#i mean i could be completely wrong on 1) this being a thing that's been mentioned and 2) clearly not knowing the mystery enough

[thetrashthatsmilesback]

Watcher, Capitalism, and the Petite (Petty) Bourgeois

So the whole Watcher controversy has revealed an interesting misunderstanding of what constitutes "the rich" or capitalist beliefs. The major theme that arose during the controversy was the sense that Shane in particular had gone against his previously stated leftist beliefs - that he had, for all these years, taken up a humorous aesthetic of anti-capitalism without actually believing in what he was saying. I believe that this is due to a breakdown in definitions as they become spread to the general public. Dissemination of information is a good thing, and I would never argue against it, but one problem which arises from concepts spreading to large groups without context is that often the actual meanings break down until they are vastly different from their original, academic denotation. This is, I believe, what happened with the phrase “eat the rich” and its current colloquial usage.

I want to preface this with the fact that nothing I am about to say applies exclusively to Watcher, or that the Watcher staff have done anything wrong or misrepresented themselves. I also don’t think that the Watcher fanbase is wrong at all – the situation just happened to spawn arguments both in defense of and critique of the Watcher team which indicated, in my opinion, that an understanding of “the rich” in a capitalist society is not well understood. Disclaimers out of the way, let’s get into this.

During the controversy, two major sides arose – those who had begun to see the Watcher crew (in particular Steven, Ryan, and Shane) as “the rich” or ruling class in a capitalist setting, and those who argued against this by arguing that as Watcher is a small business, and not the upper 1%, they are not included in the definition of “the rich” expressed by leftists. I want to focus in on the counter-argument that Watcher being a small business just trying to survive means that they are not considered “the rich.”

In Marxist theory, there is a small group called the “petite” or “petty bourgeoisie.” This group is defined as those who both own and contribute to the means of production – aka, small business owners. Marx himself wrote little about the petite bourgeoisie, predominantly referencing them in passing in his essays The Class Struggles in France, 1848-1850 and very briefly in The Communist Manifesto. He does happen to criticize this group in the little writing he did on it, “Marx derides what he sees as the petit-bourgeois self-delusion that, because it combines both employment and ownership of the means of production, it somehow represents the solution to the class struggle. This class was progressive in a limited sense, as witnessed by its claims at various times for co-operatives, credit institutions, and progressive taxation, as a consequence of felt oppression at the hands of the bourgeoisie. However, these were (in terms of the Marxist view of history) strictly limited demands, just as the ideological representatives of this class have been constrained by their own problems and solutions” (“Petite Bourgeoisie - Oxford Reference”).

Now, it is very important to note that team “Watcher is a small business” aren’t completely wrong in their positioning of Watcher’s attempt to raise more revenue as Not Evil Capitalism. Marx’s belief was that eventually the Petite Bourgeoisie would be pushed into the proletariat class. I also am not positive that Watcher is a classical small business – they very well could be a worker co-op. A worker co-op is a business where the workers have ownership of the company, and significant representation on the board of directors(“What Is A Worker Cooperative? – U.S. Federation of Worker Cooperatives”). While some criticism of worker co-ops from a communist or socialist view exist, they are generally seen as a more socialist approach to the typical small business model.

I couldn’t find direct confirmation that Watcher is a co-op. One point against them being one is the use of titles such as CEO and Owner, but these designations could simply be for tax and paperwork reasons. Watcher is an objectively small company, they have between 25 and 30 workers, and most people cite them currently having 27 workers, but in the past they have employed interns and I am unsure of if they currently have interns on board so I am going to stick to the range. It would be incredibly easy to have a worker co-op with 25-30 people, you wouldn’t even need voted representatives; everyone could just be on the board and contribute to decisions. I figured the next best approach would be to see what the roles on Watcher’s shows are – if Steven, Shane, and Ryan contribute significantly rather than just showing up and looking pretty on camera, then there is a good chance they might be functioning as a worker co-op more than a traditional business or small business.

To do this, I decided to look at Watcher’s largest show for each co-owner. This means Ghost Files, Mystery Files, Puppet History, and Steven’s food series. These numbers broke down as follows:

Ghost Files: Ryan is listed as a Creator on all Ghost Files videos. Ghost Files Debriefs do not have writers, so that role will not be held against them on those videos. Ryan and Shane were listed as a Host and an Executive Producer on all videos, but neither ever held a Writer, Editor, or Sound Mixing role.

Mystery Files: Ryan and Shane were listed as a Host and an Executive Producer on all videos, but neither ever held a Writer, Editor, or Sound Mixing role.

Puppet History: Shane is listed as a Creator on all Puppet History videos. He is listed as a Host on all videos, an Executive Producer on all videos, Writer on 4 videos, and never held an Editor or Sound Mixing role.

Steven’s Food Series: Steven is listed as a Host and an Executive Producer on all videos, but neither ever held an Editor, or Sound Mixing role. This show does not require a writer so this will not be held against him.

*Do take these numbers with a grain of salt, I wrote this while in class so its possible that I missed something.*

Looking at those numbers, the main three do predominantly just film, but I don’t want to devalue the work that goes into being on camera. They are still generating capital by acting, I simply wanted to clear up confusion I had due to seeing people say they edited every Ghost Files video. From what I can see, they don’t do the editing, but as executive producers they likely have to review every video before it goes out. I also still can’t fully come to a conclusion on if the company can be considered a worker co-op, but I believe it is a standard small business – aka, the petite bourgeoisie.

All of that leads to the final point – the way that people only began to view the three lead Watcher members/founding members as “the rich” after the announcement of the streaming platform shows the way that leftist theory has become divorced from some of its meaning. I saw several people arguing “you guys can’t recognize the rich”/”you guys would attack doctors and lawyers under the guise of eating the rich,” and yes its true that doctors who work in hospitals are proletariat, but if a doctor opens a private practice or a lawyer opens a private firm, does that render them more bourgeoisie or more proletariat? At what point do the petite bourgeoisie become a part of those who we disavow? I don’t actually have answers to these questions, and I’m sure people much smarter than me or better versed in economics have written on this (one source I found that seemed good while I was skimming it despite its age is this one https://www.jstor.org/stable/2083291?seq=3 ). I didn’t make this point to argue one point over the other on whether Watcher counts as “the rich,” but more to focus on the way that term gets used. The argument could be made that we could have started questioning Shane’s anti-capitalist beliefs the moment he helped start a company, but we didn’t. We only started to criticize him on the basis of hypocrisy after the announcement and its out of touch comments. This raises so many questions about how we use the term “the rich” now – does it refer to anyone we dislike who is financially stable? Has the term become completely divorced from its original meaning? Or were we being hypocrites all along? Has Watcher Entertainment always been incongruent with Shane’s implied political beliefs? Is there a certain point at which the petite bourgeoisie become a part of the financial aristocracy? Or is that term only relegated to the industrial bourgeoisie, is it reserved exclusively for those in financial positions that no artisan could ever hope to reach?

Is it possible that both arguments are correct regarding the Watcher boys, and all other members of small business ownership and management positions? That they are both “the rich” but not a part of the proper bourgeoisie?

I don’t know. I find it fascinating though.

#watcher #ghoul boys #watcher entertainment #ryan bergara #steven lim #shane madej #watcher tv #we are watcher #this is really my distracted musings #its probably not very coherent #like i said #i am in class #meta #i guess???

[llyfrenfys]

In which I try not to be That Guy TM when it comes to Irish ancestors: An exploration of ancestry, diaspora and culture

Because of The Horrors TM in my life atm I've been looking into my biological family tree. I'm adopted but estranged from my adoptive family and I never met my biological family since I was adopted just short of my 2nd birthday. I've been tracing my ancestry for about 3 years now and it's genuinely quite stress relieving to me. It's also fun and challenging from a research standpoint - putting together my own family tree gave me the skills to write articles like this one I wrote in 2022 about historical Welsh queer people, for example.

Lately, I've been finding out more about my Irish ancestors while an adoptee (and thus not knowing any of my biological family) - but also doing this as a Celticist and tired of people doing the 'my sister's friend's cousin's father's mother was Irish' thing. This has created an almost unbearable tension between curiosity at my own ancestry while trying not to be That Guy who finds out about one (1) Irish ancestor hundreds of years ago and is weird about it.

Especially since mine are quite distant ancestors - my great, great, great grandparents were born in Dublin and in a tiny village in County Down called Dunnaman (near Kilkeel). However, they were Irish Catholics and emigrated to Liverpool in the 1870s - all of their subsequent children and grandchildren were born in Liverpool and all of the above + great grandchildren were raised Catholic - including my grandmother (who died before I was born). So there was an obvious attempt to maintain that heritage. There's even evidence my great, great, great grandmother at least spoke Irish (which, as she was born in County Down, would have been Ulster Irish).

The problems with uncritically throwing oneself at an ancestor's nationality:

Now, not all North Americans of Irish (or Welsh, Scottish, Italian, Scandinavian, German etc.) descent do this - but there's a very vocal set of North Americans of Irish descent who find awe and interest in their ancestry - which is actually quite a positive thing! - however, due to either temporal or cultural disconnect, they may end up doing or saying things (and not necessarily with bad intentions) which can have a negative impact on the Irish and the Irish language (or [nationality] and [language(s) associated with that nationality].

I'm reminded of the time an American commented on a Welsh language rights post I made in support of Welsh speakers, but they accidentally ended up using a white nationalist slogan by mistake. It can be a minefield - and with regards to Ireland specifically, mistakes like that can be so much worse. To literally give my own (mild) example, today I decided to relearn Irish (since I haven't spoken any in years since being taught basics at undergrad) and picked up a blank notebook I bought at Tesco the other week, while completely forgetting the inside cover of the notebook was orange. I was planning on decorating the notebook anyway and painted it a different colour. While I know that nobody would really hold it against me if I didn't change the colour, I just know that walking around with an orange notebook filled with Irish I'm relearning because of interest in my Catholic ancestors could be a confusing set of messages, at the very least. If you don't understand why this is, look up the meanings of the colours on the flag of Ireland.

Which is to say, even those of us in Northern Europe who have significantly greater physical proximity to Ireland than North America (and therefore should know better) still can and do get things wrong. And not just benignly wrong like in my case.

The tendency for some North Americans of Irish descent (Canada isn't exempt from this) to conflate Irish ancestry with a contemporary connection to the modern countries located on the island of Ireland as a whole can have results ranging from 'a bit weird' to 'jesus fucking christ'. As a Celticist, I've seen far, far too many Americans of Irish descent try to weigh in on modern Irish politics without any background knowledge or tact at all - and naturally they stake their claim on modern Irish politics entirely on the premise of having distant Irish ancestors. Or, even worse, things start to get all phrenological.

'Irish blood' and the nonexistence thereof:

'Irish blood' is continually evoked by some to validate their sense of 'Irishness' and the obsession with '[insert nationality] blood' is a distinctly North American phenomenon- likely related to or an offshoot of the concept of 'blood quantum', in which enrolment into some Native American nations and tribes is determined by how much 'Native blood' a person has. Notably, many people who would ostensibly have been described under this system as 'full blood' were registered by the US as 'half blood'. This is a method of genocide intended to wipe out tribes and nations by imposing strict measures of who does or does not qualify to enrol into a tribe or nation. This concept seems to have been extrapolated over time (in a North American context at least) into the idea of descent from other nationalities' being measured in a similar or adjacent way. This is how you end up with some North Americans declaring they are '1/8 Italian and 1/4 Irish' on their dad's side etc. While in Europe (where these nationalities hail from, crucially) this practice is seen as a really weird way to describe your ancestry. In general, it's simply 'my 4 times grandfather came from Spain' or 'my great great grandfather on my dad's side came from Finland' etc. if it comes up at all. For various political reasons, many Europeans with descent from multiple other European nationalities may choose to omit to mention descent from certain nationalities, especially if in recent history there has been conflict between their birth nation and an ancestor's nation. The most famous example of this is literally the British royal family changing their surname from the German Saxe-Coburg and Gotha to the more 'British sounding' Windsor in 1917 due to the onset of the First World War.

Where it gets really weird (and also very offensive and rude) is when cultural stereotypes get invoked alongside the whole 'blood' thing in usually quite damaging and/or disparaging ways. I've seen way too many North Americans of Irish descent claim they're alcoholics because they have 'Irish blood' or even worse, claim it's normal to domestically abuse their spouses because of it!! (Genuine thing I have seen btw). Same goes for claiming to be a naturally good chef because of 'Italian blood' and so on. As a general rule, people from the place where your ancestors were from don't generally like to be inherently be considered drunks or prone to violence due to their nationality. Or have weird and inaccurate idealisms projected onto their language or cuisine.

Aren't there any positives?

It wouldn't be fair to make a post like this without mentioning some of the positives that can come from interest in an Irish ancestor. Like I mentioned at the start of this post, I myself felt inspired to relearn Irish because of my own Irish ancestors. I was taught the Connacht dialect at undergrad, however, since my ancestor was from County Down, I'm going to try and learn Ulster Irish instead. One doesn't need Irish ancestors to learn Irish of course - when I learned I wasn't aware I had any Irish ancestors. But being inspired to learn Irish because of an ancestor can't hurt and directly increases the number of Irish speakers in the world (provided you keep at it). This is a net positive for the language as a whole.

Similarly, people who have educated themselves on Irish politics because of their ancestry and genuinely learned something are also a positive thing to come out of discovering Irish ancestors. In my experience, these people are the kind of people I enjoy talking to about being a Celticist because they actively want to learn and respect the cultures being talked about. Which is huge to me!

Conclusion:

As a Welsh speaker whose national identity is more-or-less Jan Morris-esque, my Irish ancestry is an interesting facet of my ancestry I simply didn't know about before. And being an adopted person, I can sympathise with the general sentiment of a lot of white North Americans of feeling disconnected or alienated from any ancestral heritage. The conditions which create That Guy TM as described above rely on that sense of alienation to propagate a very ineffective, tactless and often very insensitive approach to Irish and other European cultures. But the important thing is that that approach can be challenged by people genuinely interested in their ancestry who are also conscientious of the living versions of the cultures their ancestors hailed from.

For me, that means learning Irish in a dialect my ancestors are likely to have spoken. I also visited the library today to check out some books on the Irish emigration to England and the sociopolitical reasons behind that emigration. I know the broad strokes, but the details are desirable to know to get a better idea of the why and how the country of my birth had a hand in creating the conditions which led my ancestors to emigrate in the first place. I think the world would be a better place if people took the time to understand the history and politics of ancestors which don't share their nationality.

As always, reblogs and thoughts are welcomed and encouraged!

Thank you for reading to the end - and if you'd like to support me, please see my pinned post. Diolch!

#long post #Ireland #Irish #Gaelige #Celtic Studies #Celticist #Irish diaspora #Irish americans #blood quantum cw #racism cw #(just in case) #ancestry #geneology #family history #I've probably made typos but it's 11:40pm and I need to go to sleep

[da-proti-toku-grem]

why can't anyone understand that everyone is different and not everyone likes the same things and that it's completely okay AND normal for someone not to like going out and preferring to stay at home :/

#honestly i understand that my parents care about me and they don't want me to be feeling bad #and that they ask me bc they just want to make sure i'm okay #but i've explained to them what i feel like and they just don't get and i get mad but i akso know it's not their fault and just... oughhhhh #like yeah i have a weird kind of social anxiety according to my therapist and even she doesn't know exactly how to help me yet #but there are just so many reasons behind why i don't like going out and it's not just bc it gives me anxiety #or why those situations give me anxiety in the forst place #1. i'm just a very introverted person that doesn't like going out #2. crowded places/closed spaces/places where there's not enough ventilation/loud places (be it people talking or just music) overwhelme me #3. all said in 2 + flashing lights give me huge migraines that can linger for over 3 days #4. i am very much a night owl and i'm forced to live in a society where that isn't fucking acceptable apparently and i'm called lazy for - #- not being productive in the morning when the only reason behind it is that i am a lot more productive at night #but no one ket's me do that bc 'why are you doing stuff when you're supposed to be asleep?' #i have been the same since i was little. literally nothing has changed #and people where always like 'oh she's just shy' #but idk wtf changed #maybe it was that i became and 'adult' or maybe the fact that i started therapy and they told my parents that i have social anxiety. idk #but suddenly every single person in my family is worried about it and they're genuinely making me feel like there's smth wrong about me #i mean. i have my problems i'm not gonna go telling you that i'm perfect bc i'm pretty much not #but is there really smth that wrong with me that i need to fix #or is society just a bitch that doesn't understand that there's different kinds of people and everyone is different & IT'S COMPLETELY OKAY #have they ever thought about the fact that maybe these situations cause me anxiety bc i've been forced all my life to do them #even if i don't like them #instead of thinking that i don't like them BC they cause me anxiety?? #i mean. i know i have to go out more and that there's tons of things i can do ofc #but you can't just force me to do things i don't want to and put on a good face while doing it *every.fucking.day* #aaaaand i could add a lot more things but i'm once again reaching the tag limit so i shoukd just shut up #it's just driving me crazy bc i know they're trying to help but it really is not helping at all............. #ranting

[whatudottu]

Not sure if this has been brought up before, but I don’t think that there’s that significant of a secret behind the mural man. LIke? Apparently the political figures of Vinyl City are determined not by public voting (alone) or running for candidacy, but through the Lights Up competition for a combination of 1) completing the arena, 2) ‘lighting up’ the stage as the competition implies, and 3) passing the final vote from the NSRtists and the Head. If there was only 5 musicians and a head with NO vacancies, why would any of the Charters vote ‘yes’ to the contestant/s if there’s a risk in getting replaced?

I would think that the mural man filled in that 6th artist slot present even on DJ Subatomic Supernova’s satellite, and I suppose the mystery then would be if their absence was either through retiring, quitting or simply the end of their term as a Charter. Like, instead of an election season or whatever, Vinyl City holds Lights Up Auditions during a set period during that 6th Charter’s crossover or something; on the satellite again, it’s not as if we see the mural man’s name in 6th (we see Bunk Bed Junction’s), maybe they’re already gone or are archiving stuff from their district. Does Tatiana temporarily hold ‘charter’ to the district? Does she hold the platinum disc until a new position is filled? Is Festival Plaza that district that once had mural man as a Charter? Do you think with the Rock Revolution and the subsequent approval of indie bands that the position was left empty or even completely abolished?

idk, lmao-

#mural man #no straight roads #nsr #i mean i could be completely wrong on 1) this being a thing that's been mentioned and 2) clearly not knowing the mystery enough #i mean i played the game back in 2020 and only noticed it playing it again this year 2023 so lmao #a little bit blinded by the tatiana fight because i cannot carry a rhythm for my life and only like idk... sometime recent #that i got the achievement for 'don't get knocked out idiot' lmao #but like i just wanted to think about the politics (even if surface level) of vinyl city lmao- it's just so odd #take out the music part of their political system and you've essentially got idk a talent show arena election system #without that extra slot of ambivalent 'i'm retiring/quitting/ending my term' charter seat #it's like 'who hasn't met the standards of chartering their own district'

[pocketramblr]

That reminds me of a post you made a bit back, so I went and glanced at it and. You used the phrase "he values trust as far as he needs it" but I definitely don't think he has a very good perspective for all the times it's needed because I'd say "teaching children how to not die in a dangerous field job filled with fire and explosions you yourself have many times only survived by chance or unanticipated outside help also by chance" is definitely something that needs trust, if not his sake than for theirs.

well hindsight is 20/20, i'd argue his previous 5 years of teaching showed him he doesn't need trust to do the job and thats.... maybe... kinda.... like i don't agree but i can see his local rationality there? Thing is, Aizawa and I don't have the same job- we have maybe 1/6th of a same job. He's a homeroom teacher in a country with very different expectations of that role and as far as i understand it, its kinda weird he's later shown teaching content? (Hori is it too much to beg for some consistency or further elaboration on the plot device magic school)

that paragraph derailed, sorry- point is, Aizawa saw it as his job to keep the students alive, and did that by scaring them smart. As their homeroom teacher, the EASY and SIMPLE and NORMAL way to do that role would be to establish trust so they listen to your advice to not die but noooo. he decided to scare them, and then amp up stress so they'd listen to OTHER teachers (the ones actually providing the hero training and field practice stuff) more. After all, they'd look more honest and dependable in comparison. Considering that as far as we know none of his former students died in action, technically. technically he's doing his job sucessfully enough that he can argue he doesn't NEED trust/honesty here.

he's an idiot for doing it that way (and an idiot ignoring the other parts of the homeroom teaching purpose like. mental wellbeing and social emotional learning because he considers them less important) but still. this could really be fixed without even changing his attitude about trust and honesty if he just got some gosh darn teacher training

#thing is he got 156 expulsions in 5 years #which means either 1- expelling kids not in his class of 20 which means the other homeroom teachers approved the method #or at least were willing to let him do it #or 2- he expelled some kids multiple times #possibly the case being that the second time was 'for real' and to keep them out of the field so they didn't die in it #or 3- a mix of both #all 20 of his class last year got expelled at first #and i think all 20 moved up so none of them could have been double expellees #but his methods.......... do not completely undo his purpose #so he has *some* rational to continue them #not enough if you ask me #so yeah fun ask fun answer fun post to reference #thats actually a post i kinda regret making because...... so many people interpreted that wrong and said 'noooo trust is important to him' #and like....... the evidence they brought up would have little to do with the honesty thing #which i was focusing on because i was talking to a friend and realized we had very different views on honesty/trust #the friend of mine would sometimes lie no problem no reason if they did not feel you were absolutely entitled to the truth #just to do it #where i had moral implications about the truth in my head if there was no specific reason for lying #basically i felt you needed a reason to lie #and my friend felt you needed a reason to tell the truth #and sometimes that reason was 'you felt like it' but sometimes not #and so i said 'huh' and looked at lying liar aizawa #and wondered where he'd fit between those two views #and then i made the post and it blew up and i hated it because a bunch of people who thought aizawa is hot got mad at me for #morally judging him or something i guess (i was not but ok) #and no. aizawa is not hot. he's ugly. he's pretty. he's both pretty and ugly. but he isn't hot. hope that clarifies #anon #pocket talks to people #huh haven't talked about a my he ro character this much in a while i feel like #whats the occasion

[7-oh-ta1]

This is a horror game post don't freak out lmao

I can't decide which I think is canon: Kohei broke and killed everyone in the apartments BEFORE the landlord killed him, or if I think Kohei (as a spirit) killed everyone AFTER he was killed

#chilla's art games #night delivery #lindsay speaks #i looked up multiple posts & articles & videoes and they all say different things #the two main theories are 1) kohei snapped after being mistreated his whole life despite having done nothing wrong and killed everyone. #then the landlord killed him to cover up what happened. then kohei's spirit somehow caused packages to be delivered to lure the deliveryman #to his death site. #OR 2) Kohei was killed by all the people who despised him. That would mean they all ordered their own packages and the spirit of kohei #attempted to lead the deliveryman to his body just bec the deliveryman happened to be there. & as a ghost Kohei will then kill everyone #the 2nd one has more evidence specifically that the landlord was collecting kohei's disability check after his death and i just can't see #him doing that with the entire complex having been slaughtered why would he stick around? just doesn't make sense unless everyone else is #still alive. they also repeatedly say that kohei was a meek and kind-hearted person so much so that he let people disrespect him constantly #it's not impossible that a person like that would snap under all that abuse but at the same time i feel like that's just not the story they #were telling. i could be wrong. but the entire story is about someone being mistreated constantly when he absolutely does not deserve it #and he's actively a good person only to be abused by his community. him being killed by them after putting up with all that is the salt in #the wound that he was a good person and endured only to be killed in a horrible way. the kohei go nuts go crazy theory is so cliche #so cliche that it's completely possible too. i think his GHOST killed everyone either right before the deliveryman arrives or #after all the packages are delivered.

[kalinysu]

💮 Hello, I was wondering if you could do a muzan × reader where they're married, so he's the demon king and she's the queen, and they have been together way before he was a demon, so he turned her. She's also pregnant, and he won't allow her to go on missions anymore. I would like to know if he would keep her by his side or would he lock her in her room. She can also walk in the sun. Please take your time. 💮

𝐒𝐓𝐎𝐏. — Muzan x F!Reader

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Gentle Muzan with slightly harsh words, stubborn reader.

𝐍𝐨𝐭𝐞𝐬: Very cute request! I’ve never written for Muzan and a pregnant wife, so it should be fun. Might rewrite, this was a little lazy 😭

“Darling, please lay down.” Muzan said with a sigh. You two had been going back and forth all night, and you were keeping him quite busy, busy enough to the point he had to ignore his other tasks and focus on you in the moment. “Stop!! Don’t you have any missions for me to do?— I mean, I can’t just lay here for 8 months straight.” You said, trying to sit up and get out of bed.

Muzan kept you away from the other demons, well more specifically Douma. He was far too handsy with you even if you were of a higher status and deserved just as much respect as Muzan. He preferred keeping you locked inside of his room when he couldn’t have you near him, such as when he worked on experiments or had meetings with the ranks. You were too distracting and required every of his attention, which he was willing to give when you two were alone and he wasn’t busy.

“Woman. Lay down, now.” Muzan said, furrowing his brow a bit. His hands were placed on your shoulders, occasionally switching to your waist, trying to be as gentle as possible with you even if his words weren’t. He let out a exhausted sigh, getting into bed with you. He then wrapped his arms around you, holding you just firm enough so you couldn’t get up from the bed. “Missions—“ You said, still trying to free yourself from his grasps. “Darling, I’ve made it clear that i’m not letting you go on any missions while your pregnant, go to sleep.” He said. He was right, besides, you hadn’t slept in days, but you wanted to do something, anything but be in this room.

“Let go—stop it! Stop!”

Muzan eventually had to lock you up inside of your room, not allowing you out at all. He had practically began to neglect you after the first few days of staying by your side. He did bring you human flesh to eat sometimes, and spend short amounts of time with you before going back to his work. If you got into too much trouble while on your own, he’d have Kokushibo or Akaza watch you. And they watched you like a hawk. They treated you as if you were a human, and any minor injury would be treated majorly.

Muzan wanted to be near you, but he just had too much to do. Today though,Muzan had come to check on you while you were asleep. But when you heard the door open, you forced yourself awake. You felt Muzan pull the blankets over your body completely, before placing a hand on your shoulder. “Muzan..?” You mumbled, turning over to look up at him. He gave you a small smile, before getting into bed beside you. “Upper 1 told me you were crying today. What’s wrong?” He asked, and you could barely believe it. You were about to slap him, but he had caught your wrist. He was just about to lecture and scold you, but you had burst out into tears before he could.

He didn’t know that this was also just your hormones affecting your mood, and thought you were just sad. “Darling, come here.” He said, sitting the both of you up and pulling you closer, allowing you to cry into his chest. “Y-you barely ever stay with me anymore!!” You sobbed, gripping his shirt. “My love, you know I have things to do..” He said, gently stroking your head. He was being honest, but there was another reason. He wasn’t sure how to take care of someone he actually cared for who was pregnant, so he resorted to locking you away to keep you safe and away from others.

“My apologies. I’ll take you with me from now on, how’s that sound, hm?” He asked with a smile when you finally calmed down a bit, tilting your head up to look at him. You sniffled, before nodding, wiping away your tears.

#demon slayer #kny #muzan #kimetsu no yaiba muzan #muzan x y/n #muzan x reader #muzan x you

[mysteriesmuse]

You’re hiding in your Hiding Place — Bakugou Katsuki’s bicep 💪

In your later years at UA, Bakugou Katsuki ends up with an —unusual reputation within class A. He’s got a notoriously famous mean streak, but in 1-A he’s also got a reputation for having a strangely nutty tough-love aura about him — which makes him a decently good person to come run to when things go wrong. Naturally, not anyone’s top pick or anything, but a good one for when you need cry your heart out, or something. And, Bakugou usually knows, which is why he’s not all too surprised when you plow into his midsection in the middle of the hall. He’s headed upstairs from a later dinner because of his internship when he sees you. You’re coming straight from the dormitory showers, a chrous of familiar caterwauling floating out from the boys side. That’s why he took his showers in the morning, if he could help it, because at least Iida didn’t attempt to sing. You look soft and malleable stepping out from the bathroom. An old tye-dye shirt boasting participation of some kind of annual charity run and a pair of sweatpants on. The cuff at you ankles revealing your — now, slightly pink house slippers due to a washing mishap that happened last week in the dorms with a certain Shitty-Hair’ed guy and his red-themed hero costume. Your arms and face are dewy with what he presumes is that moisturizer that all you girls like to lather up in daily — and your hair is still on the verge of wet and stringy, but also frizzy and fuck, you look so very tired and soft right now. Katsuki pauses, red eyes squinting at your face; your nose is pink and your face is dewy, but those aren’t fingerprints left in the wake of moisturizer — it’s old tears that’s streaked over it. He huffs from his nose, nostrils flaring before he takes his hands out of his pockets and flexes his fingers at you where they hang by the side of his hips. And it’s then that he sees your shoulders slacken slightly before you’re suddenly pressed up against his front. All causal and warm — pressed as far into his abdomen as you can get, and he can feel your boobs smush against his chest because you’re very clearly not wearing a bra — and also because he’s earned a reputation for being a decent fucking human and for being nonchalant about that stuff. Bakugou is one of three guys in the dorm you guys deem trustworthy and reasonable enough to do that with. (The other two being Shouji and Todoroki.) And thus, he’s been grappled into many squishy-boob hugs by all you shitty girls. And your cheek is pressed against the hard plain of muscle that is his chest and your arms are wrapped around him — just under his shoulder blades in an action that lifts him and pulls Bakugou in towards you just a little bit. Your fingertips pressing into the muscle on his back and he hopes you don’t feel the way his heart is lub-dubbing inside his chest at the action. And suddenly Bakugou pulls you closer to him. A bicep circling protectively beside your chin, as a big palm comes to rest atop your damp hair. His other arm squeezing around your mid-section like a python and it’s a good thing too because as soon as he puts his arms around you Bakugou can feel that strength seeping from you and it feels like he’s holding you together. And that’s when the sniffles start.

“I’m so pathetic,” you whine. “As soon as you put your arms around me I felt my knees buckle.” And you’re pressed so close Bakugou can feel the way your lips move to form the words right against his chest. And instead of Bakugou saying anything mildly helpful in this situation his says, “I have that effect.” With a slight shrug that brings the top of your head pressing against his jaw, which might just be him engulfing and cradling you completely, but who knows? And Bakugou has no fucking idea why he said that. Or how he managed to say something so flirtatiously cringy with such calm, but all you do is attempt to shake your head against his hold and mumble, “yeah, that makes sense. I’ve seen the other girls around school.” Which you punctuate with a snort, an arm moving from his back to swipe at your face. Bakugou has no idea where this is going — except for you to start “hilariously deflecting” from whatever problem is at hand. “There’s this one girl,” you start with a breath, “she’s always hanging around the hallway between classes. She’s definitely trying to catch you at your locker, but she always just ends up next to mine and Momo’s — saying something random before running off. She’s definitely into you.” You look up at him, still completely weak in his hold and Bakugou scrunches his nose at you. An action that you find looks unnatural and awkward on the sharp features of his face. You frown, hoarsely laughing, “Stop that.” About his facial expression. Bakugou can’t imagine any girls wanting to be with him. Surely he’s a terrible catch at a boyfriend.

He face curls into a snarling scoff, “Nope. Can’t see it. You must be imaging things.” He declares forcefully pressing your head back into the cocoon of him. He settles his head back on top of yours and you’re now squirming like a damn worm. And you find some strength as you manage to peek your face out and blink at him with furrowed brows. And maybe it’s cause you’re in a vulnerable state with a good friend and maybe it’s because you’ve been harboring a little bit of a recent crush on the boy, but you blurt out, “You’re a catch. You know that, right?” And again his stupidly handsome face scrunches into that weird shape again before his red eyes are staring into yours. The hand on your back clutches at your shirt fabric before he says, “You really think that? You’re not just fucking with me?” You snort, wiping a few more stray tears from an entirely different problem than the internal one that the blonde is currently having. “Yeah I really think that, Bakugou.” And there’s a little quip on the side of his mouth that might count as a Bakugou smile, but it’s gone before you can tease him about it. The explosive murder god boy being unsure about his status as attractive is entirely too precious and far too laughable a situation — which is probably why your aggressively smooshed back into his chest and why he starts waddling side to side. For some damn reason the gently rocking from foot-to-foot placebo affects you into crying it all out. Some remnant of being a baby you suppose, but it’s still annoying how Bakugou’s managed to peg it on you so easily. And you’re damn right Bakugou’s doing it on purpose because you very clearly have a problem of your own or you wouldn’t be clutching onto him for dear life like you are right now. And despite this revelation that Kirishima may be right in the fact that’s he’s attractive he’s still whirling at the thought that you think he’s a catch. Because you’re the only girl he’d probably ever want thinking that — but Bakugou tucks that piece of knowledge into the back of his brain when Momo comes out of the showers next. A giant frilly nightgown on as she scampers over — talking and whispering to you gently from within your little hiddie-hole formed by his curled bicep and forearm. And he just huffs, and continues to cocoon you in his embrace rocking back and forth like a damn rocking-chair as you rattle off whatever’s been on your mind.

What’s on his mind is for another day . . .

#mysteriesmusing #katsuki bakugou #mha fanfiction #bakugou x reader #bakugou fluff #bakugou drabble #bakugou katsuki #bakugou headcanons

[multifandomimagin3s]

They have a crush on you (HC's) - Team 141 + König

Requested by Anon

Simon "Ghost" Riley

*Honestly I could write an essay on this complicated man, he's such an interesting character - but I've summed up some HC's below*

This guy is so hard to read, but at the same time he's not.

At first glance, he's a hardened man who keeps his cards close to his chest and never lets his guard down around anyone. And that's true.

Given everything he's been through in life, that amount of trauma is bound to have a long-term effect on every aspect of his life - not to mention the fact that he's probably learned to repress all of that shit for most of his life.

So I reckon that even if he did have romantic feelings towards you, it would take him a long, long time for him to even process what he's feeling - he's not stupid by any manner of means, more so he doesn't know what to do with this newfound information.

He would probably try and be mean to you - not that he was ever truly sweet on you in the first place, he couldn't let people know he had a soft spot; a weakness.

If you were part of 141, he would probably try to completely ignore you - unless he physically had to speak to you, like if you were on a mission together ((ngl I think Price probably would put the pieces together and would try to push you both together by sending you off on the same mission - fulfilling his Dad Captainly duties)).

You'd probably have known Ghost for a while before he starts to open up to you - it's superficial stuff, like maybe when his birthday is or his favourite food, little details that didn't really give any crucial information away, but you knew better than to pry as it would probably just make him shut himself away more.

He'd probably be protective of you - like if the team were out at a pub after a mission gone well, and there was a creepy guy bothering you, he would loom over you to scare the guy shitless with piercing, cold eyes.

We all know that as soon as Soap figures out that Ghost has a crush, he's going to absolutely want to take the piss out of him for it...he just needs to pick his words carefully, since he chooses life :))

It's hard to tell when or if he would actually confess his feelings to you - I can see it happening in one of two ways:

1 - You almost died on a mission, and he deeply regretted not telling you before when he thought you weren't going to make it back to base in time; he visited you every day while you were in hospital, and ended up bluntly just coming right out with how he felt because he needed you to know.

2 - Soap tells you before he can. With this scenario, I don't see Ghost blowing up in a fit of rage - it would be the silent death stare with the promise of an arse-kicking in the training room, maybe even making the Sergeant clean the bathrooms with a toothbrush for a few months for good measure. Ghost probably wouldn't even deny it, and would wait for you to come to him... and whatever happens next is a mystery ;))

Johnny "Soap" MacTavish

*Ahh my fellow Scot - just to preface, Scottish slang and dialects vary across the country and I'm not 100% sure where Soap is originally from, so I'm just going to improvise and use local slang from where I'm from ~*

My guy wears his heart on his sleeve - he's naturally very flirty with you from the get-go, so it wasn't hard to figure out that he fancied you.

"Hello, Darlin', if yer wantin' a tour of the base, don't be feert* to gie me a shout ;D" [feert = afraid] [gie me a shout = ask me; gie = give].

With his flirty nature, it was difficult to discern if he was actually being serious about liking you, or if he was just flirty with everyone.

He'd probably realise that he was going about things completely wrong, and would make normal, friendly conversation to get to know you - he just wants to prove that he's a good guy and not a raging hornball :(

The longer time goes on, he starts to tell you more about his life outside of the SAS - he comes from a big family, he's the youngest sibling, his favourite colour, etc.

I can absolutely see his chest puff up a bit with pride when you compliment his skills - he disposes bombs and risks his life all the time, its his job and he doesn't expect praise other than a curt "good work" from his superiors; but from you, the tips of his ears are turning red, and a smile is practically splitting his face ~

Definitely doesn't use the excuse of training to get some time alone with you - not in a creepy way, he just likes spending one-on-one time with you.

If he really trusts you, he asks you to help trim his hair - he did do his mohawk mostly by himself but trying to do the back of his head on his own was an actual nightmare.

Likes watching the look of concentration on your face as you make sure that his hair is even - winks at you when you catch him staring~

(Y/N): There we go - a job well-done, if I do say so myself.

Johnny: *just admiring your smiling face, smitten*

Would probably ask you out then and there, a hopeful glint in his eyes.

Certified Best Boy™.

Captain John Price

This guy doesn't fuck around - he's older, mature, and knows what he feels, and straight up tells you.

He'd call you into his office for a "chat" - queue you absolutely shitting yourself, being called for a chat with your superior in any circumstance automatically has you going through everything you've ever done prior to this moment to see what he could be mad about...

If you were a Private or any rank beneath him, he probably might hesitate to tell you a bit; HR really wouldn't like it but then again they wouldn't need to know... ;))

If you were a medic, nurse, doctor or civilian, he wouldn't hesitate to tell you.

The Team wouldn't know he even had a crush on you - even if you were on base, as a soldier or medic, they wouldn't have a clue.

The only time they grew suspicious was after they had all been to the pub and after a few too many drinks, one of the new recruits started talking about you and how he thought you were fit; Price's eye twitched slightly, eyeing the recruit with a poker face but with a slightly flash of anger in his eyes, cigar between his teeth.

"Bit inappropriate to speak of a comrade like that, Private, don't you think?" The Private sheepishly let out an apology.

Gaz and Soap gave each other a knowing side-eye; Soap looked to Ghost, who stared back blankly - he'd figured out that the Captain liked you ages ago, he was just waiting on everyone else catching up.

Kyle "Gaz" Garrick

I see him as another guy who wears his heart on his sleeve, so to speak.

I think he's the silent type though - while Johnny will flirt with you openly, regardless of where he is or who he's around, I think Kyle would be more discrete about it.

At first, it would be the little things like making you your favourite tea when he's making his own cup - sometimes he'll just make you your own, delivering it to you with a little smile.

He even offers to spar with you during training - he wouldn't go easy on you but he would be missing the usual fire that he has when training with other members of the team, he doesn't want to hurt you :((

As he gets more comfortable with you, and you with him, he absolutely loves to wind you up.

I think he'd be a genuinely funny guy, so be prepared to laugh until your sides hurt.

He'd probably express his feelings for you in a cheesy but still down-right cute way; probably shows up at your door with flowers and asks you out on a date.

((Proud Dad™ Price is just around the corner))

König

Another certified Best Boy™.

Honestly, he probably didn't speak to you at all for the longest time - not because he was intentionally trying to be rude but because if he feels like he has nothing good to say, then he just won't speak at all.

His social anxiety probably fluctuates day-to-day; one day he feels alright, can make small talk with others on base and do whatever he needs to do. But then the next day, he won't leave his room unless he has to, and when he does he's just this hulking mass of poorly concealed anxiety.

I think his anxiety would probably accidentally be projected outwards and would make him appear more intimidating, especially when all people can see are his eyes underneath his hood. Poor baby :(

He definitely knew that he had a crush on you - he's anxious in social settings, crowds, and he knows what that feels like - but with you? He gets full-on butterflies and he's scared to speak in case he says something embarrassing.

You'd most likely have to make conversation first, keeping it casual as to not scare him off - ironic, since the man is over 6ft and is built like a brick shithouse.

It would take time but he'd slowly open up bit by bit.

The first time you saw him out in the field - completely different ballgame entirely.

Who is this guy and what has he done with Konig??

He probably confesses his feelings on the way back from a mission, still high on adrenaline and confidence.

Oh he absolutely full-on panics when the adrenaline wears off and the penny finally drops...but he meant what he said. He really likes you, Maus.

#simon riley #soap mactavish #konig #kyle gaz garrick #captain price #simon riley x reader #ghost mw2 #soap mactavish x reader #konig x reader #gaz garrick x reader #kyle gaz garrick x reader #captain price x reader #john price x reader #johnny mactavish #johnny mactavish x reader #call of duty #cod mw2 #multifandomimagin3s

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad �� and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta) #tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

[ofswordsandpens]

Okay compiling my most critical opinions on the pjo show so far (episodes 1 & 2)

The Gods' Conflict, Foreshadowing, & Big Three Kids

The show has seemingly dropped a lot of the foreshadowing and threat regarding the gods impending war over the theft of the lightning bolt. In the book, Percy remarks about how the weather's been inexplicably weird and extreme. When he gets to camp everyone is on pins and needles about something and they don't want to talk about it but its still very present. By the time he's claimed as a son of Poseidon and everyone's like "oh fuck" and then Chiron finally explains to Percy that the gods think he's the lightning thief, everything clicks into place for the reader. It all makes sense why everything seems so wrong... because things are wrong. Meanwhile in the show, that doesn't carry through as much, so the reveal of the conflict between the gods and why that's a big deal falls flat in comparison imo.

They dropped/stalled the foreshadowing of the fates and the cutting of the string. They could very well include this in future episodes, and probably will, but I think the timing of it - Percy seeing this before he even knew he was a demigod - again carries some hefty significance and helped set the foreboding tone of things being wrong even from the beginning.

They did drop Zeus's attack on Percy in the minotaur battle completely, which does disappoint me. In the book, its lightning that blasts the car off the road. In the show, Sally seemingly loses control of the car. That change is pretty significant, because it's again losing the power of RR's foreshadowing in the book. The attack on Percy outside the camp borders was a duel attack from Zeus and Hades.

Finally, I don't like the changes they made to Percy's claiming scene, namely, the reaction from the rest of CHB. Percy being a son of Poseidon is a huge deal. When Percy's claimed, the attitude is very much begrudging reverence paired with genuine fear of what it means and what he represents. In the book, Percy is claimed. People gasp. Everyone kneels. Annabeth says, "This is really not good." In the show, Percy is claimed. People... stand there? Annabeth smiles - she's going to get her quest. The only person who has the most outright negative reaction is Luke. I won't go so far to say this is out of character for Annabeth, but it is focusing on an entirely different aspect of her character in the moment, and what the audience gets from Percy's claiming scene here, the tone, is now different from the book. Basically, the reverence and fear don't really carry across to the show, which I think is important.

The phrase "forbidden child" slaps tho.

2. Gabe's Characterization, Sally's Characterization, & Why the Changes do Make a Difference

I'm going to say this with great care: The show has absolutely depicted an abusive relationship between Sally and Gabe. The show has shown Sally to be a strong woman who would do anything for her child. The show has shown Gabe to be a controlling, toxic man.

What they have depicted in the show does not read like the characters and dynamic in the books.

Book Gabe is a violent, menacing drunk. He is so disgusting and vile that monsters avoid him. This is overwhelmingly apparent from the second Percy gets home in the book, even before he is aware of the physical abuse Sally has been facing. Percy has already been dealing with physical abuse from him, amongst other things (edit to be more specific: this is including verbal, emotional, & financial abuse). I've already spoke to it here, in-depth, so I'll try to keep it short but all of this has not been translated accurately to the screen. (Is this to say that a person must be overtly abusive to be abusive? No. But does this character on-screen feel like Smelly Gabe? No.) These things have shaped Percy (and Sally) in very specific ways. As others have mentioned: Percy cannot stand alcohol. He meets Dionysus and is reminded of his step-father. He gets to Tartarus and the air reminds him of Gabe.... The character on screen, while abusive, does not share this presence at all, and that makes a difference.

Edit: To emphasize once more, I am not saying that the show has not depicted a realistic portrayal of abuse. It has (verbal, emotional, & financial so far). It has also distinctly changed the tone and Gabe's presence from the book, to the extent that it no longer feels like the same character and that does have a rippling effect on the dynamics he shares with both Sally and Percy.

3. The Lack of Annabeth

Annabeth in the show is just like... really not as present as she is in the book so far, and I'm just kinda like, why lol?

Annabeth in the books is already way more involved in Percy's life. She was in the infirmary feeding Percy ambrosia after the attack (ulterior quest motives lol), she's the one who lead Percy around camp and re-explained godly parentage to him - and its a moment where she's very sincere with him, and even trying to help him! Instead these moments are given to Chiron and Luke, which I do get the merit of, but still, these were her moments!

Annabeth in the books had already surmised that the gods were fighting, something was stolen, and the something bad was going to happen, all before Percy had even been claimed. And she shared that with him! Again, the loss of foreshadowing and little bonding moments has me :(

I'm a little worried how they're going to deal with her crush on Luke because its pretty central to her character in the books! It helps Luke to manipulate her and also keeps her from admitting he's done something wrong. Also, it was very sweet and funny reading her get flustered - It drove home the point that she was just a kid with a crush that she didn't know how to handle. But in the show Luke spoke to her and I was expecting there to be some sort of reaction to it and there just... wasn't? (This is not something I'm laying at Leah's feet btw! Only the writers/directors!) We're only two episodes in tho so maybe we'll see it some more moving forward.

4. The Minotaur Battle

Again, I've already spoken about this in depth here but !!

The lack of Zeus's lightning strike, them all coming to a standstill and just chatting instead of running for their lives, Grover being awake and just sort of off to the side watching the fight, Sally being like "Promise Me Grover Swear it"... it all just doesn't ring right to me

I wanted more panic, more terror, more urgency. Higher stakes. I wanted Grover unconscious, I wanted to see Percy drag him into camp, and I wanted to see more of Percy's grief alongside his rage. Like the book did.

The pacing in the show here, and just overall, is weird

5. Other Stuff

Mrs. Dodds fight kind of fell flat too. It was honestly too sudden and Percy killing her in the show seemed even more accidental than in the book lol. Like, accidental impalement vs intentional swing of the sword.

They really had show Grover throw Percy to the wolves and not just gaslight him, but low-key have a part in getting him expelled? Not sure how I feel about it tbh.

More New York. I wish we had gotten the part of Percy taking the bus home with Grover included cause like? Him ditching Grover was funny, but it would have been the perfect opportunity to show Percy traveling through New York and establish it has his home. Shots of him looking at the city, walking the streets, interacting with people near his building.. yeah.

More Montauk too tbh. Like more shots of him and Sally on the beach rather than just the cabin.

Nectar and Ambrosia! Unless I missed it, which I might have, why have we still not gotten an onscreen depiction of it yet lmao.

#I'll add more tags/thoughts to this later lmao but! #pjo adaptation #pjo #percy jackson #pjo show crit #had to expand more on Gabe cause im already getting comments like: /you know there's more abuse than physical right?/ #yes #I never said there wasnt #I never said that was the only form of abuse percy and sally faced #I said both show Gabe and book Gabe are abusive #but its played differently #tone wise #presence wise #and that matters

[hells-wasabii]

Hi could you pretty please do velvette x reader who is Carmilla youngest daughter and how her family reacts (plus zestial pls I ship him and Carmilla so I feel like he's a step dad)❤️

A/N: I blacked out and wrote this.... but yeeees LISTEN!! I love Velvette so much, its not even funny and i had a lot of fun with this prompt! I didn't realize how much i wrote for it until it was too late, and by that point, i really couldn't stop. but I hope you enjoy reading it as much as i enjoyed writing it! ps i honestly ship them too

Part 1 | Part 2

Character: Velvette

Type: Headcanons + Drabble (Velvette x reader who's Carmilla's youngest daughter, General with a bit of Angst and Fluff sprinkled in)

For Velvette, she actually entered into the relationship not really knowing who your parents were. You never brought it up and she never really asked. It didn't really matter to her, since, ya know, you're the one she's dating, not your mum and dad, or step-dad from what you've mentioned.

Honestly, she should've seen the similarities. They were there for sure, but let's face it, there are so many demons in hell that it was probably just a coincidence, right?

Carmilla also knew you were seeing someone as well, though she really figured that you would bring this special demon around when you were ready.

Oh, they were both wrong. So very wrong.

They found out simultaneously, of course, as cliche as it was. You were on an evening out with Velvette with no clear destination in mind, just simply enjoying the evening and each other's company when the next thing you knew you were face to face with your mother.

It... didn't go too well.

What had once been a peaceful evening nearly dissolved into a turf war all in an instant. If you hadn't been able to separate the two with a promise to talk to both separately later there was no doubt that everything in a three-block radius would be collateral.

Zestial and your sisters would find out soon thereafter, Carmilla of course telling them when they see her come home looking quite distraught.

As stated before, to Velvette, it really didn't matter. though it did sweeten the deal. It would give her plenty more opportunities for her to provoke the arms dealer, something that she already took a great deal of pleasure in.

Zestial would be skeptical of the relationship at the start but eventually comes to accept it fully. His patience won out this time. He's seen more than enough relationships like this go up in flames and he'd never want that for you. He considered you a daughter after all.

As for your sisters, both of them were simply happy that you were happy. They were more worried about how y'alls mom would react. And you can't tell me that they didn't already know, either.

Carmilla on the other hand... To her, family is everything. I mean, she killed an angel for you and your sisters. She'd do anything for her kids, and that includes keeping someone like that upstart from breaking your heart. She wholeheartedly believed that Velvette was only dating you to get one over on her. It really comes as no surprise when she goes all the way to Vee Tower to confront the youngest overlord herself.

"You need to stay away from my daughter."

The fashionista bit out a curse as a needle pricked her finger. Velvette doesn't usually startle easily, but shit, between her being completely focused on finishing and the fact that her workshop had previously been silent save for any sounds that she had been making herself, she thought that even the most stone-cold bitch would've jumped.

What good was the security for if those nitwits couldn't keep unauthorized demons out of her workshop? The influencer swore that if any blood got on the material for this dress she'd personally kill the guards and whoever-

Oh.

Of all the people she expected to see, Carmilla Carmine, the uptight weapons dealer, and apparent mum of her girlfriend, was not one of them. Or actually, scratch that. She was completely expecting this to happen sooner or later.

"Well, it sucks to suck then, wrinkles, I'm not going nowhere." The fashionista bit back, a smirk settling on her lips that quickly fell when the older woman tried to push her point.

"I know what you're trying to do and it-"

"Obviously you don't." All mischief gone from her tone, Velvette set her work to the side, careful not to crumple the fabric. She rose to her feet and began to cross the room to Carmilla, who in turn stood taller, determined not to let this miscreant make a mockery of her, her family, and most importantly her youngest daughter. "I hate to break it to you, but the only way I'll break it off is if SHE wants to."

Velvette paused, her eyes boring into Carmilla's with a conviction and passion that the arms dealer hadn't felt from the influencer before. When the younger woman spoke again, her voice was softer than before, laced with a sincerity that would leave the mother speechless.

"I love her."

Its this singular interaction that leads to a truce between the two (technically five if you include Zestial and the Vee's) Overlords. They would come to some sort of mutual understanding that if both of them were to be in your life, they'd have to play nice. At least in front of you. At Overlord meetings, well, that's a whole different story.

#i blacked out and wrote this #hazbin hotel #hazbin hotel x reader #velvet x reader hazbin #velvette x reader #drabble #hazbin headcanons #hazbin imagine #fluff #angst

[weebsinstash]

I know the show isn't out yet but Stayed Gone is stuck in my head and I'm chugging my yandere Vox juice so hard right now. I think he has the capacity to be absolutely insufferable

---for starters THE SPYING POTENTIAL WITH THIS MAN. You're telling me he can directly plug himself in to the city power grid and see through all televisions, potentially even phones and computers too? Could he put himself on your phone and start going through your texts? Could he even just put himself on your phone real quick while you're sleeping to check in on you? You couldn't even have privacy in your own home because of whatever screens are around he could potentially shoot himself to or watch you through. Imagine just being in your apartment completely alone and he's suddenly on your tv. Like what if you had just been sitting there topless or with your dick out or something or 👀 I mean. He could see so much, really...

---God honestly like. You know I keep mentioning the Instagram without ever attaching pics or anything because I'm on mobile and I'd have to use the hazbin Instagram archive blogs here on tumblr to go find them back like, you know Val would openly post the meanest shit, would literally post Vox's face being busted up because he woke Val up from a nap or i think it was he literally just brought him the wrong soda (which to be fair was taken from Velvet and was half empty), and then you go over to Vox's account and his pic was taping his pieces back on while being really frustrated and kinda lowkey looking like he would cry

Like Val's out here "women are stupid also men are stupid too" and talking about how he adopted a dog and killed it within like 48 hours and here's Vox celebrating his pet's birthday with cake and a party like. Why are these men together. Why. Why. Don't get me wrong I love to be the involuntary third in a toxic codependency but--

look all I'm saying is... do any of you get really really upset when you see someone being mistreated, especially more so a friend of yours?

READER JUST LOSING THEIR SHIT GETTING FERAL ANGRY SHOUTING AND SCREAMING AT VAL BECAUSE HE PULLS SOME SHIT and like that's IT for you because 1. Valentino might like actually backhand you one as well, do you think he wears rings so it hurts, 2. Vox sees you defending him and like, it's based on your own preferences really but if he wasn't already gaga this CEMENTS it and 3. especially if he watches you have to take a blow for trying to stick up for him. Like what if you cry. I have a low pain threshold, I'd be sniveling and crying at the least. Valentino storms off and Vox is helping peel you off the floor cause you curled up into a ball or some shit and he's sitting there thinking "wow they suck at this but they still did it for me 🥺"

---during his song with Alastor, it's a little confusing because they show an actual camera crew when he's turning the TVs on, but i think it's pretty clear that he can control whatever the screens show visually, thus his little zany sketches and being able to talk to himself and at one point, showed the visual of himself blocking the radio Alastor was projecting on right next door. I can just see him using this to kind of.... fuck with you, really! Or do whatever he wants? He's trying to suck up to you and he's surrounded by roses, or you're his co-host/guest host and he thinks your joke was funny and gives a little audience laughter as a treat

Or you know... you're running from him down the street, passing all these different screens and displays as they power on and show things like, him "jumping in front of you" while demanding you stop or, trying to show some kind of blackmail publicly, or just, begging you to just ACCEPT HIM and showing you all the fun things he could do with you, "cmon, I said I was sorry, stop freaking the fuck out! We can- we can do that thing you've always wanted to do, what about that?!" as he tries to project you two doing something fun, but most importantly, doing it TOGETHER. You're running from him terrified and he's showing you images of like you two smiling and happy or, it becomes scarier as he's more desperate

"Don't-don't make me do something fucked up!! I'm serious, STOP RUNNING" and he's like freaking out, showing shit of trying to hold you down, tying you up, and/or shoving you into a locked room

Sudden thoughts of "what if the more emotional and unstable he becomes, the less he can control his intrusive thoughts and shows his more impulsive darker desires". He's tweeking and the screen glitches and you briefly think you see yourself completely restrained, blindfolded, gagged--

---he's just like OBVIOUSLY so prideful but also immature and whiny ("who gives a shit about alastor?" Well you, mr hes just quietly minding his own business and I'LL start beef because i feel threatened and STILL LOSE, like awww my poor little pogchamp got publicly humiliated in an argument HE started out of nowhere, he's my little sad wet baby lmaoooo) and we already know his relationship with Val can become physically abusive, so, you pair him staying in that kind of relationship, being codependent, with this personality of his, and I can just see.... ACTUALLY FUCKING TRIGGERED LIKE LITERALLY CRYING UPSET VOX BECAUSE YOU REJECTED HIM like he's pissed he's hurt he's lonely he's heartbroken and HELL NO IS HE GONNA ACCEPT THIS

Vox would be over here proudly claiming on his TV show that NO HE REJECTED Y O U, not the other way around! He's not upset! He's totally fine! Meanwhile everyone watching can tell this man is manic and visibly hotboxing copium, "I didn't even really like you anyways!!.... no, I mean, shit, fuck, COMMERCIAL BREAK--" *cut to technical difficulties screen because the man is CRYINGGG*

-- Valentino and Reader bonding over teasing Vox and making him flustered and of course, obviously, the inverse. I still kinda like the idea of "they both think you're cute but like nothing exciting until one night they bump into you unplanned and you're all dressed up". Like Val is from the 70s or 80s so they go to a roller rink disco whatever kinda place because I'm sure the coke game there is INSANE and you're just like, swaying your hips spinning around to Let It Whip or September or something dressed in some shorts that make your ass look just right 🤌

You're sneaking back into the studio after a night out and they're both lounging somewhere and Val's like "uhhhh who is THIS coming in without saying hi to Daddy?" and you pull your sunglasses down like "SIR??? 😳" And now HE'S flustered because he didn't know that was you and Vox is feeling some new kinda way because he's used to seeing you in like, your work uniform or casual wear

Val who then makes your work uniform really slutty and you have to serve him and Vox wearing it 😩❤️

---I have this thought of like lmao imagine walking down the sidewalk with Angel and seeing Vox on TV and Angel is like "ya know he can see everything outta dese things when he's plugged in" and you're like "bullshit, he couldn't possibly process that many screens at once, it'd overload his brain, he wouldnt be able to concentrate" and you're like "here I'll prove it, hey Vox, check it out you fucking dweeb" and flash him your bare titties or you MOON HIM

scenario A would be that he INSTANTLY barks out laughing, "hey Val, that dumb slut who brings you drinks just flashed me!" And he just totally shows it on the air, maybe partially censored, maybe not at all, your phone is ringing IMMEDIATELY, of COURSE it's Val, and Vox is broadcasting your mortified embarrassed expression, "our big story tonight: drunk bimbo fucks around and finds out! More updates after this word from our sponsor!" and the man will noooootttttttt stop bullying the fuck out of you afterwards, because he's got a crush on you and you're like someone weaker than him his insecure ass can punch down on

Scenario B is that he instantly turns pink and about 5 seconds later he blue screens and the entire city experiences a blackout and when he comes back on the air he's like stammering and, glancing at, it FEELS like he keeps glancing at you, but, is he really?

------

I dunno... like I'm sure Valentino is gonna wind up being unstable in his own way but I guess there's a certain, ALLURE to Vox being a little bratty and whiny while also having these very VERY handy, actually quite scary abilities and resources 👀 like boy show me what that screen do 😫💦

#yandere hazbin hotel #yandere x reader #vox x reader #yandere vox x reader #sinprompts #yandere stuff

[azullumi]

“something about you” ; genshin men

summary — it hasn’t been that long since the two of you became a couple, first time in simple things occurs and how does he react? ; you call him ‘love’, accidentally or intentionally, for the first time, and he’s absolutely whipped for you.

includes — various genshin men (w/ gender-neutral reader)

tags — fluff, established relationship, they’re very very inlove with their s/o, also might be ooc bcs in not sure if the others fit in one of the scenario ; scenarios/multiple in one

note — finally i got to write something 1! also another one coming later i just need tk sleep

“love, can you give me that?

“sure.” he’ll answer without a moment’s hesitation, handing you what you need and it is only then that he’ll process what you have said before he could even focus back on what he was doing earlier.

“wait.” he pauses, turning to you with a confused look on his face. he isn’t entirely sure if what he heard was correct or just his mind playing tricks on him but he hopes that he wasn’t dreaming. you hum, eyebrows raised at him and he opened his mouth, “can you say that again?”

“say what again?”

“like what you said.”

you furrow your eyebrows, baffed, “...can you give me that?” there was a slight intonation in your voice indicating your confusion in this matter. while he was out here in front of you with a mind completely jumbled and thoughts roaring in the lack of certainty, you were there standing in front of him with a perplexed expression on your features as you couldn’t understand him.

“no, i mean– before that.”

“before what? you’re confusing me.”

“you know what i’m talking about.”

“no, i don’t!” you immediately object. you don’t know what in the world is he trying to say. you’re just trying to finish some of your tasks and he’s trying to make you repeat what you said which you already did. “i genuinely don’t know what else do you want me to say. it’s not like i said something that–” your words from earlier played quickly inside your head, the first one, to be exact.

“oh.” you falter, “oh.”

he notices the realization trickling through your tone and expression, “yeah… so do you know now?”

“i just did that, didn’t i?” he nodded and you sighed. “and what’s the big deal?”

“it’s a big deal! that was the first time.”

“seriously, love?”

“you did it again!” his eyes sparkled, ears perked up as a smile beaming with joy was plastered on his face. excitement was evident on each and every corner of his being.

“oh, dear…”

“was that meant to be me or…” and you only made a small gesture at him for him to shut his mouth in which he did. although, you couldn’t contain the small curve that tugs on your lips.

“but will you call me that again?”

“no,” and he groans despite recognizing the deceitful timbre in your words.

childe, itto, kaveh, heizhou, kaeya

“okay.” 

it was just a single word, a four-letter one but you couldn’t ignore how his tone sounded rather… cheery and though in normal occasions, you wouldn’t mind nor even notice but right now, there was some hint of an unfamiliar feeling on it. it’s like he’s plotting something. then he spoke up once again as he brings you what you were asking for, “here it is, love,” adding an emphasis to the endearment that he just called you.

“thank you?” you failed to hide the bewilderment in your expression as well as your voice but he only smiled at you and replied with the same tone as the look on his face, “you’re welcome, love.” 

a brief silence ensued between you two as you nailed your gaze at him, trying to decipher his guise and take a loot at the inside of his mind and he seems to find amusement in your attempt; he doesn’t break his demeanor which infuriates you more.

you grumble and he chuckled, “what’s wrong, my love?”

“you.”

he raises an eyebrow, tilting his head for a bit. “why? what did i do wrong, my dear?”

but realization creeps up to you, albeit in a slow manner as if you were still taking it in and accepting it; it was similar to a snail climbing up your leg, uncomfortable and hateful. “did i just call you…” and he nods with the same smile that he has since earlier, an affirmation to your suspicion.

“i really did?”

“yes, you did, love.” and though it’s just one word, a single-syllable one word, with the way he uses it, it feels like a frying pan being repeatedly hit on your head. oh, so that’s why you were feeling off about his air earlier.

“why? is there a problem, love?”

“stop that.” you already feel embarrassed enough and yet he’s here prodding into it and making it worse by teasing you. he laughs, short and soft, then replies sweetly, “there’s no need to be shy now, is there?” he approaches you, hands swiftly wrapping around your waist and pulling you closer to him, closing in the distance between you two. you couldn’t speak, not like he was giving you a chance to do so.

“it sounds so pretty coming from your mouth.” so you should call him like that more often.

childe, ayato, kaeya, pantalone, wanderer

he stiffened up, processing what you said and you didn’t fail to notice it especially when you had your hand out and empty for almost half a minute–there was no sign of movement from him either–, expecting for him to place the thing that you’ve been asking for on top of your palm. you turned your head towards him, calling out to his name and snapping him out of it. 

“the book, please?”

“oh, right.” he laughs rather awkwardly, scratching the back of his neck before proceeding on doing what you had asked him. finally, he places the book in your hand but he still seems to be in a trance, eyes distracted, and you couldn’t help but to worry.

“are you alright?” concern drips from your voice and he hummed, eyebrows raised as he feigned a look on his face that says he’s fine. “oh, yeah. i am, i totally am. i’m just a little bit distracted.”

but you know him all too well that he wasn’t telling you the truth. you didn’t respond, gaze trained at his face in silence, seeking for a falter in his fake expression and he breaks; he doesn’t like how well you can read him as if he’s an open book–not like he hates it, however. sighing, he spoke up once again, “you just called me ‘love’ for the first time,” and it’s probably an accident, those words died out on his throat.

“i did, yeah but it wasn’t an accident.”

astonishment fills his face, “oh?”

you hum, nodding your head before you speak in a soft voice. “does it…” your voice trails out and you fidget with your fingers, “...bother you?”

“no, no, it doesn’t.” he’s quick to protest, shaking his head in a panic as if he’s afraid that he might have accidentally hurt your feelings. “it doesn’t bother me, it will not. i actually love it.”

“really?”

“really.” he spoke firmly but gently and he placed his hand on top of yours, fingers snaking through yours and perfectly fitting with your own as if it were two puzzle pieces. he whispers, “my beloved.”

honestly, you could call him with a sweet endearment or a horrible one and he’ll still get the butterflies.

thoma, kazuha, diluc, baizhu, kaveh

he hums, quick to finish the request you have asked him and giving you what you needed before returning to what he was doing prior. it makes you wonder if he really heard what you said, choosing to ignore some, or a single word or maybe he did hear it and he just doesn’t care. you tried to give it a try, calling him not by his name but by an endearment, a sweet yet simple one but there was no reaction from him. 

unbeknownst to you, however, everything was a complete opposite to your thoughts.

he’s thinking, like not just some thinking but deep thinking, deep, deep thinking as if he’s contemplating a decision that could cause the end of the world if he doesn’t think of it properly when it’s literally just a word, 4 letters and 1 syllable. god, you have him on such a tight hold that you have him losing his rationality over a 2 consonant, 2 vowel term.

“you okay?” he was pulled out of the train of his thoughts and he hums, nodding. “i’m fine. i’m just thinking of something.” of what you said. he distracts himself with something else, continuing the task that he left off earlier and trying to finish it–gods above, he just wants to hear you say it again.

“just call me if you need anything.” you say and he only inclined his head as a response. it was quiet once again, a little bit tense but you could manage, in some sense, it was also comforting and peaceful (honestly, you were doing everything you can to not think of what he’s thinking because he’s been oddly silent and you just couldn't understand him).

however, he’s thinking, still. i mean, aside from confessions and simple ‘i love you’s, it’s the first time he had heard you call him in an endearment and that one at that in a rather casual setting: you have asked him for something, that was it. the way you said it sounded so natural, so smooth, as if you have practiced saying it multiple times–in which, you probably did but he doesn’t know of. he just can't wrap his head around it and he fears that his thoughts are going to come out of his mind at this point, it was loud and muddling the insides of his head.

love.

he repeats it inside his head.

you’re going to be the death of him, at this point.

alhaitham, xiao, zhongli, albedo, cyno, tighnari

© azullumi — do not plagiarize, copy, repost, nor translate any of my works.

#genshin impact #genshin x reader #genshin fluff #genshin x you #childe x reader #wanderer x reader #ayato x reader #diluc x reader #pantalone x reader #zhongli x reader #xiao x reader #kaveh x reader #alhaitham x reader #tighnari x reader #genshin impact fanfics #genshin #genshin impact fluff #genshin imagines #genshin fanfic #azul.writes

[reputationmunson]

Bad Habit | Eddie Munson x Harrington!Reader

[3.0k]

Summary: your brother’s friend has a bad habit of sneaking into your bedroom

Content: Smut (18+ ONLY), AFAB!reader, r is Steve’s adopted sister and is a year younger than him, making out, grinding, oral/fingering (f receiving), virgin!reader, some pet names, fluff, two dummies in love <3

part two

The first time Eddie climbed through your bedroom window, you thought he was just trying to scare you. You had no idea you’d end that night in Eddie Munson’s lap desperately making out and barely giving in to the need for air.

Now, it’s a part of your nightly routine. It’s pretty simple.

Step 1: Get ready for bed

Step 2: Say goodnight to your naive brother

Step 3: Triple check that your door is locked and let in the cute boy patiently waiting outside your window

Sneaking around with Eddie made you feel alive. He sees you for who you really are.

Everyone else sees you as the quiet, innocent girl that occupies the corner of a room while your eyes wander, observing the people around you. While there’s nothing wrong with those things, Eddie knew you were much more than that and he was the perfect person to help you break out of your shell.

People expect you to be just like your brother. But when you turned out to be the complete opposite, no one paid much attention to you. As much as you loved Steve, being in his shadow made you feel invisible.

You weren’t much of a partier and you weren’t… friendly like Steve was. And by friendly you meant a little slutty. It was hard to get out there and make more friends let alone date anybody.

You were so drawn to Eddie from the moment you met him and ever since that first night he snuck into your room, you felt your walls start to come down and he’s the only person that doesn’t make that scary.

——————————————————————————

Three taps on your window alert you that Eddie’s outside. You scurry over to let him in and greet him with a quick peck on the lips. Your arms wrap around his neck and his hands find your waist, pulling you a step closer to him.

“Hey, gorgeous” He says with his signature smirk on his face.

“Hi’ You reply, shyly. Even though Eddie helps you out of your comfort zone, you can’t help but avert eye contact whenever he compliments you.

Every time you do, Eddie puts his hand under your chin and gently tilts your head up. “Don’t hide from me, pretty girl” He loves making you bashful almost as much as he loves kissing you.

Eddie guides you to your bed, never breaking eye contact. He falls backwards and pulls you down with him, making you giggle.

“I missed you” He whispers quietly, like he’s scared you’ll hear him being vulnerable. “I missed you, too.” Usually you would make a joke like “yeah it’s been a whole twenty-four hours. How did you survive?” But you always miss him.

You can’t exactly tell him you wish you could shrink yourself to three inches tall so you can live in his pocket and never be apart, so you cover it up with humor. But right now, there’s nothing funny about the way your heart is beating because of the way he’s looking at you. Like you’re the only girl in the world.

Eddie likes to tease you. He thinks it’s cute that you whine when he doesn’t immediately give you what you want. He knows it's a little mean but it makes him feel wanted and being wanted by you is the best thing he’s ever experienced.

His nose brushes yours and you think he’s going to put his lips on yours, but instead he gives you a soft kiss on your cheek. Then on your forehead. And one on both corners of your mouth.

“Eddiieeee” You whine and he chuckles. “What, baby?” He asks like he has no clue what he’s doing to you. So as expected, you do your signature pouty face and he has to act like it doesn’t affect him as much as it actually does.

You decide you can’t wait anymore. You take his face in your hands and lean in to get what you’ve been waiting for all day.

His hand comes up to grab a hold of your wrist. You worry he's going to remove your hands from his face, but he just keeps his hand on your wrist, rubbing it lovingly with his thumb. His other hand goes to rest on your lower back, sliding under your shirt. The feeling of his big hand on the bare skin of your back sends shivers down your spine.

Eddie’s tongue swipes across your bottom and you open your mouth to grant him access. He brings the hand that’s holding your wrist to where his other hand rests on your lower back. Both hands begin to slide up your back, making your shirt ride up all the way to your shoulder blades.

You let out a small gasp, suddenly feeling exposed. “You okay?” Eddie asks, worried by your reaction to your shirt being halfway off. You hum in response and find his lips again.

For the past month, you and Eddie hadn’t gone further than messily making out and clothed dry humping. It’s not that you don’t want to go further. You want nothing more than to rip his clothes off and then have him do the same to you, but you worry that your lack of experience would turn him off.

It was no secret to Eddie that you were a virgin. Considering he was your first kiss since Bobby Hopkins in the third grade and how nervous you got around him, it wasn’t that hard to piece together. Of course he wants to be your first time, but doesn't want to pressure you. If things never went any further and he had to go home and jerk off after every makeout session, he would happily do so.

After a while, you pull back for air and roll off of Eddie, laying on your side to look at him. He rolls on his side to look at you. “Hi” He speaks up, scooting closer to you. “Hi” You place a kiss on the tip of his nose. His hand comes up to rest on your hip and you cover his hand with your own.

Neither of you speak a word. You just stare into each other's eyes with lovesick smiles on your faces and soak in each other's presence. These nights are your favorite. Everytime you all hang out in a group, you ache to touch him. It’s difficult to keep your hands off one another, but it’s a sacrifice you’re willing to make if it means keeping your brother from killing Eddie.

Eddie’s about to say something but before he can, there’s a knock at your door. “y/n?’’ Steve calls out your name from the other side of your bedroom door. Your eyes widen and both of you freeze. Steve says your name again and you know he isn’t going away until you respond.

“Y-yeah?” You barely get out. Steve tries to open your door and sounds offended when it doesn’t open. “Why the hell is your door locked?” He’s still wiggling the doorknob. “Because I’m allowed to lock it. How can I help you?” Eddie snorts at this and you glare at him.

“Do you have my walkman?” You can’t help but roll your eyes at this question. “No, I don’t have your walkman. I have my own walkman that I got on the same Christmas that you got yours. I’ll help you look in the morning.” You hear Steve huff dramatically and walk away.

“I’m gonna put on some music” You say before rolling off your bed. “Play my favorite?” Eddie requests. You were going to play his favorite anyway.

Once the music starts, you turn around and see Eddie playing air guitar. He’s the most beautiful thing you’ve ever seen. You don’t move from where you're standing. You just stay put and watch him act like a total idiot. He’d act like an idiot for the rest of his life if it meant making you smile.

He finishes his air guitar solo and looks over at you and tilts his head. “C'mere,” He says, motioning for you to sit next to him.

Once you get to the bed, you crawl towards him and straddle his lap. Feeling hot and bothered, you place your hands on his shoulders and start to grind down on him. Eddie lets out a sigh and throws his head back to rest on your headboard.

Feeling bold, you take his chin in your hand and move his head so he’s looking at you. He puts his hands on your hips and encourages you to move faster.

You can feel him getting hard and you let out a small moan. Eddie puts a hand on the back of your head and pushes you closer to him, capturing you in a breathtaking kiss.

You’re moaning into each other's mouths and it feels so good, but you need more. You pull away from him and take a second to catch your breath, thinking of how you want to word what you’re about to say.

Eddie can tell you want to tell him something. “What is it, baby?” He brings a hand to your face and rubs his thumb back and forth on your cheek. Your heart swells at how well he knows you.

“I was wondering if we could take things a bit further tonight.” You respond and his smile widens. “Hell yeah we can. You sure?” You can’t nod fast enough.

“Lay on your back for me. Don’t be scared to tell me if you want me to stop, kay?”

“Okay” You smile and roll onto your back.

Eddie hovers over you and leans down to give you a quick peck on the lips. Then he starts to kiss down your jaw and to your neck. He starts with light kisses and when he hits the sensitive spot on your neck, he kisses harder. He starts to suck on your sensitive spot, making you moan.

Usually, you both steer clear hickeys to avoid questionings from any of your friends and your brother, especially. But right now, you’re so turned on you can’t find it in yourself to care. You wrap your arms around his back and push his full weight onto you. He licks and kisses at the fresh mark.

“Fuck, that feels nice” You moan out. “Want me to do something even better?” He pulls back and smirks at you. “Please.”

He goes to tug at the hem of your shirt and looks at you for approval. Once you give it to him, he removes your shirt and is pleased to see that you aren’t wearing a bra. He looks up at you and raises his eyebrows. “What? No sane woman wears a bra to bed.” He laughs and shakes his head. “Trust me, I am not complaining.”

He goes back to kissing your neck. His kisses start moving down to your chest and he plants one on each of your breasts before taking one of your nipples in his mouth.

It feels…different, but in the best way possible. “Eddie, that feels so good” You’re trying to keep quiet but you’re feeling things you’ve never felt before.

“Say my name again”

“Do something that will make me say your name again”

You can tell he’s surprised at that.

“Challenge accepted”

He kisses down your stomach and puts his fingers in the waistband of your shorts. At a torturously slow place, he pulls your shorts down and throws them on the floor. “No panties either? Is it my birthday, sweetheart?” You laugh and roll your eyes. “Get back to it, Munson” You say in the most unserious tone ever. “Jeez, okay. Someone’s bossy”

“Eddie?”

“Yeah?”

“Can you, uh, take your shirt off too? This feels unfair”

Eddie doesn’t hesitate to take off his shirt.

“Maybe your pants too?”

“Anything for you” And he means it.

He stands up to take off his pants. Once they’re off you can see how hard he is and your jaw drops. Your clit throbs at the sight and you involuntarily whine.

Eddie sits on his knees, placing himself in between your legs. “I’m gonna touch you now, okay?” “Eddie, please. Need you” you mewl.

He runs a finger through your folds and groans at how wet you are. “All this for me, baby?”

You nod “Just for you. Always”

“Tell me, pretty girl. Do you ever touch yourself and think of me?” He starts to slowly rub your clit. Your eyes roll back and you slap your hand over your mouth to muffle your moans. “Tell me or I’ll stop” You remove your hand from your mouth and try to keep quiet. “Yes. Every night after you leave”

He starts rubbing your clit a little faster and you start to lose composure. “What do you think about?”

“I think about you touching me. Just like this. Or going down on me. I think about your cock inside me. Fucking me until I can’t take it anymore” You admit. “Hmm. I think we could start to make some of those fantasies realities”

He removes his fingers from your clit and you feel like you’re gonna pass away if he doesn’t make you cum any time soon. “Eddie, please don’t stop. pleasepleaseplease. Touch me again” You feel desperate for begging, but lucky for you, Eddie is even more turned on than before.

He doesn’t say anything. He just lays down between your legs, admiring how wet you are. You’re about to beg some more but then he starts to run his tongue up and down your folds. “Oh my god”

He begins to suck your clit and it feels so fucking good you can’t believe it. Sure, you’ve heard your friends talk about it, but you never would’ve imagined it feeling this good.

Your eyes start to tear up and you look down at Eddie, letting out a moan when you see how much he’s enjoying it.

Your fingers thread through his hair and pull it a little, making him moan into your pussy. You swear you feel the vibrations throughout your entire body. You don’t think it can get any better until Eddie slowly inserts a finger into you. You would have expected it to feel uncomfortable, but there's nothing unpleasant about it. “More, Eds” You plead.

He thinks about teasing you for a second, but he knows how badly you want it. He obliges and inserts another finger, reaching that spot you can never reach on your own.

You can feel the tension building in your stomach and Eddie starts going faster. His fingers are pumping in and out of you and you can hear how wet you are. He’s eating you out like it’s the last thing he’ll ever do. Eddie can’t help rutting up against the mattress. The way your pussy feels and the noises you make are driving him fucking mad. Both of you swear you’ve died and gone to heaven.

It hits you like a fucking bus. Your back is arching off the bed and you have to cover your face with your pillow because it’s impossible to keep quiet. You’ve never been more thankful that you don’t share a wall with Steve.

Eddie works you through your orgasm and slowly takes his fingers out of you when you're finished. You look lifeless and he can’t help but chuckle at how blissed out you look. He slowly crawls next to you and lays down,

“You alright?” He whispers.

“Well, I feel like I left my body for a second so I would say I’m more than alright.”

“Good. So you had fun?” Eddie sounds insecure. You turn to look at him before you respond.

“Eddie, were you not there? I was losing my mind. I had no idea it could be that good” You give him a well-deserved ego boost and he flashes his million dollar smile. “Okay, your turn.” You say, eagerly. “Don’t worry, babe. I came in my boxer like a goddamn teenager.” His cheeks turn red and you give him a kiss on the cheek. “Next time?” you ask. “Definitely”

You lay your head on his chest and he wraps an arm around you. “Thank you” You say, snuggling as close as possible. “For what?” He starts to rub your back. “Everything. My life’s better with you in it’’ Eddie’s heart nearly bursts. He can’t believe he’s improved your life even a little bit.

“Anything for my girl” He kisses the top of your head. Your lift your head up and look at him with the biggest smile on your face “Your girl?” Eddie tries to play it cool “Yeah, if that’s something you’d be interested in.” You can’t think of anything else you’d rather be. “Only if you agree to be my boyfriend.” “Hm.. can I think about it?” You playfully smack his chest. He grabs your hand and kissed it, looking into your eyes.

“How about you agree to be my girlfriend and I’ll agree to be your boyfriend and everyone’s happy”

“Deal, boyfriend” You can’t resist the urge to kiss him any longer. He hums in appreciation and the kiss goes on longer than intended.

“I should probably get going” He sighs. “Nooooo” you protest, holding on to him tighter. “I know, but I gotta unless you want to risk your overprotective brother finding out I’m here” You know he’s right and you move allowing him to get up. He hands you the clothes thrown on the floor and you both get dressed.

“Maybe I can stay with you tomorrow night? I can tell Steve I’m staying with a friend.” You move to stand in front of Eddie. “Yeah, I’d like that.” He smiles and pulls you in for a hug.

“I’ll see you tomorrow, yeah?” You nod and he gives you one last kiss.

You watch him climb out of your window and after you shut it, you stare out your window to watch him run out of your yard. He turns around to give you a wave and being the wonderful girlfriend that you are, you decide to flash him. Without hesitation, Eddie lifts his shirt up and flashes you back, causing you to laugh a little too loud.

There’s no doubt in your mind that this is the man you’re going to spend your life with.

#eddie munson x fem!reader #eddie munson x afab reader #eddie munson x reader #eddie munson x harrington!reader #eddie munson imagine #eddie munson fic #eddie munson smut #eddie munson x you #eddie munson x y/n #eddie munson #stranger things fic #stranger things x reader #steve harrington #18+ fic #eddie munson fluff #eddie munson blurb

[shkudss]

Weakened by Eywa Pt. 1

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Masterlist

Summary: Ao’nung finally realizes that his actions have consequences

Warnings: curse words, bullying, mental breakdown, English isn’t my first language

Author’s note: it my first Avatar writing, so I hope you like it! This idea was spontaneous and I’m not really good at writing, but I hope you’ll enjoy it! I’m still learning how to use Tumblr properly since I don’t really use it 🥲

Yawntutsyip - darling, little loved one

Yaymak - foolish, ignorant

You thought that all these days when you flew to the water clans were the hardest in you life. Little did you know that life with Metkayina would be harder. You expected to finally live a normal life, doing your chores without being sacred to be shot by sky people. Now you’re safe, but things didn’t get better.

Since your arrival, these boys were bullying all your siblings, including you. You have no idea why it is important for Ao’nung to see totally similar to him Na’vis. You all are same avatars with slight differences that were unavoidable due to the environment you’re supposed to live in. Oh, yeah… supposed to live.

“What are you even doing here?”

“You’re so useless to our tribe”

“Go back to your monkey house”

All these words almost engraved in you mind without leaving space for other thoughts and hope. It’s been two weeks since you arrived and you still haven’t ridden an Ilu successfully, you can’t hold your breath as Metkayinas do. This makes you feel horrible and believe all these mean words.

“C’mon, Y/N, you can do it!”

Neteyam is trying to teach you how to deal with ilu and his voice is so calming, he really believes in you as an older brother. You wish you could just believe him, but insecurity lays too deep and securely in your mind.

“I don’t know… I can’t…”

Your voice was really soft and quiet as you’re the calmest child in your family. You don’t like loud sounds and fast actions. That’s just the way you are. Neytiri says that Sylwanin was just like you.

Despite being slower and more sensitive that other Sullys they loved and protected you with all their heart. Jake knew that Kiri and Tuk are different, they can deal with their problems a lot easier, while you cannot. When something bad to your family or yourself happens, you worry a lot and you won’t tell anyone about your worries unless they make you to. That was the hardest part of you character.

“Hey, are you okay? Do you need to take a break? We can continue tomorrow, don’t worry yawntutsyip.”

Neteyam was worried about your mental state, you were too quiet these days and it never meant anything good. Trying to make you speak about your feelings was completely impossible. You always think that your family has too much to worry about to burden them with your own issues. You want to be like Kiri and Tuk. That’s hilarious, Tuk is way younger than you but she’s able to deal with her emotions way easier than you.

“I’m good. Can we just take a break for like half an hour? I think my brain melts.”

You awkwardly smiled at the end trying to lighten the mood. Neteyam smiled back, feeling relief as you seemed to be just tired. He didn’t want you to hide anything from him and your family.

“Okay, yawntutsyip. I’ll go find Lo’ak and make sure his ass hadn’t get in trouble again. Kiri is on that side of the beach by the way. You can join her, she’s probably flirting with plants again. Let’s meet here in an hour.”

You laughed at his little joke about Kiri. But that’s a fact. Since you arrived here all she’s been doing is examining all local flora and fauna. You missed your time together in the forest, maybe now you’ll have a chance to talk and just be together.

“Okay!”

“Tell me if something goes wrong.”

You knew this look. The big brother look. Sometimes you think how hard it would be for you to live without your family, the way you’re connected to them something really fascinating. And one of your love signs is time. Spending time with your family and each member is the way you show love, the way you feel protected and loved.

You see Kiri laying down in water and looking for something. She didn’t see anyone around, attracted by… water? You didn’t try to understand what’s going on in her mind.

“Hey, pandora geek.”

You stood in front of Kiri and the shadow from your body covered her. Only after that she raised her head and squinted at you.

“I thought you’re with Neteyam. What’s wrong?” She sat on the sand, water was covering her legs a little. You did the same thing, hugging your knees and placing your head on them.

“We took a break, my brain doesn’t work properly. I still can’t ride ilu.”

Hopeless sigh made your sister chuckle, but then she saw your eyes. They were full of sadness, you were not happy. Kiri felt guilt, as your sister she had to be with you, she forgot that Sullys stick together.

“What bothers you?” You were not sure if it’ll be okay to tell her everything. But you family always encourage you to speak what lays in your heart, so you decided to do it.

“There’s a lot… I miss home, I miss flying with you, Neteyam and Lo’ak around Hallelujah mountains.” You were vulnerable now and this is one of those rare moments when you opened your feelings easily. Kiri was the only one you did it with. You could feel tears coming to your eyes, you needed this. “I just miss our way of life. I don’t know why it’s so hard for me to get used to it. Especially, when you always hear…”

“Hey monkeys! Still can’t ride ilu? How can you be so yaymak? You’re both freaks!” you could recognize this voice in millions. “One sister has demon blood, another is too dumb to do things that even infants can do!”

Ao’nung and his friends were coming towards you. Kiri’s body immediately tensed, you could feel it.

“What do you want? Is there nothing to do?”

Ao’nung and his friends came closer and you both stood up. Kiri was looking at him angrily, ready to fight. You were supposed to have such a good conversation, opening each other your soul, but this bully spoiled everything.

“My goal for now is to get rid of such fake Na’vis like you two and your stupid little brother.”

You were furious, how dare he talk like this about your family. Yes, he did say mean things to you, but he still picked his words. Now it’s too much. Nobody can talk about your family this way.

“Shut up and don’t get close to me and my siblings!” You tried to get into protective sister mode. Kiri was shocked by the way you raised your voice. She’s never heard such tone from you before.

“Look at this! Little girl knows how to talk?” Ao’nung was teasing you and laughing with Roxto and the rest of his friends. “Maybe you’ll learn how to swim properly soon by the time my future brother or sister will turn 10. Hopefully.”

You clenched your fists, trying to hold all your emotions. Anger, offense, sadness. It felt like a hurricane of extremely high spectrum of emotions, which was hard for you to bear.

“Don’t you dare…”

You didn’t control yourself that you were coming closer and pushing him. The reason why you felt this way was in him.

He did this to you.

You didn’t care that he was taller than you and all you faced was his shoulders. You didn’t care that he barely moved as you tried to hurt him as much as he hurt you. All he did was laughing. It seemed like Ao’nung didn’t understand anything you said, like he didn’t see you breaking into pieces right in front of you.

“Calm down, you little skxawng!” It was a joke for him. For you it was your last piece of composure.

“You’re dumb! So dumb that you can’t even understand how much pain you give me! Every day I wish I don’t meet you so you won’t shower me with all your shit! Every night I cry myself to sleep because all your mean words you’ve said hurt me! And you don’t understand me, how can you be so mean?”

You were screaming at him and trying to hit, mental breakdown took over your senses. You could physically feel how your heart hurts and legs weaken. All sounds were heard as if from under the water, you didn’t see what’s going on around you. Someone’s holding your shoulders and pushing you to their chest to not let you fall on your knees.

“Don’t touch her!”

Furious voice sounded from afar. Neteyam. Your brother who always protects you, surrounds you with love you need. That’s why he calls you yawntutsyip. Little loved one.

You could feel your brother as he came closer to you. His steps were as heavy as his mood. When he saw you breaking down in front of this asshole and because of this asshole, he almost lost his temper. The way chief’s son was holding and looking at you, finally realizing that his actions have consequences. He had to drive you crazy to understand it.

“Back off! Now!”

He pushed Ao’nung as he got closer to him, taking off his hands off you. You didn’t realize it was him, who held you all this time. Was it long? Actually, everything happened in less than 2 minutes, but for you it was like an infinity.

“What happened?”

Lo’ak was here, he saw you crying in Kiri’s hands and Neteyam fighting with Ao’nung and his friends. He didn’t need to check on all details to punch Roxto and other guys.

“It’s fine, we’re here. Don’t worry.” Kiri was sitting with you and slowly swaying, while tapping your head to calm you down.

“I’m sorry, I…” that’s all you could say.

Neither you nor Kiri noticed how the fight stopped until Neteyam came closer and examined you. His eyebrow was cut so as his lower lip, but he didn’t care. Now he could feel only your pain.

“Yawntutsyip… my sister.”

“I’m sorry, Neteyam. I didn’t…” You were gasping for breath from crying, not being able to collect your thoughts.

“Shhh, that’s fine, you’re fine. We’re here, nobody will hurt you again.” Kiri gave you to Neteyam, he was calming you down repeating the same moves as Kiri did. You were crying, letting all pain, that was suppressed inside of your soul, to flow through you.

Your siblings knew that you need to feel it to let it go. That is the only way for relief.

“Let’s go home, yawntutsyip?” Neteyam’s voice was calming as always, he hated seeing you crying.

You just nodded in agreement, hiding your face in brother’s neck and holding him as if someone can take you from him in any moment.

Yes, most Na’vis are brave, ready to fight and protect their beloved ones. But you just can’t do it. You are the one who needs to be protected. Eywa created you that way and you can do nothing about it.

“Don’t ever come to our sisters, you little bitch! Are you so insecure that you’re afraid to battle with me and choose those who are weaker than you?” Lo’ak didn’t miss to say the last goodbye before following after all of you. He didn’t wait for the answer, he didn’t need it.

Ao’nung was standing up there and looking as your figures disappear. No words are in his mind, except for one.

“Fuck”

————————————————————————

I hope you liked it! I’m not sure if I’ll write the second part🫣 I have an idea but idk if it’s worth it, we’ll see!

#aonung #aonung x you #aonung x sully!reader #aonung x female reader #aonung x reader #aonung x oc #aonung x y/n #neteyam x reader #neteyam x sister!reader #neteyam x y/n #avatar #avatar twow #aonung imagine #aonung fanfiction #neteyam #kiri #roxto avatar #loak #lo’ak x sister!reader #ao’nung x you #ao’nung x reader #ao’nung