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#i could still go on
nartml · 4 months
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I get that THW was going for a sobering message of "sometimes you have to let people go" and "some friends can't stay forever", but it was hilariously unsuccessful.
It's still baffling to me, the amount of raving reviews calling it "the perfect ending".
Apart from the wild thematic inconsistencies, and the endless flaws with Hiccup's logic of "oh, yeah, I know that things have never before been this good for dragons, I know that Berk is living proof that even the most stubborn people can change their minds on dragons, I know that dragons thrive on companionship and love their humans, I know that good people exist, I know that I'm the instigator of a huge revolutionary period, butttttt..... because bad humans exist I'll lock away the entirety of the draconic population in a glorified underground cage, in the hopes that one day humans will stop being bad and learn to cooperate with the creatures that they question, or even forget, the existence of a measly decade after their disappearance. Magically.", this message plainly didn't fit.
Not just in a thematic context. I mean that it literally doesn't fit in this situation, and it doesn't fit the characters.
It doesn't even fit reality, because you have to let go of people for reasons. Some friends can't stay forever, for reasons.
Valid ones. Reasons like, you grew apart, you don't have shared interests anymore, they betrayed you in an unforgivable way, they're not good for you, they're not good to you, they died, etc etc.
Had any one of these happened? At any stage? The one thing you could, albeit pointlessly, argue is that they grew apart. That they outgrew each other.
Only that...they didn't? Did I miss something? Because Toothless flying away for, what, a day to spend some time with his love interest, is not outgrowing. Toothless finding romance does not mean that he and Hiccup grew apart.
And this isn't just about the Light Fury. I'm not discussing whether or not she's a good character (she isn't), and I'm not discussing whether or not she deserves Toothless (Ha, you're funny). Even if she were the absolute best, most perfect match for Toothless and a compelling character, it still wouldn't even remotely mean that he and Hiccup grew apart.
In fact, if you grow so far apart from your best friend that you can say goodbye to them forever, just because you found a new partner, then I really don't know what to tell you. (Except that you're probably not a good friend.)
Hiccup realizing that Toothless doesn't make him who he is, and doesn't define him, that he doesn't need Toothless in order to be someone, or even that he doesn't need Toothless at all, doesn't mean that he outgrew him. Not even slightly.
I mean, come on, I don't need the vast majority of people in my life. Arguably, I might not even need any of the people in my life. This doesn't mean I don't want them there.
This doesn't mean that I won't fight for them to stay right here, by my side.
Oh, look, how's that for a change? How about a movie where your friends refuse to leave you? Because that's what I want, and that's what How To Train Your Dragon deserved.
That's what Hiccup, and the rest of the Berkians, deserved. And that's what fit. That's what thematically fit, what fit reality, or at least the httyd reality, and what fit the characters themselves.
This movie treated the dragons as mindless pets, whereas in every other step of the way, they were treated as people.
Toothless isn't a just slobbery puppy.
Toothless is intelligent, curious, kind, understanding, funny, snarky and sarcastic, graceful, elusive, protective, loving, wary, and fucking loyal (plus much more).
I can't think of a character that has demonstrated as much loyalty and protectiveness as this guy.
And yet he was barely any of the aforementioned things in thw. He became unrecognizable.
All the dragons became unrecognizable, for no justifiable reason.
The final message shouldn't have been that your friends sometimes have to leave you, and that you have to let them go.
(The humans left the dragons just as much as the dragons left the humans btw)
It should've been that they'll fight tooth and nail to stay, even when the going gets tough, even when priorities shift, even when you tell them to go.
No matter how passionately you insist that caring for you is rotten work.
It's not to them.
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crustaceousfaggot · 2 months
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No nuance allowed. Put your nuance in the tags, I just want a yes or no answer
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hansoeii · 6 months
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It's about who.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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sysig · 4 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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poorly-drawn-mdzs · 5 months
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The musical episode.
[First] Prev <–-> Next
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amelia-yap · 16 days
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warrior
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kizzer55555 · 24 days
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DP x DC: The Most Dangerous Card Game
Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 
Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.
The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 
And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).
And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 
Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.
(The most intense card game of the Justice league’s life).
After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 
Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.
#DPxDC#dcxdp#Danny makes a card game to save the world.#Technically he worded the ritual so that they had to ‘beat’ him as those are the most powerful barriers and most reliable.#keys can just get lost or stolen (like the one to Pariah’s Coffin)#A riddle would be useless once someone figured out the answer. Like how no one takes the sphynx seriously anymore.#(Sorry Tuck. But it’s true).#And there is NO WAY Danny is just leaving a hole open for anyone to pass through. No thank you!#So…beating him. But it’s not like Danny wanted to fight so…he edited the ritual a TINY bit. Card games are good. Much less painful too.#Danny Tucker and Sam made the most complicated card game they could imagine.#It’s based on their strategies for fighting ghosts. Capturing them in thermoses. And MUCH based on a on field battle strategy.#It often requires spontaneous thinking on the spot. So Danny? In his ELEMNT. It doubles as practice for his actual ghost battles too.#They had SO much fun making this.#Sam added an entire series of plant cards that act as traps and healing ointments and duds that just take up the field.#Tucker added legitimate hyroglyphics combined with Latin as well as English and ghost speak.#Yes. You actually have to speak that language to play. With proper pronunciation. (Amity Parker’s think the three are talking gibberish.)#I headcanon Sam and Tucker are fluent in Ghost.#Constantine WILL figure this game out SO HELP HIM!#Some of the cards also have combinations related to constellations either in name or placement on the board.#By the way the board is based on a Hexagonal summoning circle with Rhunes along the edges#And the placement of the cards on the board and on what rhune MATTERS.#Also the cards move disintegrate and have certain abilities. Think of Harry Potter Wizard Chess.#But they are normal when Danny plays at school. This is just for ✨effect✨ Against invaders.#Danny faces multiple opponents. He also halts alien invasions.#While Danny COULD stop crime on earth he’s not sure how to fight a normal human and hold back so he sticks to ghosts.#The Justice league are going crazy trying to figure out who this entity is and after deep research are convinced this is some sort of#Ancient being who has protected earth for millenia. They have paintings on ruins and everything.#Danny is not aware they think this.#Raven starts praying to Danny as if he is a god and wrangles the other Teen Titans into doing so as well. Danny is still unaware of this.#Danny is not a King or an ancient. Just a very VERY strong ghost.
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vivenecii · 3 months
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This (and previous) good omens study club theme, tartan and a movie still. I decided to choose one from Little Women, which I have yet to watch.
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aulerean · 2 months
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gem's angler fish? pretty cool.
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petrichara · 9 months
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Trying to remember the last time I played hide and seek. The last time I said hi to everyone on the street or saw the girls I spent every day of six years with. The last time my dad picked me up, or my mum brushed my hair. When was the last time I dressed without consideration? There is so much to think about now. I remember falling on the grass at school and making stories with the clouds. Hanging upside down from the swing and realising how big the world was. I wonder on the path of growing when we stop feeling big. I am taller now, smaller still.
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anyways. What
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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vagueconfusion · 1 month
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Feeling real ridiculous for not having realized that Baron's "stark father" was the Nightmare King until now
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starry-bi-sky · 3 months
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There are two things that Damian knows that he knows Father doesn’t.
He has an older brother
He was dead
(And a secret third thing: Damian was glad he was dead. They did not get along.)
Well. No, correction, they were two things that Damian knew that Father didn't. Past tense. Strange magic swirled through the air and created a mirage before his eyes, and immediately a scowl forms across his face.
The mirage shifts and shimmers like the light hitting a slowly turning prism, and then it settles into a memory. One that Damian does not recall. Like looking into a tv screen, it shows, faintly, a room, with most of the magic going into the image of a crib.
His mother was standing on one side, and next to her, standing on his tiptoes was a small five year old boy looking up at her. With dark hair and skin that was only few shades lighter brown than Damian's, the little boy's resemblance to Damian was undeniable.
However, his eyes were blue. Not green. Damian's scowl deepens, and he sinks back. "Danyal." He mutters, and feels eyes turn on to him.
Danyal Al Ghul. Damian's older brother. A prodigal swordsman like Damian, and five years his senior. He'd be fifteen if he was still alive. His memory of the last time he saw his brother was still clear in his mind.
(A sword to Danyal's neck. Stars were glittering through his window. Damian was five, Danyal ten. He is not sure why Danyal had snuck into his room, all he remembers is hearing a sound and on instinct reaching for his sword.)
(His brother had intercepted easily. But had not shoved the sword away. Moonlight hit his blue eyes, and Damian remembers seeing the pupils shrink to let the light in. His eyes looked almost silver.)
(His brother bares his teeth at him. Damian wants to slice his neck more than anything, and he bares his teeth back. "Good." Danyal says, his voice low in a hiss, "Your reflexes are good, little brother.")
("Of course they are," Damian remembers snarling, and presses the sword closer. But it does not budge. "I am an Al Ghul.")
(Something unrecognizable passes through his brother's eyes, and his mouth twists into something like a smile. "I know." He says, and tilts his head downwards at him. "And you will be great.")
(His brother shoves the sword back, causing Damian to stumble. And like the wind, he is gone.)
(The next morning, he goes on a mission with mother and a few others. Mother is the only one to return with Danyal's sword, and a red-eyed look in her eyes. Damian does not mourn. Now there's only one of them.)
"Momma." The little Danyal-mirage speaks, a furrow between his childlike brows as mother lowers a bundle into the crib. His blue eyes watch her, and lifts onto his toes to peer into the crib as she sets the baby down. "Who is this?"
Their mother's hand comes to rest along his back. "This is Damian, my son." She murmurs, voice low. "He is your little brother. Protect him well."
Damian scoffs internally -- not likely. He remembers every spar he ever had with Danyal, every harsh word and insult. His pushing, pushing, pushing for Damian to get up. To try again. Do it again. The only kindness he ever showed him was when his fingers bled. And even that was harsh, firm. Rolling gauze around his wrist and scolding him, telling him how to wield his weapon better.
(It was the same as everyone else, but somehow it hurt worse coming from his own brother.)
But he watches his older brother's youngest self tilt his head to the side, and then reach his chubby hand through the crib's bars. He runs small, blunt fingers over the baby's arm, and the baby jerks. Through the crib's bars, Damian sees himself grab Danyal's fingers.
And he scowls even deeper.
And Danyal's eyes... widen. He lets out a little gasp, and a small smile Damian's never seen him wear tilts at the corner of his mouth as he looks up at their mother. "Mother," he whispers, "he grabbed me!"
Damian... his scowl falters, for a moment.
He doesn't wait for a response, he looks back to the baby with sparking eyes. His expression melts like sugar as he bounces the finger being gripped tight by the small hand. "Hello, little brother." His brother says, voice its of usual firmness, but there's more fondness underlying it than Damian's ever heard. "My name is Danyal."
The mirage shifts before Damian can comprehend his older brother's voice. It shows the crib again, appearing as if a few days had passed. There is night lilting through the nearby window, and a creek of the door. The baby doesn't stir.
Danyal sneaks in, still wearing his training clothes and a sword strapped to his side. Damian's scowl returns, watching him creep over to the crib. Of course -- the last night he saw his brother wasn't the only time he'd snuck into his room.
Would he go so low as to attack an infant? Damian wonders, watching his brother cross the room to his crib. But while his fingers rest against the hilt, they never curl to unsheathe.
His brother peers into the crib again, and there it is again, that smile wider in the corner of his mouth. It's not a full one, but its as uninhibited as it gets. Dripping honey-sweet with awe. "You are so tiny." Danyal whispers, and pokes a finger back through the crib. It wriggles, then pokes Damian's cheek gently. "Was I as small as you when mother gave birth to me?"
There is no response from the baby. Not a coherent one anyways, the little thing snuffles and turns his head, mouth open to latch. Danyal stills, his eyes grow ever wider again.
Danyal says nothing else, just rests his cheek against the crib and watches the baby sleep in silence. The affection never leaves his young face.
Damian feels unsettled. Off-foot. This Danyal is foreign to him... He wonders what happened to have changed his brother's mind on him.
There's a scuffle, quiet, but there. Danyal picks up on it just as Damian does, and his head pricks up like a deer, head already turning away from the crib. The affection leaves his face, falling away like water into something serious. His blade is already slightly unsheathed.
Two assassins, belonging to grandfather, burst out of the shadows. Their swords swinging into the air and ready to strike.
Danyal kills them both, his back to the crib. It's not without struggle, and when the two assassins lay dead on the floor, the baby is wailing at the top of his lungs. Danyal has a laceration cleaving down diagonal of his cheek. It's close to his eye, just barely missed blinding him.
Damian never knew how he got that scar. He does now. (He doesn't know how to feel about it.)
His brother clutches his bleeding face, sheathing his sword as tears well up onto his face. But he turns towards the crib, and hurries over. "You're okay, you're okay, you're okay." He hushes rapidly, the League-drilled seriousness fallen away to reveal a panic-stricken five year old. He sticks one hand into the crib, the one not clutching anything, and grabs little Damian's hand.
Their mother comes bursting in that moment, and Danyal turns his head towards her. "Mother." He says, his voice cracks un-wantingly. Their mother steps over the bodies of the assassins easily. "They tried to kill Damian."
"But they did not." Talias says, kneeling down next to the crib to inspect Danyal's face and Damian's well-being. When she finds nothing of concern beyond the injury, she continues. "You killed them before they could, Danyal. Well done."
The mirage of his brother nods, his eyes teary and red.
Damian... is discomfited. he never thought Danyal would kill assassins for him. He would have thought his brother would sooner look the other way. The mirage shifts again, and it quickly shows time passing.
Danyal sits in Damian's nursery every night, after that. He lays at the foot of the crib with his sword, a pillow and a blanket with him. Some nights there is nothing but peace -- or as close to peace as a baby could achieve -- and some days assassins break in.
Danyal kills each one.
The mirage shifts again, and it shows more memories of Danyal interacting with Damian during his youth too young for him to remember. His first steps, his first words.
"Danya." The small toddler of Damian says, arms reaching for Danyal.
A frown curls across Danyal's face, and pulls Damian into his lap. "No, no, little brother." He scolds, voice firm but.. softer. "It is Danyal, Damian. Danyal."
"Danya!"
Damian's brother sighs, but there is that same-small tilt at the corner of his mouth. A glimmer in his eyes. A glimmer... that Damian is finding he recognizes.
(He always thought his brother got that look in his eyes when he was mocking him. Was he wrong?)
The mirage shifts again, and this time it shows only mother and Danyal, alone. Danyal is older, taller. Seven, if Damian had to guess. Mother has a stern look on her face, her hands tight on his shoulders. "Damian will be starting training soon, my son."
Ah, then close to eight then. Training starts, always, at three years old. He watches Danyal nod, his expression mimicking their mother's. His arms are folded, always folded, behind his back, always neat.
"You can no longer have the relationship with your brother as you did before." Mother says.
Danyal's expression... falters. It shifts, it fluctuates. He looks surprised, thrown off. Like he isn't quite sure he heard what mother just said. His brows furrow. "What... do you mean, mother?"
"I mean what I said, Danyal." Mother says, stern, "Ra's will be keeping a closer eye on Damian now that he is of age to begin his training. He will not like if he sees you both getting along."
"I am sorry, my child. But your relationship with Damian ends here. You are rivals now, not brothers." In a cruel form a gentleness, mother raises her hand and tucks a stray curl out of Danyal's face.
Of course. Damian never had a relationship with his brother because of Grandfather. Of course. No, he's not feeling a little bitter. No. There's not an inner child that still, like a candleflame, wishes that he'd had a bond with his only flesh and blood.
Danyal is dead now. So it's not like it matters. He's happy about this.
Danyal frowns, and he steps back. He looks lost in thought. "We are still brothers, mother," he says, argues, and looks up to meet mother's eyes. "Let me train him, I will make sure he gets the skill he needs. If we must be rivals, then I will teach him how to defeat me. If he can defeat me, he can defeat anybody."
Their mother, and Damian, both blink in unison. Then mother smiles something sharp, calculated. She folds her hands behind her back. "Then do it. But you will make him hate you."
"...So be it."
Damian.... Damian is silent. His world axis has been tilted on its head. He is sliding, and sliding, and sliding down. Spinning. Many things click into place at once.
More memories from the mirage show. It shows Danyal training Damian. It shows their arguing, their bickering. It shows Danyal going to their mother to praise Damian and his skills, how fast he is picking up on the sword. How one day he will surpass even him.
It shows Danyal sitting outside Damian's bedroom door every night, listening in for anyone who dares to break in. His knees drawn to his chest, his sword at his side. Sometimes he sneaks in, sword drawn, when he hears a sound.
Some nights, Damian wakes up. He remembers those nights. Danyal standing over his bed with his sword unsheathed and tight at his side. He remembers the instant terror as he immediately reached for his own weapon.
His brother always scolded him for his lack of vigilance. That had he been anyone else, Damian would have had his neck cut. He would've been dead already. It only made Damian's hatred of him grow.
But he understands now. Because there were assassins in the room that Damian, four years old, three, did not notice. Not until later. He always assumed the attacks on him after Danyal's death had been because now there was a new heir to target.
It had been the only lesson he'd been even somewhat grateful for.
Then finally the mirage shimmers, and it shows Danyal, ten years old, in one of the training rooms, mid-spar with Mother. It's fast, sharp, impressive and like a blur. Damian is unsure if at ten which one of them was the better swordsman. Some of the assassins who have never met Danyal said Damian was, but the ones who had said it was Danyal. He'll never know.
In a lull in the fight, when their swords are crossed, mother speaks. "Ra's wants you and Damian to fight." She says, teeth grit into a deep scowl. The cross breaks and Danyal jumps back, he frowns.
"We have fought, mother." He says, and dives in first, swinging for mother's feet. Mother dodges, and slices at his arm. He swerves out of the way, twisting on his feet like a dance. "We are always fighting, doesn't he see our spars?"
"Not a spar like that, my son." Mother says, a snarl in her voice. She lunges, and Danyal blocks her blade. "A fight to the death. Father has grown tired of having two heirs."
That gets Danyal's attention -- or, more accurately, it distracts it. His eyes widen, and his sword lowers for a single moment. A mistake. "What?" Is all he gets out before mother has him on his back, her blade pressed to his throat.
He freezes. As does Damian. Danyal's brows furrow, then unfurrow, only to knot up again. "Mother, what do you mean a fight to the death?" He flips to his feet when mother removes the sword. She walks over to grab her water.
"Must I repeat myself, Danyal?" Mother snaps, rubbing her forehead before swigging from her canteen. "Father wants to find out which one of you is the stronger heir, and so you will fight to the death after your training in a few days."
Danyal's tan face loses a shade of color, he looks ashy. "There must be some mistake!" He exclaims, his arms gesturing out as he peers around mother. "There is a five year disparity between us, Damian has only just started training two years ago. It would be an unfair fight!"
"Do you think me unaware?" Mother whirls on him, and there is a grief-stricken look on her face. Like she is already mourning Damian's death. Damian feels ill. "Your skill is far beyond what Damian can accomplish right now, and there is nothing that I say that can convince Father otherwise."
Danyal wears an expression like he is scrambling for answers. A white knuckle grip on his weapon. There is a long silence, and his lower lip curls up. His throat bobs, he swallows. "Is there really nothing we can do?"
Mother makes a frustrated sound, pushing her loose hairs out of her face. "Not unless Father changes his mind, or I send one of you away. But Father would surely send someone to look for you or Damian."
"What if one of us faked our death?"
Mother stills. As does Damian. No, he thinks, stiff as a rod, no way. These mirages were lying, nothing but figments of an imagination. Of some quiet what-if that Damian had not yet stomped out.
Mother's expression shifts, and then turns contemplative. Danyal notices, and keeps pushing, he looks as hopeful as he could get beyond his usual unwavering, stone-like expression. "One of us could go to father--"
"No." Mother cuts off, voice sharp. Danyal wilts, confusion flittering across his face. Damian, from the corner of his eye, sees Father tense as stone. His white-slit eyes have not left the mirage. Nobody's has.
"Father will undoubtedly check there first, it would not be a good idea. You or Damian will have to go somewhere where he would not think to look. Someone unaffiliated with the League."
Danyal's face falls, shutters, and then closes up again into stone. Mother begins to pace, and Danyal's blue eyes follow her. "So a stranger?" He asks, and there is disgust lilting into his voice.
Mother nods, and she looks just as offput as Danyal.
The mirage of Damian's brother rolls his shoulders back. "Then I will do it, mother." He says, voice unwavering. There is a stubborn note behind it all, one that Damian recognizes. "I will fake my death, and Damian will stay here."
Mother's eyes turn sharp on him, and she stops in her spot. She pivots. "Are you sure?" She asks, eyebrow raising, "There is a chance you will never meet your Father if you leave. Nor will you see I or Damian again, if you do this."
Something like fear flickers across Danyal's face, eyes widening momentarily -- as if that very thought had not crossed his mind. But then it smooths over to sharp determination. He nods. "It would be the same for Damian if it was him instead. I will do it, Mother."
Damian feels ill again. Father has a strong set in his jaw, his teeth grinding.
Mother stares at Danyal, and then her expression softens. And like before, it is grieving. "In a few days time, I and another member of the League will be going on a mission to the American States. I will tell Father that you will accompany me, once there we will dispose of the other member and then orchestrate your death."
The American States. Danyal was here, in the country. He was out there somewhere -- but no this was fake. It had to be. Danyal was dead. A fool who got himself killed on a mission with mother and left the title of Heir to Damian.
Or maybe it had been his plan all along. His and mother's both.
...Was mother ever going to tell him?
The mirage of Danyal nods, sharp. Understanding. There is a gleam in his eyes that is not pride, it is tears. And when Mother leaves the room and leaves him alone, the stone-like expression on his face crumbles and falls.
His brother, ten years old, curls up his lip in an ugly way. It wobbles as the tears in his eyes do, and he brings up his hand to slam it over his mouth. And sinks to his knees, a yell-like sob muffled behind the skin.
His brother, ten years old, looks smaller than Damian remembers him being, and cries.
Damian has never seen Danyal cry. Not once in the mirage of memories, nor in his own.
The memory holds for a minute, and then disappears. And no new one shows up. The magic is gone, and it leaves a silence in its wake. Heavy, staticky, and full of revelations.
So there are two things that Damian knows that his Father now knows too.
He has an older brother
His older brother is alive.
(And a new secret third thing: Damian wasn't sure how to feel about it.)
#dpxdc#dp x dc#dp x dc crossover#danny fenton is not the ghost king#dp x dc prompt#dpxdc prompt#i promise this is a prompt#it just got very long#danyal al ghul au#my take on a danyal al ghul au#older brother danny#dpdc#dpxdc crossover#i know the usual gist is that danyal al ghul is a better knife thrower than he is a swordsman but hey#consider: phantom has a sword when he fights ghosts. how sick is that?#his ghost form having allusions to the LoA. its not obvious but its there#did i make danny brown skinned? yeah. because him being white or not is irrelevant to me and i wanted to make him darker skinned#thinking about the angst of bruce seeing his firstborn son going “i could stay with father!” and then said child being visibly crushed#when told no. and that he may never see his father ever. actually. if he fakes his death. and still doing it anyways for damian's sake#danny loves his little brother he just shows it in an unorthodox way. some of it is not his fault#also danny being an absolute grump in amity park is very funny to me. he's an arrogant little assassin child in AP who is only here for#his little brother's sake and safety. he loves his brother but that doesnt stop him from being an arrogant little brat#gremlin assassin child danny is so funny#i know this is very ironic for me to post after posting my thoughts on danyal al ghul aus and their missed potential#but actually this prompt is what spurred that post into creation in the first place actually.#because i was thinking about this au and then went “oh hey you know whats funny--” and then i#thought about it too much to the point where i had to make a post talking about it#tried to find a balance between danny being mature for his age and also still being a kid#like yeah he’s a trained assassin and has killed but also he’s a 10yo boy about to be separated - Assumingly permanently- from his family
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mspaintbirdies · 11 days
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Toco Toucan
(Rhamphastos Toco)
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