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#i want to write so many more
hailsatanacab · 5 months
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Family Dinners - dpxdc
"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.
The bustling dining room goes silent as everyone turns to look at him.
"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.
"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.
"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."
"Yeah, I'm really sorry, I just never thought about it, I guess."
Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.
Ancients, that's so weird!
The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.
Wait. Family dinners?
He peers around the table, openly gawking at everyone as it all clicks into place.
"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.
"Uh... something like that..." Danny mumbles as everyone laughs again.
From further down the table, the smallest Wayne scoffs and clicks his tongue.
"I thought you said he was smart, Drake?"
"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"
"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."
"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."
The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.
Come on, Danny, recover!
"That's, uh, not what I meant, though."
"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?
"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."
"Costume? What do you mean?"
Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.
"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!
"Danny?" Tim asks, looking concerned.
"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.
His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.
"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.
Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.
"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"
"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"
"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."
"Thank you, Stephanie," Bruce sighs, massaging his forehead.
It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.
It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.
Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.
"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."
Once again, the whole table falls into silence.
"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"
"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"
"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."
Danny's grin freezes in place.
"I'm sorry, what?"
"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."
"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"
Bruce looks about as shellshocked as Danny feels.
"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.
"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."
An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.
"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.
"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."
"What did happen?"
"Seriously, don't worry about it, we cool."
"How long in the future was it?"
"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.
Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"
"A week, before I managed to get back to my present and stop him then."
"A week? Jeez, B, that has to set some kind of record, seriously."
"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"
"What?"
"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."
Dick laughs and claps his hands, delighted.
"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.
"I didn't even know I was informally adopted."
"And your parents? Are they alive or dead?"
"Damian, stop—"
"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."
"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."
"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.
"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."
"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."
"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."
"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."
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cleric4vampire · 3 days
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wyll.y.am ravengard, I love you so
everyone loves to put him in gold (rightly so) but my personal style is lots of silver jewelry + heavy eyeliner so that's what I gave him. also roses because he's so damn venusian
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occudo · 2 months
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More Magus Sketches
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vixenfoxpup · 6 days
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I need more dca fics to read, not just because they're all so cool and special and unique-
I want to collect their y/n's in my pocket, and bring back the y/nverse. All of them in a lil pocket dimension (the dca stay in their respective stories, this place is reserved for the self inserts and side characters/family to interact. The boys can have their own pocket dimension)
The y/ns live on the same street or apartment complex, being bunched into groups that are roomies
For example. Bamsara's Solar Lunacy y/n, Paper-Lilypie's CCRT y/n, and bones-of-a-rabbit's staffbot y/n. SB is there so CCRT can perform routine maintenance, plus CCRT can be a but messy, plus they could help clean up after ccrt's kids. SL is where, you may ask? Their room has been vacant for some time, but CCRT and SB keep it clean and regularly dusted, out of respect. They don't know if or when their friend will return, but they'll be welcome at any time.
Naffeclipse's y/ns share a suite, probably.
spadillelicious's LDR y/n could stay with saltciphblr's lovebug au y/n
Again, I need to read more to get a better feel of the different wonderful y/n's
This probably won't be uploaded, maybe someday, but this is mostly self indulgence that my brain has been blasting on repeat all day
Into the y/nverse, I raise you from the depths
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inkskinned · 1 year
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you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
#spilled ink#woke up at 530 to write this lmafo#me in a cold sweat:#how do i be normal#edit in the tags:#hey so i've seen y'all talk about like ... wondering if ur ''allowed'' to relate#like if this is about X specific diagnosis#and when i first posted it i really almost labelled it ''please don't assume this is about a specific condition''#because as an artist i am often walking this line of discussing a symptom or discussing my conditions etc#and sometimes yes ! i do want to talk about an experience that is specific to who i am and my condition#but sometimes the effort of the post is about the EXPERIENCE rather than the diagnosis#because yes i am not neurotypical and as a result that influences my work but it is ALSO true that there are many reasons#why someone might experience this particular vague horrible feeling that you are... almost being CHASED by what you ''really'' are.#that you're outrunning your symptoms... that you're not really normal you're just sort of a mockery of a person#.... that's a really isolating and horrible way to feel no matter why you are feeling it. and the nature of this PARTICULAR post is that#it is inherently talking ABOUT that sense of isolation & of feeling not-deserving & of minimizing your own experiences to make urself#palatable for society in a way that others find easy-to-deal-with....#this post is about a certain experience such that my impression is there's a higher likelihood that those who relate#would have more difficulty thinking they ''deserve'' to relate - that it doesn't REALLY belong to them#bc often we are the kind of people who are SO used to being alienated and set aside and ''different'' that we AUTOMATICALLY assume#that things are not ''for'' us... they never have been why would it start now#we are the kinds of people to be ... ''too normal for X diagnosis but too symptomatic to be normal''#[or as this post points out... so good at ''coping''/masking/hiding it that we essentially conform to whatever shape we're poured into]#but i have witnessed others already say in the tags ''thought this was about me but it's about X so it can't be''#and im like ... of course it was about you.#art is not a resource that is diminished by greater appreciation .#you reflect in whatever mirror fits your frame. not just the ones in your bedroom. not just the ones i specifically give you.#there will be - and often are - times that i will talk about my specific conditions... but if you're reading this#regardless of why you're here... we are here together. holding hands through space and time. and i love you for carrying it#and i know you're exhausted. i am too. but i understand. and i see you.
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pokimoko · 8 months
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haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by
#adventure time#fionna and cake#simon petrikov#betty grof#petrigrof#fan art#fanart#art#digital art#my art#just a lil something something i did for fun#adventure time has always been the show that makes me want to draw (i have SO many AT drawings from 2015 it's ridiculous)#but now I'm coming back to that ye olde passion with new digital art skills and many more evil tragic thoughts (thank you fionna and cake🙏)#i couldn't get the thought about them haunting and be haunted by the narrative out of my head so I had to make some art for it#the caption for this was almost: so who wears the haunted by the narrative in the relationship?#they take turns of course because damn these guys really do be having that tragic romance huh. hot potato cursed existence#never quite on the same wavelength. always out of reach. their love the very thing that dooms them to be apart. a love defined by absences#like two ships in the night passing each other by. except they keep trying to seek the other out. and so end up going in circles#the tragic dance of madness and sadness. lead on and i shall follow. ....so anyway...these two amiright?#/might/ have to write something at some point...maybe...#because like... ghosts are my thing. and these two...well. even when they aren't haunting the narrative they are still ghosts#never let themselves live in the present and okay I'm going to stop now. enjoy the art byeeeee#...AND they'll never be at peace because they'll always be reaching for a version of each other that no longer exists and—#(i am dragged kicking and screaming from the room before i can devolve into a full blown meta)
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poorly-drawn-mdzs · 10 months
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Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???
[First] Prev <–-> Next
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starry-bi-sky · 3 months
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more clone^2 memes because i think they're funny
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#dpxdc#dp x dc#dp x dc crossover#dpxdc crossover#dpdc#clone^2#danny fenton is not the ghost king#so canon to clone^2 and clone damian the portal that ends up transporting damian to amity park is left pr ambiguous#so really how he got there could be one of many things whether it be through divine intervention or clockwork's doing or hell#it could've also been quite literally the 1 in 1 millionth chance that a natural portal opened up beneath him and sent him to amity#and was a happy accident#but the idea that the laz pits or another adjacent such entity heard damian wanting an older brother (he meant og damian but oops never-#specified) and then sends him to the one person who could fulfill that wish and make him happy at the same time.#was really funny to me within the context of the lilo and stitch meme. the meme can also be seen the other way around with danny as lilo#and damian as stitch. but danny being stitch was infinitely funnier and ~technically~ more accurate imo#danny technically IS a nice angel but also. he's a developing menace to society (just ask wes) and he's going to make damian one too#danny being from the midwest means he has a midwestern accent and thats not something the bats know how to handle when they finally meet hi#hey look at that! my meme making skills are steadily improving. im no longer making the same joke six different times in different formats#those first two images i made a few days ago the rest i made in the last thirty minutes in a spur of clone^2 induced inspiration#and procrastination of writing the cfau rewrite of the first post. we are 10k words deep folks and just barely got past the 1st gala reunio#dunking on the giw is a god-given right and danny WILL pass it down to damian
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scificrows · 8 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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heliosoll · 1 year
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Neville and other loa teachers often say "identify with the Inner Man" and that's not without reason. Everything else is secondary; a tool. Affirming, visualizing, sats, the void. Literally everything. They're all tools to help you identify with the self you want to be. That self is in there, but the more you deny it, the harder your journey will be.
Learn to identify with the Inner Man. Allow yourself to live in imagination and the 3D will follow.
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vanyafresita · 3 months
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after seeing this post by the artist afkeii on instagram, i got inspired to write a poem... and then i drew something to make it into a zine...
the way i feel about romantic love is... complicated... but i've known i'm on the aromantic spectrum for over a year now ! yippiee !
if you'd like to have a physical copy, feel free to [download the print version here] , and check [how to put it together / make a 8-page zine here]
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mediumgayitalian · 2 months
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What are some of your Will headcanons?
Any angsty ones?
hair style:
will's hair has a Mind Of Its Own. it is impossible. brushing it? keep dreaming. styling it? dude just give up
he can, however, wrangle it into two french braid pigtails. those are fun.
in the august after the giant war, the aphrodite cabin take it upon themselves to 'style' nico, including giving him these little elastics with a skull charm (like this but with skulls), but he doesn't like tying his hair back very much (too tight) so he gives them to will as a joke.
will LOVES them.
he literally wears them almost every day. the next time they go out on a supply run, nico sees these little elastic charms and buys them for will. he can't summon the courage to give them to him face to face but he leaves them on his bed. will adores them, too, and it starts something of a tradition of people giving will charm elastics as a small thank-you.
he has a collection of them and wears them whenever he wears his hair in braids.
his favourites are the skull charms, though.
artistic ability:
will really doesn't have many musical talents. he's hard of hearing and while hephaestus-made hearing aids definitely work better than mortal ones, it's not really something that can be cured, so he has a lot of trouble staying on key/making music himself.
however! apollo is the god of poetry and art in general -- that is more than just visual!!
will is a really good writer, poetry especially. he's very articulate and verbose and writes with startling clarity. he's written a lot of songs and a lot of poems, although he hasn't shown anybody in years.
he used to share them with his older brothers and sisters and sibling, but...well. obviously that's no longer an option.
he's never stopped writing, though. he may keep it to himself, but it's kind of an open secret. he's scribbling in his notebooks all the time -- it's impossible not to notice.
his friends and siblings, however, are the only ones who know that he writes creatively. they've peeked over his shoulder here and there (and also kayla is a huge huge snoop, like, badly, and austin is easily convinced to be complacent in her crimes), and sometimes he says things that are just kind of poetic.
no one else knows, though. he's deliberately obnoxious about it -- every once in a while, at campfire open mics, he'll clear his throat loudly and grin as people groan and recite something so bad apollo might have written it. most people think will's quite bad at writing, actually.
another thing he's really good at is drama, which is a surprise to absolutely no one. although beyond his regular histrionics, chiron had shakespeare as part of his curriculum, and will could play puck like nobody's business. he recited a mercutio so good once lee actually cried with laughter (so did everyone else). on a hauntingly beautiful february in 2004, he played ophelia by the creek so beautifully that it was silent for a good four minutes after he finished.
there are very, very few people at camp who remember that. will hasn't recited anything in a while.
an unexpected bonus of his medical knowledge, actually, is a really good understanding of depth, space, and anatomy.
he's a surprisingly good artist.
it started pretty normal -- he was having trouble articulating a question to michael one time, and in a fit of frustration drew a diagram to try and explain himself. it was really good, even as rushed as it was, so michael used to give him 'homework' that was hand-drawing posters of various body systems to hang in the infirmary.
it was kind of spooky how will could do it without looking it up. just close his eyes and start sketching an accurate nervous system. cool though.
his older sister, cass, encouraged him to branch out of anatomy diagrams and create whatever he liked. she made the unfortunate mistake of giving him several cans of paint and free reigns on blank infirmary walls (they're freaky and boring) to a nerdy eight-year-old -- that's why r2d2 and c3po are chilling on the wall by the mortal medicine cabinet.
he doesn't paint a lot now, 'cause he doesn't have the damn time, but when rachel finds out who painted the infirmary walls she hounds him until he takes a morning to paint with her. they have a lot of fun. they end up with more paint on each other and their clothes than their canvases, predictably.
siblings:
when will was a kid, he had twelve older siblings.
apollo tends to have kids in brackets. he is, as everyone knows, a hoe, so he'll be busy on olympus or with artemis and go a while without having any kids, and then he'll be on earth for like three years and have a litter. so a lot of his kids end up the same age.
before the war, in the same cabin, there was: cass, the oldest, 18, somewhat year-long; diana, 18, year-long; lee, 16, somewhat year-long; michael, 16, somewhat year-long; gabriel, 15, summer-only; leanna, 15, summer-only; mercury, 15, summer-only; kate & phoebe, 14, summer-only; laurel, 13, summer-only; amir, 13, summer-only; melody, 12, summer-only; and will, 8, year-long (for now).
their abilites were pretty vast and well-rounded, and they came from all over the continent.
there was a time when the infirmary wasn't understaffed at all.
will doesn't like to think about it.
style:
on their birthdays, apollo leaves them all a gift on their bunks (or their beds at home, if their birthdays aren't in the summer).
each of them gets a piece of blessed gold jewelry when they're ten. will got a pair of threader earrings with thin blue sapphires that he loves. he can't wear them often because they're a genuine hazard in the infirmary (yes, more than flip-flops) and he doesn't want them ruined. but he wears them on the rare days he has off.
he actually has quite a lot of jewelry! because he is a sappy nerd, he has two watches: a hephaestus-made one, totally waterproof, weatherproof, and monsterproof, because it helps quell the anxiety when so many people are counting on him (he has to know when people will be better and how long he can be away from his patients, also used to tell people to fuck off when he's on break lol); and his mother's much nicer watch that she gave to him when she dropped him off at camp for the first time -- it's not changed for the time zone. he knows what time it is for her, and it makes him feel better about being so far away from her.
he wears both watches on the same wrist, ala chad danforth.
he has a third watch. it was lee's. it's got r2d2 on the face. will got it for him with his own money when he was nine years old, for his birthday. it lives in a box under his bunk. it's cracked and broken and never tells the right time except on 1:52 p.m. on june 30th, although the year gets farther and farther off every time will checks it.
contrary to popular belief, will does not actually wear the same pair of cargo shorts every day.
...because he has seven pairs of the same shorts.
he does have other shorts through. namely swim trunks and a pair of tighter shorts he wears specifically to kick ass in volleyball. he didn't try for this or anything, he got the shorts at the thrift store, but he's pretty sure they might be designer. he gets a lot of compliments from the aphrodite cabin when he wears them.
he also has a collection of nerdy t-shirts (his anakin sand-rant t-shirt is worn to threads), novelty pajama pants, hoodies, and flannel.
he has more than one tattoo. he has several, actually; constellations, lines from freckle to freckle so faint you can barely see them: the seer, the drummer, the archer, the tiny lion, the archangel, the maiden, the lyre, the twins, the boat stern, the hearth, and the singer.
just plain will:
he's slightly red-green colourblind.
when he gets mad, his cheeks puff up and he gets all red in the face before erupting. his older siblings used to call him tinkerbell.
he gets teased for being so dramatic that he was named for the most dramatic apollo kid who ever lived -- shakespeare. but his actual, legal name is just plain will solace. when pregnant, his mom used to mutter 'it's you, me, and sheer fucking force of will, baby' to herself a lot, as a kind of mantra, and then will was born and she thought it would be kind of funny to name him will (she was right). lee invented william andrew solace so he'd have something to yell when will got in trouble lol.
he has the climbing wall record. this is because he climbs a lot of trees. he has no explanation and no one is going to stop him.
when he was a kid, and the whole mythology thing was explained to him, he misnderstood michael's explanation of food sacrifice as one to be done to all theoi/mythical beings. he worked his way to praying through the entire pantheon, a horde of minor gods, hestia, chiron, argus, and half the nymphs before someone caught wind and explained to him properly. it is the main reason all the nymphs and dryads are so endeared by him. he used to go around asking their names and very seriously writing it down in his little notebook to pray to them properly.
he carries around notebooks constantly. at first, diana gave them to him because he was driving everyone bonkers with his endless questions and she needed Five Minutes, Will, Gods, Please of silence, but he really took to it and wrote everything in there. he keeps them all as a sort of diary. kayla reads them any time he has his back turned.
it is really, really hard for him to talk about his siblings. but he knows kayla and austin feel kind of left out and hurt about it, since they didn't get the chance to know them like will did (the kids never met them), so sometimes, late at night, he calls them softly over to his bunk and they curl up, one under each arm, and he tells them stories until his voice goes hoarse and they're long asleep.
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muffinlance · 5 months
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Early Christmas present to myself: new Murderbot! Old Murderbot! Signed copies!
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[id: Picture of a tower of Martha Wells books, with her latest release on top. End id.]
Wait for it
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[id: Photo of the author's signature, which looks a lot like a very slightly wiggly straight line and/or the author's artistic impression of a heart monitor flatlining. End id.]
Martha Wells that is the laziest signature I have EVER seen I love you don't get carpal tunnel
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skylersprompts · 3 months
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DC x DP Prompt *31*
Dan… no, Bruce often thought back how his life had started. A young kid – not older than four years of age - had died in his sleep. His soul was leaving for the realms. And the Ancients had asked him if he was ready for redemption. Ready to live a new life, with all the happiness and pain it had to offer. He said yes, because nothing could be worse than rotting in the Thermos.
He had been wrong.
He had been shoved in the dying body of a little kid, his memory's of his past life simplified, so that his new brain could still grasp them without hurting him. He knew that he had been Dan once. Now he was little Bruce Wayne. He wasn’t allowed to ever take a life while he had his free will. He wasn’t allowed to ever tell anyone about his past live. He wasn’t allowed to use his powers, should he ever find the strength to reach his core again. The Ancients had made it clear that they would otherwise take everything from him. He remembered that his original, Phantom the Ancient of Balance had been against this, but he had been outvoted. If he should be able to heal his obsessions and never kill somebody, he and his family would share an afterlife together. His obsession unwrapped itself. Without being able to reach his core it was easier. His core was mending itself back together, his broken obsessions healing. From Danny's side he got the obsession to protect and belong in his fraid. From Vlad he got the obsession for control and family. And everything seemed to be perfect in the beginning. He had his Mother and Father. They were all safe. And he had as much control as a small child could have. He really was striving.
And then his parents died.
It broke him, not completely, but enough. And then he became the Batman. Being a hero, while also having something that was so vampire-esque was almost like a homage to whom he had been made of once. And even though he didn’t have a family anymore, except for Alfred, he at least could protect other people and gain some control back.
Than he got Dick, his first Robin. And everything was wonderful again, he healed again. Then he found Jason and he was brought into his little family and he loved it so much. All of this was worth it. Having his two sons and his father in all but name by his side was so much better then the Thermos.
He had been wrong again.
Bruce need for control and protect made him sometimes a bad parent, he knew this. But he never wanted to push his children away. He needed to find Jason and apologies.
And then he hold the broken body of his son.
This time the crack was bigger. Because he should have been able to protect his family. Because it was all his fault! He wanted to hunt down and kill the clown, he was holding onto a thread. He knew he would lose everyone if he let himself slip, but it was so hard.
And then Tim came into his life, holding him together, even though it shouldn’t be his job. But he healed, little by little. Until the Red Hood came. Until Jason came back and asked the impossible.
He couldn’t damn everyone and Jason to be erased. He couldn't lose his family, his son again.
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legendoftherisingtide · 6 months
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[intro]
Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.
He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.
Then why is he standing in the rain.
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To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.
He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 
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Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.
He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.
So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 
I hate the rain. But I will brave it for you. 
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He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 
For Izuku.
He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.
He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.
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But now it’s different.
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There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.
But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.
But when did it become something else? 
When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?
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Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 
He tells Midoriya he shouldn’t try to win this on his own. 
He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.
But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 
There are two reasons and both are a sacrifice of something in the moment.
It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 
But the sacrifice of ideology. 
With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.
Midoriya changed him.
He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 
Everyone sees how Bakugou feels about Midoriya.
He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 
There can not be a world that doesn’t have him in it.
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This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.
But the final sacrifice is the culmination of Bakugou’s character.
He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.
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This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.
I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.
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It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.
I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  
But can I still be with you?
The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.
And the last thing on his mind is if he can still be able to be by Midoriya’s side.
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He won’t let him go again. 
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snippetsnitch · 2 months
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Okay, but military whump. Military tropes in general. The POTENTIAL.
(❗️TW: Mentions of Torture, War, Oppression, Death – basically anything related to the shitty sides of militaries, power-abuse and warcrimes❗️)
Characters being captured by enemy forces and tortured for information until they either break or get rescued before they give out anything important.
(even better, if they don't have the information, but no one believes them 🥲)
Characters that are mistreated and abused in and by members of their own military. Maybe because they:
- do not agree with the way of their armed forces doing things (torturing enemies, repressing protests, committing warcrimes, etc.).
- have problems with authority and higher-ups that will be beaten and drilled out of them.
- are an outsider or part of a group that is strongly marginalised in the society the military forces are embedded in.
Characters being conditioned to never show any sign of pain, emotion or other 'weakness' to make them an effective and lethal fighter weapon.
Characters who are convinced pacifists being conscripts and suffering through grave emotional turmoil due to what is expected of them.
Dehumanising the enemy through language, propaganda and stereotypes.
Humanising the enemy by having to talk to one of them through a line of unfortunate circumstances (being imprisoned together, helping each other despite strict rules and surveillance, showing mercy on the battleground, etc.) or through anti-war-activism.
High-ranking characters that are dressed in ✨️fancy uniforms✨️
Power-dynamics and intrigues in the high ranks that have nothing to do with the cause and everything to do with elitism and gaining political influence.
Character A being higher-ranking than character B and using that power to bully them mercilessly (or to protect them, if you want it to be wholesome, though 😚).
Childhood friends being separated and seeing each other again on the battlefield – on opposite sides. :(
Old generals that have given up on the world, because they saw the cruelty and senselessnes of war vs. young, idealistic and possibly propaganda-brainwashed characters that see service in the military as the most honorable thing someone can do.
- breaking the view of those young idealists through the horrors of war.
- breaking the view of those old pessimists through good and selfless behaviour despite the horrors of war.
The "Well, well, well, what do we have here?" when characters are captured by enemy forces/caught spying and are taunted by their captors
(possibly combinated with forcing the captive to their knees)
(and grabbing their chin)
("Look at that, such a pretty face...")
(For the captive to defiantly spit in their captor's face or on their uniform)
(Only to be beaten violently)
(And to find themself with a boot on their chest/back/neck)
(You know what I'm getting at 👀).
Characters killing for the first time and breaking down completely.
Or characters killing for the first time and finding out that they enjoy it far more than they should.
Characters refusing to hurt/torture enemy characters, causing rank-internal drama and possibly putting the merciful character at great risk.
Veteran characters that struggle to find back into their "old life" after their service has ended.
Characters who grew up in a war-setting and know nothing but violence and danger.
etc.
etc.
etc.
There is just so much potential to explore your characters in depth, especially because it's such an extreme setting.
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