranai: Not much to comment on this one, and I haven’t really read the LNs, but this one seems interesting. The only thing I’m not a fan of is its own style of character designs, it just looks weird and doesn’t really respect much to the original artist’s style, which lead to this whole thing with this Twitter rants and Kadokawa apologizing for the miscommunication (Can’t stop talking about this), so I guess the damage control wasn’t worth it to get used to the anime’s designs. At least the animation and visuals look good, though.
7/10 - Rank: B - 70%
9.- Lupin the 3rd: Goodbye Partner: After Part 5, I didn’t expect a new OVA special would appear right away, it’s a self-contained OVA special, it doesn’t have anything to do with Part 5 at all, though.
The only thing I’m super dissatisfied is that in 37 minutes, it seems like there was a huge skip, we jump to a crazy situation right away, after a conflict Lupin and Goemon had with Jigen minutes prior, we see that they’re working together again, like, what? It’s just feels so random...
7/10 - Rank: B+ - 72%
10.- Mini Toji: This franchise continues to give less of an impact in my life and to consider it to be on the range that of Kancolle and Touken Ranbu (you know, those games I always joke about that Toji no Miko is their baby), one year later after the base anime series, they decided to make a short spin-off series, I couldn’t turn down the offer to watch it, I was curious on what’s it going to be, and the show overall is alright, it is funny at times and I had some laughs but it’s not too hilarious.
As for the chibi style, it just looks so weird. Seeing the image below which I found in 4chan when episode 8 came out just makes me wish they could have chose this style instead of the one from Mini Toji because the current style just looks so wrong.
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And there’s also the most painful, if not, the worst running gag ever, Kaoru is always getting mission jobs from her boss, every episode we see her tired and it makes me feel super bad for her, let her rest, let her suffering end. ;_;
Not to mention the show has a very sluggish pace, everything happens so fast I don’t even have time to understand or even laugh at what the fuck is going on. For a 3 minute short series, the best thing they could have gone is make a shorter opening or don’t feature an OP at all, just feature a title card to open the show and that’s it. Or maybe they could have extended the run time to 7 minutes (a la Sugoiyo!! Masaru-san) so I can enjoy the pace better.
Unlike Manaria Friends, I did know but then I forgot this series was 11 episodes long, but at the same time it threw me off thinking there could be an 11th episode but then I realized episode 0 counts.
6/10 - 60% - Rank: C-
And now... time for the top 3 worst anime of the season!
11.- W’z: I’ve probably never paid a lot of attention to the trailers (and even vaguely remember it), I thought it would be a stand-alone and different kind of series with a lot more music themed or something, but when the series premiered, it revealed itself as a sequel to Hand Shakers... THAT’S RIGHT, A SEQUEL TO HAND SHAKERS NOBODY ASKED FOR.
Despite being surprised that W’z is a sequel to Hand Shakers, I’ve grown to really like the series overall in a short amount of time, it makes me like Hand Shakers more than I previously could.
In like 3 or even 4 episodes, I couldn’t stop fanboying out constantly seeing the characters from Hand Shakers who look so grown up after the 10 year time jump after the series happened.
I mentioned that I thought that W’z was self contained, there are some moments and characters that are barely self-contained because the plot is all heavily linked to Hand Shakers (not that I’m complaining, though). I genuinely didn’t care much for the new characters, except Yukiya because he’s the adopted son of Break and Bind (Real names: Reijiro and Yukine Araki, respectively) , and he’s the McGuffin for accessibility to the Ziggurat to find Nagaoka and Mayumi. The one character I was the least satisfied for their lack of development was Midori, at first he’s had a couple of interesting moments, but the rest he barely appeared in the series and only in the previews, but in episode 9, they finally gave him plenty of screentime and even dropped some good info bombs on what the Ziggurat can do and stuff, so that redeemed my feelings on the character.
Another complaint would be the DJ Nielsen character, he’s got interesting motives and he’s the one who gave Reijiro baby Yukiya in a flashback, but his rapper-kind of voice can be so annoying. He and CHU2 from BanG Dream S2 would make a great team, or maybe a contest on who speaks the worst. (SPOILER ALERT: It’s a draw, they’re both so bad in different levels)
Then we get to episode 10 where the most important thing is that NAGAOKA AND MAYUMI FINALLY SHOWED UP. It actually took so long for them to appear because there was like a lot of stuff in the way, but whatever, I was so happy to see them... albeit with a caveat. Since the goal was to get Nagaoka and Mayumi out of the Ziggurat, it turns out that the duo themselves can’t get out because they want to live a normal life and Nagaoka was sick, as Mayumi said. It’s a little sad and it sucks that they can’t get out, but at least Mayumi had a phone call with Koyori after all.
I thought episode 12 with a Midori/Seba episode (it wasn’t an episode dedicated to those two) and to be on par with Hand Shakers with the 12 episode total, but I’m glad there was a 13th episode to have a good conclusion, and boy, this episode delivered some good surprises: The biggest moment is where Nagaoka told Yukiya how much he has grown and then Yukiya himself straight-up called him “Dad”, like three episodes prior, I had theorized that Yukiya would be Nagaoka and Mayumi’s true biological son but I backed off because I thought it would be disturbing (maybe not really, Mayumi must be old after the 10 year gap and she and Koyori don’t look like they have aged at all), BUT IN REALITY, HE REALLY IS, GOHANDS THE FUCKING MADMEN. The second thing I was happy to see was Makihara, at long last the man finally shows up, he always narrated the first few episodes and I couldn’t stop saying “Show yourself, Makihara!” or something and then there were a couple of namedrops, they took so long but maybe they wanted to save Makihara’s appearance in the flesh for last.
This may not be the biggest deal, but since every single character from Hand Shakers appeared in W’z all grown up and such, the one thing I really wasn’t happy with is the absence of Hibiki and Kodama. Sure, they both got namedropped once (though Kodama was namedropped twice) and mentioned their current careers (Kodama being a singer and actress and Hibiki being a costume designer) but I never got to see them at all, maybe they weren’t the most popular amongst GoHands’ staff. They weren’t my bigger favorites of the Hand Shakers cast (and I don’t mean it in a negative way) but seeing them how they have aged would have been really worth it, come on, GoHands!
Despite the hideous visuals GoHands has grown to have in recent years, I really liked W’z, it makes me like Hand Shakers more than I previously could. If I really liked the show so much, then why it’s in the top 3 of my worst anime of the season? Well, mainly for the aforementioned hideous visuals, while they don’t bother me much, it’s for the sake of people who can’t stomatch it. (Says the guy who put Kemurikusa on second place and gave it a 10/10, Rank: S++, 100%).
Like Kemurikusa, W’z also has a couple of plot holes, which I don’t really expect they could get answered that much, but some parts certainly raise a lot of questions, most notable, this Composer character, we never got to see who was this Composer Senri and Hana worked with. (They both don’t have in common, but they both made me ask questions about the plot and lore.)
Regardless on how you feel about the visuals nowadays, I still want GoHands to continue doing projects, one day they’ll return to their former glory with good visuals like the K franchise and they’ll win their old fans back, but the more important thing is that I still want to see them creating interesting stories.
I’d like to see more stuff taken place in the Hand Shakers universe, just don’t make sequels with every 10 year gap because I don’t want to see all the characters from Hand Shakers and W’z grow really old and die, prequels would be fine to explore more on the Akutagawa/Okuike families and/or fill the 10 year gap between said series. If GoHands decides to make completely different IP that’s not set in the Hand Shakers universe, being its own self-contained universe, I would be totalyl fine too. (I previously thought W’z was a self-contained series before it premiered after all.)
You can call me a lunatic or tell me I’m high, and say whatever you want about Hand Shakers/W’z, I’ve grown to like the franchise and I got the balls to tolerate the visuals unlike you. Besides, It’s not about the visuals anymore, it’s about enjoying the story a lot more.
By the way, I made this meme ages ago and I’m so proud of it. 😂
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5/10 - Rank: C - 52% - (AOTS #5 :^) ).
12.- Virtualsan - Looking: This got announced and released a trailer simultaneously out of nowhere, but when I saw the trailer (though it was focused at introducing the main VTubers) and the opening preview, I always thought the show was going to look half-assed, and indeed it did. And speaking of the opening, this series should have been hand-drawn so it would have been cooler to see the VTubers that way.
The bigger problem is that there’s no Kizuna AI at all, which many people aren’t happy with, I’m not worried too much since I like seeing the other VTubers (people should at least watch other kinds of VTubers, not just Kizuna AI alone). Even if Kizuna AI sings the first opening theme, it won’t make up for the fact that she’s completely absent. (At least try to learn to like other VTubers the same way you have your many normal YouTubers/Let’s Players you like, you dumb fucks)
The weirdest selling point of this show, Hideaki Anno was involved in the series. Yes, you read that right, the very same guy who did Evangelion and Shin Godzilla. No wonder why there’s this one sketch where we see the main cast dressed as the girl school uniforms from EVA.
The title of the show, Virtualsan - Looking has given a lot more meaning as I kept watching, it turns out that it’s actually referred to the VTuber Baacharu always watching, he always pops up at the very start of every episode and he’s a recurring star in “Listen Sister!” (forgot the name already, oops) where he always get thrown by Tokino Sora in order to confess to Sister Claire herself [Tokino]. Then he occasionally appears at this Siro segment where some VTubers take a seat and Siro gives a lot of trivia about different topics (then Baacharu became the last guest to star in this segment). It all makes sense now, but for some reason the subtitles called Baacharu “Virtual”.
Speaking of localization, for some reason Crunchyroll decided to license the series a week after its release, but guess what? The episode release schedule was behind, they simulcast the previous episode before the new one aired in Japan, that is until with episodes 5 or 6 which made things even.
There’s no real reason for me to hate this series, I quite enjoyed it and had a lot of laughs throughout the series but the half-assed special effects and stuff are not for the faint of Western audiences’ heart.
Though, I gotta say, this has the potential to spawn more genuine VTuber anime, I’m really optimistic to see more of them in the future.
4.5/10 - Rank: D+ - 48%
13.- Kemono Friends 2: *sigh* Oh boy, trying to write a series review on this one is going to be really tough, but to make it short, it’s as expected, Kemono Friends 2 is a soulless cash grab of a show, a shadow of its former self, definitely the WORST of the season. There’s just so many problems the show has:
Recycled storyline from the first season with a new human character nobody asked for.
Boring ass opening theme song that isn’t memorable and isn’t singable like WELCOME TO YOUKOSO JAPARI PARK.
Having two characters who serve the Raccoon and Fennec-type of roles. (despite having them featured in the OP numerous times and started to appear on episode 10)
Ceruleans look like unfinished CG mess compared to every character and heck, even the Ceruleans from the first season.
Occasionally inconsistent framerate from character movements, most of the time is a bit slow but there are a few times that it goes really fast.
Completely wiped out Serval’s memories of the events from the first season
etc.
Let’s go part by part:
The biggest crime of this season is of course not following the To Be Continued teased at the end of the first season and they decided to soft-reboot the series with a totally new human character, Kyururu.
Then, enter Armadillo and Pangolin, two characters who are looking for Kyururu for reasons [that is from the beginning of the series, later it was explained why they did it, it was to bring Kyururu to Domestic Dog], sound familiar? That’s because their roles are very like Raccoon and Fennec from the first season... when Raccoon and Fennec ALWAYS appeared in the opening (and then finally appeared on episode 10).
Speaking of the opening, the theme is a boring jazz earrape and it’s certainly not memorable or even singable as the first season’s opening, WELCOME TO YOUKOSO JAPARI PARK, those days are over.
I mostly didn’t even care for literally every character in the series. However, there are characters I do care, Kaban-chan (which I’ll discuss about her in a bit) of course, I will always care for Kaban-chan, and Domestic Dog, she’s the one Friend I’d definitely protecc because she’s a doggo and I feel bad for her in episode 8. The characters I’d definitely least protecc are Kyururu, nobody asked for a brand new human to take the Kaban-chan role, and Serval, because she doesn’t remember shit about the first season, they kind of ruined her character.
Serval was the worst change that has ever happened to her, as I stated, they basically wiped out all of her memories of the first season (or so it seems). Caracal told Serval that she had traveled with a human before and there was a small flash with Kaban-chan’s silhouette, this is one of the many things this season broke my heart very badly.
As for Caracal, the chemistry between her and Serval this season didn’t absolutely work here. Her character is depicted kind of a tsundere compared to her Welcome to Japari Park version which, gotta be honest, I definitely prefer the Welcome to Japari Park version and voice way better than the Kemono Friends 2 one. Without disrespecting the VA way too much, her voice for Caracal didn’t work for the character.
Rewatched a small portion of the first season, despite Serval having the same VA, she sounds a little different in Kemono Friends 2.
Speaking of Welcome to Japari Park, there’s the finale coming up in two weeks, so I hope it has a better conclusion than Kemono Friends 2 (which I’ll talk about later).
Now... let’s talk about Kaban-chan! If Serval wasn’t that of a poorly written character enough, Kaban-chan has definitely suffered the most! At the end of episode 5, a paper plane with a flame on its tip was flying out of nowhere, just to drive the Beast away, I heard a voice and IT WAS KABAN-CHAN!!! I was so happy that she finally appeared and I was eager to see more of her in the next episode, then the next week came and... she had plenty of screentime but... SHE DIDN’T DO SHIT! SHE DIDN’T DO A LOT OF SHIT, LIKE, SHE COULD HAVE INTERACTED WITH KYURURU A LOT MORE ABOUT WHAT DOES SHE WANT AND EVERYTHING, I CANNOT FORGIVE THIS EVER!
Well, it’s not like I wanted her with Serval to be like “Hey, Serval! Do you remember me?”, I understand she had her reasons and she must have been aware on Serval’s memory or something, but at the same time, she didn’t do a lot, though later in the episode, it was more focused on Kyururu talking to the owls about the origin of the Ceruleums, Kyururu theorized that the Ceruleans must have been spawned from the sea, and they all decide to test this out, which I don’t really blame too much that it turned out that way because they need to focus more on the overarching story of Kyururu’s search for her house, but come on...
At the end of the episode, Kaban says goodbye to the main trio, but most importantly, to Serval, as she asked Caracal to take care of her, she was downright sad.This episode was completely unsatisfying that I went so far to make a review out of it.
But that’s not the end of Kaban-chan, as she did appear in the final episodes, which I’ll talk about them in a bit...
But I gotta say, I really dig Kaban-chan’s new design. She has indeed grown up given by her height and her matured voice. 👌
There’s something I haven’t discussed very often and that is the NicoNico ratings. I haven’t seen these very often but I’ve seen two screenshots of two random episodes of the ratings, and guess what? Japan definitely voted for the “I didn’t like it.” option! Here’s a screenshot of episode 6:
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This is the exact same episode with the underwhelming reunion with Kaban-chan, it deserved it.
This is very funny because, two years ago, Pop Team Epic also a lot of dislike ratings, but it’s not because PTE is bad bad, I think it’s because it’s a kuso anime and people would follow the gag that it sucks or something, but in the case of Kemono Friends 2, it’s plain bad.
Moving on, episode 9 came by, the PPP episode, and there was no Crunchyroll-Hime cameo from the first season, wow, the disrespect. Then we get to see Crested Ibis again! Though she was not a main Friend of the episode (as it is a PPP-centered episode), she has become more of a minor role, just doing auditions, she even name dropped Alpaca.
Next we’ve come to the one episode where Armadillo and Pangolin finally captured Kyururu and brought to her master, the master appeared to be a Friend called Domestic Dog. She started talking to Kyururu that she has finally met a human after a long time, she brings Kyururu to her house and OH MY GOD, SHE MADE DOG SOUNDS, DEFINITELY PROTECC, I’M BEING SERIOUS, PROTECC.
Then comes the scene where Doggo was protecting Kyururu from the Beast, the moment I saw her full of scratches and dirt, my god, I cannot unsee that, that was horrifying.
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(Yes, I couldn’t resist bringing John Wick jokes)
Then when doggo let go of Kyururu, to come back to her friends, I felt so bad for her. I saw a comment on Crunchyroll where someone said “Oh no, she’s Seymour from Futurama” and things couldn’t be any more painful.
Right at the end of the episode, these two Friends from a promotional poster I saw a while before the series premiered finally showed up.
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They’re purpose was to give Kyururu some sort of existential crisis (well, not that much) by asking her if her house really exists, why did she made her drawings, etc.
Now we’re finally in episode 10 where Raccoon and Fennec finally appear after being in the OP literally every episode ever (Maybe I was asking for meaning or pay-off way too much), then KABAN-CHAN REAPPEARS and that time she was hella serious because she, the professor and her assistant, found out that there were Ceruleans being spawned from Kyururu’s drawings. Kyururu then made a drawing of literally every Friend she has met, including Pigeon which she just met but wanted to include her, and that immediately screamed maximum danger, as I thought there would be a huge army of Ceruleans shaped like the Friends, this is where things got interesting.
Episode 11, comes this war of Friends vs Ceruleans shaped like them, blah blah blah...
Episode 12 came and NOW LET’S TALK ABOUT THE ENDING!
THE ENDING, I.... TAKE A LOOK AT THIS!
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Then there’s the post-credits scene:
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My face during the very end:
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................................................................................................................................................................................................can somebody explain to me what the fuck just happened?
That Kaban-chan and Serval scene........ how could they do this to me.... and I don’t mean it in a good way.... Then that drawing with Mirai and two other Japari Park workers...................
THEY JUST MADE KABAN-CHAN SUFFER!!! ;_;
AND THEN THAT JAPARI PARK FRIENDS DRAWING, WHO ARE THE OTHER TWO WORKERS, MIRAI GETS TO CAMEO, EVERYTHING AAAAAAAAAAAAA
FUCK... THAT!!!
Sure, these moments should bring hype and I should be happy that they did this, the Kaban-chan and Serval scene and the drawing, but it won’t work for me, Kemono Friends 2 tries really hard to redeem itself with hype-worthy moments like these, they just won’t make up for this irredeemable garbage.
Now, I wasn’t a douche on watching the entire series, there are some moments that I found genuinely interesting, had some laughs and made me smile (probably out of confusion, I have problems smiling even on inappropiate shit), the models perfectly capture Mine Yoshizaki’s art style, but without disrespecting Tatsuki, at the same time the models feel lifeless compared to the first season’s.
One thing I don’t understand about the designs is that I’ve seen people in 4chan blaming Tomason for the lazy designs and stuff, or something like that because I’ve seen them use “they” and I don’t really think they’re referring to Yoshizaki, they must have been really referring to Tomason, and that’s not true, Mine Yoshizaki does all of the Friends’ designs, and please don’t call some of them lazy, don’t disservice the man.
Then there are also the next episode previews made by Kikuchi Milo featuring the characters from the first season. Because of Crested Ibis’ minor appearance in episode 9, now I kind of wish the Friends from the first season to show up in the series, not just the next episode previews.
There were also two ED themes, which I find it bizarre that a one-cour series changes theme songs.
We never got to learn more about the Beast character though, she was like an underdeveloped Friend and she behaved more like a genuine tiger animal or something, we never get to learn her origin, or even her race.
Boy, this review turned out way better than I expected, I had a lot of fun writing about this soulless pile of trash. I hope the Welcome to Japari Park finale will help me forget this shit, let’s see how it would build up to the first season of Kemono Friends given that it’s a prequel and this is really old footage, I’m sure there must be how the future of the series got set up or something.
This might have been the most brutal anime review I’ve ever written but it’s the truth.
Watch Kemono Friends 3 get announced but inb4 it could be an adaptation of the mobile/arcade game of the same name instead of following the anime’s overarching story.
Though I think if Kemono Friends 3 happens, it could still be a continuation of the anime's story and it has nothing to do with the mobile/arcade game of the same name. It could be a similar situation with Welcome to Japari Park where there's a manga and a short series and they're both totally unrelated.
To conclude this series review, let me just say this:
Kemono Friends 2 is the Pacific Rim: Uprising of anime.
0/10 - Rank: E - 0% 🔥 🔥 🔥  Hail Hydra (or in this case Hail Kadokawa) No Tatsuki, No Tanoshii
Fuck you, Kadokawa. 🖕
Fall 2018 ongoing:
At last, ongoing anime from the previous season, I wasn’t having this streak lately and it was about time I had it.
JoJo’s Bizarre Adventure: Golden Wind: JoJo Part 5 continues to be strong. There’s not much to add but I got some small things to say: When I’m 4chan threads, seeing screenshots of Part 4 makes me realize that Part 4 is the WORST looking and poorly produced part out of all the rest, thankfully Part 5 looks way better.
Since I was so accostumed on how the characters sound like in All Star Battle and Eyes of Heaven, the new voices have definitely grown on me now.
Also, how does King Crimson work?
Ace Attorney season 2: I genuinely had this post written with JoJo as the only ongoing Fall 2018 anime alone and somehow I have forgotten about Ace Attorney despite still watching the series. I feel like I enjoyed the Bridge to the Turnabout episodes a lot more.
I felt like this second season has genuinely given me a little bit of a sour taste in my mouth unlike the first season, which it definitely lead me to drop the series, but I didn’t drop it completely, I have picked it up again around episode 10 because I felt bad.
Now, let’s start talking about the Spring season, and why is this going to be the best anime season yet? Well...
1.- Kimestu no Yaiba - April 6: I’M SO LOOKING FORWARD TO THIS ONE! Ahem, well, to tell you the truth, I just love being wowed by Ufotable’s fantastic visuals. I’m definitely checking this one blindly, I feel like this is something I should read the manga because I’m starting to feel like it could be an unfaithful narrative mess, and it’s already making me sad. But is Ufotable the type of studio to go off the rails and completely butcher the story? (Probably God Eater as people say but I don’t really see what’s with the hate and why is it offensively bad, I played God Eater Burst long afterwards, though. Call me an Ufotable stan if you want, but I really don’t see any problem with God Eater even when I binged it years ago, aside from a bit of animation hiccups (probably the/my first with (modern) Ufotable having a bit of hiccups) but I don’t mind it, I just enjoyed the way it is; people are gonna tell me this too and I’d be like totally disagreeing their opinions, refusing to seek the reality; I’d love to rush my ass off and read the manga like I did with One Punch Man, My Hero Academia and Monster Musume but I’m just so lazy to do it now, and I can’t read manga with over 100 chapters long.)
I always watch a lot of anime without even reading the manga first, even I don’t read JoJo (Even though I know some of the biggest spoilers from every part through the games) and Mob Psycho 100, but for some reason Kimetsu no Yaiba feels like a huge deal for me, I wish I couldn’t let the opportunity of reading the manga first go to waste, yet, I’m here about to watch the anime. I wish I could have realized this sooner.
Anyways, enough of that insane talk and wouldn’t boost hype confidence, I’m still going to enjoy it regardless how the story goes and the music might be something worth praising because the composers are fucking Yuki Kajiura and Go Shiina, animation and visuals are no surprise worth of praise , I’m just ready to watch Ufotable’s next big TV project since Katsugeki: Touken Ranbu. (yes, there was 2018′s Emiya-san chi no Kyou no Gohan but it was a monthly series and each episode was 12 minutes long, so it’s not kind of a big deal; then there’s also the Heaven’s Feel movie trilogy (loved the second movie (even though I’m an anime only, I’m legit scared of Gavin and other kinds of elitists now; even though he unfollowed me)), but like I said, TV project)
As of March 27th, I read some news that Ufotable is under investigation over tax evasion and now I’ve grown way concerned than I was. It may not affect the releases of Kimetsu no Yaiba and even Fate/Stay Night Heaven’s Feel III but I just don’t want to see Ufotable close. After Kimetsu no Yaiba come out, let’s see how Ufotable will do.
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Quick update, I HAVE read the first three chapters, it’s relatively solid and given on the scenes I’ve seen in the trailers, I do believe Ufotable is going to make a pretty good job on adapting the series faithfully narratively.
But most importantly so far, I hope Ufotable will do justice this panel! Which I had posted this on my Kemono Friends 2 series review.
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Bones disappointed me with the anime version of Mina’s “NO WAY” scene from My Hero Academia, and I hope Ufotable won’t do the same, I want a perfect recreation of that Tanjiro face.
Here’s the comparison below:
Anime:
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Manga:
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Do you agree on this? (If you don’t, it’s fine, don’t worry about it)
UPDATE - April 13th:
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UFOTABLE, YOU FUCKING BLEW IT!!! GET BANKRUPT!!!
I changed my mind about Bones with the Mina “NO WAY!” part, it actually looks faithfully recreated, UNLIKE UFOTABLE.
(Alright, I gotta stop updating this post constantly with what’s happening right now)
RELATED: What will Ufotable’s final release be?
2.- One Punch Man season 2 - April 2nd: I’ve said this before and I will say it again, I’m NOT expecting OPM S2 to be any good and I’m NOT looking forward to it, even if I say that, I’m still going to watch it, regardless, but I’m not very hopeful for the visuals (Man, all I ever care about in anime is the visuals, I don’t give a crap of the story, I just want good animation!).
Since the release date is revealed to be April 2nd, which is Tuesday, I’m going to miss the good old One Punch Man Sundays when the first season came out, but Tuesdays are a good day for anime, so it’s worth it.
Well, I wrote that sentence literally like a day or two, and a new visual got revealed, it looks clean but it’s already not gonna look like that, very S1-like, given the first teaser trailer released. That aside, Viz Media confirmed that it will be premiered on April 9th on Hulu (RIP Daisuki.net), which that’s on Saturday, so that’s close on the good old OPM Sundays 4 years ago.
Actually, I’m pretty split on that information, in one hand, the official Twitter account tweeted the visual with the April 2nd release, but in the other, Viz Media tweeted that it comes out in the 9th and calls it “the same day as Japan” and “ Details and availability regarding the April 2nd special programming in our territory are currently unavailable.”, I’m so confused.
(Sorry, this post has been in progress for the entire Winter season and I’m writing stuff I was currently experiencing at the time)
March 18th, the second trailer dropped and somehow I’m kind of alright with it, still not super impressed but at least it’s kind of something. But the biggest let-down is the new opening theme by JAM Project revealed in the trailer which it’s not as great as THE HERO. I’m a bigger fan of the way THE HERO is, I’m probably the more upbeat type of person, and with this? I don’t want something calm, I wanted a more action packed song! I hadn't payed a lot of attention to the editing of the trailer with the black screens, but yeah, it's so bad.
The more I think about the trailer and seeing people’s reactions, I’m starting to think it’s really looking like absolute ass than I previously mentioned, so I couldn’t agree more. But hey, at least I love seeing some of the jokes and memes related to the trailer.
I thought I had to wait until AnimeJapan to drop the trailer but they decided to do it now.
I now understand what’s with the April 2nd and April 9th releases. The April 2nd release is going to be more like an special of sorts and next week is when the series for real starts. It’s the same issue I had with Kemono Friends 2, but that was unpredictable at the time, so with One Punch Man, I can totally wait for next week. (At the time of posting this, the day has come)
3.- Attack on Titan season 3 second cour - April 28th: It’s seriously been like annoyingly forever after the first cour ended in Fall 2018, but I’m finally it’s going to continue.
I still don’t know what took so long, but whatever.
4.- Isekai Quartet - April 9th: From what I see now, this is going to be more like a show with different isekai projects focused as sketches or something, I randomly thought it would be a crossover but apparently it’s not the case. Regardless, I’m still going to watch and enjoy the way it is.
By the time I saw its announcement, I immediately went to binge Re:Zero, I have seen Youjo Senki, Overlord and Kono Suba, so I needed to watch Re:Zero so I can be complete or something.
Since I write this post as time goes on, the trailer for Isekai Quartet has released and indeed it is a crossover like I wanted!
5.- Girls’ Frontline comedy anime short - ???: It appears that we’re getting our first Girls’ Frontline anime and it’s a comedy which it’s even cooler.
The trailer was first revealed on a BiliBili livestream on January for Chinese audiences, then a few days later, there was another livestream taken place in VTuber Nekomiya Hinata’s channel for Japanese audiences, where they showed off the same trailer but one frame of new footage and then there’s a new trailer for another Girls’ Frontline anime, that’s right, we don’t have just one, but two different Girls’ Frontline comedy anime, this one’s focused on the AR Team and 404, and the other one has a variety of T-Dolls featured, but the former is the bigger focus here.
What I find rather surprising about this short anime is that ever since they showed the trailer on said livestreams, there’s no official upload of the trailer, not a whole lot of news sites reported about this, and not even a full release date after two months. I thought there would be more information on AnimeJapan 2019 but there was nothing in sight.
So I guess I’ll have to wait until April to see if this will indeed come out, it could be a surprise release not everyone is going to notice or it might be delayed to Summer. Nevertheless, I’m excited to see this one, and the other one too but I prefer this one with the AR Team and 404 the most.
By the way, thanks for tagging me twice on these Girls’ Frontline anime, Moetron. I’m happy that I let you know these trailers exist. Here, have this powerful image of G11 meditating.
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6.- Fruits Basket remake - April 5th: I never watched the original Fruits Basket and I’ve been seeing a lot of announcements about returning English voice actors and stuff, I dunno why but I’m thinking the remake could be overhyped with all this stuff, but I’m sure it’s still going to be enjoyable for the people who read the manga, who watched the original anime series and newcomers alike.
Speaking of the manga, I wondered why is there a need for a remake now, one of my friends told me that there could be an actual ending of the series since the original anime prematuredly ended when the manga was still going at the time, so I believe the remake might add the manga’s ending or something, I don’t know anything about it but it sounds like a likely thing to happen.
7.- Miru Tights - May 11th: There isn’t much to comment on this one, but it’s interesting because it’s basically Yom the anime. Yep, the man of the thights is getting an anime. Who would knew one day this would happen? Also, it comes out on May 11th, it’s kind of an unusual date even for a web series.
8.- 四月一日さん家の (Watanuki-san Chi No) - April 19th: After Virtual-san wa Miteiru, it seems like the anime industry wouldn’t give up on start making anime with VTubers now.
Unlike Virtual-san wa Miteiru, this one’s not really classified as “anime”, it’s more like a drama as its official Twitter account says or something. Well, at least this show stars Tokino Sora as one of the three leads, so it’ll be interesting. Though I’m not sure anyone would really like to torrent this but at the same time it’d be a waste not to.
9.- Bungou Stray Dogs season 3 - April 12th: I’ve watched the first two seasons of the show in December 2017, then watched the movie in my cinema with my older sister on her birthday, I’m definitely quite a fan of the series, not completely hardcore as I need to read the manga, but I’m fine for now. Anyways, I’m glad there’s a third season happening and can’t wait to see it.
There was originally going to be a Chiitan anime this Spring but it got delayed to Summer. And yeah, you read that right, a Chiitan anime.
HONORABLE MENTION (Since that just happened): Pop Team Epic special: I genuinely forgot a special was going to occur on April 1st (being April Fools), but I’m glad I watched it and still loved it like the base series and now I want season 2.
Thanks for reading this post, this must have been the longest post I’ve ever made yet for so many reasons. What’s your most anticipated anime of the season?
Twitter: @HKomaeda.
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londontheatre · 7 years
Link
Following a critically acclaimed, sold-out season at the Almeida in 2016-17, Robert Icke’s new adaptation of Mary Stuart transfers to the Duke of York’s Theatre in London’s West End from Saturday 13 January for a limited run. The production will then visit Theatre Royal Bath from Wednesday 4 – Saturday 14 April, Salford Lowry from Tuesday 17 – Saturday 21 April and Cambridge Arts Theatre from Monday 23 – Saturday 28 April 2018.
Schiller’s political tragedy takes us behind the scenes of some of British history’s most crucial days. Playing both Elizabeth I and Mary Stuart, Juliet Stevenson (Hamlet) and Lia Williams (Oresteia) trade the play’s central roles, decided at each performance by the toss of a coin.
★★★★ Sunday Times, The Times, Independent, Evening Standard, Daily Mail
For every performance of Mary Stuart in the West End, 25 top price tickets will be available at £25 for those aged 25 and under. These will be available to buy in person at the Box Office.
Robert Icke previously directed Hamlet, Uncle Vanya, Oresteia, Mr Burns and 1984 for the Almeida and The Red Barn for the National Theatre. Mary Stuart is produced by Fiery Angel (Kenneth Branagh Theatre Company – Plays at the Garrick, The 39 Steps) and the Almeida (London Theatre of the year 2016 – Hamlet, Bakkhai, Richard III, American Psycho, King Charles III, Oil and Chimerica).
Juliet Stevenson is one of Britain’s leading actors. She has worked extensively for the Royal Shakespeare Company, the National Theatre and the Royal Court, winning an Olivier award for her performance as Paulina in Death and The Maiden in 1991. Most recent theatre credits include starring roles in Mary Stuart and Hamlet (both directed by Robert Icke, the latter currently playing in the West End) and of course Beckett’s Happy Days at The Young Vic which played to huge critical acclaim and due to popular demand returned for a second run. Her films include Truly, Madly, Deeply, Bend it Like Beckham, When Did You Last See Your Father, Being Julia, Pierrepoint, Mona Lisa Smile and Diana and Departure. Recent television work includes starring roles in Williams brothers’ thriller One of Us for BBC1 and Sky Living’s supernatural thriller The Enfield Haunting, as well as playing series regulars on two series of Atlantis and The Village. Other television work includes Place of Execution, The Accused, The Hour and White Heat. Upcoming releases include feature film Let Me Go. In addition to her Olivier award, Juliet has been nominated a further four times and is four times BAFTA nominated for her film and television work. She was awarded a CBE in 1999.
Lia Williams most recently appeared in the Almeida’s productions of Mary Stuart and Oresteia (Olivier Award nomination for Best Actress) as well as Harold Pinter’s Celebration. Other theatre credits include The Revengers’ Comedies in the West End (Critics Circle Most Promising Newcomer Award, Olivier Award nomination for Best Comedy Performance), Old Times in the West End, Arcadia and Skylight on Broadway, at the National Theatre and in the West End (Tony and Olivier Award nominations for Best Actress), Earthquakes in London, The Hothouse and Mappa Mundi at the National Theatre, Oleanna, King Lear and My Child at the Royal Court, The Homecoming at the Gate Theatre, Dublin, in the West End and on Broadway, and The Lover and The Collection at the Donmar Warehouse. Her television credits include Strike: Silkworm, The Missing, The Crown, Secret State, Doc Martin, May 33rd (BAFTA nomination for Best Actress), The Russian Bride, Imogen’s Face, A Shot Through the Heart, Flowers of the Forest, Seaforth and Mr Wroe’s Virgins. Film includes The Foreigner, Jonathan Toomey, The King is Alive, Different for Girls, The Fifth Province, Firelight, Dirty Weekend and La Suite Blanche-Neige. As Director, her credits include The Match Box for the Liverpool Playhouse and the Tricycle Theatre and films Feathers, The Stronger (BAFTA nomination for Best Short Film), Dog Alone and the feature documentary Nanabozhung.
Robert Icke is a writer and theatre director. He is currently Associate Director at the Almeida where his work includes adapting and directing Mary Stuart, Uncle Vanya, Oresteia (also West End) and 1984 (co-created with Duncan Macmillan, also Broadway, West End, National and International tours). As director, his productions include Hamlet (starring Andrew Scott, also West End), The Fever, Mr Burns (Almeida), The Red Barn (National Theatre), Boys, Romeo and Juliet, Decade (Headlong, where he was Associate Director until 2013). For Oresteia, Robert won Best Director in the Critics Circle and Evening Standard Theatre Awards in 2015, and the Olivier Award for Best Director in 2016.
Adaptation and direction Robert Icke Set and Costume Design Hildegard Bechtler Lighting Jackie Shemesh Sound Paul Arditti Video Tim Reid Casting Julia Horan CDG Cast includes: Juliet Stevenson (Elizabeth I and Mary Stuart) and Lia Williams (Elizabeth I and Mary Stuart). Further casting to be announced.
Mary Stuart is presented by Fiery Angel, Almeida Theatre, Gavin Kalin Productions and Howard Panter.
BOX OFFICE INFORMATION MARY STUART Duke of York’s Theatre St Martin’s Lane London WC2N 4BG Box office number: 0844 871 7623 Website: MaryStuartPlay.com Dates: Saturday 13 January 2018 – Saturday 31 March 2018
http://ift.tt/2smufqo LondonTheatre1.com
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