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#is because of olivia rodrigo
super-nova5045 · 6 days
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sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)
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I bet you figured I'd pass with the winter
Be somethin' easy to forget
Oh, you think I'm gone 'cause I left
- Can’t Catch Me Now, Olivia Rodrigo
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lunar-years · 10 months
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While I do think it's kind of a weird marketing choice for the Sour and Guts albums to seemingly have near-identical aesthetics, I also think swifties have a weird tendency to impose "eras" on every single artist. like sometimes pop artists just want to keep making pop albums that fit the personal aesthetic of who they truly are not everyone wants to completely reinvent themselves and their sound and their vibe every two years xx
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shubblelive · 8 months
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every single pop punk song olivia rodrigo does instantly being compared to miley/paramore/avril is literally just misogyny but some people aren’t ready to talk about that
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canthandlethishit · 1 month
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prompt: spiderman x batfam au
peter has been residing in gotham for a while now, he managed to gather up materials to make a spidersuit and started his vigilantism a couple months ago. for 3 reasons: 1. the bats try their best but with Gotham’s insane amount of crime happening at all times they’d need the aid, 2. peter missed this, he missed the drops and swings, the bubbly feeling inside every time he’d managed to help someone, 3. peter could use the extra cash from selling spiderman’s pictures to the Daily Bungle
he’d started attending Gotham’s university and got recruited into the photography club, met Tim Drake, started hanging out and discussing the angles and lighting, the art of taking action shots, the morality and legality of vigilantism—huh
Tim found out peter was the one photographing Spiderman, he thought he finally found someone like him, someone who’s invested in vigilantes and photographing (stalking) them, he’s over the moon for it, they share photography (stalking, on Tim’s part) tips
Peter thought his friend was really passionated (obsessed) with vigilantes, a fanboy, he teases Tim about it, and sputtered when Tim retaliated with his Spiderman obsession. Tim’s a Gothamite, its normal to be obsessed with the Bats.
[space for you to go with & or / with their relationship]
*the reveal*
Tim: YOU’RE SPIDERMAN????
Peter: I’m sorry I kept it from you I—
Tim: YOU’RE NOT SPIDERMAN’S STALKER??
Peter: I— wait…what?
Tim:
Peter:
Tim:
Peter: yk I thought you’d be more hung up on me being a vigilante than the pictures
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You know what’s a crazy butterfly effect we never talk about?? The musical film ‘Grease’ eventually leading to Olivia Rodrigo’s fame. Think about it:
The film ‘Grease’ was released in 1978, and its immense success led to the sequel ‘Grease 2’ (1982). In 1999 a script for ‘Grease 3’ was developed, but the project was shelved until 2004 when the script was adapted into ‘High School Musical’. ‘High School Musical’ was then released in 2006, becoming an instant hit and earning the film two sequels. The movie series had such lasting fame, that in 2017 a TV show inspired by the film series was developed titled ‘High School Musical: The Musical: The Series’ (‘HSMTMTS’ for short). Olivia Rodrigo was cast as one of the leading roles in the show, and was given the opportunity to write an original song for her character - the song she ended up writing titled ‘All I Want’. Upon the release of ‘HSMTMTS’ in 2019, ‘All I Want’ began gaining popularity and charted on the Billboard Hot 100. This gained Olivia interest from label executives, and she ended up signing a record deal with Interscope/Geffen. During Olivia’s time on ‘HSMTMTS’ she met and dated a fellow co-star, and their subsequent break up inspired her to write the song ‘driver’s license’. She then released ‘driver’s license’ as her debut single in 2021, and the song charted at number 1 and skyrocketed her to a whole new level of fame.
So without ‘Grease’, you wouldn’t have ‘High School Musical’, and without ‘High School Musical’ you wouldn’t have ‘HSMTMTS’, and without ‘HSMTMTS’ Olivia would not have written the song that got her a record deal or met the person who inspired ‘driver’s license’, and THAT is how Grease led to Olivia Rodrigo’s fame over 40 years after its release.
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all i see is what i should be
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lover-of-mine · 8 months
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no, love is never logical...
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astarlightmonbebe · 1 year
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“when you play go, you pursue your desires in silence. you seduce, and you fall. you strip each other bare. and if your partner doesn't reciprocate, then it's just a game of go.”
go as an overarching symbol throughout the glory, both figuratively as a representation of dongeun’s revenge, and also as a metaphor for class and relations (between her and the men in her life, i.e. yeojeong and doyeong).
on a relational level, go is a game of seduction. it’s a mental sword dance, so to speak. dongeun learns it with revenge in mind - she plans to catch the interest of doyeong, the husband of the girl who destroyed her life. she uses go to approach him - she seduces him the very first time he sees her play, so much that he can’t get her out of his head. she uses go to entice him; she wins before he even knows that he’s playing.
dongeun learns go for the purposes of ensnaring doyeong, but it’s yeojeong who first teaches her go at all. and it’s go that becomes a cornerstone of their burgeoning relationship as well. throughout the seasons, go helps both of them, as something that centers them, tethers them to current life. for yeojeong, his sessions mentoring dongeun in go were the only thing that created a schedule for him in his most turbulent time (after his father died, etc.). it becomes their mode of communication - he asks her to make a play so that he can know she came by. a silent way of saying i’m alive.
and then there’s dongeun approaching doyeong to play go, then them meeting again at the park he designed. yeojeong also approaches doyeong to play go, also purposefully - the man who taught dongeun vs the man she learned to play for. 
but for dongeun, go is never about the men so much as it is about herself. go becomes something she loves for what it is, a game that builds territories, a game where the enemy can be slowly and methodically destroyed as you take all their territories, like how she plans to take everything from yeonjin. it reminds her of the dreams of being an architect she had before she had to drop out of school from the bullying/assault.
doyeong says that one of his go teachers tells him that he was born holding the black stones. when dongeun plays with yeojeong for the first time, she says she has to start with the white stones, since she’s the beginner. that’s how they play, for months. when doyeong meets dongeun after finding out the beginnings of the truth, he says that this game is more difficult than the ones he’s played in the past (and she beats him, the first time they play prior to that meeting). 
the black stones represent the upper hand, the wealthy. it’s a class metaphor, especially when related to doyeong. yeojeong also starts out with the black stones, maybe because of wealth, maybe because he’s learned it for far longer. maybe because life was kinder to him. dongeun starts at the bottom, with the white stones, because she has nothing and knows nothing.
but when she places her first stones on the go board, she plays with the black.
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ailani-reillata · 6 months
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Ailani Réillata but she’s the GUTS album cover. That’s it, that’s the entire post.
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cowboy-like-moony · 8 months
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You know the song is catchy af if you sing along to it on your first listen
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gyubby99 · 6 months
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I feel like I was born to have special interests in things overhated by the media, deeming them between the lines of "overrated" and "badly written"
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39oa · 1 year
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DAL @ MIN (04.28.23) vs. SEA @ DAL (05.15.23) — aka roope hintz opening the scoring against ex-stars d-men in consecutive series-clinching games (followed by a wyatt johnston gwg to make it 2-0)
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coccinelle-et-chaton · 5 months
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i've been listening to Can't Catch Me Now for days now.
it is my entire personality. it has consumed me. i-
the beauty, the rage, the sadness. i am BANGIng my head against the wall, do you understand me? 2023 is for the dystopic girlie reinassance and i feel so ALIVE.
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yantao-enthusiast · 7 months
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hey gang. when are we gonna start saying "let's stop invading celebrities' privacies" and fucking MEANING it.
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anervousmirrorball · 4 months
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the grudge - olivia rodrigo
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