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#i also drew the new years comic but this came first so it's still the personal art ice breaker after 1000 years of not drawing
theveryworstthing · 1 year
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i haven't drawn anything i wasn't contractually obligated to draw for a long time due to a mix of burnout and holiday stress, but after i returned from holiday house sitting i took a deep breath and spent a few days making this comic/fanfic chrimus present for a friend i rp with starring two of our least dysfunctional children. i had a real good time making it and it's great practice for something i want to do in the future.
comics strictly for fun? what a concept!
hope y’all enjoy this ultra rare probably one time view into the Pearl universe! sorry for going ghost for like 2 months! the internet was making my brain bad!
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beatcroc · 2 months
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a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.
this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.
older pics
the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.
second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]
third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯
individual characters
peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.
fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.
noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.
gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.
brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.
gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.
john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.
pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]
snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well
misc
there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry
i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it
anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p
and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')
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disneytva · 1 year
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Dynamite Comics and Disney Comics Announce Prequel “Gargoyles: Dark Ages” Mini-Series Slated For June 2023.
Dynamite Comics and Disney Comics   announced today an exciting new miniseries event that will continue to expand their hit comic, Gargoyles Gargoyles: Dark Ages will feature a journey into the past and the Manhattan Clan’s origin story, thanks to franchise creator Greg Weisman.  Weisman is joined by artist Drew Moss (”Vampirella/Red Sonja, Copperhead”) and letterer Jeff Eckleberry. The book also offers a perfect entry point for newcomers to the franchise and comic series.
Dark Ages will have covers featuring younger visions of iconic characters, with a new mix of artists separate from the main series to offer fans and collectors more unique portrayals of the cast. Legendary artist Clayton Crain (Venom, Spider-Man) leads the way, alongside Alan Quah, Mirka Andolfo, Kenya Danino, and Erica Henderson. Unique and limited edition variants feature an action figure-inspired piece, some pitch artwork from the TV show, and covers by both Jae Lee and interior artist Moss.
Gargoyles: Dark Ages #1
July 2023
Written By Greg Weisman Art By  Drew Moss
As Goliath’s narration explained, “One thousand years ago, Superstition and the Sword ruled. It was an Age of Darkness. It was a World of Fear.” For a time, the Gargoyles of that era lived peacefully alongside humans, each species having sworn to protect the other. But that truce didn’t last, and in 994, the Gargoyle Clan was cursed to sleep as stone statues for a millennium – until they eventually awoke in modern Manhattan. Gargoyles: Dark Ages, set in the year 971, depicts the origins of the Gargoyle-Human Alliance – some twenty-plus years before things came to a bad end. In this never-before-explored era, monsters still come in all shapes and sizes, forcing Gargoyles and Humans to work together to repel the forces of evil, which threaten to bring the Alliance down, from both without and within.
“I have ALL these stories that I’ve wanted to tell for decades now, so I pitched a number of ideas to Dynamite and Disney, and this is the one that excited everyone the most,” said Weisman. “This is an exciting era for the Gargoyle Clan (not to mention an exciting time in Scottish History), and I’m thrilled we’ll all have a chance to explore it together.
“I really enjoyed the show back in the ’90s and was super excited to be even considered for this project,” said Moss. “I am trying to do interior art traditionally, so this allows me to do some washes and other things that allow me to get my hands dirty. I hope to stay true to the art from the show while infusing my own art style to it.”
In addition to the first issue having an oversized 24-page story, each issue of Dark Ages will also feature four pages of complementary prose storytelling by Weisman with spot illustrations. This extra material will allow him to tap into corners of the mythos in a way that will amplify the impact of the entire series. The series will also feature high-quality cardstock covers on each variant. At 40 total pages, Gargoyles: Dark Ages #1 will be the next ultimate celebration of Disney’s iconic franchise.
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rataccatak · 8 months
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Analysis of how KaySD draws Sergey Razumovsky
Or: trying to justify a thirstpost about the world's most terrible man
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Sergey's gone through a number of artists through the years, and I gotta say, KaySD's rendition has captured my heart. In fact, it was a screenshot of Kay's Sergey that first got me into Major Grom. While Phob's is the official art style that we associate with the comics, Kay's style, I believe, better serves Sergey's character in the current PD run.
Genre-wise, PD returns to being a big-action, ensemble comic, which--compared to The Game's tight conflict and human drama focus--deliberately implements Kay's more traditionally comic-book style to this effect. The first arc (nine volumes in total) of PD are all Kay; though the current issues are being outsourced to a number of different artists now, Kay's style--with its roots in distinctly American superhero comics, such as DC--was what they wanted to prime audience's expectations with. After Time of the Raven, there was a big push for Bubble to adhere their stories to big names like Marvel, and with that came the desire to usher in things like a multiverse, space and supernatural elements, and franchise crossovers. Plague Doctor was one of their latest installments of that new "culture," and they had to match their aesthetics appropriately.
Okay, but that brings me back to the brainrot part of this post, which is HOT DAMN KAY'S SERGEY LOOKS SICK???
The whole idea of Plague Doctor is that, for like seven years or something, Sergey has been declared dead or missing or otherwise MIA. Nobody, both in-universe and irl, knows where he is or what the fuck he's up to. You crack open issue 1, encounter a guy in sunglasses and a hat who is painfully obviously Sergey, but you get to the last page and
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(I will say this is probably the most unflattering frame of him. His chin makes him look like such a chad derogatory)
BAM. HOMEBOY IS ROCKING A NEW HAIRCUT, HE'S WEARING ANOTHER STUPID PURPLE SUIT, HE'S RIPPED, AND HE HAS BLUE EYES.
This isn't the soft, sort of angelically beautiful Sergey we're used to seeing from Phobs. It's radically different, an entirely different character almost, which was the intent.
His new look is more practical, both tactically and socially. His hair is cut, so people won't recognize him as easily. It won't get in his face or get grabbed during fights, and combined with his more muscled build, this is a Sergey who's taking things more seriously this time around. Gone is the flamboyant cape and swishing fiery locks; the plague doctor campaign is no longer a passion, but a duty. And he's ready to enter the thunderdome and get his hands dirty and god damn it, he will die trying.
Kay does take care to preserve the core elements of Phob's Sergey, while making a hard left into traditional masc territory. He's still unrealistically attractive, in that distinctly soft and youthful way. He's more noticeably fit but still maintains a slim, smooth appearance.
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But on top of that, he adds this charm and charisma to him that is distinctly boyish (as in, young and mischievous, a pretty face that's up to no good). It makes his persona as a young, leftist radical more believable; he looks like a student revolutionaire, angry and passionate about all issues topical and trending.
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He does look more obviously aged. Guy is now in his mid(?) thirties, and the past five years probably amounted to like three lifetimes of stress, so it certainly makes sense. Compared to how Kay drew The Game Sergey, his face is more defined with sharper lines, muscularity, and wrinkles. The short hair also ages him somewhat, making him look less angelic and more like... a regular dude.
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And of course, there's the overnight peach fuzz.
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The more mature, aged look helps him actually look like a person who's lived a life as loaded and fucked up as Sergey's. He's a guy whose parents died, grew up in foster care, became a CEO that rocketed to stardom in five years, committed the most elaborate fucked up terrorist campaign ever, and then immediately fell from fame to the deepest coldest cell in St Petersburg (and this is all just the OG Major Grom run). He's not Phob's Sergey (or Rag, whoever it was in The Game)--a blameless childish pretty boy who's detached from his crimes. Kay does a good job in making Sergey have this subtle undertone of... unsettled, unhinged, what have you. I don't know how much of this is hindsight bias, but he looks like a guy with a fucked up secret. You wouldn't think twice if you were seeing him in a grocery store or something but I can imagine later recognizing his mugshot on the news and thinking wow now that i think about it, he really does look like a serial killer.
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And let's talk about his fashion. For all the features of Sergey's flamboyant costumes in Phob's renditions, Kay dresses him quite casually, and it works, ironically, to make him look deceptively plain in the way all extremely rich people dress (think of the $10k white t-shirts and sunglasses get-up all rich men wear). He dresses like his current social stature: a new-money sod who has gotten used to his wealth enough that he doesn't have to show off with his clothes anymore. Of course, this could also be turned on its head and instead, be an indication of Sergey's original, cheap clothes that he habited from his childhood. Certainly, the ironic rightwing graphic tees Kay puts him in edge towards that point of view, only now they're colored by Sergey's sense of political humor. I doubt a "god guns government" shirt is selling for $500 at some luxury tailor shop.
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This is what I love about Kay's Sergey. In making him look more human, we get to orient him more organically into our own world. He looks like a thirty year old loser who studied CS in college and now commits cyber terrorism and doesn't know how to cook. He looks like a young adult leftist who is terminally online and has 500+ open tabs on Marxist theory. He looks like a guy who became too rich too young, who was the world's angle and then its devil in the span of like two years, and is now disillusioned with it all, who wears $5 graphic tees and stays up all night looking behind his back and tries desperately to find something that actually matters.
Once Sergey looks more believable, he becomes more understandable. And the more we understand him, the more the story has the potential to make him intrigue and surprise and reach us in multiple, unexpected ways.
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ducktoonsfanart · 5 days
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Mickey Mouse and Oswald the Lucky Rabbit as Romulus and Remus, as the founders of Rome - Toon History - History in Duckverse and Mouseverse - Happy Birthday to the Best City!
Yes, it's time to change my plans now with my new project called Toon Historia, also History in Duckverse and Mouseverse in which our famous cartoon and comic characters play famous historical figures and will play in important historical events . And first I drew Oswald the Lucky Rabbit and Mickey Mouse as the founders of Rome, as Romulus and Remus. Romulus and Remus, according to Roman mythology and Roman tradition, were the sons of Rhea Sylvia and the god Mars and grandsons of King Numitor. Numitor's brother Amulius overthrew his brother and ordered the execution of his children, including the sons of Sylvia who were thrown into the Tiber River. However, according to legend, a she-wolf found them and raised them until the shepherd Faustulus came along and adopted them. Afterwards they grew up and when they heard the truth, they went to overthrow Amulius and succeeded and restored their grandfather Numitor to be king of the city of Alba. Afterwards, Romulus and Remus went to seven hills in the valley of the Tiber River and there on April 21, 753 BC they founded the eternal city, which will be called Rome. Yes, there was a conflict between the two in which Romulus killed his brother (a tragic event) and thus took the title of the first king of Rome.
Oswald and Mickey who were created by Ub Iwerks and Walt Disney in 1927 and 1928 also became the first Disney icons, however the conflict between Iwerks and Disney resulted in Oswald being part of Universal, until in 2006 Disney bought the rights to Oswald. Yes, that's why I drew Mickey and Oswald as Romulus and Remus, because of that parallel, but don't worry, Mickey won't kill his brother, even though mice and rabbits are not the same species, they are still considered brothers because of Epic Mickey. As Romulus and Remus were the founders of Rome, so Oswald and Mickey were the founders of the new world.
I drew this last year, but I waited for this moment to publish now and I drew it as a redraw from an illustration by Tancredi Scarpelli (1866–1937) for Storia d'Italia by Paolo Giudici (Nerbini, 1929). I drew Mickey in my own style, while I left the old look for Oswald, because I still like him better with dot eyes. And yes, I drew this on the occasion of the 100th anniversary of the creation of Disney as well as the 75th anniversary of Topolino magazine, which is published in Italy, and the capital of Italy is definitely Rome. Yes, Rome, the eternal city and capital of one of the greatest empires and greatest civilizations of all time. As well as related to the birthday of the City of Rome, which is celebrated on April 21 every year. Happy Rome Day! Roma Aeterna!
I hope you like this drawing and this idea and if you want to support feel free to like and reblog this! I just ask that you don't copy my same ideas without mentioning me and without my permission. Thank you! Happy Rome Day, my favorite city in the world!
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spiderpussinc · 9 months
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I don’t think it’s very fair for you to try and knock others from reading Miguel’s OG run because truthfully that’s the only place you’re going to get his full character since every run after that is just “Let’s place him in different time scenarios to fix other people’s problems”. I’ve read ur reasonings and some of the issues I just don’t see and that’s coming from someone who’s ALSO half Hispanic and had similar family experiences. Idk I guess comic Miguel is rlly important and relatable to me and you shouldn’t turn others away from having that potential connection too. :/
NAH LOL it is *not* the only place to get his character truthfully -- his character is not consistent between runs, or between comic and movie! Not even Pdavid's runs have an unified version of Miguel since he just becomes an author self-insert after one point. The way Pdavid writes '92 Miguel - Gabriel is also shamelessly almost the same as he wrote Bruce Banner - Rick Jones. (another series where he ended up being pushed off the book after he started making really weird decisions; and notice these last two are white guys, which is how pdavid depicts Miguel all the time.)
I haven't even told people to not read them. In multiple posts i say 'read the first ones to see how it is, stop when you get annoyed, look up summaries, don't feel obligated to treat it as canon because it isn't.' If anyone feels threatened by this they should examine where that defensiveness is coming from.
I'm gonna be real with you that's like saying "the only way to REALLY understand Miles Morales is to read his ultimates run." You know, the one where his mother gets eaten alive by Venom, his dad thinks he's at fault for killing her and nearly beats him with a cane, where the closest thing he has to peter is a clone named jessica drew, and that eventually gets completely retconned in a universe explosion so main universe Miles can be rewritten. Do you remember seeing any of the things above in ITSV? Would you call them *the only real way to fundamentally understand Miles as a character?*
I keep seeing the rhetoric that 'real fans' have to subscribe to the very first script of these characters and that somehow enjoying their ATSV versions is fake-stanning and that is just... not true. That's not how comics work. Our most iconic, definitive, memorable traits for MANY of these superheroes have come from subsequent comic runs, rewrites, feats of adaptation and the interaction between fanwork-becoming-canon. Even uncle Ben's 'power and responsibility' schtick is NOT an original part of Peter's first draft. That came from re-imaginings and rewrites.
I'm really, truly not a fan of the argument that 'relating to parts of a character' completely absolves the text from criticism. It's not a good comic. It barely tries to be latino rep and frankly, I'm not going to praise it for just placing a label on him and doing nothing with it. I don't care for this white man's truth. It's racist and creepy and I should be paid reparations for having to read a storyline where the same girl gets paired up with two different brothers and then their father just to end up getting killed for a sexier token love interest. I am constantly frustrated by the argument that new fans should be forced to read it and potentially get turned away from comics forever; it's one of the worst offerings you could give them. 90's Marvel and DC are a public fandom joke and nearly led the market into bankruptcy!!!!! (Marvel filled for loss in 1996. IT WAS BAD. That's part of why the whole 2099 line went up in flames! The money was going down the drain.)
I've been a comic reader for a long time and I just can't give them blissful innocence passes like that. The current editor-in-chief at Marvel did yellowface and pretended to be a japanese man for years to write some shitty superhero weeb comics with no accountability whatsoever. He still has a job. RUNNING the company!
And here's the thing: I like Miguel too. I have a shitty family and I empathize with that but I KNOW he deserves much better than to be confined by white people's scripts and fetishes. I *want* him to have a chance, multiple chances even, to be completely rewritten and remolded by latine voices without the need for them to constantly refer or tie back into that white man's work; It is our right just as any other.
ATSV throws away most of Miguel's baggage, and straight up refuses to refer to the weird indepth sludge pdavid had going on; the artbook doesn't mention these first comics or most of his runs, they actually talk about other groundbreaking sci-fi concept work and the idea of basically rebuilding the landscape from scratch, and I am deeply thankful they do that. One of the biggest themes of the movie *is* that the idea of comic canon is fraught and full of holes, and that we should subvert it into joyful and honest expressions of these characters' cultures. These are movies that begin with the Comics Code Authority stamp, a censorship marker that among other things explicitly prohibited the positive depiction of pro-civil rights narratives and homosexual relationships, and actively turned their nose at protagonist black characters — & proceed to rip it to shreds. That's what we should be doing!
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sketching-shark · 1 year
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This is very funny to me @sketching-shark as that outburst he has in that movie is honestly half the reason this AU exists to begin with, his full on 'MAYBE I DO HAVE A MOM, YOU DON'T KNOW THAT' stuck with me so much it must've influenced this AU and it's subsequent resurgence this year unconsciously.
Also apologies for the sheer size of all this.
The first thing I ever drew for it was after Monkey King: Hero is Back came out and the designs were partially inspired by the movie making mama a bit more macaque shaped. Whereas this year both mama and Wukong got a slightly more long-tailed monkey design.
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The idea of the AU - which with a pinch of salt I admit might mess the narrative the story just a touch, but it is predominantly a fluffy AU - is that instead of coming from the egg fully cognizant and adult in shape, Wukong bursts from the egg and is very much baby.
I had it out in a rough little comic that Mama (she has no name right now or ever honestly) comes across this egg that's been cracked open and finds a tiny little fluffball inside and she is immediately just like; 'Mine', because she's not leaving a baby alone on the mountain. He might be fresh in their troop, maybe their actual mama left them here for safety and got eaten by a tiger? So sad.
And that's how he ends up in the Huaguo troop and is raised by Mama and his aunties alongside his future generals/best friends.
The beats of the story are basically the same it just explores a closer knit connection with his family that we see partly but not enough I feel.
For instance, I haven't drawn it yet, but the first taste of death that Wukong is the death of one of the elderly matrons of the troop that drop down dead when he and the other juveniles are playing. He's so confused and distraught that this would happen, even more so that it's apparently just natural and although sad something he has to 'accept'. And obviously he doesn't, nor does he like it.
That's his catalyst for his Master Subodhi arc and along with the insult of being dragged to Hell why he erases all of the names of the monkeys in the books of death.
In this AU I like to explore not only Wukong's familial happiness but the fact that all in all his catalyst for becoming immortal is because he loves life and doesn't want it to end or be put into the cycles of reincarnation to have a 'new one'. This is his life, he wants to keep living it.
Anyway back to the crux, the beats continue and in typical Mama fashion - no matter how old he gets or how splendorous and great; he is still mama's baby.
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I haven't gotten to the point of how it incorporates into the Journey, though my favourite jokes from friends so far is the idea that - would probably not work on the Great Sage whatsoever - whenever Tripitaka gets angry or extremely frustrated before he has to tighten the circelt; he just whips out the 'I will tell your mother' card on Wukong which doesn't really intimidate him at all. But in the back of his mind he's like;
'Oh no, what if he does tell my mama, I promised to be a good boy on this pilgrimage I can't have Guan Yin AND my mama be upset with me.'
The ideas are still manifesting fresh and I'm working on a hopefully cute alternative to the Six-Eared Macaque story in which he might still die, but also might end up living, it's more so how he's found out in this iteration.
But YEAH that's all I have so far, just a soft fluffy AU that explores Wukong's familial side as the community grandpa but also if he had a regular youth, an adopted mother and a lot of aunties.
Also it goes without saying that initially the Heavens are pretty petrified of Mama in a sort of;
'If she can manage Wukong, how strong must she be!?"
Without taking into the account the idea that maybe the reason Wukong actually respects and listens to her is that she's his mama and he lovers her.
SHRIEK OKAY @kaijufluffs SO I WAS FLOORED LEARNING THAT YOU'RE THE PERSON WHO DID THE SUN WUKONG MOM COMIC BECAUSE THAT IS LEGITIMATELY ONE OF MY FAVORITE JTTW-BASE COMICS AND NEEDLESS TO SAY I LOVE THIS AU!!!
Because YEAH Sun Wukong has so much love for his monkey family that provides a really interesting layer to his character, so needless to say I'm excited that you're putting together an AU that's specifically about exploring this! I do think as such that it fits pretty well with the general story of Xiyouji, even if you're making the Monkey King much more baby at the beginning. As it is since he started out a little smaller than a playing ball but did grow to a little shorter than 4 feet in the og classic, I think we can assume there was a period when he had some growing to do even if he was fully ambulatory from day 1 there. I also really like this AU because it really seems to be going further into where SWK's intense fear of and sadness about death would come from; we all have that, some more than others, but really emphasizing how much he loves his family and loves life provides a really good and really understandable motive for why he does what he does. I especially like the way too that you're using this as a way to emphasize SWK's defiance to every authority, in this case not just the natural order of birth-life-death but also the idea that one would have to become a human to have a shot at immortality/Enlightenment. He's happy being a monkey with his mama, aunties, friends and family!
I also genuinely think it's very in character for the book's events to have everyone baffled why SWK would have so much love and respect for an old lady monkey even though SWK consistently shows how much he loves his monkey family & acts with respect to people who respect him lmao.
Finaly asdgrwef that last image immediately made me think of those photos of mother monkeys tugging their kids by their tails when they try to wander off & get into trouble
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traincat · 3 months
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ive never played the games so i dont know what to picture when im reading your fics, how tall do you think soren and ike are?
I said recently that they have a Mulder and Scully level height difference and I stand by that statement. This one is a little hard to answer, because I don't think there is a definitive answer -- it's not like comics where there's an official handbook with heights and weights listed, although there is like, a vague equivalent. I'll get to that. I know recently some people deduced heights by, I think, converting the measurements of their respective models in Fire Emblem Engage, the anniversary game for the series that featured both characters, but I'll be honest, that's too much math for me, and I'd rather rip into the text of the original games until I come up with my own answer. So I'm gonna give you my thoughts, and the canon evidence that backs them up, but it's just my opinion.
Anyway I'm going into this with the same amount of thought that I go into with all my comics meta. I'm sorry about that in advance.
So two things about Fire Emblem 9 and 10. The first is that the games aren't new -- FE9 came out in 2005, and FE10 in 2007. Graphically, they hold up well, but it's because they're not very complicated. The majority of conversations take place involving still portraits with text underneath -- there's only a few fully animated cutscenes. (Soren is in exactly one FE10 cutscene, and they're not standing next to each other.) The second is that the games take place over a period of a few years (each game takes place over about a year, with a three year gap in between FE9 and FE10). Ike starts FE9 at 17, and he's about 20 at the start of FE10. And he evolves like a Pokemon.
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This is not meant to be to height scale; I just wanted these three pieces of official art next to each other for comparison. Graphic design is not my passion.
Also, this has nothing to do with height, but I'm going to point it out anyway: Ike's FE10 artbook page literally ends by talking about how he's in love with Soren.
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(credit to Kantopia for the translation.) (did I mention that, by FE rules, the ship is canon. because it's canon.) The character designer, Kita Senri, also drew this picture of FE9 and FE10 Ike standing back to back, which. Yeah. Okay!
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By FE10, at least, so by age 20, Ike is tall. (His parents come from the Tall People Country, Daein.) His size is remarked upon a couple of times in the script, too, by people who hadn't seen him for a few years:
Ike: Tormod, it's been a while. Tormod: Holy moly! You are absolutely huge! I feel puny next to you… Ike: That's because you are puny. Magic clearly doesn't give you much muscle tone. (...) Tormod: Nah, you just can't see me properly because all of your blood gets pumped to your muscles, away from your brain! [leaves] Ike: A little touchy, Tormod?
(FE10, Part 4 Chapter 4)
Volke: You’ve grown quite a bit since the last time I saw you. Ike: Everyone loves telling me that. Volke: You’re starting to look like Greil. Ike: That might be true, too. He IS my dad.
(FE10, Part 4 Endgame-1) It should be noted that Ike's dad, Greil, was pretty huge.
Engage also has it remarked upon, with one character saying that Emblems (essentially FE main character force ghosts in-game) are big, and Ike remarking that that's not an Emblem thing, he's just huge. (He's the funniest Fire Emblem main character except for his co-star, Micaiah, Little Miss War Crimes, and I'm barely even biased at all.)
There are in-game stats for height and weight (build/constitution and weight, respectively), as they relate to mechanics -- if one character is significantly bigger and heavier than the other, the smaller character can't rescue them or shove them. Weight varies because, for example, if a character is on a horse, the horse factors into the weight, or if they're wearing heavy armor, etc. Build, for me, is the best indicator of general (not exact) height. In FE9, Ike's build and weight start off at 9, which is pretty average, and then 10/11 upon class promotion. In FE10, his build is 12 and weight is 13, which is on the bigger side -- I'd say compared to other human men in the game, but there are a lot of big guys in this game. Again, he's twenty, so he's probably still growing, and everyone is already remarking that he's huge. I'm almost always gonna go with what the text says, and the text in FE10 says he's huge, pretty unequivocally.
Soren... is not huge. Soren is, debatably, pretty tiny.
If we're going to use build/weight as a metric, and I think for these purposes we have to, then Soren is a 6 build and 6 weight to Ike's 12 build and 13 weight. So half Ike's size. Either way, 6 build and 6 weight is small -- the only people who are smaller than him are a handful of the female characters, including the one with literal bird bones. How much this reflects on his actual height is up for debate -- I think when that FE Engage height math was done, it was determined that, based on his model there, he was probably 5'10", which is obviously not that short, but if that's the case he's probably very thin to account for that weight stat. His father and his eldest uncle, if not also his mother, are very tall, so there is that to factor in. Soren is half-dragon and he ages slower than an average human, so there's potential for him to end up quite tall -- but it could take twenty, thirty years. (Soren is 19 in FE9 and 22 in FE10.) It's kind of a big shrug in his case. I don't think he's particularly tall, but I think it's more up for personal interpretation how tall he is, as opposed to Ike where the text is repeatedly shouting "HE'S HUGE!!!" at you. He is, pretty clearly, quite a bit smaller than Ike.
I'm going to wrap up this insane person analysis with this pretty art of Soren which does nothing to suggest anything height-wise. I just like to look at it.
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(PS thank you for reading my fic even though you haven't played the games! It always makes me really happy to hear that people like my writing enough to do that. but also I have like, fully conspiracy theoried my way into believing they'll rerelease the games.)
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kay-elle-cee · 4 months
Note
Hello there! I just finished And The Roar Will Rise and I'm speechless (okay maybe not really speechless because I have a lot to say about it) but anyway, I'd love a director's cut of this fic. What drew you to it, why and how you changed some things, et cetera...
Also, while I'm on the subject, I left a comment on AO3 but totally forgot to mention how incredible the kiss and the moment at the pub later on (including Sirius' perfect reaction) were, so please please tell me more about that too.
Much love ❤️
🙈 A director's cut for And The Roar Will Rise? Prepare yourself, Leda, because I have a LOT to say! (also thank you so much for asking, I'm so happy you enjoyed this fic!!!!)
Alright, let's go point by point:
What drew you to it?
I LOVE Newsies. Like, as someone who listens to musicals on Spotify on a daily basis, as someone whose top genre on Spotify Wrapped is Musicals/Showtunes every year, Newsies is one of my favorite musicals. (The others being Next to Normal, Spring Awakening, and Hadestown, if you're interested in that tidbit of trivia). I love the music, I love the choreography, and I love the push-and-pull of Jack and Katherine.
While watching the pro-shot on Disney+ for the umpteenth time (because yes it's available to watch whenever you want and features Jeremy Jordan with a comical NY accent but the face and singing voice of an ANGEL) I was deep into a particular wave of Jily Brainrot and maybe it's because Katherine has red hair and that helped spur me on, but I just thought "oh my god it's Jily." Not to mention the whole fighting-against injustice plot and the ragtag crew Jack is so embedded in.
Fun fact, I worked so hard on including nods to the lyrics and lines from the actual script without just, like, dropping them in clunkily. It was my first time doing something like this and I really enjoyed the challenge of at least trying to make these things seem natural. I didn't want them to feel out of place, but noticeable to people who are familiar with it (like James telling Lily to "Give 'em hell, Evans" in place of Jack telling Katherine to "Write it good." or James shouting to the newsies "All for one and one for all, we newsies are on strike!" in place of the lyrics "No one can make us quit before we're done/one for all and all for one" followed by chants of "strike!") I actually color-coded and annotated my doc last night and you can see that here.
Why and how you changed things.
*cracks knuckles* alright SO. A few things happened during the planning process that brought it all together:
The World
I knew off the bat that I didn't want them to be in New York, so I needed to move them to London. But with this came the complication of the entire plot—namely, the history of labor unions in England. I looked at that and thought "I don't really want to do that research and get something wrong" so I needed to find the new crux of the Newsies issue.
Sometimes I regret not adding magic into the world of my other AU, restless waves rise and fall, so for this fic, I was like hmmmm what if there is still magic, and there's no statute of secrecy. How would that work? (I went through a few different iterations of this, if they still went to Hogwarts or not, if they all lived and schooled across England but came to London for the summer, etc) This also helped firmly establish a fictional world instead of it being more historical.
The Characters
And honestly first and foremost, I quickly identified the direct ties to the Newsies characters. I have been so adamant from the start (you can ask @alittlebitofeverything23) that Sirius was my Crutchie, even though Remus was probably the obvious choice. And Remus still would've been a good choice! But Remus is so Davey to me, and Crutchie being caught and sent to the Refuge very much felt like Sirius being caught and sent back to live with his parents for whatever reason (which I then changed to Azkaban, for ease and also canon-related reasons).
Picking my Pulitzer was hard for me.* I waffled endlessly on if it'd be Petunia or Vernon, but knowing it was them meant that there was kind of a clear canon-adjacent issue for the Newsies to face. It also made the reveal tricky, because if you know Newsies, you know Katherine's father runs the paper, but when you see it for the first time and she's in the office during that confrontation with Jack, it's a complete surprise. To kind of draw out that suspense a bit in Roar, I name dropped Mr. Mason as the owner (who the Dursleys have over for dinner in CoS), then you get Vernon, and THEN you get Petunia barging in with Lily at her heels. I'm calling it "the slow release reveal" 😂.
*On the subject of Pulitzer, I did briefly consider having it be an old wizarding family, or someone like Umbridge or Voldemort trying to sow division but that was too complicated to pull off so we just kept it simple.
The Plot
Now as for the plot (oh god this is getting so long, I'm sorry!), not only did I have a different central premise for the strike (which meant I had to find a new solution), I also had the fallout of Lily's article happen before the act break/chapter break, so that left a lot of questions for me while writing the second chapter. I had to adjust a bit, and I think finagling that is why it took me longer than expected to update. So I brought in a ringer, and that ringer was a nod to Katherine Plumber from Newies, and once I introduced her and other publications, the ending solution seemed a little more clear to me.
I didn't intend to get too in-the-weeds with press and prejudice but that's what I get for not wanting to do research on labor unions, haha. But it was really nice to write something just hopeful about everything, and I really loved writing how the Muggle newsies stood their ground and supported the wixen newsies.
The kiss and the pub.
Listen, the kiss scene in Newsies makes me absolutely FERAL. The anger to kiss speed does something to my brain, and I was SO EXCITED to write it! I've had the line "God you're so infuriating! I’m about three seconds from hexing you, you know.” written since like last summer, lol. James grabbing her wrist to place her wand under his chin, feeling like he deserves it, to have her GRAB his FACE and kISS HIM?!?!?!?! I'm unwell.
And I'm so happy you enjoyed the end scene at the pub and Sirius' little quips. I missed him in this chapter and wanted to give him some of those lighter moments after I rudely put him in jail. The end was a little tricky, I won't lie, because as I had the Newsies script up, I realize Jack's decision not to go to Santa Fe is pretty....abrupt? Like his friends are just like 😔 and Pulitzer offers him a job that he doesn't even seem excited about and he's like ALRIGHT NEWSIES HIT THE STREETS! So I really wanted to make James' decision a little more fleshed out....he's still getting out of London, just not leaving everyone halfway around the world, which seemed like a pretty good compromise to me.
Additionally, in Newsies, Katherine is very much a "wherever you go, I'll go, too" type of person in the finale, and while Lily has her own plans, I wanted her to have that same sort of encouragement for him. She encourages him to go to Australia if he really wants to, because she wants him to be happy. She listens as he talks through his thoughts, even gently offers her own thoughts on it all. It's been a whirlwind week for them, but she helps offer him clarity for his next big step.
*breathes* Wow I'm....so sorry. This got SO long. I hope you at least enjoyed my ramblings? Could honestly talk about this fic for hours probably. Thank you again so much for the ask and I'm so happy you liked this fic!
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Before I forget!!
My 2023 art summary!!
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It was pretty tough to chose some because I liked a lot of drawings
But I think I've really improved!!
Here's the info about each one!
January: went through a small little Ena fixation and redraw my Ena oc Emu‼️
February: the trio! Josuke, Mikitaka and an oc Shifumi! They're all on the cheer team in my au
March: the girls having a sleep over‼️ Mikitaka's eyes glow in the dark :D
April: my Shuuhei is Ildios eve au! It was supposed to be a scene I planned on writing but I forgot to- (also Ildio is just really fucking tall [way over 7 ft] so sorry for Shuuhei looking so small- Shuuhei is 5'10)
May: One of my all time favs! This is José [an oc who's Josukes son] he's apart of my au and plays a role in my little fan part where Shizuka stars [pun intended] as the main JoJo and here is a scene redraw from part 8 bc I thought it fit!
June: my spidersona!! Honestly I love their design sm and I'm pretty proud of it!
July: mermaid Freya and pirate Tsurugi :D next two months I took a massive break from digital art
August: a Golden Web comic like thingy including their version of Venom, Electro and The Spot!
September: thought about an au where Koichi and Josuke were Josuk8 and Yasuho [yes Koichi is a girl here] and Police is there!
October: a drawing of my sona and little kid me watching the Fnaf movie as a way to show this movie made my childhood since I was really into it when it first came out (still am tbh)
November: fell back into my Eddsworld after 5 years and drew ToriTam as kids! (For lore purposes because they deserve so much more screentime)
And finally December: I specifically love this drawing because of small details and how happy I was with the way it was turning out and TamTori<3
I of course have a ton of room to improve but I think I've gotten better since last year :)
Anyways happy New Years eve guys!
Party safely!
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reversedumbrella · 2 months
Note
hello and happy birthday!! I wanted to thank you for your art, your comics always make me smile anytime I see them and I really love how expressive the faces you draw are! Your demon OC's are also very cool looking... would you like to tell something about them? do you make these for some story or just for fun? 👀
Hope you have a good day.. or night!
thank you!!
my demon oc's are just for fun! they belong to a series of stories "demonicismos" which i don't plan on ever writting. sometimes i don't even remember their stories! i always find myself revising these characters and changing stuff about them and how their world works. i haven't got the opportunity to infodump about these uys in years (actually counting for how long some of them have been around is making me sick)
im going to talk a lot about them. like. A LOT
checking the demonicismos tag on my blog led me to discover i have never really posted much about them, despite the fact that i made charater charts in 2020 or something (unavailable to me atm. most drawings of these characters are away from me rn)
nowadays i don't really care much about them. i've thought about doing a digital card game with them like south park: phone destroyer (yes i used to be into south park. im not ashamed of it. im using this example bc i really liked how a kid could only ever be in the battle field one side at the time. if your opponent played character A and you also had that one, you had to wait until they opponent's died. i also thought about playing around with character dinamics. if a character saw someone they hated join their team, they'd join the enemy team and vice-versa. i got distracted so i never started programming it)
currently im mostly trying to redesign the characters as an exercise for myself. these were the original concepts for egil (pink), marcel (orange/red) and antonio (yellow), versus more recently (i am unhappy in regards to marcel and antonio)
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Design Rules
my ideas have changed over time and with them how characters should look. first there weren't any rules, i just drew whatever. then i choose that every demon should have horns and a tail even in human form - it would be a reminder of what they lost. they'd never be human again. then i went back and forth on how much demons could change their shape. it ended with all demons having a human form and a demon form, with some having specific shapeshifting habilities but always with horns and a tail (egil can stretch his limbs but mostly does so in order to be the tallest guy in the room) my last rule, added for this exercise, is that all demons always have their human face. the idea came from that undertale quote - "despite everything its still you" no matter what you do its still you. the good. the bad. you. demons can blame their behaviour on the "corruptive nature of hell" but its them
Basic Lore
i debated myself over wheter or not i'd talk indept about worldbuilding lore, which would triple this post's size. let's go through the basics. people die and become demons in hell. hell is divided into numbered layers and where someone goes after they die is judged according to the motto "nobody deserves to suffer". people that actively stopped others from suffering go to layer 1 and people that found joy in other's suffering go to 9. a demon belongs to a layer but can go to the ones below it, but not above (demons from 5 can go to 6,7,8,9 but not 4,3,2,1). demons are souls, and their physical bodies are made of mud transformed by that soul. i was inspired by some papers i read on witchcraft. demons couldn't manifets physical bodies so they'd trick people with smoke, gases and dust in the air a demon can only have one body at a time. if their arm is cut off 1) they reattach it or 2) a new one grows at the same pace the other turns back into mud. if the entire body is destroyed they reform from the mud in ground demons dont need to eat or sleep but feel hunger and sleepyness. hell is a punishement for their behaviour so layer 1 is ok, layer 9 is... not. money is also a thing. because this is hell
demons have powers based on personality and character flaws
a demon's size is based on their strength - how big their soul is - but their human form is the size of their human alive self. there are 3 ways for a soul to grow. 1) feel strong emotions, then rest and absorve those emotions. its important to rest. 2) cannibalism. eating other demons body part will give that part's strength 3) deals. a demon can share their power. deals are fast but demand consent. cannibalism is slow but nobody can stop it
Finally talking about the Characters
i don't remember very well the first story i made. it was about a boy that had another boy living in his head. and the boy in his head was really angry because he couldn't do anything and when he got extra angry things started to burn and melt around them
miguel (or michael or any other version of this name)... actually i just remembered i wanted to do this guy's story
Egil. his original design was based off angel dust from the hazbin hotel pilot and i don't think he has changed that much.
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those blue branches on his head are the guy who killed him. there are ways to permanetly end a demon and after egil did that, the dude fused into his head. the pink arms and legs are rubber gloves/boots. he's a biologist, specialized in genetics. his house/layer is full of vats filled with unnatural stuff growing in there. he doesn't have friends, he's prone to anger and always has to be the smartest person in a room - this goes with his tendency to always be the tallest person in a room. his shapeshifting powers come from his unhappines with himself and inferiority complex. he used to love biology but now tries to gain knowledge just so he can know more than the people around him. he gets angry easily so he's an unpleasant person to be around so he doesn't have any friends so he convinces himself he doesn't need anyone and i hope im making sense here
antonio and marcel. father and son. marcel my baby. you deserve a redesign more than anything
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back when the stories where set in an alternative earth with history similar to ours, antonio was an italian american. now i don't know. he went around killing fascists and made immortality magic so strong one of those "get rid of you permanetly" things just sent him to hell and is now lodge in his heart. he can remove the sword and use it as a weapon but his beating human heart is there and removing it will kill him permanently (unless you put the sword through another heart) in hell he had time to think and understood that he was only killing fascists to saciate his bloodthirst on people he deemed deserving of death. the true way of ending fascism is with good infrastructure and school system. killing fascists became an hobby
marcel... my sweet son marcel that deserves better colors. rules don't apply to him he can do whatever he wants and i'd let him. technically a cannibal
quick sketch of the sisters. i don't rememeber their names. i dont even remember if they had names. based on a bird and on a pupper/spider. cannibal vs deals
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they're both very manipulative. the bird one, the older sister, always got the upper hand at home so the spider one let out her frustrations by manipulating and controlling people. the bird one can turn people to birds and control them if they hear her play her harp. this counts as cannibalism (slow and no consent needed). the spider one manipulates weaker demons into bellonging to her by deals. in their story they end up fighting each other as they scream their frustrations, coming to the conclusion that everything is their mother's fault (wrong)
barbara and barbara, one is based off a carnivorous plant and the other a bear
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i had never thought of them as friends until i started the redesigns but now i kinda like the idea. they're both cannibals with my favourite being the plant one. in this drawing she's missing teeth on those big green jaws. she closes them with some guy inside and digests him
i have so many more characters but i've also been writting this the whole afternoon
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crowemoji · 3 months
Text
I'm planning to make a comic in the isekai genre just purely out of hatred with how boring and dogshit a majority of stuff is there in that genre.
I want to make it mostly comedy. Yes, mostly. I want some serious stuff in here too so that it's thrilling.
Here's my ocs, the main four:
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Hino Toshiro, the protagonist we follow, the one that gets isekai'd. Oh right, he gets isekai'd into his own video game. He was originally an indie game developer (I just wanted to follow the classic tropes you see in a lot of isekais and be stupid about them).
I wanted him to look a bit more unique when compared to other isekai protagonists, so I didn't go with the basic hairstyle almost every male protagonist has (can these guys be creative for once).
He has a bite mark because the protagonist of the game got bit and died from it, so Toshiro becomes him, essentially 'respawning' but he kept the bite mark. In order for Hino to not get shot at first sight, he looks around for a dead body and uses the lab coat from it in order to cover it. The bite mark has turned into a scar and all that blood has dried up (it looks fresh in the concept art but this was something I thought of later after I drew him). He can't get infected but he knows that the bite mark stayed because that was a feature in his own game. The feature being that whenever you die, the wound from your previous body stays, so you have to find new ways to make sure you aren't getting killed by the people who are supposed to help you.
And because he's the developer and one of the writers (his friend group consists of people that also want to make a game with him, so that's his development team), he was able to research a lot of stuff about biology and microbiology. He isn't as experienced as a person with an actual degree obviously, so he isn't a know-it-all type guy.
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Kinoshita Hitomi, one of the characters from the fictional biotech company, (I haven't thought of a name yet). She worked as a clinical technician before the apocalypse from the game happened.
She used to play baseball when she was a teen but abandoned it because of her parents wanting her to specialize in some sort of medical related career. Now it's useful here because she can kill zombies with only one or two or three swings (it depends on where she hits them, but usually two).
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Maria Cumberman, you can tell she's not japanese by her name, she's from Canada and came here to get employed in the company. She's very young for being a microbiologist and one of the researchers for finding a cure for rabies but considered a savant so she got her degree earlier than most.
Let me add on a bit more: The research for finding a cure for rabies backfired, causing the apocalypse in the game, the virus took over 2 months to completely mess up everything in the building. This rabies variant takes over a lot faster than the regular version. It still takes some time to act, but not as slow as rabies [can be], it's acting time is predictable however, so that helps.
Because she was one of the researchers, she blames herself and feels extremely guilty about it. She and the others are trying to find the cure themselves, but Maria is the only one actually experienced in this type of thing, so they need her alive.
I haven't thought too much about the plot yet (I wanted to design my characters first), so I need to think of why the virus spread that quickly.
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Tanaka Futoshi, worked as a business development manager.
He has a ring which was from a previous marriage. He divorced his now ex-wife of 6 years (she was a piece of shit), but he didn't want to get rid of the ring because 1. it was expensive and 2. it looked neat (it doesn't look that cool here but I'll add more stuff when I get to making more detailed reference sheet), so he moved the ring from his ring finger to his middle finger to silently say 'fuck you' to his ex. It doesn't really affect him in the current time because he moved on but it's a funny backstory for his ring.
Height chart.
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Tanaka looks a little off but I don't really care to redraw him.
That's all. Here's some more concept sketches.
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Other stuff about the world, not necessarily only about the characters:
The lab coat;
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Company logo;
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And ID card tier codes (tier I, II, III, and IV). This appears on the bottom of someone's ID and depending on what tier of access they've been given, they can gain access to various rooms and equipment. The ID scanners also check the fingerprints that exist on a special holographic sticker to ensure that the person who's in possession of the ID is the actual owner. I can't put the concept image of that here because image limit.
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That's it, hopefully I get to make an actual decent comic instead of it being boring and dogshit like the isekais I'm making fun of (if it becomes something like that, feel free to shoot me).
My plan is to make it black and white like mangas usually are, but it has some colour... well, the only thing that's going to have colour is blood. But I think it will make it a bit more interesting to look at because I personally love looking at artworks that do that type of thing.
I've drawn comics before but they're always short and they're not even my own characters, so this is gonna be my way of practicing. Hope you had fun reading. If you'd like some more stuff about it don't be afraid to ask (if you even want to).
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wtrclover · 8 months
Text
A look back on my old art (and other doodles on Twitter.) - December 2020
This marks the FIRST post of many I will make detailing my old work. I'm gonna start posting these weekly as to make it easy others AND for me. And what better way to start it off by the month I finally got a tablet. (and turnt 18 too I guess)
I was not a smart 18 year old, I some how barely survived the last 2 years of high school, and this and the next would become the worse it ever got. Yet I still persisted and somehow stay sane. Kinda. Keep that in mind for the bulk of 2021's art in the following weeks.
December 4
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As you can see from the first image, I was using a mouse at the time (and a combination of mspaint and firealpaca) That will change soon enough. Also homestuck =:3
Original descriptions:
I saw this and I thought I can use this as an excuse to actuallly draw homestuck
have this nepeta doodle as well
December 6
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At the time I was really obsessed with making homestuck sprites of stuff (and I still kinda do) so I made this at a request of a friend at the time.
Original description:
@SpringingTraps made me draw metaware homestuck
December 8
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Why did I even included this post in here? Well I used to be SUPER inconsistent how I draw myself, so thought this would be a good start.
Original description:
i found that pettting gif website...
December 11
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I'll be honest, I wish I didn't post this back then. IDK it's kinda weird looking back on now.
Original Description:
It's #FlatFuckFriday AND my birthday??? Fuck yeah!!! 🥞
December 18
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I'll be honest. I have no idea how I did THIS with a mouse of all things. Like how did I do it. In MSPAINT no less. Also I have no idea why I drew myself like this here.
Original Description:
fucking around with faking line weight, so glad I don't have to do this shit when I get a tablet
December 20
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Oh look Cave Story, one my earliest obsessions. When this drawing came out, I already have long since moved on from it, but that doesn't mean I can't appreciate it.
Original Description:
16 years of #CaveStory =:]
December 22
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Ah here we go, I finally got a drawing tablet. I got REALLY excited with the pen pressure that I kinda gone overboard with it, but it was nice to use one. (granted I forgot how to draw with a mouse now.) Oh yeah, if you notice a black line on the VERY top of some drawings, that was a bug with firealpaca. I kinda had to live with it for a while.
Original Description:
WOW HAVING PEN PRESURE MAKES A BIG DIFFFERENCE
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This was the first real piece I did after getting a tablet. I'm quite proud of it. The context behind this image is kinda funny really. A server I was in was doing a collab where we drew UCN portraits of our OCs or Sona, and I drew something for it. Yes UCN, Ultimate Custom Night. I was in my second FNAF phase at the time.
Original Description:
Let the static flow.
December 23
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At the time, I used to draw myself with sideburn thingies cause I thought it look cute, but I no longer do that. Also you might be noticing a large about drawing made in a short timeframe. Well I have an explanation for that. You see, I sometimes get hit by these bursts of productivity and I can draw super fast. Sometimes these bursts happen at random, but in this case it was because I gotten a new tablet and new ideas where flowing.
Original Description:
This was supposed to be a sketch...
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I HAVE LOT TO SAY ABOUT THIS. I was super obsessed with TGWeaver's FNAF comics. It was why I gotten back into FNAF around 2019. But I was fascinated with Toy Bonnie at the time, to the point I started drawing her on the daily. I started using her as an avatar for myself online. It was when I saw a post on tumblr where something made a kinsona when it clicked for me. This rabbit holds sooooo much gender. 🏳️‍⚧️ Thus ended 5 years of denial over my gender.
Original Description:
some weaver buns
December 24
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I tried drawing myself with my hair down here. I didn't like it then. I got better at drawing my hair down though. I was this file was named "cel test" for some reason.
Original Description:
It's me!
December 25
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Remember when I said I was inconsistent, here an example. I dislike how this turned out then, I STILL do now. The only thing I do like? This was when I started to shade in this particular way. Also at the time I was worried about being too slow, which is funny when I was posting so many things at once. But also the filename was "the crunch" which is less funny and more worrying.
Original Description:
I need to learn how to do this faster
December 28
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Oh look a Commission! There's nothing special to say about this.
Original Description:
Shaded commission for @Bunnydudee of Carmen from Animal Crossing!
December 29
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THAT'S RIGHT I DREW SONIC.EXE BEFORE IT WAS COOL. Jokes aside, this post was more so for Tails Doll. I loved drawing that little bugger in the most pathetic and dorky way possible.
Original Description:
Tails Doll's roommate is a wacknut
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FINALLY we made it thru December. Goodness I posted alot more often back then huh. Kinda surprising. Anyways next week I'll post January!
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kei-zama · 1 year
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Happy new year, 2023!
It's been a while last post. I have been super busy by moving house. Finally I finished to make workspace and gaming desk, both are I have been wanted long time. I bought Drapas' desk, A1 size and I use for drawing comics. And I put another desk, I will use for digital tools and packing the webshop things.
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Gaming PC came to my house too. I have to learn how to use windows OS and gaming with keyboard and mouse. I bought DOOM and Halo on Steam, I wanna play soon!
So, while setting up the gaming desk, 2022 was ended. Happy new year, everybody. I hope your 2023 will be fabulous!
I talk about personal stuff, 2022 was half awesome, half terrible year.
About work, it was totally better than past two years. I drew two of Marvel's Voices. And I also drew two of Spider-hero, one of them was first ever gay spider-hero Web-Weaver, I couldn’t be prouder as a queer artist. Another spider-hero was Spider-Gwen aka Ghost-Spider, this is mini series and I'm going to draw first some months of 2023. And I started the journey of transition. I started to going to GIC from August. It was one of the biggest decision in my life.
Terrible things are… almost related to trans hate/transmisia (I decided to use transmisia instead of transphobia) Especially increasing the number of trans hate post on twitter was awful. I already deleted the account though, the takeover by Elon Musk was happened and I read the news about number of hate and discrimination post were increased actually. (To tell the truth I can't believe friends still using that terrible SNS)(Yea, they are majority and maybe don't care so much) I have tried to get better mental illnesses but this became the trigger my mental condition was getting worse again. That time I drunk alcohol a lot for escape from anxiety, so I was worried about being alcoholism if I keep this bad habit. So I asked doctor and started medication. I haven’t drink any alcohol since 9 September. It was good I could stop alcohol before being worse, but I liked drink Japanese sake after work, so I feel like be took away a part of my usual life…
So, my plans of 2023. Anyways I really, really hope getting better my mental illness.
I'll try to get better my mental illnesses. I'll continue to stop drinking alcohol and have meds.
For years I have often been down by mental illness and having meds, may weight was gained and I'm lacking energy for usual life. I will do workouts regularly.
I will reduce relationship with friends… I need keep distance and time. I hope everyone learn about Trans/nonbinary, neurodiversity, and being kind to other people more. I think I'm OK there are creative teams and fans at least. Being alone is better than being treated like I wasn’t there even though I was there for me.
I wanna draw Star Wars again :P
Top Surgery and starting hormone injections!! I don't know when I can get them though…
I'll get 3 tattoos at least.
I really appreciate your support💖 Please be kind to yourself and others, don't stop learning, I'll do them so too:)
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jade-everstone · 4 months
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Art Summary 2023
(this post is a mirror of the original on my website - Link)
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It's that time of year again.
Another design-y layout. Noticed this year I ended up using a lot more light color schemes than last year. I guess it's because this year I wasn't really feeling the same level of 'edge' and 'excitement'. But that's a point for later on. Before that, let's talk about each piece from this year.
January - Io, meets Io!
The first finished pic of the year. Demonic Io meets Reploid Io! This was made as piece to show off both versions of Io together, and reploid! Io ended up being my PFP on other sites for most of the year.
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February - XZA hangout
This was part of a Secret Valentines exchange for ssshrimpie on Twitter, featuring X, Zero, and Axl together in a group hangout
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March - Io Lounge
Render of Io lounging. This was originally a companion piece to my business card design, originally made to be a postcard design that'd serve a similar purpose. But the idea ended up getting canned & this render stuck around as a page header
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April - Battle with the Lake Demon
This one's a complete reimagining of an older piece of mine for a personal worldbuilding project of mine, spotlighting the main focus of androids hunting demons. Widow, the hunter featured, is about to land the final blow
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May - PC-Mania!
Highlighting since this was the release of my first webseries, PC-Mania! The story of Jade and Iri, two girlfriends where after their computer breaks in a freak accident they have to get a new one... everything goes wrong. This project has had it's ups and downs since then, mostly suffering from post-graduation fatigue + being unable to rebuild a buffer in time. But It's still ongoing & at the time of writing is looking to be finished in 2024.
Available to read on Comic Fury!
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June - MECHA-CHUSSETTS MENTIONED
I'm pretty sure this is the only thing I drew during June because I couldn't find anything else other than this pic of Io as your average New Englander. (for the record, Reploid!Io is from Mecha-chussetts… or Mecha-Chuchets as it's spelled in canon)
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July - Autumn Travels
This year also marks my return to entering zines (the first ones I entered were way back in 2020). I was in two this year; Window to Worlds 2023, and Good Eats: An OC Zine. The one spotlighted is from Window to Worlds & was inspired by fall train trips I did during my time in college.
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August - Me and Io
A self-indulgent pic of me with Reploid! Io. This was more of a test drive for my set-up at home, since my workspace during college was completely different from what I have at home (even with the upgrades I've made since then).
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September - Skibidi-IO
brrr skibidi dum dum dum yes YES
Or in other words I joined a Skibidi toilet collab over on Newgrounds & now I have a pic of Io as an evil toilet hellbent on world domination
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October - Rocket Render
Another snippet from that personal worldbuilding project, this time featuring Rocket, an old android who was built as part of a demon-fighting army, but has since retired to work on a farm and help the surviving populace that way
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November - 9:15 Slushie
5 shorts about the surreal experience of getting a slushie from the convenience store at night, inspired by surreal experiences of my own. It was a black and white comic that was designed to be a something I could easily run copies of at home.
Available to download on Itch.Io, and read on Newgrounds
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December - Hornet!
And finally, my piece for the Newgrounds Secret Santa featuring Blaznthekid's OC, Hornet!
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So, 2023 huh...
Speaking from a personal standpoint, I feel like one hand there was a lot of good that came out of this year for me. I graduated college, I tabled at my first event, I entered 2 zines, I did plenty of comic stuff, and I got back into a hobby after 3 years. But also this year was extremely stressful and demoralizing on many fronts. There's witnessing the industry I went to college for beginning to go under (thanks a lot AI techbros) that started to weigh on me, as well as witnessing & getting reaffirmations on how draconic the art industry is (infact, reading through #comicsbrokeme on twitter reaffirmed my choice to stay indie). But I think a rough post-college transition and struggling to get back on my feet afterwards might've been one of the biggest hurdles in the end.
Think of it like, going from having a studio space and semi-independence & being in contact with IRLs, and then going back home to somewhere better suited to where I was 5+ years ago. Maybe it's because my area's unwalkable, or relationships with my parents have been, wonky to say the least. Or maybe it's the uncertainty of it all. There's a lot.
This year compared to even the rougher parts of 2022 I feel like I've gotten, sadder? & having a lot lower energy. As I hinted at earlier, I think it even shows in my art. I noticed while editing my galleries mid-year that I think I lost some of the 'edge' that my 2022 artwork had. Doesn't mean it's worse, but I do feel it shows the change of energy from past years to now from high-energy to just needing a break.
Last year, I ended on a note about pulling out of pursuing full-time art. Mostly due to realizing how terrible the art world currently is in terms of treating art as "content with value measured by numbers" (ugh...). Though since then, I've decided instead of fully withdrawing from art as a career I'd rather continue to pursue it as a part-time indie artist. Hey, art has always been a dream job after all. Even if I don't want to break into the industry as of now and things are pretty scuffed, I don't think I'd be happy with completely backing out either.
The bigger question now is... what now? I've made loose plans & goals for myself going forward, art-wise I still want to do comics pursue part-time work. But also, I don't really know what the future holds, and that terrifies me. And like last year & the year before it, I don't want to jinx it for myself. Most of my goals for next year are personal & more about continuing to get back on my feet post-college after scrambling and sinking. Some art related, some life related. I don't have to be shooting for the most perfect outcome, I just need to make sure I don't drown.
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ducktoonsfanart · 2 months
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Mickey and Minnie Mouse with their kids (their nephews and nieces) - Mickey's Once Upon A Christmas - Mouseverse - Gift for my friend
I know the Christmas holidays are long gone, but I did this last month on Deviantart, for a friend of mine who was celebrating her birthday then, so I'm posting it here too, even though it's over. Sorry!
I drew Mickey and Minnie Mouse based on Mickey's Once Upon A Christmas movie where they really looked like a loving couple. Still, it's nothing without children, so I added Mickey's nephews Morty and Ferdie Fieldmouse (Morty is in a red hoodie jacket, while Ferdie is in a blue hoodie jacket) as well as Minnie's nieces Millie and Melody (Millie is in a purple outfit, while Melody is in some green - blue clothes). Yes, Milie and Melody appeared in Minnie's Bow Toons (although I personally don't like such baby series, it's still good that Minnie got her nieces, otherwise she has them, but only one in the comics), while Morty and Ferdie appeared in the classic shorts and in comics, though not as often. I wish somehow they appeared a little more often with Mickey and Minnie Mouse and more people knew about the Mickey Mouse comics where he has more personality than he does in the cartoons. Especially since Steamboat Willie came out as public domain.
Of course, I drew in my own ways, using inspiration from other drawings. Yes, and I drew both Mickey's nephews and Minnie's nieces as preteens and based on the comics, as if they were wearing a modern version of the clothes.  This year is also the 25th anniversary of Mickey's Once Upon A Christmas and the 90th anniversary of the first animated appearance of Morty and Ferdie in the classic short "Mickey's Steam-Roller", although they first appeared in the 1932 comic "Mickey's Nephews". Once again, I wish you a late Christmas and a happy New Year 2024! And this is a belated gift for my friend, @harmony-bunny , whom I dedicated to her as a gift since she is a big fan of this couple.
I hope you like this gift of mine, and that you like this drawing too.
Happy Holidays and Happy Belated Valentine's Day! Feel free to like and reblog this if you like it!
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