I think when people are summarizing Raph's character (as a whole, and not necessarily specific iterations) they have the tendency to describe him as a loner which I find interesting because. I don't think it's really that accurate?
When people describe a character as a "loner" it makes me think that said character is choosing to be alone, and PREFERS to be apart from the group. Which very much isn't the case with Raph. Most of the time, him being alone is a result of him getting frustrated and needing to blow off some steam. Either as a genuine coping mechanism, or because he fears he might hurt them while he's in an emotional state.
He LIKES being around people and being with his brothers. It's clear that other people are very, very important to Raph, and his relationships with his friends and family are a big part of who he is. He just is so often misunderstood by those around him that he, unwillingly, does become a "loner".
I don't think it's accurate to say Raph is THE loner of the group, when the majority of time he spends alone is a result of him being in distress.
[Image ID: a meme, featuring one person with their arm slung over another person's shoulder as they loudly and insistently explain something to them. End ID.]
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Calling it now, or manifesting (whatever you want to call it), I want the Jon Matteson frog knight to be mortally wounded in the climax of Cinderella’s Castle (perhaps to save Ella).
As he’s dying his little puppet death and I’m crying Ella tells him he’s a real knight and thanks him for his help, perhaps even declaring her love for him in a very platonic way (or a romantic way) and she gives him a little kiss.
Cue flashing lights and magic sound effects and who puts down the puppet and stands up but human man Jon Matteson who was The Frog Prince the whole time.
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thinkin bout how orv starts with kim dokja actively working to ensure that kim namwoon dies during the first scenario
thinkin bout how kim namwoon was a teenager at the start of the scenarios, dealing with the apocalypse using the mental paths that came easiest, jumping into the new world with both feet
thinkin bout kim dokja as a teenager. tired. hurt. alone. his internal and external struggles ignored by the adults around him. choosing to throw himself off a rooftop because there wasn’t anything in his life worth living for
thinkin bout how kim dokja woke up again, even though he had planned not to
thinkin bout a teenage boy. lost, alone, broken, scared, angry, in need of someone to come and show him how to keep moving forward
thinkin bout a protagonist in a webnovel who is an example to you of how to survive against all odds. a mantra to repeat when living life as yourself is too hard
thinkin bout a hardened and powerful hero who knows exactly how this world works, who holds out a hand offers you a place with him
thinkin bout teenage kim namwoon, looking to yoo joonghyuk as captain, teacher, and protector
thinkin bout teenage kim dokja, looking to yoo joonghyuk as role-model, hero, and refuge
thinkin bout teenage kim dokja, who saw himself more as kim namwoon than any of yoo joonghyuk’s other companions
thinkin bout adult kim dokja, reclusive and unsocial, hiding his phone from his coworker so she doesn’t see what he’s reading. convinced that yoo joonghyuk would look down on him if he learns who he “really” is. ashamed of any details kimcom learns about his past
thinkin bout what happens to a life when the person living it has never seen in it any redeeming qualities or objects of value. how someone feels about life when they tried and failed to give up that life a decade ago, and every day since has felt almost accidental
thinkin bout the lesser fire dragon. the disaster of floods. the strongest in seoul dome. the devourer of dreams. the 73rd demon king. the industrial complex. the war between good and evil. the wager with secretive plotter.
thinkin bout the most ancient dream. an empty station. a cold and hard bench. bandages and a notebook and a too-loose uniform. smaller than he should be for his age and more broken than any child should ever become. alone.
thinkin bout an unbreakable faith, shattered. a family frantically throwing themselves at their heart to save him from himself. desperate hands prying a blade out of shaking ones, moments before the jagged edge pierced deep into vulnerable flesh
thinkin bout how the younger kim dokja, recently released from the hospital, does not watch. instead, he instinctively curls up to protect the parts of himself already hurting the most. he begins to repeat his mantra
thinkin bout how kim namwoon kicked and fought and screamed and stabbed. and then, when he realized there wasn’t anything he could do, he got down on his knees and begged kim dokja for his life
thinkin bout how kim dokja just stood over him, held him in place, and looked at him in silence as the clock ran out
thinkin bout kim dokja at the beginning of his story and at the end of his story. in a subway. looking down at a teenage boy.
making a choice. the same choice, both times.
the first time: an explosion, a blood splatter on his reflection, and a confused and wary protagonist who has lost one asset and gained another
the last time: arms holding him back, a family hugging him tight, and another protagonist who steps in front of him. holds the child close. forgives him everything. offers up anything more he could need. and kim dokja watches as the person with the strongest claim to vengeance upon this younger facsimile of himself instead gently gathers up the most ancient dream, tucks him close against his chest, and walks away with him safe and sound in his arms.
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Didn't realize you can pass a perception check during the talk with Astarion at camp where he's looking at the stars to realize that what he's saying is probably not honest, and he's being fake.
So you really can just play a Tav who canonically is like "hmm I don't think this guy is being real with me- I think he's trying to manipulate me," from the start, lmao
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