Rating: Explicit
Pairing: Bro Strider/Lil Cal
Content warnings: Underage, abusive/unhealthy relationships, homophobia, misogyny, some non-con elements
Chapters: 4/4
Words: 7970
Summary: Houston, late 1980s: A boy makes some interesting discoveries about his sexuality.
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Somebody rescue Tim. He's seen too much.
You do NOT have permission to repost my art.
Meme reference under cut:
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this is getting dangerous, wouldn't you say?
[ID: a black & white painting of a man smoking in a bathtub & a robot sitting on the edge of the tub, tucking the man's hair behind his ear. the man's eyes are obscured by the robot's arm. he also has his hand on one of the robot's thighs. End ID]
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Often when trans women ask me when I'm performing next, and I tell them that it's a queer/trans event, they will tell me that they'd rather not go because they do not feel comfortable or safe in those spaces, that they have been dismissed or belittled at such events before. Even trans women who are dyke- or bisexual- identified often don't feel welcome or relevant in queer/trans spaces. And whenever a trans woman or ally points out aspects about the queer/ trans community that contribute to these feelings of irrelevancy and disrespect—such as the way our community coddles those who support trans-woman-exclusionist events or who make trans-misogynistic comments—we are described as being "divisive." This use of the word "divisive" is particularly telling, as it implies that "queer/trans" represents a uniform movement or community—a "oneness"—rather than an alliance where all voices are respected.
Julia Serano, Whipping Girl. Published 2007.
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I'm drifting off to nowhere
The past, an echo on my mind
Home, I'm almost home...
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