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#i have brain damage from this game and it's the bad kind
uravichii · 1 month
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"best friends who kiss?"
character/s: bakugo katsuki
summary: recently, your best friend has been kissing you at random times. you have no idea why because he refuses to talk about it. either way, you're not about to let this to ruin your precious friendship.
genre & trope: fluff, best friends to lovers, angry confessions, reader is terrified of love but bakugo wants them so bad 😁, tw kind of ooc bakugo
a/n: i've been watching a lot of pride & prejudice and bridgerton scenes n i'm now obsessed angry confessions 🤩 + this is heavily inspired by that scene in little women :) ALSO i haven't posted in a year 😟 so pls be nice ik my writing's rusty in this :'D
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the first time bakugou katsuki kissed you, he pretended he never did.
"what... " you brush your fingers against your bottom lip, your whole face hot. "what the hell was that for?"
"what?" bakugo shrugs, feigning innocence as he takes a swig of his soda.
you try and trace back the events that could have led to the kiss.
you said something along the lines of: "i wish i had a boyfriend. i could definitely pull a cute guy off the street."
then you heard him scoff and say: "no man's sane enough to put up with your insufferable ass." ーor something more insulting than that.
you can't remember what you said in response, and you rack your brain to figure out what prompted him to grab your face and kiss you. it's impossible when all you can think about is the unexpected supple feel of his lips, its faint ghost still lingering on yours.
"that kiss, katsuki! you violated my mouth!"
"dunno what you're talking about. you hit your head or something?"
you blink and second-guess yourself for a second.
"okay, no. you're not gonna gaslight your way out of this." you swat his arm, earning an irked glare from him. "why the hell did you kiss me?"
"you're imagining things, idiot. this stupid game's givin' ya some serious brain damage for sure."
he stands up and swings his bag over his shoulder.
"where are you going? we're not done yetー!"
and he's out of the door.
was he drunk off his soda? maybe he kissed you to mess with your head. he's not that cruel though, you think. maybe he couldn't think of any other way to shut you upー that was something he always struggled with after all.
at least the second time bakugo katsuki kissed you, he was kind enough to warn you.
after enduring the most awkward hour-long study session with him, you decide to put an end to your agony by wrapping it up. you start gathering your things when he stops you with a calloused hand on your wrist.
"what?" you turn to him, your cheeks already heating up from his touch.
there are no thoughts you could read behind those vermillion eyes, and all of a sudden, you don't know your best friend very well anymore.
he walks some tentative steps closer to you until the back of your knees hit the table. he cradles your jaw with such delicacy you didn't even know he was capable of. he slips past your awaiting lips and presses his nose on the side of your head, his warm breath kissing your flushed skin.
"punch me in the face and scram if you don't want this, got it?"
you gulp and forget to answer if not for the gentle squeeze on your wrist. "y/n, you got it?"
"s-sure."
when you two kiss, it's different from last time. it's unhurried, curious, and so intoxicating. the kiss speaks: 'i want you. i want you. i want you' but whose thoughts are these?
he groans into your lips as if to urge you to keep up with the sheer hungriness that has consumed him. you try your best to do so as he deepens the kiss with a palm on the back of your head and practically drinks you in. he doesn't pull away until he hears the tiny whine that escapes you.
"shit, sorry." he mutters, avoiding your stunned gaze.
"t's okay."
"did i hurt you?" the quiet lilt of his voice surprises you.
"no, no. i'm okay, but why'd you kiー"
"bye." he blurts out as he turns to the door and leaves, as if he didn't just invaded your mouth and permanently tainted the years of friendship you two have had. you click your tongue as the heat subsides in your cheeks.
"son of a bitch."
the third time bakugo katsuki kissed you, you let him, and he didn't stop.
you had barely escaped death when you lost your footing while sparring with todoroki. naturally, bakugo yelled the poor guy's ear off and would have murdered him if eraserhead hadn't interfered at the last second.
now, you find yourself heaving in your bed. you don't know whether your hastened pulse is from the adrenaline rush or from the fact that bakugo is all over you right now.
he's planting feather-light kisses all over youー your cheeks, your nose, your forehead, your eyelids, your hands, and your wrist, as panicked murmurs spill out of him in between kisses. 'you scared the hell out of me. you have no idea, fuck. are you okay? are you really okay? tell me you're okay, y/n.'
"i'm okayー" you barely manage to gasp before he dips his lips into yours, desperate and frantic. tremulous hands find solace in your hips as he holds you, gentle enough not to mar your injuries but snug enough to assure his restless heart that you are safe.
your head feels hazy. your limbs ache and lie motionless, and though your lips could barely move to reciprocate his kisses as much as you wanted to, bakugo didn't stop. you tried to ask him about it the next morning, but of course, he ignored you and walked away.
you don't know when he stopped kissing you that night. all you know is that there was a line that was crossed, and your friendship was never going to be the same again.
bakugo katsuki is going to kiss you again. your heart thrums incessantly. whether it's dread or anticipationー you don't know.
you think about the sensation of his lips that's become so familiar to you that you've learned to crave it. it shouldn't be familiar to you, and you sure as hell shouldn't want it. so you do what you think is necessary.
you kick him in the shin.
"motherfー!" sure enough, he's pissed. "what the hell is wrong with you?!"
"what the hell is wrong with you?!"
"i was going toー"
"no! you're not gonna kiss me again and walk away and pretend it never happened. you're messing with my head, katsuki! it's not funny!"
"wasn't trying to be funny!" he barks back.
"okay, so what exactly are you trying to do? what is this? i meanー" you stammer, struggling to find the words. "katsuki, what are we?"
he sighs and shifts his stance, his discomfort apparent. when the silence lingers on for too long, you speak.
"well, whatever it is that you want from me, we're going to stay friends. nothing more, nothing less. that's it." your breath hitches, and you don't know why you feel like crying as you speak. "... so i don't want your stinky mouth anywhere on me again."
silence weighs heavily between you. sometimes you wish you didn't know him too well, then the hurt he veils in his eyes wouldn't be so plain and vivid to you, and you would have walked away by now without an ounce of remorse.
"i like you, y/n." is all he could say when he finally speaks.
you shake your head. "no, you're just confused."
"i'm not confused. i like you."
"katsuki, you've been bitchless all your life, and i'm just the closest thing to a s/o. maybe go take a walk or something."
"i like you." he persists. "i've liked your stupid ass forー"
"stop saying that. you don't."
"i do, and you like me tooー"
"what?!" you laugh incredulously.
'who does this dumbass think he is?' is he right? surely, he's not. then what are you so afraid of in the first place? why have you been counting down the days until he kisses you again? why do you yearn for his touch as if it's something you own? why do you feel so infuriated and so tormented when he leaves the room after kissing you?
you do what is necessary again.
"you're delusional!" you yell at his face, a childish shrill that's awfully familiar to your childhood best friend.
"jesus christ." he inhales sharply in frustration. "you're a fucking pussy, y/n."
you clench your jaw and match his glare. anger surges in your chest and bleeds into your voice.
"i'm not the one who chickens out after kissing their best friend! you can't even acknowledge the fact that you kissed me because you'reー!"
"do you think i want to chicken out? why do you think i run away after kissing you?! if i stayed and confessed all this shit the first time, you would've refused to hear it like the damn coward you are!" he leans close to you, his voice lowering into a ragged snarl that quickens your pulse. "and you're just proving it right now, y/n. you're always going to shut this down and deny your feelings because you're a fucking pussy. you're terrified of relationships, and it's dumbest shit ever. pathetic, really."
you rear back from his words. if anything, you always thought it was katsuki who was afraid of love. now, you can't help but feel small and vulnerable underneath his searing gaze.
"it's not dumb..." you shuffle uncomfortably. "what, i'm supposed to ruin our friendship for a relationship that we're going to break off anyway?"
"we're not going to break it off."
"how do you know that?"
"because i'll be the best goddamn boyfriend in the world!"
"first of all, gross." you scoff. "second of all, it's never gonna work out! you're going to get sick of me in three days max."
"i've known you since we were brats, and i still want you."
"you literally said no man's sane enough to put up with my obnoxious ass."
he smirks. "i said 'insufferable ass'."
"katsuki!" you fight the urge to strangle him and punch that stupid smile off his face.
"wasn't even serious that time." he grimaces and reluctantly continues. "you know damn well you can pull any guy you want, and he'd be the luckiest bastard on earth."
if it were any other day, you'd grin at him and say 'i told you so,' but your lips remain unmoved, and your eyes stay dim. you're afraid you'll never go back to being the same katsuki and y/n again.
"this is pointless, katsuki. i mean, look! we're already fighting." you grouch and tell yourself you don't want this. "i still don't want us to happen so while this friendship is still salvable, let's agree to stay friends, and whatever sappy shit you feel for meー suck it up."
in one swift motion, he closes the distance between you, his face hovering dangerously over yours.
"suck it up?" he breathes, his face taut in frustration. "restraining myself from you is the hardest shit i've ever had to do. it takes everything in me not to kiss your stupid face!"
he shudders, weakly resting his forehead against yours as if this conversation alone has exhausted him. still, he goes on.
"and everytime i failedー everytime i kissed those lips, it was... a moment of weakness, but that's the fucking problemー you're just..." he buries his face into the crook of your neck, a desperate attempt to escape your wide-eyed gaze. "i'm weak for you, y/n. every second. and it drives me fucking insane that you keep running away from me."
he rises to meet your eyes again. the cadence of his voice changes into something weak and desperate, stripped of all the pride and anger he's ever known.
"i love youー fuck. i love you." he lets the words hang in the air, letting the words hear itself spoken because for once, you're not stopping him. "i love you, so please... let me."
after much thought and another agonizing minute of silence, you lean in to kiss bakugo katsuki.
he kisses back almost instantly and revels in the way you wrap your arms around his neck and bear your weight on him completely. he kisses back ardently, his pent-up desires and years of longing etched in the way he seeks your lips, kiss after kiss after kiss.
when you finally pull away, you're met with a devilish smirk, his begging eyes long gone. you wonder to yourself when you'll see those eyes again.
"took ya long enough." he kisses you again. he raises a brow at the way you're caging him in your arms. "jesus, no one's gonna snatch me from you."
"i'm making sure you don't run away again, dumbass."
"i won't." he says earnestly as he props his forehead against yours. "and you won't either. i'll make sure of that."
you nod your head with a giddy smile as he pecks your lips again.
"so..." you say as you exaggerate a pensive look, a cheeky grin spreading across your face. "we're best friends who occasionally kiss?"
he rolls his eyes. "you're impossible."
"recite that speech again, and i'll consider calling you my boyfriend."
"fuck off!"
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TAGLIST [1/2] @uxavity @joy-the-reader @kiiraes @escapenightmare @afk-dreaminq @avocamich @theboredvee @wonderwrench @ur-local-simp @p-ol @x0xuglyh0tgrl2005xoxo @cosmonettica @melin-oe @mitzi127 @lilac-o @r2katsu @bakucumsackslut @idunnomynamesince2005 @astralwaifu @taurus852 @creepyproxies @maycat-19-142 @stella-fleurets @veenxys @devilgirlcrybabiey @drawingaddict @kageyama-i-want-tobiors @lexiv-web @angelshimaa @izukus-gf @christiansdior @homosexualjohnwayne @uwiuwi @hirugummies @cupidines @loveisningning (bold couldn't be tagged)
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miley1442111 · 1 month
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remember me.- f.odair
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a/n: MY FIRST FINNICK FIC. I love finnick so much, he's such a king. this wasn't intended for a fem! or male! reader so imagine what you like :))))
summary: after being taken by the capital you're brought back to district 13. you remember the real finnick, right?
pairing: finnickodair x reader
warnings: general hunger games topics, feeling broken, mentions of pain and hurt, mentions of wounds and general capital hijacking.
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You sat up in your hospital bed, a familiar brokenness in your mind. Who were you? 
You were a victor. You were a capital darling. You were a product. 
You felt the restraints on your wrists and sighed in discomfort. When would you be free? When would you ever be allowed to live? You knew someone had taught you that dream, the dream of being free, but you couldn’t remember who. He had… blonde hair? White teeth? A sweet tooth? You had also been taught that that same man had hurt you, that he’d left you to the capital, left you to die. 
The images and pictures of your broken and bruised body they’d shown you. Shown what he’d done to you. They flashed in and out of your brain, a constant torment. Everyday he visited you, but never came in. You could see him against the glass, watching you cry and scream. Watching you beg and plead for them to take him away. 
You had been badly beaten, at least that’s what you’d heard from the nurses. You had broken bones and stab wounds, and severe mental damage. They assumed you had been sleep deprived, psychologically abused, and ‘hijacked’. 
A woman walked into the room, a kind smile on her face, and behind her was the man. The man who'd left you to the capital. 
“Please,” you begged. “Please don’t let him in, I-I didn’t do anything, I-I th-thought  it was s-safe here. Why is he here?!” Tears streamed down your face as you pleaded with the nurse and he started crying too. Why was he crying? He hurt you. Right? 
“Darling, please,” he pleaded, clenching his hands. “Remember me.”
“Y-you hurt me…” you trailed off, a real memory coming back, one of him and you at a beach. Him running up to you with a surfboard under his arm, the warm sun on your skin, making the swimsuit you were wearing bearable. He smiled at you and kissed you, then brought you to the water and helped you onto his board, teaching you to surf. When you fell he’d held you to him and kissed you, whispering words of encouragement and making bad jokes to bring a smile to your face. His hair was soft, even when it was wet.
 Soft, that’s what he was. Your finnick was soft. 
Then everything came back, all at once. Finnick had fought tooth and nail to save you, but couldn’t get to you in time, he had to be pulled off of the person taking you away, just to keep him safe. “Finnick?” You shouted and his face whipped up, shock evident. “Finnick, you’re ok!” You braced your hands against the restraints and the nurse quickly unlocked them. He stalked over, picking you up in a tight embrace. It hurt, the bruises and wounds on your skin, and the broken bones inside all ached to be left alone. But he wouldn’t put you down. You didn’t want him to. “You’re ok,” you repeated, trying to convince yourself of the fact. Finnick was ok. Finnick was here. Finnick was here to keep you safe. You were safe again. 
“I’m so sorry, I’m so sorry darling, I couldn’t get to you in time- I-I shouldn’t have-”
You cut him off with a kiss to his lips. This kiss was a promise. A promise that you would be together no matter what. That any flaws or shortcomings would be forgotten and dismissed. A promise that you loved each other. “I love you.”
“I love you too,” he smiled, tears falling from his pretty eyes, you brushed them away and kissed his cheek. “We’re ok again.” 
“We’re ok again,” you echoed, a sense of determination for your dream. Your dream of freedom.
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finniestoncrane · 2 months
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Gotta be honest with you, I need to hear every single Digger headcanon you have because they 2 you've shared are just so good.
General Headcanons
KTJL!Boomer Headcanons yippee!!! woohoo!!! someone wants to listen to my bullshit!! i am so happy to write down more of my headcanons by the way, but for anyone wanting any make sure to let me know what you want the 💙 request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: mentions of nsfw things, it's fuckin boomer so of course, there's a whole load of nsfw headcanons and i mention piss because duh
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General Headcanons
this is a sort of universal belief i suppose but i do think he lives in his van and i will live and die by my faith. he likes having everything he needs with him at all times. he will spout some bullshit rhetoric about living a "buddhist" existence with few material goods. and he's half right in that he has two pairs of underwear, and a collection of empty (or maybe not completely empty) beer cans rattling around back there
he's passed out twice while getting tattoos and he will yell and scream and argue that it was because his blood sugar was super low and not because he's a total wuss
he smells amazing. not like... good, don't get me wrong i don't think he smells nice. BUT he smells fuckin great. he has a natural deep musk that just hits the receptors nicely, the kind of smell that's laden with all the right pheromones to engage your caveman brain and have you swooning over him
bad habits (which i count as a bonus tbh) include: picking things: ears, skin, nose, anything. drinking to excess and then never learning a single lesson. masking all of his emotions until he's certain you won't make fun of him for having feelings. pretending to hate people that he loves because he can't be seen getting hurt. leaving his clothes lying around and relying on the smell test to get him through the process of getting dressed. kissing you in the morning before he has brushed his teeth. having no concept of personal space: he will steal blankets, he will curl around you in bed, he will sit too close to you on the sofa, he will hang off your body, he will hug you from behind and not let go, he will stand beside you all the time. refusing to take things seriously until he really has no other option. bad temper, and then defusing the situation by kicking something
yes, he has great tits and strong arms, but in my heart of hearts i know his stomach is not flat and in my head he has the sweetest lil beer gut to ever exist. it gets worse once he's just finished eating or drinking, and he cradles it and makes jokes about it being a girl or a boy. and while they might not have added it into the game, they did add in his sweet lovehandles on those hips, and he likes being grabbed by them and pulled into a hug. reminds him that when he's no longer big buff boomer, you'll still be super into his hot body
i think he's 45 years old fuck you. i think youngest he's 40, there's no way he's near me in age. we can consider sun damage to an extent but he has wrinkles, he's a dad, he's got big ol bags under his eyes and a slightly receding hairline
he's competitive, but not in an aggressive way, more in an annoying way. like you play a board game with him, and he'll do everything in his power to distract you, or use the rules against you. and if he loses, he doesn't go in a big strop, maybe a tiny huff with a few whines. who can refuse him a pity win when he's looking up at you all sad with those big green eyes and batting those silly eyelashes?
if there is something about you that he can mercilessly tease you for (without making you cry) he will harp on about it constantly. it's his way of showing that he's comfortable around you, enough that he can make you want to punch him in the throat. he can give but he can't take though, so remember that before you point out that he is in fact ginger, or that his freckles make him look so cutie-patootie, or that his tattoos are kinda dumb
you have to laugh at his jokes and puns, it's a requirement and he'd be tempted to make you sign a contract saying you will adhere to this rule. it gives him a boost, makes him feel proud. plus he is genuinely very funny, and the dorky nature behind his silly jokes is so endearing
Relationship Headcanons
when he falls for someone, he falls first and he falls hard. he also falls pretty easily, and he's no stranger to heartbreak, but he has his terrible coping methods to keep him going
he finds it easy to find something about everyone that he likes, because he's just prone to liking people. he thinks everything and anything is sexy, and he can find your good traits like a pig sniffing out truffles
he regularly brings home gifts for his partner, stolen or otherwise. no one needs to know how you aquired such an expensive piece of jewellery or that really nice original looking bit of art. maybe you just happen to save a lot of money by living in the back of his van with him!!
gifts are just one of the ways he is surprisingly thoughtful for a boy with no thoughts behind his eyes! dates are another thing he's fuckin stellar at!! wherever you're going and whatever you're doing you are guaranteed to have fun, that's just how he is. he makes everything tolerable, and he can turn a shit day into a great one
he's desperate for friendship, far more than he is for anything romantic or sexual, although if the two could go hand in hand that'd be an ideal scenario. he might claim to be chill and looking for a quick root, but he's far more interested in finding a partner who can be his buddy as well as his lover
there's never going to be a moment when he's not touching his partner by the way, like that is just something you are going to have to put up with
hand on your shoulder, hand in your hand, hand on your waist, hand on your thigh, hand on your back, hands around you as he hugs you from behind, hands around you as he hugs you from the front, hands around you as he hugs you from the side, hand on your butt, hand on your chest, hand on your stomach, hand on your cheek. the man has borderline separation anxiety
holding hands is his favourite though, especially when paired with his habit of loudly announcing your status to anyone within earshot. "oh this is my partner!" "yeah i'm their boyfriend!" "i'm fucking that beautiful bit of arse over there, thanks for asking!" like thank you, digger
he's surprisingly emotional, and surprisingly open once you get past his protective exterior layer. he's still always joking around and trying not to take things seriously, but the minute you or he needs some serious feeling time he is down for it
i don't think he would ever choose a sexuality. personally, i feel like he's bisexual or pansexual, but digger would say he's just sexual. he'll go for anything with a pulse who was happy to see him. there's a bit of digger for anyone (or anything...)
he'd be quick to take things to the next level with a partner he really loved. like he comes to pick you up one day in the boomer-van and he's like "tah-dah" and in the bacl there's a plastic storage box duct taped to the wall with your name written on it. this is how he would ask you to move in with him. you might need to get rid of a lot of your posessions but he wouldn't be adverse to you cleaning up the van or making it your own though!! i bet he'd love to have fairylights on the ceiling and some rugs on the floor
NSFW Headcanons
he has a piss kink. i know that is not a thing for most people, but i have evidence backing this up. it's barely a headcanon at this point, it's just straight up fuckin canonical fact lmao!! anyway i don't think it's a goes both ways thing most of the time. he likes to be the one pissing, it's where he refuses to be a switch and will only be the dominant one, usually
speaking of being the dominant one, it's what he's most comfortable with since he's a loud, brash, bold and heroic villainous boy, but he really doesn't mind switching things up. he can be a gentle dom, a bratty sub, and any combination in between. really, he is up for literally any activity or kink or fetish or position you can throw at him
he gets very vocal during sex. he spouts all kind of filth at you, confirming what he's doing, what he wants to do, and what he's going to do to you. his preferred terms are surprisingly gentle though, calling you kitten or pup, princess or prince, love, babe, baby. a combination of them all. aside from that, he is loud. volume is not something he can control when he's deep in the heat of the moment and he is the literal definition of animalistic. he growls while he fucks you, and he howls when he cums, and he has referred to himself as a dingo before...
of course, if you're getting particualrly nasty, or he's in a far more feral mood, he'll be growling low into your ear, calling you a dirty, nasty little cunt while he grabs your body and keeps you close
he's into any kink, sort of believing in trying anything once (or twice... or three times...) but there's a few he just LOVES. ones that if you mention them, you run the risk of having him cumming in his pants or rutting up against your leg like a desperate, badly behaved puppy
obviously, previously mentioned piss kink, but specifically if it involves some level of servitude or worship. like you on your knees holding his cock for him while he goes to the toilet, you offering to lick him clean, or letting him piss on you because you're so beneath him and he's yours to mark and claim. begging for a taste of him or pleading for him to use you gets him going too when you combine it with this
body worship or worship in general gets him going too. he's so desperate to be loved and wanted and adored and needed, so having someone beg for him, tell him they want him, they need his cock, his fingers, his hands, his saliva, his drool, his cum, anything he's willing to give them. top that off by calling him captain and he'll melt into a sticky little puddle
he's also way behind on comfort, so a little bit of gentle love mixed with kink is a great way to help him relax. feed him a tit or a hard cock, let him suck until he's soothed himself. hold him on your lap and stroke his hair while you tell him he's amazing, and so good at everything he does
cowboy digger is reporting for duty at the breeding ranch! get you some horns, a teeny tiny cowprint outfit, a tail and a bell and he'll either milk you dry until you're crying from overstimulation, or he'll ride you until he's pumped every last bit of cum into you, making sure you're ready for him to be the daddy
he'll fuck with the hat on. he's a socks on kinda guy too. he just gets way too into it way too quickly and forgets anything else but rutting and grunting
this could have been soft, if it wasn't george, but he loves when you fall asleep on him, like your head resting on his chest or his stomach or his lap or his shoulder. he'll be sweet, of course, and place a little kiss on the top of your head. but then he will try and sneak a look down your top or at your ass or to see if you have a visible bulge he can ogle
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lust444men · 2 months
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someone asked for more thoughts on spencer reid but I fr posted it before I was ready. so to the person who said "I need more of your thoughts on spencer reid", here ya are! <3 fluff, thas it.
⋆𐙚₊˚⊹
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he likes loves sitting with you on the plane, teaching you chess if you don't already know it, playing with you in chess, simpling his moves so the game lasts longer, playing poker w u and folding with a four of a kind in his hand knowing you only have a two pair, purely just so he can see your cheesy smile as you scoop all the pretzels and m&ms into your bowl, giggling and boasting that you "once again beat the spencer reid at poker" and teasing him that he shouldn't be banned from casinos in Las Vegas if he always plays as bad.
I feel like when he's around u, his world just completely stops and he drops everything if he can. you work with him? he's always trying to get hotch to team you guys together, just so he knows your safe. he'd hate for anything to happen to u!! he'd simply blame himself.
you look tired with all your paper work? he's bringing your exact coffee order he obviously memorised, and he's taking half of your files when you're not looking so he can help!! he an act of service and quality time kinda guy - I mean, he works in the fbi, that's so obviously acts of service.
Spencer is suspicious for a moment but he will always turn back to you, trying his hardest not to smile at your happy face as you eat your winnings, playing the sore laser and grumbling a "I'll win next time", simply hoping you don't see the crack of a smile as he boxes up the cards.
whoevers next to him(usually Rossi or derek) will give him a little "I know what you just did" smirk, glancing between you two.
when spence goes "??what?" upon seeing the look, they'll just shrug and say a small "nothing." and go back to doing what they were before, subtly smiling still at your chemistry.
if you don't work with him, he's always texting you during cases, calling you whilst the team sends him on a coffee run or late nights at the hotel. he enjoys your routinely scoldings you give him when he calls you late at night, telling him "you should be asleep! you're gonna damage that boy genius brain of yours and what good is that to anybody? sleep, spence!!"
god, he just smiles at your grumpy grumbles. he always says he's gonna go to sleep after - but you both know that's never true. he always stays up, trying to figure out the case, but God you make it so hard for him to focus! your pretty face, room-lighting smile - you ruin his focus in the best way possible.
if an unsub targeted you, he'd never forgive himself. even if you didn't get hurt! it'd be his fault, he brought you into his world. anyone he had in his world, ended up hurt. the minute they went after you though, the case became personal. hotch obviously did try to stop him, but spencer didn't care. he'd walk in line of fire for you, and that just might be the case.
he'd desperately try to talk down the unsub and once he was arrested(or shot), he'd hold onto you and never let you go, mumbling soft apologies into your hair as he rubbed your back, feeling it tense from the adrenaline of having a gun to your head.
if he missed dates, or god forbid anniversaries because of a case, he'd be filled with dread and guilt. sending you flowers, favourite foods, bringing your coffee by your house every morning, and if you didn't want to see him, he'd leave it outside your door with a little note.
when you finally forgive him, understanding it wasn't his fault, he's thanking you like his life depends on it.
he gives you his scarves on cold nights, buys you a matching one.
"hows your wife?" when she sees her son, a big grin on her face. eventually spencer just smiles with her, nodding.
he's nervous about introducing you to his mother, but she absolutely adores you, grabbing and smooshing your cheeks and saying "where have you been my sons whole life?!" sometimes due to her illness, she'll forget you're just his girlfriend, and she'll always ask
"my wife is good, mom."
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© LUST444MEN 𝟐𝟎𝟐𝟒.
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christiansorrell · 7 months
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RPG Read-through: .dungeon//remastered
For a while on Twitter, I've been doing read-through threads where I post my thoughts as I'm reading through a game for the first time. I recently did the same with Snow's .dungeon//remastered, a TTRPG where you are players logging in to a dead/dying MMO and exploring the digital fantasy world. I'm adapting those thoughts here for a proper Tumblr post! Enjoy!
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First up, credits! Good folks who do good work in my experience. Also, we get the first of what seems to be a common through-line here that I enjoy: an online fandom bent to this all being a sort of GameFAQ style guide for an in-universe game.
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My initial impression from most of the interior spreads I've seen just flipping through it is that I really love the style and layout. I think black and white layouts are underrated generally, but it really pops here with the pixelated text/symbols and the old school GUIs.
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It's interesting to have these kind of "no bigotry" rules you see in many games couched within an in-universe framing. I think this more personal angle actually makes them land better for me than they typically do in games.
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Of course, the author is still powerless to stop the players (just like with any instance of these rules, and all game rules in general tbh) BUT this is worldbuilding too, and it gives me a greater sense for the kind of in-universe fandom that's risen up around .dungeon.
Similarly, here's the game's unique version of safety tools - an in-game help menu that reworks things like lines/veils, x-card and more into the game world itself. I really like this.
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Once again, the art in this is just great. I love the Fez-like runes/symbols. My ARG brain wants to know if there's a hidden message here.
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I was surprised it was jumping right into the starter adventure, Tutorial Town, but I quickly found out that this is character creation AND a starting area/adventure all wrapped into one, video game-style, and that's so cool.
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Each room of the starting area introduces a step of character creation. It's interesting that stats are based on real-world (not you the player at the table real-world but your PC at the "real-world" computer playing the game) ability. Your game knowledge, response time, etc.
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As a long time Dota player, I also just really enjoy that the saving throw-like stat here is TILT. I have tilted many times and known many of my teammates to tilt regularly. Just fun to see that phrasing in a TTRPG.
There's more of the in-universe real-world player here than I expected coming in. Definitely has some really intriguing potential. I do wonder though if the intent is to be playing a "real-world" level character or if you are "playing" as yourself at that layer. Both would work.
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Monster statblocks. Easy to parse and straightforward to run as the GM (tho at time the layout does have one two many things laid on top of one another that can make them hard to read at first glance - like where "GOBLIN" is here):
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Health here is SYNC, and it's shared across the whole party - I'm interested to see how that full mechanic plays out and how it may affect play.
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Reaction rolls. I'm surprised to see them given the video game setting, cus mobs in MMOs just always attack you. I've gone back and forth on it with my video game-inspired TTRPG. Don't think it's a bad choice, just one that means the game world is more than a usual video game.
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So you have your real-world level Job (based on your characters' out of game job) and your in-game "Role" which follow the classic "holy trinity" of MMO design:
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PCs and monsters can team up to attack and can forego damage for stunts - potentially fun/interesting moments happening from that. Monsters deal dmg to SYNC but only per type is interesting, means a crowd of one-enemy is more a long trickle of damage than an overwhelming burst.
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Not knowing the ramifications of SYNC damage yet, I'm not sure what the Risk v Reward looks like for Respawns but it's intriguing. Letting your avatar die to keep the party in a stronger position overall (but being able to re-join after a fight) is definitely unique.
This is another fun room (and I like that other than saying late 90s/early 2000s it leaves appearance options open). I am not sure where to find the starting origins tho (they aren't on this spread and there's no page reference). Sadly, the PDF isn't bookmarked either, it seems.
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This feels like a smart roadblock to place in player's paths early on. It's unlikely they'll have a lockpick at this point so really, it's about getting players into that creative mindset. What is in the room for you to exploit? What gear do you have you can use in a new way?
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Might seem basic, especially to the OSR-experienced out there, but you'd be surprised how many players don't have experience with thinking more freeformly about the game in this way. No fault to them, most trad games condition you to use your PC's abilities/skills as a menu.
Another cool interaction between the layers of the game here (tho I do wish they all played more off of something more than just the tarot card being in the real-world layer). Still wondering if most folks play as themselves or as a real-world level PC.
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This is interesting. I wonder if there is going to be a real-world layer to play or if this is meant to be the amount your party can heal between sessions of play (like when the actual real you stops playing in actual real life - this meta layer stuff is tricky to communicate).
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I like this - a very short and sweet travel system.
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I continue to love this art. Also, this tease here around dual-wielding requiring the discovery of new Roles out in the game world somewhere first is really enticing (I added the highlighter there btw).
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This is fun - there are both in-game NPCs and PUGs which are other real-world players' in-game avatars. That extra layer to those types of NPCs is really fun and them running the gamut of fully out-of-character chatting to being hardcore RPers is fun to consider.
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Whenever it leans into the digital world aspects, I'm super into it. Very much my kinda thing. I do wonder though how often players can swap their Roles. I don't believe I've seen that said yet - my inclination would be once on the fly (like Final Fantasy's Job systems).
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And if these various layers weren't enough, .dungeon also features in-game collectible cards that are sort of enchantments and buffs. I wonder if my real-world level character can spend real money to buy Bytes to buy more packs from a merchant in town? lol
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I won't spoil/detail too many more of these but these kind of fun (and common to video games but rarely seen when thinking of the world of a game or the intended way to play) moments are really appealing. Also, this game has Goons in it. Oh no.
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Now I'm thinking the intention is the "real-world" level of play should be the real actual you, the person playing .dungeon the TTRPG (as opposed to a real-world level character still within the fiction of the game) since stuff like this would be tricky to track. Cool item!
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Tutorial Island is cool, a good blend of char creation, intro to what the game is, and just a fun adventure with a session or more of play to it. I'd have to run/play this to really see but I find the Sync being tied to essentially your real-world session length interesting.
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This stuff is cool and leans into that meta/fan-level play that only comes out of these big community-driven games, both MMOs but also things like Dark Souls.
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A lot of these kind of possible secrets come as comments in the text, possibly just to inspire the GM and to get players interested in ways that the table can build out on their own over time. So far, I don't see some of the more esoteric secrets to be laid out (which I like).
The rest of the book, as far as I've seen, is lots of resources, gear tables, monsters, etc. to build out the game after player's leave Tutorial Island. The game world here has that anything goes Final Fantasy bent to it. There's swords & wagons, but laser guns & skateboards too.
The setting here is also explicitly queer (mostly seen so far in the "real-world" PUGs) and includes things like sex workers and other elements that it maybe could not have had but that would certainly lessen the richness of its world, the fandom presented throughout, etc.
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The spellcasting uses the in-game money as mana points essentially. That's a cool way to limit spellcasting and motivate player's, especially spellcasters, to get out there and make some $$$.
Okay, here's the real-world explanation I was waiting for (after the in-game gear lists and such). This is cool - it's fun to have a real-life layer to this and to have the game's world support that sort of dropping in and out, doing things outside of a full party session, etc.
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I know a lot of folks do this with ongoing campaigns anyway, but this is one of those fun things to include here to build that in as an expectation in play. You have your raid nights with friends and you have your little solo sessions after work where you sell your loot.
Now, the rest is a nice collection of random dungeon, NPC, settlement, hexfill tables and more. Everything you'd expect from an OSR-like ruleset but occasionally with some fun added meta-layers.
Players getting a quest from an in-game Moderator and then being able to become a Mod themselves is a really fun idea and something I could envision becoming a long-term goal for one or more players at a table. The threat of encountering an Admin is scary as well!
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To finish it up, we've got a cool AASCII-style character sheet, complete with MingLiU-ExtB font (my beloved)!
And that's .dungeon//remastered! I really enjoyed reading this, and I think it has a strong core that's really enhanced by its real-world interaction layer. Gonna put this on "Play Soon" list. There are some smart rules in particular I'll likely steal for a future project.
.dungeon//remastered is available digitally NOW with, I believe, physical copies coming soon. I backed the Kickstarter to get this digital version. CHECK IT OUT HERE!
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batrogers · 3 months
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Civilized Or Not
So there’s some common Zelda fanon I wanna talk about, relating to civilization tropes I think some of y’all haven’t really thought about in detail before, and that’s Hyrule (Zelda 1 &2 Link), Wild (BOTW mostly), and Ravio (LbW).
I’m using the Linked Universe names, because that’s where most of it comes up, because these things happen most often where you can contrast the boys with each other. This is often done, quick and dirty, by people assigning “roles” to each without much thought. Ravio’s unfortunately tends to be extremely pervasive outside LU spaces, too.
But, in brief, there is a trend for people to craft these characters in a framework of innocent vs savagery vs trickery that can have some really unfortunate implications I’m not sure many are even aware of. Hopefully I can explain better where these ideas come from, why they’re so easy and appealing, and why we should try to avoid repeating them for more than just the sake of “easy” but also to stop repeating some really nasty historical tropes.
I would start from what’s probably the simplest one to address: the tendency towards a “feral” personification of Wild. This tends to come from two places: Wild’s amnesia, and the collapse of society around him and his lost place in it.
Now, brain damage is complicated. You can lose a range of things to any given injury because of the way information is encoded differently and in different places. You can lose memory and/or skills and/or coordination and/or balance, etc, because it all depends on what got damaged. But in-game a lot of stuff suggests that Link retains things like speech, reading/writing, coordination, and martial skills. None of the people who knew Link prior to his injury suggest he seems changed in any way not attributed to stress and anxiety...
And, more importantly, real people suffer memory loss just like that in the real world. Treating him like he’s become “feral” due to memory loss is cruel to actual people living with brain damage today, and if you go there you should have a good reason for it.
Social collapse is a wide-spread theme in basically every Zelda game. The threat that the Big Bad poses is almost always the destruction of society as it exists: Malladus literally vanishes the infrastructure of New Hyrule in Spirit Tracks; the Twilight turns people into spirits living lives they don’t realize are questionably real in Twilight Princess; Veran freezes the passage of time to force people to work forever in Oracle of Ages. King Daphnes and Ganondorf under the sea vie over the fate of the world above in Wind Waker: keep what’s been made, or start all over again?
In modern culture, people tell a lot of stories about the fragility of civilization and what happens in its absence. You get the range from Lord of the Flies, in which children wrecked on an island attempt (and fail) to recreate civilization on their own, Kipling’s “The Jungle Book” in which Mowgli is treated as reckless and innocent, and a much more obscure piece from the 18th century “Paul et Virginie” (and likely many more I don’t know offhand.) Essentially all of them play with the question of how do people become civilized, and what happens when they do? In Lord of the Flies, the children were civilized and failed to maintain it; in the Jungle Book, the boy wasn’t civilized and innocently interacts with it. In Paul et Virginie, the children were (relatively) uncivilized on the (French colonized) Mauritius, raised by their mothers but when the girl was sent away, she becomes civilized and dies tragically to preserve it.
The two Links most removed from civilization are Hyrule and Wild. Wild “lost” civilization, losing both his memories of it and the structure of it. Making him feral, without manners, and without a place to belong is that kind of Lord of the Flies savagery mixed with Mowgli’s innocent playfulness: there isn’t a structure to adhere to, so he’s a savage. Whereas Hyrule is more like the Paul eg Virginie side: innocent of civilization, he remains pure and sweet and kind, unable to conceive of big concepts like evil or money or so on. Neither position permits them to interact with the civilization that is right there in front of them! Wild can buy a house; he has people who know and care for him. He has social connections and social rights. The world exists, but the fandom does not seem to want him to interact with it in favour of remaining “wild.” In Zelda 2 – a game explicitly set within a decade of Zelda 1 – there are whole towns with trade and a castle and massive structures with on-going life in them... but very few fans seem to ever reach into that story or relate it back to the first. Hyrule, the character, does not exist within Hyrule, the country.
Strangely, Wind Waker does not fall prey to this, I think because the structures are presented as fait accompli: Link wakes up with his grandmother and his sister, he has a defined home, and a society in which you spend the entire game forced to engage with. Zelda 1 & 2 were not sophisticated enough to waste resources on going as in depth in social terms (although such interactions absolutely exist in Zelda 2!) and BOTW leaves such interactions as optional: you can survive the game with minimal social contact... but it’s a choice to play with it that way, not the default. The ways in which this edges onto the noble savage trope, in which “uncivilized” tribes are either innocent or brutish (rather than complex social systems in their own right) is fairly obvious.
There is one other character in Zelda who gets treated to the question of whether he is an innocent, free of civilization and all its rigour... or something else. Ravio, coming from the devastated world of Lorule, can often wind up slotted into the scared, innocent child trope and unfortunately that’s the better position people frequently take. The worse one evokes the Merchant of Venice: the deceitful, Jewish merchant who values money over people’s lives.
Lorule (and Nintedo’s approach towards their humanoid Zelda villains in general) is near-eastern-coded in many ways, down to the fact that Yuga’s outfit is the spitting image of Ottoman dress. Yuga being a depraved bisexual (a common historical trope about Muslim men towards Christian men and boys), and Hilda being deceitful and conspiring against everyone she was once allied to are a backdrop to the ways in which Ravio is a greedy coward. He’s not an evil character in the game; the mechanic of penalizing death without being too severe is interesting and works well! But that doesn’t take away the stereotype, just like it’s not okay Nabooru is pretty explicitly predatory towards child Link in Ocarina of Time, too.
Arab and Jewish stereotypes often converge, because both people's originate from the same region, and both are hostile "Others" to Christian Europe and Nintendo doesn’t have a great track record of their near-Eastern coding in Zelda. It crosses the whole gamut from harem and amazon tropes with the Gerudo to breath-takingly anti-semitic or anti-black (Ganondorf being green, eg. non-human, in various incarnations), all packaged neatly in the ideal of medieval fantasy Europe. The scale would be impressive if it wasn’t so damn awful, but we can at least stop repeating it in our fanworks.
Wild doesn’t have to be feral to be a playful little shit; Hyrule doesn’t have to be pure and innocent to be kind. Ravio doesn’t need to be innocent or scheming, and he shouldn’t place money over Link’s well-being (If you chose to respawn at home, he is consistently only ever concerned for Link! Once you buy the items outright, he promises he'll still be there to take care of you.)
Do better. It’s more interesting that way, and I want to see that variety grow!
[If any of y'all would like me to dig up better sources on any point, I can do so but I didn't want to bog this post down further. I have largely left the anti-arab stuff alone because it's not the biggest issue with Ravio's fanon presence, which is the focus here.]
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level2janitor · 4 months
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grid-combat sandbox thing!
i get distracted with new projects a lot, but lately my brain's been hyperfocused on one in particular. i wanted to take a crack at combining 4e-style tactical combat with OSR-style sandbox play, which on the surface seem like entirely opposite directions. and they kind of are, but i think i have something
since i started work on it i ended up dropping the words "OSR" and "4e" from my descriptions of it bc i think they end up evoking the wrong image. there's a lot that's core to both playstyles that i'm omitting to make it play nicer with the other playstyle. but it's far along enough now that i can talk about some of the design philosophy and how that manifests.
little to no scaling
the traditional way modern D&D (and to an extent even old-school D&D) handles progression is with big numerical scaling. a level 2 PC has nearly twice as much HP/damage as a level 1 PC. so you scale monsters to match, because the PCs have to get into fights around their level for the game to work.
skeletons are a real danger at 1st-level. they're manageable by 3rd, easy by 5th, and a joke by 7th-level. so you just stop running into skeletons, and when you're nearing the end of that level range any skeleton encounters that do happen will have a lot of skeletons.
this is bad for sandboxes! say i'm preparing a sandbox setting ahead of time and have a dungeon with a bunch of skeletons in it somewhere. i don't know what level the PCs will find it at - depending on whether they go through it as a 2nd-level or 6th-level party, it might be incredibly easy or so dangerous there's little they can do to mitigate that difficulty. or i'll just have to redo my encounter math the moment they find it, and that sucks for both the GM and players.
so, big numerical scaling is out. there's levels, you level up, but most of what you get from that level-up is a new ability. not a big pile of hit points and more damage. there's some scaling, your numbers are like twice as big at 10th-level compared to 1st-level, but it's a small enough range that a hard encounter at 1st-level will stay relevant throughout a whole campaign.
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the game's far along enough i can create & fully level a fighter PC, so i made a 1st and 10th-level (max) character and put them side-by-side to get a feel for the scaling.
the warrior class
speaking of, the first class i made is the fighter, obviously. it's always the first thing i want to get right if i'm making a D&D-like system.
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this is a good showcase of what each class is going to end up looking like: you start with a few core features & two perks (3 for warrior bc i like them being customizable). warrior perks range from a few unique moves to useful passives that let you resist statuses, strike multiple enemies, move further, equip heavier gear, parry weak attacks, etc.
the two core features, versatile fighter & combat opportunist, are designed to reward you for engaging in core combat mechanics. you get bonuses to attack from high ground, and this increases that bonus. every weapon has a unique special move you can do with it, and this lets you use any weapon you have with no cost to switch.
i've never liked the way most D&D-likes handle weapons, where you design your build around one specific weapon. you invest all your feats into being The Polearm Guy and when you find a cool magic warhammer or dagger you're just like. well i don't want this. it's not a polearm. so this fighter is instead designed to encourage you to carry around a ton of different weapons and use all of them.
exploration & the ranger
i used to hang out in the 5e community a lot, and people hated the 5e ranger. why? cause nobody used the travel rules, and you can't really blame them. the game has rules for how far you can travel each day, for random encounters & whether they ambush you, foraging, encumbrance, different travel speeds.
but most people who play 5e don't want that kind of experience, and 5e half-commits to it by leaving these rules scattered through the dungeon master's guide and making them too tedious. everything's measured in real numbers - miles, minutes, pounds. you track weight with pounds instead of item slots. of course nobody wants to track encumbrance when they have to stop the game to ask the GM how many pounds the macguffin weighs. nobody wants to dig through the DMG looking for the rule that tells you how many miles you can move. it just gets in the way and stops the game, so nobody does.
all of this screws over the ranger class which gives you bonuses to things like travel speed, not being ambushed while traveling, finding more rations, and tracking. people disliked the ranger so much that a supplement came out that replaced all of their exploration features with naturey combat features and some skill boosts, and since then that's the actual ranger when anyone wants to play one.
with that context, here's the exploration features my game's ranger gets.
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the feature on the left is inherent while the right two are perks. there's combat features, but they're not part of the point i wanted to make.
the ranger needs to feel useful, and for that, the exploration needs to be front and center. so what better game than one designed for sandboxes?
i don't want this to be the kind of big-damn-heroes game where you skip to the next setpiece because the travel is boring. the travel is the game. that's where the OSR influence comes in.
you track rations. it's important - if a place is far from civilization, it feels like it because there's nowhere safe nearby to restock rations.
you track encumbrance. deciding how much space to spend on arrows and rations, and how much to spend on treasure, means more decision-making.
you do hexcrawling, you track time, and you care how many days a journey takes because the world changes as time passes. enemies & other factions progress their schemes, new developments come up. so sometimes you go, wow, good thing we have a ranger - we can move 3 hexes today instead of 2!
the ranger is better at foraging rations so you can venture further into the wilderness, better at moving your party faster, better at keeping watch. i want that to matter! i can envision it being so satisfying to play a ranger and constantly come in handy. and i want parties without a ranger to wish they had one in a way that isn't just tedious.
so hopefully that gives you a good idea of the sandboxy direction for this game. will be posting about it more as i make progress, and gonna continue to support iron halberd in between this sort of thing
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magicalrocketships · 11 months
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ok im ready to be converted. what f1 fics do u recommend to start my full brain rot?
EXCELLENT, my plan is working (make people like what I like). Here is a very small and somewhat random selection, mostly Daniel/Max except where stated. Extremely loosely grouped. I've said if they're focused on them racing (grid), even if it's an AU. I have not associated anyone's ao3 handle with their tumblr name, so apologies for that. Do come back and tell me your thoughts and feelings. (!!)
F1 TASTING MENU (Maxiel Flavour)
Amuse Bouche: an opening vid
maxiel x 2022 season - “i would just draw it at like, i wouldn’t say love” by @daniel-enchante
Starters (shorter (ish) fics)
Cool Things to Say to Your Soulmate - words by powerfulowl, art by loveleah (grid, E): Only dumbasses get goosed. If a Soulmate Goose of Enforcement comes to intervene in your love life, it is a clear sign you have fucked up. You’re so bad at navigating human relationships that the universe thinks a violent waterfowl impervious to damage and capable of walking through walls will actually improve the situation. 
i carry your heart with me by capsize (grid, M): “What’s up little guy?” Daniel asks – because like his car, Max’s heart is a boy too – and moves the heart from the desk into his lap. “Is Max not paying attention to you? He can be a bit of a cunt, yeah? No, I know.” Or, five times someone found Max’s heart, and one time they kept it.
Just kissed you hello by charlotte_stant (grid, M): Everything freezes for a long moment—and then Daniel’s heart is back to beating and it’s fine, he can see how funny the situation is. “Maximus, my brother, my comrade,” he says, “what the fuck, mate. I’m not gay, ok?"
Amuse Bouche: another vid
max and daniel at redbull by @love-leah
Main Course (longer fics)
Good To You by TheNorthRemembers (grid, E): Max walks and talks like he has a big dick. He always has, and it’s not like Daniel ever really thought about Max’s dick, but he just- He assumed, maybe. That the equipment would match the attitude. That at the very least what Max is packing, would be completely average. The fact, that apparently it’s not- Well. Daniel doesn’t know what to do with that information, in more ways than one. Or: Max a small dick, Daniel is into it; lots of sex and a bit of angst ensue
my kind's your kind by hardlythewiser (grid, series, E, Max/Kelly/Daniel, resolving with Max/Daniel): Max can talk about it now, out of bed, casual. Kelly helped him practice, talking about it like it was just another activity, like her tennis lessons or nights out with friends, ever since that first time. But she doesn't say anything now.
To the Victor Belong the Spoils by powerfulowl (hunger games AU, E): Daniel didn’t kill anyone in the arena. He’s the one untarnished Hunger Games victor. The beautiful boy who stole the hearts of Panem with a fishing net and a smile. He can kiss babies and sell sun cream and fuck who they tell him to fuck and suck on the fingers that feed him– he’s not gonna bite. But then Max wins the Hunger Games. Max bites.
Amuse Bouche: vid time
"what's going on between you and max verstappen?" by @love-leah
Dessert (where the focus is on sex)
Sweeter than I ever knew by purples_all_the_way_down (grid, girls, E): Daniel has never had an orgasm. Somehow (Charles, it's always Charles), Max gets involved. Things get complicated.
I just want to know you like nobody ever has by 33Max (grid, E): They are in the bathroom, Daniel had insisted that he needed a shower if they were going to do this. He’s still damp, Max hadn’t even waited for him to dry himself off before he was pushing Daniel against the counter and dropping to his knees behind him.
Coffee (something different)
both hands tied on the wheel by kayshea (George Russell/Toto Wolff, grid, E): George feels, stupidly, like a cat that’s been stroked. Like his skin is electric. It’s what everyone has been saying to him all day, but it feels different, somehow, coming from Toto.
if i should come upon your house lonely by withfeathers (Lewis Hamilton/Hanna Prater/Sebastian Vettel, grid, E): The summer after Sebastian's retirement, Lewis visits Switzerland for a week. Nothing about it goes as he expected.
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altocat · 5 months
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I have a question.
I think Genesis' parents were one of the best people in the game, they were rich people who decided to adopt a victim of child experimentation and falsified reports to shield Genesis from having ShinRa's interest, thus risking their lives. Also, Angeal said he didn't steal from them, not because he was afraid of them punishing them, but simply because he was a friend with their son. As far as I understand, all canon info about them is pointing to them being amazing people, though it's possible I missed something.
Why do you think people write/hc them as shitty people who deserve to die? What canon info says they're bad?
You often say Sephiroth is a horrible monster with absolutely no hope for redemption for killing people in Nibelheim, which is true.
Why do you think Genesis is a cute baby boy for killing everyone in Banora, including his parents, who earned his redemption with his virtuous acts? Were people in Banora all monsters?
Sorry if it's a weird question, but I keep wondering about it and curiosity got the best of me. Genesis and Sephiroth killed people when they were blind with their desire for revenge, but Sephiroth didn't kill his family. What makes it a redeeming act for Genesis?
It's very likely that Genesis' parents were fully aware of the experiments and were in on it the entire time. Genesis hints as much when he claims that they betrayed him, much in the way of how Shinra betrayed him. Additionally, they did not lie on behalf of their son WILLINGLY, only because Genesis threatened them. They probably would have readily given him up to Shinra, despite the fact that he's their son.
Add to this the very odd fact that Genesis keeps a collection of his childhood accomplishments OUTSIDE of his old home, as well as the fact that Hollander, Hojo, and Gillian were ALL in the know about the experiments, it's very, very likely that Genesis always felt disconnected from his parents and that they were very much in league with his abusers. If it happened with Angeal, then there's no way Genesis' parents didn't know. And I highly doubt they took him in out of the kindness of their hearts considering that he just enlisted in SOLDIER the second he came of age. Likely he was being groomed since childhood into joining Shinra's ranks.
I think that Genesis probably had a very good reason to be angry. And to feel betrayed by his parents. I'm sure there are plenty of people who can add extra details to this to polish up what I'm trying to say, but Genesis is just as much of a victim as both Angeal and Sephiroth. He was still being integrated into Shinra and there was no way they were ever going to let one of the top specimens of Project G live a normal life. Angeal's family was not rich because Gillian refused to let Shinra/Hollander compensate them. Who's to say that Genesis' parents weren't rich partially because they were high status allies to Shinra? Why else are they in Shinra's contact list?
And another thing to note:
When Genesis kills his parents (offscreen), he is suffering from the effects of the Degradation Process. He is literally performing an act as a result of mind-altering internal decay and possible brain damage. I'm not doing to pretend that killing one's parents is a cool and okay thing to do, but this is a scenario in which an effectively dying man being ravaged by sickness is killing his parents out of the perceived likelihood that they were in league with the people who did this to him. And probably had more than enough reasons to confirm that his suspicions were true.
Compare to Sephiroth, who killed other people's parents, who were completely innocent and had nothing at all to do with what Shinra did to him.
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miscreantahead · 7 months
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Zoro/Sanji Post Thriller Bark
I've been thinking about Thriller Bark AGAIN so much lately and about how I've never really written anything for them post-thriller bark. So I wrote this little thing, which doesn't feel like enough for my AO3 so I'm just putting it here. Rated M. Tags for uhhh... nonchalant discussion of death? If I were to post this and give it a title, it would be World's Most Sword-Swinging Shithead
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“Hey, what the hell are you doing here, shouldn’t you be lying down still?” Sanji’s spoke in a slow drawl and lazily waved the spatula at him.
“I’ve been lying down for days,” Zoro dragged his feet walking in.
“Yeah, and you were even more almost-dead than you were at Baratie, so bad dog, go lay down,” he pointed the spatula into the corner for some reason.
“Not tired,” Zoro mumbled, still moving toward him.
“I didn’t say sleep, I said lay down, at least until Chopper clears you to move around,” now he was waving it toward the sky, and with his other elbow raised with his hand on the skillet handle, it gave Zoro the perfect opening to hug him around his middle from behind.
“Wh-wha?” Sanji flailed and struggled for just a second before Zoro let him go.
“Why’d you do that?” Sanji was now holding the spatula with both hands and pointing it in his direction like it was a longsword.
“Because I was almost dead,” Zoro said. and he made a point not to step that far away. In fact, he was close enough that Sanji was able to hold the spatula just under the jut of his chin.
“You’re saying you suffered brain damage, then?” Sanji asked, and his face turned comically sympathetic, “you poor, poor thing…” he caressed Zoro’s cheek with the spatula in a degrading manner.
“Cook,” Zoro growled, grabbing the spatula and shoving it away, “let’s not fuck around right now,” he didn’t intend for his words to come out the way they did. He heard himself, low, hoarse, maybe a little needy, and he saw the expression on the cook’s face change like he’d heard all of that too.
“I want to be with you,” Zoro had no choice but to carry it home, “even just once.”
Sanji’s expression had gone from silly to surprised and now to serious with his brow furrowed, eyes darting around Zoro’s face like he was trying to read some secret hidden within it. It was like he was worried that if he said anything in line with what Zoro was getting at it would be some kind of “gotcha!” He was still reading this like some kind of competition, like some game he was at risk of losing. Zoro wasn’t in the mood for it.
“I almost died,” Zoro’s voice cracked.
“I know that better than anyone, jackass,” Sanji responded through clenched teeth, apparently out of jokes.
“So?” Zoro said, moving closer so their foreheads bumped. “Don’t you want…?” he trailed off, closing his eyes and feeling Sanji ever so slightly press back against him. It was there in a thousand secret looks and just-a-little-longer-than-necessary touches. Something was happening between them, since Skypeia at least, and Zoro was sure it wasn’t one-sided. He was also sure that the damn cook’s mind was a conundrum he might never be able to solve, so he didn’t have a clue if this approach would work.
Sanji still hadn’t responded, but when Zoro opened his eyes his were shut, like he too was just quietly feeling it, their closeness. Zoro wondered how long it would take him to actually verbalize his position, but decided that perhaps he didn’t need to. If he didn’t want to say it, then Zoro could help him around that.
His lips were already only inches away, all Zoro had to do was tilt the orientation of his own head so their mouths touched instead of their foreheads. He started to move, slowly, until he was close enough to feel Sanji take a deep breath inward. When their lips met, it was the slightest ghost of a touch, but Zoro felt an urge to lift his hand and place it flat against the left side of the cook's chest.
His heart was pounding, so fast and loud and Zoro didn’t realize until he could feel it, that he could also hear it.
“Cook,” Zoro voice was weak against his lips.
The response he got was arms around his neck and a searing kiss as the cook surged into the kiss and tugged Zoro close to him. Their hips bumped and Zoro felt the hardness against his thigh for just a moment but he chased that feeling, crowding the cook back against the counter and pinning his narrow waist under the press of his abs and rolling his hips up so Sanji could feel that he was in a similar, or possibly more severe state.
The kiss broke then, Sanji broke it, but didn’t otherwise move, he just looked into Zoro’s eyes with surprise on his face. His expression looked foggy, but like there may have been something akin to reservation far beneath a cloud of desire in his glossed over-eyes and kiss-swollen lips that hung open to accommodate little puffs of breath.
Then a new emotion swept over that face, one Zoro was intimately familiar with: rage.
“Do you remember what you did, you son of a bitch?” Sanji hissed, arms unwinding from around Zoro’s neck, fingers instead viciously curling into and pulling the collar of his shirt instead.
“You knocked me out, threw me aside, left me there without a word while you went off to die,” he spat, literally spat, Zoro could feel the wet drops hitting his face, “and then when I woke up I had to be the one to try and find you because no one else knew why you weren’t there. I went looking and the whole time, every corner I turned I thought I’d see your bloody, mutilated, crumpled corpse somewhere dead—,”
Zoro placed a hand gently on the side of his face and it stopped his ranting.
“I didn’t have a choice,” Zoro said, earning a hardened glare, “but I’m still alive, somehow. And I do have a choice about what to do next, that’s why I’m here.”
“So, what, you realized you forgot to cross fucking me off your bucket list so—,”
“Cook,” Zoro interrupted, calm, because he didn’t want to be like this. Not right now, just this once, he needed it to be different.
“I know,” Sanji croaked, “but I don’t want to have to rush this, okay? Whatever it is, I don’t want to force it, I want to feel like we have all the time in the world. I want—,” he stopped, and looked Zoro in the eye, expression serious but no longer with anger, “—I need more time,” he said.
Zoro’s heart twisted in his chest.
“So just don’t fucking die, okay? Don’t you have to become the world’s most sword-swinging shithead?” He snapped again, “…fucking idiot…” he grumbled, and then Zoro watched him start to unravel, remained still as he collapsed enough for his head to fall and rest against Zoro’s shoulder.
“Thank you,” Sanji whispered against him.
“For what?”
“Saving Luffy, and all of us, and…” he muffled the next word by pressing his mouth against Zoro’s skin but Zoro heard it, “…and me.”
Zoro kissed his hair, then released a heavy sigh into it so the strands on top of his head fluttered around.
“So, about my bucket list…” Zoro mumbled.
“No,” Sanji drew back, and looked him in the eye again, “not right now for a million reasons, starting with because I’m literally in the middle of breakfast,” he gestured toward the simmering happening on the stove, “because I can’t look at you right now without being pissed that you tried to leave, and because I’m going to need to be more than a line on a bucket list, jackass, but if that’s what I am then I’ll stay uncrossed just to keep you alive.”
“More?” Zoro latched onto just one word and pressed for explanation, and Sanji’s eyes widened.
“Ah, well…” he wiggled free of any of Zoro’s extremities and turned around to face the stove again, removing the lid and starting to stir.
Zoro released the breath he’d been holding and a relaxed smile crept over his face as he slowly wrapped his arms around the cook from behind again.
“That’s all I needed to hear,” he said, and squeezed.
“Yeah, yeah,” Sanji muttered, “now go back to bed.”
fin More of my bullshit at https://archiveofourown.org/users/Patchratt
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fnnck-odr · 13 days
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i see that YOU wanna be bothered too and that you're a d4 enthusiast like me (they're my pookies!!) soooo what's your thoughts on the hc that annie was a career?? 🤭🎤
omg first of all thank you for sending this also i just saw your header and that’s such a slay
this is SUCH a good question and i know it’s so controversial so this is just my personal take!! i totally understand why people might think it’s wrong-
but i do believe that annie was a career and volunteered for the games. i think all victors are damaged from their games in a way and annie is just a different (perhaps more extreme?) example of the affects of being in the arena.
the thing is, you can have all the training in the world- but nothing really prepares you for that kind of violence. especially not seeing your district partner, someone you knew, being decapitated. that is extremely heavy and traumatizing to witness even for someone who volunteered for it. and yes, maybe most careers wouldn’t be impacted by that to the extent that by the human brain is a weird thing and all people react differently.
i saw someone make the comparison between soldiers signing up to join the military and still coming out deeply traumatized by what they saw and i think that’s a pretty good example. you can know what you’re getting into, you can train, you can do whatever- but you’re never truly 100% prepared to go through something like that.
in my opinion, that actually makes her a much more interesting- and no less sympathetic- character! i think a lot of people don’t want to associate annie (and even finnick i see a lot) with being “careers” because the careers are associated with being the bad guys and no one wants their faves to be the bad guys. but the careers were not evil/bad people- they were brainwashed children. but that’s another rant for another day.
so yeah idk if any of that even made sense but basically:
yes, annie is a heavily traumatized- but real- career.
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gatitties · 1 year
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"Owing its speed to his metobolism, the user can quickly process poisons and alcohol before their affects can damage the body, making them immune to such attacks. The speed fruit enables all parts of the body to become faster and strong, including metabolism. As such, the user's body can become starved of energy to the point of near death if they overused it, allowing the user to have a bigger appetite than other members of the crew." Imagine Luffy and male! reader participating in an eating competition tho? (Btw love your works 🥰)
─Strawhats x male!reader (Platonic)
─Summary: Your devil fruit gives you a huge appetite, but it seems you'll always get second place.
─Warnings: none
Part one / Part two
jdshaj this is so cute I can see they totally doing that every time they can, both could leave an entire village without food 😭🤚
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"Ready… set… let the competition begin!"
The announcer started the little festivity on that island where you stopped, a festivity in which both you and Luffy signed up because it was nothing more than a competition to see who could devour the most food.
You fought hard against your captain, the other contestants gave up pretty quickly, but your pride took a beating, you weren't able to beat Luffy in one of these competitions, at least, not the vast majority of the time.
Yes, your fast metabolism makes you have an increased appetite, but not enough to win it, however, you were able to beat it only once, although it was after a fight in which you racked your brains because you did not stop running all day, you almost died from overusing your power, but that was the only time you could beat him.
"I… I give up!"
Your body collided so abruptly with the back of the chair that you fell directly on the floor, your arms and legs spread out like you were a sunbathing starfish, your chest rising and falling rapidly from the speed at which you ate. Luffy smiled proudly, still eating, he reached out to lift you up, you nodded as a thanks, albeit with a slight frown in defeat.
Since you had nothing to do here, because Luffy continued to eat even after winning, you decided to continue exploring the surroundings a bit more, the different stalls that the festival offered, small games, a lot of symbolic souvenirs of the place, lots of traveling merchants looking for buyers. It didn't attract much attention to you and you just went to say hello to Robin who was looking at some books together with Chopper.
You didn't know where the others were, but it didn't take you long to find Sanji and Nami, the blond seemed very focused looking at the different ingredients that a vendor was displaying while she was engaged in a verbal fight with a guy who didn't seem to listen to the attempts to Nami's haggling, you decided to stay out of their business since both seemed busy, you definitely didn't want to end up listening to Sanji rambling about what to cook or embarrass yourself because of Nami being so loud when it came to buying things at a good price.
You met the rest in a bar and it looked like it could be your second attempt to beat someone from the team in a competition, you shared looks with Zoro after you sat down at the table where Usopp, Franky, Brook and he were, you both had seen the paper that was stuck on the wall, 'drink 50 beers without passing out and get a prize, if you don't make it you will have to pay'.
"Are we betting?"
"Hell yes, what are you waiting for, old man?"
He clucked at your behavior, calling for the bartender to bring a hundred beers, you split them up and Franky counted down for you to start drinking. You were a little younger than everyone on the boat, but old enough to drink alcohol, the bad thing is that apparently not enough to handle the bitter taste, thanks to your metabolism you managed to drink the fifty beers barely without them doing some kind of effect on you, though… not before Zoro.
"You have done well, but you will not be able to surpass me so easily."
"Just wait and see marimo!"
"Someone is spending a lot of time with Sanji…"
You narrowed your eyes at Usopp making him go back to his drink as if he hadn't said anything, again, completely defeated you shrank back in your seat savoring the second loss of the day, you didn't even care that you won the award for drinking all on time, you just wanted to wallow in your misery of being the eternal second in the team.
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utilitycaster · 3 months
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speaking of jasmine bhullar, she and brennan had a great convo about min-maxers and i was wondering what your own thoughts on min-maxing were? i'm new-ish to actually playing dnd and i still worry about making myself a problem to the dm as opposed to an asset.
First off as someone who enjoys Adventuring Academy but never has the time to watch the full episodes, thank you for bringing this up - I watched just the debate, and it was incredible and hilarious.
This is a good question. I am 100% in agreement with Jasmine here and she said it better than I could: min-maxing simply means that you read the rules to D&D and decided to use them to your advantage. Reading the rules to D&D is great and everyone should do it (in fact, this a reliable way to be an asset to the DM: know how your character's abilities work). There are a few cases where it sucks but most of those aren't actually due to min-maxing so much as shitty player behaviors that can occur in min-maxers.
I think one reason people dislike min-maxers is that the stereotypical min-maxer builds a character who truly can't do anything except for massive damage, and that does kind of suck, but I also think that that is really hard to build in 5e. You're going to have some other abilities. I think it was much easier to truly min-max in 3.5e, and perhaps in older editions you could really break things (in fact, having listened to some pathfinder 1e actual plays, I know you could).
There is also, as Jasmine points out, a false assumption that min-maxers aren't interested in RP or won't do it. This is very clearly untrue and a few examples off the top of my head from Actual Play that are debatably min-maxed are: Deadeye Cybin (played by Brennan, natch) in NADDPod (damage dealer); Laerryn Coramar-Seelie of EXU Calamity (optimized for survival, especially against non-magical foes); Caduceus Clay and Deanna Leimert of Critical Role (both optimized to be healers, incidentally); Orym and Vex, also of Critical Role (optimized to have a stupidly high perception score), Theo Gumbar of A Crown of Candy (optimized to tank and have a stupidly high AC). These are all fantastic characters with profound RP scenes who happen to also be really, really good at a narrow band of things, but they're also not just good at that. Many of them also can serve as the brains or the face of their party; many have utility spells far beyond their area of specialization.
Another reason people dislike min-maxers is they have a reputation for being ungenerous - for swooping in and stealing the spotlight. The above characters, played by some of the most generous people in actual play, show that's clearly not the case. Also, to be honest, a spotlight hog doesn't have to be min-maxed. It's just a shitty "hey, hey look at me" player. I think attention hogs might be a bit more inclined to try to build a character who is really really good at something (again, usually damage more than say, healing) but that doesn't mean that everyone who builds a gunslinger is here to steal all the glory.
Specialization also isn't bad! The reason D&D is a game where people are in a party is because not everyone can do everything! There are a small handful of characters who are a utility knife who can basically do a little bit of almost everything (Keyleth, Fjord, Moonshine) but they are the exception rather than the rule. Barbarians, for example, are a class that usually is structured around tanking and doing damage. This is fine! You probably don't want a party that's all barbarians because it is useful to have healers and ranged attackers and people who can sink all their high stat rolls into the mental side of things because they don't live and die quite so much by their physical stats, but it sure is nice to have a barbarian in the mix to balance out the glass cannon wizard, isn't it?
If you show up to a table where there is a clear gap in party composition (eg: healing) or there's a clear story the GM wants to tell (eg: very social, requires a lot of diplomacy) and you decide not to fill it because you are too busy building Guy With Stealth Bonus of +20, then that's a problem, but that's ultimately a failure to collaborate. Min-maxing for something that doesn't really help the party is simply the way in which you happened to fail that compromise.
I'm sure there are edge-case, dark corners of D&D Reddit builds that do suck, but honestly most of them suck in that they are actually not good (eg: coffeelock). Your typical case of dumping one stat to max out on another? totally normal, totally cool.
Anyway to get to the part of your question regarding not being a problem: you probably aren't! You're thinking about how to not be a problem to your DM, which people who are problems tend not to do. However, the big takeaways of the above are 1. read the rules of your character and 2. build a character who fits into the world. In the session zero, build a character who has a reason to be doing the things the DM outlines in broad strokes, and who complements the other PCs. If you do that, then it doesn't matter if you min-max or not.
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jellyvibes710 · 8 months
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@skylabrea Leo took it upon himself to learn Morse code while Donnie learned asl in case they ever needed it in battle, Donnie also knows Morse code and with this knowledge Leo learned Morse code VERY well from being an absolute menace to Donnie, donnie doesn't know it as well as leo because he just prefers ASL and everyone in the family knows it
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Leo knew he was dying, he could feel it in his body and him being the main medic of the team he knew he was getting worse, he knew more than anyone that he was dying so he decided to spend as much time as he had left just spending time with his family, he didn’t realize how fast he was dying though and by the Time he realized it was his last moments he only had enough strength to see one person so he went to his twin
Not only was Donnie the second closest to the medbay but Donnies lab just became his safe place when he struggled to sleep
Dee always had a backup chair for leo to sit next to him and listen to him rant about a project or a game he was interested in, eventually putting him to sleep. In turn Donnie would fall asleep shortly after listening to Leo's eepy chirps and churs, tuning his brain out enough to relax and get his own amount of sleep.
So it was a bit of both to wanting to see his brother and knowing that he was passing
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In part 3, Leo doesn't understand how mikey knew morse code though.. only Donnie and him know it.
My friend responds that worded it way better than I ever could :]
"This hits really hard when paired with the Mikey drawing, because you can tell Leo is sorta just thinking things over and trying to come to terms with his reality and how he's going to like. Minimize the damage of his death. Knowing full well he can't, really. He can only pray that everyone will just kind of see him as this strong, funny guy that they grew to love, thinking that he'd be showing weakness if he didn't at least pretend he was fine"
"It's almost scary how much hes convincing himself that his death won't actually be that bad, as long as he fakes it til he makes it, hoping that everyone will be in there so he can give them a lil speech and then just pass in his sleep so he doesn't have to see it. Cause Leo knows. He knows every layer to it"
:]
Till next time
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animentality · 1 month
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I got to Lady Jannath's estate, and holy shit I hate that stupid questline. Fuck Oscar and fuck Lady Jannath, I hate her fucking house and how stupid it is
it's literally the worst thing ever made in a video game.
it's not just narratively dull, although honestly the quest mechanics suck so bad that maybe it's a blessing that you don't have to go through it to get any kind of great scenes.
and honestly who the fuck thought it was a good idea to have an annoying and boring ass artist from act 1 show up again, only to have the worst quest in the game that basically just says well he's an asshole. a boring asshole. whose backstory sucks dick. anyway.
but it's not just pointless.
it's psychological torture.
it's a buggy fucking mess, with enemies who go invisible, which is already annoying as fuck, but it's made worse by the fact that they literally make you wait there for FULL MINUTES as the ghosts stand around and don't take their fucking turns.
then it's worse because you get attacked on the first floor and literally have to make your fucking way up like three or four floors.
and the lateral view of BG3 is ASS.
you literally are fucking blind bc you're forced to go up floors that you can't SEE until you're on them. and then it gets worse because you're on the fucking stairs.
and then SKULLS BLAST YOU DOWN THE STAIRS BACK WHERE YOU FUCKING STARTED.
And the skulls have medium toughness so you literally have to hit them for at least 50 fucking damage.
that or remove curse, but only if you happened to be hoarding 5 fucking remove curse scrolls or are a cleric with limited spell slots.
and if you manage to survive fall damage and force damage, you then have to fight more ghosts at the fucking top.
also to do that stupid fucking quest, you have to do the stupid ass mystic carrion quest, which is another form of hell.
fighting him is annoying because you can't heal when fighting him and he constantly frightens you.
and he has stupid ghouls that paralyze you as well as frighten you.
but then going to his tomb to help that dumb bitch zombie whose name I can't remember right now is worse.
because in that stupid mummy crypt, you can't heal OR CAST SPELLS WITHOUT TAKING A BILLION DAMAGE down there.
now I at least figured out that you can just have a rogue run down there, steal the shit you need, and just leave.
but it is a HELLISH room.
it is literally the worst.
I hate mummy rot.
it's some bullshit.
so in short.
FUCK.
THAT.
QUEST.
it is AWFUL. I HATE IT.
anyone who likes it has something seriously wrong with their brain and they need to get it checked before it kills them.
fuck Oskar Ferves, he can literally choke on both my dicks.
the WORST quest in baldur's gate 3, no exceptions, no close seconds.
I could be dead for ten years and the blood in my corpse would still fucking boil if you mention that fucking quest in the cemetery.
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sciderman · 15 days
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YES SCI YES YOU GET IT
like. okay, i dont think david way's run was AMAZING. it was flawed!! i think it struggled a lot with the execution of its ideas especially since there wasn't more natural flow between the comedy and more serious aspects, they interfered with each other a lot. HOWEVER. if you ignore the execution and just look at the underlying concepts behind the stories in way's run you start to appreciate it. way had such cool and fun ideas (i may be cringe but i really do like "evil deadpool" as bad as that name is not necessarily as a character but conceptually and as a medium for wade to Work Through Shit) and i think he may be gets a bit too much shit for it.
(i do, however, hate that way's run was basically the only reference material used for the deadpool game bc they stripped any more serious moments and themes from the run and JUST did the lol random humor and did irreparable damage by painting deadpool the taco memes guy and nothing more)
((also i might reread way's run now too :] ))
oh i have THOUGHTS about the deadpool game
way's run had such an impact on deadpool's pop-culture presence and my god. i think it was the timing of it, being at peak rage-comic icanhascheeseburger meme era of the internet where people would share panels out-of-context for the haha funnies and so that kind of was just how people were exposed to deadpool. deadpool became like, the comic equivalent to like, trollface or something
it's kind of over now, we kind of have a more complex deadpool out there doing his deadpooliest - and i can't say i miss the era of 7 different deadpool books and all of them being cringe incarnate. but i do miss the playfulness of way's era of deadpool. i think duggan and poeshn literally. actively did everything they could to "normalise" wade. make him like everyone else.
get rid of the boxes ✔️ give him a wife ✔️ give him a kid ✔️ put him on the avengers roster ✔️
i don't know, it was kind of a huge endeavour to make him normal. he still had all his misery, sure, but it became a lot less fantastical and probably more...? relatable? to your average straight middle-aged guy. but i think it's a shame, because i do like fantastical. i think it's fun to get fantastical with it. these are fantastical characters. so i love the grand hallucinations and indecipherable nonsense. i love the creativity. i love not-normal.
i think wade is boring now. comics wade is boring. he's boring, he's cutesy, he's not the weird messed up problematic fave that i fell in love with. i miss the problematic parts of him, instead of him just being a pity-fest. i miss his weird brain. i don't know what's going on up in there anymore. maybe dua lipa's "dance the night" en loope, maybe that's all that's going on in wade's head right now. yeah.
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