I think so many people are so deeply alienated from themselves that they have no clue how to exercise their free will and autonomy. For some, this alienation runs so deep that they are afraid of their own autonomy and humanity. It is completely understandable why one would have those feelings, but it can be worrisome.
I want to help others who feel this way, so here are small things I have done to exercise my free will:
Add "guilty pleasure" songs to playlists and actually listen to them (I have a ton of late 1990s-early 2000s music I listen to now proudly that I never listened to in the past out of shame)
Getting the décor item, bath set, bed spread, ect. in the patterns you like, even if it's "childish" (I got a dinosaur-themed wastebasket from the kids' décor section and I adore it)
Taking a new route to get to a place you go to often
Eat dessert first
Celebrate well, and often
Collect things that are "odd" or don't seem like an "acceptable" thing to collect (somebody on my "for you" page collects dandelion crayola crayons and it was so cool!!!!!!)
Incorporate one new piece in an outfit you wear frequently (e.g., a new chain, a necklace, ribbons, bracelets, ect.). Challenge yourself to add onto the outfits if you feel up for it.
Sing along to songs without worrying that you sound "good" or your intonation is completely accurate
Read a book from a genre you weren't allowed to read as a kid (comics, thrillers, mysteries, anything!)
Walk without having a specific destination or goal
Pick up a new craft without expecting yourself to master it or to ever be "good" enough. Get your hands messy.
I don't want to shame anybody for not feeling as though they have free will or that they are exempt from exercising it. However, I wanted to give ideas so that you might read this list and find your own ways to express your intrinsic autonomy and will. You deserve to be a person, to feel alive, not just living. That is what our lives are for.
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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Checkmate
Yandere! Tim Drake / (AFAB) Reader
> romantic, rated M
> tw/cw: yandere-typical behaviors (obsession). M rating is for a boner. just some sexual tension. reader is mentioned as bisexual.
> summary: Intellectually, Tim falls fast. Romantically, he falls hard. Seems this time it's both.
> a/n: i just wanted to post some tim practice, pls let me know if i did okay. I made him a bit of a fuckboy i guess but ngl i think tim’s just run through af 😭
> word count: 1268
Tim likes you. And knowing himself, soon, he’s going to really like you.
More than anticipated, too. He didn’t think he’d have much of an opinion at all on you, when you had first met on your first day, in your new position as his personal assistant.
Personal assistant.
At the reveal, he exchanged a hard look with Bruce across the room. Tim Drake had not been slacking on the job. And sometimes he had the eye bags to prove it.
Tim hadn’t even said anything yet, when you chirped, “Think of it as delegation.”
You gave him a pleasant, albeit cheeky look – which he respected. If you had the qualifications and enough charm to impress the hiring manager, who was a notorious hardass in interviews, you were probably fine. Probably more than fine.
Either way, he expected to forget your existence until you texted or called him to remind him about meetings he hadn’t forgotten about.
It turns out, you had… personality. Probably more than you should’ve, working in the professional setting of Wayne Enterprises. You dealt with Tim’s shit (absences, excuses), but gave as good as you got (ultimatums, thinly-veiled blackmail to run and tell Bruce). You were also… very attractive. And clever. And smart. And insightful.
And God, he wonders if you have a boyfriend. Or girlfriend. Partner. And he wonders if he can somehow orchestrate a breakup.
Tim moves a chess piece across the board.
Okay, maybe he’s being too hasty.
Oh, for the love of– you know what? No, he isn’t being too hasty. Anyone working in such close quarters with the heir apparent of Wayne Enterprises is heavily vetted. But it’s about time he did his own background check on you. He has made it three whole months without doing so.
See, he really is getting over his control issues. Eat that, Stephanie.
Okay, if he’s going to entertain the idea of courting you– Wait, wait, since when was it courting? Yeah, no. He’s merely entertaining the thought of you. He’s been burned too many times now to start courting.
Let’s talk about having sex first before we start talking about dating, he jests with himself.
Anyway. He wonders what would be the most interesting means of going about this. Coming out and confessing would be a little boring. Too easy. His eyes wander to your lips. You’re too focused on making your next move to notice him ogling the soft swell of your chest beneath a sharp button-up. You’ve rolled up the sleeves – very casual for this very casual hangout. You both lounge on your bed, in your bedroom, in your apartment, because if Tim wins, you don’t get to hound him on personally contacting investors. (Sometimes, you gotta leave malcontents out to dry. Make them miss you.)
He hopes you like being experimented with. Or maybe you like experimenting on others. He would do anything you liked because, man, it’s thrilling to know people and their wants. Anything you give, he could take it–
Tim startles as a realization comes to his mind.
… Him. Taking it.
Is that something he wants? To bottom for you? … Is that something… he wants?
Yes.
Now that the idea has been conceived, yes, he wants that. So that’s that.
The reality of whether you’d want to do that… is slim… maybe? You’re bi as well. Maybe that changes things. He’s not going to think about it too hard, because now he’s getting excited.
Tim would love for the skittering, synapses-firing-on-all-cylinders effect in his brain to cool down – for everything to wash over with cool calculation and academic interest. He manages to do that much for even the most intriguing cases. But you… Tim sighs.
And now he’s hard.
Tim shifts uncomfortably. He’s lying on his stomach, held up by his forearms.
He sighs, even though there’s an evil piece of his brain snickering and taunting, “But you love this, though!” Evil, evil.
At Tim’s increasing silence, you lift a brow. Man, he’s been out of it all game.
“Tim?” He comes back to planet Earth. “It’s your move. Again.” You wear a Cheshire grin. “It’s almost like we’re taking turns, or something.”
He blinks, baby blue eyes clearing up. He shifts in his spot, feeling trills of pleasure from friction against erection. Your sheets. Against his erection. He bites back a smile. Okay, yes, he loves this. He likes hiding like this, right under your nose.
Him getting a boner was a development he had foreseen coming ten minutes ago, once he started daydreaming about you. So he just went ahead and casually switched positions. A risk, but a calculated one. He was pretty sure there’d be no reason for him to get up and expose the tent in his jeans. And boy does he love it when he’s right.
Tim goes to move another piece, when he glances up at you and nearly goes slack-jawed. You don’t meet his eyes. Instead, you wet your lips, seemingly meditating on something.
You meditate on him. After all, Tim is so… pretty. Pretty in a way unlike the rest of his gorgeous brothers. He has pretty eyes framed by dark lashes and a smaller frame, though he’s deceptively muscled under the clean-cut slacks and button ups. He has silky black hair that often falls into his eyes; a defined jaw. And pale skin. He is notably the palest in his family, burning miserably on beach days. It is that pale skin, contrasted so sharply with his dark green tee, that brings your eyes to his collarbones.
Tim nearly erupts.
Fuck, yes. He caught you staring. It takes him self-restraint not to puff out his chest or try to show more skin, lest he reveal his hard-on.
You snap out of it only moments after he notices, grin returning to your face.
“You know if you lose focus like that, I’m going to win,” you tease, almost childlike mischief in your expression.
Tim so badly wants to parrot the words back at you, but he doesn’t want to scare you into never checking him out ever again. The little inch you just gave him– oh, he intends to take a mile. Whatever small acquiesces you give in the future, he knows he’ll take that and much more.
Now, he’s hungry for you. As soon as this game is done, he’s going to create a new case study file, just for you. He could start kicking his feet at the thought, he's that excited. He’s excited!
He’ll put the pedestrian, basic stuff like your height, weight, alma mater, major, past jobs and experiences. Somehow get into your social media that’s all on private mode to see what you’re always laughing at on that damn phone. He’s also going to bring up your phone records, go through your email, go through your physical mail. Oh, fuck, surveillance. He’s already in your room, too, luckily. If only he had more of his bugs on hand… The ones he always keeps in his belt buckle will do for now. Also, Tim needs to think of some way to acquire your breast, waist, and hip size – he has a good idea of those measurements, but he wants to know. When is the next time you’ll be out of the house and not at work, he wonders–
“Tim,” you whine, impatient. The sound is music to his ears.
Tim’s eyes rise from the board to your pouting face, and he smiles apologetically. Suddenly, your face dawns with disbelief and indignance.
Tim swiftly picks up one last piece and knocks one yours over.
“Checkmate.”
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