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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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comradekatara · 2 years
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in which zuko is still adjusting to the group dynamic, and katara's got jokes
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lucabyte · 5 days
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference#anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat#in stars and time#isat spoilers#in stars and time spoilers#isat act 6 spoilers#isat loop#isat siffrin#isat bonnie#isat nille#isat fanart#in stars and time fanart#doodlebyte#----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but#They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good#(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit#distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally#stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur#BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule#which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation#ANYWAY told u i had more thoughts. if i were normal itd be a text post but.
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amphibianaday · 7 months
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Hello I would like to request your favourite little freak(amphibian) for day 1432
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day 1432
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sualne · 3 months
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everytime i see him i go "i need to kill him"
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Big shout-out to the ocs and lore that depicts physical/appearance changes due to high concentration and uses of magic btw that shit is so cool. Whether your wizard's hair turns blue or straight up grows an extra arm due to the excessive amount of powerful magic they use everyday I eat that shit up. Bonus points if it's a rare/newly discovered condition or if your wizard is just straight up unrecognizable from arc 1 to arc 4. Bonus bonus points if the wizard gains a disability from it and has to learn to adapt to their new condition
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canisalbus · 7 months
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Just recently discovered your tumbler and I love everything about it. Your art style, the time period you have chosen, the background you are building for the characters. Top notch.
Though I do have a question : going back through all the asks people are tending to focus on sunny boi Vasco supporting nerve wracked Machete but a relationship needs to be equal so, what's the turn around?
When/how does Machete say 'don't worry babe, I've got this'? He is after all a very accomplished and competent person inside his areas of expertise.
Because of his trusting and altruistic nature, Vasco has been burned in relationships before. Even though he's good at reading people and might sense that he's being treated unfairly, he endures it because he doesn't want to be the bad guy and upset the other person. He's from a well known noble family, he's affluent and he's considered to be very good looking. Over the years he has met countless people who wanted to take advantage of him, his status and his assets in a way or another, and he has hard time tolerating that kind of greed and dishonesty. Machete has never been interested in his pedigree or wealth, and the way he's utterly devoted to him makes Vasco feel confident and secure.
He's been forced into various boxes and moulds all his life, his family had high expectations for him and did their hardest to whip him into a shape that satisfied them (now that I think about it, Vasco's parents probably would've been proud if their son turned out more like Machete, hard working high achiever). He tries to not let it bother him, but on some level he does feel guilty for letting them down. Machete is Vasco's biggest fan, he earnestly believes in him and loves him the way he is. He feels like he doesn't have to pretend to be something he's not around him, but at the same time Machete's influence makes him want to be a better person. Vasco admires his ambition, knowledge, diligence and perseverance. Machete tries very hard to be a good person and do a good job, but because he's so difficult to get close to and puts up such a cold facade, his efforts tend to go unnoticed. Vasco sees this side of him and finds it very charming.
Machete could use a lot of tlc and Vasco is happy to be there to provide it. The fact he's able to have such a profound positive effect on someone and their quality of life makes him feel needed, he feels like he's contributing something good to the world and that gives him strength. It's not like his only job is to pat Machete's head and tell it's going to be alright though, they enjoy each other's company and feel at ease together. In a way Machete also has a calming effect on Vasco. On his good days he can be very pleasant company, he's interesting to talk to, he's kind and gentle and even awkwardly funny at times, he has an eye for beauty and is able to appreciate small good things in their lives. He isn't an expert in expressing his affection physically, but when he does, Vasco can trust that his attempts are authentic.
Machete may not always know the correct words and gestures to comfort him, but he's a good listerer and does his best to be there for him. He never belittles or makes fun of him, he's patient and forgiving when Vasco makes mistakes, and will drop everything if he's ever in a need of help. He often makes Vasco feel seen and understood like no one else. Machete is good at solving dilemmas and coming up with working solutions (or preventing problems from ever arising, more often than not), and Vasco has the nerves of steel to keep him grounded and stable at a time of crisis. Together they make a very efficient and resourceful team.
Their jobs are very similar, Machete works for the church and Vasco is a secular politician, but they both deal with diplomacy and foreign relations. They end up working together often, and since Machete is very competent in what he's doing, he often ends up helping and advising Vasco.
I think despite their differences, they're just very well in tune with each other. In the ways that actually matter, they have common interests, tastes and worldviews. They enjoy similar things. And the parts that differ tend to augment them instead of driving them apart. A lot of their fondness stems from the fact they have a lot of shared history, they met at a young age and their friendship-turned-romantic was a very formative experience for both.
Should it be necessary, Machete would face God and walk backwards into hell to protect Vasco.
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mokutone · 1 year
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i wanted to see what a piece would look like if i finished it in my three main mediums, pencil, ink, and watercolor (+colored pencils) >:*)
#my art#naruto#yamato#yamato tenzo#tenzō#kakashi#kakayama#image desc in alt text#okay now to talk shop. SO. i did these in the order theyre presented#which means that the pencil was done first#and by the time i got to the watercolor id drawn this same picture quite a few times#so if the quality seems to improve thats more than likely a matter of repetition and the benefit of past foresight or whatever#like yamatos shin is too small in the first picture.#and i noticeably lengthened it in following pictures. i also shortened kakashis thigh a little bit#yamatos torso looks really long but thats partially because he's slid back a little bit—his flack jacket is up high and you can see#it gapping at his shoulder#but ultimately that doesnt make the anatomical weirdness completely forgiveable so if i drew this again id do it differently probably#THAT SAID IM STILL SOOOO HAPPY WITH HOW THESE TURNED OUT#drawing the same picture over and over and over again? kind of great actually. i recommend it.#if you want to try doing this and you dont have a lightbox (u dont rlly need one) just like. take one drawing you like#and a blank sheet of paper#and tape it to a window thats getting a LOT of light#and then trace ur old drawing's bare bones (the forms. u know)#and then once you have that down. draw on top of it. or use new materials#it allows you to preserve ur previous drawing also which is great#once i was doing a commission and i realized i got the room i was drawing the characters in backwards#so i just. turned the paper around. put it against the morning window. and traced the now-mirrored image onto a new sheet of paper.#saved SO MUCH TIME LMFAO#the paper on the last picture is different and more yellow in tone so thats why the color is weird there ajxjskhfjahx#anyway happy testostone tuesday to all who celebrate 💚 love you
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dumb-doll-lips · 3 months
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Maybe controversial, but on posts about being dumb where girls are like saying ‘but I’m actually smart.’ Like tbh, I don’t really believe them. Like if you’re smart why does feeling dumb feel so good or hot or whatever to you then? I kinda feel like it’s having an excuse to let go of trying as much as you would be when you’re saying your smart. If you’re like really actually smart, I don’t feel like a break from ‘being smart’ would be such a relief or like as appealing.
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bruciemilf · 1 year
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Having a concerning amount of Bruharvey brainrot, but - can we talk about the fucking whiplash Harvey would experience at seeing his goons roughhouse a literal 10 year old kid.
" The hell are you pea brains doin' with him?"
" Boss! He's Batman's sidekick and he came to stop us all on his own. Had a fight with the winged bastard. If you want a hit in-"
Dick doesn't see what happens next. A huge hand shields his eyes from it, but he knows how guns sound like. A yelp bubbles out of him when Two-Face grabs his suit and lifts him to his impressive eye level.
" Alright, birdie. Start chirpin'. What the hell are you doin' on my streets without Bats? He know where you are?" Dick does his best at conveying confidence; Bruce does it all the time.
He says he's there to stop them, to prove he can fight all on his own, but his shaking doesn't stop. It's a tough job to be tough without Bruce behind him, without a protective force telling him he's doing good.
Two-Face pretends not to see it and its more gratifying than it should probably be. " Well, I'd like a sandwich before you take me in. Don't know about you, but I'm hungry as fuck," a pause , " I'll let ya curse if you don't tell your old man."
Dick giggles; He says way worse, but Bruce doesn't have to find out. So that's how Bruce finds them; Dick almost disappearing inside a huge suit jacket, getting it full of sauce and grease, and Two-Face snorting as he wipes his face with a handkerchief.
" Robin." His name a relief filled breath rolling off Bruce's tongue. Even as Batman, even wrapped in rasp and gruff, Bruce's concerned, fatherly tone doesn't vanish. " Batmobile. Not a sound."
" Bye, Mr. Two-Face!" Dick waves, an innocent shrug meeting Bruce's unamused glare. " What? That's multiple sounds."
Two-Face snorts a laugh, and Bruce glares. " It's not funny."
" Nothin' ever is to ya. Hey, if you need some mommy and me advice, my sister has a dumb blog full of that shit. Sure as hell don't envy anyone who uses it."
" Jessica's blog is very informative. "
Shit.
" So it is you under there, pendejo. Shit, Bruce. I know you had baby fever, but sidekick fever, -"
" He's not my sidekick. He's..." My son. My hope. " He's a hero in making. Bad things happened, and I'm trying to make sure he grows through them."
Harvey's face is blank like a sheet of paper and Bruce doesn't know what to do. He doesn't want to be judged. Not by him, never by him.
"Well. Can't think of anything worse than being named Dick. Least he doesn't have to go through that twice. "
And Bruce almost cracks a smile; All these years between them like an ocean of glass and Harvey still knows how to coax a smile from him. " Seriously, Bruce. They'll tear him apart at GA. Those little shits don't know mercy."
And if Bruce is asked why Two-Face picks his child up from school once a week, Bruce just smiles and shrugs. " It takes a village."
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comradekatara · 13 days
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most important friendship of all time ever
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uncanny-tranny · 8 months
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I think when people conceptualize pain and disability, what they think of is something like this:
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It's conceptualized as something you are cured from, that pain can be only temporary, and you will one day "get better."
In reality, it's something more like this:
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Pain is often non-linear in nature. When you see somebody in low-pain days, weeks, or perhaps longer, that doesn't mean that they have "healed." Not all pain is curable, and the idea that it is is only hurting people who experience pain. Yes, it is uncomfortable to imagine that we might not be able to heal, that we might, in fact, become disabled by pain that will never heal. But running from this possibility is not the solution.
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hrokkall · 8 months
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Peace and love in farm arrays
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My screenshot that inspired this; it didn't end up being very similar but I liked the idea of these three taking a break together :]
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arowrath · 1 month
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this post was a game changer for me. thank you ryan reynolds
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Inspired by a fic I’m writing :]
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originalaccountname · 7 months
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Catastrophe struck one year later when war broke out among every illegal organization in Yokohama in what is known as the Dragon’s Head Conflict, the bloodiest incident in the history of the Yokohama underground. Nevertheless, the Port Mafia survived the ordeal with minimal casualties and was therefore able to expand its territory on the whole. The other organizations’ weakened states helped the Mafia to establish the solid framework of its current system of rule. Furthermore, Chuuya’s tremendous achievements were a great boon to the organization, granting him access to Randou’s old files even before he was officially installed as an executive. Further information regarding Dazai’s and Chuuya’s actions to uncover the conspiracy behind the now-defunct research facility will be included along with Chuuya’s origins in a separate report. - Dazai, Chuuya, Fifteen Years Old - Epilogue
I mentioned this passage from Fifteen in my tags recently and I feel like more people need to be made aware/reminded it exists, so here it is!!
Chuuya wasn't made executive before Dazai (that was a mistranslation in the Dead Apple novelization, he was an executive candidate), but Chuuya was granted access to Rimbaud's Arahabaki files before becoming an executive anyway. Reminder that Chuuya's motivation, that Mori put in his head, was that he had to become an executive before Dazai in case Dazai would want to do something to those files before Chuuya could read them and hence have power over Chuuya... but Storm Bringer had already happened, many questions were already answered. Plus, it would be a bad move from Mori to have one half of his pet project have power over the other, and he already had to with only one executive seat available. This was probably a peace offering and a smart move to maintain their rivalry/budding partnership.
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