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#have a promo post!
lesbiradshaw · 2 years
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everybody wants to rule the world (except me) by steviepie
“It isn’t easy losing a parent before you’ve had the time to fully grow up,” Erskine murmurs. “Let alone both.”
“Yeah, well, that’s the hand life dealt me, I guess.” Steve gulps down his first sip of tea just to keep from having to say anything else.
“I think there are quite a few cards left in your deck that you don’t know about.”
And there's that cryptic phrasing again. Steve almost wants to ask him what all of this is about, but Erskine once again begins to answer the question before Steve can even ask it.
“Steven, have you ever heard of a place called Vengea?”
(the princess diaries stevebucky au we’ve all been waiting for)
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turtledotjpeg · 2 months
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matching 🙂
for a fun little kurapika outfit swap project! I got this 1999 gon outfit with some truly impressive sneakers that I was Not able to do justice:
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youareinlove · 2 months
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sometimes you show them the places where the others gave you scars and then they hurt you in the exact same places. muses acquired like bruises indeed
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ginumo · 10 months
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this one goes out to all the canon-accurate dca truthers out there. also yeah hi these fuckers have me in a chokehold
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mizgnomer · 5 months
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David Tennant Year in Review - 2023
David’s television, film, convention, charity, and other appearances from 2022, all in one convenient photoset - with extra special thanks to Georgia and her excellent Instagram posts
Please see my [ David Tennant Year In Review tag ] for prior year-end posts dating back to 2014
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mintcaboodle · 11 months
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we need ao3 for fanart and I am so completely serious. A universal platform not driven by any kind of professionalism or end goal, just for creating. Most important of all it needs to share the incredibly helpful and complex filing system ao3 does. this would be beneficial I think. because I want it.
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renthony · 2 months
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We are several days from pay day and I need $50 in order to go pick up medication before then. I fucking hate how often I have to do this (like, jesus christ, my pride is shattered), but here are our household pay links if anyone can help at all:
(No pressure, thank you in advance, I am so sorry I have to keep doing this, aaaa)
PayPal: @ chaosqueer Venmo: @ chaosqueer CashApp: $ chaosqueer
We also have a household wishlist for things (including groceries) that would improve our existence but that we haven't been able to afford.
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kyouka-supremacy · 7 months
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Found a strong contender for funniest bsd official art
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malicemismanager · 11 months
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Guillermo Del Toro is basically the only person whose movies I will watch without knowing anything at all about them beforehand. I'll just be like 'oh it's Guillermo Del Toro? don't mind if I do then!' and you know what I've been right every single time.
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c-rowlesdraws · 1 year
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April 27th is World Tapir Day! Yes, for real. Yes, absolutely, they deserve it, I know.
Their special day falls on the same date as International Hyena Day, which I drew a picture for last year-- and at the time, I felt bad for not having had the time to also draw a picture for the tapirs. I'm making things right this year! The big day isn't quite here yet, but I'm leaving for a trip on Monday, so I wanted to post this tribute early. Green leafs and best wishes to you and your loved ones during this holiday season.
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The Old Guard (2020)
Character Posters, via @Skydance on Instagram, June 15th - 24th 2020
TOG Promo Material (Part 2/?)
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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jungkkyuk · 10 months
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SEVEN Recording Film
↳ JUNGKOOK
+ bonus koochella 🥰
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Louis answering a fan's question - How does he sees himself in 10 years? FITFWT LATAM PROMO - LOS40 Argentina - 06.04.2024
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alukaforyou · 9 months
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if nardo was a kdrama, this would be the mads photoshoot for 1st look / dazed / w korea to promo the hashimada vote episode.
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dontbelasagnax · 10 months
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Coruscant Ballet presents Romeo and Julien--a critically acclaimed, passionate retelling of Shakespeare's Romeo and Juliet with some twists--returning this season by high demand. Equally joyous and poignant in its queerness, Romeo and Julien tells the story of two young men from families that would rather think their sons dead than accept their love. Obi-Wan Kenobi and Cody Fett have captured our hearts with their evocative performance full to the brim with yearning and a love so deep that you'll feel it from the balcony seats. Mace Windu takes Prokofiev's score and gives the haunting despair hope. Combined with Shaak Ti's inspirationally beautiful and tender choreography that simultaneously challenges and subverts the standards of masculine and feminine roles in ballet, this is a production you don't want to miss.
@codywanweek day 3: dancer au
[prints available!]
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